Fly Away Home by Jennifer Weiner
Published by Atria Books (Division of Simon & Schuster)
ISBN 978-0-7432-9427-0
At the request of Simon & Schuster, a HC was sent, at no cost to me, for my honest opinion.
Synopsis (from book’s jacket): Sometimes all you can do is fly away home… When Sylvia Serfer met Richard Woodruff in law school, she had wild curls, wide hips and lots of opinions. Decades later, Sylvie has remade herself as the ideal politician’s wife-her hair dyed and straightened, her hippie-chick wardrobe replaced by tailored knit suits. At fifty-seven, she ruefully acknowledges that her job is staying twenty pounds thinner than she was in her twenties and tending to her husband, the senator.
Lizzie, the Woodruffs’ younger daughter is at twenty-four a recovering addict, whose mantra HALT (Hungry? Angry? Lonely? Tired?) helps her keep her life under control Still, trouble always seems to find her. Her older sister, Diana, an emergency room physician, has everything Lizzie failed to achieve-a husband, a young son, the perfect home-and yet she’s trapped in a loveless marriage. With temptation waiting in one of the ER’s exam rooms, she finds herself craving more.
After Richard’s extramarital affair makes headlines, the three women are drawn into the painful glare of the national spotlight. Once the press conference is over, each is forced to reconsider her life, who she is and who she is meant to be.
My Thoughts and Opinion: This storyline was written with the old adage, “No one knows what goes on behind closed doors”. But then taken a step further since the family behind those closed doors could not see what was happening. The Woodruffs were the ideal family to outsiders but each family member was living their own solitary life, each with their own secrets. The plot was relatable since it mirrored what we frequently see on the news with politicians and sports figures. I was also able to identify with the characters in this family because of a general age recognition within my family. The writing style was smooth and descriptive. Even with a serious and emotional theme, the author was able to add some humor into some of the scenes. Without including any spoilers, I found it to even include personal thought provoking questions, such as, “what would I do in this situation”?, “are we true to our self”?, are we really who we think we are”?, “who or what makes us happy”?, “are we true to our self”? This book could be put down, but not for long, because this reader wanted to know how it ends.
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THE LEDGER
by Steven Manchester
June 8 – July 3, 2026 Virtual Book Tour
Synopsis:

Set in a medium-security penitentiary in the mid-1990s, The Ledger is a faith-based story that pulls back the curtain on prison life, allowing the reader a safe peek behind the wall.
Although told from three alternating perspectives—officer, inmate, and sergeant—many of the same questions are asked: Can light be found in the deepest darkness? What about forgiveness, redemption, and grace? And if the code is clear, “loyalty above all things except honor,” when should an officer cross the blue line to police one of his own?
The Ledger is the long-awaited companion novel to The Menu.
Praise for The Ledger:
“The Ledger illuminates the dark world of Corrections, making it safe for all of us to steal a peek.”
~ Barry McKee, Professor Emeritus, Criminal Justice
“I found myself holding my breath. It felt like I was right back inside the wall.”
~ Nelson Julius, Deputy Superintendent, DOC (ret.)
“Intensely powerful and deeply moving, pick up a copy to balance your own ledger.”
~ Debby Guyette, Book Blogger, Single Titles
“The Ledger is a spiritual read, drawing the reader inward.”
~ Reverend Andy Stinson, First Congregational Church of Fall River
Book Details:
Genre: Christian, Crime Fiction, Literary Fiction
Published by: Luna Bella Press
Publication Date: May 26, 2026
Number of Pages: 280
ISBN: 979-8999472021
Series: Companion novel to The Menu.
Book Links: Amazon | Kindle | Goodreads | BookBub
Author Bio:

New England’s Storyteller Steven Manchester is the author of the soul-awakening novel, The Menu, as well as the ’80s nostalgia-series, Bread Bags & Bullies; Lawn Darts & Lemonade; Yearbooks & Yo-Yos. His other works include #1 bestsellers Twelve Months, The Rockin’ Chair, Pressed Pennies and Gooseberry Island; the national bestsellers, Ashes, The Changing Season and Three Shoeboxes; the multi-award winning novels, Dad and Goodnight Brian; and the heartwarming Christmas movie, The Thursday Night Club (NYIFA & LAFA winner). He is the co-author of You Will Be Peter, as well as Officer Erik & the Very Special Dad (written with TV icon, Erik Estrada). His work has appeared on NBC’s Today Show and CBS’s The Early Show; in Billboard and People Magazines. Three of Steven’s short stories were selected “101 Best” for Chicken Soup for the Soul series. He is a multi-produced playwright and winner of several book festivals, Including Los Angeles, New York, Paris, Amsterdam, and New England (from 2017-2025). When not spending time with his family, this Massachusetts author is promoting his works or writing.
Catch Up With Steven Manchester:
www.StevenManchester.com
Amazon Author Profile
Goodreads
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Instagram – @authorstevemanchester
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X – @authorSteveM
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Q&A with STEVEN MANCHESTER
Can you tell us a little about yourself and your background?
After returning home from a difficult tour of duty in Operation Desert Storm in 1991, I stepped back behind the walls of a Massachusetts penitentiary where I battled each day as a prison investigator. Needless to say, there was great negativity in my life at that time, and very little opportunity to heal from my wartime demons (or pursue my dreams of being published). I finally decided to return to college to finish my degree in Criminal Justice. During one of the classes, my professor, Barry McKee, detailed police work, but barely touched on other topics. I finally raised his hand and asked, “As the criminal justice system is so vast, what about the courts, probation, parole – corrections?” Barry smiled and told me to see him after class. I thought I’d done it! In his office, Barry explained, “Except from the slanted perspectives of inmates, there’s no real written material out there on corrections, or prisons.” Barry smiled again and then dropped the bomb that would change my life forever. “If you’re so smart,” he said, “why don’t you write it?” It was the last push I needed to get writing. Nine months later, I placed the first draft of 6-5; A Different Shade of Blue (under the pen name, Steven Herberts) on Barry’s desk. From then on, I was hooked. I was a writer.
Today, 30 years later, I am the co-author of the historical biographical novel, You Will Be Peter, the author of the soul-awakening novel, The Menu, as well as the ’80s nostalgia-series, Bread Bags & Bullies; Lawn Darts & Lemonade; Yearbooks & Yo-Yos. My other works include #1 bestsellers Twelve Months, The Rockin’ Chair, Pressed Pennies, and Gooseberry Island; the national bestsellers, Ashes, The Changing Season, and Three Shoeboxes; the multi-award-winning novels, Dad, and Goodnight Brian; and the heartwarming Christmas movie, The Thursday Night Club (NYIFA & LAFA winner). I am also the co-author of Officer Erik & the Very Special Dad with TV icon, Erik Estrada, as well as In the Valley of the Shadow, featuring the artwork of Brian Fox. My work has appeared on NBC’s Today Show and CBS’s The Early Show; in Billboard and People Magazines. Three of my short stories were selected “101 Best” for Chicken Soup for the Soul series. I am a multi-produced playwright, as well as the winner of the 2017 Los Angeles Book Festival, 2020 New England Book Festival, 2023 Paris Book Festival, and 2025 New York Book Festival. When not spending time with my beautiful wife, Paula, and our children and grandchildren, I am promoting my works or writing.
What was the inspiration for this book?
The Ledger has been another labor of love for me, the second installment in my Menu Series.
In 2020, I released The Menu, a story about hope, healing, and finding true peace. It’s a positive message intended to unite us all. My greatest hope has been that The Menu serve as a beacon of light for those who are feeling isolated and disheartened. The book’s message is simple: ‘We are all connected, and none of us is ever alone—not ever.’
Upon The Menu’s release, I began volunteering with caregivers at Hospice. During one of the many healing sessions, one of my readers claimed that she loved the novel but questioned why all the characters were good and kind. ‘Having a conscience was a menu choice,’ she said. ‘What if one of the characters decided not to order a conscience from his life’s menu?’ Talk about a goosebumps moment! I immediately understood that I needed to write a novel to complement—or maybe even counter—The Menu. Ying and yang; light and darkness. I figured that if I’m going to write about mercy, forgiveness, and redemption, what better setting than a prison?
I spent the better part of a decade working within a medium-security penitentiary—as a Correction Officer and then prison investigator—so it only made sense that 30 years later I’d take my writing skills and return to that setting. Although The Ledger is a departure from my usual fare, it’s a story I needed to write.
What’s an interesting or fun fact about the book that readers might not know?
The Ledger is the most reality-based fiction I have ever penned… and that’s saying something. In this novel, my goal was to pull back the curtain on life behind prison walls, giving my readers a safe peek.
Tell us why readers should pick up your book—what makes it stand out?
The research took years and the book required 30 years of writing experience to get it right.
Are you currently working on your next novel? If so, can you share a little about it?
All the Books in the World is a comprehensive historical and spiritual narrative centered on the life, ministry, crucifixion, resurrection, and legacy of Jesus Christ, as witnessed and recorded primarily by John bar Zebedee and other disciples. It offers a detailed portrayal of early Christian events, the formation of the discipleship group, Jesus’s teachings and miracles, the growing opposition from religious authorities, and the establishment of the early church. The narrative blends historical context with personal reflections and theological insights from the perspective of the last living eyewitness.
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THE LAST FATAL HOUR
by Jan Matthews
May 4 – 29, 2026 Virtual Book Tour
Synopsis:

For Leona Gladney, former woman soldier of the Union Army, life goes on despite the echoes of the battlefield in her heart. Now a suffragist and budding socialite in Brooklyn Heights, she yearns for a literary life and family. But her husband’s business partner embezzles their money and disappears.
The society matrons of Brooklyn Heights turn a gimlet eye on Leona after the suspicious death of a wealthy friend. Leona will do anything to find justice for her friend and clear her own name, but she finds only secrets, seances and murder.
Book Details:
Genre: Historical Mystery
Published by: Coffee&ink Press
Publication Date: April 7, 2026
Number of Pages: 320
ISBN: 9798232470982
Book Links: Amazon | Barnes & Noble | BookShop.org | Goodreads
Read an excerpt:
CHAPTER ONE
The blot of ink stuck to her finger, tacky like drying blood. Leona scrubbed at it with her handkerchief as the clock chimed two hours after midnight. She capped the inkwell, and while the ink dried on her most recent entry, she organized the copies with ribbons. Blue for Daphne and red for Ruth. With shaking hands, she slipped the copies into stiff cardboard folios and tied them closed. Sighing, she set them on the desk in front of her.
The flames in the hearth beckoned. This wasn’t the first night she’d yearned for obliteration. It wouldn’t come if she gave in to the urge to throw her labor into the fire. Only paper and ink would vanish, leaving the memories behind.
Pen and ink or back to the laudanum.
A grim thought, the grimmest of all.
The words had clawed their way out tonight. She’d begun the memoir of her time as a Union soldier months ago with the hope her drowning spirits would revive once the words dropped to the page. Yet the foreboding crept through her and tightened around her throat as the little study filled with familiar shadows. This old terror had become a second skin, like the tattered and dirty uniform she’d once worn.
Over the monotonous chatter of the rain, the clock ticked away the seconds until her husband came home. Leona moved to the window, pushed aside the heavy velvet curtains, and looked out at night-shrouded Cranberry Street. A lamp glowed in a window across the street. Homesickness for Boston, for life before the war, for herself before the war, settled on her. The wind threw a heavy splash of rain against the window, and she jumped back, letting go of the curtain.
Pacing the study, her restless thoughts rushed on without fatigue. To keep the memories inside only fed the persistent mental return to the battlefield, and the outpouring of words somewhat tamed her tormented soul. She stopped and touched the folio. Work would save her: work, family, friendship, and love. Maybe she’d write a story about two clocks. A natural clock which kept good time and a mad clock that twisted time out of true.
The street door below opened and closed. At last Gil, home safe. She couldn’t even bring herself to scold him for being so late. Leona listened for his footsteps as she crossed the room to tuck the folios into her desk drawer and locked it. She closed the gaslight apertures in the study and turned up the flame on the wall sconces in the drafty hallway so he could find his way. In the bedroom, she shed her dressing gown, stepped out of her slippers, and kicked them under the bed. Gil made his clumsy climb up the stairs. When he stumbled into the room, she pulled the covers back. He fell into bed fully clothed beside her, mumbling and fretful, the sharp ripe scent of whiskey lacing his breath.
She laid her hand on his shoulder. Beneath the cloth of his shirt, his skin was cold and damp. “Rest now, go to sleep,” she whispered.
***
At first light, Leona had dressed in a blue and cream day gown and made her way downstairs for breakfast. The creeping dread of the night before had waned. She rubbed her gritty eyes and yawned again. Mrs. McCarthy poured coffee from the silver pot, the familiar, civilized table a welcome sight. The scent of bacon made her stomach growl.
“Are you well, m’um?”
Leona glanced into the broad face of their cook and housekeeper, a sturdy and mature woman with a comforting Irish burr. She wore her fading blonde hair in a crown around her head.
