WELCOME SUE WILLIAM SILVERMAN

SUE WILLIAM SILVERMAN

Sue William Silverman’s new memoir is The Pat Boone Fan Club: My Life as a White Anglo-Saxon Jew. Her two other memoirs are Love Sick: One Woman’s Journey through Sexual Addiction, which is also a Lifetime TV movie, and Because I Remember Terror, Father, I Remember You,which won the Association of Writers and Writing Programs award in creative nonfiction. Her craft book is Fearless Confessions: A Writer’s Guide to Memoir.  As a professional speaker, Sue has appeared on The View, Anderson Cooper 360, and more.  She teaches in the MFA in Writing Program at Vermont College of Fine Arts.

Just Thought You Should Know:

Sue William Silverman is also the author the memoirs Because I Remember Terror, Father, I Remember You and Love Sick: One Woman’s Journey through Sexual Addiction, which was made into a Lifetime Television original movie. She also wrote Fearless Confessions: A Writer’s Guide to Memoir and the poetry collection Hieroglyphics in Neon.
Connect with Sue at these sites:

Guest Post

Who Is That Masked Memoirist?

After my first memoir was published, Because I Remember Terror, Father, I Remember You, I received e-mails from readers who wrote things like, “Sue, I feel like I know you.” I received similar e-mails after publishing Love Sick: One Woman’s Journey through Sexual Addiction. Both memoirs frequently elicit this response – I feel like I know you – even as both books are very different.

With one, readers know who I am as a girl growing up in an incestuous family. With the other, readers know me as an edgy sex addict seeking yet struggling with recovery.
Of course, I’m enormously grateful for these e-mails: I had portrayed my self – or one aspect of myself – the way they perceived me.

Now, with my new memoir, The Pat Boone Fan Club: My Life as a White Anglo-Saxon Jew, readers might see me as a Pat Boone groupie. Or, as a girl who wanted to be Christian growing up – wanting to be adopted by Pat Boone – because the very Christian pop star seemed safer than my Jewish father who abused me.
Isn’t that my goal, after all: to take the flesh and blood me and craft myself into a real, breathing person on the page?

Yes!

But Who Is the Real Me?

While readers of each book might think they know me, how can they know the whole me? As I move from book to book, I wear different masks searching for identity – no, identities. Plural.

Who or which persona is the real me?

As a real person I “contain multitudes” (as Walt Whitman said); we all do. Until written, however, these various facets remain murky. It is only by writing, by carefully selecting relevant details, that I myself become fully able to understand these different aspects that suggest, but do not encompass, the whole person I am.

And, dear writer of memoir, this is the point: don’t limit yourself. Any given memoir is a slice of a life, not a whole life, because every life is multi-faceted. We are daughters, sons, teachers, hobbyists, extroverts, introverts, Democrats, Republicans, feminists, spouses, guitar players, shopaholics, marathon runners, gardeners, foodies, and much more. And each facet is worthy of your writerly attention!

A Core Self

But isn’t there still an essence of me? Of you? Some core? Something—some characteristic or trait that we simply are, that we can’t escape, that will show up in everything we write?
The answer is “yes.” And “no.” Let me explain.

After publishing the first two memoirs, I wanted to write from a more ironic, even humorous perspective. This dovetailed with a desire to explore my feelings toward Pat Boone, a Christian and politically conservative man so squeaky clean he hasn’t even been inducted into the Rock and Roll Hall of Fame despite the millions of records he’s sold. (In his hay-day, he often out-sold Elvis Presley.) Initially, I figured I could write about Pat Boone without mentioning my father: a sort of light-hearted, baby-boomer coming-of-age story.

That only worked in part.

After all, my feelings toward the wholesome Pat Boone arose in large part because of what happened with my father. I had to introduce that into the new book for context and motivation.

At its heart, the book revolves around three separate times I met Pat Boone and how, ultimately, he did see me in positive ways that my real father never did. In our last meeting, for example, and referring to my childhood, he said he saw me “as a flower growing up through concrete.” In other words, his image of me is that of how a father should see a daughter.

So did Pat Boone see me with my mask, or without it?

I think he saw me with a mask that revealed if not “the” whole, true me, then at least “a” true me – a “daughter,” a flower – who experiences the world through the filter of Pat Boone as an image of safety.

In the new book, additionally, there are other ways I depict myself, which are revealing masks as well: I’m a Jersey girl, a hippy, a temporary Israeli, a dissatisfied wife, and more.

What these masks have in common, in addition to their transparency, is how they form a mosaic of a self, of many different personas that comprise me. Don’t we all – over the course of a lifetime – become different “selves” looking for a common characteristic to tie them all together?

As writers of memoir we get to have our masks and wear them, too.

In short, there are masks that reveal, masks that conceal. What part of your life is a revealing mask? What underlying part of you, the whole person, does that illuminate?

