Category: Partners In Crime Tours

It’s a John Lansing Giveaway!!

Blond Cargo

by John Lansing

Visiting with the Partners In Crime Virtual Book Tour Company

Oct 8 – November 30, 2014

Blond Cargo by John Lansing | Coming Soon

Book Details:

Genre: Mystery/Thriller
Series: Jack Bertolino, 2nd
Published by: Karen Hunter
Publication Date: 10/20/2014
Number of Pages: 320
ISBN: 9781476795515

Purchase Links:
* Blond Cargo does include some graphic violence.

Synopsis:

“A pulse-pounding thriller with a charming protagonist” (Kirkus Reviews), this gripping ebook continues the story that began in The Devil’s Necktie.

Jack Bertolino’s son, Chris, was the victim of a brutal murder attempt and Vincent Cardona, a mafia boss, provided information that helped Jack take down the perpetrator of the crime. Jack accepted the favor knowing there’d be blowback. In Blond Cargo the mobster’s daughter has gone missing and Cardona turned in his chit. Jack discovers that the young, blond, mafia princess has been kidnapped and imprisoned while rich, politically connected men negotiate her value as a sex slave.

A sizzling whodunit for fans of James Patterson and Patricia Cornwell, Blond Cargo taps into the real-life crime world to deliver a thrilling, action-packed story that will keep you on the edge of your seat until the explosive, unprecedented finale.

Read an excerpt:

4

Jack carried a Subway turkey sandwich, a tall unsweetened iced coffee, a bottle of water, and a smile as he keyed the security gate that led to the dock in Marina del Rey where his boat was moored. The marina was always quiet during the week. Just the way he liked it.

He stopped to admire his twenty-eight feet of heaven before stepping onto his boat’s transom and then . . .

“Yo, Mr. B.”

Jack never forgot a voice, which explained his reluctance to turn around.

“Yo, yo, Mr. B.”

Miserably persistent, Jack thought. He turned to face Peter Maniacci, who was dressed head-to-toe in black. With his outstretched arms draped over the chain-link fence, Peter looked like an Italian scarecrow. The black circles under his eyes belied his youth. The sharp points of his sideburns, his boots, and the .38 hanging lazily from a shoulder holster added menace to his goofy grin.

So close, Jack thought. His only worry that day had been whether to eat his sandwich dockside or out on the Pacific with a view of the Santa Monica Pier.

“How you doing, Peter?”

“How you doin’?”

Jack let out a labored sigh. “We could do this all day. What’s up?”

“That’s funny, Mr. B. How’s the boy? How’s his pitching arm?”

Jack’s face tightened. He wasn’t happy that Peter knew

any of his son’s particulars. When he didn’t answer, Peter continued.

“Hey, nice boat. I used to fish for fluke off the north shore. Long Island. I think I must be in the wrong business.”

“Count on it,” Jack said. “What can I do for you?”

“My boss was wondering if you could spare a few minutes of your time.”

As if on cue, a black Town Car materialized behind Peter and came to a smooth, silent stop. The car rose visibly when Peter’s boss, a thick, broad-shouldered man, stepped out of the rear seat.

Vincent Cardona. Expensive suit, the body of a defensive linebacker—fleshy but muscled. Dark, penetrating eyes. Cardona looked in both directions before leveling his feral gaze on Jack. An attempt at a smile fell short of the mark. A thick manila envelope was tucked under one beefy arm.

Jack had been aware there would be some form of payback due for information Cardona had provided on Arturo Delgado, the man responsible for the attempted murder of his son. He just didn’t think it would come due this quickly. He opened the locked gate and let the big man follow him down the dock toward his used Cutwater cabin cruiser.

As Peter stood sentry in front of the Lincoln Town Car, Jack allowed the devil entry to his little piece of paradise.

“How’s your boy? How’s the pitching arm?” Vincent asked bluntly. Just a reminder of why he was there.

“On the mend.” Jack gestured to one of two canvas deck chairs in the open cockpit of the boat. Both men sat in silence as Jack waited for Cardona to explain the reason for his visit.

Jack wasn’t comfortable with Cardona’s talking about Chris, but the big man had taken it upon himself to station Peter outside Saint John’s Health Center while his son was drifting between life and death. Cardona’s enforcer had scared off Delgado, and that might have saved his son’s life. The unsolicited good deed was greatly appreciated by Jack. The debt weighed heavily.

“It rips your heart out when your children have problems and you can’t do nothing to help,” Cardona said with the raspy wheeze of a man who had abused cigars, drugs, booze, and fatty sausage for most of his life.

“What can I do for you?” Jack asked, not wanting to prolong the impromptu meeting.

Cardona, unfazed by Jack’s brusqueness, answered by pulling out a picture and handing it to Jack.

“Angelica Marie Cardona. She’s my girl. My only. My angel. Her mother died giving birth. I didn’t have the heart to re-up. I raised her by myself.”

Mobster with a heart of gold. Right, Jack thought. But Cardona’s wife must have been a stunner because Angelica, blond, early twenties, with flawless skin and gray-green eyes, didn’t get her good looks from her father. Cardona’s gift was her self-assured attitude, which all but leaped off the photograph.

“Beautiful.”

Jack Bertolino, master of the understatement, he thought.

“And doesn’t she know it. Too much so for her own good. You make mistakes, my line of business. Whatever.”

“What can I do for you, Vincent?” Jack said, dialing back the attitude.

Cardona tracked a seagull soaring overhead with his heavy-lidded eyes and rubbed the stubble on his jaw.

Jack would have paid good money to change places with the gull.

“I shoulda never moved out here. L.A. I’m a black-socks- on-the-beach kinda guy. East Coast all the way. Never fit in. But I’m a good earner and the powers that be decided they were happy with the arrangement. Everyone was happy except Angelica and me.

“She turned thirteen, didn’t wanna have nothing to do with her old man. Turned iceberg cold. I tried everything— private schools, horses, ballet, therapy, live-in help; nothin’ worked. She closed up tighter than a drum. I finally threatened to send her to the nuns.”

“How did that work out?”

“I’m fuckin’ sitting here, aren’t I? On this fuckin’ dinghy . . . no offense meant,” he said, trying to cover, but the flash of anger told the real story. “I hear you’re an independent contractor now.”

It was Tommy Aronsohn, his old friend and ex–district attorney, who had set him up with his PI’s license and first client, Lawrence Weller and NCI Corp. But Jack Bertolino and Associates, Private Investigation, still didn’t come trippingly off his tongue.

And thinking of the disaster up north, he said, “We’ll see how that goes.”

“This is the point. I haven’t seen my daughter in close to a month. Haven’t heard word one since around the time your son was laid up in Saint John’s,” he said. Reminder number two. “It’s killing me,” he continued. “I’m getting a fuckin’ ulcer. Then this.”

Cardona pulled out the L.A. Times with the front-page spread reporting on the woman who had died when her boat crashed on the rocks at Paradise Cove. As it turned out, a second woman down in Orange County had washed up on the beach a few weeks earlier at the Terranea resort, scaring the joy out of newlyweds taking photos at sunset. Talk about twisted memories, Jack thought. As if marriage wasn’t tough enough. He’d already read both articles with his morning coffee and hadn’t bought into the pattern the reporter inferred.

“And the connection?”

“I got a bad feeling is all. She’s never disappeared like this before—not for this long anyway,” he said, amending his statement. “And then . . .” Cardona said, waving the newspaper like it was on fire. “It says here they were both blonds. Both about Angelica’s age. They could be fuckin’ cousins. Could be nothing.”

“Did you file a missing-persons report?”

Cardona gave him a hard side eye. “Jack, don’t fuck with me. We take care of our own.”

Jack thought before he spoke. “I’m not one of yours.”

“Semantics.”

“What about your crew?”

Cardona flopped open his meaty hands. “I get angina, I don’t call my cousin Frankie, who has a certain skill set but stinks when it comes to open-heart surgery. Look, I get it. You were on the other team. But this is straight-up business. One man to another. One father to another. I need you to find my girl. You got my number. Use it, Jack. Money’s no object. Find my baby.”

Strike three.

Jack didn’t answer. He stared out at the navy-blue water of the marina, past row upon row of beautiful yachts, symbols of dreams fulfilled, and knew they were empty notions compared to family.

Cardona hadn’t actually spoken the words you owe me, but they filled the subtext of everything he’d said. He was not subtle. The big man had reached out when Jack was in need, and Jack had accepted the offer. Now Vincent Cardona wanted his pound of flesh.