“I didn’t sleep much.” Leona yawned again behind her fingers.
Gil’s heavy tread on the stairs made them both jump, and Mrs. McCarthy squeaked.
“I’ll bring more breakfast in a jiffy.” She fled through the side door to the kitchen just as Gil ducked through the hall entrance.
Leona rose and smiled at her husband. He’d made a great effort to come down early after returning so late. She accepted his peck on the cheek, poured him coffee and set it between them, wifely mask in place. He glared with bloodshot eyes at the letter in his hand, and her stomach clenched.
“It’s not all bad news, Gil.” She’d read the contents of the letter before leaving it on his desk in his study, as Grandfather had addressed it to both.
He raised his hazel eyes to her. “You recall Henry has absconded with all our funds?” he asked in a sarcastic tone, squinting at the letter, then back at her.
She no longer knew what to say about Gil’s former business partner, Henry Caldwell-Jones. The police were still looking for him. It put the devil in Gil’s eyes to speak of it, so she tried to let it be, not wanting to distress him even more.
“Of course, I remember, Gil. I—”
“And now your grandfather won’t give me a second loan. I’ll have to go back to the bank and ask them again.”
“He only wants to speak with you face to face about our situation,” she said, in her grandfather’s defense. “He’ll help us, Gil. He did offer to speak at the lyceum on his return from Ohio, to help raise funds. It isn’t as if—” Or was it? “We won’t lose the house, will we?”
The muscles in his lean face twitched as Gil fought to hide his disappointment, and her heart broke a little more to witness it. “Your grandfather does not bring in the interest he once did.”
It was true Leona’s grandfather, poet, abolitionist, and Transcendentalist, didn’t bring in the money he used to at readings in New York and Brooklyn, but he didn’t suffer for it.
Gil raked his fingers through his thick, brown hair and opened his mouth. Mrs. McCarthy entered with his breakfast, apparently stopping what he meant to say next. He reached inside the pocket of his trousers and pulled out a small notebook and pencil. Laying them on the table, his frown deepened.
Once Mrs. McCarthy had bustled out again, Leona said, “I could write to Aunt Louisa.” Who was not truly an aunt, but a friend of her mother’s.
He opened the notebook and touched the tip of his tongue to the pencil. “We cannot afford to feed and house a man of Bronson Alcott’s caliber,” he replied with heaviness. He bent his head to the columns of numbers on the pages.
His confidence and spirits were usually high, and it hurt to see him laid so low. She did mean Louisa Alcott herself, not her father Bronson Alcott, as the speaker for the lyceum to draw a crowd. Her novel, Little Women, published two years before, had become hugely popular.
“I’ll sell the lyceum, that should help,” Gil murmured, eyes downcast.
Leona winced. It was where they’d met nearly a year before. At a loss again, she glanced down at her lapel watch—9 o’clock already. She stood and set cups and plates on the tray.
“Let Mrs. McCarthy do that.” His pencil went on calculating their precarious position.
“I don’t mind. I’m off to see Daphne this morning. I won’t be home until the late afternoon.” Taking a deep breath, she dared to ask, not expecting an answer. “How much do we owe?” She blew out her held breath, apprehension biting at her. “Why won’t you tell me how much Henry has stolen?”
“He’s made me a laughingstock.” His handsome lips formed a tight smile, but he didn’t look at her. “Don’t you worry, Leona, leave it to me. This will all be over by Christmas.”
***
On the street, she began to walk, then turned to observe the window where Gil labored, smoke curling from the chimney. The image stayed with her as she made her way to the newsstand around the corner and waited patiently for her turn to buy a paper. The sunny day, though cold, had driven people outdoors, well wrapped in fur-collared coats and wool scarves. Woodsmoke and the sharp tang of the river mingling with the scent of baking bread drifted on the breeze. She chewed on the frustration that he wouldn’t share their financial details with her. It made her more fearful not to know. Though she kept the memoir and chapter stories a secret from him, this was hardly the same.
Passing the newsstand, an article about the new bridge caught her eye so she bought the latest Brooklyn Eagle. The previous summer, the four of them, Henry, his wife Helen, herself, and Gil, had stood at the end of Noble Street to watch the construction of the giant caissons in the naval yard. Though approval of the bridge was a long-foregone conclusion, the article was typical of the Eagle’s awful anti-consolidation fear mongering. The article repeated the claim linking the boroughs would only bring the dregs of Manhattan’s Lower East Side into Brooklyn’s pure white Heights. The wrongness of such an attitude churned her stomach.
Leona folded the paper and tucked it under her arm with the folio, sighing. Who would save the poor of this world from the hatred of the rich? Her spirits drooped lower.
She breathed deep the November air on familiar, tree-lined Remsen Street, where she’d lived for two years before marrying Gil in August. The red door of the brownstone opened, welcoming her in. Timothy, the butler, took her hat and coat. Before he disappeared with them, his eyes met hers with a familiar blue twinkle.
“I’ll tell her you’re here,” he said.
“Thank you.” She inhaled the sweet smell of hothouse roses set in vases along the long hallway and waited for word of her arrival to reach Daphne and her nurse Audrey.
Audrey approached from the depths of the house. Her eyes, though hooded, were a pure delphinium blue, blonde hair pinned tight to her head. She wore a plain uniform of dark gray with long cuffed sleeves and a white apron.
“Mrs. Van Wyn is in the Lavender Room.” With a curt nod, she turned away.
When they first met, Leona and Audrey had often shared tea and conversation, but of late Leona felt nothing but a wall of smothered animosity between them. They hadn’t argued, as such, though she had an idea where the strained relations came from.
“Is she well?” Leona asked.
For a moment, she didn’t think Audrey would answer, but the woman turned toward her again. “She passed a quiet night. The laudanum helps.”
Leona frowned. Audrey flicked a dismissive hand and went on her way.
The introduction of laudanum in Daphne’s life began not long after Leona moved to Cranberry Street with Gil that summer. The spas and cures Daphne’s grandson Benedict and his wife arranged didn’t seem to help anymore. The family hired Audrey, who administered the laudanum, a common enough panacea. Laudanum’s presence always disturbed Leona, and she had protested to the family, but no one listened. Audrey had become cold after this discussion. Leona believed some of Daphne’s pain came from her daily battle with grief. Leona often feared her own grief and the overuse of laudanum, prescribed by a respected doctor in Boston, had killed the child from her previous marriage to Jack Davenport. Poor dead Jack.
***
Excerpt from The Last Fatal Hour by Jan Matthews. Copyright 2026 by Jan Matthews. Reproduced with permission from Jan Matthews. All rights reserved.
Author Bio:

Jan Matthews is an American expat living in the sunshine in Portugal.
She is (finally) retired from HIM and writes historical mysteries from the Middle Ages to World War I. When not writing or drinking coffee and wine in nearby cafes, she knits and crochets for charity and reviews books on her blog.
Catch Up With Jan Matthews:
coffeeandinkbooks.wordpress.com
Amazon Author Profile
Goodreads – @coffeeink
BookBub – @coffeeandink1
Instagram – @coffeeandink197
X – @coffeeandink2
BlueSky – @coffeeandink2.bsky.social
Q&A with JAN MATTHEWS
Can you tell us a little about yourself and your background?
I recently retired from Health Information Management at my (formally) local hospital, where I worked in various roles for the last twenty years. In September of 2025, we moved to Portugal. I was an English Lit major in college, and I always wanted to write my own stories. I started publishing in 2014, though I’d been writing since I was a kid. I published with some small presses under a pseudonym, though most of those presses have closed since then.
What was the inspiration for this book?
A statistic. I read that during the American Civil War, at least a dozen women, on both the Union and Confederate sides, were present at most major battles. They’d enlisted as men for a variety of reasons—they were already living as men, the pay was better than they were paid for domestic or factory work, to support their fathers and/or brothers, to follow their husbands or sweethearts, and because they believed in their causes and were willing to sacrifice their lives for it. I wanted to write a Victorian-type murder mystery, and I wanted my main character to stand out in a popular but crowded genre.
Can you give us a glimpse into the research that went into writing this story?
Lots of books. Apparently, during this period in America’s history, it was pretty well known that women soldiers existed. Men wrote home about it. Newspapers carried stories about them when they were exposed and sent home, though they often returned to the field by signing on with another regiment. Their bones were disinterred from battlefields…but unfortunately, their stories faded away as they weren’t included in feminist history studies, as they were women in men’s spaces, not women struggling as women in a man’s world. I’m lucky that letters and journals were discovered, stories got passed down as oral history, and the books got written anyway.
Are you currently working on your next novel? If so, can you share a little about it?
I am revising a previously published novel, a murder mystery set in the artists’ workshops of Renaissance Florence. Hopefully this will be completed soon. I’m also tentatively fleshing out a sequel to The Last Fatal Hour while also working on a historical mystery with a woman magician as the main character.
What are some of your favorite leisure activities or hobbies when you’re not writing?
Since we retired and moved to Portugal, my partner and I have had so much more time to write (he writes non-fiction) but we’re also learning Portuguese, which is not an easy language to speak! We go to ex-pat groups and meetups, hang out in cafés, and ride the buses around the city, see the sites. Back in Maine, I knitted and crocheted hats and scarves for the unhoused and women’s shelters. Another ex-pat and I started a craft group hoping to do the same here. And I read, of course. My favorite past time is not getting up for work and reading in bed, lol.
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The Prisoner of Paradise
by Rob Samborn
January 24 – February 18, 2022 Virtual Book Tour
Synopsis:

The world’s largest oil painting. A 400-year-old murder. A disembodied whisper: “Amore mio.” My love.
Nick and Julia O’Connor’s dream trip to Venice collapses when a haunting voice reaches out to Nick from Tintoretto’s Paradise, a monumental depiction of Heaven. Convinced his delusions are the result of a concussion, Julia insists her husband see a doctor, though Nick is adamant the voice was real.
Blacking out in the museum, Nick flashes back to a life as a 16th century Venetian peasant swordsman. He recalls precisely who the voice belongs to: Isabella Scalfini, a married aristocrat he was tasked to seduce but with whom he instead found true love. A love stolen from them hundreds of years prior.
She implores Nick to liberate her from a powerful order of religious vigilantes who judge and sentence souls to the canvas for eternity. Releasing Isabella also means unleashing thousands of other imprisoned souls, all of which the order claims are evil.
As infatuation with a possible hallucination clouds his commitment to a present-day wife, Nick’s past self takes over. Wracked with guilt, he can no longer allow Isabella to remain tormented, despite the consequences. He must right an age-old wrong – destroy the painting and free his soul mate. But the order will eradicate anyone who threatens their ethereal prison and their control over Venice.
Book Details:
Genre: Thriller
Published by: TouchPoint Press
Publication Date: November 30th 2021
Number of Pages: 333
ISBN: 1952816890 (ISBN-13: 9781952816895)
Series: The Paradise Series, #1
Purchase Links: Amazon | Barnes & Noble | Goodreads
Read an excerpt:
The flood of questions never left Nick’s lips. Large hands wrenched him up by his armpits.
A hushed voice spoke in his ear. “Come with us. Quietly.”
The grip tightened.
Nick twisted his head to his sides. Bernardo led him away, staring straight ahead. Another security guard in a navy-blue suit flanked him. The man was about Nick’s age, with a close-cropped beard and light brown hair pulled into a tight ponytail—and considerably heftier than Bernardo.
“Dante,” said Bernardo to the guard, “please notify—”
Nick whipped his arms from Bernardo’s hold. Twisting, he whacked Dante’s earpiece, jamming the device into the large man’s head. Then he shouldered him into the nearest wall. Appalled gasps rose from the remaining tourists.
Bernardo grabbed Nick from behind. Nick’s elbow blasted backward, landing with a shattering blow in the man’s ribs. Dante dug his finger into his ear and pulled the piece out. He flicked it at Nick, poised to attack.
Confident he was quicker, Nick ducked, popped up, and discharged a quick snap of his fist.
Blood from the brawny guard’s nose sprayed across the polished marble wall.
Museum patrons, many holding cell phones, cameras, and tablets, backed up, giving the fight a wide berth. Nick clocked Bernardo. His wide tungsten wedding ring connected with the man’s jaw.
Bernardo stumbled, falling to the floor.
Nick sprinted for the exit and down the hall, tossing the hat and scarf as he ran.
Bursting through the Palazzo doors, he descended the Giants’ Staircase three steps at a time but slipped on the courtyard’s stone surface and crashed on his back. A jolt to his tailbone rang up his spine. He rolled onto his side and checked the staircase.
Bernardo and Dante loomed at the top. The two men hustled down, their dark jackets flowing behind them.
Tiny gravel pebbles burrowed into Nick’s palms as he scrambled up. He darted for the main entrance, disregarding what felt like a sledgehammer pounding his lower back with every step.
“Arrestatelo!” Bernardo called out.