ABOUT THE BOOK

Gentile reader, and you, Jews, come too. Follow Sue William Silverman, a one-woman cultural mash-up, on her exploration of identity among the mishmash of American idols and ideals that confuse most of us—or should. Pat Boone is our first stop. Now a Tea Party darling, Boone once shone as a squeaky-clean pop music icon of normality, an antidote for Silverman’s own confusing and dangerous home, where being a Jew in a Christian school wasn’t easy, and being the daughter of the Anti-Boone was unspeakable. And yet somehow Silverman found her way, a “gefilte fish swimming upstream,” and found her voice, which in this searching, bracing, hilarious, and moving book tries to make sense of that most troubling American condition: belonging, but to what?

Picking apricots on a kibbutz, tramping cross-country in a loathed Volkswagen camper, appearing in a made-for-television version of her own life: Silverman is a bobby-soxer, a baby boomer, a hippy, a lefty, and a rebel with something to say to those of us—most of us—still wondering what to make of ourselves.

BOOK DETAILS:

Genre: Memoir
Publisher: University of Nebraska Press
Publication Date: March 1, 2014
Number of Pages: 248 pages
ISBN-10: 0803264852
ISBN-13: 978-0803264854

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WELCOME AUTHORS

Linda Joy Myers, Kate Farrell and Amber Lea Starfire

Connect with Linda Joy Myers, Kate Farrell and Amber Lea Starfire at these sites:

GUEST POST

“Legacy of the ‘60s and ‘70s and What It Means for Women Today”
by Elise Frances Miller, Winner Second Place, Prose

In the early ‘70s, I was doing just what I wanted to do: teaching three art history and humanities classes and conducting research as a college instructor. I was not happy being “part-time,” underpaid, and with no benefits. I did not consider myself an artist, though I still tried my hand at a variety of media in those days. I admired artists, especially women, who put their work out there in public, sometimes defying a parent or spouse, usually for very little remuneration.

Then I joined an organization called “Women Artists It’s Time” (W.A.I.T). The mission was clear: find ways for female artists’ work to be appreciated and understood on a level commensurate with that of male artists. We had role models from Berthe Morisot to Georgia O’Keefe, Louise Nevelson to Joan Brown, but these pioneers did not have many peers. In the realm of art history, Women Artists: 1550-1950 published in 1976 by Linda Nochlin and Anne Sutherland Harris took academic art history departments and the stuffy College Art Association by storm.

At universities in the late ‘60s and early ‘70s, almost no female artists made it into the curriculum. Nochlin and Harris broke the Western, white, male version of art history, and encouraged others, both men and women, to broaden their research for international, ethnic and gender equity in publications.

Our small efforts in W.A.I.T. soon blossomed, not because more women chose to go into art, but because more of them became known. We also celebrated the recognition of women’s “crafts” by art museums. Quilting, weaving, needlework and other handicrafts were accepted as subjects for both historical and current exhibitions.

By the 1970s and ‘80s, I was writing art reviews for major newspapers and magazines. Judy Chicago, Betye Saar, Eleanor Antin and Jennifer Bartlett were just a few of my favorite artists to review. As galleries began to exhibit women’s artwork, I encountered no resistance to featuring them in my articles.

Today there is no lack of women artists. Some of these have made a splash, but as in other fields, the struggle is not behind us. Women still lag behind men both in exposure and remuneration.

As a member of W.A.I.T., I learned that when we band together, boosting our sense of purpose, we push forward, and best of all, we create in diverse fields, guilt-free, with families and all. This personal growth was important to the expansion of social, political and professional roles for women in the 1970s, and in turn, women’s movement activity also enhanced the individual’s journey.

The Times They Were A-Changing: Women Remember the ‘60s and ‘70s preserves the record of that two-way nourishment in varied circumstances. As this anthology shows so well, in tandem with the political struggles, social experiments, and hard-fought gains that are the legacy for today’s women, there was always the girl becoming a woman, unsure, seeking strength through collaboration, building the story one scene at a time. Since our era, as never before, that has been the way it is done.

Elise Frances Miller’s novel, A Time to Cast Away Stones (Sand Hill Review Press, June, 2012), is set in 1968 Berkeley and Paris. With degrees from UC Berkeley and UCLA, Elise began writing about arts for the Los Angeles Times, Art News and San Diego Magazine. She taught high school and college humanities, and served as communications director at San Diego State University and Stanford. Her short stories have appeared in The Sand Hill Review (fiction editor, 2008), Fault Zone: Stepping Up to the Edge, and online. Her novel and its historical background are described at http://www.elisefmiller.com.

ABOUT THE BOOK

Just in time for the holidays, Linda Joy Myers, Kate Farrell and Amber Lea Starfire launch their anthology Times They Were A-Changing: Women Remember the ’60s and ’70s. The book is the perfect gift for opening discussions with friends and family members and illustrating what a powerful time the ’60s and ’70s truly were.