“This is everything I know. Last address, phone numbers, phone bills, e-mail accounts, bank, credit cards, friends and whatnot. The whole shot,” Cardona said, holding the manila envelope out in Jack’s direction.

“I have other commitments,” Jack stated.

“You look real fuckin’ busy, Jack, if you don’t mind my sayin’.” His eyes crinkled into a sarcastic grin. Vincent Cardona does charm.

Jack accepted the overstuffed envelope with a sigh.

“If she don’t want to come back, fine. No funny business, no strong-arm bullshit from my end. You got my word. I just need to know that my blood is alive. I’m fuckin’ worried and I don’t do worry too good. Sleep on it, Jack. But do the right thing.”

Cardona’s eyes locked on to Jack’s. Jack remained silent. He’d take a look. No promises, not yet.

Vincent’s knees cracked and the canvas chair squeaked like it was in pain as he stood up. He covered a belch behind his fist and rubbed his gut as he moved stiffly past Jack. The boat rocked when Cardona stepped off and walked heavily away, his Italian leather shoes echoing on the wooden dock.

The weight of the world. Jack could relate.

Peter Maniacci opened the gate for his boss and then the door to the Lincoln Town Car, which plunged to curb level as the big man slid in. Peter ran around to the other side of the car and tossed Jack a wave like the queen mum. He jumped into the Lincoln, which lurched forward before Peter could slam the door shut.

Jack walked into the boat’s deckhouse, grabbed a bottle of water, and downed two more Excedrin. He stretched his back, which was going into a spasm from yesterday’s violence, and chased the pills with a Vicodin to stay one step ahead of the pain that he knew was headed his way.

Jack had already decided to take the case.

Author Bio:

John Lansing started his career as an actor in New York City. He spent a year at the Royale Theatre playing the lead in the Broadway production of “Grease.” He then landed a co-starring role in George Lucas’ “More American Graffiti,” and guest-starred on numerous television shows. During his fifteen-year writing career, Lansing wrote and produced “Walker Texas Ranger,” co-wrote two CBS Movies of the Week, and he also co-executive produced the ABC series “Scoundrels.” John’s first book was “Good Cop, Bad Money,” a true crime tome with former NYPD Inspector Glen Morisano. “The Devil’s Necktie” was his first novel. “Blond Cargo” is the next book in the Jack Bertolino series. A native of Long Island, John now resides in Los Angeles.

Catch Up With the Author:

Book Blast:



Tour Participants:



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Scott L. Miller Guest Author interview & giveaway

WELCOME Scott L. Miller

Scott L. Miller

A licensed clinical social worker, Scott L. Miller earned his Master’s in Social Work from St. Louis University and has worked with adults, children and the elderly in state and private hospitals in St. Louis city and county. Long fascinated by the workings of the human brain, he quit writing exceptionally bad poetry and studied fiction writing under the late John Gardner and later at Washington University. His first Mitch Adams novel, The Interrogation Chair, was self-published in May 2011, has been rewritten and is due for re-release by Blank Slate Press in October 2014 under the title Interrogation. Counterfeit is the second in this series, but is a stand-alone work. Counterfeit recently took third place in the Walter Williams major work award contest at the 99th Missouri Writer’s Guild workshop for Missouri’s published authors. Miller is currently working on his third Mitch Adams novel, working title The Virtual Suicide Machine, which is slated for release in 2015 by Blank Slate Press.

Connect with Scott at these sites:

WEBSITE     

Q&A with Scott L. Miller

Writing and Reading:
Do you draw from personal experiences and/or current events?
I draw from personal experience and currents events. My writing deals with people and what motivates them to do good and terrible things. None of my recurring characters are based on one person from real life. Each book is set in present time and I always add very current topics of the year that are often hot button or polarizing ones.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
I used to never use an outline, even in school for papers or projects. For my first novel I didn’t use one. I often enjoyed the neat twists and turns that happen without an outline, but it took me too many rewrites and too much time to nail the ending. There’s a lot to be said for writing the ending first and working backwards (there’s a book on writing that teaches it) but I’ve found it’s best for me to have at least a basic outline of beginning, middle and end, which is how I started writing Counterfeit. That way, as I write I still have the ability to have those cool, spontaneous twists as each section evolves.

Your routine when writing? Any idiosyncrasies?
About writing routine, I almost always write in the evening when it’s quiet at home, after I decompress from work and spend time with my wife and our dogs. I write in my study, with no set length of words to produce each day. Sometimes it flows, other times it’s a trickle.

Is writing your full time job? If not, may I ask what you do by day?
I’m a part-time, wannabe be full-time writer. Right now, I think I can write a novel a year while I work full-time as a licensed clinical social worker, but doing so means I don’t sleep very much. Most of my social work career was spent in psychiatry (I’ve worked with pretty much every type of adult and child population there is) but now I’m in medical social work.

Who are some of your favorite authors?
Forced to choose just two, my two favorite authors are Robert B. Parker and Dennis Lehane. I would have loved to have met Mr. Parker but was lucky to meet Dennis and hear him speak. Gimme a good book with psychological suspense and twists and turns or a smart, quick-thinking protagonist with an attitude and I’m in heaven. The book I enjoyed the most over the last year was Gone Girl. John Irving is hard to beat for dialogue and character development. I could go on and on here.

What are you reading now?
Am trying to read authors who are new to me right now to broaden my horizons. Just started reading a signed copy of Blood is the Sky by Steve Hamilton who I met at a writing seminar last year and I like it so far.

Are you working on your next novel?  Can you tell us a little about it?
I’m working on the latter stages of my third Mitchell Adams novel, working title The Virtual Suicide Machine. Mitch bails out his best friend Tony Martin, who also appears in the first two novels. Therapists use Virtual Reality to treat certain psychiatric illnesses, but Tony takes it a step farther, the machine is stolen, and all hell breaks loose. It’s by far my most over-the-top writing, but man will possess the technology for what happens in the next decade or two. A sexy femme fatale is this novel’s villainess, perfumes, and the Middle East conflict comes into play. Due in 2015.

Fun questions:
Your novel will be a movie.  Who would you cast?
Funny you ask about Counterfeit as a movie…I had interest for movie rights from someone who works at New Line Cinema and an employee of director Sam Raimi, but talks fizzled. Also, there’s a little meta-fiction toward the end of Counterfeit in which Mitch thinks about actors who might play him if the story was made into a movie. Mitch mentions Clive Owen and Ryan Gosling, but I much prefer Clive Owen as Mitch. For Detective Baker I may go with lesser known Terry Crews (since Michael Clark Duncan has passed away) and for the villain John Maynard I think Aaron Eckhart would be a good choice.

Manuscript/Notes: hand written or keyboard?
About manuscript notes, I’m now conditioned to write on the keyboard, but if an idea strikes I’ll scribble it down whenever and wherever it occurs. I struggle to write a scene on paper anymore for some bizarre reason.

Favorite leisure activity/hobby?
For fun, of course I like to read, but also hike in Castlewood Park with my wife and our beagles, go to the horse track or a casino, and catch up with old friends while playing poker.

Favorite meal?
My wife cooks as well as a gourmet chef and her tomato and basil pie is out of this world good.

ABOUT Counterfeit

What if a man with the talent and patience to create perfect, undetectable copies of US hundred bills carries out his plan? Has a crime even been committed? What if he never spend a dime of the money on himself?

The last person social worker Mitch Adams wants to hear from is St. Louis Homicide Detective JoJo Baker, a man with whom Mitch shares a tangled past. Baker wants Mitch to see Lonnie Washington, a disabled African-American arrested for counterfeiting and armed robbery, believed to be suicidal while he sits in jail awaiting trial. The evidence points to an open and shut case, but Baker insists it’s not so black and white. Reluctantly, Mitch agrees and discovers there is more to the story–more than enough to get them both killed. At first Lonnie won’t cooperate, but as he begins to open up, Mitch comes to believe that the true criminal may not be the man behind bars, but the prosecutor who put him there–a man with far-reaching political ambitions, the approval of the public, and his very own Secret Service detail. With millions in perfect fake $100 bills up for grabs, Mitch’s life hinges on the word of a counterfeiter, the greed of a prosecutor, and his refusal to go down without a fight.

