Category: Interview

MURDER IN THE DOG DAYS by P.M. Carlson (Interview, Showcase & Giveaway)

Murder in the Dog Days by P.M. Carlson Banner

Murder in the Dog Days

by P.M. Carlson

September 1-30, 2017 Book Tour

Synopsis:

Murder in the Dog Days by P.M. Carlson

On a sweltering Virginia day in 1975, reporter Olivia Kerr, her husband Jerry Ryan, his very pregnant sister Maggie and her family decide to have a beach picnic. Olivia invites her colleague Dale Colby and his family to join them. At the last minute, Dale decides to stay home to pursue an important story. But when the beach-goers return, they find Dale lifeless in a pool of blood inside his locked office.

Police detective Holly Schreiner leads the investigation, battling Maggie—and demons of her own.

Don’t Miss These Great Reviews:

“An ingeniously plotted, fair-play, locked-room mystery, one of the best we’ve encountered.” — Tom and Enid Schantz, The Denver Post

“A dandy locked room murder…The investigation is a dangerous one… [the] solution both surprising and satisfying” — A Suitable Job for a Woman

“A satisfying, fast-paced whodunit that also explores a range of social issues, especially the violence of war and its aftermath.” — Cynthia R. Benjamins, Fairfax Journal

​“[Maggie Ryan] has been a role model for women since the beginning and I loved watching her merge marriage and children with her talent for solving mysteries!” — Margaret Maron

Book Details:

Genre: Traditional Mystery
Published by: The Mystery Company / Crum Creek Press
Publication Date: April 2014
Number of Pages: 271
ISBN13: 978-1932325379
Series: Maggie Ryan and Nick O’Connor #6
Purchase Links: Amazon 🔗 | Barnes & Noble 🔗 | Smashwords 🔗 | Goodreads 🔗

Love this Video Chat Featuring Murder in the Dog Days:

P.M. Carlson

Author Bio:

P.M. Carlson taught psychology and statistics at Cornell University before deciding that mystery writing was more fun. She has published twelve mystery novels and over a dozen short stories. Her novels have been nominated for an Edgar Award, a Macavity Award, and twice for Anthony Awards. Two short stories were finalists for Agatha Awards. She edited the Mystery Writers Annual for Mystery Writers of America for several years, and served as president of Sisters in Crime.

Q&A with P.M. Carlson

Welcome!

Thanks! It’s good to be here.

Do you draw from personal experiences and/or current events?
Yes and yes. Also yes to psychological case studies and to past events. When I’m starting a novel from scratch, I look for for what I call a “constellation” of ideas. For example, before I began MURDER IN THE DOG DAYS, I’d written several Maggie Ryan mysteries about a smart, caring, often humorous woman coming of age in the late 1960’s-70’s. Those turbulent times were redefining much about women’s (and men’s) lives, and the serious economic and personal problems my friends and I faced found their way naturally into the stories. Maggie helped me explore issues and often helped me laugh about them.

But I was beginning to feel guilty about not dealing directly with one major issue for Americans of that generation: the Vietnam war. I started reading veterans’ accounts and talking to vets.

About the same time I read a little story in an Indiana newspaper about a man who had died in an odd way.

And I was getting to know a friend who was an investigative reporter, and realizing that her drive to get a story, though not identical to the love of research that my academic friends shared with me, was also a passion for truth.

And Maggie, of course, was starting a family, so family issues were on my mind.

Veterans, family, reporters, an odd death–– a random collection of ideas, right? But in my head these seemed to relate to each other. That’s what I call a “constellation.” They began to pull other ideas into their orbit. For example, when I thought about the setting for a story about war, it seemed right to put the action in Virginia, which–– as we recently saw in Charlottesville–– still suffers from the scars of the Civil War. But why would Maggie be there? Visiting her brother, of course, which would underline the family issues I was interested in. Characters began to take form, the brother and the reporters, and then the police detective strode into my head and said “Hey, I’m Holly Schreiner, and this book is about me.” I realized the Vietnam war had just checked in, and it was time to write.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
Both! I’m most efficient with a mystery when I have a sketchy idea of where it will end and how it will get there. The “constellation” of ideas I just described may include the motive and mechanics of the murder. So I make a list–– major turns in the plot, a few important events in subplots suggested by the characters. Then I shuffle and space them so I won’t have chapter after chapter of buildup with all the exciting plot turns put off till Chapter 24.

For me, it’s also important to avoid overplanning, so I keep the “plot” at the bullet-point level. Once I’m writing, the most fun is what bubbles up from the combination of things already in the stories. One reason my detective Maggie Ryan and her actor husband Nick O’Connor enjoy each other’s company is the games they improvise, sometimes to get information, sometimes to thwart an injustice, sometimes just for fun. But Maggie is passionate about finding the truth and a fair conclusion. Of course some of the characters, like Detective Holly Schreiner, don’t agree with her methods, and the resulting arguments can be fierce.

Your routine when writing? Any idiosyncrasies?
I love writing but hate starting to write. In fact, I hate starting anything–– getting out of bed in the morning, closing a book to start lunch, etc. Inertia should be my middle name. So I have to play tricks on myself. Sometimes I stop mid-paragraph, making the next day’s start easier because I’ll know what’s coming up. But my secret weapon comes from my experience training lab rats: the power of reward. I put a chocolate near my desk that I’m not allowed to eat until I’ve written at least a paragraph. By then the writing is its own reward.

Tell us why we should read this book.
Readers who like visiting another time will find an authentic view of the US in the late sixties and seventies in the Maggie Ryan mysteries. They’ll find that Maggie and Nick’s America was dealing with many problems that are resurfacing today, with angry political divisions about racism, anti-Semitism, homophobia, oppression of women, and on and on.

The Maggie Ryan series has also been described as “mysteries of character”. Maggie and Nick enjoy each other’s humor and sometimes play pranks on stuffier folks, although they’ve both had griefs of their own and share a deep sense of justice. As a psychologist I find myself digging deep into all the characters, major and minor, and the problems they are facing.

And of course, Maggie Ryan mysteries are mysteries! Fans of fair-play plotting should know that MURDER IN THE DOG DAYS is a good locked-room mystery.

Who are some of your favorite authors?
William Shakespeare, Dorothy Parker, Anton Chekhov, Christine Downing, Robert Jay Lifton, Miguel de Cervantes, and lots of mystery authors

What are you reading now?
A Kathy Reichs mystery, also Kitty Molony’s memoir of touring America in 1886-87 with the great American Shakespearean actor Edwin Booth.

Can you tell us a little about your next novel?
Next up in the Maggie Ryan series is MURDER MISREAD. It’s different from MURDER IN THE DOG DAYS because it’s an academic mystery told from the points of view of two different professors. It’s similar in the emphasis on character and motive, and on finding a fair resolution to a bad situation.

Favorite leisure activity?
I love seeing live plays! Books are great, movies are great, but in the theatre there’s the additional thrill of being in the same space with the talented human beings who are performing the story at the very moment you’re seeing it. It’s a social event as well as a funny, or moving, or spirit-lifting event. Luckily my husband teaches theatre in New York City so I get to see lots of shows, about sixty a year.

Favorite meal?
I’m with Maggie Ryan on this one–– I love French cooking. Their recipes seem to find the essence of a trout, or a bean, or an apple and enhance it with just the right seasoning. Maggie’s ability to prepare French meals is one of the best things that she learned in her year abroad, and fun to write about when the stories need a food scene.

Thank you for stopping by CMash Reads and spending time with us.

Thanks for inviting me, Cheryl!

Catch Up With Our Author On:
Website 🔗, Goodreads 🔗, Smashwords, & Twitter 🔗!

Read an excerpt:

“I don’t understand!” Donna Colby cried out. Her self-control cracked. She reached toward Holly in appeal, tears starting. “It was bolted! How could anyone—even if Dale let them in, they couldn’t bolt it again after they—”

“Yes, Mrs. Colby.” Holly broke in, firm and reassuring, to deflect the outburst. “We’ll check into it. You can depend on it.”

‘Thank you,” said Donna with a little choking sound.

“Now, what did you do when you realized the door was bolted?”

“Well, he usually takes a nap. I thought maybe he was asleep.” Donna Colby was trying to revert to her numbed monotone again, but a tremor underlay her words. “Then Maggie went to look in the window and came running back in and said hurry up, we had to get the door open. So she did, and—” She stopped. The next part was the unspeakable, Holly knew. Donna Colby turned her face back to the pink flower on the back of the sofa, tracing the outline with a forefinger. “All that blood,” she murmured. “I just don’t… Why?”

“I know, Mrs. Colby.” Holly tried to keep her voice soothing in the face of the incomprehensible. A husband and father lay twisted in the den. Why? Tell me why. And the others, so many others. A flash of reds at the back of her eyes. A blue-green stench. A tiny whispered beat, ten, eleven. Twelve. No more. Hey, cut the bullshit, Schreiner. Just get the details. Ain’t no time to wonder why, whoopee we’re all gonna die. Holly flipped to a new page, keeping her voice colorless. “What did you do when you got the door open?”

“We all ran in—I don’t remember, it was so—I couldn’t—the blood. Maggie went to him. Sent Olivia to call an ambulance. Told me to keep the kids out, take them to the kitchen.”

Holly noted it down. This Maggie sounded like a real take-charge type. “Okay. And then what?”

“I don’t remember much. She made me leave, take care of the kids.”

“What was she doing?”

“I don’t know. There was so much…” The word escaped Donna and she stared at Holly in mute terror before finding it again, with an almost pitiful triumph. “Confusion. The men came back. Maggie will tell you,” she added hopefully, trying to be helpful. All her life, probably, being nice had kept her out of trouble. But now she’d hit the big trouble, and Holly knew that no weapons, even niceness, could help now.

* * *

Excerpt from Murder in the Dog Days by P.M. Carlson. Copyright © 2017 by P.M. Carlson. Reproduced with permission from P.M. Carlson. All rights reserved.

Tour Participants:



Giveaway:

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for P.M. Carlson. There will be 1 winner of one (1) Amazon.com Gift Card AND 5 winners of one (1) eBook copy of MURDER IS ACADEMIC. The giveaway begins on September 1 and runs through October 1, 2017.

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THE CHURCH OF THE HOLY CHILD by Patricia Hale (Interview& Showcase)

The Church of the Holy Child

by Patricia Hale

on Tour August 15 – October 15, 2017

Synopsis:

The Church of the Holy Child by Patricia Hale

A woman with a history of domestic abuse is missing. Her sister hires private investigators Cole and Callahan.

When the woman is found dead, her husband is charged but when a second body appears showing the same wounds, questions arise and what looked like a slam-dunk becomes anyone’s guess. The case goes to John Stark, a veteran cop and close friend of Griff Cole.

The bodies are piling up, and one person knows where the killer is. Father Francis, a priest at The Church of the Holy Child, listens to the killer’s disturbed account of each murder and wrestles with the vows that bind him to secrecy.

The case takes an unexpected and personal turn when Cole’s ex-wife goes missing and a connection to his past points to the killer.

**See my review here and enter the giveaway**

Book Details:

Genre: Mystery/Suspense
Published by: Intrigue Publishing LLC
Publication Date: August 15th 2017
Number of Pages: 259
ISBN: 1940758599 (ISBN13: 9781940758596)
Purchase Links: Amazon 🔗 | Barnes & Noble 🔗 | Goodreads 🔗

Q&A with Patricia Hale

Do you draw from personal experience or current events?

A little of both, I think. My life isn’t nearly as exciting as the lives of my characters, but sometimes I give them a quirk or a reaction to something that comes from personal experience. I’ve also reshaped pieces of news stories and I save interesting articles from the newspaper or on-line that I might play around with.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line takes you?

Most often I have the ending and work my way back. Sometimes all I have is what I know will be the last line in the book. I rarely have the plot worked out in my head. I just start writing toward what I know is the ending and see how I get there.

Are any of your characters based on you or people that you know?

None of the characters are based on me, but because the series is written in first person with Britt as narrator, some of my sarcasm shows up in her banter with Griff, and impulsivity is a characteristic (or vulnerability) of mine as it is for Britt. Sometimes I use traits from friends in my characters, like Britt’s affinity for honeyberry cigars. My co-worker smokes these on the sly and when I found out, I thought it was a great little vice to use for Britt.

Your routine when writing? Any idiosyncrasies?

I have to write in the morning and it has to be the first thing I do after feeding the dogs and making coffee. I can’t shower or get dressed before I write. If I do, I lose my mind set and creativity. I might as well just vacuum or do errands because showering or getting dressed takes me out of the zone.

Tell us why we should read this book.

The Church of the Holy Child is a mystery/suspense novel so it will satisfy those looking for a good who-dun-it. But the sub-plot of the Catholic priest conversing with the killer in the confessional offers a richer, more complex story. The priest’s ethical dilemma of whether he should go to the police with what he knows or obey his holy orders, draws the reader into considering their own beliefs and challenges them with more than figuring out who the killer is.

Who are some of your favorite authors?

I enjoy reading Stephen King for his writing style. He’s a terrific storyteller. I’ve read a number of Lionel Shriver’s books. She provides a unique perspective and her detailed insights of our everyday lives always make me stop and say, ‘I wish I’d said that’. Dennis Lehane and Tana French need no explanation. And I’ve recently been enjoying Jussi Adler-Olsen’s series.

What are you reading now?

I’m reading Freedom, by Jonathan Franzen. I’ve never read him before, but I’m really enjoying this book. He takes a look at marriage, parenting and middle age through the eyes of the Berglund family with humor and often, painful honesty. His understanding of the fears, fantasies and idiosyncrasies that haunt middle-class America are right on the money.

Are you working on your next novel? Can you tell us about it?

The Church of the Holy Child is the first in a three book series. In the second book, Durable Goods, Britt goes undercover looking for a missing girl and ends up over her head in the sex trade industry. The third book in the series is Scar Tissue, in which Britt and Griff are hired to investigate a young girl’s suicide. In their search to find the reason why, they expose the lines parents will cross to insure success as well as revenge. Both of these will follow The Church of the Holy Child, but I don’t have release dates yet.

Your novel will be a movie. Who would you cast?

This question made me laugh because when I was thinking about what Britt and Griff looked like, I went on-line and looked at actors to get different characteristics in my head. Now… dead center on my desk, above my computer I have two pictures. One is of Hugh Jackman (Griff Cole) and the other is Natalie Portman (Britt Callahan). In the picture, Natalie has a very short, black, pixie style hair cut. My dream team!

Favorite leisure activity/hobby?