Forty-eight powerful stories and poems etch in vivid detail breakthrough moments experienced by women during the life-changing era that was the ’60s and ’70s. These women rode the sexual revolution with newfound freedom, struggled for identity in divorce courts and boardrooms, and took political action in street marches. They pushed through the boundaries, trampled the taboos, and felt the pain and joy of new experiences. And finally, here, they tell it like it was.

Through this collection of women’s stories, we celebrate the women of the ’60s and ’70s and the importance of their legacy.

BOOK DETAILS:

Paperback: 354 pages
Publisher: She Writes Press
Publication Date: Sept. 8, 2013
ISBN-10: 1938314042
ISBN-13: 978-1938314049

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WELCOME MARTHE JOCELYN

MARTHE JOCELYN

Marthe Jocelyn spent her childhood in Toronto reading books and putting on plays and circuses in her backyard. Marthe has a long string of jobs: theatre usher, cookie seller, waitress, photo stylist, even toy designer before she finally settled on writer.

Marthe lives in Ontario with her daughters Nell and Hannah but still goes back home to NYC each summer.
Connect with Marthe at these sites:

GUEST POST

Readers of this blog are often mystery fans as well,  so you may be wondering why a craft book written to inspire children would be featured in this space. Well, I’m here to offer up a different kind of mystery-making, the kind you stumble across when you’re walking down the street of any big city. Whose baby dropped the pacifier that lies in the gutter? How did someone lose a single high-heeled shoe and not notice? What do those scrawls on the side of the garage actually say? Why is that statue of Garibaldi wearing a woolly red hat?

Walking my kids to school through downtown Manhattan was a daily scavenger hunt. We saw dozens of strange and amusing things every week, eventually inspiring us to come up with our own contributions to the great urban gallery.

One daughter spent an afternoon tying coloured yarn to the black fence that bordered the playground. The other daughter painted faces on stones and left them on park benches for unsuspecting sitters. Both girls made elaborate chalk mazes on sidewalks and elegant structures out of feathers and sticks in the sandbox.  They built little houses from jewelry boxes to hide in odd corners in the classroom, and often put surprise drawings inside menus in restaurants. Making the art was one phase. Hiding it was the next. And watching friends or strangers find it – seeing the whodunnit moment in action – that was the best last chapter.

The seeds of artistic mischief were planted, several years later to bear fruit as Sneaky Art: Crafty Projects to Hide in Plain Sight. The book is a how-to manual with instructions for 24 projects and inspiration for many more.

It comes with a disclaimer, of course, reminding young artists that sneaky art is NOT: mean, defacing, ugly, hurtful, messy, or permanent. Sneaky art is NOT graffiti or litter. Sneaky art is” funny, clever, thoughtful, temporary, subversive, playful, and surprising!

ABOUT THE BOOK

For young artists, tricksters, and crafters, here is a hip, friendly how-to manual for creating removable and shareable art projects from easily found materials. The sneaky part is in the installation! Each work of art is custom-created for display in public places — a tiny cork-bottomed boat in a public fountain, a plate of tiny paper cupcakes on your teacher’s desk, a penny left on the ground for a stranger, a funny message left on your mother’s bathroom mirror, and more. This utterly unique guide — part craft book, part art-philosophy — offers a stylish and sweet “made-you-look-twice” spirit of fun meant to put a smile on the faces of strangers and loved ones alike.

BOOK DETAILS:

Genre: Crafts & Hobbies
Age Range: 8 – 12 years
Grade Level: 3 – 7
Hardcover: 64 pages
Publisher: Candlewick; Spi edition
Publication Date: March 26, 2013
ISBN-10: 0763656488
ISBN-13: 978-0763656485

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WELCOME BONNIE MILANI

BONNIE MILANI

Bonnie vividly recalls the book that helped her decide she could out-write another writer: it was a junior reader’s biography of Sir William Harvey, the 17th century English physician credited (in the West) with discovering how blood circulates. After about 30 pages of telling herself “I can write better than that!” she grabbed a crayon that just happened to be blue and started editing. She was all of seven years old at the time. Unfortunately for her juvenile bottom it was a library book. She followed the dream through college and after grad school, freelancing feature articles for newspapers along the East Coast. Milani even wrote a cover story for Science Digest! Alas life and grown up responsibilities caught up with her and by her late twenties she put writing away with so many other dreams while she followed a ‘career track’. After losing her entire family, she realized story telling just a want but a need and a gift God gave her. So here she is, a self-declared “middle-aged pudge” working on getting back into a writer’s kind of real life!
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GUEST POST

Where Do You Get Your Ideas?