BOOK DETAILS:


Genre: Suspense, Crime Fiction

Published by: Blank Slate Press

Publication Date: Oct 2013

Number of Pages: 248

ISBN: 978-0985007119

PURCHASE LINKS:

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

 

Interview | Flight of the Tarantula Hawk by Michael Allan Scott (9/1-9/30)

Flight of the Tarantula Hawk

by Michael Allan Scott

on Tour at Partners In Crime Virtual Book Tours in September 2014

Book Details:

Genre: Mystery / Thriller with a Paranormal Twist
Published by: Telemachus Press
Publication Date: 02/10/2014
Number of Pages: ~350
ISBN: 978-1-940745-00-8 / 978-1-940745-01-5
Series:2nd Lance Underphal Mystery, Can Be Read As a Stand Alone Novel

Purchase Links:

Warning: This book is not for everyone! It includes Excessive strong language, Graphic violence, & Explicit sexual scenes.

Synopsis:

Realtor Carla Simon has her first showing in nearly eighteen months. Recovering from a nervous breakdown, she arrives at the bank-owned foreclosure well ahead of her prospect. When her buyer pins her against the wall, it turns out to be the last house she’ll ever show.

Working on rebuilding his life, Lance Underphal attempts to bury his psychic curse alongside his troubled past. But when cryptic nightmares begin to plague him, he comes to know his struggles with the supernatural are far from over.

Lacking evidence, Homicide Detective Frank Salmon drags the reluctant psychic into the investigation. Underphal clues him in—this psycho is just getting started. Salmon assembles his crew and digs in.

Jack Jacobs, a PI and a shipmate of Salmon’s, fields a call from his girlfriend’s frantic daughter. She recruits him to locate her missing husband. Finding the husband’s Accord parked outside a long-vacant house, Jack senses he’s out of his league and calls Salmon.

Salmon’s manhunt ratchets up as Underphal’s predictions come to pass. Salmon, Jacobs and Underphal soon join forces, driven to stop the killings—a monumental task. And it’s not long before they disagree, each tracking their own suspect. All are led astray. A wild ride full of twists and turns, from a Goth-fest gone wrong to a shiny new morgue, they grapple with demons real and imagined.

As Lance’s dead wife Sonja whispers words of warning, he comes face to face with the murderer fresh from a kill. It’s only then he discovers it’s the murderer who’s stalking him. Lance wrestles with grim choices: Give up the chase and abandon his friends, or immerse himself in the killer’s dark past and risk annihilation. Lance’s only shot at redemption—face the horror and reveal its source.

Read an excerpt:

The Showing

 

Midday, and a crisp scent of fall fills the balmy air of late October. Sun-baked terrain has cooled, well below oven operating temperatures for several days in a row—the first time in nearly six months. Phoenix’s last Indian summer is finally laid to rest. Snowbirds and other migratory fowl flock to town, clogging the freeways and surface streets, swelling the resort hotels, RV parks, and the wallets of local merchants. A veritable desert paradise . . . almost, except for that fleshy, white underbelly that never sees the sun.

Crouched in the upscale suburb of Paradise Valley, a four-bedroom, two-and-a-half-bath contemporary ranch style sits vacant—its foyer littered with MLS flyers and Realtors’ business cards while dust bunnies breed in its corners. At the street, the “For Sale” sign declares it’s “Bank Owned”—a sign of hard times, blighting nearly fifty thousand homes in the Phoenix area alone.

Carla Simon fumbles with the lockbox’s key to open the empty house. Her hollow cheeks match the hunted look in her soft brown eyes. Nervously waiting in the foyer for her two o’clock showing, she smooths the front of her skirt with sweaty palms. It’s been a long time since she’s shown property—too long.

Carla waves vigorously, her greeting overly effusive as her prospect trudges up the walk. “Any trouble finding it?” she asks.

Her prospect seems distracted, answering, “No . . . no problem.”

Carla starts in, leading the way. “You’ll notice the hardwood flooring throughout the main living areas.”

They cross through the foyer.

As they enter the living room, her prospect suddenly grabs Carla from behind and pushes her face-first into the wall.

“OhMyGod! What are you doing!?!” Stunned, Carla struggles to make sense of it. This can’t be happening!

Her prospect spins Carla around, pinning her to the wall with a forearm. She stares at her attacker’s placid features in disbelief, frozen with terror. Her attacker’s wide eyes bore through her like red-hot lasers. Confusion scrambles her thoughts as she watches a hand rise over her head. Too late, Carla sees the gleam of a large hypodermic needle as it thrusts deep into her neck, penetrating the carotid artery. Carla’s eyes roll with panic as the stab of the big-bore needle pierces her throat, burning fluid swelling her neck.

Racing to the brain like a predator possessed, the poison’s fiery tendrils sizzle neurons, frying and then extinguishing cranial, optic and facial nerves. Burning numbness spreads, robbing Carla of all muscular control. Her eyelids droop as facial muscles go slack. Vision doubling, then blurring, then dark, the last image burned into the back of her fading retinas is her attacker’s retreat. Carla’s shrieks echo in empty rooms, soon to be stillborn in her useless larynx as paralysis sets in.

How is it possible? The ultimate betrayal. Her life had just started to turn around after all the hard work and struggle to regain her family, her career, her sanity. She needs to ask why, but deadened lips refuse to move.
Her dry mouth hangs open uselessly as her last breaths flutter from paralyzed lungs. Maybe she wasn’t meant to be happy. But why now? And why like this? Bladder and bowels let loose as her arms and legs go limp. She slides down the wall to slump into a spreading puddle of her own urine. Slowly tilting over, her torso topples to the floor. Her head, bouncing off the solid wood floor like a ripe melon.

No, No, NO!!!

Fully conscious while trapped in a cooling carcass, Carla screams hysterically to no avail; only silence and darkness ensue.

Pale moonlight floods vacant rooms, streaming through bare windows. The consciousness that was Carla Simon watches cold blue-white light creep across the hardwood floor to climb bare walls, exposing a swollen flyblown corpse. She’s lost all track of time. How many nights has it been? She tries to remember . . . where she is, how she got there. Hollow spots, holes, nothing there when she’s sure there must be. If only she could remember. Dr. Manson said there would be some confusion and short-term memory loss, common side effects of electroconvulsive therapy.
Melancholy haunts her as thoughts flit from question to question, too many loose ends. Did I lock the car? Did Howard make the house payment? Did Jimmy get his dinner?

A fine layer of dust coats the smooth planking, absorbing the lumber’s lustrous sheen. Dust motes gleam like tiny stars in the glowing blanket of moonlight that hugs the floor. Fragments whirl in Carla’s thoughts, fluttering like wounded birds. A to-do list half done, the white sheen of a prom dress, a plastic wristband from the hospital—shards of a shattered past, nothing left but scraps.

It’s so still she can almost hear the thrum of the cosmos, its pulse trembling at the edge of perception. The quiet house seems on the verge of telling her something, some deep revelation, a most intimate secret.

Something’s not quite right, but she dare not think about it. She’s certain that somehow it will miraculously all come to her and she’ll be okay.

Moonlight sifts through dust-streaked glass, exposing a void, an emptiness, as Carla absently reflects on her condition. But she’s been done with all her treatment for months now. Dr. Manson promised her it would be okay.

Cold light cuts through dead air with scalpel-like precision, illuminating tiny imperfections floating aimlessly in space. Yes, it will all be okay. Like gasping awake from a nightmare or coming to from a deep coma or a near-death experience—a grand mal seizure, like after an ECT treatment. Yet it has to be okay. How else could she still be seeing, hearing . . . thinking? It’s all just a bad dream, Carla’s sure she’ll wake up soon. Still, something’s not right. If only Dr. Manson had explained it to her, maybe then she’d understand. And she really needs to understand.

Wake-Up Call

 

Sixty miles northwest of Phoenix, just outside Wickenburg, it’s an unusually bright night for early November, the blood moon waxing full above a rugged mesa. A stiff breeze whips up into a gusty blow, kicking up dust and rolling tumbleweeds across the open desert to pile against long stretches of rusted barbwire fencing. As a lone coyote’s howl dies off, the cold wind moans, a bone-chilling song, echoing through the dry creosote and down the rocky ravines.

Gritty gusts vibrate the metal sheeting of an aging doublewide. Anchored against the elements, the weather-beaten trailer clings to a five-acre plot of raw desert. A ten-year-old Jeep Grand Cherokee is haphazardly parked nearby. The darkened trailer and old Jeep lie at the end of a narrow dirt track, the only evidence of civilization for miles.

And that’s fine with me. Just the way I like it. I’m snoring away in my new La-Z-Boy recliner, a half-empty longneck Bud sweating on the side table. A new fifty-two-inch flatscreen flashes digital images—my new surround-sound system, whispering the satellite TV’s endless monologue.