I am a yoga and animal enthusiast. I do a yoga routine every day and I hike in the woods with my dogs. I have a German shepherd and a Beagle mix who are my constant companions. I am also looking forward to becoming a foster home for an organization called Beagle Freedom who rescues animals from laboratory testing. Most labs use Beagles because of their size and sweet temperaments and many of these dogs have never been outside of a laboraory. I’ll provide an interim home until the dogs become acclimated to their new life and can be placed in forever homes. (I’m sure a few will find their place with me.)

Author Bio:

Patricia Hale

Patricia Hale received her MFA degree from Goddard College. Her essays have appeared in literary magazines and the anthology, My Heart’s First Steps. Her debut novel, In the Shadow of Revenge, was published in 2013. The Church of the Holy Child is the first book in her PI series featuring the team of Griff Cole and Britt Callahan. Patricia is a member of Sister’s in Crime, Mystery Writer’s of America, NH Writer’s Project and Maine Writer’s and Publisher’s Alliance. She lives in New Hampshire with her husband and two dogs.

Catch Up With Our Author On:
Website 🔗, Goodreads 🔗, Twitter 🔗, & Facebook 🔗!

Read an excerpt:

Inside the wooden confessional there’s a man who talks to God. At least that’s what my mother told me the last time we were here. But a month has passed since she disappeared so today I’ve come to the church alone. I no longer believe that she’s coming back for me like she said. Instead, I’ve become her stand-in for the beatings my father dishes out. That’s what he calls it, dishing out a beating, like he’s slapping a mound of mashed potato on my plate. He swaggers through the door ready for a cold one after coming off his seven to three shift, tosses his gun and shield on our kitchen table and reaches into the refrigerator for a Budweiser. I cringe in the corner and make myself small, waiting to hear what kind of day he’s had and whether or not I’ll be his relief. More often than not, his eyes search me out. “’C’mere asshole,” he says, popping the aluminum top, “I’m gonna dish out a beating.” If anyone can help me, it has to be this guy who talks to God. I open the door of the confessional with my good arm and step inside.

Twenty-three years later

ONE

His breath was warm on my neck, his lips hot and dry. His tongue searched the delicate skin below my ear. Heart quickening, back arching, I rose to meet him.

The phone on the nightstand vibrated.

“Shit,” Griff whispered, peeling away from me, our clammy skin reluctant to let go. He swung his feet over the edge of the bed and flashed me his bad-boy, half-smile. “Cole,” he said into the phone.

At times like this, cell phones rate right alongside other necessary evils like cod liver oil and flu shots. I leaned against his back and caressed his stomach, damp dunes of sculpted muscle. Not bad for a guy north of forty. Griff still measured himself against the hotshots in the field. But in my book he had nothing to worry about; I’d take the stable, wise, worn-in model over a wet behind the ear, swagger every time.

He pried my fingers from his skin and walked toward the bathroom still grunting into the phone.

I slipped into my bathrobe and headed for the kitchen. I have my morning priorities and since the first one was interrupted by Griff’s phone, coffee comes in a close second.

Twenty minutes later he joined me dressed in his usual attire, jeans, boots, tee shirt and sport jacket. Coming up behind me, he nuzzled my neck as I poured Breakfast Blend into a travel mug. Coffee splashed onto the counter top.

“Gotta run,” he said taking the cup from my hand.

“What’s up?”

“Not sure yet. That was John. He said he could use a hand.

“Sobering up?

Griff flinched like I’d landed one to his gut.

“Sorry,” I said. “Cheap shot.”

“Woman found dead early this morning.”

“When’s he going to admit that he can’t run the department with a pint of scotch sloshing around in his gut?”

“The job’s all he’s got left, makes it hard to let go.”

“I’m just saying that he shouldn’t be head of CID. Not now. I’m surprised Haggerty has put up with it this long.”

“There’s a lot going down at the precinct. Internal Affairs is having a field day after that meth bust.

They’ve got so many guys on leave right now that a bottle of Dewar’s in John’s desk is the least of Haggerty’s problems.”

“I just don’t want you to get sucked into CID.”

He slipped his hands inside my robe and nuzzled my neck. “No chance of that. Nobody on the force feels like this.”

I pushed him away halfheartedly.

I’ll call you when I know what’s going on.”

The door closed behind him.

I sank onto a kitchen chair and flipped open the People magazine lying on the table. Griff and I had just finished an investigation for an heiress in the diamond industry whose sticky handed husband had resorted to blackmailing her brother as a way around their pre-nup. The ink on her twenty-thousand-dollar check made out to Cole & Co. was still wet. And being that I was the & Co. part of the check, I’d earned a leisurely morning.

The phone rang just as I was getting to the interview with Goldie Hawn and Kurt Russell on the secrets of a long-term relationship. Caller ID told me it was Katie Nightingale, our go-to girl at the office. Katie kept track of everything from appointments to finances to take-out menus.

I lifted the phone and hit ‘answer’.

“Britt?” Katie spoke before I had a chance, never a good sign.

“What’s up?” I asked.

“Missing woman.”

“Since when?”

“Last night.”

“What makes her missing? It hasn’t even been twenty-four hours.”

“The woman who called said her sister was leaving an abusive husband and was supposed to let her know when she was safe by ringing the phone once at seven-thirty. The call never came. Now she can’t get hold of her. She said her sister carries your card in her wallet.”

“What’s her name?”

“The woman who called is Beth Jones. Her sister is Shirley Trudeau.”

I nodded into the phone. I can’t remember every woman I encounter, but Shirley’s name rang a bell. Since giving up my position as a Family Law attorney with Hughes and Sandown, I’d been offering free legal aid for women who needed advice but couldn’t afford it. Mostly I worked with wives trying to extricate themselves from abusive marriages. Given the reason I’d abandoned my law career, it was the least I could do. Shirley hadn’t been living at the women’s shelter, but she’d spent enough time there to have Sandra, the shelter’s director, hook her up with me.

“And Beth thinks Shirley’s husband found her?”

“That’s what it sounded like once she’d calmed down enough to form actual words.”

“I’m on my way.”

I set the phone down, making a mental note to call Sandra. She’d upgraded from a caseworker in Connecticut to Director in Portland, Maine a few months ago. I’d stopped by her office to introduce myself when she started and left my business cards. Our paths didn’t cross that often but we respected each other’s work and always took a few minutes to chat. I knew she’d been on the swim team in college and that she could bench-press her weight. We were close in age and like minded when it came to the politics of non-profits. No doubt Beth Jones had called her too.

After a shower and a quick clean up of last night’s wine glasses, Chinese takeout containers and clothes that we’d left strewn around the living room, I locked the apartment door and began my fifteen-minute trek to our office on Middle Street. I savored my walk through the Old Port, the name given to Portland, Maine’s waterfront. The summer heat that a month ago had my shirt stuck tight against my back was a thing of the past and the snow and ice that would make walking an athletic event had not yet arrived. The cool, crisp air was like a shot of espresso. As long as I didn’t let my mind wander to what nature had in store, I could enjoy the rush.

I hit “contacts” on my phone and scanned the names for Sandra’s.

“Sandra, it’s Britt,” I said when she answered. “I wish this was a social call, but it’s not. Shirley Trudeau is missing.

“I know. Her sister called this morning. I’m on my way in now. How did you find out?”

“Her sister hired us to find her. “Was someone helping her leave?”

“She had a caseworker, but I wasn’t in on the plan. I’ll know more once I get to my office and talk to the person she was working with.”

“Okay if I call you later?”

“I don’t know how much I’ll be able to tell you. You know the rules. If she was on her way…”

I stopped mid-stride and lowered the phone from my ear. Sandra’s voice slipped away. That dead body that Griff went to look at… my gut said, Shirley Trudeau.

***

Excerpt from The Church of the Holy Child by Patricia Hale. Copyright © 2017 by Patricia Hale. Reproduced with permission from Patricia Hale. All rights reserved.

Tour Participants:

Stop by these awesome hosts to learn more about Patricia Hale & her amazing book, The Church of the Holy Child. Plus, there are some great reviews, interviews, and giveaways!!

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DARK HARVEST by Chris Patchell (Interview & Showcase)

Dark Harvest by Chris Patchell Tour Banner

Dark Harvest

by Chris Patchell

on Tour August 1-31, 2017

Synopsis:

Dark Harvest by Chris Patchell

Becky Kincaid ventures out in the middle of a snowstorm to buy a car seat for her unborn baby and never makes it home. When a second pregnant woman disappears, Marissa Rooney and the team at the Holt Foundation fear a sinister motive lurks behind the crimes.

Lead investigator, Seth Crawford, desperately searches for the thread that binds the two cases together, knowing that if he fails, another woman will soon be gone. While Seth hunts for clues, a madman has Marissa in his sights and she carries a secret that could tear her whole world apart.

Can Seth stop the killer before he reaps his dark harvest.

Read my review here

Book Details:

Genre: Suspense
Published by: Kindle Press
Publication Date: May 30th 2017
Number of Pages: 336
ISBN: 1546428445
Series: A Holt Foundation Story, Book 2
Purchase Links: Amazon 🔗 | Kindle Unlimited 🔗 | Goodreads 🔗

Q&A with Chris Patchell

Writing and Reading:
Do you draw from personal experiences and/or current events?

Absolutely! Writing creepy thrillers, there are always true crime stories that intrigue me and trigger a story ideas. Though it was years ago, I still remember hearing the news story about a pregnant woman who went missing on Christmas Eve. The photograph they showed of Laci Peterson was heartbreaking—eight months pregnant, the picture of health, Laci beamed into the camera. While I was researching my second book, In the Dark, I was talking with a seasoned police detective who told me something chilling that stuck with me years later. “As soon as I saw the news about Laci Peterson’s disappearance, I knew the husband did it,” he said. When I started mulling over story ideas, I knew Dark Harvest began with the disappearance of a young, pregnant woman. While the setup for the story was inspired by the true crime case, that’s where the similarities end. The actual unraveling of the case in my book arrives at a motive that will catch readers by surprise.

All authors put a little something of themselves into their work. When I was a kid, we lived way out in the country. On those long summer days, my brother and I would explore the fields behind our farmhouse that seemed endless. One day when we had wandered much farther than we had before, we discovered a house. It was in the middle of a field of long, swaying glass. Blackened with age, seeing it was like stumbling on a real-life mystery. Who built it? Where had they gone? Why had they abandoned the property? It was like one of those ghost towns where you walk through the fence and into other people’s lives. The image stayed with me and many years later, the memory surfaced while I was writing Dark Harvest.

We all see things, feel things, and writers find ways to channeling those experiences into their work, imbuing them with a sense of realism that draws readers in. I love it when I hear from a reader how a scene that I wrote impacted them. It’s the best feeling in the world!

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
OMG, it would be awesome to start with the conclusion and work my way backward, but most of the time, when I start working out a story idea, I’m not sure how it ends. My characters are very real to me and often have secrets they don’t reveal all at once. I like to think of it like a relationship—you don’t find everything out about a person in a few short days.

Are any of your characters based on you or people that you know?
All the heroes are based on me! HA! I wish. Some of the people I’ve known over the years have inspired characters in my books though it’s never a whole-sale transplant. When I wrote Deadly Lies, I set it in a company similar to where I worked. A parade of co-workers stopped by to tell me they had read my book and tried to guess the identity of the characters. “Is it…” They’d blurt out a name. Thank god, they always got it wrong. Dark Harvest features single mother, Marissa Rooney, who is struggling to help her daughter overcome her traumatic experiences while trying to keep the rest of her life from blowing up. Marissa bears some similarities to my mother—both were young when they had children, both underestimated themselves, and both had the kind of grit that allowed them to face and overcome their obstacles, sometimes in painful ways. It can be as small as a verbal tic or as big as the way loyalty blinds them to what is staring them in the face and ultimately proves their undoing.

Your routine when writing? Any idiosyncrasies?
On a good day, I fall into the creative flow and time disappears as I hang out with my characters. Then there are the other days when I sit down to work and the dogs go racing out the door to bark at the neighbors. My jaw clenches and I think kill the dogs, kill the dogs. Of course, I don’t. I call them back into the house and close the door and they nap at my feet as I limp toward my daily word count goal. Because I always have a goal. Whether it’s how many words I want to write that day, or how many chapters I want to edit. Distractions are like ravenous little monsters desperate to eat up all my time. Facebook. Political news. Yeah. Sometimes I think I should disable the Internet for most of the day, but I’m not that hard core yet.

Tell us why we should read this book.
Dark Harvest combines a great cast of characters who are desperately trying to solve a disturbing abduction. The pace is fast. The stakes are high. And the fascinating motive behind the crime will surprise you.

Who are some of your favorite authors?
I have a long list of authors I admire, but here are a few of my favorites. I love Stephen King. I started reading his horror stuff in the 90’s. The thing I loved best about his writing back then was that his books were really long. Fast forward fifteen years though, and King has become a master. The way he breathes life into his characters is amazing, like Junior Rennie from Under the Dome. His imagery when unfolding a scene is intricate, beautiful, and at times, horrifying. Lisa Gardner writes well-executed thrillers with good characters and tight plots. Pat Conroy is also a master of characters whose flaws threaten to destroy them. Blake Crouch’s Wayward Pine series is a great example of compelling fiction. Great action scenes. Great emotion. Exceptional world building.

What are you reading now?
This summer I’m on a steady diet of psychological thrillers. Big Little Lies. I loved the HBO series and now am reading the book. Liane Moriarty has a unique, compelling, and funny voice. I just finished re-reading Duma Key, by Stephen King, and have Pretty Girls by Karin Slaughter queued up on Audible. I listen to Audible in the car, because for some strange reason, it’s illegal to read and drive at the same time. At least that’s what the cops who pull me over keep telling me. I’m finishing Simon Sinek’s inspirational book, Start With Why. Being an avid learner, I always have a non-fiction book on the go.

Are you working on your next novel? Can you tell us a little about it?
You bet! During my career in hi-tech, we were always struggling to define the next product while we were working on the current release, so when we finally shipped the current version, we could roll off to the next project without wasting time. Rarely did we manage to do this. When Dark Harvest released, I was already editing the next book. Vow of Silence is also a book #2 and picks up a few years after Deadly Lies ends. The life Jill Shannon wants is within her grasp. Engaged to prosecuting attorney, Conner Manning, she is about to give her daughter the family she has always wanted. But the secrets from Jill’s dark past come back to haunt her and threaten to destroy her dreams. It’s an entertaining story that explores the lengths to which someone will go to keep their past hidden with an undercurrent of politics that has been fun to research and write.