I don’t think there’s any one answer to that question.  Story ideas pop out of conversations, observations, day dreams, or even just a flat out ‘what it’?  Or sometimes even from just a shuddery moment.  I’m working on a short story right now that grew out of an incident like that many years ago.  Back when I was young and thin and thoughtless, I walked into a pet shop just to ooh and aah and the puppies.  I noticed a fellow with a circle – a wide circle – around him over at the store counter, but didn’t pay him any attention.  After all, to a ‘tweener what’s a guy compared to a puppy?  I should’ve noticed, though.  Because I was still ogling the puppy cages when I started to walk out – and found myself face-to-fanged face with the tarantula sitting on the back of that fellow’s hand.  Now, I don’t know about the spider, but I’m reasonably sure I broke an Olympic record for standing side jump.  I know I woke up ever living creature within a couple of hundred yards.  I certainly annoyed the fellow; turns out tarantulas hate loud noises and that one was sitting on his hand.  I didn’t stay around to find out.  Now the reason I’m telling this story purpose of this story is that while I was shuddering my way home I got to wondering what the incident felt like from the tarantula’s perspective.  And suddenly a very put-upon arachnid popped his head out of a web at the back of my mind and introduced himself as Rahss.  Took many years and more questions to spin a story (sorry; couldn’t resist) around him, but Rahss is finally coming into his own.

By contrast, the idea for Home World grew out of a dream I had. In it a young woman in a highly decorated military dress uniform was chained to a dungeon wall.   The imagery was so disturbing it woke me up.  I am emphatically not into S & M or bondage.  Fifty Shades does NOT have a place on my bookshelf.  So the idea of a chained woman both puzzled and intrigued me.  Maybe that’s why it turned into a recurring dream; I just couldn’t let the idea go.  Gradually I worked out that she was Keiko Yakamoto, a Samurai-trained native Hawaiian from the wrong side of the gene pool.  What grew up around her was a love story of interstellar political intrigue as two young princes vie for Keiko’s love with the very existence of humanity at stake.

I think we all come up with story ideas every day.  Most of the time we just don’t realize it.  Do you have something that feels like a story idea?  An incident, maybe, in search of a plot?  Sometimes all you need to do to find a good story is take a simple, everyday incident and turn it around.  And voila!  A story!

ABOUT THE BOOK

Home World is a fast paced well written story about the power and the price of love. This story takes place amid the ruins of a post-apocalyptic Waikiki. Jezekiah Van Buren thinks he has found a way to restore Earth – Home World, to the other worlds of the human commonwealth. His goal is to restore his home to her lost glory.

Ingenious even by the standards of the genetically enhanced Great Family Van Buren, Jezekiah has achieved the impossible: he has arranged a treaty that will convert Earth’s ancient enemies, the Lupans, to her most powerful allies. Not only will the treaty terms make Earth rich again, it will let him escape the Ring that condemns him to be Earth’s next ruler. Best of all, the treaty leaves him free to marry Keiko Yakamoto, the Samurai-trained woman he loves. Everything’s set. All Jezekiah has to do is convince his xenophobic sister to accept the Lupan’s alpha warlord in marriage.

Before, that is, the assassin she’s put on his tail succeeds in killing him. Or the interstellar crime ring called Ho Tong succeed in raising another rebellion. Or before his ruling relatives on competing worlds manage to execute him for treason. But Jezekiah was bred for politics and trained to rule. He’s got it all under control. Until his Lupan warlord-partner reaches Earth. And suddenly these two most powerful men find themselves in love with the same woman. A woman who just may be the most deadly assassin of them all.

BOOK DETAILS:

Publisher: Promontory Press; 1ST edition
Publication Date: Aug. 22n 2013
Number of Pages: 423
ISBN-10: 1927559235
ISBN-13: 978-1927559239

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WELCOME SARA CONNELL

SARA CONNELL

Sara Connell is an author, speaker, and life coach with a private practice in Chicago. She has appeared on Oprah, Good Morning America, NPR, The View, FOX News and Katie Couric. Sara’s writing has been featured in: The New York Times, Good Housekeeping, Parenting, Psychobabble, Evolving Your Spirit, and Mindful Metropolis magazines. Her first book, Bringing in Finn; an Extraordinary Surrogacy Story (Sept 4, 2012 Seal Press), was nominated for Book of the Year 2012 by Elle magazine.
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GUEST POST

Even before the seven-year journey I took to have a child, I would have said that every birth is extraordinary. The phenomenon of an egg and a sperm joining to create a human life is, to me, miraculous. Paradoxically, I’d always thought, the way an egg and sperm come together—through sex—is a wonderfully basic thing that anyone, regardless of education, creativity, skill or life advantages can do.

Nine years ago, when my husband and I gave ourselves over to the primal desire of having a child, this is what we wanted: a totally normal conception followed nine months later by an extraordinary event—the birth of a healthy child.

