Category: Partners In Crime Tours

PICT Presents: TELEGRAPH HILL by John Nardizzi

JOHN NARDIZZI

John Nardizzi is an investigator, lawyer, and writer. His writings have appeared in numerous professional and literary journals, including San Diego Writers Monthly, Oxygen, Liberty Hill Poetry Review, Lawyers Weekly USA, and PI Magazine. His fictional detective, Ray Infantino, first appeared in print in the spring 2007 edition of Austin Layman’s Crimestalker Casebook. Telegraph Hill is the first crime novel featuring Infantino.
In May 2003, John founded Nardizzi & Associates, Inc., an investigations firm that has garnered a national reputation for excellence in investigating business fraud and trial work. His investigations on behalf of people wrongfully convicted of crimes led to several million dollar settlements for clients like Dennis Maher, Scott Hornoff and Kenneth Waters, whose story was featured in the 2010 film Conviction
Connect with John at these sites:

WEBSITE    TWITTER   

Q&A with John Nardizzi

Do you draw from personal experiences and/or current events?
Telegraph Hill all comes from my experiences as a private investigator and walking the city of San Francisco.  Some early ideas—poems and short sketches of people—came from my experiences the tough Tenderloin district, where I worked and went to law school.  Met some rather interesting people.  In that era, walking from Nob Hill—which was just a few blocks away to the Tenderloin showed you one of greatest mixes of wealth and poverty in a short space.  Dramatic contrast. Mentally ill clients huddled on Turk Street in a box while 2 blocks away millionaires walked into the theater.  When I began working as a PI, friends began to ask me about crime novels I enjoy.  So I went back to the original California PI novels by Dashiell Hammett and Raymond Chandler.  Then I took my word-pictures and stories of these people had met—gang members, cops, prostitutes, addicts, some talented, damaged writers I knew from readings—and tossed them in a stew until the book Telegraph Hill was ready to be served up.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
The good stories just flow along certain lines.  I definitely like to sketch out some road maps on paper, outlines and such.  The book was called House of Cards in the first drafts.  The PI, Ray Infantino, kept meandering around Telegraph Hill and the Tenderloin sections so I thought of those as possible titles.  But Tenderloin sounded too much like a cook book.  And the final ending of the book just gravitated to Telegraph Hill and so that name seemed right.

Your routine when writing?  Any idiosyncrasies?
Just carve out some time each week to write. Later in the day.  Nights are good.  Nothing too weird. A lot of writers talk about how painful the writing process is, but I don’t see that.  I heard the actor Christopher Waken talk about his dance training and how it helped his acting.  He had a credo: “Shut up and Dance.”  Just get on with it, stop talking about the muse.  Obviously not everyday is your best but you don’t know which one of the seven is gonna kick some butt.  So just write. It’s best like that, very enjoyable.  The later edits of course are hard, but still, being able to write is a gift.

Is writing your full time job?  If not, may I ask what you do by day?
I run my own investigations firm in Boston, and this requires a lot of report writing.  So writing has always been a big part of my career.  Fiction writing is a part-time paying gig now.  I am not earning enough to shut down the real detective agency yet.

Who are some of your favorite authors?
J.R.R Tolkien opened it up for me, the epic creativity of Middle Earth.  Love Don DeLillo, especially his book Libra which has some riveting descriptions.  For crime fiction, Jim Thompson, especially The Grifters, and also Derek Raymond and Robert B. Parker.

What are you reading now?

Tales of the City by Armistead Maupin. I was recently in San Francisco and someone mentioned it has some great riffs on the city.  I had never read so I got it the day I got back to Boston.

Are you working on your next novel?  Can you tell us a little about it?
Yes, my next book is based on some of the wrongful conviction cases I worked on near Boston.  A rogue cop conspires with a crime boss to corrupt a witness and an innocent man spends 20 years in prison.   Ray Infantino comes in to lower the boom and get some justice.  Yeah, this has been fun to write so far, some good scenes along Boston Harbor.

Fun questions:
Your novel will be a movie.  Who would you cast?
Benicio del Toro as Infantino. My wife plays Dominique.  Bai Ling as Tania.

I play a homeless guy who keeps appearing in the background like a wandering seer.

Manuscript/Notes: hand written or keyboard?
I always do a handwritten first draft.  Easy to get that done, just get out pen and paper and write it out wherever I am.  Love to write on the beach.  Then I move it to the keyboard.

Favorite leisure activity/hobby?
Football- I play soccer all the time, watch the games from Europe, especially Arsenal and Barcelona.  And the NFL of course.

Favorite meal?
Tortellini al carciofi with prociutto and a bottle of red wine.  Not going too far off the ethnicity on this one.  My Irish / Italian mother will kill me if I don’t add in cabbage.

 

ABOUT THE BOOK

In Telegraph Hill, private detective Ray Infantino searches for a missing girl named Tania. The case takes him to San Francisco, the city he abandoned years ago after his fiance was murdered. Thrust into his old city haunts, Ray finds that Tania may not be lost at all. Tania saw a murder; and a criminal gang, the Black Fist Triad, wants to make sure she never sees anything again. Ray enlists help from an old flame, Dominique, but now he has three women on his mind.

Meeting with various witnesses-ex-cops, prostitutes, skinheads-he relentlessly tracks the evidence. But the hunt for Tania fires his obsession with avenging the murder of his fiance. When the triad retaliates, and blood begins to flow, Ray must walk the knife edge between revenge and redemption on the streets of San Francisco.

Read an excerpt:

Jones was halfway down on the left side, a boxy, blue thirty-unit apartment building with Victorian adornments long since left to rot. The building was in a neighborhood on the lower section of Jones. It was the perfect spot for vice, where the steaming muck of the Tenderloin lapped the shores of Nob Hill decency.

The steel security door was ajar. Ray slipped inside and looked at the mailboxes. Apartment 12 was labeled “resident,” with no name listed. A sure sign of criminal activity. The inner door was locked. Ray paused and picked up a newspaper, loitering in the hall. He thought he loitered well. He was considering the next spoke in the investigative wheel when the inner door opened and an Asian woman in jeans and a red leather jacket stepped out. She held the door. Thanking her, Ray entered.

The hallway was painted institutional white. Wall sconces with flame-shaped amber bulbs cast a lurid hue. Debris littered the hallway: bottles with cigarette butts sloshing in the swill, condom wrappers, coffee cups. A sign on the wall read: Management will not help settle gambling debts. Gamble at your own risk. Manager.

He geared up for the upcoming interview. Numerous scientific studies had been conducted in the field of psychology regarding the detection of deceptive behavior. For a time, experts taught that if a person’s eyes shifted right, he was creating a visual response (and therefore presumably lying); if the person looked left, he was recalling an actual event (and thus most likely telling the truth). Newer studies had concluded that these eye movement theories were utter crap. If a man blinked, he was nervous, or stressed, or he had a gnat caught under his left eyelid; if he sweated profusely, he was lying, or possibly had lived for several years in Finland.

The heavy wooden door of apartment 12 was straight ahead.

BOOK DETAILS:

Genre: Crime Fiction, Suspense, Mystery 
Published by:Libboo eBook, Merrimack Media Paperback 
Publication Date: May 2013 
Number of Pages: 232 
ISBN: 193916611X / 978-1939166111 

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DARK SIDE OF SUNSET POINTE by Michael Allan Scott showcase & interview

ABOUT THE BOOK

Lance Underphal was devastated by his wife’s death, and now, the down-and-out crime-scene photographer can’t let her go. He wakes up plagued by premonitions. The double shooting of an Arizona real estate developer and his mistress/bookkeeper immerse Underphal in a world of incomprehensible phenomena.
Frank Salmon, the homicide detective on the case, does his best to blow off Underphal’s “visions.” But the murders keep piling up and the visions are all too real.
Salmon pursues Underphal’s clues from a popular strip club to a failing community bank, adding a blackmailing stripper to the body count.
Underphal struggles mightily with his psychic curse, teetering on the brink of insanity. His only hope for redemption is the voice in his head, the voice of his dead wife. Stumbling through dark vortexes of murderous intrigue, he comes to realize his visions will either kill him or lead to the capture of a killer—maybe more than one.

Read an excerpt:
Whiting runs a trembling hand through thinning hair, his scalp hot and moist. They’ve got to do something about these numbers. Short stubble on raw cheeks twitches as he anxiously works his jaws. They could lose the whole damn project. Thirty million! He can’t believe it, he’s bet everything on this project. And with the hard-money loan, they’ve got a bigger nut than ever. Shit! Those hard-money bastards, they’re Rodriguez’s contacts. Of course they had to have the money to finish—all the construction cost overruns. Fucking Rodriguez. His fingers manically drum on the hardwood desktop, their nails ragged, bitten to the quick. They’re in way too deep to quit now.
Chewing his bottom lip, Whiting redials Rodriguez’s cell.
Rodriguez sounds out of breath, frustrated. “Damn Gary, whaddaya want?”
“Mike, we need to go over some numbers. Ya got a minute?”
Rodriguez gives a short chuckle then lowers his voice, “I’m kinda in the middle of somethin’.”
“Yeah, but . . .” Gary hears a thump, then a woman’s muffled words. “Hey, are you at the office? Who’s with you?”
“Yeah, like I said, we’re kinda in the middle of somethin’ here.”
Whiting hears giggling in the background.
To Diane, Rodriguez says, “Stop that.” To Gary, he says, “Diane’s never done it on the desk before.”
Whiting can almost hear Rodriguez’s leering grin.
In the background Diane laughs then says, “Do I get overtime for this?”
Now they’re both laughing.
“Damn . . . Mike, you guys . . . in the office?”
“Hey, don’t sweat it. It’s almost seven, no one’s around, yard gates are locked, lights are off. No one’s gonna know.”
Whiting hears Diane coo and then more giggling.
Rodriguez speaks closer into the phone, “That is, as long as you keep your mouth shut.”
“Hey, no problem. I don’t care what you do with Diane. She’s your bookkeeper.”
Diane lets out a short yelp and says “What was that?”
“Shit!” Rodriguez whispers, “Shit.”
“Mike, what’s going on?”
“Hold on, I think someone’s here.”
Whiting hears grunting, rustling, probably scrambling for clothes, the metallic snap of window blinds.
Under his breath, Rodriguez says “Who’s that?” He whispers to Diane, “Get your panties on.”
Whiting hears Diane whine, “I’m trying.”
He hears Rodriguez whispering to himself, “Who is that? Is that . . ? I’ll get that bastard.”
Rodriguez says, “Gary, hold on, I gotta take a picture with this thing, hold on.”
“Okay.” Whiting hears the blinds clacking.
He hears Rodriguez talking to himself, “Damn, it’s dark . . . but I think I got ‘em.”
“Mike . . . Mike?”
“Yeah, I’m back, hold on. Gotta check this out.”
Whiting clutches the phone in a sweaty hand, pressed hard against his ear. He hears a loud bang. A door slamming the wall? Too weird. He needs a Valium.
Diane screams. Rodriguez yells, “You, you asshole! What the fuck do you want!?!”
Whiting hears POP, POP! Screeching, a low grunt, loud thumps . . . POP, POP, POP! “Uh, uh, uh . . .” Guttural gasps. A long wail. High-pitched keening, its otherworldly echo raising every hair on goose flesh. Whiting drops the receiver, horrified. The plastic handset bounces off the desktop as it sinks in. They’ve been shot!
BOOK DETAILS:

Genre: Mystery
Published by: Telemachus Press
Publication Date: 11/19/2012
Number of Pages: 382
ISBN:
978-1-938701-94-8 ebook
978-1-938701-95-5 paperback

PURCHASE LINKS:

           

 

MICHAEL ALLAN SCOTT

Born and raised at the edge of the high desert in Kingman, Arizona, Michael Allan Scott resides in Scottsdale with his wife, Cynthia and their hundred-pound Doberman, Otto. In addition to writing mysteries and speculative fiction, his interests include music, photography, art, scuba diving and auto racing.
Connect with Michael at these sites:

WEBSITE        TWITTER   

Q&A with Michael Allan Scott

Writing and Reading:
Do you draw from personal experiences and/or current events?
Both. The Lance Underphal mysteries are loosely based on real life experiences over a backdrop of current events at the time.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?  I have a basic story idea and rough out the bones of the plot and characters in notes, then let ‘er rip. I compare it to jazz composition. Once I have the basic structure down, I improvise and let it take me where it will.

Your routine when writing?
Simple, really. I schedule my writing time for the week ahead, then do my best to adhere to my schedule. I track my progress weekly based on word count.

Any idiosyncrasies?
Hmm … depends on who you ask. I rarely write more than an hour straight, taking breaks and short walks when the mood hits to stay fresh. Sometimes I’ll listen to a particular piece of music to establish the emotional tone I want to achieve.

Is writing your full time job?
Yes, one of them. Sixty/seventy hour work weeks are common for me.

If not, may I ask what you do by day? 
Of course I write and market my writing. Additionally, I own and operate a commercial real estate company.

Who are some of your favorite authors?
When it comes to mystery, James Lee Burke and Michael Connelly come to mind. And of course, Edgar Allan Poe.

What are you reading now?
I read several books at a time—keeps me from getting bored. The paperbacks include: The Death Artist by Jonathan Santlofer, The Deep Blue Good-By by John D. MacDonald, Bridge of Sighs by Richard Russo, and collection of Poe short stories edited by Michael Connelly titled In the Shadow of the Master. On my Kindle, I’m reading: Poe by J. Lincoln Fenn and Reconing by R.S. Guthrie. BTW, this list should not be taken as a recommendation.

Are you working on your next novel?
I just finished the first draft.

Can you tell us a little about it?
If I can’t, who can? 🙂 Titled Grey Daze, it’s the third Lance Underphal Mystery and is due out this summer. Like its predecessors, it is a hardcore contemporary mystery/thriller with a paranormal twist. Lance and his friends find themselves tracking down a crime ring that preys on the elderly. They find the killers and then it gets hairy.

Here’s an excerpt:
“It’s all white except for naked trees and grey light. Still and frozen like a perfect image etched in frosted glass. The snow, crystalline powder piled up in mounds, spreads along the riverbanks like a sparkling blanket of diamonds—the river, a mirror of blue ice. A hush as thick as the snow. Tiny flakes of icy fluff fill the air before my eyes. The only sounds are the hiss of my blades slicing virgin ice and my lungs pumping frosty breaths into a streaming cloud behind me like a quietly thundering locomotive. Pushing, my eyes water with the cold, blood pounding in my ears as my thighs burn. I glide into its beauty, nature’s elements in perfect balance, exhilarated as I rush into the outstretched arms of God.