I’ve also been developing pitches for a few more story ideas that I have in my pipeline. Next month I plan to invite a group of friends over for a pitch-fest. I’ll have my friends read over three or four pitches and vote on which one is their favorite and why. Liberal amounts of wine may be served to help lubricate the conversation.

Fun questions:
Your novel will be a movie. Who would you cast?

From your lips to Hollywood’s ears! Usually this question leaves me scratching my head and staring at my feet, but not with Dark Harvest. This time if I had my magic casting wand, I actually know who I would want to play the book’s main characters. Kate Hudson would be a good fit for Marissa. She’s beautiful, vulnerable, and smart. Mark Ruffalo has the right blend of cynicism, fallibility, and intelligence to play the Holt Foundation’s lead investigator, Seth Crawford. Xander Wilcox would be played by one of my all-time favorite actors, Edward Norton, who excels at playing brilliantly flawed characters.

Favorite leisure activity/hobby?
Writing! Crap, no. That’s my day job. I enjoy playing the piano even though I’m only a few steps up from just plain awful. And while I love the sound of the instrument, I love the way playing music exercises my brain even more. There is nothing else like it. I approach playing the piano the same way I approach writing. I set goals. Focus on technique. Strive for continual improvement. While practice doesn’t always make perfect, I keep going, even when it is frustrating, because I love it.

Favorite meal?
Red meat! I know how this sounds, but I could never be vegetarian or vegan. A grilled steak with mushrooms, grilled asparagus and salad is about the best thing in the world. Pairing it with a deep red wine makes it even better.

Thank you for stopping by CMash Reads and spending time with us.

Thank you so much for hosting me! It’s been fun.

Chris Patchell

Author Bio:

Chris Patchell is the bestselling author of In the Dark and the Indie Reader Discovery Award winning novel Deadly Lies. Having recently left her long-time career in tech to pursue her passion for writing full-time, Chris pens gritty suspense novels set in the Pacific Northwest, where she lives with her family and two neurotic dogs.

Catch Up With Chris Patchell On:

Read an excerpt:

Chapter 1

A sharp pain jabbed Rebecca Kincaid’s side, and she sucked in a breath. Her hand fell to the hard swell of her belly, rubbing gently. Round ligament pain, she figured, just one of the many joys of being pregnant.

“Chillax, kiddo,” she said to the baby dancing inside her as the pain subsided.

Smiling to herself, she glanced around to see if anyone else was close enough to hear. Some people called you crazy for talking to yourself in public. She caught the eye of a redhead standing beside a stack of Diaper Genies. Dressed in blue jeans and a red flannel coat, the woman smiled. She looked to be in her mid-twenties, older than Becky, but not as old as some of the women in her prenatal classes. The woman’s gaze strayed to the strained buttons around Becky’s baby bump.

“When are you due?”

“Two more weeks and counting.” She grimaced. Being this big, nothing was comfortable. Her back ached, her hips hurt, and even sleeping was hard.

The woman smiled sympathetically. “I know, right? I felt the same way when I was pregnant, like I was Sigourney Weaver in that Alien movie with a little monster just dying to get out.”

“I know what you mean,” Becky said, breaking eye contact.

Truthfully, she hated that movie. Violent and gory. Comparing a baby to a bloodthirsty alien tearing its way out of its mother’s womb, well, that was kind of sick. She was much more of a romantic-comedy kind of girl.

“I have a toddler at home,” the woman said. “Seems like just yesterday I was in maternity clothes, though.”

Becky faked a laugh and turned down an aisle, away from the stranger.

She parked the cart and ran her hand over the Chicco car seat sitting center shelf. She didn’t need her mother to tell her it cost too much. Most of her baby stuff she’d picked up at the Salvation Army store or had gotten handed down from the women at work, but Becky knew that car seats were one of those things you had to buy new. On her waitressing salary, the best she could afford was the cheapest one on the rack. And even that was pricey.

The doctor said that most first babies came late, but in the last day or two, she’d had a few contractions. Fake contractions, the nurse said. Whatever they were, they freaked her out. She knew she wouldn’t be able to bring the baby home from the hospital without a car seat, so here she was, shopping in the middle of a freak snowstorm. If her mother knew that she was out on a night like tonight, she’d have a fit.

Becky fingered her necklace, grabbed the white-gold heart, and ran it along the chain as she searched the shelves for something more affordable. Of course, the one she wanted was up on the top shelf, well out of reach. She scanned the area looking for a box stowed a bit lower. There were none.

Becky sighed and glanced down the aisle. Didn’t anyone work in this store?

Where was Nathan when she needed him? All six foot three of him could have reached up and grabbed the box off the shelf with no problem at all, but at five foot two, almost as wide as she was tall these days, it was hopeless.
Frowning, she stepped on the bottom shelf and stretched high, wiggling her fingertips in a desperate bid to tip the box toward her. The metal shelf groaned under her weight. It shifted suddenly, and Becky’s stomach lurched. Thrown off balance, she careened backward, hands flailing wildly as she grasped for something—anything to stop her fall. Nothing but air.

Oh God. The baby.

Strong hands gripped her coat, catching her inches from the floor. Heart racing, Becky closed her eyes and regained her footing. Her hands flew to her belly. The baby kicked her hard, as if chastising her for being so careless.

“Careful, honey. You don’t want to fall in your condition,” a woman said. It was the redhead again. “Let me get that.”

Becky bit her lip and stared at the damned box. Why didn’t they put the boxes lower where pregnant moms could reach? It was probably some stupid marketing trick to get you to buy the most expensive ones. They were at eye level.

“Maybe we should find a clerk,” Becky said. “I’m not sure you should be climbing up there either.”

“If we wait for someone else to come along, we’ll both die of old age. Besides, we gals have got to help each other out.”

The redhead winked. Stepping onto the warped bottom shelf, she reached high overhead and slid the baby seat from its perch. Climbing back down, she turned and dropped the box safely into Becky’s cart.

“There,” she said, clapping the dust from her hands with a satisfied smile.

“Thanks,” Becky said. “If my boyfriend were here . . .” She trailed off, irritation rippling through her. Why was it that she was the only one responsible for all of this baby stuff? She hadn’t gotten pregnant by herself.

The redhead’s eyes narrowed.

“Where is the baby daddy? Shouldn’t he be helping you with this?”

“He’s out with his friends. He’ll be home soon, though.”

Becky blushed and turned away. Why was she lying to a perfect stranger? Nathan wouldn’t be home soon. In fact, she didn’t know when she would see him again. For her, home was a dreary little basement apartment that she could barely afford, while he lived in a sprawling frat house minutes away from the University of Washington campus. She had only been there once. The night she had gotten pregnant.

The last three dozen texts she sent him went unanswered. He ignored her baby updates. She’d even sent him images from the ultrasound.

But he’d never responded. He didn’t answer her calls. She might as well not exist. Pregnant and alone, she was an eighteen-year-old walking cliché. And what was worse, her mother had been totally right about Nathan, not that Becky had any intention of admitting it.

Becky’s shoulders slumped. A painful lump formed in her throat, and she rubbed her belly.

“Men are pigs, honey,” the redhead said, patting Becky’s shoulder. “The sooner you learn that lesson, the easier your life is going to be.”

Even though Nathan was ignoring her, Becky still held a sliver of hope deep in her heart that once the baby was born, he’d come around. Once he held his son, looked down into his beautiful face, everything would change.

Becky sniffed and dabbed her nose on her sleeve. She could hope.

“Do you have someone who can help you carry the baby seat to your car? It’s slippery out there. You almost fell once today; you don’t want to risk that baby again.”

The woman reached out and patted her baby bump. Becky recoiled, startled by the presumption of the stranger’s touch.

“Sorry,” the woman said, curling her fingers into a fist. “Force of habit.”

Becky grasped the handle of the shopping cart and steered it down the narrow aisle.

“Thanks for your help but I can manage,” she called over her shoulder. In her haste to escape the awkward situation, the front wheels slammed into a shelf. The cart shuddered, and Becky’s belly ran up against the handle. She gasped, pain shooting through her.

“You okay?”

The bright flash of pain subsided. Cheeks burning, Becky waved her hand and kept going, wanting to distance herself from the woman. She’d already embarrassed herself enough for one night. Besides, it was late, and her back was killing her. All she wanted to do was go home and stretch out on the couch, maybe catch an episode of The New Girl before she fell asleep.

Waiting at the register, she looked at all the baby things crammed on the shelves. They were so sweet. Stuffed bunnies with long, floppy ears; burp cloths; and pacifiers.

Her belly tensed. The baby kicked like he knew he was going to be born into a life of hand-me-downs. A fake contraction rippled through her, and she released a short breath. At least she thought it was fake. She wasn’t ready for the real kind yet.

Unable to stop herself, Becky picked a stuffed bunny off the shelf. Raising it to her face, she ran its baby-soft fur across the bridge of her nose. It smelled powdery fresh and reminded her of her favorite stuffed animal from when she was a kid. A potbellied bear with a matted brown coat and a large blue nose. She’d loved that bear. Took it with her on every trip. Slept with it every night for far longer than she cared to admit. Her mom had restuffed that bear at least three times that she could recall.

She felt a pang thinking about her mom. They hadn’t spoken for five months now, ever since that terrible fight they’d had about Nathan. And the abortion her mother thought Becky should have.

She couldn’t kill her baby.

“Ma’am?” the clerk called to her. She looked up. The couple in front of her was gone, and the line had cleared. She was next.

“The bunny?” The clerk held out her hand for the stuffed animal. Becky shook her head and forced a smile. The bunny was a luxury she couldn’t afford. Squeezing the downy soft tummy one last time, she set the stuffed animal back on the shelf.

“Just the car seat,” she said, digging for her wallet. Paying cash for her purchase, she left the store.

Thick flakes of snow shone under the streetlights and swirled around her in the frigid wind. A blanket of white covered the icy parking lot.

Becky pressed the trunk button on the remote. Some asshole had parked his black van right next to her. With the whole empty parking lot to choose from, why would he park so close?

Shit luck, she supposed, the only kind she seemed to have these days.

The wheels on Becky’s cart rattled on the chunky snow and ice. She slipped. Catching herself, she kept going. On a grim night like this, most smart people stayed home.

Snowflakes caught in her eyelashes, and others brushed her cheeks like icy angel kisses. Becky stowed the car seat in the trunk. The nearest cart caddy was a football field away. Okay. She probably shouldn’t abandon the cart, but screw it. She was tired, pregnant, and it was damned cold out here. No one would blame her. She launched her cart through the empty parking lot. It ground to a halt the next row over.

Shivering as the damp night air wrapped around her and the snowflakes melted in her hair, Becky rounded the side of the car and glared at the van. He’d left her eighteen inches of space. How the hell was she supposed to open her door wide enough to crawl into the driver’s seat? It would have been difficult even if she had been her normal size, but in her current condition, it was impossible.

But what choice did she have? Wait out here until the asshole showed up and moved his ratty van? With the way her luck was going, it probably belonged to some kid who worked in the store and wouldn’t be off for hours yet. She could try the passenger’s side, but crawling over the gearshift and the console between the seats in her condition . . .

Becky sighed. Feeling dumb and desperate, she dialed Nathan’s number. His picture flashed on her phone. He had a handsome face with blue eyes and a smattering of light-brown freckles. She waited. One ring. Two. Five. The call went through to voicemail the way it always did. Becky’s stomach heaved, and she pocketed the phone.

Glancing up, she eyed the van and set her jaw.

She could do this.

Easing her way between the two vehicles, her swollen belly smearing the dirty side of the van, she waddled toward the driver’s door. The side mirrors of the vehicles almost touched.

Behind her, she heard the crunch of shoes on snow. Becky’s breath caught.

She spun, her belly scraping the passenger’s door as she looked behind her.

The redhead from the store smiled.

“God, you scared me.” Becky slapped a hand over her racing heart as adrenaline shot through her system at warp speed. The baby must have felt it too. He twisted and squirmed inside her.

“Sorry. I would have called out, but I didn’t know your name.”

“Becky,” she said, still gripping the keys tight in her hand. She drew in a couple of cleansing breaths.

“I think you dropped this.”

The woman held something out in front of her. It was the stuffed animal from the store—the snow-white bunny with floppy ears. Becky frowned and shook her head.

“It’s not mine. I . . .”

She was so focused on the rabbit that she didn’t hear the grinding sound of the van’s door open until it was too late. Large gloved hands clamped onto her shoulders and heaved her inside. She landed on her belly. A bright bolt of pain ripped through her. The air rushed from her lungs.

The front door slammed closed. The engine roared to life. Becky screamed. A stabbing pain, like the sharp pinch of broken glass, burned at the base of her neck. She tried to push the man away, but he pinned her hands.

“Let’s go,” he said.

The van rumbled out of the parking lot. A right turn, then a left.

Becky screamed again. Her vision narrowed, a black tunnel growing wide around the edges. Her eyelids drooped, heavy as lead, until they fluttered closed.

***

Excerpt from Dark Harvest by Chris Patchell. Copyright © 2017 by Chris Patchell. Reproduced with permission from Chris Patchell. All rights reserved.

Tour Participants:

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This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Chris Patchell. There will be 1 winner of one (1) Amazon.com Gift Card! The giveaway begins on August 1 and runs through September 3, 2017.

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CHILDREN OF THE FIFTH SUN by Gareth Worthington (Interview, Showcase & Giveaway)

CHILDREN OF THE FIFTH SUN Tour Banner

Children of the Fifth Sun

by Gareth Worthington

on Tour July 24 – Sept 25, 2017

Children of the Fifth Sun by Gareth Worthington

Book Details

Genre: Science Fiction, Thriller | “Science Faction” science fiction, action, adventure with fact-based science, theories and mythology

Published by: Vesuvian Books

Publication Date: July 25th 2017

Number of Pages: 407

ISBN: 9781944109400

Purchase Links: Amazon 🔗 | Goodreads 🔗

Don’t Miss Your Chance to Read this Free Preview: Amazon 🔗 & Barnes & Noble 🔗

Synopsis:

Thousands of years ago, an ancient species from the sea saved humanity; now a cocky, free-diving photographer tortured by his past is the unlikely hero who must save the last of their kind from a global race between nations to control the creature’s power.

IN ALMOST EVERY BELIEF SYSTEM ON EARTH, there exists a single unifying mythos: thousands of years ago a great flood devastated the Earth’s inhabitants. From the ruins of this cataclysm, a race of beings emerged from the sea bestowing knowledge and culture upon humanity, saving us from our selfish drive toward extinction. Some say this race were “ancient aliens” who came to assist our evolution. But what if they weren’t alien at all? What if they evolved right here on Earth, alongside humans . . . and they are still here? And, what if the World’s governments already know?