Normal, however, did not turn out to be our path.  Instead of dinner out and making love, we drove back and forth from the fertility clinic and took turns injecting hormones into my stomach and behind.  We worked up to IVF and got pregnant! With twins!  Five and a half months into the pregnancy I went into pre-mature labor and the twins were delivered, stillborn.  A year later: a miscarriage, more IVF (six rounds in all). The word “extraordinary” did not enter into conversation during this time, unless it was to describe our extraordinary feelings of grief, despair, and loss.

We took a break. And during this time, my mother, who had, according to her, never done an extraordinary thing in her life, saw a story about a post-menopausal woman who’d become pregnant and made the collosally generous and yes- extraordinary- offer to be a surrogate for our child.

Fearing our fertility clinic might refer us to a team of psychiatrists, we proceeded with caution, trying to guard our hearts. But to our surprise, our doctor did not dismiss our idea.  While the viability of a woman’s eggs are influenced by her years on the planet, it turned out that the uterus does not age in the same way. (definitely extradordinary!)

After batteries of tests, my mother was cleared to be a “gestational host” ( a woman who carries the biological child of a couple).  My eggs were joined with my husband’s sperm and then transferred into my mother’s uterus—and on the second joint IVF attempt, we heard the amazing news: we were pregnant and the pregnancy was advancing.

My mother moved in to our house in Chicago. We read Harry Potter books to the baby. We took walks and cooked my mother nourishing meals of her favorite foods. And in February 2011, thirty-nine weeks after we received that call of congratulations from our doctor, Finnean Lee Connell came into the world.  Two beautiful hands, ten perfectly shaped toes, a face with a tiny nose that lifted up at the end like my husband’s. A beautiful, vibrant new life that the doctors in the delivery room pronounced, perfectly, wonderfully, “normal.”

At two and a half years, Finn is talking, running, making friends and running to the potty – sometimes making it, sometimes not- when he needs to go.  He is – as many parents truthfully but obnoxiously say- our greatest joy; in every way “normal” and most definitely, extraordinary.

ABOUT THE BOOK

Bringing in Finn is the true story of a couple who wanted nothing more than to have a family and a mother who would do anything for her daughter. After unsuccessfully trying to conceive naturally, years of fertility treatments, miscarriage and a late term loss of twins, Sara and Bill Connell were emotionally and financially depleted and at a loss as to how they could have a family. When Sara’s mother Kristine offered to be their surrogate, the three embark on the journey that would culminate in Finnean’s miraculous birth and complete a transformation of their at-one-time strained mother-daughter relationship.

BOOK DETAILS:

Genre: Memoir
Publisher: Seal Press
Publication Date: October 8, 2013
Number of Pages: 336
ISBN-10: 1580055419

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WELCOME TONI PICCININI

TONI PICCININI

Toni’s writing career started when she stapled her first “book” together and launched it at a reading attended by her brother, Scotty, and her Boxer, Lonesome. The title-less story was a mash-up of Hansel and Gretel, The Six Swans, and a Box Car Children adventure, with the protagonists (sister, brother, and dog) risking everything in their quest for a magical lump of coal that would save the town. It was an immediate success. During the fifty years between her first and second book, The Goodbye Year: Wisdom and Culinary Therapy to Survive Your Child’s Senior Year of High School (and Reclaim the YOU of You) she has, in no order of importance or chronology

• · opened a “Top 100” San Francisco restaurant
• · published scientific articles on the efficacies of antibiotics
• · sang the National Anthem at high school football games
• · published essays, recipes, and cookbook reviews
• · sent three children off to college

Toni lives in Marin County California, which is a long way from her Western Pennsylvania hometown, Heilwood. She is busy on her next book, which may revisit the power found in a magical lump of coal.
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GUEST POST

How To Reclaim the YOU of You

A funny thing happens on the way to Motherhood Nirvana—we get a little lost. It is so busy being a mom. One day tumbles into the next and by the time we come up for air our baby is a senior in high school. The summer before my oldest and only daughter, Page, started her senior year I could feel the sand shifting beneath me. I had dove into the deep end of motherhood, gratefully, gleefully, and completely. Before Page graduated from pre-school she had a toddler and infant brother at home. We were a family of five and I was defined as “Mommy” a role I cherished. When my first Goodbye Year started I recognized that it would be a year of Last Times. What I didn’t recognize was the woman staring back at me in the bathroom mirror.

 I had three Goodbye Years and they couldn’t have been more different from one another. I was a different person each time, too. As I let go of my need to please everyone in my family I caught glimpses of my authenticity. It didn’t happen in one day, or one year, but the journey back to womanhood was and is a beautiful one.