Two uniformed guards rushed to block the front gate.
Nick stormed ahead.
The guards braced themselves. Nick plowed into the larger one, his speed and weight bowling the man over.
The smaller guard dove for Nick, wrapping a firm hold around his ankle. He pitched forward and fell to the ground.
“Fuck.” Nick kicked his free foot out. It hit the man’s cheek with a sickening crunch. A bloody tooth flew out and skipped across the ground. The guard’s grip loosened.
Nick clambered to his feet and bolted for the entrance. He dodged a college-aged tourist, jumped the turnstile, and sprinted for St. Mark’s Square.
A large woman in a neon pink shirt with a matching visor shouted at him. She pulled her young daughter to her as Nick ran by, almost knocking them down. He regretted the bedlam he was causing, but what choice did he have?
Pigeons flew upward in alarm as he made his way through the golden, late afternoon light of the square. He glanced over his shoulder.
Bernardo and Dante closed in, thirty feet away.
Nick’s throbbing back screamed for attention, but he upped his speed and crossed into an alley in the corner of the piazza. He reached the other side, raced through the passageway between buildings, and entered a narrow street. He shuffled into a group of revelers who had overflowed from a crowded wine bar. Shimmying through the people, he spotted a small bridge over the next canal. Nick dashed across it and made another right, which led him to yet another alley.
Stagnant, rank air engulfed him.
“Son of a bitch.”
A dead-end. Illegible graffiti covered the walls. Even in the moment, the vandalism pissed Nick off.
A steel door was the only possible exit. The rusty knob didn’t budge. Nick pivoted back toward the alley entrance.
His pursuers cast long shadows that extended to Nick’s sneakers. Despite their broken posture as they fought to catch their breath, their expressions championed triumph. Dante wiped the blood from his nose with a grin.
“You were warned more than once.” Bernardo’s voice echoed off the walls.
Unsure how he’d escape, Nick retreated until he bumped against the door.
The men advanced. Each pulled a silver short sword from a concealed holster beneath their suit jackets.
Fear and desperation caused Nick’s heart to pound so violently, he thought he heard it. But the blood churning through him generated a stronger urge: revenge. And he could only do right by Isabella if he survived this mess.
Bernardo lunged. Though burly and one-armed, his movements were lithe.
Nick dropped low as the sword whizzed over his head.
Dante positioned his weapon high and brought it down, slicing through Nick’s shirt and into his forearm.
Nick hollered as the pain seared through him.
He charged Dante, who raised his sword again. Nick caught his hand and body-checked him into the brick wall. Nick sensed Bernardo behind him and rotated, barely avoiding the blade slicing for his back.
Planting his foot, Nick went for the sword. His hands clenched around Bernardo’s, and they struggled for control of the hilt. Nick spat in his eyes and wrested the weapon away. With the last of his wavering strength, he slipped behind Bernardo and brought the sword to the man’s armpit under his one arm.
“Drop it,” he said to Dante, who had his back to the alley’s end.
Dante scowled but let his weapon fall with an echoing clang.
“Now kick it over here and lay down. On your stomach. Arms out.”
Dante did as instructed.
“Get next to him,” Nick ordered Bernardo with a shove. “Flat.”
Bernardo followed suit.
Retrieving Dante’s weapon, Nick kept watch on their forms. His opponents counterbalanced the stare, studying his every move. Nick wrapped his fingers around the hilts. Holding swords felt good. Natural. He flourished them simultaneously and grinned, unaware he had that skill.
Nick had a peculiar sensation, not that of anger but distinct determination. His mind played through potential outcomes, and one came into focus: he imagined rushing the men, and with raised blades, he hacked their bodies—first their faces, then their necks and torsos. Their warm blood drenched his skin.
The scene gave him a surge of foul power. He teetered from the unfamiliarity of it and shook his head to clear the image.
No. Nick wasn’t a murderer.
Instead, he turned and raced for the alley entrance, tossing the swords away in disgust. His heart sank as he heard the two men getting to their feet. Rounding the corner, Nick ran under an archway connecting two buildings. He angled for the building wall, stepped on a brick edge, and jumped up, catching an exposed pipe ten feet up.
As footsteps approached, he swung and kicked, striking a direct hit into Bernardo’s face. Bernardo toppled into Dante, the two landing hard on the ground. Nick dropped from the pipe and sprinted in the other direction, his torn shirtsleeve flapping off his bloodied arm.
***
Excerpt from The Prisoner of Paradise by Rob Samborn. Copyright 2021 by Rob Samborn. Reproduced with permission from Rob Samborn. All rights reserved.
Author Bio:

In addition to being a novelist, Rob Samborn is a screenwriter, entrepreneur and avid traveler. He’s been to forty countries, lived in five of them (including Italy) and studied nine languages. As a restless spirit who can’t remember the last time he was bored, Rob is on a quest to explore the intricacies of our world and try his hand at a multitude of crafts; he’s also an accomplished artist and musician, as well as a budding furniture maker. A native New Yorker who lived in Los Angeles for twenty years, he now makes his home in Denver with his wife, daughter and dog.
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Instagram – @robsamborn
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Beneath the Marigolds
by Emily C. Whitson
October 1-31, 2021 Virtual Book Tour
Synopsis:

Playing on our universal fascination with reality TV, Emily C. Whitson’s Beneath the Marigolds is The Bachelor(ette) gone terribly wrong.
When her best friend, Reese Marigold, goes missing after attending Last Chance, an exclusive singles’ retreat on a remote island off the coast of Hawaii, no-nonsense lawyer Ann Stone infiltrates the retreat.
Ann quickly realizes there’s more to Last Chance than meets the eye. The extravagant clothes, never-ending interviews, and bizarre dates hint that the retreat is a front for a reality dating show. Could Reese be safe, keeping a low profile until the premier, or did something sinister occur after all?
Torn between the need to uncover the truth and her desperate desire to get off the island, Ann partakes in the unusual routines of the “journey to true love” and investigates the other attendees who all have something to hide. In a final attempt to find Reese on the compound, she realizes that she herself may never get off the island alive.
Praise for Beneath the Marigolds:
“Cleverly plotted…Whitson’s debut novel is an intriguing new entry in the women’s suspense genre, driven by dual first-person narrators and tension-filled parallel timelines.”— Carmen Amato, Silver Falchion Award Finalist and author of The Detective Emilia Cruz Mystery Series
“Exhilarating twists and turns…a fast-paced psychological thriller that mashes up the reality series The Bachelor with Gone Girl.” — Helen Power, author of The Ghosts of Thorwald Place
“A fun, propulsive read…this book cleverly combines the archetypes of “reality TV” and the “trapped-on-a-remote-island” mystery that will perpetually keep you guessing.” — Marcy McCreary, author of The Disappearance of Trudy Solomon
Book Details:
Genre: Thriller/Psychological
Published by: CamCat Books
Publication Date: September 21st 2021
Number of Pages: 320
ISBN: 0744304202 (ISBN13: 9780744304206)
Purchase Links: Amazon | Barnes & Noble | Goodreads | CamCat Books
Read an excerpt:
Prologue
I knew too much. On that island, on that godforsaken singles’ retreat. I knew too much.
I ruminated on that thought, chewing it carefully, repeatedly, while Magda, the makeup artist, transformed me into a life-size nightmarish porcelain doll. Ghastly white face, penciled-in eyebrows, blood-red lips. I’d look beautiful from a distance, she had told me, leaving the other part of the sentence unspoken: up close, it’s frightening. She tsked as she dabbed my damp forehead for the fourth time, her Russian accent thickening with frustration.
“Vhy you sveating so much?”
I worried my voice would come out haggard, so I shrugged, a little too forcefully. Magda shook her head, her pink bob sashaying in the grand all-white bathroom as she muttered something foreign under her breath. My gaze danced across the various makeup brushes on the
vanity until it landed on one in particular. I shifted my weight in the silk- cushioned chair, toyed with my watch.
“Magda, what do you want out of this retreat?” No response.
Did she not hear me, or did she choose not to respond? In the silence, I was able to hear Christina’s high-heeled feet outside the bathroom.
Click, clack. Click, click.
When I first met the host of the singles’ retreat, I was in awe of her presence, her unflappable poise. Shoulders back, she walked with a purpose, one foot in front of another, and though she was a couple inches shorter than I was, she seemed larger than life. Her icy eyes, colored only the faintest shade of blue, seemed to hold the secrets of the world—secrets she intended to keep. But I had stumbled upon them just a few short hours before, and I was now afraid her gait represented something more sinister: the march of an executioner.
Click, clack. Click, clack.
Her stride matched the even tick of my watch, and a drop of sweat trickled down my back. Was I being ridiculous? Surely Christina wouldn’t hurt me. She had been reasonable with me earlier, hadn’t she? “One meenute,” Magda shouted at the retreat’s host. She doused
my fire-red curls in hairspray one last time before asking me if I was ready to go.
“I just need to use the bathroom.” I wheezed through shallow breaths. “I’ll be right out.”
Magda exaggerated her sigh before shuffling out of the white-marble immurement, closing the doors behind her with a huff. My last remnants of safety and rational thinking left with her.
I shoved the vanity chair underneath the door handle. I grabbed the makeup brush with the flattest head and hurried to the bathroom. I gingerly closed the lid of the toilet and slipped off my heels before tip-
toeing on top so I could face the window. After removing the beading, I inserted the head of the makeup brush between the frame and glass. The brush’s handle cracked under the pressure, but it was enough to lever the glass out of its mounting. I placed the glass on the floor as gently as I’ve ever handled any object, trying not to make even the slightest sound, before hoisting myself up and through the window. I jumped into the black night, only partially illuminated by the full moon and the artificial lights of the mansion. I allowed my eyes to adjust.
And then I ran.
The loose branches of the island forest whipped at my cheeks, my limbs, my mouth. The soles of my feet split open from fallen twigs and other debris, but the adrenaline kept the pain at bay. I tripped over something unseen, and my hands broke my fall. Just a few cuts, and a little blood. I couldn’t see it, but I could feel it.
I jumped up, forcing myself to keep moving. The near darkness was blinding, so I held my bloody hands up, trying to block my face. The farther I ran, the more similar the trunks of the trees became. How long had I been running? I gauged about a mile. I slowed down to gather my bearings. Behind me, the lights of the mansion brightened the sky, but they were only the size of my palm from that distance.
I heard the hum of a moving car come and go. I must have been near the road. I was about to start moving again when I heard the snap of twigs. Footsteps. I stopped breathing. I swiveled to my left and right, but nothing. I exhaled. It was just my imagination. I continued away from the lights. Away from the retreat.
And then someone stepped toward me: Christina. Her face was partially obscured by darkness, but her pale eyes stood out like fireflies. “It doesn’t have to be like this,” she said. Her expression remained
a mystery in the darkness.
I turned around, but one of her handlers was blocking that path.
Christina took another step forward, and I jerked away, tripping over the gnarled roots of the forest in the process. My head broke the fall this time, and my ears rang from the pain.
Her handler reached for my left hand, and for a moment, I thought he was going to help me stand. Instead, he twisted my ring finger into an unnatural position. As my bone cracked, my screams reverberated through the woods.
It was showtime.
***
Excerpt from Beneath the Marigolds by Emily C. Whitson. Copyright 2021 by Emily C. Whitson. Reproduced with permission from CamCat Books. All rights reserved.
Author Bio:

Emily Whitson received a B.A. in journalism from the University of North Carolina at Chapel Hill. She worked as a marketing copywriter for six years before pursuing a career in fiction and education. She is currently getting her M.Ed. at Vanderbilt University, where she writes between classes. She is particularly passionate about women’s education and female stories. This interest stems from her time at Harpeth Hall, an all-girls college preparatory school in Nashville, Tennessee. When she isn’t volunteering, writing, or in the classroom, Emily can usually be found with her dog, Hoss, in one of Nashville’s various parks. Beneath the Marigolds is her debut novel.
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Black Label
by James L’Etoile
July 12 – August 8, 2021 Tour
Synopsis:

Sanity is something you don’t miss until it’s gone. Hard charging pharmaceutical executive Jillian Cooper fears she’d destined to inherit her mother’s history of mental illness when she finds herself accused of murdering her boss. All the evidence tells her she’s either a murderer, or insane. When Jillian struggles to find the truth, she uncovers a web of black market pharmaceuticals, prison gangs, and greed. She begins to believe she may have killed to cover up the off-the-books drug operation.
Can she discover the truth before she’s condemned to life in prison, or a mental hospital?
Praise
“Tight, terrific, terrifying. BLACK LABEL delves into the murky world of pharmaceuticals where profit is prioritized above all else. L’Etoile creates a strong female lead in Jillian Cooper, a woman who faces obstacle after obstacle, but still charges into the abyss. More unnerving than a fistful of amphetamines. Unputdownable.”