Smiling and spent, I circle back and head for home, convinced this is as much of God as I’ll ever know. I soon see our cabin up ahead, buried up to the window frames in drifted snow. Its roof, a steeple of purest white—a curl of smoke drifting up from its chimney to disappear into the haze. It’s early, I wonder if she’s up yet. I want to tell her how beautiful it all is. Beaming, I lean into it. Can’t wait to see her.

I quietly hang my skates on a peg in the mudroom, careful not to wake her. Cringing as the hinges creak, I try to be quiet. Something’s wrong. As I pad softly across the cold flagstone, I hear her weeping. She’s on her knees, hunched over in the middle of the room, her back to me, facing the fireplace. Something’s very wrong. I want to rush to her, but I can’t. I force myself to take a step closer, then another. In a hoarse whisper, I say, “Callie?” She lets out a mournful wail from deep within as she turns to me, our infant son in her arms, blue and still. I reel from the blow. How can this be? We don’t have a son!”

Your novel will be a movie.  Who would you cast?
Of course, I’m expecting all my books will be made into movies. In fact, the writing style is more visual than typical novels, custom-built for movie adaptation. That said, for the first book, Dark Side of Sunset Pointe, I envision Jack Nicholson or John Travolta as Lance Underphal and Ryan Gosling or Brad Pitt as Detective Frank Salmon.

Manuscript/Notes: hand written or keyboard? 
All on a word processor. I can barely type fast enough to keep up.  Hand written, OMG can you imagine?

Favorite leisure activity/hobby?
I love auto racing, scuba diving and photography. I do my best to work in photography with whatever I’m doing. I have a little more than 25 hours of Hammerhead and White Tip shark video from the last dive trip to Cocos Island.

Favorite meal?
A large T-Bone steak, thick and rare; real mashed potatoes oozing real butter; and a big slice of chocolate layer cake with dark chocolate icing. (okay, guess I’d throw in a salad, if I had to – a fresh Wedge salad with real blue cheese, bacon, fresh tomatoes and iceberg lettuce.) And the last time I had a dinner like this was at least ten years ago. Ah well … at least I can dream.

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DISCLAIMER

I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

 

Guest Author JAVIER MÁRQUEZ SÁNCHEZ

WELCOME JAVIER MÁRQUEZ SÁNCHEZ


JAVIER MÁRQUEZ SÁNCHEZ

Javier Márquez Sánchez (born 1978 in Sevilla, Spain) is Editor of the Spanish edition of Esquire. He has worked as a journalist for the Spanish radio and has written several novels, short stories collections and non-fiction books on film and music.

Lethal as a Charlie Parker Solo is his first novel being translated into English.
Connect with Javier at these sites:

WEBSITE        TWITTER   

ABOUT THE BOOK

Lethal as a Charlie Parker Solo is a tribute to the noir novels of the 1940’s and 50’s, and fictionalizes the scandal that accompanied the filming of The Conqueror, the 1956 movie starring John Wayne and Susan Hayward.

Las Vegas, 1955: The gambling capital of the world, paradise of the Mafia and its luxury hotels offering endless opportunities to tourists and Hollywood stars alike. In the midst of it all; Eddie Bennett, a problem solver who lives in a suite at the Flamingo, drives a Pontiac Silver Streak and hangs out with the stars and the mafia bosses.

One day he’s asked to handle the paperwork related to the death of a young actress. But after a little snooping around, he discovers that there’s more than a broken heart behind her death.

The investigation takes Bennett from the bars and casinos of Las Vegas to the set of The Conqueror in the middle of the desert, and on the way he runs into John Wayne and other Hollywood stars, pretty girls, mobsters, state secrets and more dead bodies…

READ AN EXCERPT

Those legs were way too good for a cemetery. Long and well-sculpted, with just enough curves to get lost in without getting dizzy. Sexy, but elegant enough to avoid provocation. Those pins were about as fitting in that place as a hooker at a wedding.

A real waste.

Either way, the girl didn’t seem to bear any relation to the family of the deceased. Her presence was strictly physical. More body than soul. Not so much accompanying the mourners as scrutinizing them, and without making much of an effort to hide it.

It wasn’t hard to make out the friends from the relatives who were pretty thin on the ground, dressed in black, and maintaining a respectful silence. They seemed out of place among the buddies, old-time crocks in Hawaiian shirts who all seemed to arrive in groups and wouldn’t stop whispering – probably about the prospects for the post-funeral canapés. There was no hiding the fact they were Hollywood veterans. Maybe one or two had known the dead guy, perhaps even worked with him, but most of them had probably just turned up after seeing his obituary in Variety.

They sure were a special kind of wildlife these people. They didn’t want to admit the good times were now the old days and spent the best part of their time looking each other up to swap stories in which most of them probably never took part. But that was always the way in Hollywood, the stuff of legend.

No, that girl definitely didn’t look like she belonged to Lingwood G. Dunn’s usual crowd. A special effects director on movies like Citizen Kane, West Side Story and 2001, A Space Odyssey according to his obituary in the newspaper, he was still just an unknown technician for most people. An unknown who had chosen the worst possible day to buy his last one-way ticket.

I don’t know if he had been lucky in life, but death sure dealt him a bum hand. He had died of cancer the previous morning, May 15, 1998, and he had no other choice than to accept the burial today. The very same day the whole twentieth century show business world went into mourning meltdown. That May 16, Frank Sinatra died.

That’s why it was so surprising to see the girl. The way she looked, moved and acted it was clear she was a reporter. I’ve known more than a few. And that day the story was elsewhere.

Another time I would have gone over to find out what she was up to, the lady deserved it. But I was working and I needed to be prepared to act at any moment. When you’re past 70 it’s not good to be caught off guard.

So I went back to watching the other side of the street. The green sedan was still parked in front of the bar. I was beginning to get tired of sitting in my old Volvo and I was thirsty. I made my way through the traffic, leaned on the car I was watching, and pretended to be adjusting the turn-ups on my trousers. Then I went into the bar.

It was early, but more people were drinking beer than coffee. I sat at the bar and ordered a strong coffee and some donuts. In the mirror opposite, behind the bottles, I could keep an eye on pretty much everything in the joint. My man was at a table in the back, sitting in the same state of boxed-in nervousness I had left him in minutes before. His name was Benjamin O’Connors, a twenty-something from a good family. Well educated, but keeping bad company. He was wearing a red bomber jacket, perfect for doing exactly what he was hoping to avoid: drawing attention to himself.

I sipped my coffee and cursed as I burnt my tongue. Patience isn’t one of my virtues. While I got bored waiting I grabbed a handful of pistachios that had been left almost untouched by the suit who had just left. I put the nuts in my jacket pocket. The barman gave me a disapproving look. For my cockatoo, I said. It was true. I had a cockatoo, two fish, and a cat that was too lazy to try eating his flatmates. Then the door opened and there she was. She was silhouetted against the light, but those legs were unmistakable. She breezed over to the center of the bar and sat down. She swung her hair to one side and I thought how unusual it was to see a cut like that these days. She reminded me of Veronica Lake in those films I’ve learned to love over the years; learning to like Veronica Lake didn’t take so long. She asked for a coffee and got out a notebook. I wasn’t wrong about her profession.

I looked for the red bomber jacket in the mirror and saw that Benjamin O’Connors was still in the corner with his eyes glued to the door. So I grabbed my cup and moved a couple of stools down the bar, next to the girl.

“You got an interest in has-beens?”

She looked at me and smiled. She had too much experience to take the bait from a stranger first time of asking.

“I met Lingwood in ’55,” I said, “when he made that film with John Wayne.”

“You an actor?” She said without looking up from her notepad.

“No.”

“Screenwriter?”

“No.”

She looked up at me.

“A fellow technician?”

I shook my head.

“Just knew the guy,” I said.

“Listen Grandpa, if you really knew him maybe you could help me,” she said, rattled. When you’ve done a heap of shitty jobs in your life the attitude is easy to recognize.

“The guy was a friend of my editor-in-chief and he wants me to do something more than just short filler about his death. But those guys have only told me black and white stories of former glories without much of a spark. I think most of them are a bit…you know.”

“Old is the word,” I answered. “And don’t worry; I’m not bothered you called me Grandpa. I don’t happen to be one, but I guess I could be.”

“Okay. Listen up. Sir, today the greatest artist of the twentieth century died,” she put sugar in her coffee and began to stir, “and they got me covering the funeral of this guy who might’ve been a great guy to hit the town with, but frankly, I don’t give a damn.” She sipped her coffee. “So, if you don’t mind, I just want to get this business over with as fast as possible.”

She emphasized her displeasure with a grimace.

I went back to my coffee and stayed quiet for a while.

“Hey, I’m sorry,” she said after a few minutes, putting her hand on my arm. “Sometimes it drives me nuts covering these news fillers. I can get a bit problematic, you get my drift? And occasionally they give me these crappy jobs as a punishment.”

“Don’t worry about it.” I replied.

She gave me a pretty smile.

“And let me tell you, for a grandpa, like you said, you look pretty good. You gotta be older than my pa, but you look fitter than my last boyfriend.”

“Baby,” I said, “you just made my year.”

I winked and gave her a friendly pinch on the cheek. Call it golden-ager’s license. Afterward we both got back to our business.

Sincerely made up, I got lost in the reflection of my thin and wrinkled face in the mirror, my ash gray hair, which I luckily still had a lot of, and those eyes which seemed to sink further down every day.

I thought about forty years back and another reporter who’d managed steal my heart. And for the hundredth time I got a scare about how the years go by real quick. It was pretty clear I didn’t have long left and I didn”t like thinking that I might be taking what had happened back then as extra baggage.

“I think I got a good story for you,” I said without taking my eyes off the mirror.

She turned round with an air of irritation. I didn’t let her speak.

“It’s a story about Lingwood Dunn by the way, but I’m betting you’re going to be hooked.”

She looked at me with tenderness, her eyes getting ready to apologize.

“Are you serious? I mean I don’t wanna be rude, Sir, but I already told you,” she said, flashing her notepad. “So if it’s just another story about a golden glory…”

“I can guarantee you won’t have heard a story like this one. And stop calling me Sir. The pretty ladies call me Eddie.”

“Okay, Eddie, she replied with a smile that was more friendly than flirty. “In that case, if you…”

To be honest I was dying to know what she was going to say, but my sudden and unexpected movement made her instantly shut up. A ray of light told me the bar door was opening and I reckoned it was the man I was waiting for.

I don’t know if the girl was still looking at me, surprised by my sudden lack of friendliness, or whether she decided to tell me to go to hell and carry on with what she was doing. All my attention was focused on a long-haired guy in a black leather overcoat who was now walking through the bar behind me without taking off his sunglasses. He had an arrogant swagger totally out of key with his mediocrity. God, how I hate those kind of guys.

He walked toward the bathroom without changing his pace or deviating until he got to the last table, Benjamin O’Connors’. Then, in a surprisingly clumsy move, he put out his hand to take the envelope O’Connors had put on the edge of the table and hid it in his pocket. About as subtle as a drunk priest’s sermon. Then he carried on toward the bathroom.

I don’t think anyone in the bar had seen the operation, but not because it had been particularly discreet. They simply couldn’t give a damn.

I waited a few seconds before getting up.

“Back in a minute,” I said to the girl. I don’t know if she was listening.

My friend in the red bomber jacket was a lot more nervous now. He was looking around the whole while and couldn’t stop his legs from twitching. He looked at me, but could only hold the gaze an instant before fixing his eyes back on the beer he had in front of him. I guess he would see me again when I went past.

I went into the men’s room. Cleaner than I expected. Dirtier than I’d have liked. Two sinks, four urinals and three cubicles. Two were open. Under the third door I could see my man’s feet.

I looked at the others and noted that they all had two rolls of paper on the cistern.

I knocked on the door of the third.

“Busy!”

I knocked again.

“Busy, Goddamn it! Use a different one!”

“Young man, would you be so kind as to pass me a roll of toilet paper. I have a medical urgency due to an operation of…”

“Shit!” I heard the lock turning, “I don’t wanna know your life story, man.”

The guy opened the door and passed me a roll.

“Take it, and enjoy the show.”

It was time to be quick and effective.

With one hand I pushed the door open and with the other I grabbed the long-haired guy’s wrist and pulled it toward me, trapping it between the door and the frame.

“What the fuck!” he shouted from the other side.

Then with as much strength as I could, I smashed his forearm over and over again with the door.

He yelled and fought, but I’d caught him so unawares he couldn’t coordinate his movements. Then I went into the cubicle.

I pushed him against the end wall and before he fell and hit the toilet bowl, I put my hand between his legs. I squeezed hard. Luckily, he was dressed, so the move wasn’t so gross.

He groaned. I squeezed again.

He started to groan louder, but I shut him up by putting my free hand on his windpipe and forcing his head against the tiles. I let the hand go and caught my breath. Then a right hook to the nose. His head bounced and the tiles crunched. I hit him again and the blood stained my knuckles. Now the tiles were messed up too. Meanwhile, I squeezed the other hand and it seemed like something was crunching down there too. By now the guy didn’t have the strength to moan.

He was ready to talk.

I got him by the neck again.

“The gig’s over, buddy.” I said. From now on, you want money, you get a job.

I let go of the hand I had on his balls and checked his pockets. That made him change his expression and he tried turning to relieve some of the pain. I found the envelope stuffed with cash, and another one with the usual photos. But just the photos.

I got out a notebook and a pencil.

“Now you’re going to write down the address where I can go and get me the negatives.”

I grabbed his balls again. He gave a start.

He wrote it as fast as I forget my new friends’ names. He didn’t even look at the paper. For a minute I thought he was going to throw up.

Maybe I had squeezed too hard.

I know that sometimes I go overboard, but when you get to my age it’s better to take these guys by surprise because if I gave them a chance I could live to regret it. That said, it was clear I could get away with it because this was the nineties, and tough guys weren’t as tough as they used to be. Not even close.

I took him by the chin and shook his head so he would open his eyes and look at me.

“Remember this. If one day you go into a bar, a hotel or a disco and you realize that Benjamin O’Connors is in the same city, you get in your car and drive until you’re a 100 miles away. You hearing me? Otherwise, next time I’ll turn these – I squeezed lightly between his legs – into a cute decoration to hang from your rear-view mirror.”

I think he nodded, or at least tried to with what strength he had left. I didn’t get to see because right then the bathroom door opened and Benjamin O’Connors appeared, first with an expression of confusion and then one of fear.