From Chapter One: The First of the Lasts

“The start of a new school year means new friends and some- times saying goodbye to old ones. The September of your Good- bye Year might also mean saying the first goodbyes to some of the roles that you have taken on as mom. With the last back- to-school night dawns the realization of just how much of your social time is spent with fellow moms, whom you met as you settled into your new roles as purveyor of food, school supplies, and clothes, and conveyer of bodies to class, baseball practice, and dance recital. If your child liked another child, you met the mother, and a friendship was formed. That’s nice. They’re nice. Your friendships are still valid, but ask yourself two questions: Will you spend time with this group after graduation? And what kind of folks might you be spending time with if this had never happened, this being your motherhood?

To Do: Join a New Group
It can be as easy as taking a class. Are you interested in photography? Not the family-photos-on-the-annual-vacation kind; I’m talking about black-and-white shots of raindrops pearled on a paned window. Maybe you really know how to apply eye shadow. That’s a skill and could be your passion. Take a cosmetics class or volunteer your talents to the makeup department of your community theater and meet like-minded folks. The members of your new tribe may be much older or much younger than you. They may be single, childless, pierced, or Republican, but they will share your passion for the written word, coastal conservation, or a rubber of bridge. Your new group will stimulate a spark in the You of you that has been buried under the weight of years of motherhood. Don’t worry. The flame is still there; it just needs some air.”

ABOUT THE BOOK

The Goodbye Year is an inspirational, honest, and hilarious tale of Toni’s approach to the end of an era in the Piccinini household.

For many mothers, a child’s senior year brings about a serious look back on the past eighteen. Every event—from Halloween to Mother’s Day—becomes The Last Time.

Toni Piccinini knows exactly what that’s like, and in The Goodbye Year, she offers the loving support every soon-to-be Empty Nester needs. Think of Toni as your bossy-but-loving Italian auntie, with modern sensibilities and a packed pantry. With the wisdom she’s acquired from saying goodbye three times to her own children, she reassuringly holds your hand while encouraging you through the insanity of the college application process, the rejections and the acceptances, and the teary dorm drop-offs. Even better, she reminds every mother that the best is yet to come—freedom, creativity, flexibility, and the Me Years.

BOOK DETAILS:

Genre: Health & Well Being
Paperback: 264 Pages
Publisher: Seal Press
Publication Date: September 10, 2013
ISBN: 1580054862

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WELCOME CYNTHIA BRIGGS

CYNTHIA BRIGGS

Cynthia Briggs celebrates her love of cooking and writing through her cookbooks, “Pork Chops & Applesauce” and “Sweet Apple Temptations.” She has authored two e-books titled, “The Adventures of Lily and Leon: A Soppy Fish Tale” and “Bumper Crop: Beginning with Apples.” Cynthia wrote a nostalgic cooking column for seven years, she’s published in seven “Chicken Soup for the Soul” books, “Woman’s World Magazine” and numerous on-line publications. She enjoys speaking to women’s groups, critiquing cookbooks, and coaching budding authors.

Cynthia makes her home in Houston, Texas, with her husband, Ed, and their favorite dachshund, Leon.
Connect with Cynthia at these sites:

GUEST POST

Confessions of a Country Chef

If you talked to my kids they’d tell you their childhood was riddled with cooking mishaps. They claim we had zucchini for dinner every night, and in their opinion, any meal that included zucchini was a blatant error by the chef. Aside from my zucchini phase of cooking flops, I will confess (for the sake of this article) to my share of cooking faux pas.

My first big goof was in my early teens when I made Spanish rice. The recipe called for 1 1/2 cups cooked rice and I put in 1 1/2 cups uncooked rice. Needless to say, with the additions of so much water and tomato sauce, we ate Spanish rice every night for a week. The family never let me forget the blunder. I learned to read directions more carefully.

Not too many years later, I watched a cook in a small restaurant douse an enormous prime rib with a thick crust of salt and roast it for 3-hours. When the opportunity arose for me to make my first roast, I poured a very thick crust of salt over a 2-pound beef roast and put it in the oven for 3-hours. It came out of the oven a salty, inedible cinder. I learned to under salt rather than over salt.

Another time, I was living far away from my family when I made my first Thanksgiving dinner. I purchased an 8-pound turkey and baked it for 8-hours, “like Mom always does.” I was depending on the new-fangled cooking indicator to pop-up when the turkey was done. The doneness indicator failed, dry turkey jerky was the result. I put a good ‘cookbook with a meat cooking chart’ on my Christmas list.

Then when I was old enough to know better, I made probably my biggest culinary mistake. My husband and I had just gotten married. Beef stroganoff was one of my hubby’s favorite meals, so one night I served picture-perfect beef stroganoff over a bed of egg noodles.

We both filled our plates and before taking a bite I left the table to fill our water glasses.

When I returned, Ed was slowly eating the stroganoff and looking red-faced. “What’s wrong, Honey?” I asked him.

“The stroganoff tastes different than any I’ve ever tasted.” He replied reaching for his water glass.