—K.J. Howe, international bestselling author of SKYJACK
“James L’Etoile’s BLACK LABEL is a delightfully complex and twisty thriller with a ripped-from-the-headlines plot that will make you think long and hard before you swallow your next dose of medication. Add in an intrepid heroine willing to do whatever it takes to uncover the truth no matter the cost, and L’Etoile’s newest offering is a winner!”
— Karen Dionne, author of the #1 international bestseller THE MARSH KING’S DAUGHTER and THE WICKED SISTER
“Relentlessly fast-paced and compellingly twisty! The talented James L’Etoile sets up an irresistibly high-stakes situation: a woman is certain to be charged with murder and doesn’t remember a thing. Can she prove her innocence before she’s silenced forever? A dark journey through the world of big Pharma and big money—you will turn the pages as fast as you can.”
— Hank Phillippi Ryan USA Today Bestselling author of THE FIRST TO LIE
“If this book had a tag, it would say ‘proceed with caution’ because nothing is what it seems. Told with a vivid and visceral style, this is le Carré’s Constant Gardener meets The Fugitive. As the title suggests, BLACK LABEL is a top of the line thriller.”
— Gabriel Valjan, Agatha & Anthony Award nominated author
Book Details:
Genre: Thriller
Published by: Level Best Books
Publication Date: July 20, 2021
Number of Pages: 300
ISBN: 978-1-953789-14-3
Purchase Links: Amazon | Barnes & Noble | Goodreads
Read an excerpt:
Chapter 1
It was bad this time. Jillian shielded her eyes from the sharp edge of morning light and dug her fingers into the pillow clutched over her face. Deep in her temples, her pulse hammered a fast, painful staccato rhythm. She’d gone months since her last migraine, and this one tightened a vice around her skull. Even with her eyes closed, her vision clouded with a kaleidoscope of bright dots. The rustle of bedcovers sounded like the world fell in around her. Jillian Cooper’s world had crumbled down and threatened to suffocate her, only she didn’t know it–yet.
She reached for the phone she kept on her bedside table. There was no way she was going to make it to her Saturday morning spin class. Her hand probed for the phone, her head still tucked under the pillow. First one way, then she groped in another direction, knocking over a small brass table lamp. Jillian recoiled from the clatter as the metal lamp rung as loudly as the bells at Saints’ Peter and Paul Church over in North Beach. She peeled off her protective pillow and reached for the phone. Her phone wasn’t on the bedside table, and neither was the stack of paperback books she habitually kept at hand. Blinding pinpricks of light danced in her vision, making it impossible to focus through the swirling aura.
Fighting against the pounding in her head, Jillian crept to the edge of the bed, dangled her legs off the side, and brushed her toes gently on the polished hardwood floor. Jillian shuddered, a wave of nausea poured over her. The feeling wasn’t from a migraine. It came from the realization she wasn’t in her apartment. Her place didn’t have hardwood floors. Jillian didn’t know where she was, or worse, how she got here.
Instead of her phone, a half-empty Gran Patrón Platinum tequila bottle and a wrinkled condom wrapper lay on the nightstand. She spotted her clothes on the other side of the room, in a heap on a leather chair. Jillian pulled the sheet away from herself and peered downward.
“Shit.”
She was naked under the bed covers. Jillian couldn’t remember the slightest detail leading up to her ending the night disrobed, nor could she feel the lingering warmth of being with someone, in spite of the condom wrapper left on the nightstand. She’d never experienced a blackout from alcohol before. Jillian stayed away from tequila as a rule because of a few bad hangovers back when she attended San Francisco State University. If it weren’t for the half-empty bottle of pricy booze, she’d have sworn she hadn’t touched the stuff in ten years.
Yet, here she was–tequila, nakedness, and all. She hoped a tall, dark, handsome, athletic man was going to burst through the bedroom door with a tray of cappuccinos and warm croissants. At this point, a short, round, gnomish man with instant coffee and a day-old pop tart would be welcome. It wasn’t her habit to “sleep around,” as her mother used to call it. However, Jillian Cooper was a woman who enjoyed the occasional company of men, and this was not the first time she’d greeted the sunrise from a man’s place following a late night hook-up. She always remembered them, until this morning. The migraine and the tequila played games in her head—loud, pulsing, and painful games.
The bedroom, where she did God-only-knows-what, was expensively furnished and decidedly masculine. Dark hues of burnished leather and deep mahogany dominated the space. A set of wooden horizontal blinds kept out some light, and in spite of her headache, curiosity demanded she open them.
The window looked out over Huntington Park in Nob Hill, some of the priciest real estate in San Francisco. From her vantage point, Jillian figured the room sat on the sixth floor, or higher, and commanded a view of the grey slate tile roof of Grace Cathedral and Mt. Sutro off to the South. The condo, or whatever this place was, offered the resident one of those “ten-million-dollar views” everyone wanted, but few could afford. Jillian’s salary as a Vice President of Marketing for Dynalife Pharmaceutical wouldn’t buy the dust in a place like this.
Another wave of nausea buckled Jillian’s knees. She grabbed onto a dresser near the window and braced herself while the queasiness passed. As she opened her eyes, she focused on a silver-plated frame on the top of the dresser. Jillian peered at a photograph of her own image, a picture of her, with her boss, Jonathon Mattson, the CEO of Dynalife Pharmaceutical.
Confusion and panic clawed at Jillian’s mind. Mattson was thirty-five years her senior and married to one of the city’s society matrons. Jillian supposed some women found him attractive, with his swagger and the ease with which he flaunted his wealth. There were lines Jillian did not cross; never, ever, get involved with someone at work, and married men were off limits.
What was she doing here, naked in Mattson’s apartment? Had Jillian broken both rules? The thought of a relationship with Mattson was unthinkable. The photograph meant they’d been together before. The two looked at ease with one another in the photo, and it hinted at a close personal relationship, her hand on his chest. When the hell was that taken? She had no recollection of an evening with Jonathon Mattson, let alone posing for a photo.
“What have I done?”
Jillian staggered to the chair with her wadded-up clothes, slid into her panties, quickly stepped into her dark blue dress, shoved a bra in her purse, and grabbed her shoes from the floor. With an ear to the door, Jillian listened. Filtered by the thrum of her heartbeat, she heard voices deep within the apartment. She felt her face blush thinking about who she’d meet as she snuck out. Her hand trembled on the doorknob as she turned it, a fraction of an inch at a time until the lock slid back with a muted click. The door opened inward a few inches, the voices became more distinct–a television.
Shoes in hand, Jillian crept down the hallway. The hardwood floor felt cold under her bare feet as she made her way to the large open living space. A flat-screen television blared the financial news from CNN to an empty room. Jillian glanced at the kitchen, and she exhaled when she realized she was alone in the apartment. The veil of swirling bright spots in her vision started to clear, and she needed to head home for her migraine medication. She desperately wanted to leave before Jonathon Mattson returned. She couldn’t face him with the cocktail of anger and shame whirling inside her.
Slipping on her shoes, she listened as the CNN anchor, a carefully coifed and airbrushed young blonde reporter, delivered her monologue.
“The market opened with a quick rally this morning,” the anchorwoman said.
“Today’s Saturday and the market isn’t open, bimbo,” Jillian said. “Where do they find these people?” She found her jacket folded over the back of a sofa.
Jillian tucked the jacket under her arm, reached for the apartment door and stopped when she heard the woman’s voice drone on.
“In other financial news, the death of Dynalife Pharmaceutical CEO, Jonathon Mattson sent the mega-pharmaceutical company’s stock prices plummeting in early trading. Authorities are looking into the matter and haven’t disclosed any details about the death.”
Jillian froze when the screen flashed a photo of Mattson, with a banner under the image proclaiming, “Billionaire Pharmaceutical CEO Dead.”
The television news turned the page and droned on about other financial news. Mattson was a mere footnote in the market ledgers. Business goes on.
“That can’t be. Jonathon, dead?”
Another cramp of nausea hit her, and she wrapped her arms around her midsection as if she held her insides together. The apartment space closed in on her, and when the spasms subsided, Jillian darted for the door and flung it open. She ran across the hall to an elevator and stabbed the down button repeatedly, willing the car to appear. The hallway space was foreign; nothing in the décor sparked a memory of how she got here. But here she was, and it wasn’t like she magically appeared in Mattson’s apartment. Jillian didn’t know Jonathon kept an apartment on Knob Hill. It must have been a secret rendezvous pad for Jonathon and his rumored affairs. A wave of nausea swept over Jillian at the though she was now among his conquests.
The whir of the elevator stopped, and a light electronic bleep sounded the arrival of the conveyance. She slid into the empty elevator before the doors fully opened and punched the lobby button. The cool wall of the elevator car soothed the back of her head, the first comforting thing since awakening in this bad dream.
She couldn’t shake the nightmare off. Questions without answers cascaded through her mind. What happened? Where was she? Who was she with?
“Come on–come on,” she urged the doors as they closed at a slow agonizing pace.
“It’s not possible. Today is Saturday, and I saw Jonathon at a board meeting yesterday–Friday. It has to be a huge mistake.” She drew in a deep breath and tried to center herself.
The elevator chimed, and the doors opened into the building’s lobby. Jonathon wasn’t there to expose some elaborate practical joke. Instead, Jillian found the marble-tiled lobby empty, except for a doorman who gave her a smirk and a nod signaling, “I know what you did last night.” The man leered and stroked his short stubble beard as Jillian passed his station.
Jillian stepped outside to the curb and raised her hand for a taxi. She glanced at a newspaper rack on the sidewalk next to her, and the headline caught her breath short.
Billionaire Jonathon Mattson Murdered.
The date jumped off the page. It was the Monday edition.
Mattson was dead; she’d met with him on Friday and woke up in his apartment this morning. Jillian’s knees buckled with the realization that two days passed without a single lingering memory. Two days erased without a trace.
***
Excerpt from Black Label by James L’Etoile. Copyright 2021 by James L’Etoile. Reproduced with permission from James L’Etoile. All rights reserved.
Author Bio:

James L’Etoile uses his twenty-nine years behind bars as an influence in his novels, short stories, and screenplays. He is a former associate warden in a maximum-security prison, a hostage negotiator, facility captain, and director of California’s state parole system. He is a nationally recognized expert witness on prison and jail operations. He has been nominated for the Silver Falchion for Best Procedural Mystery, and The Bill Crider Award for short fiction. His published novels include: At What Cost, Bury the Past, and Little River -The Other Side of Paradise.
Q&A with James L’Etoile
What was the inspiration for this book?
The inspiration for BLACK LABEL came to me a bit differently than the stories, characters, and plots in my other books. Usually, I have a kernel of a plot idea and a vivid grasp of the characters coming from my years of working in prison. You know, the gangs, the murders, and all the secrets wrapped up in a criminal organization. You are going to spend months with these characters and places, so you have to ready to allow your mind space to dwell there for a while. This book, though, came from sitting around with a bunch of fellow authors at the Book Passage Mystery Writers Conference in Marin, California. We got onto the topic of fear and there wasn’t anything more threatening to me than feeling helpless, especially when you’re faced with defending yourself from serious allegations. In this case, Jillian Cooper finds herself as the suspect in a murder—and all the evidence points to her, but Jillian can’t remember a thing.
The plot question of what’s in those prescription drugs we take was developed pre-COVID, long before the anti-vaccine movement started to show its hand. Now, I’m definitely not an anti-vaxxer and I signed up the moment I became eligible. But, it does make you wonder what’s really in those prescription drugs?
What has been the biggest challenge in your writing career?
This is a difficult question to narrow down for me. Each book so far has come with its own set of challenges, from querying that first novel, to getting an agent, to contract terms, and book distribution. But, I’m learning—continuously. I know more now about the craft of writing, my own writing process, and the business of publishing. Establishing my own writing process has probably been the most difficult and rewarding challenge in my writing career. Writing bootcamps, craft seminars, and “experts” tell you that you must write in a certain way, develop a story using a specific method, and use color coded index cards to meticulously outline your book’s plot. And that may be fine—for them. More power to them and if that helped them create a book, good on them.
For the longest time I tried to mirror these “have-to’s” and while I came up with books that sold, I wasn’t enjoying the creative process as much. I’m discovering I’m more of an intuitive writer and following a strict outline inhibits some of the creative options that may pop up as I write. Am I a total “pantser?” Not really. When I sit down to write, I have a good idea how the story begins, who inhabits the pages, and a general idea how the story ends, without the compulsive need for a detailed outline. For example, I wrote an award-recognized screenplay from sparse notes scribbled on a Starbuck’s napkin.
What do you absolutely need while writing?
I’ve found the most important thing is to protect the time you have to write. There will always something that needs to be done, pulling you away from the keyboard. The key is giving yourself permission to sit down and write and let other commitments or distractions slide a bit. Keeping distractions at bay is always a struggle. I can tell when I’m writing a difficult scene, where emotion and tension are at a peak. I’m a guy and I stuff that stuff down as deep as possible. So, dogs are walked, floors vacuumed, and the lawn gets mowed. Finally, I know I have to come back and write that difficult passage, but hey, the house is nice and tidy…
Do you adhere to a strict routine when writing or write when the ideas are flowing?