“Shit!” was the only thing he said before he started running.

I let go of the guy and tried to get out of the cubicle as fast as I could, which wasn’t all that fast. It’s those moments I wonder whether I’m getting too old for the job.

“Take care, son.” I said by way of a goodbye.

I had time before I left to see him slide down awkwardly onto the toilet with both hands between his legs, trying to get some relief.

“Hey, Grandpa. What’s going on in there?” The waiter shouted from the bar.

“Nothing buddy, there’s a guy in here that seems to have eaten some bad scrambled eggs.”

The reporter, still on the stool, turned to look at me. Her smile evaporated when she saw the blood on my hands.

For a moment I thought I was going to say something but then there was a small explosion outside in the street.

“Be with you in a moment,” I said, as I passed her by.

The back wheel of the sedan had burst as it drove over the tacks I’d left to prevent my client driving off. I went up to the car and opened the side door.

Between the shock of the men’s room and the blowout, O’Connors was about to have a coronary.

“You can breathe easy. It’s all over.”

“He’s going to kill me,” he whispered.

“Don’t worry, I’m not going to do anything to you.”

“Not you, my Pa!”, he shouted, annoyed by my error. “If he sent someone it’s because he already knows everything. And if he knows, he’s going to kill me.”

“Relax, son. Your old man just knows that this friend of yours wasn’t exactly a saint and that he was squeezing you for dimes by taking advantage of the good family name. But from the little he told me, he thinks you were being blackmailed so he wouldn’t tell your beautiful young wife about some lover you might have stashed away somewhere. What Daddy didn’t know is that the lover was the long-haired guy.”

“Please! Please..!”

I leaned inside the car so I could settle the matter in the most discreet way possible in the middle of the street.

“I told you to relax. Here,” I gave him the envelope, “get rid of these photos. I’ll find the negatives and you can forget about this business.”

“Can I… Can I trust you?”

“Do you wanna talk about your options?”

He shook his head.

“Forget about it. I swear I don’t give a damn about high society gossip.”

I took out the envelope with the money and took my fee for the job.

“Here, give this to your old man and tell him I already got paid.”

“Thanks.”

“And be careful about your friends. Or what you do with them.”

“It’s not what you think,” he whispered.

“You can be sure about that,” I replied as I got into the car. “When I saw you on all fours like a carthorse I tried to think about something else.”

As I closed the car door I noticed that all the clients of the bar were crowded round the windows and the door of the bar to get a good view of the scene. The guy in the black overcoat came out. He held a bloody tissue to his nose. He was stumbling with his head high but his legs slightly bent. Some of the people tried to help him, but he rejected their goodwill with violent shoves.

As he turned the corner, he looked back at me. I winked and then lost sight of him.

“Hey, guys!” I shouted as I went back in the bar. This guy has had a blowout; do you think you could lend him a hand changing the wheel?”

“Yeah, sure,” a couple of the customers said helpfully.

“I’d do it,” I said as they walked past, “but I’m too old.”

I climbed back on my stool at the bar. The barman went back to his place on the other side.

“A beer?”

It wasn’t so long ago when I didn’t have to think twice before answering that question.

“No thanks, another coffee please.”

I turned towards the girl who was sitting down slowly, with a frown. I guess she was wondering what kind of old crock would put on such a show.

“You wanna tell me what happened?” she said as she sat down.

“Don’t think so.”

“Really?”

“No,” I repeated, but it was the friendliest no I could manage.

“Before, you said you wanted to tell me a story and now you’re not talking.”

“That was a different story.”

“I thought you were a guy who liked to tell stories.”

“Well, actually, I’m the kind of guy who lives them.”

She thought for a moment and inclined her head so all her hair fell to one side. Maybe it was bothering her, though I suspect she was just using her female charm to get an old guy nervous.

She got close enough to whisper.

“Who were those guys?”

“Oh, just some guys with too much free time.”

She realized she was going to get nothing out of me and gave up, though she was still curious.

And then I saw a glimmer in her eyes that woke up an old itch. For the first time, she wasn’t looking at me all patronizing like most young girls look at older guys. So many women had looked at me that way during my life that it was impossible not to pick up on that spark one more time.

“Who are you, Eddie?”

“The one and the same: Eddie. You said it, gorgeous. And I’m real sorry to have interrupted our conversation before.”

Now it was me who was getting up close. “If I remember right, you were about to tell me something fascinating.”

“Me?” She answered, putting on an air of Miss Interested 1990. “Hmm, let me think. If I’m not wrong, I was going to say that if you gave me a good story for my article, I’d invite you to lunch.”

“Baby, when I tell you this story you’re going to want to invite me to bed.”

BOOK DETAILS:

Genre: Crime Noir Hardboiled
Published by: 280 Steps
Publication Date: March 2014
Number of Pages: 200
ISBN: 978-82-93326-07-6

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Guest Author HUGHES KEENAN

WELCOME HUGHES KEENAN


HUGHES KEENAN

Hughes Keenan began his writing career at The Kansas City Star and was a member of the staff awarded the 1982 Pulitzer Prize for reporting. He has been a correspondent for United Press International, The Associated Press, Reuters and Bloomberg News, covering war, politics, sports and finance. His first novel, The Harvest Is Past, was a finalist for the Thorpe Menn Award for Literary Excellence.
Connect with Hughes at these sites:

WEBSITE        TWITTER   

Q&A with Hughes Keenan

Writing and Reading:
Do you draw from personal experiences and/or current events?
A combination of the two, as well as historic events. And, of course, my imagination.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
Generally, I have a good idea how the story will end and what the main elements are that progress the plot. What I don’t always know, and what is part of the excitement of the process, is how I get there. That said, I’ve also been surprised by some of my endings. The really fun part is character development–it’s like meeting new people and slowly getting to know their history, experiences, motivations, fears and joys. I don’t do complete character development before writing. I let them evolve.

Your routine when writing? Any idiosyncrasies?
I try to be as structured as I can be and use a combination of index cards that I pin to a cork board for chapter reference, and Moleskin notebooks with my research results are always close at hand. At times, while I’m in a particular section of a book, I’ll surf the Web for additional research. When I was living and writing in Ireland, I didn’t have my cork board and found a plank of pine. Then I had to hike into the nearest village to buy brass tacks for the index cards. It was an absurd looking artifact, but it worked. Internet service was sketchy, too.

I’m a morning writer. Early until noon, or as late as three o’clock. A lot of coffee until noon. I also talk to myself when I write, so privacy is generally a good thing. Still, I began my career as a sports writer so I’m accustomed to cranking out copy amid large and loud crowds. After I’m done writing I’ll go for a run. It helps me sort through the day’s work, and what needs to be done the next day.

Is writing your full time job? If not, may I ask what you do by day?
Writing is my full-time job. I’m also a journalist and do freelance pieces to keep the wolves from the door as well as keep my finger in that industry.

Who are some of your favorite authors?
Too many to list. I re-read, every year, Hemingway’s The Sun Also Rises, Fitzgerald’s The Great Gatsby, Faulkner’s The Unvanquished, and Maclean’s A River Runs Through It. My favorite, least known author, is Les Galloway. His Forty Fathom Bank is a gem.

What are you reading now?
Right now I’m researching my next novel so I’m devouring everything I can about 1870s Paris and Spain that focuses on the birth of Impressionism, advances in science and medicine, bull fighting, early aeronautics (balloons), and politics. At the same time, I’m researching the current day system that determines the provenance of artwork.

Are you working on your next novel? Can you tell us a little about it?
Same answer as above. The novel is a short break from the Jack Muerce trilogy, and is a parallel story of love and mystery (current day and the 1870s) that revolves around a previously unknown study by Monet of his Boulevard des Capucines (of which he painted two versions).

Fun questions:
Your novel will be a movie. Who would you cast?
Everyone asks that. It’s hard to believe but I never think of my characters that way, mostly because I don’t feel my work translates well to the screen. If Hollywood were ever to be interested in my stories there are people who specialize in casting.

Manuscript/Notes: hand written or keyboard?
Notes/research are hand written. The manuscript itself is done on computer. I currently use a MacBook Pro with an old Apple keyboard that is worn and dirty. I have a 1938 manual Royal typewriter that I once tried writing on. After an hour my fingers hurt. It looks really pretty on the antique roll-top desk I have, which is not where I write. I’ve spent my entire writing career working on computers. So, you dance with the girl that done brought you to the ball.

Favorite leisure activity/hobby?
My favorite leisure activity/hobby depends completely upon how much money I have in my checking account. So, for the moment, I have a lot of fun writing, drinking coffee, and sleeping. I do have a bonsai tree that has spent the last three years traveling with me (except to Ireland). I even had to sneak it across the Arizona/California border when I was in Los Angeles for a few months. Recently, I adopted two orchid plants that were past blossoms. My three plants teach me patience.

Favorite meal?
I’m a foodie so it depends on what mood I’m in. Food has been an important element in my writing, and plays a significant role in Saigon Laundry. I’d love anything Benny Trung would create in the Saigon Laundry kitchen on Canary Street–with the exception of shellfish (I’m allergic to it). But if I had to pick just one last meal it would probably be barbecue–brisket and ribs, cole slaw and beans, and lots of really cold beer out of a bottle on a really hot day.

ABOUT THE BOOK

Born to wealth and nobility, Jack Muerce is obligated to bestow a favor that draws him into a string of grisly murders that stain the Lenten calendar as his own season for atonement and absolution unfolds. The grotesque condition of the victims’ bodies mimic a series of six famous Medieval tapestries on display at the city’s elegant fine arts museum, and earn the killer the name – The Death Weaver. As the dismembered and elaborately embroidered corpses turn up across the city, Muerce comes face-to-face with a genocidal war criminal known as the Dragon, a psychopathic plastic surgeon, a flamboyant mob boss named Titty Boy, and his own shameful demons from the past. Like the tapestries, Muerce struggles to balance the five senses of earthly desire with his chivalric duty – A mon seul desir! Saigon Laundry is the first book of the Atonement Trilogy.

READ AN EXCERPT

Saigon Laundry was owned and operated by the Trung family. They had come to America in two waves after the end of the Vietnam War. The first contingent of the family arrived shortly after the fall of Saigon

in April 1975 with Colonel Bao Van Trung, who served in the Army of the Republic of South Vietnam. He had been politically connected throughout the U.S. involvement in the war, and that qualified him to evacuate with the U.S. forces. With him came his wife, who adopted the name Minny to better fit into to their new home in America, their four children, and Colonel Trung’s mother, Madame Trung. The second wave of Trungs—made up of the Colonel’s brother, Banda, his wife and children, and several cousins—were granted admission to the U.S. in the early 1980s as part of the Orderly Departure Program. That’s how Muerce first came to know, and eventually become part of, the extended Trung family. They, in turn, saw him as their guardian angel in a new, strange, and sometimes hostile land. For the Trung family, Jack Muerce didn’t just walk on water—he turned it into wine.

Muerce was fresh out of law school, working for a prestigious law firm, when he was assigned a pro bono case to help a Vietnamese refugee family navigate the bureaucratic confusion of immigration and commercial commerce laws. He had no idea what he was doing, but jumped into the work with all he had, partly to impress his superiors, partly because of the way he was raised, but mostly because he could help people. He liked how it made him feel. Helping people who needed it the most became more than a compulsion for Muerce. It was his duty, and it was chivalrous.

While working with the Trung family, Muerce learned how to leverage the resources he had been given by birth to get things done. He was intel

ligent, handsome, charming, and pragmatic. It also helped that his family was socially and politically connected, and very rich. The Trungs also opened a world to Muerce to which he had never been exposed—the world where people struggled each day to survive, whether it was putting food in their stomachs or a roof over their heads. It was a world where warm clothes and dignity were, too often, scarce commodities. What Muerce admired the Trungs for the most, was that they managed daily life with grace.

He also came to know the Trung family at a time in his life when there was a developing relationship with a young woman who would shape Muerce for the rest of his life—whether that was a good thing or a bad thing was something he struggled with daily. Its ending, and the circumstances around it, left Muerce off-¬balance, and feeling incomplete for a long time.

The heav y rain abated. Now just a few intermittent sprays were blown by rising winds that typically followed a storm to dry everything off. Muerce liked to think of it as Nature’s Car Wash where he imagined God and the angels as a crew of minimum wage earners toweling off the Cadillac Escalades, and their chrome rims, like the guys at the Suds Barn just down Canary Street.

He pulled the Mercedes to the curb in front of Saigon Laundry, and turned the engine off. For a moment, Muerce was lost in the silence of the car. He recalled her face, what her voice sounded like. Even though it had been a long time, all of it was as fresh as the rain. He became frustrated when his thoughts kept wandering back to Ashley’s face smiling at him from the bed not more than an hour ago.

The Mercedes door closed with a whong. Saigon Laundry was his office, and it was time to go to work.

Saigon Laundry was many things besides a two-¬story business front. The facade of the building was made of light ocher brick, and ornately carved limestone corners and arches. It sat on half a city block. The second floor, which was comprised of a dozen apartments, housed the extended family, and visiting Trung relatives. Over the years, Colonel Trung had purchased the large Victorian home behind the building, which had once been an upscale residential neighborhood. That was before the suburbs exploded, and the term “White Flight” was coined.

The front of the 1920s era building was plain except for a large neon sign Colonel Trung had installed in the late 1980s. The sign proclaimed “Saigon Laundry”, which was formed with an elaborate script, and painted in bright yellow with red trim. Within the letters, pink fluorescent

tubing spelled out the name of the business when night came. It was, Muerce thought when Colonel Trung first had it installed, a gaudy waste of money. Time had proved Muerce wrong, and the Colonel right. The sign did its job. It brought in business, and the business, like the Trung family, thrived.

Saigon Laundry was actually three businesses. The door to the far right—as you faced the neon sign—led to a large self-¬service laundromat. It had twenty-¬two coin-¬operated washers and dryers lined against pale green walls, and large, faded Formica-¬covered folding tables in the middle. There were soft drink, snack and laundry supply vending machines as well. What wasn’t provided in the Laundromat was seating. The Trungs learned early on that seating became territorial for customers, who would literally fight for their space. The seating went, and the rules sign went up. Rule No. 1: No sitting on the folding tables. Rule No. 2: Bring your own chair, and take it with you when you leave. Rule No. 3: No outside business (which meant no pimps, drug dealers or solicitations of any kind—even Girl Scout cookies—allowed). The rest of the rules were general housekeeping, and common courtesy.