Kelly Graham is a narcissistic, self-assured, freelance photographer specializing in underwater assignments. While on a project in the Amazon with his best friend, Chris D’Souza, a mysterious and beautiful government official, Freya Nilsson, enters Kelly’s life and turns it upside down. Her simple request to retrieve a strange object from deep underwater puts him in the middle of an international conspiracy. A conspiracy that threatens to change the course of human history.

Read an excerpt:

Freya elegantly glided in front of Kelly, breaking his train of thought. Her slender body slid through the water with grace and ease. She must have sensed his stare, because she turned her head to face him and gave a huge, regulator-filled grin. Kelly stifled a laugh.

He turned back to his equipment to check their depth—sixty-five feet. They were at the sea floor. It wasn’t very deep, but this was where it was supposed to be. He motioned his right arm to get Freya’s attention. He then signaled for her to look down and keep her eyes open. She gave the okay sign.

As they swam a little further, the structure came into sight just as Alexandro’s information had indicated. A large horseshoe-shaped wall, three-feet thick and six-feet tall, spanned more than two-hundred-fifty feet in diameter. Other than that, it was unimpressive—just an old stone wall. Surely, if a team had already been down here, they would have found an orb? Kelly pulled himself along the bottom, sifting through the sand, picking up each stone he came across. He shook his head and looked across at Freya. She seemed to be having similar poor luck, pointlessly rummaging through silt and mud. He swam across to her and pointed in front, indicating his intent to look on ahead. She nodded and watched as he flicked his fins, disappearing into a haze of ocean and sand particles.

Freya returned to her treasure hunt. All she found were rocks and the odd tin or soft drink can. Ugh, it was disgusting. Even the ocean wasn’t safe from humanity. She reached the outer edge of the stone wall and swam along, keeping close to it. Her gloved fingers prodded into each crack and crevice, not that she could feel anything through the thick material. Her mask was beginning to fill with water. She thought about Kelly’s instruction and began the mask clearing procedure.

Pressing the palm of her right hand against the top of her mask so the bottom released a few millimeters from her face, she exhaled hard through her nose, forcing the water out. A stream of bubbles crashed about her head in a white-water curtain. As it cleared, a small metallic glint protruding from beneath one of the huge stone bricks caught her eye. She clawed her way to it, then started digging in the sand. The fine silt clouded up around her, obscuring her view. Using only her limited sense of touch, Freya kept tunneling under the wall. The familiar shape of a box began to form under her fingers. She dug beneath until she could grip the box with both hands. Tugging hard, she released the cuboid object from its hold in the silt. The billow of sand cleared.

She stared at her treasure. It was a small chest, copper-colored with a green oxidized coating on its surface. She smiled. Could this be it? Could there be an orb inside? The excitement power through her. She raised her head to see if Kelly was nearby, but he wasn’t anywhere to be seen. She swam in a circle. The inability to hear or feel anything was unnerving. She only had the power of sight and that was restricted to a straight line in front of her for one hundred fifty feet or so.

The light above her dimmed. Freya frowned and raised her head to investigate. Above her, the huge shadow of a shark glided by. She knew her mask would magnify any object, but still, the thing looked huge. Its blunt snout and thick body looked positively primeval—the perfect predator. Panic set in.

Damn, where was Kelly? Clutching her treasure, Freya lowered her head. She searched for the knife strapped to her right calf. Before she could find it, her gaze was met by the cold stare of reptilian eyes. A sea snake was inches from her face, rippling its body to hold its position. Its eyes were fixed on hers. She froze, holding her breath. Freya shifted her focus from the uncomfortably close predator to the shadow lurking behind it. Oh God. The shark?

It was Kelly. A brief feeling of relief washed over her, but it was snatched away by the searing pain of fangs plunging into her left hand. Freya gargled a scream through her regulator and dropped the box, letting it fall to the sea floor. The snake shot off into murk as Kelly tore through the water toward her. Her breathing slowed and her limbs grew heavy. Her eyelids slid closed. She blinked before her eyes closed one last time.

* * *

Excerpt from Children of the Fifth Sun by Gareth Worthington. Copyright © 2017 by Gareth Worthington. Reproduced with permission from Gandolfo Helin & Fountain Literary. All rights reserved.

Q&A with Gareth Worthington

Welcome!

Thanks, glad to be here.

Writing and Reading:
Do you draw from personal experiences and/or current events?

Absolutely. Its cliché, but I really feel one should write what one knows. Children of the Fifth Sun is very personal, as the lead character is based on one of my stronger character traits – though somewhat exaggerated. His journey reflects very much my own.

In books 2 and 3, Children of the Fifth Sun: Echelon and Rubicon, respectively, I am drawing very much on my experience as a new father.

In terms of current events, Children of the Fifth Sun plays more on the historical things that have occurred on our planet and tries to tie many of them together. Everything from the unifying myth of the ‘knowledge bringers’ after the great flood, to the alignment of the Giza pyramids to the stars of Orion’s belt – 2000 years before they were supposed to be built – to the creation of the CIA and the NSA.

You can read much of the research at www.childrenofthefifthsun.com

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?

Kind of both. I have a beginning and end in mind. Then I flesh out the chapters into one or two line reminders: this happens here; X character learns this. Then, as I’m writing, I organically change and move things. I do more research and when I find something awesome I want to include, I consider what it does to the end. I usually change the end multiple times – although, for Children of the Fifth Sun, one piece of the end was always fixed. For me, it had to be that way. I personally needed it to happen.

Are any of your characters based on you or people that you know?

Yes and no. Honestly, I pour a lot of myself into the protagonists, as it helps to keep them real. In Children of the Fifth Sun, Kelly Graham represents my fear of human connection only to then lose it. Like me, he uses sarcasm and distancing tactics to keep people at arm’s length. Whereas in It Takes Death to Reach a Star, Demitri Stasevich is based on my self-doubt – the character has a voice in his head that constantly chides him. I can’t speak for Mila in that story, Stu wrote her. But as I know Stu, her character has some of his strong traits (sorry Stu!).

As for other characters, I create them based on what the story needs to balance it out. But I don’t base them on people I know.

Your routine when writing? Any idiosyncrasies?

I wouldn’t say idiosyncrasies. But I write when I can – literally, any minute I have. My day job is complicated and takes me all over the world. If I combine that with two children under three years old, going to the gym, being a husband, and all other things people have to do, I need to write when I have an hour. Usually on a plane, or late at night when the kids are in bed. I’m not a morning writer, that’s for sure.

Tell us why we should read this book.

Haha, well several reasons I guess.

1. There is no story like it. More than 20 years of research has gone into it and I do believe it to be unique.
2. It has multiple story threads, so even if you hate one character or one plot line, you will hopefully love another (everybody loves the character K’in).
3. You get to learn things as well! It’s full of scientific research, history, and geographical locations. You might be able to apply for credit at an open university!
4. I try to tackle everyday issues as much as anything. It’s a story about what it means to be human.
5. You should always read the book before the movie comes out (you can’t see, but I’m winking).

Who are some of your favorite authors?

I’m a big fan of Neil Gaiman and J.R.R. Martin. Awesome authors. And of course my co-author Stu Jones – we’ve just written a new book together. He’s a great creator and our latest book would literally be half what it is if he weren’t with me.

What are you reading now?

Weirdly, I actually read more non-fiction than anything. It’s where my ideas come from. The best one I’ve read in a while is Sapiens, by Yuval Noah Harari. Fantastic book summarizing human existence to date.

Are you working on your next novel? Can you tell us a little about it?

I’m working on four! First and foremost, Children of the Fifth Sun: Echelon (book 2). Book three, COTFS: Rubicon is simmering in the back of my head.

Stu Jones and I have written, and are editing, a futuristic thriller duology that extrapolates two hundred years into the future and considers how the war on terror, widening differences between social classes, and anti-bacterial resistance will shape humans.

The interesting piece about this duology, is that we aimed to also explore theistic and scientific explanations for human existence. Stu is a Christian law enforcement officer from Alabama and I’m an atheist scientist from the UK. The book is written in first person present tense from two points of view, with Stu writing one character and me the other. It’s worked perfectly. The first book called It Takes Death to Reach a Star will be published by Vesuvian Books in 2018. We’re also working on the sequel, With the Fourth Comes Hades.

You can read all the research at www.ittakesdeathtoreachastar.com

Fun questions:
Your novel will be a movie. Who would you cast?

Oh that’s easy! I wrote Children of the Fifth Sun as if it were a movie playing in my head. Kelly would be played by Gerard Butler – I wrote it for him. I need someone who can play the sarcastic, cheeky, Indiana Jones-type guy but also do hurt and vulnerable too. For Freya, I had Jennifer Connelly in mind. Just the right amount of tough and feminine. And as for K’in? He’d be CGI and I’ve already created him, you can check him out on the website!

Favorite leisure activity/hobby?

Muay Thai, without a doubt. A proper combat sport that has so much honor and discipline woven in. I love the Thai Fighters and miss my Krus in Singapore.

Favorite meal?

A good old fashioned English Sunday roast. I’ve lived abroad for many years now, and this is one of those meals that just hasn’t spread to many places. It’s all down to the roast potatoes and the gravy made with the juice of the bird. Okay, now I’m hungry.

More about Gareth Worthington:

Gareth Worthington

Gareth Worthington holds a degree in marine biology, a PhD in endocrinology, and currently educates the World’s doctors on new cancer therapies. Gareth has hand tagged sharks in California; won honorable mention at the New York Book Festival 2012 and 2013 for his writing; and trained in various martial arts, including Jeet Kune Do, Muay Thai, and MMA at the EVOLVE MMA gym in Singapore and Phoenix KampfSport Switzerland. Born in Plymouth UK, Worthington currently resides outside of Zurich, Switzerland.

Visit Gareth Online:
Website
Twitter
Facebook
Goodreads

Tour Host Participants:

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Giveaway

This is a rafflecopter giveaway hosted by Providence Book Promotions for Gareth Worthington and GH Literary. There will be 1 winner of one (1) Amazon.com Gift Card AND 3 winners of one (1) eBook copy of CHILDREN OF THE FIFTH SUN by Gareth Worthington. The giveaway begins on July 24th and runs through September 27th, 2017.
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BAD BLOOD by Brian McGilloway (Interview, Showcase & Giveaway)

Bad Blood

by Brian McGilloway

on Tour June 26 – July 31, 2017

Synopsis:

Bad Blood by Brian McGilloway

A young man is found in a riverside park, his head bashed in with a rock. One clue is left behind to uncover his identity—an admission stamp for the local gay club.

DS Lucy Black is called in to investigate. As Lucy delves into the community, tensions begin to rise as the man’s death draws the attention of the local Gay Rights group to a hate-speech Pastor who, days earlier, had advocated the stoning of gay people and who refuses to retract his statement.

Things become further complicated with the emergence of a far-right group targeting immigrants in a local working-class estate. As their attacks escalate, Lucy and her boss, Tom Fleming, must also deal with the building power struggle between an old paramilitary commander and his deputy that threatens to further enflame an already volatile situation.

Hatred and complicity abound in McGilloway’s new Lucy Black thriller. Compelling and current, Bad Blood is an expertly crafted and acutely observed page-turner, delivering the punch that readers of Little Lost Girl have grown to expect.

Book Details:

Genre: Thriller, Mystery
Published by: Witness Impulse
Publication Date: June 13th 2017
Number of Pages: 320
ISBN: 0062684558 (ISBN13: 9780062684554)
Series: DS Lucy Black #4
Purchase Links: Amazon 🔗 | Barnes & Noble 🔗 | Goodreads 🔗

Read an excerpt:

The hall was already packed by the time Detective Inspector Tom Fleming arrived. The air was sweet with perfume and talc and, beneath that, from the farmers still wearing their work clothes, the scent of sweat and the smell of the earth.

The congregation were on their feet, being led in the opening hymn by Pastor James Nixon. Fleming smiled apologetically at those he squeezed past to get to a free seat in the third row from the back. The hymn finished, the assembly took their seats just as Fleming reached his, and settled to listen to the words of Pastor Nixon.

‘My brothers and sisters, it is a great honour to be here with you this evening and to see so many of you have taken the time to come and pray with me.’ His voice was strong despite his age, a rich baritone still carrying the inflections of his native Ballymena accent.

‘But it is a time of great challenge for us all. Daily, all good people face an assault on their morality with the rampant homosexual agenda that assails us and belittles everything we hold to be true and dear. Men of conscience are tried for refusing to make a cake celebrating homosexuality or print leaflets and posters furthering that agenda. And on the other side of the border, the Irish Republic has voted to allow homosexuals to marry, as if two women playing house is no different to the consummated union of a man and a woman. As if it is not a perversion which shames us all.

A few voices appended his comment with ‘Amen’.

Nixon raised his hands, acknowledging their support. ‘There are those who would silence me, silence us. They tell us we must accept homosexuals in our town, our shops, allow homosexual bars and public houses to operate on our streets. We must allow sodomites to teach our children and to corrupt our young. We must stay silent while a new Gomorrah is built next to our homes and farms, our shops and schools. They say I am dangerous. They say I preach hatred. They say I should be silent. But I say this: I say that there is no danger in truth. I say that there is no hatred in goodness. And I say that I will not be silent.’

Another chorus of ‘Amens’ greeted his proclamation, accompanied by a smattering of applause which began at the front and rippled its way through the hall.

‘I will not stand idly by as our families are exposed to sin and depravity. I will not countenance the laws of the land being used to protect profane persons, allowing them to indulge their lustful practices, forcing those of us with consciences to humour this lifestyle. It is an abomination. The people who practise it are abominations and, like those before them, they will end in fire and brimstone.’

Fleming glanced around at the others in the congregation. While one or two shifted uncomfortably in their seats, for the most part the listeners sat intently waiting for Nixon to continue.

‘Friends, only last week, I read of an African nation – a heathen nation, a Godless nation – who arrested two men for homosexual acts. One of these men was sixteen. Sixteen! And do you know what they did to the pair of them? They stoned them. They took them out of the town and they threw rocks at them until the pair of them were dead. And do you know what I thought? Shall I tell you?’

An elderly lady in the front row called out ‘Yes’, to the amusement of those around her. Nixon smiled mildly at her, as if indulging her.

‘Stoning was too good for those men. Every rock that struck them was a just reward for their sinfulness, their immorality, their ungodly behaviour. Every drop of their blood that stained the ground was a reminder that they deserved to die. It was the wages of their sin!’

***

Excerpt from Bad Blood by Brian McGilloway. Copyright © 2017 by Brian McGilloway. Reproduced with permission from Witness Impulse. All rights reserved.