I took a bite and, to my horror, I’d used cayenne pepper in the stroganoff instead of paprika. I learned to read labels more carefully.

This last 4th of July I tried making homemade baked beans by using black beans instead of white. Experience told me to make the beans ahead of time in case they didn’t turn out; experience knew what she was talking about. I calmly told myself, “nothing ventured, nothing gained” and made something different.

Over the years I’ve bungled my share of appetizers, entrees, desserts, side dishes and snacks. I’ve added too much mustard to the deviled eggs, roasted the turkey with the giblet packet still inside its cavity, and once I forgot to put baking powder in the baking powder biscuits.

My kids and their dad were the recipients of many culinary experiments in the early days, but I think they’ll agree that the successes far out-weigh the failures. Most of my cooking and baking skills have been learned through trial and error, yet culinary misses can make the difference between a mediocre cook and an excellent cook.

Thankfully, I’ve learned from my kitchen missteps. These days I can honestly say I haven’t charred meat or fowl, haven’t overused the salt shaker or used cayenne pepper instead of paprika…but then…the day isn’t over yet.

ABOUT THE BOOK

Cynthia Briggs message in Pork Chops & Applesauce is about focusing on what’s important in life; and how taking a break to reflect upon memorable family gatherings and the sharing of dinners provides a respite from the fast pace of living in today’s hectic world. Cynthia says, Your Roasted Garlic Potatoes are in the oven baking along with your Surprise Parmesan Meatloaf. The Pear Pie with Crunchy Pecan Crust is cooling on the counter. The dishes are done, the cut flowers are in a vase on the dining room table, and the whole house smells like paradise! Now, before your guests arrive, it s time relax and read one or two of the nostalgic and often humorous stories that introduce many of the recipes in Pork Chops & Applesauce. Enjoy!

BOOK DETAILS:

Publisher: AuthorHouse; 2nd edition
Publication Date: July 14, 2004
Number of Pages: 193 pages
ISBN-10: 1403381658
ISBN-13: 978-1403381651

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WELCOME CAMI OSTMAN and SUSAN TIVE

Cami Ostman is an author, editor, life coach and a licensed marriage and family therapist with publications in her field. She blogs at7marathons7continents.com and on the psychologytoday.com blogger team. She has appeared in several publications, including O, The Oprah Magazine, Fitness Magazine, Adventures Northwest, the Mudgee Guardian in Australia, and La Prensa in Chile. Cami is a runner and a dog lover who lives in Bellingham, Washington.  Connect with Cami at these sites:

As a writer, editor and researcher Susan  Tive has worked on a variety of academic articles exploring psychology, feminism and religion. Susan’s interest in these subjects led her to become an editor for several non-fiction titles including Faith and Feminism and Rachel’s Bag. Her new anthology Beyond Belief: The Secret Lives of Women in Extreme Religions will be published in April 2013 by Seal Press.  Connect with Susan at these sites:

Q&A with Cami and Susan

WHO
If you could meet any author, who would you like to meet? Why them and what would you say?
Cami: I’d like meet Jon Krakauer. I’ve loved how he has been able to do extensive research and then turn that research into compelling stories. Everything he writes is scenic and alive. I’m not sure I’d have anything particular to say to him so much as I’d like to follow him around taking notes while he worked on a book so I could imitate his efforts.
Susan: I would love to sit down and talk with Anne Lamott. I have enjoyed her books for years. Operating Instructions, made me laugh out loud about the challenges of becoming a mother. Bird by Bird, her book about writing is one that I reread every year for inspiration and practical advise. I would love to talk to Anne about how she writes with such a perfect balance between the poignant and the humorous and how she finds the courage to be so honest and brave in sharing her life with her readers. But honestly it would be fun to have her regale me with her famous one-liners so that we could spend most of the time laughing uproariously and wiping away the tears.

WHAT
What is your favorite type of writing? Do you have a favorite? Or would you like to tackle something you haven’t yet?
Cami: I love non-fiction. Because I’ve been both a writing teacher and a family therapist in my professional life, real life stories fascinate me. That being said, I do have a novel in my computer that calls to me and I’d love to take my craft into the realm of fiction long enough to complete that book.
Susan: Ironically, as a reader, I love fiction. Long, epic novels that I can get lost in are my favorites. As a writer I enjoy working with factual and real life material and finding the themes and narrative within it. As a grant writer by profession I have a great deal of fun utilizing this rather rigid format to not only get the facts across but also to create a story that touches at an emotional level as well. For me the goal of my writing is to engage people and get them to care, whether you’re touching an individual or trying to improve the lives of many, writing is an extremely rewarding activity.