Over the years, and under the Trungs, the laundromat had become the unofficial community center for the neighborhood. On the front wall next to the entrance were large bulletin boards that served as a community information center, and informal mail post. A flyer from the nearby Catholic Church announced a Friday fish fry, tacked next to it was a photo-¬copy of a missing young girl with a handwritten note from her family pleading for her to return. There were items for sale, as well as the names of bail bondsmen, and posters for various social service agencies. Four times a year, the city health department set up a small table for childhood inoculations. In the fall, flu shots were provided for infants, and the elderly. On Friday afternoons, the local food pantry truck parked outside to distribute meals and food packages to families in need.

Anyone and everyone was welcome at the laundromat, as long as they followed the rules. And anyone and everyone could be found there. It drew saints and sinners alike: from the nuns that ministered at the parish during the day, to the prostitutes who worked the bars on lower Canary Street at night.

The middle door entrance to Saigon Laundry, which was framed by the simple limestone trim, and situated below the neon sign, was the main entrance. It was the second of the Trung businesses—a dry cleaning operation, and tailoring service. The tailoring was done by Minny, who had worked as a seamstress in Saigon before she met and married the Colonel.

It had not been an arranged marriage, or one that was at first accepted by the Colonel’s parents or extended family. The Trungs had been very much woven into the fabric of Colonial French culture. The Colonel was educated in Paris, as were his parents. They had a lucrative business in the bamboo and rubber industries, part of which was a specialty subsidiary that produced the finest split-¬bamboo fly fishing rods in the world. Some of those rods made in the 1950s, now fetched upwards of ten-¬thousand dollars at auction houses in the United States. Minny, however, came from a poor family that lived in the Cholon District of Saigon. She had met the Colonel while fitting him for a uniform. They fell in love. They still were very much in love, which Muerce admired, and which Madame Trung had begrudgingly learned to accept over the years.

As you entered the dry cleaners portion of the Trung business dynasty, there was a large, arched opening to the right that led into the Laundromat. Along the wall next to the entrance was a long counter with a cash register, and hanging racks of plastic-¬covered dry cleaning. The dry cleaning itself was done in another building that was connected by a back alley, and located behind the Trung’s house. For tailoring, Minny had customers come to a nicely appointed room in the back. That the dry cleaning, pressing, and such were done off site was a concession Muerce had to have the Trungs concede to so they could get the proper licensing for their third business.

Benny Trung was Banda Trung’s son. Banda died of lung cancer two years after arriving in the U.S. There was a shrine for him on the wall behind the cash register that was maintained by daily offerings of food and flowers, and the burning of incense. Benny ran the third Trung enterprise on Canary Street. While you were visually greeted by the Colonel’s garish sign on the front of the building, and deafened by the constant drumming of washing machines, dryers and loud talk in the laundromat, it was Benny’s operation that stopped you where you stood as you entered. The smells made you close your eyes, and anticipate mellifluous, tart, savory, and exotic flavors.

Benny was the chef at Saigon Laundry. The restaurant was accessed through the smaller arched entry to the left, just passed the cash register and his father’s shrine. A dark, beaded curtain separated the restaurant from the rest of the business, and most of the gastronomic world.

The bell tinkled when Muerce walked through the front door. One of the Trung grand-¬daughters was working the dry cleaning cash register. She was immersed in a college physics textbook, her notes spread out on the counter. A white plastic string fell from each of her ears and merged

into one that was plugged into the iPhone laying flat next to her notes. Muerce closed his eyes and inhaled. There was the fresh aroma of baked goods, and dark coffee. Surely, this is what heaven smells like.

When he opened his eyes the grand-¬daughter was holding one of the ear buds in her right hand, and looking at him with amusement.

“ÔNG ỎÐÂU mãy nôm nay? ” she said, a hint of inquisition in her voice. “BÂN VIÊC, Tôi lā ngǚð i danh tiêńg,” Muerce said. The grand-¬daughter smiled at Muerce after chastising him for being tardy, and had a wicked thought of what it would be like to be occupied with him.

“Well, you’re late and she’s on the warpath, giving Uncle Benny a hard time,” the grand-¬daughter said, with perfect American pitch and tone. The sound of a breaking dish came from the kitchen in the back, followed by the voices of a man and woman arguing in Vietnamese.

“C’est la vie,” Muerce said, shrugging his shoulders.

“Si dedaigneux pendant qut nous soufrons de votre ralentissmento,” the grand-¬daughter said, plugging the ear bud back in, and returning her attention to the textbook. She lifted her swan-¬like right arm, holding her hand horizontal before waving him with three quick motions toward the beaded doorway that led to the dining area. Muerce liked her sassiness, though if Madame Trung had observed the interaction she would have interpreted her grand-daughter’s behavior as disrespectful to her elder, and lacking the appropriate filial piety for the family. Muerce winced when he thought of himself as the attractive young coed’s elder, and as a possible lover. Enough. She is family, and too young.

Saigon Laundry, the restaurant, wasn’t particularly big. It wasn’t located in any of the ritzy or fashionably hip parts of town, meaning it took real effort, and for some diners, a strong sense of adventure and courage, to journey there to eat. It was more than just the best French-¬Indochine cuisine you could find. Benny had taken Saigon Laundry to a new culinary level, earning rankings as one of the best restaurants in the world by a number of prestigious gastronomic associations, and publications. With a scant four, four-¬top tables at which only dinner was served, and a prix fixe menu at that (Benny prepared only what he wanted to serve over seven courses), made Saigon Laundry one of the toughest eateries in the world to get a seat. If dinner reservations were a commodity, getting a table at Saigon Laundry was like scoring a moon rock. Friday and Saturday nights were booked a year—sometimes two years for holidays—in advance. Weekday dinner reservations were full for up to eight months, depending on the day of the week.

Compounding the scarcity and exclusiveness of Saigon Laundry was that it was closed every Sunday and Monday—which Benny used to plan and shop for his menu for the week ahead. And there was only one seating per table per night; sixteen meals, eighty total for the week. All dinner reservations were for eight o’clock in the evening, starting with aperitifs and light hors d’oeuvres. Dinner service generally lasted until eleven o’clock with dessert or cheese and champagne. Diners had no choice in what spirits they were served. Benny matched cocktails and wines with the food. There were no substitutes, save for food allergies, which were addressed when the reservation was accepted, and again when a confirmation call was made the week before the assigned night. If a party cancelled, or did not show within twenty minutes of their reservation, there was a long waiting list of people willing to throw down whatever they were doing, and race to Saigon Laundry for dinner. Muerce couldn’t remember the last time he saw an empty chair at dinner, and he would know because he ate there almost every night.

For his relationship with the Trungs, and the legal and financial efforts he had put in on their behalf over the years—including loaning Benny the money to attend both Le Cordon Bleu in Paris and the Culinary Institute of America in Hyde Park, New York—the lone two-¬topper table wedged against the far wall was exclusively his. It included breakfast, lunch and dinner. He was the only person other than members of the Trung family, to be fed from Benny’s kitchen during the day. The two-¬topper also served as Muerce’s tacit place of business.

For what Muerce did, he only needed a phone, a roof over his head, and a good cup of coffee. He had long ago given up working inside the boundaries of a law firm.

The squabbling in the kitchen ceased. Muerce, now sitting at his crisp, white linen-¬covered table, prepared to be chastened by Madame Trung. She approached him from the kitchen with a silver tray that held a full French press, coffee cup and saucer, and a plate of beignets fresh from the oven.

Madame Trung was the third most remarkable woman Muerce had ever met in his life. There was his mother, certainly, and the woman he did not talk about.

Though the Colonel was the Trung patriarch, there was no doubt as to who had the final say in all family matters. Although eighty, Madame Trung looked like she was in her early sixties. Her features, attractive and intact, were ageless. She was medium height, still thin, and the few lines on her face did not hint at her age; the harsh black tint of her dyed hair, however, could not go unnoticed.

Madame Trung wore a dark purple ao dai. The right sleeve of the traditional garment was folded and pinned to her shoulder with an antique Tiffany brooch. Madame Trung lost the arm in an automobile accident in France when she was attending university in the early 1950s. She spoke little of it other than to refer to the incident as “The Tragedy.” The only details she had ever given to Muerce was that she had been riding in a delightfully sporting automobile, and the driver, a man, a poet, was killed in the crash. She only spoke of it to Muerce once, many years back, when she had consoled him through his own tragedy. He never forgot the sadness in her voice, or his own sadness.

Madame Trung set the tray on the table with an ease that was impressive for someone of her age and impairment. She had compensated for the lost limb with a grace of movement that made one forget what was missing. She smiled as she plunged the French press to the bottom of the glass container, then poured the hot, dark liquid into the cup. As she bent down, he noticed the large, crudely swathed black cross adorning her forehead. She was a true French Colonial. A devout Catholic. Madame Trung had gone to early Mass for ashes.

“Bonjour Madame Trung, merci beaucoup,” Muerce said, as she finished pouring the coffee.

“Bonsoir Monsieur Muerce,” she replied, dryly and emphasizing the greeting for the latter part of the day. And so it begins.

“Pardonnez, s’il vous plait, mes offenses,” Muerce said. “It was an active evening, and I did not get much sleep.”

Madame Trung arched an eyebrow, and gave a speculative look at Muerce before putting her one hand on his left shoulder, patting him softly.

“Et ne nous soumets pas a la tentation,” she said. Temptation was Muerce’s favorite distraction. He lifted the cup to his face and absorbed the aroma of the coffee and the beignets, which held the promise of a hint of maple syrup goodness. The coffee was Trung Nguyen. Dark and strong. The first two sips cleared away what remained of the champagne fog. He closed his eyes and savored another sip before biting into one of the warm pastries sprinkled with confectioner’s sugar. There was the distinctive maple sweetness that merged with the airiness of the pastry, and made a subtle crunch when he chewed. Perfection.

“Vietnam style, no chicory,” Madame Trung said of the coffee, her hand still on Muerce’s shoulder as she turned to address the kitchen, and began yelling. “~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~”

“You go to ashes?” she said, returning her attention to Muerce. “Noon Mass with my mother at the Cathedral,” Muerce said. At Madame Trung’s barked command, Benny appeared in an instant

with a crisp, white linen napkin he placed on the table. “~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~” Benny said. Madame Trung removed her hand from Muerce’s shoulder, waved it in

the air at Benny in a dismissive gesture, and began muttering in Vietnamese as she returned to the kitchen.

“~~~~~~~” Muerce said to Madame Trung as she departed.

Benny clasped his hands together, as if in prayer, and bent down slightly to greet Muerce.

“How is it, Jack?” he said.

Muerce looked up at Benny, rolled his eyes and contorted his face to mimic a moment depicting the peak of sexual passion, and emphasized the gesture with a moan. Seriously Benny, what do you expect?

“Excellent, will you be with us for dinner?” Benny said. “Yes, early though Benny,” Muerce said. “What’s on the menu?” “Seafood all this week. The presentation will be a surprise.” “Sounds wonderful,” Muerce said, biting into another pastry. “We missed you last night,” Benny said. “Did you find a better place to eat?” “Not possible, and you know that,” Muerce said. “Mardi Gras party. I was obligated to attend.” “Good gumbo?” “Awful gumbo. But lots of pretty girls who drink too much.” Benny winked at Muerce. “What time tonight?” “Early, say six if that’s okay,” Muerce said. “I didn’t get much sleep last night.” “Yes, that was the speculation when you weren’t here… at your regular time,” Benny said, looking toward the kitchen. “Six is good.” Some kind of ruckus had begun in the kitchen, and Madame Trung was yelling in Vietnamese. Benny put his hand on Muerce’s shoulder, and gave him a look of exasperation. “I’ve got to go. She’s been at it all morning,” he said. “More beignets?” “Yes. Sorry for being late.” Muerce said, chagrined that his intimate conquests were part of Trung family conversations. That’s how families are.

Muerce savored the coffee, the beignets, and the sudden quiet that settled in the dining space with Madame Trung and Benny back in the kitchen. There was only the gentle drumming of the machines coming from the Laundromat.

He surveyed his surroundings. It amused Muerce, that the restaurant side of the business was in such contrast to the rest of Saigon Laundry. While the décor of the laundromat, dry cleaners and tailoring was well suited for the rundown part of the city—although close in proximity to Downtown—the design of the dining room was high-¬end French Colonial Vietnam. Paris on the Mekong. It exuded a feeling of expensive and ornate furniture slowly decaying in the fetid heat and humidity of Southeast Asia. Two large ceiling fans circulated the air, which was warmed by the busy nature of the laundromat, and the ovens and stoves in the kitchen. It really was a small space. Two of the four-¬top tables were tucked toward the back of the room with the opening archway leading to the kitchen. Benny liked that the kitchen was somewhat open for viewing. It enhanced the dining experience, allowing customers to see, smell and hear their food being prepared. That way, Benny believed, all of their senses were heightened when the food arrived at their table.

The other pair of tables were nestled partly into each of the two bay windows at the front of the building. Benny had sealed off what used to be an entrance. Along the front window and where the door used to be, was an elaborate collection of plants and flowers that included some of Madame Trung’s finicky orchids. In the fall she would swap out some of the containers for mums. In the spring there would be tulips and daffodils. There were also pots of different herbs like basil, rosemary, thyme, lemon grass and mint.

Large colonial shutters framed the front windows. The floor had been renovated with an ornate parquet pattern that squeaked when you walked on it. On the walls were gilt-¬framed antique street maps of Paris, and what was now Ho Chi Minh City. On the wall above Muerce’s table was a framed linen napkin. On the napkin was a drawing of an abstract likeness of a young Madame Trung. It was signed by Picasso. Madame Trung delighted in never telling the full story of the napkin, only saying how upset her father was with the friends she had made attending university. Who, Muerce knew, included the dead poet. Madame Trung, Muerce liked to believe, was very wild in her youth.

She was now, however, immune to Muerce’s attempts to flirt with her. Nonetheless, he made efforts to on occasion. When he did, she would smile, and dismissively pat him on the head with her one hand.

Briefly lost in his thoughts, Muerce snapped back to reality when he remembered he had a voicemail waiting for him. He pulled the phone from the pocket of his suit coat that he had draped over the back of his chair. He fingered the bottom button that brought the black screen alive with various colored icons, and navigated his way to voicemail with his index finger.