Dreaming, I catch my breath as a new reality unfolds:

A bright summer day, clear and hot. A large jet-black wasp appears overhead before I hear the hum of its Halloween-orange wings. A tarantula hawk headed straight for me. Flashes of raw panic. She’s enormous, big enough to carry me away. She lands in front of me, extending her hooked claws, wings flicking in anticipation. I rear back on hairy hind legs, baring my fangs and poking segmented forelegs at her in a valiant attempt to ward her off. She lunges, grappling with wicked claws, pulling me off balance and turning me over in one lightning-quick move. I flail wildly, arching my back, legs in the air, abdomen exposed and vulnerable. Holding fast, she thrusts her long black stinger deep into my belly, releasing her paralyzing venom. The shock-inducing sting slowly numbs me to the core as I silently scream from within its high-voltage spell. Her vile excretion robs me of all muscular control, leaving me to crackle in a hellish limbo. I can’t quite feel her dragging me away, but I fear the worst is yet to come.

A ringing in my head distracts me, growing louder, more insistent as the nightmare fades.

My cell phone’s obnoxious chirp drags me to semiconsciousness. I flail in my recliner, disoriented, trying to get my bearings. Grabbing my cell, I squint at the caller ID but can’t focus, my head spinning, drowning in dizziness.

The loud chirping stops and suddenly, it’s quiet. All that’s left is the ringing in my ears. As the ringing dies down, the dizziness fades. I decompress as the wind’s inhuman wail seeps through cracks in old weather stripping, competing with the TV’s mindless drone.

Thinking it through, it turns out the nightmare was more than just another bad dream. I know, having had more than my share. And “the worst is yet to come,” rings prophetic.

 

Q&A with Author

Writing and Reading:
Do you draw from personal experiences and/or current events?

Yes, I draw on both. The Lance Underphal mysteries are loosely based on real life experiences over a backdrop of current events extrapolated into a fictional reality.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?

I start with an incident as an idea and throw together the basic plot and characters in the form of cryptic notes. I liken my process to my days as a jazz drummer—improvisation on a theme.

Your routine when writing?

I have to schedule my writing time. Otherwise, I’d never get to write.

Any idiosyncrasies?

Not so much, but I DO love to set the mood with music. The right piece of music is always a source of inspiration.

Is writing your full time job?

Yes. But so is book marketing and book publishing. Guess I’m the head cook and bottle washer of this outfit.

If not, may I ask what you do by day?

Additionally, I own and operate a commercial real estate company.

Who are some of your favorite authors?

I have a ton of favorites. Poe, HP Lovecraft, Asimov, Frank Herbert, Huxley, Heinlein are a few of the classic masters I love. When it comes to contemporary mystery, James Lee Burke and Michael Connelly are two of my faves.

What are you reading now?

Most of my reading these days is research for writing. However, here’s a few I’m reading now, mostly for fun: Creole Belle, by James Lee Burke; The Automatic Detective, by A. Lee Martinez; The Deep Blue Good-By, by John D. MacDonald; and Poe, by J. Lincoln Fenn.

Are you working on your next novel?

Two, actually. The 3rd in the series, Grey Daze, is with my editor now, and I’m nearly twenty thousand words into Operation: Cut-Throat, which will be the 4th Lance Underphal Mystery.

Can you tell us a little about it?

There are now three Grey Daze excerpts posted in my blog – http://michaelallanscott.com/blog/.

Operation: Cut-Throat adds elements of black-hat hacking, terrorism and international intrigue to the core elements of my paranormal murder mysteries. I can’t wait to see the ending, ha!

Fun questions:
Your novel will be a movie. Who would you cast?

In addition to Jack Nicholson or John Travolta as Lance Underphal, I’d cast Dwayne Johnson as Jake Jacobs.

Manuscript/Notes: handwritten or keyboard?

Keyboard, only. At sixty-four years of age, I don’t have enough time left to hand write anything.

Favorite leisure activity/hobby?

Leisure? What the hell is that? I spend my time creating . . .words and pictures—my joys.

Favorite meal?

Let me eat cake! CHOCOLATE cake! Yeah, baby! That’s what I’m talkin’ about!

Flight of the Tarantula Hawk – Book Trailer:

 

Author Bio:

Born and raised at the edge of the high desert in Kingman, Arizona, Michael Allan Scott resides in Scottsdale with his wife, Cynthia and their hundred-pound Doberman, Otto. In addition to writing mysteries and speculative fiction, his interests include music, photography, art, scuba diving and auto racing.

 

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It’s Time for a Book Blast | Chimeras & Mosaics

Track Presius Series, Books 1 & 2

by E.E. Giorgi

Book Blast

 

Chimeras

Book Details:

Genre: Mystery/Thriller
Published by: Quemazon Publishing
Publication Date: April 5 2014
Number of Pages: 406
ISBN: 978-0996045100

Purchase Links:

Synopsis:

Haunted by the girl he couldn’t save in his youth, and the murder he committed to avenge her, Detective Track Presius has a unique gift: the vision and sense of smell of a predator. When a series of apparently unrelated murders reel him into the depths of genetic research, Track feels more than a call to duty. Children are dying — children who, like himself, could have been healthy, and yet something, at some point, went terribly wrong. For Track, saving the innocent becomes a quest for redemption. The only way he can come to terms with his dark past is to understand his true nature.

 

Kudos:

Chimeras is now a Reader’s Favorite 2014 Book Award Finalist!! Check it out here: Reader’s Favorite.

 

Read an excerpt:

PROLOGUE

It was one of those hot summer afternoons, with air made of cobwebs and a glare as sharp as pencils.

“Something’s wrong today,” I said.

“It’s L.A.,” my partner replied. “Something’s always wrong in L.A.”

A few hours later Johnny Carmelo was dead, his brains skewered by the whistling path of one of my bullets. He collapsed on the pavement, a red trickle of blood weeping down his face. They told me they weren’t going to clear me back to duty until the investigation was over. I left the next day. I drove up to the Sierras, camped in my truck, and hunted at night.

There are days I long to disappear in the wild, go back to the predator life I was meant to have. Kill the prey or be killed: it’s in my genes.

A chimera, that’s what I am. And this is my story.

 


 

 

Mosaics

Book Details:

Genre: Mystery/Thriller
Published by: Quemazon Publishing
Publication Date: 9/2014
Number of Pages: ~410
ISBN: 978-0-9960451-1-7

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Synopsis:

Dubbed the Byzantine Strangler because of the mysterious mosaic tiles he leaves at the crime scene, a new serial killer is stalking the streets of Los Angeles. Racing to decipher the code encrypted in the tiles before the killer strikes again, Detective Track Presius faces a new challenge: the “awakened” genes that make his vision and olfactory sense so sharp are now taking a toll on his life. When a new set of tiles appears in his own backyard, Track makes a chilling realization: those very same genes that are threatening his life are drawing the Byzantine Strangler closer and closer. The line between hunter and hunted has suddenly blurred. Will Track be the next piece of the mosaic puzzle?

 

Read an excerpt:

MOSAICS – excerpt

A dark hallway with no windows opened to the right of the foyer. The smells changed—the staleness of a vacant place and the victim’s scent—feminine, ambitious, seductive. The wall displayed wrought iron sconces and a collection of photos of Amy—Amy in her graduation gown, Amy with friends, Amy with her cat. A pretty face, I noticed, whose beauty didn’t distract from an underlining drive for determination.

Her bedroom was orderly. There was a half-empty birth control kit in her nightstand drawer, but no boyfriend in her life, according to the friends and relatives interviewed, only an ex-husband who now lived in Oregon. Toiletries on her vanity table, regular clothes in her closet, a few garments in her drawers that told me she was no nun, but no distinctive masculine scent anywhere. If she shared her bed with somebody, she’d done a good job at hiding it. The sheets smelled clean and freshly washed.

The next door let to her home office, a small carpeted room with a couple of white bookcases, a table with a desktop and printer, a metal chair, and, on the opposite side, a futon, a laundry basket, and an ironing table folded against the wall. Through the window, the hills of Montecito glowed against the evening sky, a wavy fabric of glimmering lights.

I inhaled. The bookshelves were crammed with medical books, the desk buried under stacks of papers.

The sweet, foul smell of the tiles…

I sat at the desk, opened the drawers, sniffed the keyboard, then the computer screen.

Not here. Close, though.

The papers. He went through the pile of papers.