Author Bio:

Brian McGilloway

Brian McGilloway was born in Derry, Northern Ireland. After studying English at Queen’s University, Belfast, he took up a teaching position in St Columb’s College in Derry, where he was Head of English. He is the author of the New York Times bestselling Lucy Black series, all to be published by Witness. Brian lives near the Irish borderlands with his wife and their four children.

Q&A with Brian McGilloway

Writing and Reading:
Do you draw from personal experiences and/or current events?

Very much. Writing to me is like dreaming awake and in the same way your experiences and concerns bleed into your dreams, so too do they bleed into your writing. More specifically, most of my books are triggered by real world events’ Little Girl lost by a child found wandering in a snow storm and, in Bad Blood, the targeting of Romanian families in Belfast housing estates with slogans which included ‘Romans Out’ daubed on the gable wall of the family home.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
Never. I start at the start and work my way through the story and the plot. It should be as much a journey of discovery for me as for the reader. With one book I did have an ending in mind from the start and then worried that id made the villain of the book too obvious as a result and so changed it half way through!

Are any of your characters based on you or people that you know?
I suspect all my characters have facets of me – even the bad ones. That doesn’t mean I share their views of behaviour, but I need to understand them to be able to write them. Devlin and Lucy, my two series characters, certainly have a lot in common with me. Devlin’s voice is pretty much mine, I think, and his concern with family and balancing his responsibilities is mine. Lucy’s stories are set in Prehen where I grew up and many of her memories are my memories.

Your routine when writing? Any idiosyncrasies?
I’ve started writing in cafes more and more. I have an office at home but as my children have got older, it’s harder to find quiet to work. Ironically, I find the bustle of a cafe helps me concentrate and I know I’ve an hour without interruption to work so I’m less inclined to surf the net or check Facebook!

Tell us why we should read this book.
I guess this book is about the rise of right wing populism and the manner in which hate is enflamed through the words of people who then decry when others take those words and act on them. That’s a pattern which is being replicated in various parts of the world at the moment, not just in Northern Ireland.

Who are some of your favorite authors?
James Lee Burke, John Connolly, Michael Connelly, Stuart Neville, Adrian McKinty, Steve Cavanagh, Arlene Hunt, Dennis Lehane, Ian Rankin…

What are you reading now?
Here and Gone by Haylen Beck. It’s excellent so far.

Are you working on your next novel? Can you tell us a little about it?
I am – it’s a new Devlin book. I’ve only just started it so I can’t really say what it’s about at the moment.

Fun questions:
Your novel will be a movie. Who would you cast?

That’s a tricky one. For Devlin, I think someone like Brian Gleeson would be perfect. For Lucy, I’m not so sure. An actress called Laura Pyper played Lucy in a radio adaptation of one of the short stories and I thought she was excellent.

Favorite leisure activity/hobby?
Going to the cinema!

Favorite meal?
I’ve started making paella for the kids these past few months and have developed a bit of a love for it at the moment.

Catch Up With Our Author On:
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PRACTICING NORMAL by Cara Sue Achterberg (Interview, Showcase & Giveaway)

Practicing Normal
by Cara Sue Achterberg
on Tour June 1 – July 31, 2017

Practicing Normal

Book Details
Genre: Women’s Fiction
Published by: The Story Plant
Publication Date: June 6th 2017
Number of Pages: 336
ISBN: 1611882443 (ISBN13: 9781611882445)

Get Your Copy of Practicing Normal by Cara Sue Achterberg on Amazon, Barnes & Noble, Goodreads!

Synopsis:

The houses in Pine Estates are beautiful McMansions filled with high-achieving parents, children on the fast track to top colleges, all of the comforts of modern living, and the best security systems money can buy. Welcome to normal upper-middle-class suburbia.

The Turners know in their hearts that they’re anything but normal. Jenna is a high-schooler dressed in black who is fascinated with breaking into her neighbors’ homes, security systems be damned. Everett genuinely believes he loves his wife . . . he just loves having a continuing stream of mistresses more. JT is a genius kid with Asperger’s who moves from one obsession to the next. And Kate tries to manage her family, manage her mother (who lives down the street), and avoid wondering why her life is passing her by.

And now everything is changing for them. Jenna suddenly finds herself in a boy-next-door romance she never could have predicted. Everett’s secrets are beginning to unravel on him. JT is getting his first taste of success at navigating the world. And Kate is facing truths about her husband, her mother, and her father that she might have preferred not to face.

Life on Pine Road has never been more challenging for the Turners. That’s what happens when you’re practicing normal.

Combining her trademark combination of wit, insight, and tremendous empathy for her characters, Cara Sue Achterberg has written a novel that is at once familiar and startlingly fresh.

Kudos:

“Does facing the truth beat living a lie? In PRACTICING NORMAL, Cara Sue Achterberg has given us a smart story that is both a window and a mirror, about the extraordinary pain ― and the occasional gifts ― of an ordinary life.”
– Jacquelyn Mitchard, New York Times bestselling author of THE DEEP END OF THE OCEAN

“What does it really mean to have a normal life? Achterberg’s stunning new novel explores how a family can fracture just trying to survive, and how what makes us different is also what can make us most divine.”
– Caroline Leavitt, author of CRUEL BEAUTIFUL WORLD and the New York Times bestsellers PICTURES OF YOU and IS THIS TOMORROW

“PRACTICING NORMAL takes a deep dive into the dysfunctional dynamics of a ‘picture perfect family.’ A compelling story about the beautiful humanity in the most ordinary of lives: from first love to a marriage on the downward slide to an unexpected family tragedy. Achterberg handles each thread with tender care and we can’t help but root for every member of the Turner family.”
– Kate Moretti, New York Times bestselling author of THE VANISHING YEAR

Check out my review HERE

Read an excerpt:

Waving to Jenna as she waits at the bus stop, all I can think is, Please let her go to school today and stay in school all day. Jenna is such a smart girl; I don’t understand why she doesn’t apply herself to her studies. She could be anything. A doctor, even. I was a nurse, but Jenna is smarter than me. Of course, that was twenty years ago. Before I married Everett. Before Jenna and JT were born. Before we ever lived in Pine Estates.

I was the one who chose the house. Everett thought it was pretentious, and it was. All the houses on our end of Pine Road were pretentious. But it was the nineties. Everyone was building McMansions and taking out ridiculous loans to pay for them. Everett had just left his job as a police officer for the job at FABSO (Family and Business Security Options).

We needed to start a new life. We celebrated the new job and didn’t talk about the fact that things could have turned out very differently if his captain had chosen to bring charges against him. Instead, he recommended Everett for the job at FABSO and made it clear Everett would be wise to take it.

I remember lying in bed holding Everett the day he turned in his gun and his badge. He was devastated. Being a cop had been Everett’s dream since childhood. “All I’ve ever wanted to be is a cop. If I can’t be a cop, who am I?”

“You’re a father and a husband. That’s so much more,” I told him. He didn’t say anything about it again. He got to work. He made something of FABSO. And he’s tried so hard to be a good dad.

I don’t remember much about my own dad, and whenever I asked my mother she would say, “There’s nothing to remember about that louse except that he was a louse.” When I pressed her later, after I’d grown up, she’d said, “It doesn’t matter now. He didn’t want to be with us enough to stay.”

All that bitterness can’t hide the fact that when my father left, he apparently took my mother’s heart. She’s spent the rest of her life alone. Except for me. And Evelyn. Although, once Evelyn left home, she didn’t come around much. These days she visits Mama on Saturdays, unless she has something more pressing to do, which is most weeks. Mama annoys her. I suppose I do too. We don’t fit into Evelyn’s shiny, perfect life.

When I first met Everett and told Mama about him, she was skeptical. “A cop?”

I told her how he’d wanted to be a cop since he was a little boy, the same way I always wanted to be a nurse. I gushed about how he told me I was beautiful and how he said he’d been certain about us the first time he saw me. Mama said, “Men will say whatever it takes, Kate. When will you realize that?” But I knew she was wrong about Everett.

I met Everett in the ER. I was treating a patient who was high on coke or meth or God knows what. He was lean and riddled with track marks, his strength coming from whatever drug was flooding his body. I didn’t recognize him as one of our regulars—the ones who showed up like clockwork in search of pain meds. This guy was out of his mind and covered in his own blood from where he’d scratched his thin skin. Another nurse helped me attempt to strap him to the gurney with the Velcro holds, but he was out of his mind and reached for the needle I was about to use to sedate him. Everett was nearby at the desk filling out forms and heard me yell. In just moments, he wrestled the junkie to the ground and held him still as I plunged the needle in. When the man finally collapsed, Everett lifted him back onto the gurney and secured him.

When he turned and looked at me with his green eyes, the same eyes Jenna has, I knew I would marry him. I told him that on our second date. He laughed. I’ve always loved his laugh.

When Everett started at FABSO, he made nearly twice the salary he’d made as a cop. I didn’t need to work any longer. It was our chance. I would stay home and take care of our happy family in our beautiful house in Pine Estates. It was our new start. I thought we belonged there.

When I open the door to Mama’s house, she’s already calling for me. She may be losing her mind, but her hearing hasn’t deteriorated one bit.

“You’re late!” she scolds.

“Sorry, JT had a hard time picking out a shirt to wear today.”

“He’s not a baby! I don’t know why you put up with it.”

I smile at her. No sense taking the bait. “You’re right, Mama.”

“You’ve always been so indecisive. I swear if I didn’t tell you what to do next, you’d stand there like a statue.”

“Good thing you’re so good at telling me what to do,” I mutter as I go to prepare her tea.

Mama wasn’t always like this. When Evelyn and I were little, she was our whole world. She baked homemade cakes for our birthdays, and elaborately decorated them with whatever we were currently obsessing over—Tinker Bell, Barbies, guitars, or, for Evelyn, a computer one year, and the scales of justice the year she announced she was going to be a judge when she grew up.

Mama read to us every night. I remember snuggling into the crook of her arm, even when I was too old to be doing it. Evelyn would be on her other side and our hands would meet on Mama’s flat tummy. I loved the stories with a happy ending, but Evelyn demanded that she read “real books.” She wanted mysteries and thrillers instead of the children’s books Mama picked out at the library. So Mama began to read Nancy Drew, but Evelyn went to the adult aisle and picked out John Grisham, Tom Clancy, and Stephen King. Mama tried to read them to us. She’d come to a part that she felt was too racy for us and she’d hum while she skimmed ahead til she found a more appropriate section before beginning to read again. This drove Evelyn nuts. She’d pout and complain, eventually stomping off. Mama would return the books to the library unread, but it wasn’t long before Evelyn was old enough to have her own library card and checked them out for herself.

In the mornings, Mama would braid our hair, pack our lunches with tiny handwritten notes, and walk us to the bus stop for more years than was appropriate. When Evelyn reached high school, she demanded that Mama stop, but she still followed us with her car and waited to be certain we got on the bus safely.

Now that I’m a mom, I know it couldn’t have been easy raising us alone. As she’s gotten older, she’s gotten difficult. But I put up with her increasing number of quirks because I feel I owe her. Evelyn doesn’t see it that way, but then again Evelyn doesn’t feel she owes anybody anything.

“Here you go.” I hand Mama the bitter Earl Grey tea she likes over-steeped with no sweetener.

“I’ve already missed Phillip,” she says as I help her out the door to the back porch. She spends most mornings there, talking to the birds that frequent her multiple bird feeders.

“Who’s Phillip?” I ask, mostly to make conversation. She loves to talk about the birds.

The look she gives me is just like the one JT gives me when my random “Wow” comes at the wrong time in one of his lengthy soliloquies on his current obsession. “Phillip is the male cardinal who has begun stopping by each morning. He comes over the fence from the southeast. He’s usually here before the chickadees move in and take over the birdbath.”

I look at the crowd of birds fighting over the seed at the feeder. They all look the same to me. “I’ve got to take care of a few things at home after I run JT to school; I’ll be back at lunchtime.”

“Always leaving me!” she complains. “You can’t even spend five minutes with your mother.”

I’d protest, but there’s no point. She sees things the way she needs to see them. Rewriting history is one of her specialties. I’ve been listening to her do it all my life. When Everett and I took the kids to the beach last summer, she said, “Must be nice! I’ve never had a vacation.” Yet, I remember several summers when Mama took Evelyn and me to the same beach we were headed to. Or when I graduated from nursing school, Mama said, “I’ve always said you’d make a fine nurse,” when, in reality, she’d been telling me for years that I could never be a nurse because I was so weak at chemistry. She thought I should have considered something in business—like being a secretary. She’s been spinning her stories of Evelyn’s escapades, my mistakes, and my father’s general louse-likeness for so long, she probably believes them as gospel truth. They are, I suppose, at least to her mind.

I hurry home, hoping JT has finally decided on a shirt for school. We’re going to be late if we have to argue about it.

Excerpt from Practicing Normal by Cara Sue Achterberg. Copyright © 2017 by Cara Sue Achterberg. Reproduced with permission from The Story Plant. All rights reserved.

Q&A with Cara Sue Achterberg

Writing and Reading:
Do you draw from personal experiences and/or current events?

Most of my stories grow out of my personal experience, or more specifically, an issue or idea that I’ve been wanting to explore. Occasionally, though current events can draw me in. The idea for my next novel focuses on a current issue. Practicing Normal, though, came from my heart. Perhaps, it grew out of the isolation I’ve always felt in the small rural community where I live. It’s very insular and I’ve often judged others and felt judged by the people who live around me. Practicing Normal explores the question of how well we know each other and pokes holes in our assumptions based on appearances, financial situations, and employment.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
I always, always start at the beginning and see where the story takes me. I can’t imagine writing any other way. In fact, if I knew the answer or the ending, I doubt I could enjoy the writing or even find the motivation to write the story in the first place. Every story is a journey of discovery for me. I know that sounds new-agey, but that’s exactly what it is – I learn something about myself, the world, people. Once the story is set in motion, I can’t let go of it and I follow where it takes me. Sometimes that’s scary, especially when the word count creeps up and I don’t see any hint of an ending. Many times I’m surprised by where the story takes me and I marvel at how magical it feels. Practicing Normal spilled out of me quickly like I was watching a movie.

Are any of your characters based on you or people that you know?
My characters are absolutely based on people I know, and at the same time they are definitely not based on anyone I know. There’s no way around using what you know to devise characters. Is it done intentionally? At least for me – no. That would be too weird and basing a character on someone I know would take me (and possibly my readers) out of the story. That wouldn’t work.