The drawl was unfamiliar, but the name was not. The call was from Tyler B. Squire, the chief executive officer and chairman of the board of what was now referred to in business parlance as one the largest “healthcare systems” in the county. To Muerce they were still hospitals. Just a lot of them under one publicly traded umbrella. You went there if you were sick, or dying. Otherwise, you avoided them as best as possible. Tyler B. Squire was originally from somewhere in the South—Texas or Alabama, or something like that. Muerce wasn’t sure. As is the custom in the South, the health care executive’s name had been shortened to T.B. Squire. Muerce rolled the humor around in his head. Was there irony in a man in charge of a national chain of hospitals being saddled with the name T.B., or was it just a cruel coincidence?

Distracted with the inane amusement, Muerce missed the point of the message and replayed it, this time intent on listening. He had never given T.B. Squire one of his business cards. That the man had his mobile number meant that either someone of some influence had provided it to him, or someone to whom Muerce was indebted had.

T.B. Squire’s message was polite, brief and to the point. Would Mr. Muerce please return his call at his earliest convenience as it was a personal matter involving his son. T.B Squire ended the message saying he was giving Muerce his own private mobile number, and not his work mobile number, and that he would be monitoring for his call as to not miss him.

Muerce contemplated the information, and tone of the message. T.B. Squire had a son in trouble. A son he apparently cared about because his voice was heav y with concern, if not a little fear. If T.B. Squire didn’t care about his son, Muerce would have picked up on anger beget from annoyance. If that had been the case, Muerce would politely return Mr. T.B. Squire’s call, and without asking what the problem was, say he was unable to be of any help. Muerce shied away from favors having to do with spoiled rich kids. He had done enough of those to know that, in most cases, the kid was better off learning from the consequences than being bailed out by Mommy and Daddy. That, and the return favor was rarely honored.

It was unlikely, though, that Mr. T.B. Squire’s troubled son was facing a drunk driving or drug possession charge. Either of those could be han

dled by an army of attorney’s the CEO had at his disposal. Muerce also factored in that the call had come very early in the morning—the memory of Ashley naked in his bed flashed in his head again—and the man had gone to the trouble to find an alternative solution to his problem. Muerce was the alternative people turned to before they had to come face-¬to-¬face with the last resort—reality. Anyone who knew Jack Muerce knew that you did not share his mobile number freely. Muerce’s business card was as rare a commodity as a dinner reservation at Saigon Laundry. You treated either as a divine gift. Nothing goes down on this, Muerce thought, until I know who gave out my number.

He poured the last cup of coffee from the press, and took several sips. It was time to go to work. He thumbed the button that returned T.B. Squire’s phone call. It rang only twice before it was answered.

“Mister Murse?”

“It’s pronounced mercy,” Muerce said, disappointed that T.B. Squire hadn’t done all of his homework.

“I apologize Mister Muerce.” There was a moment of pregnant silence between them. “I’m returning your call, Mister Squire,” Muerce said. “Ah, yes. I’m sorry Mister Muerce. I’m not sure how this works.” “How what works, Mister Squire?” “Well, frankly, as I said in my message, how I go about asking you to, perhaps, help my son,” Squire said. “It’s Jack isn’t it. May I call you Jack?”

Time to set some boundaries.

“My friends call me Jack, Mister Squire. Are we friends? Have I ever been invited to your home for dinner?”

A few fleeting seconds of awkward silence followed. “I understand Mister Muerce,” Squire said. Good. “Can you help me, Mister Muerce?” Squire said, subtly pleading. “I don’t know, Mister Squire, can I?” Muerce said. “How was it you came to get my name and number?” T.B. Squire hesitated. He was a man used to making important, and very expensive decisions at a moment’s notice. He knew when to heal a decision, and when to unleash one quickly. This one involved his only child, his son, so he went with honesty.

“Detective Trumbley,” Squire said, pausing. “He asked that I not use his name, Mister Muerce. I wanted to respect that request, but I also want to respect yours as well. Although we’ve never been formally introduced, I have heard of your family, and your… reputation.”

Right answer, though you should have asked about proper pronunciation if you say you know of my family.

“I appreciate that Mister Squire,” Muerce said. “There will be no repercussions for disclosing Detective Trumbley’s identity.”

Muerce knew Trumbley well. Nick Trumbley could call him Jack. He could call Jack anything he wanted, and get away with it. Few people could do that. Trumbley was a good man, and an honest vice cop who wouldn’t hand out Muerce’s name on a whim. He wouldn’t refer T.B. Squire to him unless it was a sensitive, or nearly impossible problem. It was Trumbley asking for a favor, and Muerce would do the best he could to fulfill the request, and find out why later.

“All right Mister Squire,” Muerce said. “How time sensitive is the problem with your son?”

T.B. Squire felt like he had been holding his breath beyond his capacity. His chest was heavy. He exhaled and took in fresh air that gave him a positive outlook.

“I’m not sure what you mean by time sensitive?” he said.

“I’d rather not talk about particulars over the phone Mister Squire,” Muerce said. “Especially cell phones. I’d like to meet, so we can be… properly introduced.”

“Ah, yes, I see,” Squire said. “There’s a little time, a few days.”

“Good,” Muerce said, reviewing his schedule for the next twentyfour hours, and realizing that he could only fit T.B. Squire in at dinner. “Six o’clock, Mister Squire. Six Twenty Five Canary. Park out front. Go through the middle door. Ask for me. I’ll see you tonight”

Muerce pressed his thumb on the red icon that ended the call.

T.B. Squire scribbled the information on a fluorescent orange Post-¬It note without giving the address any thought. He was a transplant to the city, and was still unfamiliar with street addresses. Particularly addresses in the part of town where Saigon Laundry was located. Given the discourse with Muerce, T.B. Squire was savvy enough to know that he was to come alone. He would have anyway. The trouble his son, Travis, had gotten into was something he wanted as few people as possible to know about. Not for his own sake, but for his son’s.

Muerce placed the phone on the table, and rubbed his hands over his face in a massaging motion. Despite the strong coffee, he was still groggy from too much champagne, and too little sleep. He hoped the vigorous motion might alleviate the faint throbbing in his head. Some of the night before started to return to him. He and Ashley had gone at it, rather loudly, for some time. He didn’t think they fell asleep until three

o’clock that morning. He also began to realize that his pelvic bone was sore. The duration of their carnal activities, and the soreness it left, made him smile. His headache abated some.

Swiveling in his chair, Muerce lifted the empty press up so Benny could see him. Benny acknowledged with the wave of one finger and spoke to Madame Trung, who reacted with a barrage of Vietnamese that Muerce could not make out. Several minutes later, Madame Trung was at Muerce’s table with a fresh press of coffee, and another plate of beignets.

“Merci, merci beaucoup,” he said. “Vous vous etes top rejouis hier soir,” Madame Trung said. “Yes, too much fun last night,” he said. “I’m sore, every where.” Madame Trung frowned and pressed too hard on the plunger. A spurt of coffee and grounds was ejected from the lip of the container, staining the white, linen table cloth. She shook her head in disapproval, not at the mess she had made but at what she guessed to be Muerce’s activities the previous night.

“Good thing Lent come,” she said, in broken English. “You no so young no more.”

Muerce screwed up his face in a dramatic wince.

“~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~,” she said. “Old Vietnamese proverb.”

“It’s an old Greek proverb,” he retorted. “The Romans translated it as, Modus omnibus in rebus.”

“Vietnam older than Greeks,” she said. “You older than Greeks, I think.”

“~~~~~~~~~~ ~~ ~~~~~~~~~~~,” Muerce said, clutching his right hand to his chest as if he’d been shot.

“You hurt self. You get ashes with your mother. You start atone.”

That last word landed like a lance, and the past spilled into his thoughts like the coffee staining the table cloth. The memories were granular, dark, hot, and messy. Her face was as clear as if she were sitting across the table from him. He felt like his flesh was being torn from his body.

A loud commotion erupted in the laundromat, and the face disappeared. Madame Trung and Muerce went to see what it was about.

“You can’t leave that baby here,” said the Trung grand-¬daughter, the white cords of her ear buds dangled from her shoulders.

She was addressing a short, pasty-¬skinned woman with dark hair cropped very close to her head. The woman wore heavy, black eye makeup, which complimented her black, leather mini-¬skirt. Her outfit was accented by a tight pink blouse hidden under a white, faux fur jacket. She teetered on pink stiletto heels. Her wardrobe left no doubt that she was dressed for work, and the look of desperation on her face indicated she was late. Her boss would not be happy, or understanding.

“It’s not my baby,” the woman said, with a defiant and heavy SerboCroation accent. “Is Redzil’s. I was just watching it for a few days while she… was away. For work.”

“So?” the grand-¬daughter said. “You’re responsible. You can’t just leave a baby here. This isn’t daycare drop off.”

The crying baby was wrapped in an assortment of dingy blankets, and had been placed inside a dilapidated wicker basket. Muerce guessed the infant was, maybe, three months old.

“Red. Redzil, will be here soon,” the woman said, her voice becoming more anxious and desperate than defiant. She kept looking toward the front window at a car idling outside. “She promised to meet me here. Just watch it for a little bit. I have to go. I have to go!”

A white Cadillac Escalade with a cascade of gaudy gold trim and gold rims was parked behind Muerce’s Mercedes. The drumming of the washing machines and dryers was interrupted by a series of aggressive honks from the waiting car.

The darkly tinted passenger window slid down, and a pale hand covered with gold jewelry that matched the trim of the Escalade aggressively motioned for the woman to hurry.

Madame Trung frowned, and looked at Muerce. Fine, he thought, I’ll take care of it.

“Nobody go any where,” he said, looking directly at the pink and black dressed woman. “I’ll be right back.”

The bell on the front door of the laundromat tinkled behind Muerce as he stepped outside and approached the open window of the waiting car. The wind had picked up, lifting his tie over his right shoulder, and the temperature had dropped a good ten degrees.

The ostentatious car belonged to Mikal Delic, who liked to call himself “Pimp Deluxe”. He was also known as “Micky D” for his fondness of the Golden Arches. Mikal was in his late thirties and had come to the U.S. in the mid-¬nineties after fleeing the hostilities and ethnic cleansing in Bosnia-¬Herzogovina. There was, at that time, and again in the early 2000s, a flow of immigrants, mostly Muslim, into the city, along with a few Christians. The ethnic cleansing from the “old country” spilled over onto American soil in the form of gang warfare. A lot of it played out along the Canary Street corridor. It had been no different for previous waves of immigrants—Nigerians, Vietnamese, Hmong, Jamaican, Cuban,

along with the original settlers of the city; the Irish, Italians, and Germans. Most of them, however, had long ago climbed up the economic ladder, and out of the now worn and squalid neighborhoods that made up Canary Street.

Muerce rested his arms on the open window of the Escalade, and leaned inside.

“Micky D, what shakes?” he said.

Mikal flashed a hip-¬hop smile. His top left, front tooth was encased in gold. A one-¬carat diamond was set in the middle of the tooth. He reached across from the driver’s seat with an open hand, palm up.

“Jock Mur-¬see, what it is, my man,” he said, smiling, his Serb-¬Croat accent thicker than the pink and black girl’s mascara. Mikal’s gold chains made a metallic rustling sound as he leaned over. He wore a purple, velour track suit, and a white “wife-¬beater” t-¬shirt.

“What it is, Deluxe,” Muerce said, slapping Mikal’s hand.

“Stock market good,” Mikal said. “Bidness been booming. Girls busy for Deluxe. Think economic finally looking up.”

“Yeah?”

“Yeah, move everything out of treasuries. Yields crap,” Mikal said. “More opportunity in equities. Deluxe not need to be so liquid. You should talk to my broker.”

“Smooth, my man.” “How you do Jock?” “Business is good,” Muerce said, pausing to look back into the laun

dromat, then back at Mikal. “What’s the four-¬one-¬one inside?” “Beech is late for work,” Mikal said, agitated. “The baby, Micky D,” Muerce said. “What time your girl shows up for work is none of my business.” Mikal pushed his lower lip up his face and made a slight nodding motion with his head, indicating he understood. Mikal respected Muerce. If you didn’t, he knew all too well, you could get burned in a way you had never thought of before. Muerce was fair. He knew what was, was, and what is, is. It was better to work with Muerce than against him. You don’t fuck with the man who’s armor shines brightest.

“Belong to Redzil, Redzil Hadzic,” Mikal said. “She belong to you?” Mikal nodded his head that she did. “You know her Jock?” Mikal said. “Maybe she please you sometime?

The tall red-¬head. Pretty face, big lips, long legs. You like the long legs, Jock, yes?”

The description registered with Muerce. He had seen her in the laundromat before. She was pretty, and she did have the kind of long legs he liked, though she, like all the working girls that frequented Saigon Laundry, were, of his own accord, strictly off limits. Don’t blur boundaries.

“Your girl, your responsibility,” Muerce said. Mikal rolled his eyes. “I Pimp Deluxe not Montessori,” he said. “Besides, it deal Redzil make

with beech inside. I not baby daddy.” “The one inside, she got a name?” Muerce said, his voice rising. “Mirsad. I lose respect fucking around babysit beech’s kids.” “You lose street cred too if you don’t take good care of your girls, Mi

kal,” Muerce said. “No more Pimp Deluxe. They’ll go to someone else, or start freelancing.”

Mikal gripped the leather wrapped steering wheel. His knuckles turned white.

“Look, Jock, you do me favor I do you favor?”

“You still owe me favor, Mikal, lots of favor. I want to know what is going on. Now.”

“Da, da, da,” Mikal said. “Beech inside—Mirsad—say other beech— Redzil—have side deal she not tell me about. Freelancing, like you say. Piss me off. She give baby to Mirsad take care of while she go for weekend. Weekend come and go, no Redzil. I tell beech inside got to get back to work. Fuck Redzil. Fuck beech’s baby.”

“Mirsad just volunteered that information, did she?” Muerce said.

“I convince her a little,” Mikal said. “Not hurt her bad. Just help get to truth faster.”

“Maybe I help Pimp Deluxe get to the truth a little faster,” Muerce said. “Does this look like an orphanage Mikal? You just drop the kid off in a basket, and that’s it?”

“Like I said, Jock. You do Deluxe favor, he do you favor.”

Muerce was losing his patience when he felt a tug on the back of his shirt. It was Mirsad. She wanted past him, and into the Escalade. There was no baby in her arms. Muerce glanced back into the laundromat to see Madame Trung holding the baby in her one arm. It had been decided, not by him, that Muerce would grant a favor. But it wouldn’t be for Pimp Deluxe, it would be for the baby. Not so much for the baby’s mother, Redzil Hadzic, wherever she was. Muerce opened the car door for Mirsad. As she passed he could see bruising on the back of her neck.