I rummaged through the folders not knowing what to look for, just tailgating a smell. Gloved fingers had brushed through printouts and graphs, tables, essays, research proposals…

Did he find what he was looking for? And if so, what?

Article after article of scientific jargon, each title some random permutation of the words immunodeficiency, vaccine, study design, therapy, antiretroviral.

“What are you gonna see in the dark?” By the office door, Satish flipped the light switch.

“Smells.”

“On paper?”

“Yeah. And patterns, too,” I said. I sniffed the top right corner. I could follow the gloved fingers searching through the pile of papers, most likely a left thumb holding up the top ones so he could read the titles, and a right index flipping through. Until the trace stopped.

He found what he was looking for. Probably took it with him.

I inhaled and gave one last look around. Everything else seemed untouched.

“What did Gomez have to say?”

Satish shook his head sideways. “Autopsy’s scheduled for Thursday morning. Just got an invitation. Wanna join the party?” He smiled. Waited.

Amy Liu smiled too, from a silver frame on her desk, a man’s hand draping her shoulder, and a strand of black hair blowing over her face.

“Fine,” I said, walking past him out of the room. “I’ll keep you company on Thursday, but—”
He switched the lights off and followed me back to the foyer. “Uh-uh, Track. First things first. Tomorrow you pee in a cup and get your LAPD badge back.”

“I pee in a what?”

We locked the house, replaced the yellow crime scene tape. The air was tainted with a hint of humidity and the scent of jacaranda blooms. A handful of pale stars dotted the sky, the glow of downtown beneath them like a disoriented dawn. A broken streetlight strobed from farther down the street. The Latino music persisted. Yo sufrí mucho por ti, mi corazon…
Satish unlocked the car and slid behind the wheel. “Union mandated drug test. Your leave of absence from the department was longer than ninety days. Welcome back to regulations, Detective Presius.”

I made a face.

“Look at it this way. Whoever handles those cups has it way worse than you.” He started the engine and backed out of the driveway. “Shit happens, Track. Never forget that.”

“Hard to forget on days like this.”

I rolled down the window and let cool air blow in my face. The freeway droned in the distance, as another night descended upon L.A. Another murder, another killer on the loose.

It was June 2009, the beginning of summer.

Killing season had just started.

 


 

What Readers Think:

 


 

Author Bio:

E.E. Giorgi is a scientist, a writer, and a photographer. She spends her days analyzing genetic data, her evenings chasing sunsets, and her nights pretending she’s somebody else. On her blog, E.E. discusses science for the inquiring mind, especially the kind that sparks fantastic premises and engaging stories. Her detective thriller CHIMERAS, a hard-boiled police procedural with a genetic twist, is now available on Amazon.

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Alan Brenham Guest Author interview & giveaway

WELCOME Alan Brenham

Alan Brenham

Alan Behr served as a law enforcement officer and criminal investigator for seventeen years before earning a law degree from Baylor University. After obtaining his law license, he worked as a prosecutor and criminal defense attorney for twenty-two years. His personal and official travels took him to several European and Middle Eastern countries, Alaska and almost every island in the Caribbean. He has lived in Berlin, Germany while working with US military forces. After retiring from government service, he has authored two crime novels – Price of Justice and Cornered – under the pen name of Alan Brenham. He is presently working on two more novels. Alan and his wife, Lillian, currently live in the Austin, Texas area.

Connect with Alan Brenham:

WEBSITE TWITTER

Q&A with Alan Brenham

Writing and Reading:
Do you draw from personal experiences and/or current events?

I actually draw from both. Plot ideas are derived from current events and cases worked as a police officer. Use of current events such as human trafficking in my novel Cornered, or crimes against children and parental revenge as in my other novel Price of Justice, makes the plot more believable to readers. Hopefully, this raises questions for the reader to ponder, such as, what would I do if that happened to me or a member of my family.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?

When I first began writing fiction, my starting point was always the beginning. In life, everything starts at the beginning. How it all ends will be a surprise. Why should a fictional story be any different? But for me, the result ended up being a quagmire or nightmare of disconnected scenes and character story lines. In short, it lacked a smooth flow.
But time and experience plus a lot of reading of other author’s novels, made me realize my style needed a drastic change. Now, it’s conclusion first but I don’t then do the plot in reverse. Once I’m satisfied with where and how the story will finish, I’ll frame the beginning – usually right in the middle of some major event. With a likeable beginning and ending in place – a framework, the story with its subtle clues and foreshadowing is easier to write.

Your routine when writing? Any idiosyncrasies?

I work from a home office. Armed with cups of coffee, I’ll start the day by re-reading the last scene written the day before so as to refresh my recollection. Then the typing begins. While I type, I love to listen to German polka music or instrumentals of my favorite tunes from days gone by. It also masks distracting sounds from the lawn care crew.

Is writing your full time job? If not, may I ask what you do by day?

It is. Having retired from government service, I spend my time either writing the next novel or reading/studying how other authors did it. Occasionally I have to pause and submit/answer emails or phone calls from other attorneys or police associates about various topics – some related to my writing and some not.

Who are some of your favorite authors?

This is a difficult question. A year or so ago, I’d have said it was Michael Connelly, John Sandford, and J.A. Jance. Now, having expanded my reading list to include many more authors, I’d list three – Michael McGarrity with his vivid descriptions of settings in New Mexico for his protagonist, Kevin Kearney; James Hayman with his “can’t put it down” stories about his co-protagonists McCabe and Savage; and Meg Gardiner, not only because she’s from Austin but for her full 3-dimensional descriptions of her novels’ characters.

What are you reading now?

I deviated from my favorites to read the next two books in my Nook’s queue – Class Dismissed by Mark Petry, and The Psalmist by James Lilliefors. I selected them because Mark’s a fellow author with the same publisher as me – it’s a way of supporting him plus he writes an interesting novel. Lilliefors is an author I know little about. I read the blurb about this book while searching for a crime novel to read/study.

Are you working on your next novel? Can you tell us a little about it?

Right now, I’m in the middle of finishing the third revision of Rampage, the sequel to Price of Justice. It follows Detective Scarsdale and his new partner, Tatum Harper, as they try to identify and catch a killer. The book uses themes of temptation, trust, and redemption.

In the wings, with an outline and the first two chapters written, is a stand-alone mystery-thriller about an assistant district attorney who finds the dark side just as enticing as the law.

Fun questions:
Your novel will be a movie. Who would you cast?

Believe it or not, when I start a new novel, I cast the characters so I can visualize them while I’m writing about them. That said, for my novel Cornered, Christian Bale would be my choice for the role of Detective Matt Brady; Sarah Jones is the perfect actress for the role of Dr. Tracy Rogers; Cassidy Freeman possesses the same snarky smile as Brady’s ex-girlfriend, Cassandra. The bad guys, Weaver and Chiles, would be played by Michael Rooker and Michael Mando, respectively.

Manuscript/Notes: handwritten or keyboard?

My manuscript is always, always done by keyboard. If I (a hunt and peck typist) had to write it by hand or on a conventional typewriter, it’d take me forever to get it done. But my notes and those 3AM epiphanies are all scribblings put on notepads my wife leaves in strategic spots around the house.

Favorite leisure activity/hobby?

My favorite activity is dating my wife. She’s a beautiful woman whose patience with me obviously knows no limits. My next favorite activity is watching pro and college football games. Aside from football, I have several favorite TV shows – The Originals, The Last Ship, Under the Dome, Motive, Murder in the First, and Bitten.

Favorite meal?

My wife says I’m an easy mark for a homemade chocolate chip cookie. Like a dog doing tricks for a dog biscuit.

ABOUT Cornered

He’s haunted by the memory of a kidnapping case gone wrong…

Not wanting history to repeat itself, Detective Matt Brady struggles to solve the disappearances of seven young women, but he quickly finds himself pitted against a criminal organization that knows as much about police procedure as he does—an organization that will do whatever it takes to stay one step ahead of him. His troubles are compounded when a young veterinarian injects herself into the investigation and is targeted to become victim number eight. When he tries to protect her, he finds himself in the crosshairs of a professional cop killer. Can Brady solve the case in time to save his new love, or will this investigation be the death of both of them?