The routine helps keep me productive. My daily schedule starts early—with an assist. Apparently, Corgis demand feeding before first-light. After a dog walk (plot lines and twists often fall into place during these walks) and coffee, I try to put in at least four hours at the keyboard when I’m drafting. I find that I’m creatively spent after four to five hours, so I’ll move onto promotion, marketing, or other book business tasks that need attention. But all the while, plot lines, dialogue, and twists are circling in my mind.
Who is your favorite character from your book and why?
Jillian Cooper is the main character in BLACK LABEL and I’m drawn to her because she isn’t the helpless damsel in distress. She’s a tough, smart woman who earned her way to the corporate boardroom. In her focused, driven climb to the top, she’s become isolated and has no one around her to help her deal with the damning accusations she faces. She finds an inner strength and she’ll need it to survive.
Tell us why we should read your book.
There’s a subtle, but swift undercurrent in our work-lives demanding all of our attention. In some respects, the work from home movement and constant Zooming from one meeting to another has made us more disconnected, isolated, and emotionally exhausted. Jillian was so focused on her important job that she didn’t notice what was going on around her. Her lack of work-life balance made her vulnerable. So, in some respects, Jillian serves as a warning to us to about work-life balance.
Give us an interesting fun fact or a few about your book?
The San Francisco Police inspector’s name, DiManno was the result of a Sacramento Library Foundation auction. Mario DiManno was the highest and very generous bidder. The proceeds went to children’s literacy programs in the Sacramento, California area.
Do you have anything specific that you want to say to your readers?
I hope readers take away we can’t do it alone. Go through life, that is. We need the connection and support of others and with that interconnectedness we can accomplish anything. Additionally, I think it’s interesting the counterfeit pharmaceutical industry is a $200 billion business and the safeguards in place between greed and unsuspecting consumers are paper thin. As thin as a Black Label.
Tell us a little about yourself and your background?
I use my twenty-nine years behind bars as an influence in my novels, short stories, and screenplays. As a former
associate warden in a maximum-security prison, a hostage negotiator, facility captain, and director of California’s state parole system, I have an insider’s perspective into crime and the impact it has in our communities. I’ve been nominated for the Silver Falchion for Best Procedural Mystery, and The Bill Crider Award for short fiction. My published novels include: At What Cost, Bury the Past, Little River -The Other Side of Paradise, and Black Label. Look for Dead Drop in the summer of 2022 from Level Best Books. You can find out more about me and what goes on in my head at www.jamesletoile.com
What’s next that we can look forward to?
Next up is DEAD DROP (Level Best Books), the first of three books in the series set in the Arizona desert looking at the complicated and dangerous relationship between law enforcement and illegal immigration. Detective Nathan Parker’s finds he must depend on the very people he chased over the border if he is to survive.
Catch Up With James L’Etoile:
www.JamesLEtoile.com
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BookBub – @jimletoile
Instagram – @AuthorJamesLEtoile
Twitter – @JamesLEtoile
Facebook – @james.letoile
Tour Participants:
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Giveaway:
This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for James L’Etoile. There will be Seven (7) winners for this tour. Two (2) winners will each receive a $20 Amazon.com gift card; Three (3) winners will each receive a $10 Amazon.com gift card; and Two (2) winners will each receive 1 signed print edition of At What Cost and Bury the Past by James L’Etoile. The giveaway begins on July 12 and runs through August 10, 2021. Void where prohibited.
Get More Great Reads at Partners In Crime Virtual Book Tours
Kill Shot
by Blair Denholm
July 1-31, 2021 Tour
Synopsis:

Violent crimes. Missing people. Dark secrets. Only one driven detective can unearth the truth.
Detective Sergeant Jack Lisbon travelled halfway round the world to escape his troubled past. Mutilated bodies were never part of the plan.
A body found in the mangroves at first appears to be evidence of a frenzied crocodile attack. But it soon becomes obvious this is a horrific murder.
And when a popular MMA fighter disappears, police now face a possible double homicide. The list of suspects grows longer, but no one in the closed fighting community is talking.
Can hard-nosed ex-boxer Detective Sergeant Jack Lisbon solve the mystery before the panicked town of Yorkville goes into total meltdown?
Join DS Lisbon and his partner Detective Claudia Taylor on a heart-thumping ride through the steamy tropics of Northern Australia as they hunt for a killer out of control.
Justice served with a side order of vengeance.
What readers are saying about Kill Shot:
“Head spinning twists and gritty crisp dialogue make Kill Shot a must read for the gruff mystery thriller crowd out there!”
– Goodreads reviewer
“I would overwhelmingly recommend this book to anyone who enjoys a good crime fiction, thriller, who-done-it or the like.”
– Booksprout reviewer
“Denholm is a masterful story teller with realistic facts and hardcore action scenes throughout! Readers looking for a real page-turner have found it here!”
– Goodreads reviewer
“The story is so well written and full of action, that it is impossible to put down.”
– Voracious Readers reviewer
“With the heat, crocodiles, press speculation, and lack of progress, the pressure is on for a fast resolution. A cracking police procedural and a highly enjoyable read. I look forward to the subsequent adventures of the promising crime fighting duo.”
– Booksprout reviewer
“There are some surprising twists and turns along the way, one which I couldn’t even imagine which made this read a sheer delight. I struggled to keep this book down. I look forward to reading more of Denholm’s work.”
– Goodreads reviewer
Book Details:
Genre: Thriller
Published by: Indie
Publication Date: December 9th 2020
Number of Pages: 212
ISBN: 979-8733882802
Series: The Fighting Detective, Book 1
Purchase Links: Amazon | Goodreads
Read an excerpt from Kill Shot:
Chapter 1
The searing heat prickled, nipped and stung. Beads of moisture dribbled from his forehead, infiltrated clenched eyelids and lashes. Fluids in his aching body were heating up. Humidity crushed like a ton of lead. Take shallow breaths; stay still to keep the core temperature down.
Bright tropical sunlight bore through the window, combined with the ambient swelter to turn Detective Sergeant Jack Lisbon’s bedroom into a torture chamber. Remember to close the venetian blinds next time, moron. And get the air conditioner serviced. Lying in bed now unbearable, he stood, wobbled a fraction. In his semi-delirium, he determined to take a cold shower before the Good Lord claimed him.
Lisbon tottered towards the bathroom. He rubbed his eyes softly as he went, wondered how red they’d be after last night’s binge. He’d stayed more or less sober for three years with the odd gentle tumble off the wagon. Last night’s call with his ex-wife had a bigger impact on him than he could have imagined. After he’d hung up the phone on Sarah, he cracked a bottle of Bundaberg Rum, intended as a gift for a colleague. He’d demolished half of it in an under an hour and headed off into the balmy night to continue the party.
At least that’s how he remembered it.
Bathroom reached, he turned the cold tap on full blast, splashed water on his face and neck, over his chest and under the armpits. The shock of the cold water took his breath away. He repeated the process two times. He must have looked like a tired elephant dousing itself.
Thoughts again turned to Sarah.
Why wouldn’t she let me speak to Skye?
His daughter was seven now, she needed contact with her father. Jack loved and missed her achingly. He’d turned his life around full circle. From alcoholic bent cop to paragon of virtue. Kept his ugly busted nose clean and earned rapid promotion, in a foreign country if you please.
What was the point of Sarah’s bloody-minded recalcitrance? She and the kid were a million miles away from him, far from his destructive influence, safely tucked away in their council flat in Peckham, South London. What harm would there have been in chatting with his daughter, for heaven’s sake? He was at his wit’s end with the situation and had no idea how to get Sarah to see reason. Constantly contacting her on the phone or Internet could be deemed stalking if she made a complaint. The last thing he needed was trouble with the job. It took four years to settle into life in Australia, now at last he was starting to feel at home. Don’t jeopardise it, Lisbon.
He pulled aside the mould-flecked plastic shower curtain, stepped over raised tiles into the small cubicle and reached for the cold tap. Relief would be like an orgasm.
Make that a delayed orgasm.
The mobile phone on his bedside table burst into life. The ring tone was The Clash’s driving punk anthem “London Calling”. A reminder of the life he left behind, his beloved job, a copper with the world famous London Metropolitan Police. He retraced his steps to the bedroom, snatched at the mobile. Sweat beaded on his brow like condensation on a bottle. ‘Yeah, wot?’
‘Is that how a senior officer with the Queensland Police answers the phone? How long have you been in Yorkville?’ Constable Ben Wilson’s poorly disguised voice was chirpy as ever. Jack usually appreciated the cheeky geniality, this morning it merely aggravated his hangover.
‘Long enough to know it’s you on the other end, Wilson.’ Jack scratched an armpit, scrabbled in his coat jacket for nicotine lozenges. He popped one into his dry mouth and started sucking like a hungry baby. Headed back to the cool refuge of the bathroom. ‘And watch the familiar tone, sunshine.’
‘Sorry, sir.’
‘Apology accepted. Bear with me one moment, will you?’
Headache worsening, Jack sat the phone down and spat the lozenge into a tissue. He fussed about in the bathroom drawers, flung little cardboard boxes, disposable razors and condoms about to reach their use-by date out of the way until he found what he needed. He picked up the phone, cradled it between neck and chin as he tore aspirin from its foil packaging, dropped two white disks into a glass of water.
‘Go ahead, Wilson. Why the hell are you disturbing me? I’m not rostered on until this afternoon.’
A cough on the other end of the line followed by a gulping sound. ‘Just so you know, sir, you’re on loud speaker. Detective Constable Taylor’s listening.’
‘Understood. Now answer my question. What’s going on?’
‘A car’s been found abandoned.’
‘Where?’
‘Connors Road, edge of the industrial estate near the mangroves. Five clicks heading west, just after the point where it turns into a gravel track.’
‘An abandoned vehicle heading bush is no reason to get excited. Probably joy riders got sick of it and dumped the car when it ran out of fuel.’
‘Not likely. The keys were left dangling from the ignition, engine running, radio on and no one within cooee. Also, what the caller thought might be blood stains on one of the seats. Suspicious as all get out.’
Jack took a deep breath, pinched the bridge of his nose. ‘Right. Anything else?’
‘No, sir. DC Taylor and I are en route to the scene. The tip off came via the hotline.’
‘Has forensics been despatched?’
‘No.’ It was the voice of Detective Constable Claudia Taylor, sultry to match the weather. ‘We haven’t established a crime’s been committed. Could be an innocent explanation for it.’
‘Then why does it take three of us to check it out? Two’s plenty for preliminary work.’
‘I’m bringing Wilson along for the experience. He’s been stuck on desk duty for weeks and things are a bit quiet in the old town. Besides, I think he could become a good detective later in his career.’
‘Should I care?’ A short uncomfortable silence after his sarcastic remark. Make amends, Lisbon. ‘Sorry, I’m not feeling a hundred percent today. It’s great the lad wants to better himself. Most laudable.’
There’d been no baffling crimes in Yorkville for a while. The chance to investigate something unusual could be an interesting diversion. Even with the annoying Constable Wilson tagging along. ‘I’ll get there as soon as I can.’
‘Better hurry,’ said Taylor above the soft crackle of the two-way. ‘There’s a thunderstorm forecast.’
‘If a cool change comes with it, I don’t care if it’s a bloody cyclone.’ The cruel weather in the far north enervated the body like nothing Jack had ever experienced. Three years pounding the pavement as a uniformed cop in sub-tropical Brisbane was bad enough. Then he got the promotion he’d worked like a dog for in the capital: plain clothes detective. Only trade off, it was up here in the sweltering furnace of hell. The humidity was a killer, but he was gradually acclimatising. At least the fishing was good.
‘You know how to get here, sir?’ said Wilson.
‘Ever hear of GPS?’
‘Of course. See you soon.’
The ritual morning home gym work out and run would have to wait. Lifting weights and punching the bag would have been painful anyway, so the early call out was an excuse to skip it, at least until the afternoon.
He guzzled a can of icy diet cola to accelerate the effect of the aspirin. On went a lightweight cotton suit. Locked doors. In the car. Gone.
‘Nice change you joining us in the pub last night, Jack. It was a huge surprise seeing you lumber through the door half an hour from closing.’ Lisbon’s partner DI Claudia Taylor, crossed the road with a carboard tray containing two cups.
It was a surprise to Jack too. He didn’t remember meeting colleagues at the pub. Fuck. ‘Ah, yeah…’
‘Don’t worry. You didn’t do anything you’d regret.’
Thank God. Reputation intact.
‘You don’t look anywhere near as jovial as you did last night.’ She handed Jack a coffee. ‘Get this into you.’
‘Are you kidding? It’s too hot for coffee.’ He grunted and waved it away.
‘Come on. Don’t be ungrateful. It’ll put a spring back in your step.’