“Look at me Mikal,” Muerce said, leaning back into the open window as Mirsad fumbled with the seat belt. “When I call, and I will call, you get one ring. If I hear two, I’ll hang up. And then I’m going to start twisting you. Very hard. No more treasuries, no more equities, no more liquidity, no more beeches for you.”

Mikal smiled his pimp smile, and nodded.

“I have a special dentist who owes me a favor,” Muerce said. “Maybe you pay what you owe me in gold.”

Mikal’s smile disappeared.

“When your girl turns up, tell her the kid is in the system,” Muerce said.

Mikal put the car in gear, pressed down hard on the accelerator and sped off, kicking up a dirty spray from the wet streets that soiled the back panel of the pearl white SUV. Muerce stepped back from the car as it bolted away, his hands in the air, feeling like he’d just been robbed at gunpoint despite his threat.

The hot, humid air of the laundromat enveloped Muerce like a blanket. He fixed his tie, frowned at Madame Trung, and reached in his pocket for his phone. The baby was quieter in her arm.

“Miriam, it’s Jack Muerce,” he said into the phone. He reached voicemail, and left a short message. “I need a favor…”

Half an hour later a black-¬and-¬white was parked outside. Muerce gave the two patrolmen what little information he had about the child when Miriam Estrada walked in. She was carrying an infant car seat, and a large diaper bag that she tossed onto the laundry table. She waved her Family Welfare credentials at the patrolmen without looking at either them. Her eyes were fixed on Muerce.

Miriam was a welcome sight, and not just because it meant the cops, Muerce and the Trungs could beg out of dealing with an abandoned child. The Welfare Lady, as Miriam was commonly referred to, was a handsome woman in her late thirties. She was tall with dominant Aztec features: dark skin, high cheekbones, and emerald green eyes. She and Muerce had a brief history, once, years earlier. At the time, she was separated. Her husband had been a good cop with a bad problem. He and Trumbley were partners. Miriam’s husband was a drinker. A big drinker. When his liver gave out, Miriam took him back, and nursed him until the end. She called it off with Muerce, who understood her decision. Muerce did everything he could, from a distance, to help her care for her dying husband. After he passed, they decided to remain friends, and only friends.

Still, her eyes twinkled whenever she saw Jack Muerce. 28

“Been awhile Mister Muerce,” she said, addressing him in front of the patrolmen. She turned to the senior cop. “You guys got all you need? I can take it from here.”

All business.

“Yes ma’am,” the cop said, glad they could get on with their day, but disappointed they couldn’t linger to gawk at Miriam a moment or two longer.

“I’m sure you two have more important things to do than change diapers,” she said, in a tone used to usher them on their way.

When she heard the tinkling of the bell above the laundromat door as they left, Miriam retrieved the child from Madame Trung’s arm, turned to Muerce and smiled.

“You look good Jack,” she said, holding the baby in her arms. Her eyes smiled in a way that Muerce thought might indicate a change in their agreement to be friends, and just friends.

“Not as good as you look Miriam,” he said. The memory of her soft dark skin, and the dimples at the small of her back came to him easily.

“I drop everything to run down here and that’s the best line you have, Jack, really?” she said.

Madame Trung barked an order in Vietnamese for her grand-¬daughter to get back to the dry cleaning counter, and then excused herself. The handful of customers in the laundromat returned to their wash, gossip, and magazines. Miriam turned her attention from Muerce. Cradling the baby in one arm, she spread out a disposable paper blanket on the laundry table, and went about giving the child a cursory examination for any indications of abuse, or poor health.

“Seems healthy, fairly clean and well-¬cared for,” she said, removing the soaked disposable diaper. “Male. Hmm…”

Miriam looked at the child’s irregular facial features. “Not the prettiest baby I’ve ever seen,” Muerce said. “As if you’ve ever seen many babies,” Miriam said, still examining the

infant, who was, she guessed, about three months old. “I’ve seen enough of them,” Muerce said. “You mean you’ve dated enough of them,” she said. “And I thought you were happy to see me,” Muerce said. “So, is some

thing wrong with it?” “Don’t know. Could be fetal alcohol syndrome, crack baby, or any other number of congenital or genetic tags,” Miriam said. “Or just plain and simple FLK syndrome.”

“FLK syndrome?” Muerce said. 29

“Funny Looking Kid,” Miriam said. “It’s not a real term, Jack. He got a name?”

“Mother is a prostitute, Bosnian, I think, goes by the name Redzil,” Muerce said. “I forget the name but I can try. Her street name is Red. She dumped the kid off with a… co-¬worker slash friend… for a weekend special, and hasn’t shown up. The friend got behind on her work hours taking care of the kid, and decided to drop him off at Madame Trung’s Orphanage.”

Miriam looked around the room. “This is as good a place as any, if not better. Hell, it’s cleaner than any of the fire stations, or police precincts.

“So, he’s a John Doe? Or should we call him Jack Doe?” “Not funny, Miriam,” Muerce said. She put a fresh diaper on Baby John Doe Redzil, and gleefully handed

Muerce the old one before dressing the infant in a floral one-¬piece cotton jumper that was too big. Muerce held the soiled diaper as if it were nuclear waste.

“What do you want me to do with this?” he said.

“Are you really that clueless, Jack?” she said, pulling a wet wipe from a container, and handing it to Muerce. She placed the child in the infant car seat, and secured the straps.

“Throw it in the trash,” she said. “You can flush the wipe if you want when you’re done.”

Muerce dropped the diaper in the trash can next to him, wiped his hands with the wet wipe, and disposed of it with the diaper. Miriam jumped up to sit on the folding table next to the baby, who was sucking on a small formula bottle she had produced from the diaper bag. Some of the customers in the laundromat frowned at her. Rule No. 1: No sitting on the folding tables. But nobody was going to mess with the Welfare Lady, and she knew it.

“Baby Jack is hungry,” she said.

“Yes he is,” Muerce said. Miriam either ignored or missed his inflection, so he changed the subject. “Do you want some coffee?”

“Nah, too much already,” she said. Muerce could make out the faint smear of ashes on her forehead. A good Catholic girl.

Miriam had a girlish smile. She averted her eyes from Muerce’s, and looked through the archway that led toward the restaurant.

“Last time I was here was for dinner,” she said. Muerce didn’t say anything.

“I miss that,” she said, wistfully. “Miss what?”

“Going out to dinner.”

“It’s been, what, two years?” he said, opting to drop the “death” part from the rhetorical nature of the question. “You’re an attractive woman.”

“With two teenage boys, Jack,” she interjected. “You want to go down that road? Get real.”

“Doesn’t mean you can’t go out to dinner every once in awhile,” he said.

There was a loud sucking sound that indicated Baby Jack Doe Redzil had finished his bottle. Miriam turned her attention to the child, which let out a loud burp. She slung the diaper bag over her shoulder, and picked up the infant seat holding the baby. As she turned to head toward the door, Muerce stepped in front of her.

“Do you want to have dinner sometime?” he said. “With you?” she said. “Dinner with Jack Muerce is never just a meal.” “Is that a yes or a no?” The tension in her face eased, and Muerce thought he saw a hint of

coquet as she batted her eyelashes a few times without looking directly at him.

“Maybe,” she said, slightly embarrassed. Then she walked straight out the door, secured the infant seat in her car, and drove away. Definitely call Miriam.

Madame Trung stood in the archway, Muerce’s suit jacket and raincoat draped across her arm.

“You going to be late for ashes,” she said. “You hurry.”

He looked at his watch. Now it was his mother who was going to be pissed.

BOOK DETAILS:

Genre: Crime/Suspense/Thriller
Published by: L’etranger Books
Publication Date: 2/1/2014
Number of Pages: 512
ISBN: 9780615907963

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
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Guest Author PRESTON LANG

WELCOME PRESTON LANG

PRESTON LANG

Preston Lang is a freelance writer, living and working in New York City. The Carrier is his debut novel.
Connect with Preston at these sites:

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Q&A with Preston Lang

Writing and Reading:
Do you draw from personal experiences and/or current events?
Definitely. Anything curious that’s happened to me is going to find its way into the work eventually. And for crime fiction writers, the news is like a faucet for ideas—just turn it on and see what kind of foul, sediment-flecked liquid pours out.

Once I read something in the news that was nearly identical to what I was writing at the time—scams involving parrots. I had to change some details around so it wouldn’t seem so obviously pilfered. It ended up not making sense and I junked the whole thing.


Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?

Sometimes the conclusion is clear from the start, but it doesn’t always work out that way. It’s much easier when it does.

Your routine when writing? Any idiosyncrasies?
My room is very cold in winter and very hot in summer. So either I’m wearing a fleece or my bathing costume.

Is writing your full time job? If not, may I ask what you do by day?
At this point I consider all of the various writings my fulltime job, but I do supplement my income with other work. I’ve taught math and symbolic logic, moved furniture, and played lounge piano. Feel free to contact me if any of those services are needed.

Who are some of your favorite authors?
I answer this question differently every time someone asks. There are so many right answers: James Cain, Herman Melville, George Eliot, Mindy Hung, Richard Stark.

What are you reading now?
Clean Break by Lionel White.

Are you working on your next novel? Can you tell us a little about it?
I’m working on a few things right now. I’ve got an idea for a book about a man who fakes his own drowning. He’s pursued to Brazil by a suave but sketchy detective working for an insurance company, and by an even shadier Quebecoise working for a drug cartel.

Fun questions:
Your novel will be a movie. Who would you cast?
Maybe I’d go old-timey with it: Barbara Stanwyck for Willow and Robert Donat for Cyril. I’m sure he could have pulled off the American accent.

Manuscript/Notes: hand written or keyboard?
Mostly keyboard, but if I’m out of the house I bring pen and paper.

Favorite leisure activity/hobby?
Music. Pretty soon I’ll have a book about musicians who are up to no good.

Favorite meal?
Melon

ABOUT THE BOOK

A Debut Novel in the vein of Tim Dorsey, Carl Hiaasen and Laurence Shames

It’s a bad idea for a drug courier to pick up strange women in roadside bars. Cyril learns this lesson when the girl he brings back to his motel room points a gun at him.

But Willow isn’t the only one after the goods that Cyril’s been hired to pick up. A fast talking sex-offender and his oversized neighbor are also on the trail, as is Cyril’s sinister brother, Duane.

Willow and Cyril soon form an uneasy alliance based on necessity, lust, and the desire for a quick payday. But with so many dangerous players giving chase, will they nab their package?

READ AN EXCERPT

Cyril hadn’t given another thought to the boy in the baseball hat. He assumed the kid had gone back to play pool with his friends or drink beer directly from the pitcher. Cyril turned to the bar and tried to read the scrambled captioning for Monday Night Football. The players hit each other too hard, so he decided to go back to his motel room. He was halfway to the door when the girl stopped him.

“Do you have a second?” she asked.

She was dark-haired with quick, vital eyes, and she had a voice—low and tangy.

“What’s on your mind?” asked Cyril.

“That frat boy and two of his brothers are waiting for you outside.”

“The frat boy?”

“I just thought you should know.”

“Thank you.”

They stood for a moment together, neither one ready to end the conversation.

“Why did you call him a fuck monkey?” the girl asked.

“He was acting… like a fuck monkey.”

“I’m sure you’re right, but what do you gain from pointing it out?”

“It may have been a mistake,” he said.

The frat boy had banged on the bar with a spoon and made two loud yips at a shampoo commercial on the TV screen. Cyril hadn’t raised his voice; he’d politely told the boy to stop acting like a fuck monkey. He thought the boy had taken his suggestion and that all was well.

“So what do you think I should do?” Cyril asked the girl.

“Well, if you really want to impress me, you’ll go out the front and kick all three of their asses with a really cool expression on your face. But if I were you I would probably go out the back way.”

“Where’s the back way?”

“You have to go through the kitchen. Just walk straight through. The dishwashers will probably yell at you; by that time you’ll be out the back door.”

“I’ve got a third option.”

“What’s that?”

“We could sit down and you could tell me your life’s story. By the time you’re done, the boys will probably have called it an evening.”

“Don’t you have somewhere to go?” she asked.

“Not really.”

“You were leaving.”

“I was just going to go back to my motel room, maybe watch TV, maybe steal some soap.”

“You shouldn’t do that.”

“Why not?”

“They find you and they make you pay.”

“Tell me more about this,” Cyril said, motioning to a table.

The girl sat facing the bar, and Cyril sat across from her. He had a view of the door in case angry frat boys charged in, tired of waiting out in the chilly Iowa night. She told him her name was Willow and that she wasn’t with anybody.

“Is there a college nearby?” asked Cyril.

“Graham College. It’s not exactly Princeton. If you can pay tuition, they’ll probably let you in… I go there.”

“What do you study?”

“I’m undeclared,” she said, “You know, I could have told you that Graham College is the best school in the country. Then you would have thought that I was a genius.”

“Well, I have met some of your classmates,” he said, gesturing out towards the open room.

“That’s true. Did you go to college?”

“I’ve taken a few pottery courses.”

Students drank with young energy and bounced around the room; townies sat at the bar and corner tables. Willow and Cyril drank slowly and talked about themselves for an hour.

“It’s getting late,” she said.

“You have an early class tomorrow?”

“You have a motel room?”

“Yes.”

“I think that I would like to see it.”

“It’s about a 15 minute walk.”

“You didn’t bring a car?”

“I don’t drink and drive.”

“You’re a really good example.”

They had been walking almost a minute when they saw the Fuck Monkey approach with two of his frat brothers.

“Hey, you. Asshole, you,” he slurred his words, but he seemed reasonably steady on his feet. His brothers were bigger than he was. Cyril was average-sized and a few years older than an undergraduate.

“Go home,” said Willow to the boys.

“Okay, darlem. You just step back. I’m going to tear up your boyfriend here.”

“What’s darlem?” asked Cyril.

“I think he meant darling,” said Willow.

“I don’t need you to get hurt,” the boy said, still to Willow.

He stepped closer to Cyril. His brothers moved in a bit, but it looked like they were going to let the Monkey do what he could on his own before they stepped in. Cyril did a quick check of the two big guys, and the Monkey shoved him backwards.

“Come on, Les,” said one of the brothers, “Don’t play. Bring the warrior to him.”

“Warrior,” said the other brother in his deepest bass. It wasn’t clear that he respected Les.

Les came at Cyril with a big wild punch. Cyril stepped aside, and Les cursed and spun. Cyril grabbed a hold of Willow and tried to hurry her away, but the brothers blocked their path.

“Fight me,” cried Les.