WHY
What was the real driving force behind sharing this story and taking it to publication?
Cami: With Beyond Belief, I really felt that many voices would be more powerful than one—or two. Susan and I had talked about our respective experiences inside religious communities for a long time before we pitched our book idea to Seal Press. We understood that to speak about what had happened gave us some sense that we weren’t alone. I hoped that our anthology would allow those who contributed to it to realize they weren’t alone either. But more than that, we wanted to start a conversation in our culture at large. We wanted to say, “Hey look what’s going on. Can we talk about this?”

Susan, what would you add?

The entire writing process has been so rewarding. I’ve enjoyed getting to know and working with all of our amazing writers. Hearing their stories and helping them to edit their work was an invaluable experience. Beyond Belief has been successful in creating a larger community of women who share important experiences. It has gotten important conversations going among people who might not have talked to one another otherwise.

As we’ve been touring and promoting the book we’ve received great feedback from readers who appreciate the stories. If they haven’t gone through the experience they’ve learned more about extreme religions and if they’ve been there they are grateful that these stories are finally being told. Readers tell us they feel less alone and more empowered because they now know the stories of others have gone through the same experiences.

WHERE
Where do you find the inspiration to write? If you don’t have inspiration, what makes you get up each day and write, never knowing if it will be published or not?
Susan: Since I’m primarily a nonfiction writer my inspiration comes from a desire to connect with people through the exploration and understanding of whatever topic I am working with. Often I write because I have questions to ask and writing is the best way to unravel them and find out what lies beneath. Sometimes I just want to share an experience, a feeling, a scene to capture it outside of myself so that others can share in it too, other times writing is the best way for me to figure out what I am really trying to say.

I am deeply moved by the process of writing. The activity of writing brings forth many different parts of myself. I like the fact that it is deeply personal and yet to reach full fruition must be oh so very public. I’m a shy person who wants and needs to communicate, the intimacy and safety of the written word is where I find my voice.

Cami: Some days I have inspiration and some days I don’t. I suppose I always feel compelled to DO something with the thoughts that crowd my head. Writing is the best thing I know. Whether I’m blogging or writing my own story or playing with fiction, I’m taking what’s going on inside and letting the page (or computer screen) hold it for me. Many days I don’t write anything worth publishing, but when I do hit on something I think will be interesting or useful to others, I feel excited.

When I coach writers, I tell them to make a commitment to write 500 words a day as a minimum. That can be harder than you’d think, especially when you know most of those words will only live in your own files. Still, this keeps you going, and some of those words will stick around and become work that feels significant.

WHEN
When will we see another book from you? Any sneak peeks for us at your WIP?
Susan: It’s been hard for me to keep from dreaming up a bunch of new anthology topics because Beyond Belief was so much fun. Currently I’m working on a memoir. It’s an interesting story about the ten plus years I lived as an Orthodox Jew in a small community in New Mexico. In it I explore many of the same questions we asked in Beyond Belief. Why would a modern well-educated young mother become religious? What did she gain and lose? My story has an interesting twist that I think many readers will be surprised by. Although I take on a religious lifestyle that limits my freedom and choices I actually thrive in the religious community. Because of the strong friendships and community support Orthodoxy provides I gain the strength I need to overcome major obstacles and radically change my life. It’s sure to be a page-turner!
Cami: Well, I just got back from Japan where I did some research for a new book I’m tentatively calling Chasing the Goddess. I’m in the process of visiting several sacred sites where the divine feminine has been or is revered. I’ve posted some pictures on my travel blog: 7marathons7continents.com. If anyone is interested in following along, they can sign up for my newsletter on my coaching site: camiostman.net.

ABOUT THE BOOK

Beyond Belief addresses what happens when women of extreme religions decide to walk away. Editors Susan Tive (a former Orthodox Jew) and Cami Ostman (a de-converted fundamentalist born-again Christian) have compiled a collection of powerful personal stories written by women of varying ages, races, and religious backgrounds who share one commonality: they’ve all experienced and rejected extreme religions.

Covering a wide range of religious communities—including Evangelical, Catholic, Jewish, Mormon, Muslim, Calvinist, Moonie, and Jehovah’s Witness—and containing contributions from authors like Julia Scheeres (Jesus Land), the stories in Beyond Belief reveal how these women became involved, what their lives were like, and why they came to the decision to eventually abandon their faiths. The authors shed a bright light on the rigid expectations and misogyny so often built into religious orthodoxy, yet they also explain the lure—why so many women are attracted to these lifestyles, what they find that’s beautiful about living a religious life, and why leaving can be not only very difficult but also bittersweet.

Read an excerpt

BOOK DETAILS:

Genre: Non Fiction, Women’s Studies
Publisher: Seal Press
Publication Date: April 2, 2013
ISBN-10: 1580054420
ISBN-13: 978-1580054423

PURCHASE LINKS:

THANKS TO CRYSTAL AT WOW!,
I HAVE ONE (1) COPY TO GIVE AWAY.
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