Jack took a sip, spat it straight out. ‘Jesus, I understand you have to sweeten service station coffee to make it drinkable, but seriously, how much effing sugar did you put in it?’ He handed her back the cup. ‘I’d be a diabetic by the time I finished that.’ The only spring caffeine induced in Jack was the desire to spark up a match and light a cigarette. The lozenges he consumed and the patches he wore under the suit helped; no tobacco for three weeks. He sucked in his guts, patted firming stomach muscles under his shirt. Don’t go back to your bad habits, son.
‘Whatever.’ She frowned as she tossed the contents of the second cup on the grassy verge, replaced the empty cup in the tray. ‘Here, you can’t refuse these.’ She handed him a pair of sky-blue surgical gloves and donned a pair herself.
‘Who called it in?’ Jack tugged on the gloves, wiped sweat from his forehead with a shirt cuff.
‘A truckie heading north to fetch a load of bananas.’ Constable Ben Wilson appeared from behind the abandoned vehicle. ‘Called the info line.’
‘Did he leave his name?’
‘Yeah. Don Hawthorne. Gave us some basic info. Got his number if you want to follow up.’
Jack nodded, scuffed black leather shoes in the dirt. He looked up. Dark cumulonimbus clouds were gathering in the east, the promised storm was building nicely. They’d have to work the scene fast. ‘Probably won’t be needing him further. Let’s have a closer look at the vehicle. You,’ he pointed at Wilson. ‘Check the immediate area for anything odd.’
‘Such as?’
‘Use your initiative, Constable. You want to be a detective, don’t you?’
Wilson trudged off in a huff.
‘He’s keen,’ said Taylor. ‘Give him a chance.’
‘Whatever. He was rude to me on the phone this morning.’
‘I’m sure he didn’t mean it.’
The statement hung in the air without comment as Jack opened the driver side door of the late model maroon Mazda 6 sedan.
The first thing to catch his eye was a dark stain on the passenger seat. ‘What do you reckon?’ he called over his shoulder. ‘Blood?’
Taylor peered inside the car. ‘Could be. Want me to get forensics down here? The whole scene looks dodgy.’
Jack shook his head. ‘Spidey senses tingling, are they Taylor? No, I’d like to know who the owner is first before we run at this like a bull at a gate. Have you called in the registration and VIN number?’
‘Not yet.’ Jack sensed a trace of annoyance in her reply, but she could suck it up. ‘I was busy getting the coffee you didn’t want.’
‘Do it now.’ Jack had learned to give commands like they were polite requests. If you stick the Australian rising inflection on any statement you can turn it into a kind of question. ‘I’ll have a shoofty through the interior.’
‘Can you pull the lever so I can find the VIN, please?’ Taylor’s tone was now brusque and businesslike.
Jack’s answer was the sound of the bonnet popping.
‘Thanks.’ She said something else Jack didn’t catch. With her head under the hood, Taylor sounded like she was underwater.
The first thing Jack examined was the dashboard, littered with receipts, dockets and assorted papers. He pressed a button to open the glove box, more papers fluttered out like falling leaves. He scanned a few but nothing grabbed his attention. It’d take hours to go through them all thoroughly; he’d leave them to the forensics team if he and Taylor decided it was worth calling them in. What else? On the floor, take-away wrappers, most from a famous fried chicken outlet, grease-stained white paper bags you get hot chips in. Maybe the mark on the seat was old tomato ketchup?
‘Got the number, Jack.’ Taylor dropped the bonnet with a thunk, walked around to the wound-down driver window and peered in over the top of a pair of designer glasses. ‘Just calling in now with the rego and VIN.’
‘It’s a wonder the officer who took the call didn’t ask the truckie for the number plate. We could have had the details before we even got here. Might have even spared us a trip.’ And I’d be lying on the couch watching classic title fights on YouTube.
‘Apparently the truck driver was already back on the road when he rang it in.’ Taylor ran fine fingers through her hair. ‘Didn’t bother to take note of the plates. Said he didn’t have time to hang around ‘cos his boss was riding his arse about deadlines. He’d seen the driver door wide open and no one inside or near the vehicle, so he stopped to check no one was sick or whatever.’
‘Haven’t there been attacks on women in this area lately?’ Jack asked.
‘You’re right. Maybe the truckie knew that too and it spurred him to do his civic duty.’
‘Maybe.’ Jack looked up from the debris. ‘Or he was seeing if there was anything in the car worth stealing.’
‘You’re a bloody cynical bastard.’
‘I grew up in South London, luv. Shaped my outlook somewhat.’
‘I’ve got a little more faith in people. According to the call transcript, the guy discovered keys hanging from the ignition and the engine idling. Had a quick look about, saw nothing else suspicious and thought the driver had headed into the scrub to ah…, how can I put it, evacuate their bowels.’
A laugh escaped Jack’s lips. ‘For God’s sake, Claudia. Can’t you just say take a shit?’
Taylor mumbled something.
‘Pardon?’ A receipt lay among the junk food debris. Jack held it up and squinted to read the faded ink. A generic cash purchase, unknown vendor, not paid for by credit or debit card. Not helpful.
‘I said no need to be crude.’
‘You think that’s crude? You should hear me when I lose money on a boxing match. I lose my fucking rag.’ Jack wrinkled his nose as he came up for air. The floor of the car gave off a mouldy smell to match the rubbish.
She ignored his remark. ‘Anyway, once the truckie was on the road again, he had second thoughts, wondered if the stain on the seat might be blood, and called it in. Hang on, I’m about to get the name of the vehicle’s owner.’
‘I’ll keep digging in this mess.’ Jack knew from long experience nine times out of ten a car left on the side of the road wasn’t a big issue. Usually it’s been nicked and the thieves scarper when the petrol runs out or they get bored. A sticker gets slapped on the windscreen and the owners are notified to come and pick it up. After a specified amount of time if no one collects, it’s towed away, sold at auction if it’s in good condition or crushed at the wreckers if it’s unroadworthy. Something felt wrong about this car, though.
Jack grabbed the lever under the driver seat and tugged, slid the seat back and peered underneath. More rubbish. A rummage in the front and rear passenger seats and floor spaces rendered nothing but more detritus. He stepped out of the car, popped the boot. Inside, a broad blobby stain on a piece of old carpet that looked like a Rorschach test. Could be blood.
‘Got a name.’ Taylor ended the call. ‘Terrence Bartlett.’
‘Say again?’ Jack’s inner voice told him he’d heard that name before.
‘Bartlett. Terrence Brian Bartlett.’
Yes. Jack did remember the name.
***
Excerpt from Kill Shot by Blair Denholm. Copyright 2020 by Blair Denholm. Reproduced with permission from Blair Denholm. All rights reserved.
Guest Post
Five things you didn’t know about Jack Lisbon
1. Detective Jack Lisbon was a proficient middle-weight boxer as a teenager, advised by a number of top trainers to turn professional. After he suffered an amateur championship defeat to a much bigger and heavier opponent at the age of 17, Jack decided to hang up his gloves and join the police force, motivated by a desire to clamp down on corruption. He found out there was a lot of money wagered on the fight he lost and people benefitted financially at his expense. Jack bears a scar under his bottom lip from this bout. Jack entered the London Metropolitan Police force with a fierce determination to seek out and punish wrongdoers, especially those preying on weaker victims. Unfortunately, while working as a Detective Inspector in the Met, Jack succumbed to temptation himself, a decision that led him down a dark path.
2. Jack is allergic to onions. As a child he had an anaphylactic response to a meal at a barbecue which nearly killed him. He always has to mention his allergy when eating at restaurants etc. He hates this affliction because he loves the smell of onions cooking.
3. He took a course in Portuguese at night school but gave up when he found it too hard. Jack’s father was a Portuguese mechanic who migrated to Great Britain in the late 1960s (Jack’s surname is the Anglicized version of Lisboa, Portugal’s capital). He regrets this because he wants to understand more about his heritage and reconnect with his roots. His mother only spoke English at home and his father had little input in raising his son. Jack has visited the Algarve region in southern Portugal on summer holidays and has made a promise to himself to keep trying to learn the language.
4. Jack met his ex-wife, Sarah, in Jamaica during a cricket fans’ tour of the West Indies. In his late 20s at the time, he’d never had a serious girlfriend before and fell head over heels for the exotic Jamaican beauty. Sadly, the romance died after Sarah gave birth to their daughter, Skye.
5. He suffers a mild form of dyslexia. He’s embarrassed by it but has figured out ways to cover up. For this reason he often tasks his partner, Claudia Taylor, to do the research required to track down criminals while he conveniently finds something else to do.
Five things you didn’t know about Claudia Taylor
1. Claudia’s parents met at a Bachelor and Spinster Ball (known colloquially as a B&S Ball). These are traditional dances held in rural areas of Australia, infamous for wild drinking and all-night partying. She doesn’t like to talk about it because she was conceived the night her mother and father met.
2. Claudia has a Pastry Chef Diploma. Claudia worked in a number of restaurants in Northern Queensland before realizing she wanted to joint the police force. Her cousin Robyn, a detective in Brisbane, convinced Claudia to abandon her culinary career and become a cop. Claudia still practices her cooking skills at home, surprising her friends with cakes and pies.
3. Claudia has an abject fear of heights. One of her proudest achievements was abseiling down a cliff face near the Mossman Gorge. She screamed from start to finish, but demanded a second go, which she accomplished in silence.
4. She has a brother, Ian, who is a police officer in Auckland, New Zealand. Ian moved there after his wife got a job as an adviser to the Kiwi prime minister and he was able to join the local force. Unlike Claudia, Ian has a cushy desk job in administration and never faces danger.
5. Claudia was married for two years to a man named Rafael Taylor. One day, without warning, Raf announced he was gay and moved in with another man, Derrick. Claudia was grief-stricken for a week before joining an online dating site and relishing the single life. She’s not sure if she’s attracted to Jack Lisbon or not.
Author Bio:

BLAIR DENHOLM is an Australian fiction writer and translator who has lived and worked in New York, Moscow, Munich, Abu Dhabi and Australia. He once voted in a foreign election despite having no eligibility to do so, was almost lost at sea on a Russian fishing boat, and was detained by machine-gun toting soldiers in the Middle East. Denholm’s new series, The Fighting Detective, starring ex-boxer Jack Lisbon, is now up and flying with the first two installments, Kill Shot and Shot Clock. The series is set in tropical North Queensland, Australia, and features heavy doses of noir crime with a vigilante justice twist. Expect at least six novels with Detective Lisbon, his fellow cops and a host of intriguing characters.
Denholm’s debut crime novel, SOLD, is the first in a thrilling noir trilogy, featuring the detestable yet lovable one-man wrecking ball Gary Braswell. The second exciting book in the series, SOLD to the Devil, was released in June 2020. The final episode, Sold Dirt Cheap, will see the light of day in 2022.
Finally, Denholm is working on a crime series set in Moscow just prior to the collapse of the Soviet Union. Captain Viktor Voloshin is a hard-boiled investigator who has to fight the establishment in order for justice to be served, in his own special way. The first in this series, Revolution Day, will be published in October 2021.
Blair currently resides in Hobart, Tasmania with his partner, Sandra, and two crazy canines, Max and Bruno.
Catch Up With Blair Denholm:
BlairDenholm.com
Goodreads
BookBub – @BlairDenholm
Instagram – @blairdenholm
Twitter – @blairdenholm
Facebook – @blairdenholm
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Giveaway:
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The Begonia Killer
by Jeff Bond
June 1-30, 2021 Tour
Synopsis:

You know Molly McGill from her death-defying escapes in Anarchy of the Mice, book one of the Third Chance Enterprises series. Now ride along for her first standalone caper, The Begonia Killer.
When Martha Dodson hires McGill Investigators to look into an odd neighbor, Molly feels optimistic about the case — right up until Martha reveals her theory that Kent Kirkland, the neighbor, is holding two boys hostage in his papered-over upstairs bedroom.
Martha’s husband thinks she needs a hobby. Detective Art Judd, who Molly visits on her client’s behalf, sees no evidence worthy of devoting police resources.
But Molly feels a kinship with the Yancy Park housewife and bone-deep concern for the missing boys.
She forges ahead with the investigation, navigating her own headstrong kids, an unlikely romance with Detective Judd, and a suspect in Kent Kirkland every bit as terrifying as the supervillains she’s battled before alongside Quaid Rafferty and Durwood Oak Jones.
The Begonia Killer is not your grandparents’ cozy mystery.
Book Details:
Genre: Mystery — Cozy/Romance
Published by: Jeff Bond Books
Publication Date: June 1, 2021
Number of Pages: 195
ISBN: 1734622520 (ISBN-13 : 978-1734622522)
Series: Third Chance Enterprises, #3
Purchase Links: Amazon | Goodreads
Read an excerpt:
THE BEGONIA KILLER
By Jeff Bond
Chapter One
After twenty minutes on Martha Dodson’s couch, listening to her suspicions about the neighbor, I respected the woman. She was no idle snoop. She’d noticed his compulsive begonia care out the window while making lavender sachets from burlap scraps. She hadn’t even been aware of the papered-over bedroom above his garage until her postal carrier had commented.