BOOK DETAILS:

Number of Pages: 320
Genre: Mystery/Thriller
Publisher: Black Opal Books
Publication Date: July 19, 2014
ISBN-13: 9781626941380/9781626941373

PURCHASE LINKS:

DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

 

Guest Author Christopher Meeks

Book Details:

Genre: Mystery
Published by: White Whisker Books
Publication Date: August 15, 2014
Number of Pages: 176
ISBN: 978-0-9836329-9-3
Purchase Links:

Synopsis:

In A Death in Vegas, the president of BenBugs, a company that specializes in beneficial bugs for organic gardening, discovers a young woman dead in his Las Vegas hotel suite. She had worked as a sexy lady bug at his convention booth—and he had nothing to do with her death. While that’s being investigated, the FBI raids his booth on a money-laundering scam that he knows nothing about, either. Soon, the coroner doesn’t have good news. The police and FBI are against him—and his wife cannot be found. He flees to find the answers.

PRAISE FOR A DEATH IN VEGAS:

“With his tongue planted firmly in cheek, Christopher Meeks spins a charming and surprisingly sexy tale of murder, betrayal, and the importance of beneficial insects.”
Mark Haskell Smith, author of Baked and Raw: A Love Story

“I’ve never, ever wanted to go to Vegas. I don’t care if what happens there, stays there. But Christopher Meeks makes me want to go so I can find out who done it. A fun, exciting read, with Chris’s usual wonderful writing and great sense of humor.“
Jessica Barksdale Inclan, author of Her Daughter’s Eyes and How to Bake a Man.

“Christopher Meeks had me at page three. I couldn’t wait to find out how Patton Burch was going to explain the naked body he woke up to in his Las Vegas hotel room – first to the cops and then to his wife.”
Sam Sattler, Book Chase

Writing a Page-Turning Mystery:

I was able to talk to Mr. Meeks and asked him how he’s able to keep writing these page turners. Here’s what he said:
I’d been a short story writer forever when my new agent said, “Write a novel.” At this point, I had enough published short stories to make a whole collection, and I wanted him to send the collection out.

My agent said, “No. Write a novel.”

“Is postage the problem? I’ll pay postage.”

He said, “The problem is fifteen percent of nothing is nothing. Write a novel.”

Even though that collection of short fiction, The Middle-Aged Man and the Sea,” later did well—and it still sells—such was my introduction to novel writing. I was petrified. How does one write a novel? I soon learned there are many challenges to writing any novel, and my first one was to write any novel. I didn’t know how to keep a story going for that long. Do I write an outline first? Many problems hit me. I did nothing until a good friend said, “You know how to write short stories. Make each chapter a short story.” That’s how I structured my first novel, The Brightest Moon of the Century.

While it worked well, and I received great reviews, one thing I later realized: short stories usually end with a final beat, as did my chapters. You wouldn’t have to turn to the next chapter right away because each one ended on its own last note.

When I later read and then taught Harry Potter and the Sorcerer’s Stone by J.K. Rowling for my children’s literature class, I was struck by how page-turning it was. When I reached the end of one chapter, I had to start the next. Of course, many mysteries are built similarly, but it took reading a children’s book to remind me of this. Her series was addicting, underscored when perfectly good adults would stand in line for up to a day to be the first to get her next book. If you’re a writer, wouldn’t you want people to stand in line for your book?

Thus, when I started my first crime book, Blood Drama, I wanted it to be page-turning. I’d learned a few things by that point. Here are some:

Write an outline. I never wrote outlines for short stories, but a novel needs it. You don’t want to go off on tangents, which take away from page-turning. The details of Aunt Bessie’s doll collection for ten pages may lose your reader. One thing I came to realize about outlines: I can imagine faster than I can write. When I think about what might go in a chapter, it plays out in my mind, and I can decide, “No, that’s not good enough” or “Yes, that’s great.” The best things become the briefest of notes.

Envision a reader. As you may sense with the above that part of the secret is to envision a reader. What will make him or her want to know what happens next? My friend Ehrich, an author, is great at this. He laughs when he knows he’s going to make his reader turn the page.

Write clearly and simply. I’m from the Ernest Hemingway school of writing. Clear, not flowery sentences tend to make the reading go faster. I’m not saying don’t write lyrically. If you study poetry, you can learn a lot about how to condense and offer imagery and lyricism while increasing clarity.

Pacing. The speed of your reader is hard to judge, and pacing is extremely hard to monitor in a first draft. My mantra is Ann Lamott’s in her fantastic book on writing, Bird by Bird: “Write a sh**y first draft.” In other words, don’t worry about perfection in your first draft. Jot the rudiments of the story down. Some people write long, and I tend to write short. That means you’ll have to expand or delete later on.

If you write five or more drafts as I do, you’ll feel the pacing. When you get bored, cut. If something later confuses you because the plot jumps, then you have to add something.

Emotion. Good books make us feel things. Part of page-turning is to make your reader feel the emotion in your scenes, which means your protagonist has to feel and express things. If I keep worrying about anything, it’s “What’s the next turn?” Turns are about going from one emotion to another, such as happy to surprised, or confused to clear. What action or realization will make that turn happen? Is it motivated?

Chapter endings. When I can, I do not end a chapter at an end point, but I end in the middle of a turn. There might be the sound of a footstep in the dark. Perhaps down the cheese aisle of a grocery store, a female hand snatches away a round of Gouda. Maybe lightning strikes, and there’s a scream. End of chapter.

You can have too many ideas beating around your head as you write. Just feel, know where your next turn is, and imagine what will surprise and delight your reader. Yes, there are many other things to consider, but not in a first draft. Write that first draft. Write a novel. Make it a page-turner.

Read an excerpt:

CHAPTER ONE

Under the hotel’s sheets, hands on his chest the way the dearly departed lay, Patton Burch blinked into the void of the ceiling, staring past it to the night before. He smiled. After drinking too much the previous evening, he had still remained the gentleman—except in his dreams where he’d made love to Chatterley. Should he feel guilty? Probably.

He turned. The other side of the bed was now empty. He’d slept so well, best in months, that he hadn’t heard her get up. The sound of the hotel’s shower, gentle as a rain, swept into the room. Chatterley’s clothes, which she’d slept in, lay as if hastily discarded on the floor. What if she was feeling better, amorous, even? He pictured her showering, comfortable in her body that men craned their necks for. The truth of the situation was that he was now sober, and she was young, vulnerable. The last thing she needed was an older guy taking advantage of her.

Patton lifted the sheets and saw his boxers were on. He didn’t remember getting out of his clothes. He did remember how Chatterley had trouble breathing last night, and between the drinking and another shot from her inhaler—a bronchial dilator, she called it—she’d been feeling sick again. She’d thought that strange. “I sometimes get shaky after using it,” she said. “It’s like having too much coffee, but I’ve never felt nauseous like this.” She wanted to close her eyes for a few minutes, so he’d offered his bed. “Thank you,” she said. “I just need to relax and catch my breath.”

That led to her falling deeply asleep on his bed. He let her be. He’d mixed himself another gin gimlet and watched a Star Trek rerun. Captain Picard was on a planet where he had a wife and family. He wasn’t a starship captain anymore but worked as an iron weaver, and no one believed him that there was a space vessel called the Enterprise. He came to love and accept his new family and let go of his past life.

After that, Patton had been too tired and dizzy to stay up. He remembered checking on Chatterley in the bedroom, hearing her breathe steadily and easily. He’d thought he’d just lie on the bed in his clothes, but here he was under the covers. He wasn’t used to drinking, but it was Vegas. Ah, the fantasy of it all: a woman like her in bed with him. But he had to let her go. He loved his wife—and he wasn’t like his father.

He could still smell grapefruit on the sheets. When he was a kid and even skinnier, for breakfast his mother would painstakingly cut each section of grapefruit halves for her family. Each pulpy chunk, cut from its heart wall, could easily be scooped up carousel fashion, one by one, and the sour sweet juice could be slurped. He loved that smell. In his dreams, there was something so pure and innocent about Chatterley’s small tight frame, naked and fruity, that their lovemaking seemed as fun as the first time he’d floated down a freshly snowed hill on a sled. In dreams, we get what we need.

Chatterley was showering now. Maybe he should step out and let her have some privacy. He sat bolt upright. Was his wife due in this morning? No. Maybe tomorrow. He held his chest, feeling the pounding of his heart. Calm down. Nothing had happened. As he thought about the situation more, it wasn’t as if he told Tess everything he did anyway. He’d snuck out to a few afternoon movies over the years and never mentioned them, and she certainly never asked. People could never be completely transparent to their mates.

The shower was completely steady sounding. He sat up, frowning. When someone’s in a shower, movement makes the sound vary. Wasn’t Chatterley in it? Patton turned his head toward the bathroom door. It was open. That’s why the sound was so loud. “Chatterley?” he said. No answer.