Your routine when writing? Any idiosyncrasies?
It’s very hard to have a writing routine when you have kids living at home, multiple foster dogs, a small farm with horses and chickens, and a distractable personality. But if I have a routine, it’s this: I read and journal early before breakfast. I work on ‘nonfiction’ (blog posts, research, social media, email, website) before lunch, and after lunch I turn to my fiction. I love the afternoons when no one is home and no animal is in need and I can lose myself in a story. The only idiosyncrasies I have about writing are that I need silence to write (no music, no people talking, no TV in the other room) and an enormous cup of tea. I favor black tea in the morning and green tea in the afternoon.

Tell us why we should read this book.
Hmmm….this should be my elevator speech, right? You should read my book because it’s a good story. It will make you think about marriage and family and love and probably make you wonder what your neighbors are up to. But mostly, its characters will touch your heart, helping you to realize that there’s some good (and some bad) in all of us.

Who are some of your favorite authors?
I love so many authors that it’ll be hard to keep this list short. I’ve always loved John Irving, Joyce Maynard, Wally Lamb, and Anne Lamott, but I laugh outloud at Jonathon Tropper and love the worlds that Barbara Kingsolver creates. Michael Perry and Barbara Brown Taylor are two of the most talented writers I can think of who consistently make me think and wish I wrote better. I’ve recently discovered Kathryn Craft and Christopher Scotten, and can’t wait to read more from them. Sarah Gruen, Elizabeth Brundage, and T. Greenwood make me turn the page happily. I’ll forever love the writing of Connie May Fowler, Jacquelyn Mitchard, Katrina Kennison, and Kate Braestrup because they were the voices that helped me begin to find my own. I have a lot of favorites. I could go on, but that’s enough for now.

What are you reading now?
Right now I’m reading a fascinating nonfiction book call the The Dog Merchants by Kim Kavin. She’s a journalist digging deep into the world of puppy mills and dog rescue and the big business of dogs. As far as fiction, my choices are many times dictated by my book club who have me currently reading, A Tale of the Time Being by Ruth Ozeki, but the book I’m really enjoying right now is Kate Moretti’s Thought I Knew You.

Are you working on your next novel? Can you tell us a little about it?
I’ve actually got two in the editing phase, plus my agent is currently shopping a memoir I wrote about my family and our first fifty foster dogs. One of my fiction manuscripts revolves around a mother and daughter in the aftermath of a texting and driving accident, while the other is a bit less dark and follows a quirky young waitress who goes on a honeymoon with a customer whose just been stood up at the alter.

Fun questions:
Your novel will be a movie. Who would you cast?

I hate this question because it exposes how out of touch I am with the current movie scene. I guess I’m a cheapskate because I can’t bring myself to blow a hundred bucks on taking our family to the movies, so we wait for most everything to come out online. Add to that my complete inability to retain the names of movies stars and I’m at a loss. If I could freeze them in time, I’d cast Meg Ryan as Kate (because I love Meg and Kate) and Ellen Page (at the age she was in Juno) as Jenna. Everett is a bit tougher – maybe Leonardo DiCaprio or Matt Damon or Robert Downy Jr, but not because any of them are ‘perfect’ just, once again, because I like them.

Favorite leisure activity/hobby?
I love to hang out with dogs – does that count? I also, very occasionally, ride horses. I run or hike most days and love to go wine-tasting at little wineries in Virginia. Any pretty day will find me poking around in my gardens.

Favorite meal?
Easy – steamed shrimp (which I rarely get to eat because my husband is allergic!), Caesar salad (with the dressing on the side), a loaf of crusty wheat bread, olive oil for dipping, and plenty of wine.

Cara Sue Achterberg

Author Bio:

Cara Sue Achterberg is a writer and blogger who lives in New Freedom, PA with her family and an embarrassing number of animals. Her first novel, I’m Not Her, was a national bestseller, as was her second, Girls’ Weekend. Cara’s nonfiction book, Live Intentionally, is a guide to the organic life filled with ideas, recipes, and inspiration for liv- ing a more intentional life. Cara is a prolific blogger, occasional cowgirl, and busy mom whose essays and articles have been published in numerous anthologies, magazines, and websites. Links to her blogs, news about upcoming publications, and pictures of her foster dogs can be found at CaraWrites.com.

CaraWrites.com | Cara Sue Achterberg on Twitter | Cara Sue Achterberg on Facebook

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This is a rafflecopter giveaway hosted by Providence Book Promotions for Cara Sue Achterberg and The Story Plant. There will be 1 winner of one (1) Amazon.com Gift Card and 5 winners of one (1) eBook copy of Girls’ Weekend by Cara Sue Achterberg. The giveaway begins on June 1, 2017 and runs through August 3, 2017. Void where prohibited by law.

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DREAM A LITTLE DEATH by Susan Kandel (Interview, Showcase & Giveaway)

Dream A Little Death

by Susan Kandel

on Tour May 23 – June 23, 2017

Synopsis:

Dream A Little Death by Susan Kandel

From critically acclaimed author Susan Kandel comes a charming new mystery featuring Dreama Black and a cast of zany LA-based characters.

The first time I set eyes on Miles McCoy, I worried he might try to eat me. He was the size and girth of a North American grizzly, with long, silver-tipped hair, a long silver-tipped beard, and small dark eyes that bore into me like I was a particularly fine specimen of Chinook salmon. It couldn’t have helped that I’d used a honey scrub the morning we met. I should’ve known better. Not just about the scrub, but about a lot of things.

Like braving the freeway during rush hour.
Like thinking you can’t get a ticket for parking at a broken meter.
Like racing up to his penthouse in gladiator sandals, and expecting not to twist an ankle.
Like watching his fiancée shoot herself, and assuming it was suicide, instead of murder.

Meet Dreama Black. A 28 year-old, third-generation groupie trying to figure out who she is after being publicly dumped by the rock god whose mega-hit, “Dreama, Little Dreama” made the name and the girl world-famous. Now Dreama supports herself by running custom-designed, themed tours of her hometown of L.A. When she is hired by a Raymond Chandler-obsessed rap producer to create a “L.A. noir” tour as his present to his soon-to-be bride, Dreama gets pulled into the middle of a possible murder, corrupt cops, and an unforgettable pair of femme fatales.

Book Details:

Genre: Mystery/Thriller
Published by: Witness Impulse
Publication Date: May 23rd 2017
Number of Pages: 304
ISBN: 0062674994 (ISBN13: 9780062674999)
Series: A Dreama Black Mystery, 1
Purchase Links: Amazon 🔗 | Barnes & Noble 🔗 | Goodreads 🔗

Read an excerpt:

Chapter 1

The first time I set eyes on Miles McCoy, I worried he might try to eat me. He was the size and girth of a North American grizzly bear, with long silver-tipped hair, a long silver-tipped beard, and small dark eyes that bore into me like I was a particularly fine specimen of Chinook salmon. It couldn’t have helped that I’d used a honey scrub the morning we met. I should’ve known better. Not just about the scrub, but about a lot of things.

Like braving the freeway during rush hour.

Like thinking you can’t get a ticket for parking at a broken meter.

Like racing up to his penthouse in Balenciaga gladiator sandals, and expecting not to twist an ankle.

Like watching his fiancée shoot herself, and assuming it was suicide, instead of murder.

But I’m getting ahead of myself, which is another thing I should know better about. Because if I’ve learned anything at all from my study of film noir (which got me into the whole sordid Miles McCoy mess to begin with), it is to tell the story in the precise order in which it happened.

The trouble started the day before, which was Valentine’s Day, a pagan holiday named after the Roman priest who defied Claudius II by marrying Christian couples. After being hauled off in shackles, the soft-hearted cleric was beaten with clubs, stoned, and when that didn’t finish him off, publicly beheaded. Makes you think.

It had poured rain for eight days running, which isn’t what you sign on for when you live in Los Angeles. But that morning, as I stepped outside for a run, the sun was blinding—so blinding, in fact, that I didn’t see the fragrant valentine my neighbor’s dog, Engelbart, had left on the stoop for me. Not that I minded spending the next twenty minutes cleaning the grooves of my running shoe with a chopstick. It was a beautiful day. The rollerbladers were cruising the Venice boardwalk. The scent of medical marijuana was wafting through the air. Engelbart’s gastrointestinal tract was sound.

An hour later, I hopped into my mint green 1975 Mercedes convertible, and made my way up Lincoln to the freeway. I was headed to Larchmont, an incongruous stretch of Main Street, USA, sandwiched between Hollywood and Koreatown. This was where studio executives’ wives and their private school daughters came for green juice, yoga pants, and the occasional wrench from the general store that had served Hancock Park since the 1930s. It was also where my mother and grandmother ran Cellar Door, known for its chia seed porridge and life-positive service. I helped out whenever my coffers were running low. Which was most of the time.

You are probably frowning right about now. Surely a young woman who owns a classic convertible—as well as Balenciaga gladiators—should not be perennially low on funds. But it’s true.

The car came from my grandmother, who received it as part of her third (fourth?) divorce settlement and gave it to me as a gift when I strong-armed my mother into rehab for the fourth (fifth?) time. The sandals I purchased online in a frenzy of self-loathing shortly after watching my ex-boyfriend the rock god serenading his current girlfriend the supermodel on an otherwise uneventful episode of Ellen. I’d tried to return the sandals, but one of the studs had fallen off, making them damaged goods. Like their owner. Not that I’m hard on myself. It’s just that my career—I take clients on custom-designed, private tours of my hometown of L.A.—wasn’t exactly thriving, which is why I was easy prey for the likes of Miles McCoy. But I’m getting ahead of myself again. Here comes the good part. The part where I’m driving like the wind and almost don’t notice the flashing lights in my mirror. I knew I should have fixed that taillight.

I pulled over, cut the motor, handed the cop my license and registration. He looked down, then did a double take. “Dreama Black?”

That would be me.

“The Dreama Black?” he continued. “As in ‘Dreama, Little Dreama’?”

Perhaps I should explain.

I am a twenty-eight-year-old, third-generation rock ’n’ roll groupie—or “muse,” as the women in my family like to put it.

My grandmother, a fine-boned blonde who never met a gossamer shawl or Victorian boot she didn’t like, spent the sixties sleeping her way through Laurel Canyon, winding up in a house on Rothdell Trail (a.k.a. “Love Street”) purchased for her by a certain lead singer of a certain iconic band whose name is the plural of the thing that hits you on the way out.

My mother, blessed with thick, dark tresses and a way with mousse, was consort to many of the pseudo-androgynous alpha males of American hair metal, her chief claim to fame an MTV video in which she writhed across the hood of a Porsche wearing a white leotard and black, thigh-high boots. She also bought Axl Rose his first kilt.

As for me, well, I was on my way to freshman orientation when this guy I’d been seeing, who’d played a couple of no-name clubs with some friends from summer camp, intercepted me at LAX, put his lips to my ear, and hummed the opening bars of a new song I’d apparently inspired. Instead of boarding the plane for Berkeley, I boarded the tour bus with Luke Cutt and the other skinny, pimply members of Rocket Science. Four world tours, three hit albums, two Grammys, and one breakup later, “Dreama, Little Dreama”—an emo pop anthem that went gold in seven days and has sold eleven million copies to date—had made me almost famous forever.

“Step out of the car, please.”

The cop removed his sunglasses. Peach fuzz. Straight out of the academy. “So.”

He wanted to get a picture with me.

“I’d love to get a picture with you,” he said.

I smoothed down my cut-offs and striped T-shirt, removed my red Ray-Bans, ran my fingers through my long, straight, freshly balayaged auburn hair. The cop put his arm around me, leaned in close, took a couple of snaps on his phone. Let me guess. He’d had a crush on me since tenth grade, when he saw me in a white tank and no bra on the cover of Rocket Science’s debut C.D., and now he was going to post the pictures on Instagram to show all his buddies.

“Awesome.” He gave me a brotherly punch on the arm. “No way is my wife going to believe this. She’s crazy about Luke Cutt. Hey, is he really dating that Victoria’s Secret Angel? She is smoking hot.”

At least I didn’t get the ticket.

Excerpt from Dream A Little Death by Susan Kandel. Copyright © 2017 by Susan Kandel. Reproduced with permission from HarperCollins Publishers. All rights reserved.

Author Bio:

An Agatha, Edgar, and SCIBA nominee, Susan Kandel is the author of the nationally best-selling and critically acclaimed Cece Caruso series, the most recent of which, Dial H for Hitchcock (Morrow), was named by NPR as one of the five best mysteries of the year. A Los Angeles native, she was trained as an art historian, taught at NYU and UCLA, and spent a decade as an art critic at the Los Angeles Times. When not writing, she volunteers as a court-appointed advocate for foster children, and loves to explore secret, forgotten, and kitschy L.A. She lives with her husband in West Hollywood.

Q&A with Susan Kandel

Writing and Reading:
Do you draw from personal experiences and/or current events?
Both! I am a voracious reader, and along with fiction, that includes two daily newspapers and an embarrassing number of magazines. So I am quite attuned to things that are going on in the culture — in fashion, music, art, entertainment, etc. — and embed a lot of these passions and interests into my books. In the current series, the protagonist is a third-generation rock and roll groupie, so popular music is definitely an important subtext. I, however, am not a third-generation rock and roll groupie (nor a first or second), so I can’t draw on my personal experience there. But I absolutely did draw on my own life in delineating the mother-daughter relationships that are the foundation of the Dreama Black series as a whole.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
My process in the past has been to start writing when I have the opening scene and the closing scene — in other words, I know how it begins, I know how it ends, but I don’t have the slightest idea about how I’m going to get from A to Z. It seems like a fairly intuitive way to structure an amateur sleuth mystery because what you are essentially doing is following along as the character herself sees where each clue leads her. What I found was that if I tried to plan too much in advance I would inevitably come up against impasses, or have to write myself out of dead ends, or have to make illogical leaps to get to where I needed to go next as per my outline. With this latest novel, DREAM A LITTLE DEATH, I worked somewhat differently. I started with a scene in mind — a film noir-ish burlesque performance that ended in a shocking mock-suicide — and built the entire plot and all of the characters around that!

Are any of your characters based on you or people that you know?
God, yes. It’s risky knowing me — everything and everyone is fair game. In my very first book I based one of the murder victims on my mother-in-law; the LAPD detective boyfriend from Buffalo, N.Y. on my husband; and yes, my sleuth Cece Caruso (at least in parts) on myself. Bad guys are my favorite to write, of course: the villain in one of my books was a dead ringer for my least favorite neighbor (who, thank goodness, does not like to read). In the new Dreama Black series, the protagonist is 28 years old, which is closer to the age of my daughters than myself, so many of Dreama’s observations and experiences (apart from the stumbling on dead bodies part) is stolen from my children & their friends. But I will admit Dreama’s ‘80s-era MTV video vixen mom, Desiree, is my fantasy version of myself.