I asked, “And the day he removed the begonias, how did you happen to see that?”
Martha set tea before me on a coaster, twisting the cup so its handle faced me. “Ziggy and I were out for a walk—he’d just done his business. I stood up to knot the bag…”
Her kindly face curdled, and I thought she might be remembering the product of Ziggy’s “business” until she finished, “Then we saw him start hacking, and scowling, and thrusting those clippers at his flowers.”
Her eyes, a pleasing hazel shade, darkened at the memory.
She added, “At his own flowers.”
I shifted my skirt, giving her a moment. “The begonias were in a mailbox planter?”
“Right by the street, yes. The whole incident happened just a few feet from passing cars, from the sidewalk where parents push babies in strollers.”
“Did he dispose of the mess afterward?”
“Immediately,” Martha said. “He looked at his clippers for a second—the blades were streaked with green from all those leaves and stems he’d destroyed—then he sort of recovered. He picked everything up and placed it in the yard-waste bin. Every last petal.”
“He sounds meticulous.”
“Extremely.”
I jotted Cleaned up begonia mess in my notebook.
Maybe because of my psychology background—I’m twelve credit-hours shy of a PhD—I like to start these introductory interviews by allowing clients time to just talk, open-ended. I want to know what they feel is important. Often this tells as much about them as it does about whatever they’re asking me to/ investigate.
Martha Dodson had talked about children first. Hers were in college. Did I have little ones? I’d waived my usual practice of withholding personal information and said yes, six and fourteen. She’d clapped and rubbed her hands. Wonderful! Where did they go to school?
Next we’d talked crafting. Martha liked to knit and make felt flowers for centerpieces, for vase arrangements, even to decorate shoes—that type of crafter whose creativity spills beyond the available mediums and fills a house, infusing every shelf and surface.
Only with this groundwork lain had she told me about the case itself, describing the various oddities of her neighbor three doors down, Kent Kirkland.
I was still waiting to hear the crux of her problem, the reason she wanted to hire McGill Investigators. (Full disclosure—although the name is plural, there’s only one investigator: Molly McGill. Me.)
“That sounds like an intense, visceral moment,” I said, squaring myself to Martha on the couch. “So has he done something to your flowers? Are you engaged in a dispute with him?”
Martha shook her head. Then, with perfect composure, she said, “I think he’s keeping a boy in the bedroom over his garage.”
I felt like somebody had blasted jets of freezing air into both my ears. The pen I’d been taking notes with tumbled from my hand to the carpet.
“Wait, keeping a boy?” I said.
“Yes.”
“Against his will? As in, kidnapping?”
Martha nodded.
I was having trouble reconciling this woman in front of me—cardigan sweater, hair in a layered crop—with the accusation she’d just uttered. We were sitting in a nice New Jersey neighborhood. Nicer than mine. We were drinking tea.
She said, “There might be two.”
Now my notebook dropped to the carpet.
“Two?” I said. “You think this man is holding two boys hostage?”
“I don’t know for sure,” she said. “If I knew for sure, I’d be over there breaking down the door myself. But I suspect it.”
She explained that a ten-year-old boy from the next town over had gone missing six months ago. The parents had been quoted as saying they “lost track of” their son. They hadn’t reported his disappearance until the evening after they’d last seen him.
“The mother told reporters he wanted a scooter for Christmas, one of those cute kick scooters.” Martha sniffled at the memory. “Guess what I saw the UPS driver drop off on Kent Kirkland’s porch two weeks ago?”
“A scooter,” I said.
Her eyes flashed. “A very large box from a company that makes scooters.”
Having retrieved my notebook, I jotted, box delivery (scooter?) . We talked a bit about this scooter company—which also made bikes, dehumidifiers, and air fryers.
Scooter or not, there remained about a million dots to be connected from this boy’s case, which I vaguely remembered from news reports, to Kent Kirkland.
I left the dots aside for now. “How do you get to two boys?”
“There was another missing boy, about the same age. During the summer.” Martha’s mouth moved in place like she was counting up how many jars of tomatoes she’d canned yesterday. “He lived close, too. That case was complicated because the parents had just divorced, and the dad—who was a native Venezuelan—had just moved back. People suspected him of taking the boy with him.”
“To Venezuela?”
“Yes. Apparently the State Department couldn’t get any answers.”
I nodded, not because I accepted all that she was telling me, but because there was no other polite response available.
Neither of us spoke. Our eyes drifted together down the street to Kent Kirkland’s two-story saltbox home. Pale yellow vinyl siding. Tall privacy fence. Three separate posted notices to “Please pick up after your pet.” Neighborhood Watch sign at the corner.
Finally, I said, “Look, Mrs. Dodson. Martha. Most of the cases we handle at McGill Investigators are domestic in nature. Straying husbands. Teenagers mixed up with the wrong crowd. I’m a mother myself, and I’ve been a wife. Twice.” I softened this disclosure with a smirk. “I generally take cases where my own life experiences can be brought to bear.”
“But that’s why I chose you.” Martha worried her hands in her lap. “Your website says, ‘Every case will be treated with dignity and discretion.’ That’s all I ask.”
I looked into her eyes and said, “Okay.”
She seemed to sense my reluctance and started, rushing, “Those bedroom windows are papered-over twenty-four hours a day! And the begonias, you didn’t see him destroy those begonias! I saw how he severed their stalks and shredded their root systems. You don’t do that to flowers you’ve tended for an entire season. Not if you’re a person of sound mind.”
“Gardening is more challenging for some than others. I love rhododendrons, but I can’t keep them alive. I over-water, I under-water. I plant them in the wrong spot.”
“Have you ever massacred them in a fit of rage?”
“No.” I smiled. “But I’ve wanted to.”
Martha couldn’t help returning the smile. But her eyes stayed on Kent Kirkland’s house.
I said, “Some men aren’t blessed with impulse control. Maybe he was a lousy gardener, he’d tried fertilizing and everything else, and the plants just refused to—”
“But he wasn’t a lousy gardener. He was excellent. I think he grew those begonias from seed. He wanted them to be perennials, is my theory, but we’re in zone seven—they’re annuals here. He couldn’t accept them dying off.”
Again, I was at a loss. I liked Martha Dodson. She had seemed like a reasonable person, right up until she’d started talking about kidnappings and Venezuela.
She scooted closer on the couch. “You didn’t see the rage, Miss McGill. I saw it. I saw him that day. He walked out of the garage with hand pruners, but he took one look at those begonias—leaves browning at the edges, stems tangled like green worms—and flipped out. He turned right around, put away the hand pruners and came back with clippers.”
She mimed viciously snapping a pair of clippers closed.
“Rage is one thing,” I said. “Kidnapping is another.”
“Of course,” Martha said. “That’s why I’d like to hire you: to figure out what he might be capable of.”
Her pupils seemed to pulse in place.
“I want to help you out, honestly.” I took her hand. “I do.”
“Is it money? I—I could pay you more. A little.”
Saying this, she seemed to linger on my jacket. I’d recently swapped out my boiled wool standby for this slightly flashier one, red leather with zippers. I had no great ambitions about an image upgrade; it’d just felt like time for a change.
“The fee we discussed will be sufficient,” I said. Martha had mentioned she was paying out of her own pocket, not from her and her husband’s joint account. “My concern is more about the substance of the case. It feels a bit outside my expertise.”
She clasped her hands at her waist. “Is it a question of danger? Do you not handle dangerous jobs?”
I balked. In fact, I’d done extremely dangerous jobs before, but only as part of Third Chance Enterprises, the freelance small-force, private arms team led by Quaid Rafferty and Durwood Oak Jones. We’d stopped an art heist in Italy. We’d saved the world from anarchist-hackers. Sometimes I can hardly believe our missions happened. They feel like half dream, half blockbuster movies starring me. Every couple years, just about the time I start thinking they really might be dreams, Quaid shows up again on my front porch.
“I don’t mind facing danger on a client’s behalf,” I said. “But McGill Investigators isn’t meant to replace the proper authorities. If you believe Mr. Kirkland is involved in these disappearances, your first stop should be the police.”
“Mm.” Martha’s face wilted, reminding me of those unlucky begonias. “Actually, it was.”
“You spoke with the police?”
She nodded. “Yes. Well, more of a front desk person. I told him exactly what I’ve been telling you today.”
“How did he respond?”
There was a floor loom beside the couch. Martha threaded her fingers through its empty spindles, seeming to need its feel.
“He said the department would ‘give the tip its due attention.’ Then on my way out, he asked if I’d ever read anything by J.D. Robb.”
“The mystery writer?” I asked.
“Right. He told me J.D. Robb was really Nora Roberts, the romance novelist. He said I should try them. He had a hunch I’d like them.”
My teeth were grinding.
I said, “Some men are idiots.”
Martha’s face eased gratefully. “Oh, my husband thinks the same. I’m a Yancy Park housewife with too much time on her hands. He says Kirkland’s just an odd duck. When I told him about the begonias, he got this confused expression and said, ‘What’s a perennial?’”
I could relate. My first husband had once handed me baking soda when I asked for cornstarch to thicken up an Italian beef sauce. The dish came out tasting like soap. After I traced back the mistake, he grumbled, “Ah, relax. They’re both white powders.”
As much as I probably should have, I couldn’t refuse Martha. Not after this conversation.
“I suppose I can do some poking around,” I said. “See if he, I don’t know, buys suspicious items at the grocery store. Or puts something in his garbage that might have come from a child.”
Martha lurched forward and clutched my hands like I’d just solved the case of Jack the Ripper.
“That would be amazing!” she cried. “Thank you so much! I know this seems far-fetched, but my instincts tell me something’s wrong at that house. If I didn’t follow through, if it turned out I was right and those little boys…”
She didn’t finish. I was glad.
CHAPTER TWO
The state of New Jersey offers private investigator licenses, but I’ve never gotten one. It doesn’t entitle you to much, and you have to put up two hundred and fifty dollars, plus a three-thousand-dollar “surety bond.” Besides the money, you’re supposed to have served five years as an investigator or police officer. Which I haven’t.
For all these reasons, my first stop after taking any case involving possible crimes is the local police station. Sometimes the police are impressed enough by what I tell them to assign their own personnel, usually some rookie detective or beat cop.
Other times, not.
“Begonias, huh?” said Detective Art Judd, lacing his fingers behind a head of bushy brown hair. “The ones with the thick, fluffy flower heads?”
“You’re thinking of chrysanthemums,” I said.
“Nnnno, I feel like it was begonias.”
“Not begonias. Maybe peonies?”
“Don’t think so,” he said. “I’m pretty sure the gal in the garden center said begonias.”
I was annoyed—one, at his stubborn ignorance of flowers, and two, that he’d segued so breezily off the subject of Kent Kirkland.
“The only other possibility with a thick, fluffy flower-head would be roses,” I said. “But if you don’t know what a rose looks like, you’re in trouble.”
Art Judd’s lips curled up below a mustache. “You could be right.”
I waited for him to return to Kirkland, to stand and pace about his sparsely decorated office, to offer some comment on the bizarre behavior I’d been describing for the last twenty minutes.
But he just looked at me.
Oh, I didn’t mind terribly being looked at. He was handsome enough in a best-bowler-on-his-Tuesday-night-league-team way. Broad sloping shoulders, large hand gestures that made the physical distance between our chairs feel shorter than it was.
I’d come for Martha Dodson, though.
“Leaving aside what is or isn’t a begonia,” I said, “how would you feel about checking into Kent Kirkland? Maybe sending an officer over to his house.”
He finally gave up his stare, kicking back from his metal desk with a sigh. “The department barely has enough black-and-whites to service the parking meters downtown.”
“I’m talking about missing boys. Not parking meters.”
“Point taken,” he said. “Why didn’t Mrs. Dodson come herself with this information?”
“She did. Your front desk person brushed her off.”
The detective looked past me into the precinct lobby. “They see a lot of nut jobs. You can’t go calling in the calvary every time someone comes in saying their neighbor hung the wrong curtains.”
“They aren’t curtains,” I said. “The windows are papered-over. Completely opaque.”
He rubbed his jaw. I thought he might be struggling to keep a straight face.
I continued with conviction I wasn’t sure I actually felt, “I saw it. It isn’t normal how he obscures that window. Martha thinks it’s weird, and it is weird.”
“Weird,” he said flatly. “Two votes for weird.”
“You put those Neighborhood Watch signs up, right?” In response to his slouch, I stood. “You encourage citizens to report anything out of the ordinary. When a citizen does so, the proper response would seem to be gratitude—or, at the very least, respect.”
This, either the words or my standing up, finally pierced the detective’s blithe manner.
“Okay, I give. You win.” His barrel chest rose and fell in a concessionary breath. “It’s true, with police work you never know which detail matters until it matters. Please apologize to Mrs. Dodson on behalf of the department. And I’ll be sure to have a word with Jimmie.”