He swung his legs over the side and stood. They hadn’t closed the thick curtains against the daylight, so the western light, filtered by rare cloud cover, gave the beachscapes on the walls color. Outside, the gentle clay-colored hills far to the west looked flat. Considering that nothing green grew naturally in this area, Las Vegas was an unnatural place for a Lawn and Garden show, but this show was the biggest.

On her side of the bed on the floor, Chatterley’s purse was upside down with everything in it spread out, including a few coins, her friend Faith’s keychain, and a few panty shields. It was as if she had been desperate for something. Perhaps she’d merely kicked it accidentally. Then he saw her inhaler was in two parts: a small aerosol can and the blue plastic part that the can fit in. He picked up the can. It was empty. She must’ve been looking for another. Why hadn’t she awakened him to help?

He strode into the steamy bathroom. “Chatterley?”

The room had both a large whirlpool bathtub for two and a separate shower with a glass door. She wasn’t in either, though the shower was still on, pouring out steamy water. How could she leave it on? He turned it off, and the silence made her absence that much more profound. Did she step into the living room for a moment? Perhaps she’d put on a hotel robe and zipped to the pool. But without a suit? She could be topless in her panties, and the guests would love it. It was Vegas. She had beautiful breasts.

He could hear the air conditioner, a wide unit wedged into the wall near floor level in the living room, with its fan on high. As he moved toward the room, he was freezing with only his shorts on.

He stepped into the living room and saw her, near the Stratocaster, crouched naked on her knees before the long wide air conditioner. Her hands outstretched like a swimmer scooping the cool air. It looked erotic. “There you are,” he finally said, wondering about her intentions. He really couldn’t act on them. “Are you really that hot? Are you okay?”

She didn’t move. Was she asleep? Her head, between her arms, rested on the thick carpet. “Chatterley?” he said and kneeled down to her level. He touched her to wake her, and his first thought was she shouldn’t have been in front of the air conditioner so long because her skin felt downright cold. He shook her. “Chatterley.” She splayed onto her side. Her eyes were open. She didn’t appear to breathe. She stared skyward as if frozen in surprise.

Author Bio:

Christopher Meeks has four novels and two collections of short fiction published. His most recent novel before this was the acclaimed thriller, “Blood Drama.” His novel “The Brightest Moon of the Century” made the list of three book critics’ Ten Best Book of 2009. “Love at Absolute Zero” also made three Best Books lists of 2011, as well as earning a ForeWord Reviews Book of the Year Finalist award.

He has had stories published in several literary journals, and they have been included in the collections “Months and Seasons” and “The Middle-Aged Man and the Sea.” Mr. Meeks has had three full-length plays mounted in Los Angeles, and one, “Who Lives?” had been nominated for five Ovation Awards, Los Angeles’ top theatre prize.

Mr. Meeks teaches English and fiction writing at Santa Monica College, and Children’s Literature at the Art Center College of Design. To read more of his books visit his website at: www.chrismeeks.com.

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Giveaway:

Let’s Celebrate – It’s The 40th Anniversary of The Jones Men!!

Book Details:

Genre: Crime
Published by: Rosarium Publishing
Publication Date: May 2014
Number of Pages: 264
ISBN: 978-0989141185

Purchase Links:

Synopsis:

DETROIT, 1974

To become the King, you have to take the crown. It won’t be given up lightly. Heroin kingpin, Willis McDaniel, has been wearing that particular piece of jewelry for far too long, and youngblood, Lennie Jack, thinks it would look really good on his head. When a junkie tells Jack about a big delivery, the young Vietnam vet makes his move. Feeling his empire crumble, McDaniel puts the word out to find whoever’s responsible. The hunt is on, the battle is engaged, and the streets of Detroit run red with blood.

In 1974 Vern E. Smith took the crime fiction world by storm with his debut novel, The Jones Men. Heralded as “a large accomplishment in the art of fiction” by the New York Times, The Jones Men went on to be nominated for an Edgar Award and became a New York Times Notable Book. The art of crime fiction has never been the same since.

Read an excerpt:

For Bennie Lee Sims’ wake, Lennie Jack chose the sky-blue Fleetwood with the chromed-up bumpers and the bar-line running from the trunk to the dash, dispensing six different liquors with chaser.

Joe Red brought the car to a halt in front of Fraser’s Funeral Parlor on Madison Boulevard. He backed it in between a red El Dorado with a diamond-shaped rear window and a pink Lincoln with a leopard-skin roof.

Lennie Jack wore a medium-length Afro and had thick wide sideburns that grew neatly into the ends of a bushy moustache drooping over his top lip. He got out of the passenger seat in a manner that favored his left shoulder. He had on a cream-colored suede coat that stopped just below the knee, and a .38 in his waistband.

Joe Red was shorter and thinner and younger than Lennie Jack. He got his nickname for an extremely light complexion and a thick curly bush of reddish brown hair; it spilled from under the wide-brimmed black hat cocked low over his right ear. He had on the black leather midi with the red-stitched cape; he had a .45 automatic in his waistband.

They came briskly down the sidewalk and went up the six concrete steps to the entrance of Fraser’s.

An attendant in a somber gray suit and dark tie greeted them at the door.

“We’re here for Bennie Sims,” Joe Red said.

“Come this way,” the attendant said.

He guided them down a narrow hallway past a knot of elderly black women waiting to file into one of the viewing rooms flanking the hall on either side. The hallway reeked of death; the women wept.

They passed three more doors before the attendant led them left at the end of the hall and down a short flight of stairs. A single 60-watt bulb illuminated the lower level. The attendant went past the row of ebony- and silver-colored caskets stacked near the staircase and stopped at a door in the back of the room.

“They’re in there,” he said. He turned and headed back up the stairs. Lennie Jack rapped softly at the door. They stood a few feet back from the doorway to be recognizable in the dim light.

The door cracked.

“This Bennie Lee?” Lennie Jack said.

“Yeah, this it,” said a voice behind the crack.

A man with wavy black hair in a white mink jacket and red knicker boots let them in. He relocked the door.

The room smelled of cigarette smoke. A row of silver metal chairs had been stacked in a neat line on one side, but most of the people come to pay their respects were scattered in the back in tight little clusters, talking and laughing.

At the front of the long room, near a small table of champagne bottles, Bennie Lee Sims’ tuxedo-dad body lay in a silver-colored coffin with a bright satin lining.

His face was dusty with a fine white powder.

Lennie Jack walked over to the coffin. He dipped his fingers in the silver tray of cocaine on top and sprinkled it over Bennie Lee.

Joe Red stepped up behind him and tried to find a spot that wasn’t covered. He finally decided on the lips and scattered a handful of the fine white crystalline powder around Bennie Lee’s mouth and chin.

They moved through the crowd, shaking hands and greeting people. Almost everybody had come to see Bennie Lee off.

The Ware brothers were there: Willie, the oldest at twenty-four; Simmy, who was twenty; and June, who often swaggered as if he were the elder of the clan but still had the baby-smooth face and look of wide- eyed adolescence. He was seventeen.

Pretty Boy Sam was standing in one corner with his right foot resting on one of the metal chairs. He had smooth brown skin and almost girlish features, topped off by a pointed Van Dyke beard. His good looks masked a violent temper.

Pretty Boy Sam had worn his full-length brown mink and brought his woman to pay his respects to Bennie Lee Sims, who had two neat bullet holes right between the eyes and underneath all the cocaine on his face.

Slim Williams was there with his woman. He was a tall, thin dark-skinned man whose left eye had been destroyed by an errant shotgun blast. He now wore a variety of gaily colored eye patches the way he had heard Sammy Davis did when he lost his eye. He had on a patch of bright green and red plaid and stood conversing on one side of the room with Hooker, Woody Woods, and Mack Lee.

Willis McDaniel was not there, but then, he never came. He had probably never considered it, but it was a source of irritation to the others.

Joe Red said, “Hey Jack, he the man. He don’t hafta come see nobody off if he don’t wanta come. Ain’t none of these people thinkin’ bout makin’ him come. Who gon make him come?”

“Why he can’t come like the rest of the people?” Lennie Jack said. “Has anybody ever thought of that, you reckon? He too big now to bring his ass out here to see a dude off? He probably had him ripped anyway. I don’t understand how these chumps let an old man like that just get in there and rule.”