“Look guys,” said Cyril, “This doesn’t make any sense. You’re all going to get thrown out of school. Think of—“ Suddenly the brothers began to edge away, holding up their hands and stepping backwards. Cyril watched, puzzled, and then he turned to see that Willow had drawn a gun.

“Go home,” she said.

“Bitch is crazy,” said a brother, but they had now turned and were leaving at a jog.

That left Les.

“Go home, Les,” said Willow.

Cyril was not without sympathy for Les’s evening: the unavenged insult, the traitorous brothers. Les’s eyes were drunk and scheming. He hadn’t given up yet.

“If he rushes you, don’t shoot him,” said Cyril.

“I might shoot him,” said Willow.

“Please, go home,” said Cyril.

“You don’t know who you’re messing with,” said Les.

“Do you understand that right now, she can shoot you and not go to jail for it?”

Les said nothing. The insane idea that had careened through his head seemed to have moved on.

“We’re going to walk away now. Please, don’t follow,” said Cyril.

And that’s what they did. Les slumped against the side of a building.

“Is it normal at your school for a coed to walk around with a handgun?” Cyril asked about five minutes later.

“A coed? What is that?

“A female college student?”

“Why is that a coed?”

“I guess when female college students were not all that common, the girls at coeducational schools were called coeds.”

“Well, that’s stupid. These days there’s a lot more girls than boys in school. They should call the boys coeds. Seriously, this place is like 70/30 girls. It’s horrible. And dicks like those guys can get women left and right, because what choice do we have?”

“And that’s why you carry a gun?”

“I’ve got a gun. I mean, aren’t you glad?”

“I suppose.”

“What were you going to do, make a little speech to the fraternity—You’re going to get in soooo much trouble.”

“There might have been more to my plan than that.”

“Well, I didn’t want to risk your pretty face.”

They kept walking, past the main business district and into the darker residential streets. Cyril’s motel was off a side road somewhere close by. He hoped he could find it in the dark, but everything looked very much alike. First he led Willow down the wrong street that ended at an empty lot.

“This is where you’re staying?” she asked.

“I think I’m on the next street.”

“If I didn’t know better, I’d think you were leading me down a dark alley on purpose.”

“Why, so you could shoot me?”

Willow smiled. They found his motel, a cheap little two-story chain: the Firstway Inn. He led her to his door, and she watched calmly while he opened it and turned on the light. The room smelled flat and dusty, and only one of the three overhead light bulbs worked.

Willow jumped on Cyril, wrapping her legs around him, toppling him onto the bed. She kissed his face and his neck then worked inside his mouth, biting his inner lip. They tore off their clothes quickly and tumbled off the bed, fucking like they were the only humans left in a world full of zombies. It was a fantasy Willow had sometimes—there’s nothing else out there except mindless death, and we are probably infecting each other. Cyril seemed to get it.

She felt a little lost afterwards—a base note of pleasure under a single shot of panic. Jesus, she thought, I could fall for a guy like this. And then she put on her clothes. When she got to her shoes, Cyril sat up.

“Where are you going?”

“Nowhere.”

Cyril started to get dressed.

“You don’t have to get dressed,” she said, “I just like to have clothes on.”

“That’s too bad.”

“Thank you.”

Willow put on her jacket, and then she pointed her gun at Cyril.

“I’m going to need all the money,” she said.

BOOK DETAILS:

Genre: Crime Fiction
Published by: 280 Steps
Publication Date: March 2014
Number of Pages: 250
ISBN: 978-82-93326-18-2
Purchase Links: Coming Soon

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Guest Author JOHN MANOS showcase & giveaway

WELCOME JOHN MANOS


JOHN MANOS

John K. Manos was a magazine editor in Chicago for 20 years. Since 2001 he has earned his living as a writer, editor, and occasional musician. He is a graduate of Knox College. Dialogues of a Crime is his first novel.
Connect with John at these sites:

WEBSITE        TWITTER   

Q&A with John Manos

Writing and Reading:
Do you draw from personal experiences and/or current events?
I tend to start with personal experience and then expand from there. I’ve found that with very few exceptions, truly autobiographical writing—my own included—is simply not very interesting. It’s like hearing about someone else’s dream—intriguing to the individual, but not to the audience. However, everything I write sparks from a personal experience or an event I happen to notice, perhaps in the news.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
It’s often a combination of both approaches. But most often, I know where the story is going to end and on occasion have even written the last line almost at the outset. However, even though I also know where the story begins, it unfolds according to its own reality as much as it unfolds according to an plot outline I have on paper or in my mind.

Your routine when writing?  Any idiosyncrasies?
I treat writing as a job, albeit a job that can consume seven days a week. So I start writing once the dogs have been walked and I have a cup of coffee at hand. I take breaks but will work into the evening when I’m accomplishing something. But there’s nothing particularly idiosyncratic about my usual routine.

Is writing your full time job?  If not, may I ask what you do by day?
If I can include editing other people’s work, then yes, I have done almost nothing other than writing to earn a living since 2001. Prior to then I was a magazine editor.

Who are some of your favorite authors?
This list is almost too long. The prose writers who immediately spring to mind are Gabriel Garcia Marquez, Thomas Pynchon, J.M. Coetzee, Pete Dexter, Cormac McCarthy, Kurt Vonnegut, Ann Patchett, Joseph Conrad, Flannery O’Connor, Saul Bellow, and Toni Morrison, but a recitation of my favorite authors could go on and on. I love many different authors and many different writing styles.

What are you reading now?
I read multiple books simultaneously. The ones that are underway at the moment are Bad Reputation by Matt Hader; House of Meetings by Martin Amis; Bird Sense by Tim Birkhead; TransAtlantic by Colum McCann; The Long Home by William Gay; Seeing by Jose Saramago; Bleeding Edge by Thomas Pynchon; and Life by Richard Fortey.

Are you working on your next novel?  Can you tell us a little about it?
Yes. It’s the story of a 35-year-old woman in 1960 who is in no way prepared to raise four children by herself. The novel follows the twists and turns of her efforts to make her way under what, for her, are nearly impossible circumstances.

Fun questions:
Your novel will be a movie.  Who would you cast?
Ryan Gosling as Michael Pollitz; Kevin Dunn as Detective Klinger.

Manuscript/Notes: hand written or keyboard?
Both, but mostly keyboard.

Favorite leisure activity/hobby?
Playing guitar.

Favorite meal?
There are far too many to list—it would take dozens of pages just to compile the finalists. So here’s just one out of at least a thousand: A souvlaki dinner with Greek fries, slathered in white wine sauce and tzatziki, at The Athenian Room restaurant on Chicago’s north side.

 

ABOUT THE BOOK

(from Kirkus Reviews)

In Dialogues of a Crime, Michael Pollitz must decide whether to protect the mobster who has protected him.

When Mike, a college student in 1972 Illinois, is arrested on drug charges, his father insists he use a public defender. His childhood friend’s father, Dom Calabria, head of the Outfit in Chicago, wants to help Mike by providing a first-rate lawyer, but Mike goes with his father’s wishes. The outcome is a plea bargain for a short stay in Astoria Adult Correctional Facility—but after he’s brutally beaten and raped by three inmates, Mike spends most of his sentence in the infirmary. He doesn’t give up his assailants’ names but threatens their lives right before he’s set to be released. When Mike is picked up by the head of the mob, people notice.

Flash forward to 1994, when Detective Larry Klinger begins investigating the murders of two former Astoria inmates who were violently killed shortly after being released. An informant—the third man who beat Mike—tells Klinger that the murders were committed by Calabria, the kingpin whom Klinger would like to see taken down. Klinger investigates, coming in contact with Mike, and the two form a friendship. When Klinger realizes that Mike will never give up Calabria, he begins to wonder whether it’s even worth investigating the murders of such evil men.

READ AN EXCERPT

From the top of the empty building the river cannot be seen, but its presence seeps through the air like a sense of winter on the northern wind. Blood swells around the wire binding the muscular man’s wrists, and his long blond hair is matted with more blood, just now coagulating in streaks across the duct tape sealing his mouth and muffling his periodic cries. Able to see little more than a red mist through his swollen eye sockets, he flinches away as something round and hard, a thick dowel perhaps, leaves stinging stripes across his back and thighs. Thick hands clutch at his shredded clothing. Not yet in shock and with his lungs straining to somehow split the tape he senses a void at the edge of his consciousness, pebbles on the brittle tar spraying and clattering as in agony he is forced to shuffle forward, shoeless but not feeling the frozen roof.

A pounding on the thin panels of the dormroom door invaded the young man’s sleep. He dreamt briefly of the caissons being driven for the Hancock Center construction when he and his father and older brother visited the site in Chicago in 1968, but the banging woke him in time to hear the door opening. What he saw first against the weak early-spring light from the windows was a tall, disheveled middle-aged man with short salt-and-pepper hair wearing an inexpensive suit. Cop? was his first thought. The man glanced around the messy room, then stared down at the student as another heavier officer moved through the entranceway, holding aside a burlap screen the young man’s roommate had hung between the room and the closets. Finally a remotely familiar short bald man with a beard entered quickly, looked down at the young man and said, “That’s him.” The bald man pivoted and disappeared. The young man thought he recognized the beard, but not the bald head or the tie.

“What?” the young man breathed as the heavier cop twitched away his blanket and with an air of perfunctory finality clutched his upper arm, pulled him upright, turned him toward the windows and clipped handcuffs around his wrists. Salt-and-pepper rummaged through the top drawer of his desk and pulled out his checkbook. The young man sat naked on the bed with his hands cuffed behind his hips.

The heavier cop stared down at him, then seemed to relent and said, “You’re under arrest.” An inane idea entered the young man’s mind—he thought it was an April Fool’s joke. The door to his room stood open, and he could hear activity down the hall, more pounding on doors.

Salt-and-pepper opened the checkbook and said, “Michael J. Pollitz. That you?”

“You don’t know who I am?” Michael felt a rush of sleepy terror. His narrow face reddened.

“We know,” said the heavy cop. Both men moved around the room, opening drawers in the desks and small dressers. They walked across his clothing. The heavy cop kicked aside some junk-food wrappers on the floor and used his foot to rearrange a pile of papers and books. Salt-and-pepper opened one of the closets, looked down at the pile of clothing, luggage, books and trash, and shut the door again. It occurred to Michael that they weren’t searching for anything, their indifferent examination a matter of going through the motions. Both seemed bored.

“Can I put on some clothes?” Michael asked. He was well muscled in a way that echoed high school athletics, but he was small and felt shriveled and unbearably vulnerable, nude and handcuffed. His nineteen-year-old mind flashed a brief homophobic panic, even though he knew he was dealing with police. The freeze-dried fantasy included a grisly murder. The heavy cop exchanged a look with salt-and-pepper, then nodded. Michael stood and turned, and the detective removed the cuffs. Michael self-consciously shifted his body as he grabbed a pair of threadbare blue and white striped bell bottom pants from the floor and pulled them on. He picked up a wrinkled blue work shirt and buttoned it, and he tied his tennis shoes without sitting. He combed his long hair away from his face with his fingers before he detective replaced the handcuffs, and Michael sat again.

“Feel better?” salt-and-pepper asked with an ironic smile. Then he left the room. The heavy cop positioned himself in the entrance, in front of the flimsy curtain, and stared impassively. Michael looked at the windows, brighter now as dawn filled the sky. Almost to himself, he said, “What is this?”

“You’re under arrest,” the detective repeated.

“Why?”

The detective didn’t answer, and Michael wasn’t able to endure his stare. He looked through the windows again. His room was at the end of a long hall on the top floor in one of the older dormitories on the small campus, a three-story building with just two floors of rooms, the building shaped like a T with a central staircase that led down to the Student Union. The noises from the hall had died down, but he could hear voices. Still bleary, he couldn’t sort out his thoughts. Why was he being arrested? He hadn’t done anything. It was something with the bald guy, but he couldn’t fill in the blanks.

His friend John Calabria’s father came into his mind. He was suddenly overcome with a desire to be sitting in the office at Dominick Calabria’s farm northwest of Chicago, untouchable, waiting for the man’s sharp smile to fade as he offered a serious solution. What would Dominick Calabria do? Nothing. He would say nothing at all and wait for his lawyer. Lawyers. An army of lawyers.

“Can’t you tell me what’s going on?” Michael asked, overcome by confusion and anxiety. The heavy detective’s expression didn’t change even as salt-and-pepper returned.

“Set?” the heavy detective asked.

“Yeah. Let’s go.” Both cops stepped to the bed and raised the young man by his arms.

As they walked down the hall, Michael said, “I need to piss,” nodding toward the common bathroom. Both cops followed him to the urinals, and the heavy detective removed the handcuffs. When Michael finished, they didn’t replace the restraint. The young man felt a childish flush of relief that was almost pride for the miniscule favor: He was trustworthy, they could see that. And this added an absurd hope that the arrest was a mistake that would soon be clarified.

Outside, a friend from the sophomore class, Pat Kinnealy, whose room was down the hall from Michael’s, stood in handcuffs near an unmarked car in the small parking area next to the dorm. It was brightening into a lovely day. Michael glanced up at the sky, then back toward the parking spaces. Behind the unmarked car were one local squad car and three state cruisers. State troopers stood near their cars. Strangers were seated in the backseats of two of the state vehicles. He could see another acquaintance, a man two years older who lived in an apartment in town, with another stranger in the backseat of the local car. Both sat with the awkward tilt of handcuffed prisoners. Two freshmen from the floor below Michael’s stood in the parking area, also with their hands manacled behind their backs, and a small comprehension formed: The two roommates sold reefer, LSD, mescaline and amphetamines in small quantities from their room—he had purchased from them. Michael suddenly felt conspicuous without handcuffs, caught somewhere in the hostile twilight between Us and Them.

He and Pat were ushered into the backseat of the unmarked car. The two freshmen were placed in one of the state cruisers. “Why aren’t you handcuffed?” Pat asked. Beneath a taut strain of somnolent shock, his pallid face was a mixture of relief and accusation.

“They took them off when I peed,” Michael said. “They didn’t put them back on.” The cops were talking outside the cars.

“Did you recognize the bald guy?” Pat asked.

“Not really.”

“I think I sold him some white cross last fall,” Pat said mournfully. “Dan brought him over with another guy,” nodding toward their friend in the local squad car. “I think he was wearing a stocking cap, but I recognize the beard.” Pat seemed on the verge of tears, the skin pale around his eyes.