Your routine when writing? Any idiosyncrasies?
My office is my converted garage, so it’s out of the house, which is a plus, because I’m not constantly distracted by the siren call of laundry, dishes, etc. Nonetheless, the battle against distraction — especially since I’ve become active on Twitter — is ongoing and brutal. There is nothing worse than the feeling of having sat at your desk all day and accomplished nothing. So I use something called the “Pomodoro” method, which I learned from my husband, who is an academic. Twenty-five minutes of total concentration — no checking email, Twitter, Daily Mail, answering the phone, wandering aimlessly, playing with the dog, eating, rearranging pens, etc. You just write, and after the twenty-five minutes, you get a five-minute break, and then you do it all over again. I find I have about five of these sessions in me before lunch. Then I take a break for an hour, and after I am well-fed, I do the whole thing all over again. It works! And the day literally flies by.

Tell us why we should read this book.
You should read DREAM A LITTLE DEATH if you like your mysteries on the cheeky side; if you are enamored of rock and roll, Hollywood history, and retro fashion; and if you want your guilty pleasures to be as smart as you are.

Who are some of your favorite authors?
Tana French, Lawrence Block, Thomas Perry, Georges Simenon, Elinor Lipman, Patricia Highsmith, Ian McEwan, Jeffrey Eugenides, Ruth Rendell, Thomas Hardy, Mary Higgins Clark, and Carolyn Keene.

What are you reading now?
Currently on my nightstand are: M.C. Beaton’s latest Agatha Raisin mystery, PUSHING UP DAISIES; Dennis Lehane’s new Boston noir, SINCE WE FELL; an academic treatise on Sofia Coppola’s films; a coffee table book about Yves St. Laurent’s “shocking” ‘40s-throwback collection of 1971; and groupie extraordinaire Pamela Des Barres’s new book, LET IT BLEED: HOW TO WRITE A ROCKIN’ MEMOIR.

Are you working on your next novel? Can you tell us a little about it?
So excited about this one! It is the next installment in the Dreama Black series, and in this book, Dreama is organizing a tour of spiritual/holistic L.A. for a group of sexy yoga mommies, and gets into hot (alkalinized) water when someone takes a whack at a former teen star turned New Age guru, and Dreama has to channel her kundalini energy to figure out who it is.

Fun questions:
Your novel will be a movie. Who would you cast?
Tippi Hedren as Gram, Melanie Griffith as Desiree Black, and Dakota Johnson as Dreama Black; alternately, Susan Sarandon as Gram, Brooke Shields as Desiree, and Eva Amurri as Dreama.

Favorite leisure activity/hobby?
Reading, watching any of the Housewives on Bravo while paying bills because then I feel less guilty, hiking in Runyon Canyon, Pilates, SHOPPING

Favorite meal?
This is a great question because I love to eat! I think my favorite meal is the meal I had after giving birth to each of my daughters: an egg salad sandwich on rye toast dry, French fries, and a vanilla malt. It’s the ultimate reward for a job well done.

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GENOCIDE by Pat Krapf (Interview, Showcase & Giveaway)

Genocide

by Pat Krapf

on Tour June 1-30, 2017

Synopsis:

Genocide by Patricia Krapf

Sean Ireland, the first gay presidential candidate in US history, is guaranteed the election—until he’s found dead at the Palace of Fine Arts in San Francisco.

Stunned by her friend’s murder, private investigator Darcy McClain is determined to hunt down Sean’s killer. In shock, she returns home to find someone has broken into her home, assaulted her sister, and stolen Bullet, her giant schnauzer.

After Sean’s death, more grisly murders follow, leading the police to suspect a serial killer, but Darcy isn’t convinced. In the course of her investigation, she’s astounded to discover evidence of a high-level government conspiracy to exterminate gays and lesbians. Is Sean’s murder tied to this conspiracy? Could someone in the government have killed him? Darcy vows to track down her friend’s murderer, save Bullet, and discover the truth.

Krapf weaves a captivating tale that will leave readers wanting more of Darcy McClain’s shrewd investigative adventures as she and her bold canine sidekick, Bullet, navigate the clever plot twists in her thrillers.

Book Details:

Genre: Technothriller
Published by: Thunder Glass Press
Publication Date: June 2017
Number of Pages: 502
ISBN: 978-1-941300-05-3
Series: A Darcy McClain and Bullet Thriller, #3 (These are Stand Alone titles)
Purchase Links: Amazon | Barnes & Noble | Goodreads

Author Bio:

Patricia Krapf

Patricia “Pat” Krapf is a full-time writer and author of the acclaimed Darcy McClain and Bullet Thriller Series.

She and her husband live in Texas with their giant schnauzer Bullet, who at a hundred pounds has found his way into the plot of his master’s books.

Pat was an active member of the Dallas-Ft. Worth Writers’ Workshop for ten years and is now a member of several professional writing organizations, including Mystery Writers of America and Sisters in Crime. She frequents Bouchercon and the DFW Writers Conference. Her second book, Gadgets, won the Betty L. Henrichs Award for Best Publishable Mystery.

Catch Up With Our Author On: Website 🔗, Twitter 🔗, & Facebook 🔗!

Q&A Pat Krapf

Writing and Reading:
Do you draw from personal experiences and/or current events?
Both. Robots is a hot topic these days as is genetic engineering. I cover both subjects in Brainwash and Genocide respectively. In Gadgets the plot is centered on lasers. I used to handle the laser product line for a well-known ophthalmic company and I used my knowledge to forge the plot for Gadgets.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
I start with a beginning and a general idea of how the book will end. But as the story progresses the ending may be modified or changed as the characters often dictate the ending. As for the gap between the beginning and the end, I let the characters tell the story.

Are any of your characters based on you or people that you know?
Darcy is my alter ego and a few of my villains may have some characteristics of real life villains I’ve come across during my lifetime.

Your routine when writing?
No less than eight hours a day and normally 10.

Any idiosyncrasies?
I pay attention to everything and am acutely aware of life’s details: people’s reactions, overheard conversations, my surroundings, everything is an opportunity, even dropping off recycled clothes at a recycle bin. Would this be a good place to stash a dead body?

Tell us why we should read this book.
Darcy as super sleuth is a likable heroine with spunk and smarts who doesn’t shy away from a challenge. The technical parts of the story set it apart from an average thriller.

Who are some of your favorite authors?
Robert Ludlum, Frederick Forsyth, John le Carré, and Ken Follett.

What are you reading now?
The Looting Machine by Tim Burgis.

Are you working on your next novel? Can you tell us a little about it?
Yes, CLON-X: Darcy and Bullet her giant schnauzer find a trash bag submerged in a stream. Inside are the pulverized remains of renowned geneticist Dr. Catherine Lord, who has been receiving death threats for her research on human cloning.

Fun questions:
Your novel will be a movie. Who would you cast?
Jordana Brewster.

Favorite leisure activity/hobby?
Spending time with Bullet, my rescued giant schnauzer, and gardening.

Favorite meal?
Sushi

Thank you for stopping by CMash Reads and spending time with us.

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Website 🔗, Twitter 🔗, & Facebook 🔗!

 

Read an excerpt:

Chapter 1

Darcy rose at dawn, descended the stairs two at a time, and yanked open the front door, eager to read the headlines of her morning Chronicle. She scooped the newspaper off the walk and chuckled as she saw the faces of her two friends plastered across the front page. Never had she been so absorbed in a presidential election.

Before she headed back indoors, she paused to survey the quiet cul-de-sac with its houses stacked close together, their gray outlines awash in the jaundiced glow of the streetlights. No one stirred in the neighborhood. Too early. Even the local cat who loved to sleep on the front porch was nowhere in sight.

A light breeze kicked up. Dead leaves cartwheeled over mowed lawns, and the cold spray from the neighbor’s automatic sprinklers misted her from head to toe. She dodged a second dousing and ducked into the house, collecting Charlene’s skateboard as she entered the foyer.

Freshly brewed coffee drew her to the kitchen. She poured a cup and slid onto the window seat in the breakfast nook to devour every word of the three-page article. Most of the content she already knew, but she never tired of reading about Governor Sean Ireland and Senator Magdalena “Mags” Cortés. Even though Darcy thought she knew her friends, the past few months had brought one shocking piece of information after another. In all the years Darcy had known Sean—dating back to their college days at Stanford Law School—not once had he ever alluded to running for the presidency. When he became governor of California, he claimed he was more than satisfied with his current role and had no intention of running for any other office. Yet a year ago, he declared his candidacy, and in a bold (and some said premature) move, announced his vice presidential candidate, Senator Mags Cortés. Mags and the Latino community had a long-standing love affair, and pundits predicted she would sweep seventy percent of their vote.

While it came as a surprise Sean aspired to be president, it was no revelation Mags was his vice presidential pick. Separately, the two possessed the talent and power to accomplish anything they set their minds to. Together, The Formidable Two, as they had been dubbed by the press, packed an unbeatable punch. Before the election campaign had even started, their opponents admitted their own victory would not come easily, if at all.

Only one factor bothered the American public: the personal relationship between Sean and Mags. Not everyone was keen on the idea of a presidential candidate and his VP running mate potentially marrying. “Conflict of interest,” the opposition protested publicly and frequently, for most assumed the lifelong friends and reported sweethearts would marry one day. Neither refuted the rumors, so they persisted for years—until last month’s press conference, when both had dropped mind-blowing bombshells.

In a secret ceremony, Mags had married billionaire Gaspar Cruz. At the time of her “bolt from the blue,” as the press called it, she and hubby had been married more than six months. But Mags’s revelation paled in comparison with Sean’s shocker: a public proclamation of his sexuality. The majority of his constituents thought the decision to come out was political suicide, but they were wrong. Instead, he clinched the majority of the gay and lesbian vote and won over those who trended liberal, and because of his exemplary track record as senator and then governor, most conservatives chose to overlook his orientation in favor of his ability to bring about real change in government—a talent already proven at the state level.

The mudroom door opened and shut, cutting into Darcy’s thoughts. Charlene strolled into the kitchen with Bullet. The giant schnauzer frogged out on the tiled floor while her sister washed a handful of herbs picked fresh from their garden. Charlene looked relaxed in floral yoga pants, a pink sweatshirt, and pink flip-flops. She wore her long brown hair swept into a ponytail, and a pink headband kept the loose strands away from her oval face. Today her fingernails and toenails sparkled with pink polish.

Darcy inspected her own fingernails, next her toes. Maybe she should take a cue from Charlene and invest in a manicure and pedicure. Or a trip to the salon for highlights. She glanced at her sister. No, one high-maintenance person in the family was enough.

Charlene lowered her sunglasses and leveled her hazel eyes at Darcy. “You aren’t reading about that campaign again, are you?”

Darcy folded the newspaper. “I am.”

Charlene opened the refrigerator door and began setting items on the countertop in preparation for the brunch she promised to fix while on spring break from Stanford. “I’ve never seen you so absorbed in an election. Sean should hire you as his campaign manager. Do you think he stands a chance? Being gay, that is.”

Often her sister took the opposing view simply to create conflict or to get a rise out of Darcy, but today she refused to bite. “Why not? We’ve had a black president and a Catholic president, so why not a gay president with a Hispanic VP? What I care about is his ability and whether he has the intestinal fortitude and bipartisan support to do the job he pledged to do.”

“He’s certainly made a great governor.”

“Yes, he has. By the way, thanks for fixing brunch . . . on your first day of vacation.”

“Better to do it today or I’ll be off doing a gazillion other things and will forget completely.” She placed her hands on her hips. “Tell me, when do you plan to move into the digital age? As in ditch the newspaper and read it online?”

“Never. I love the smell of newsprint in the morning.”

Metal clanged.

Bullet cocked his head.

Charlene frowned. “Mail? At this hour?”

Light spilled across the entry. An envelope sailed through the mail slot and landed on the tile. In a barking frenzy, Bullet scooted off the floor and limped into the foyer.

Darcy sprang out of her seat and snatched up the letter before Bullet could pounce on it. Baffled by the early delivery, she flung open the front door. “Stay.” Bullet sat. Darcy jogged to the curb and glanced down Mandalay Lane, expecting to see a courier or a departing vehicle of some kind, but the neighborhood of mostly elderly people still slept.

She examined the envelope. Plain white and nothing written on the outside. No courier service had delivered it. She ripped the seal with her fingernail and removed a card along with a check. The note read, “Meet me. 9:00 a.m. Palace of Fine Arts.” No date?

She flipped the check over and whistled low and long. Why would Sean write her a check for 250 grand? A retainer, no less—for the word was scrawled in the memo section. And why hadn’t he rung the bell and stopped in for coffee, or at least for an explanation?

On her way back into the house, she petted Bullet on the head and said, “Good boy,” releasing him from his stay.

The hall clock chimed as she locked the front door. She had better get moving if she planned to be home in time for brunch. And, she was dying to hear why Sean had written her a retainer for a quarter of a million dollars.

“Time to go.” Darcy placed the check and note in the writing desk in the kitchen.

“You haven’t been for your run?”

“Too busy reading the paper. Need anything from the store? Nothing big, of course.”

“Nope,” said Charlene. “I have everything planned, including dessert. Oh, and I gave Bullet his meds for his cut paw.”

“Thanks.” Darcy wiggled into a nylon Windbreaker, grabbed her water bottle off the butcher block, and kissed Bullet between the eyes. He followed her into the mudroom and waited expectantly at the side door that opened onto the driveway. She hated leaving him behind, but the vet had said no running until the cut on his pad healed. She latched the screen door and tested the handle. Lately, Bullet had gotten into the habit of letting himself out of the house. As she walked down the drive, his whines tugged at her heart.

Darcy warmed up with a slow jog as she left Mandalay for Lombard—the most crooked street in the city—and raced up the steep stairs, her knees pumping high, clearing each step with ease.

Leaving Lombard, she sprinted onto Hyde, and ran at a lung-bursting speed toward the fog-shrouded streets of Fisherman’s Wharf. On the harbor, she shot down the waterfront and quickly approached the docks, the slips veiled in white. Although she couldn’t see many of the yachts or sailboats that bobbed in the water, she heard the lap of the surf against their sides and the rasp of metal against wood as they tugged at their moorings.

She peeled away from one pier after another, until the Ferry Building came into view. She reached it and slowed a bit, mindful of the crowds of city workers pouring from the boat terminal, everyone in a hurry to reach their jobs in the downtown districts. She conducted a U-turn, and flew back up the Embarcadero, cutting her normal route short so she wouldn’t miss Sean.