“Now we both know how he got it,” Joe Red said. “He took it. He say, ‘Look, I’m gon be the man on this side of town cause I got my thing together and I got plenty big shit behind me. Now what you motherfuckers say?’ Everybody say, ‘You the man, Mister McDaniel.’ That’s the way he did it.”

“That is the way to take it from him, too.” Lennie Jack said. “We gon get lucky pretty soon. I think he can be had and I know just the way to do it. I got some people working on it. The first thing they teach you in the war is to fight fire with fire, you know?”

He took the tiny gold spoon on the chain around his neck and scooped a pinch of cocaine off the tray Joe Red handed him. He brought the spoon up to his right nostril and sniffed deeply.

The crowd was beginning to drift to the corner of the room where Slim Williams was holding court. Slim was thirty-seven, and much older than most of his audience. Lennie Jack was twenty-six, and Joe Red had just turned twenty-one three days ago.

Slim Williams had diamond rings on three fingers of his left hand, and he was waving them around in a dazzling display and talking about Joe the Grind.

“Joe used to walk into a bar with his dudes with him–he always carried these two dudes with him everywhere he went. He’d walk into a place fulla people and say, ‘I’m Joe the Grind, set up the bar! All pimps and players step up to the bar and bring your whores with you.’”

Slim Williams chuckled. “Then Joe would talk about ‘em. He used to say, ‘You ain’t no pimp, nigger. What you doin’ up here? I ain’t buying no drinks for you. Sit down!’”

Slim Williams laughed; so did everybody else.

“Joe used to rayfield a chump bag dude too,” Slim Williams said. “He used to tell ‘em ‘Just cause you got eight or nine hundred dollars worth of business don’t mean you somebody.’ Then Joe would throw a roll down that’d choke a Goddamn mule and tell the chump: ‘Looka here boy, I just had my man sell forty-two thousand dollars worth of heh-rawn, and I got twenty more joints to hear from fore midnight. Gon sit down somewhere, you don’t belong up here with no big dope men.”

They laughed again and somebody passed the coke tray.

June Ware took his pinch and squared his toes in the eighty-dollar calfskin boots from Australia, via Perrin’s Men’s Shoppe on Fifth Avenue in Manhattan.

“What happened to Joe, Slim?” June Ware said.

“Oh, somebody shot ‘im in the head in an after-hours joint,” Slim Williams said. “And lemme tell you, youall shoulda been there to see Joe’s wake. It put this thing to shame. Compared to Joe’s, this thing ain’t nothing. This light-weight. They say there was coke in the block wrapped in foil and pure heh-rawn set out on silver trays with diamonds in the sides.

“So they partied all night till twelve the next day, then they all went to Joe’s funeral. After the funeral was over, everybody got on the plane with his woman and went to Jamaica for two days.”

“Say what?” June Ware said.

“Yeah, that’s the truth,” Slim Williams said. “And you shoulda seen that funeral too. They say a broad came over from Chicago in a white-on-white El Dorado, and she was dressed in all white with a bad-ass mink round her shoulders. Then when she came out of the hotel the next day for Joe’s funeral, they say she was in all black. She went to the graveyard and threw one hundred roses on Joe. Then she got in her ride and split. Don’t nobody know who she was. When they had Joe’s funeral march, there was one hundred fifty big pieces lined up for blocks down Madison Boulevard. They pulled a brand new Brough-ham behind the hearse, and when the march was over they took the car out to the trash yard and crushed it.”

“Goddamn Slim!” June Ware said.

Mack Lee, who was twenty-two years old and decked out from the top of his big apple hat to the tip of his leather platforms in bright lavender, came their way with his woman on his arm.

The woman looked about nineteen; she wore diamond-studded earrings and a matching bracelet. She carried a tray of glasses and an unopened bottle of champagne.

“We oughta drink a toast to Bennie Lee,” Mack Lee said, “and ask the Lord how come he made him so stupid.”

The laughter rippled through the room; Mack Lee popped the cork in the champagne bottle and poured the rounds.

Trailor:

Author Bio:

A native of Natchez, Miss., Smith is a graduate of San Francisco State University, and the Summer Program for Minority Journalists at the Columbia University Graduate School of Journalism. He began his journalism career as a reporter for the Long Beach, Calif. Independent Press-Telegram.

From 1979 until 2002, Smith served as the Atlanta Bureau Chief and as a national correspondent for Newsweek.

Vern Smith’s work as a journalist, author and screenwriter spans four decades.

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Guest Author Frances Fyfield Showcase & Giveaway

Gold Digger

by Frances Fyfield

on Tour July 1-31, 2014


Genre: Crime Thriller
Published by: Witness Impulse
Publication Date: 7/15/2014
Number of Pages: 320
ISBN: 9780062301604
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Synopsis:

The warmth of him, the glorious warmth, was fading by the minute.

In a huge old school house by the sea, full of precious paintings, Thomas Porteous is dying. His much younger wife Di holds him and mourns. She knows that soon, despite her being his sole inheritor, Thomas’s relatives will descend on the collection that was the passion of both of their lives.

And descend they do. The two needy daughters, who were poisoned against their father by their defecting mother, are now poison themselves. The family regard Thomas’s wealth as theirs by right, with the exception of young Patrick, who adored his grandfather and is torn between his parents and Di, the interloper.

The family know Di’s weaknesses, and she has to learn theirs. After all, she met Thomas when she came to his house to rob him. With the help of an unlikely collection of loners and eccentrics, she sets a trap to hoist the family members on their own greed. And on the night they are lured to the house, Di will be ready.

Or will she?

Read an excerpt:

‘Come on Thomas, come upstairs and look at the view,’ Di said. ‘Look at the clouds.”

She hugged him closer.

‘I’ll keep you warm,” she said. “Will you come with me? There’s this painting I want you to see. Thomas?”

The warmth of him, the glorious warmth was fading by the minute. She was sitting in his lap with her arms around him, cradling his head with its shock of thick white hair, talking into it, nuzzling it like a cat. She stroked his profile, a beak of a nose, the handsome, furrowed forehead suddenly smoothed and by that token, the very lift of his face, she knew he was dead. She had known the imminence of his death from the moment he came in, gave her the flowers and then sat in the chair and closed his bright blue eyes: she had known it for months of illness, and all the same, when it happened, it was incomprehensible. Because he was still warm, and she was realizing, slowly, slowly, that most of the warmth came from her.

She told herself not to be silly. He would wake up in a minute, give her the smile that lit him like a light from within and then he would start to teach, talk in rhymes or sing. Such a voice he had, such a lovely voice with a light rhythm, as if there was a song already in it.

‘It’ll be alright, she said to him. ‘Won’t it, love?’

There was no answer. She continued to speak, stroking his hair, still thick, but so much thinner than it had been. She straightened it with her fingers and touched his ears. Cold, but then the lobes of his ears were always cold, even when she breathed close.

‘A word in your shell-like, darling,’ she said, softly. ‘Do you know, you look just like a bird? All beak and chin, that’s you, not an ounce to spare. You’ve been on the wing long enough, you’re just tired, you are. You know what? That’s good. You’ve lost your voice, that’s all. But you can still hear, so you’ll know I’ll never say a bad thing about you, ever, because there’s nothing bad to say, and I don’t tell anyone anything ever. Any secret’s good with me. You know me, I’m good for that. Can’t talk, can’t tell secrets, except about what a good man you are. Mustn’t swear, you said, a waste of words, innit? Ok, Thomas? Shall we go upstairs and look at the view?

He lay, sprawled and twisted, his arm holding her because she had curled herself into him, and he made no response.
She began to cry, soaking his jumper. Then she got up and bound his knees with a blanket to keep him warm, backed away from him, got a drink and moved, lurching around her own house like a crippled ghost.

Author Bio:

“I grew up in rural Derbyshire, but my adult life has been spent mostly in London, with long intervals in Norfolk and Deal, all inspiring places. I was educated mostly in convent schools; then studied English and went on to qualify as a solicitor, working for what is now the Crown Prosecution Service, thus learning a bit about murder at second hand. Years later, writing became the real vocation, although the law and its ramifications still haunt me and inform many of my novels.

I’m a novelist, short story writer for magazines and radio, sometime Radio 4 contributor, (Front Row, Quote Unquote, Night Waves,) and presenter of Tales from the Stave. When I’m not working (which is as often as possible), I can be found in the nearest junk/charity shop or auction, looking for the kind of paintings which enhance my life. Otherwise, with a bit of luck, I’m relaxing by the sea with a bottle of wine and a friend or two.”-Frances Fyfield

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