“I never sold him anything,” the young man mused, feeling relieved and silently reassuring himself that a mistake was being made. His roommate had from time to time sold an ounce or two of excess grass; they must have intended to arrest him instead. A straw to grasp. He didn’t know about the strangers in the state cars, but even though the two freshmen usually had hallucinogens or speed to sell, they weren’t serious dealers, and he, Pat and Dan weren’t dealers at all. Not in the sense of buying quantities and selling again for a profit or even for a supply of free drugs. But he had an uneasy feeling. He thought he recognized the bearded bald man as well, and Pat confirmed it. He thought he had met him once, when Dan brought him to his room in search of drugs. Michael had shown him to the freshmen’s room several months earlier, before Thanksgiving. Could that be it? It seemed too inconsequential to be real.

BOOK DETAILS:

Genre: Crime Fiction
Published by: Amika Press
Publication Date: July 26, 2013
Number of Pages: 300
ISBN: July 26, 2013
NOTE: Excessive strong language & Graphic violence

PURCHASE LINKS:

           

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Guest Author LANDON PARHAM

BANNER

WELCOME IMAGE

LANDON PARHAM

LANDON PARHAM is a bestselling author who lives in the suburbs of Dallas, Texas. His goal as a writer is to raise awareness on everyday issues through fiction, and expose taboo realities that the masses give precious little attention to. The wild, majestic expanses of America inspire his visions and will continue to show up as integral parts of his work. Parham’s debut novel, First Night of Summer, became a bestseller in August 2013 when it hit #21 on Amazon’s Top 100 overall paid chart, and #2 on Barnes & Noble. It has garnered attention from FOX News, NBC, numerous law enforcement personnel, social workers, child-care advocates, and parents around the globe, as an emotional and true-to-life story. ”If we choose not to recognize the evil in our world, we will never stand up to it.” He is currently working on his next suspense novel following his debut. It will tackle a different, but no less suspenseful issue. Award-winning 2013 Readers’ Favorite International Award Finalist- Suspense/ Fiction Sony e-reader and #1 NYT Bestselling Author, Sandra Brown’s Debut Author Pick 2013 Become a fan and “like” my author page on Facebook to find out more. Get social with me on Facebook, Twitter, Pinterest, and Goodreads.
Connect with Landon at these sites:

WEBSITE       TWITTER    

Q&A with Landon Parham

Writing and Reading: 
Do you draw from personal experiences and/or current events?
Both. The fingers can only write what the mind can comprehend. My current projects take place in the here and now, so I have to make sure the details reflect today’s reality. The number one question I am asked as a thriller writer is this: “How can you write about such horrible things?” If you read my debut novel, First Night of Summer, you don’t have to go far before realizing that I am going to confront an exceedingly taboo subject. Having said that, you don’t have to read much further to understand that the deplorable subject matter is balanced by the deep love of family, the indelible gumption of the human spirit, and the profound power of forgiveness that has the ability to soothe the evilest of wrongdoings. All the raw human emotion is created by real human experiences.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
Neither. All of my plots begin with a single snapshot that is conjured in my imagination. Sometimes it comes in a dream. Sometimes it just pops into my head. Once I have a picture in full imaginative color, I start asking questions and running down rabbit holes. Kind of weird, but that way the story becomes what it is, not what I try and make it.

Your routine when writing?  Any idiosyncrasies?
Tough question. I am not really a routine kind of guy. I suppose the main cause of my success – the success of completing projects – is that I just keep plugging away. Each day requires something different. If there’s a day that I feel particularly melancholy, I’ll skip to a scene that calls for sorrow or hardship. If I’m pumped up, I’ll work on action sequences. And if someone has ticked me off…well, you get the point.

As far as ticks or habits…my wife would probably have a better response than I. I’m not a great multi-tasker. Let me correct; I’m a terrible multi-tasker. Nope, still not right. Actually, I’m flat-out incapable of multitasking. The affect is that when I get in my head, I may be there for days and otherwise completely useless for anything other than writing. God bless her for it. She’s very patient with me. I guess it’s because I’m pretty handy the other half of the time.

Is writing your full time job?  If not, may I ask what you do by day?
Unfortunately, no. First Night of Summer is my debut novel. Although it’s doing well, I still gotta pay them bills. My wife and I own and operate an e-retail business. That is the day job.

Who are some of your favorite authors?
Dean Koontz. Vince Flynn. James Patterson. J.K. Rowling. Christopher Paolini. Laura Hillenbrand. Lots of others, but those are my top few. The first three are also big influences in my style and motivation. Vince played a huge part in my writing career before he died of cancer. If not for him, I would not be writing this. R.I.P.

What are you reading now?
Odd Interlude by Dean Koontz. A Feast for Crows by George R.R. Martin.

Are you working on your next novel?  Can you tell us a little about it?
My next release will confront another prominent, but slightly less controversial, domestic issue. The storyline follows a mother and father as they struggle to raise their children through bouts of poverty, issues with alcohol, and domestic violence. Lines between antagonist and protagonist are blurred, the affects of a poor home life reach beyond the home, and the almost certain cause and effect that hurt people hurt people is undeniable. Humans are infinitely complex and I never get tired of exploring our capacity for construction—and destruction.

Fun questions:
Your novel will be a movie.  Who would you cast?
Isaac: Josh Duhamel. I’d love to see him play a serious, kind of rugged role.

Sarah: Hmmm. Need a good-looking, youngish blonde mom. Classic, but someone who can play a damaged past. Someone who has overcome hardship once, and can do it again. Michelle Williams, perhaps.

Ricky: Jim Caviezel. He would probably hate the role, but I’ve pictured him since I created Ricky. I think he’s a dynamic enough actor to pull it off. Plus he has those piercing light eyes.

ABOUT THE BOOK

WHEN TRAGEDY STRIKES, a father discovers that a journey of misfortune is sometimes the path to deliverance. The quaint mountain town of Ruidoso, New Mexico, is the perfect place for Isaac Snow to raise his family. But when eight-year-old daughters, Caroline and Josie, commit an innocent act of heroism, media coverage attracts the wrong kind of attention. Soon, their life unravels, leading them to the crossroads of love and hate, forgiveness and retribution.

In the dark hours of a drizzly morning, Isaac, an ex-air force pilot, wakes to find a masked intruder cradling one of the twins in his arms. Before he can react, the man in black leaps through the nearest window, plummeting in a tangle of body parts and glass. Isaac charges in pursuit, but is suddenly faced with a new dilemma. Caroline is unconscious, lying facedown in the lawn, cuts from the shattered window saturating her pajamas. If he gives chase, his little girl will surely bleed to death.

From a secretive loner with a pension for unrestrained violence to the pristine granite peaks of the Rocky Mountains–from laughter filled family dinners to a string of cross-country abductions, LANDON PARHAM’S debut novel relentlessly explores the horrific realities of unnatural lust and obsession. Taken well beyond the investigation and law-enforcement tactics, you’ll find yourself steeped in journey of evil and torment, and the power of family that overcomes it all. Suspenseful, bold and meticulously researched; a true psychological thriller that captures the heart.

READ AN EXCERPT

“Thoroughly engaging from start to finish…Overwhelming love, fear, self-doubt, and rage…emotions any parent could relate to. A foe that readers will want to see defeated, abolished, ground to dust.”
–Sandra Brown, #1 New York Times bestselling author of LETHAL

“FIRST NIGHT OF SUMMER is a wonderfully written tale of secrets, subterfuge and their effects on one family. Landon Parham’s debut thriller is a smooth mix of C.J. Box with Harlan Coben in an angst-riddled novel staged in the murky half-light of moral complexity. The book’s simple, ironic title belies its fully realized characterizations and multi-layered plot, serving up a superb cat-and-mouse game where very little is what it first appears to be.”
–Jon Land, bestselling author of STRONG RAIN FALLING

“First Night of Summer” Excerpt- Chapter Six

There was calm before the storm. Like fire and water, the inferno in Isaac’s eyes reached across the room and lit the violent waves dwelling in Ricky’s baby blues.

Not a split second lapsed between realization and reaction. There was never fear or hesitation, only a primal urge to protect his family. A threat cannot be posed if it does not exist, and he fully intended to eliminate the threat completely.

He raced to the window and noticed that both beds were empty. That was what training at speeds well beyond the sound barrier did. It honed an ability to think and work at the same time, in the blink of an eye, blending thoughts and actions into instinct.

The man in black must have known what was going to happen. He dropped the girl from his arms and simultaneously sprang in the opposite direction. The window was open, but not enough to accommodate the violent exit.

The child’s body hit the floor, followed by a crashing of glass. Like it was nothing more than a soap bubble, the window shattered, taking half the frame with it. The masked man fell to the lawn in a storm of debris.

Isaac was in hot pursuit, about to jump out the mangled opening. But the body, which he recognized as Josie’s, was in the way. Where is Caroline? He put his palms on the windowsill, broken glass lacerating them, and looked out. Not three feet away was the intruder. As quickly as he had flown through the window, he got to his feet and ran. And there, lying motionless on the rain-soaked lawn, Isaac found the answer to his question.

Shards of glass covered Caroline’s body. The bastard had landed right on top of her, smashing jagged pieces between their bodies.

Isaac was prepared to hurl himself out the window and give chase. Backing down was not in his nature. He had killed before and knew he was capable of doing it again. And this time, he really wanted to. He was about to do so when the bedroom lights turned on.

“What’s going on in here?” Sarah demanded. She stood in the doorway, wearing a pair of his boxers and a baggy shirt. “I heard glass—”

“Call nine one one!” he barked.

“Josie!” Her face was stricken with horror as she rushed forward. “What the hell happened?”

“Call the police. Now! Someone tried to kidnap them. She’s fine,” he said, meaning Josie.

In fact, he didn’t know for certain that she was fine. He had, however, noticed the strip of tape over her mouth. Dead people didn’t scream, so he assumed the best. She was alive but knocked out or drugged. There was no time to stop and see.

Sarah was frantic. Her eyes searched the room for Caroline. “Where’s Caroline? Where is she?”

“She’s out the window.” He watched the masked man run away. “Now please, honey. Get the phone, call nine one one, and come back.”

With his hands still on the windowsill, disregarding the little cuts and stabs, he vaulted through the open space. He landed over Caroline with one foot planted on either side of her. The blades of grass were soft. The fragments of glass, however, were not. They drove into his feet like nails, but he put the pain aside. His focus was too solitary to allow interference.

The bedroom lights lit the small patch of lawn where she laid, and he knelt. Outside of their island, the night consumed everything. He was about to run after the son of a bitch who had just disappeared behind the Howard’s home, but he stopped short. Caroline’s white sleeping shirt was stained crimson all around the neckline and chest. Had Sarah not flipped on the lights, he never would have seen it. She was hurt badly.

He heard Sarah’s feet pound down the hall and into the kitchen. In a few seconds, she was giving the operator an address and explaining the situation.

In the back of his mind, Isaac thought, I should go after him. But he couldn’t force himself to leave his little girl. Even if I catch him, what good would it do if Caroline bleeds to death? His world had shrunk to a tiny space in the great big mountain night. Outside of that, nothing mattered. Everything else was diminished. He could faintly hear Sarah asking Josie to wake up and the distant sound of an engine revving to life.

Caroline wore a pair of cotton pajama pants with different-colored hearts. The fabric was pulled up around her knees and exposed several scratches. A bead of blood ran down one calf. It was nothing compared to the stain growing around the collar of her shirt.

Moving someone who had just suffered a trauma injury was the last thing you were supposed to do. But Isaac had no choice. The way she was laying, he couldn’t see where all the blood was coming from. He gingerly rolled her flat and almost vomited at what he saw.

The side of her neck was completely sliced open. Blood literally poured from the flesh. The flow was constant and unrelenting. The gruesomeness of the laceration was not the cause for Isaac’s sickness. He had seen much worse. The gut-wrenching heave came from a sobering realization that she might be broken beyond repair. The cut was too deep, too wide, and in the wrong spot. A pool of red was already spread beneath her. The essence of her life slowly covered the green grass. He clenched his teeth and shut off emotions. His baby was dying. He had to do something.

BOOK DETAILS:

Genre: Suspense / Crime
Published by: Valiant Books
Publication Date: 02/15/2013
Number of Pages: 315
ISBN:
0988802503 ebook
978-0988802506 hardcover
978-0988802513 paperback

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I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
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Guest Author FRANCES FYFIELD

WELCOME BACK FRANCES FYFIELD

Let’s Dance

by Frances Fyfield

on Tour March 3-31, 2013

Book Details:

Genre: Mystery & Thriller
Published by: Witness Impulse
Publication Date: March 4, 2014
Number of Pages: 280
ISBN: 9780062301390

Purchase Links:

Synopsis:

When Isabel Burley returns home to care for her mother who is suffering from Alzheimer’s, she finds a bemused, angry old woman, prey to the threats of failing memory, the inability to run her household – and the local villains who are eyeing her isolated home. But as the villains close in, Isabel finds herself struggling with her own emotions. She thinks she has come home to do some good, but is she really looking for the love she lacked as a child? Alienated by her mother’s growing eccentricity, the two women become locked in a relationship of love, conflict and simmering violence, with roots that go deep into the past.

Read an excerpt:

He had a torch, ever well-equipped, lay on the ground and pulled himself under the car without a word of protest. She could hear his breathing, a grunt that turned to humming as the light played. The humming stilled her conscience that he should be so willing, but she was still pleased when he emerged, stood and dusted himself off. George never seemed to feel the cold and nothing was ever too much trouble.

“Nothing,” he said. She doubted if he knew anything more about cars than she did, but allowed herself to be reassured.

She moved within three feet of him, never going closer. The sky was clear as water, dark while luminous. They pivoted together, noticed of one accord. A flickering light from the house half a mile away, nothing more than an unnatural glow.

“George,” said Janice, querulously, “what’s that?”

“She’s on fire,” George said, almost admiringly. “That silly old love is on fire.”

Author Bio:

“I grew up in rural Derbyshire, but my adult life has been spent mostly in London, with long intervals in Norfolk and Deal, all inspiring places. I was educated mostly in convent schools; then studied English and went on to qualify as a solicitor, working for what is now the Crown Prosecution Service, thus learning a bit about murder at second hand. Years later, writing became the real vocation, although the law and its ramifications still haunt me and inform many of my novels.

I’m a novelist, short story writer for magazines and radio, sometime Radio 4 contributor, (Front Row, Quote Unquote, Night Waves,) and presenter of Tales from the Stave. When I’m not working (which is as often as possible), I can be found in the nearest junk/charity shop or auction, looking for the kind of paintings which enhance my life. Otherwise, with a bit of luck, I’m relaxing by the sea with a bottle of wine and a friend or two.”-Frances Fyfield

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