At Pier 23 Charlene crept into Darcy’s mind. Her sister’s friendship with Vicky Lord, a young woman Darcy distrusted, continued to worry her. She had hoped that once Vicky and Charlene no longer roomed together at Stanford, the two would go their separate ways. But no. Vicky had rented a house near campus and had asked Charlene to move in rent-free. In every aspect, Vicky spelled trouble. Dan Gruet, Darcy’s former partner at the FBI, called the tattooed and pierced kid Wild Child.

Darcy’s thoughts skipped from Charlene to Sean’s double shocker. What had prompted him to come out now? “Honesty,” he had said. And what had triggered this sudden decision to run for the highest office in the land? Even more of a mystery, why did he want to hire her and for what, especially at a quarter of a million dollars? She couldn’t think of what service she could be to him.

Her favorite pier came into view. She sidestepped a man power washing the sidewalks and maneuvered around a refrigerator truck parked at the rear of a chowder house. From Pier 39 rose the sharp barks of sea lions. She circled the jetty, sucking in the salty air and pausing briefly to bid a silent good morning to the noisy mammals she had grown so fond of. Life was good. The tension in her neck eased as she again bore down on Fisherman’s Wharf.

Easy, methodical strides propelled her past the shops and restaurants waking to another day. She steered clear of milling tourists, navigated around a group of cyclists, and avoided a collision with a rollerblader preoccupied with texting. Two hours earlier, her normal run time, she would have owned the wharf. Few people appeared before dawn.

Maintaining a steady pace, she sailed along Jefferson until the pavement gave way to the Bay Trail. Flying by the shoreline at a pulse-pounding speed, she navigated around a pedestrian and gained momentum as she set her sights on Fort Mason, gearing up for the trail detour she had been taking ever since the city started their repairs on the retaining wall. She would be glad when they finished. The bypass route led her up a narrow, steep concrete staircase and then connected to an equally narrow walkway before disgorging its occupants onto Upper Fort Mason. Darcy managed the detour without crashing headlong into anyone, or vice versa, and breathed a sigh of relief as she left the park for Marina Boulevard.

Rejuvenated, Darcy increased her tempo as she neared the intersection of Scott and Marina, her feet striking the pavement in a rhythmic thump, thump, thump, the sound suddenly overridden by the louder, heavier slaps of sneakers on pavement. Another runner. She glanced over her shoulder.

Someone barreled into her. She hit the sidewalk. Pain shot through her lower back as her butt landed on concrete. Dazed, she stared at the black man towering over her. Without a word of apology or any attempt to help her, he dashed into the busy boulevard. Horns honked and someone cursed the man.

“Jackass,” Darcy muttered. She scrambled to her feet, retrieved her water bottle, and brushed dirt from her shorts, eager to be on her way. She didn’t want to miss Sean, assuming the note meant today. This was her normal running route, and he knew it since they often ran together, so on any given day she was likely to bump into him anyway.

As Darcy stood across from Lyon Street, waiting for the signal light to change, an orange sun cut through the lifting fog. Ahead loomed the Palace of Fine Arts, its ornate dome glowing copper red under the morning rays. She dropped to a walk, surprised to see the entire area cordoned off with barricades and a phalanx of San Francisco’s finest blocking all avenues into the monument.

Two officers broke from the crowd and said in unison, “Presidio is closed, ma’am.”

“What happened?” she asked, not expecting an answer.

“Come back another time,” the traffic cop said, his hand resting possessively on his holster.

Darcy turned to retrace her steps, hoping to approach the rotunda from a different route. In the distance, sirens shattered the peace. Their shrill whines grew louder as wave after wave of emergency vehicles and squad cars flooded the Presidio, choking off every artery. The invasion continued until the peaceful community swarmed with law enforcement. Front doors opened, and residents gathered on their porches or the sidewalks to gawk at the commotion.

She zipped her Windbreaker to conceal her shoulder rig and snuck between the vehicle-flanked streets to where a crowd had assembled at a police barrier. “What happened?”

“Cops won’t say,” said one of the cyclists milling around the barricade. “All I know is, the streets are crawling with cops.”

“We should’ve stayed at the Golden Gate,” complained another cyclist, her head bent as she examined the toe clips attached to her bicycle pedals.

A jogger stopped in front of the growing crowd of onlookers. “Hey, what’s going on?”

“Not sure,” Darcy answered.

“Must be serious,” he said, panting. “Police are going door-to-door asking if anyone saw anything, and I heard they’ve sealed off all roads within a one-mile radius. Whatever happened must be big.”

An ambulance nosed past them, tailed by a white SUV with San Francisco Medical Examiner on the side. The vehicles parked at the curb just as two vans careened onto the grounds. The letters stenciled on the compartment doors read kxtv.

A young policeman posted at the barricade shouted, “Tell them to get lost!”

A fellow officer who looked like he’d been on the force since the Kennedy administration gave the younger policeman a tired look. “At least keep them at bay.”

Someone called out a hello to Tony Barazza, the chief medical examiner and a friend of Darcy’s. Not wanting to be seen by Barazza at this particular moment, she blended into the crowd and watched him elbow his way through the throng along with Martinez, an investigator from the coroner’s office.

“Geary ordered the area sealed off,” an officer passed the word. “The entire palace area. Understood?”

“Got it,” another officer answered.

Darcy moved to the sidelines, searching for a weak point in the stronghold of blue, but all she saw were reinforcements and medics arriving by the minute. The chaos escalated. She slunk to the rear of the crowd, and crossed the pavement to Palace Drive. The street wrapped the back side of the palace grounds. No one confronted her, so she walked on and had almost reached the other side of the monument when she spotted two uniformed officers patrolling Lyon and Bay and another two loitering on the last stretch of lawn between her and the palace. To avoid suspicion, she met them midway.

“Officers, hi. Maybe you can help me.”

“The grounds are closed,” said the taller of the two. “You have to leave. Now.”

“Sorry, I didn’t know.” She headed back up Palace Drive, mind busy working out her next move. She glanced behind her. The officers were gone, so she walked briskly toward Bay, not at all surprised to see the policeman chatting with fellow officers at a police barricade on Lyon. She slipped among the parked cars and spied on them.

A man wearing a khaki jacket and pants appeared on the sidewalk. He took keys from his pocket and crossed the street to a row of cars. One of the officers at the Lyon roadblock homed in on him.

“Hey, you. Yes, you!” the policeman hollered. “Who gave you permission to enter the area?”

“I didn’t realize I needed permission, Officer . . .?”

“Osborn. Let’s see some identification.”

“Sure.” The man handed over his driver’s license.

Osborn studied the stranger’s face against the photograph on the license. “Jesús Santiago?”

“Yes, sir. Can I go now?”

“Are you in a hurry?” Osborn handed back the license.

“Frankly, yes sir, I am. My client needs ten blowups—enlargements—and they’re due tomorrow.” Santiago unlocked a dilapidated Volkswagen van and leaned into the driver’s side.

“When did you arrive at the palace?”

“Dawn. And I’m not here to tour the palace, but the Presidio.” Santiago sneezed twice. “Allergies.”

“What have you been doing all this time?”

“Shooting birds. With a camera, of course. I’m a professional photographer. My client owns Tweety Bird Feeds, a seed company outside Oakland.”

Osborn grunted. “Open your backpack.”

Stiff from crouching, Darcy shifted her weight from one leg to the other, giving her a better vantage point.

Santiago released the nylon buckle, shrugged off the rucksack, and rested it gently on the ground.

“Unpack it.”

Santiago complied. “Cameras. Lenses. Water.”

“The palace grounds are closed to all traffic, including pedestrians. The officers posted at the Marina barricade will point you to the detour route.”

Santiago shook his head. “Great. Another delay.”

“Good day, sir, and thank you for your cooperation.” Osborn radioed a fellow officer. “Kenton, Osborn. A white Volkswagen van is headed your way. Direct him to the detour. After he leaves, radio me.”

Seconds after Santiago’s van dipped from view, Osborn’s two-way radio squawked. “He’s gone? Good. Thanks, Kenton.” Osborn walked across the lawn and disappeared from view.

Rocking forward, Darcy prepared to stand, but she felt a slight tug followed by a tearing sound. Something had snagged her jacket. She bent down to free her Windbreaker and noticed the license plates on the sports car parked beside her: eql ryts. Sean’s car. He must be somewhere in the Presidio. She placed a hand on the hood to raise herself. The metal was cool to the touch. The car had been here a while.

She swept the area and immediately spotted Detective Walter Ortiz, a cop she knew well from a previous case. He and several other officers lingered at the fringe of the parking lot. The party broke up, and Officer Fillmore, a rookie from the Central Station, began his patrol of the area. She had an idea. Not original, but few were. She pulled out her PI license and advanced on Fillmore, calling out as she approached, “Have you seen Detective Ortiz?”

As she hoped, her assertiveness threw Fillmore, who had been on the force for a month. “Oh, hi, Detective McClain. He’s in the rotunda. Why?”

“He’s expecting me.”

“Really?” Fillmore hesitated. “I’ll show—”

“Thanks, I know the way.”

“Wait.”

Darcy pretended not to hear. She crossed the greenbelt at a fast walk. Out of sight of Fillmore, she veered onto a walkway, dived into the shrubs bordering the lagoon, and ducked under the yellow crime scene tape, one end of which was anchored to a tree trunk, the other tied around a colonnade.

She stole to the nearest wall and kept low for cover. A team of three stationed at the archway milled about. One carried a logbook, his job to sign in and out anyone who entered or exited the monument.

A gentle breeze stirred the scent of freshly mown grass, and muffled voices filtered from the rotunda, the words inaudible. She leaned sideways for a better view, her shoulder against the pillar for leverage. Detective Geary, a bald man pushing fifty, threw out his chest and sucked in his gut as he joined five of his officers and two plainclothes cops huddled at the palace entrance. Barazza and Martinez lingered nearby, talking in low voices. Barazza noticed Geary and headed toward the officer. A short conversation ensued. Geary spewed expletives, slapped Barazza on the back, and rejoined his men for another gab session.

Suddenly, the group exploded in loud argument, and two uniformed officers broke from the tight-knit assembly. The men seemed agitated, pacing and puffing nervously on cigarettes, apparently contemplating something important. Then the loop tightened and the heated debate continued. Curiosity ate at Darcy.

As time passed, gathering clouds blocked the sun, and shadows dulled the silhouettes inside the monument, making it difficult to discern one figure from another, especially from her angle and when most wore blue.

“Hey, get those lights in here.” Geary bellowed his directive.

Officers scurried into the theater. They unpacked tripods equipped with high-wattage spotlights and arranged them in a semicircle. Bright floodlights doused the honey-colored walls in blinding white.

“Okay, everyone out.” Geary’s gruff voice resonated through the dome.

People scattered. Darcy’s pulse quickened. On the ground sprawled a man, his back to her, one arm tucked under his body and his head partially hidden. He wore brown Dockers, loafers, and a white shirt. She craned her neck to catch a closer look, but the angle wouldn’t allow for a clear view. A policewoman stepped forward and covered the body with a blanket. Darcy eased off the concrete ledge to the ground and paused, thinking through the best approach to access the rotunda.

A hand closed on her shoulder. “Seen enough?”

She spun. “Osborn. Hi.”

Osborn leaned sideways, his gaze toward the rotunda. “Hey, Hilton. Come here.”

A short, dark-haired man in his mid-thirties strutted in their direction. Hilton, too, was new to the force, not a rookie but a transfer from LA. He saw Darcy and shook his head. “McClain, how in the hell did you get past the command post? Shit, Geary’s going to blow his top. Sir!” Hilton shouted to his boss. “I need you for a minute.”

“I’m coming,” said Geary. Darcy had tangled with him on many investigations, the outcome never good. He put an unlit cigar between his lips and scratched his silver-and-brown mustache with his thumb. The minute he laid eyes on her, his slow gait increased to a fast shuffle. “You working this job, McClain? No, so scat.” To Hilton, Geary shouted, “Goddamn it. Who’s sleeping on the job? I want names. Do you hear me, Hilton? Names.”

“Yes, sir.”

Geary turned back to Darcy. “Well, what are you doing here, McClain?”

“Out for a jog.”

Geary snickered. “Right.”

“Detective. Sir,” an officer called to Geary.

“Yeah, Beckwith? What is it?”

“Press wants to interview you. They want to know if you can ID the guy.”

“Tell the assholes I’m trying to conduct a murder investigation plus deal with other crap.” He cocked his thumb at Darcy. “Now back to work and find the damn murder weapon.”

“Yes, sir. Sir, what is the murder weapon?” asked Beckwith.

“The hell if I know. Just keep searching.”

A tall, distinguished-looking black man in a tan suit sauntered over to Geary. Darcy liked Detective Ortiz, a man with a conscience, for God knows Geary had none.

“Darcy, hi.” A smile brightened Ortiz’s stern face, and his hand shot out.

She shook it. “Good to see you again.”

Geary muttered something, followed by, “Okay, you two, cut the sweet stuff. We’re here on business.”

Ortiz glanced at his cell phone. “MacDonald says he found something interesting.”

“Oh?” Geary’s dour expression brightened. “Let’s talk over there. Where it’s private.”

After a few moments, Ortiz motioned to Darcy to come over.

Geary cursed. “No reason to involve her whatsoever. None.” Darcy didn’t hear Ortiz’s reply, only Geary’s loud bark. “Okay, okay. So let her identify the victim. Then she leaves.”

Ortiz made eye contact. His sad expression carried a warning: “This won’t be easy.” And his demeanor said she knew the victim. He walked her to where the body lay. A cool breeze rustled the bushes, tousling Darcy’s damp hair. A shiver skidded along her spine, and sweat beaded on her upper lip. It seemed like an eternity until he pulled back the blanket.

“I’m so sorry.” Ortiz touched her shoulder.

Numb, Darcy knelt, one hand on the ground to steady herself, her knees weak and her brain denying what her eyes clearly saw. “How did he die?”

“Don’t answer.” Geary stepped in front of Darcy. “Now stand, McClain.”

“It does no harm to give her a minute.” Ortiz grabbed Geary’s arm and led him away from the body. Begrudgingly, Geary went along.

Darcy stared at her friend, lying lifeless on the cold ground. Disbelief and sadness tore at her heart, and tears stung her eyes. Through blurred vision, she whispered her goodbye. “I’ll miss you, Sean.”

***

Excerpt from Genocide by Pat Krapf. Copyright © 2017 by Pat Krapf. Reproduced with permission from Pat Krapf. All rights reserved.

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