He gestured to the lobby. “Kid’s been getting too big for his britches for a while now.”
I thanked him, and he ducked his head in return.
Then he said, “I suppose she thinks one of those boys being held is Calvin Witt.”
The boy whose parents had lost track of him.
“Yes,” I said. “The timing does fit.”
I considered mentioning the scooter, Calvin’s Christmas wish, but decided not to. We didn’t need to go down the rabbit hole of box shapes and labeling, and whether grown men rode scooters.
Detective Judd looked ponderously at the ceiling. I didn’t expect him to divulge information about a live case, but I thought if he knew something exculpatory—that Calvin Witt had been spotted in Florida, say—he might pass it along and save me some trouble.
“I hate to say this, but I honestly doubt young Calvin is among the living.” Art Judd smeared a hand through his mustache. “The father gambled online. Mom wanted out of the marriage, bad. She told anybody in her old sorority who’d pick up her call. Both of them methheads.”
“That’s disheartening,” I said. “So you think the parents…”
He nodded, reluctance heavy on his brow. “It’ll be a park, under some tree. Downstream on the banks of the Millstone. Pray to God I’m wrong.”
I matched his glum expression, both a genuine reaction and a professional tactic to encourage more disclosure. “Does the department have staff psychologists, people who study these dysfunctional family dynamics? Who’re qualified to unpack the facts?”
“Eh.” Art Judd flung out his arm. “You do this job long enough, you start recognizing patterns.”
This was a common reaction to the field of psychology: that it was just everyday observation masquerading as science, than anyone with a little horse sense could practice it.
I said, “Antipathy between spouses doesn’t predict antipathy toward the offspring, generally.”
The detective’s face glazed over like I’d just recited Einstein’s Theory of Relativity.
“Perhaps I could conduct an interview,” I said. “As a private citizen, just to hear more background on Calvin?”
He chuckled out of his stupor. “Good try. You’re free to call as you like, but I don’t think the Witts are real receptive to interview requests now—with the exception of the paying sort.”
I crossed my legs, causing my skirt to shift higher up my knee. “Is there any further background you’d be able to share? You personally?”
His gaze did tick down, and he seemed to lose his first word under his tongue.
“Urb, I—I guess it’s all more or less leaked in the press anyway,” he said, and proceeded to give me the story—as the police understood it—of Calvin Witt.
Calvin had a lot to overcome. His parents, besides their drug and money problems, were morbidly obese, and had passed this along to Calvin. A social worker’s report found inadequate supplies of fresh fruit and lean proteins at the home. They’d basically raised him on McDonald’s and ice cream sandwiches. Calvin had learning and attention disorders. He started fights in school. His parents couldn’t account for huge swaths of his day, of his week even.
“They let him run like the junkyard dog,” Detective Judd said. “All we know about the night he disappeared, we got off the kid’s bus pass. Thankfully it’d been registered. We know he boarded a bus downtown, late.”
I opened my mouth to ask a follow-up.
“Before you get ideas,” he said, “no, the route didn’t pass anywhere near Martha Dodson’s neighborhood. We always crosscheck Yancy Park in these cases. That’s where the Ferguson place is.”
“Ferguson?”
“Yeah. Big rickety house, half falling over? Looks like the city dump. You shoulda passed it on the way.”
I shook my head.
“Well,” he continued, “that’s where the Fergusons live, crusty old married couple. Them and whatever riffraff needs a room. Plenty of crime there. Squalor. The neighbors keep trying to get it condemned.”
I definitely didn’t remember driving past a place like that. “Were there any witnesses who saw Calvin on the bus? Saw who he was with?”
“Nobody who’d talk.”
“Camera footage?”
The detective palmed his meaty elbow. “Have you seen the city’s transportation budget?”
I incorporated the new information, thinking about Kent Kirkland. He was single according to Martha. Mid-thirties. He worked from home—something to do with programming or web design, she thought.
Did he have a car? I’d noticed a two-car garage, but I hadn’t seen inside.
Did he go out socially? To bars? Or trivia nights?
Could he have ridden the bus downtown?
“Martha mentioned another case,” I said. “Last summer, I think it was. Another boy in the same vicinity?”
At first, Detective Judd only squinted.
I prompted, “There was some connection to Venezuela. The father was born there, maybe he—”
“Right, that Ramos kid!” Judd smacked his forehead. “How could I forget? Talk about red tape, my gosh. So he’s boy number two, is that it?”
I couldn’t very well answer “yes” to a question posed like that.
I simply repeated, “Martha mentioned the case.”
“Yep. That was a doozy.” As he remembered, he walked to a file cabinet and pulled open a drawer. “Real exercise in frustration.”
“There was trouble with the Venezuelan government?”
“And how.” He swelled his eyes, thumbing through manila folders, finally lifting out an overstuffed one. “I must’ve filled out fifty forms myself, no joke.”
He tossed the file on his desk. Documents slumped from the folder out across his computer keyboard.
I asked, “You never located the boy?”
“Not definitively. We had a witness put him with the paternal grandparents, the day before Dad put the whole crew on a plane.”
“Did you interview him?”
“Who?”
“The father.”
Detective Judd burbled his lips. “Nope. The Venezuelans stonewalled us—never could get him, not even on the horn. He told some website he had no clue where the kid was, but come on. They took him.”
I’d been following along with his account, understanding the logic and sequence—until this. I thought about Zach, my fourteen-year-old, and what lengths I would’ve gone to if he’d disappeared with his father.
“So you…stopped?” I said.
He stiffened. “We hit a brick wall, like I said.”
“Yes, but a boy had been taken from his mother. What did she say? Was she satisfied with the investigation?”
“No.” Judd’s mouth tightened under his mustache. His tone turned challenging. “Nobody’s satisfied when they don’t like the outcome.”
I tugged my skirt lower, covering my knee.
He continued, “I get fifty-some cases across my desk every week, Miss McGill. I don’t have the luxury of devoting my whole day to chasing crackpot theories just because somebody looks angry snipping their flowers.”
“Of course,” I said. “Which makes me the crackpot.”
He closed his eyes, as though summoning patience. “You seem like a nice lady. And look, I admit I’m a Neanderthal when it comes to matters—”
“‘Nice lady’ puts you dangerously close to pre-Neanderthal territory.”
He smiled. In the pause, two buttons began blinking on his phone.
“Pleasant as it’s been getting acquainted with you,” he said, “I can’t commit resources to this begonia guy. Just can’t. If you can pursue it without stepping over any legal boundaries, more power to you.”
I felt heat rising up my neck. I gathered my purse.
“I will pursue it. Two little boys’ welfare is on the line. Somebody needs to.”
He spread his arms wide, good-naturedly, stretching the collar of his shirt. “Hey, who better than you?”
The contents of the folder labeled Ramos were still strewn over his keyboard. “I don’t suppose I could borrow this file…”
“Official police documents?”
“Just for twenty minutes. Ten—I could flip through in the lobby, jot a few notes.”
He’d walked around his desk to show me out, and now he stopped, hands on hips, peering down at the file. The top paper had letterhead from the Venezuelan consulate.
I stepped closer to look with him, shoulder-to-shoulder. Our shoes bumped.
“Or even just this letter,” I said. “So I have the case number and contact information for the consulate. Surely there’s no harm in that?”
Detective Judd didn’t move his shoe. He smelled like bagels and coffee.
He placed his fingertip on the letter and pushed it my way.
“I can live with that.”
“Thanks,” I said, grinning, snatching the paper before he could reconsider.
CHAPTER THREE
I drove home through Yancy Park, thinking to get a second look at Kent Kirkland’s property. As I pulled into the subdivision, I noticed a dilapidated house up the hill, off to the west. It rose three stories and had bare-wood sides. Ragged blankets flapped over its attic windows.
The Ferguson place.
Somehow I’d missed it driving in from the other direction. Art Judd had been right: the place was an eyesore. Gutters dangled off the roof like spaghetti off a toddler’s abandoned plate. A refrigerator and TV were strewn about the dirt yard, both spilling their electronic guts.
I made a mental note to ask Martha Dodson about the property. I found it curious she suspected Kirkland instead of whoever lived in this rats’ den. Art Judd had mentioned crosschecking Yancy Park. Maybe the police had already been out and investigated to Martha’s satisfaction.
I kept driving to Martha and Kent Kirkland’s street. I slowed at the latter’s yard, peering over a rectangular yew hedge to a house that was the polar opposite of the Ferguson place. The paint job was immaculate. Gutters were not only fully affixed, but contained not a single leaf or twig. Trash bins were pulled around the side into a nook, out of sight.
***
Excerpt from The Begonia Killer by Jeff Bond. Copyright 2021 by Jeff Bond. Reproduced with permission from Jeff Bond. All rights reserved.
Author Bio:

Jeff Bond is an American author of popular fiction. A Kansas native and Yale graduate, he now lives in Michigan with his wife and two daughters. The Pinebox Vendetta received the gold medal in the 2020 Independent Publisher Book Awards, and the first two entries in the Third Chance Enterprises series — Anarchy of the Mice, Dear Durwood — were named to Kirkus Reviews’ Best 100 Indie Books of 2020.
Q&A with Jeff Bond
What was the inspiration for this book?
Molly McGill is one of three co-protagonists introduced in Anarchy of the Mice, book one of the Third Chance Enterprises series. For the second, third, and fourth books, I wanted to delve deeper into each character. Durwood Oak Jones came first with Dear Durwood, and now it’s Molly’s turn with The Begonia Killer. I set out to craft a story that was unique to her, and best portrayed her values and personality.
What has been the biggest challenge in your writing career?
The question of what to write has always been central to my journey as an author. I enjoy writing in many modes – action, humor, relationships – and deciding which to focus on for upcoming projects has always kept me up at night.
In the end, I’ve decided not to decide, writing broadly and dipping into multiple genres. The Begonia Killer is my first cozy mystery.
What do you absolutely need while writing?
I won’t say “inspiration,” because that sounds like I need gorgeous cliff bluffs or views of the Golden Gate Bridge. (Which I actually did have for a time, writing in the Bay Area.) But I do need to feel optimistic about whatever story I’m telling, to believe that the work has unique qualities and pushes me into new territory as a writer.
Also, coffee.
Do you adhere to a strict routine when writing or write when the ideas are flowing?
I have eleven and nine-year-old daughters who keep me extremely busy, so my schedule has to be strict: when they’re at school or gymnastics practice, I’m writing.
Who is your favorite character from your book and why?
Many people will say Eunice, Molly’s cantankerous grandmother, but I’ll stick with Molly. Her resilience and fundamental concern for others is what grounds both The Begonia Killer and, before it, Anarchy of the Mice, a Kirkus Reviews Best 100 Indie Book of 2020.
Tell us why we should read your book.
The Begonia Killer offers readers much of what they expect from the cozy mystery genre – neighborhood intrigues, quirky characters, etc. – but with a fresh plot and urgency more like a thriller. Heroes and villains alike are portrayed three-dimensionally; I’ve had early readers rooting for characters I never expected to attract sympathy, which I take for a good sign.
Give us an interesting fun fact or a few about your book?
A handful of Molly’s domestic challenges are drawn from my own experience. Like Molly, I have a litterbox-challenged cat with a history of peeing on stuffed animals. When fourteen-year-old Zach yells at her for putting two left socks together, that’s an echo of me from middle school – not appreciating my own mother, and imagining I knew a lot more about the world than I actually did.
Do you have anything specific that you want to say to your readers?
If you’re not usually a reader of cozy mysteries, that’s okay – I’m not usually a writer of them! As discussed above, I write broadly so if you’re looking for a different sort of story, please check out my other titles.
Tell us a little about yourself and your background?
I grew up outside Kansas City, then headed east to study at Yale. I told my friends there I wanted to write a novel. I’d grown up racing through all the Clive Cussler in my grade-school library, and college was introducing me to War and Peace and The Corrections, characters so real I felt the author – from centuries ago, thousands of miles away – plucking thoughts straight from my own head.
These denser books dazzled me, but I missed the rush of the thrillers I’d read as a boy. Could a story do both? I wanted to give it a shot.
I took a regular job out of school and began writing novels on the side. I finished a too-long manuscript about classmates entering the workforce. A basketball story. An adventure of mismatched heroes rescuing the world from anarchy. They weren’t good yet, but each was better than what’d come before.
Meanwhile, life rolled on. I held day jobs as a consultant, business analyst, teacher, and programmer. I lived on both coasts and ended up in the middle. I wrecked an ankle playing too much basketball. I shepherded two daughters into elementary school – a gig that’s made me a soccer coach, gymnastics parent, and winder of ponytails.
Through it all, I wrote. It’s taken a few detours, but I believe I’ve finally arrived at the books I imagined writing in school – stories that balance propulsive plots with characters you’ll care about.
What’s next that we can look forward to?
After writing mostly thrillers the last few years, I’ve begun branching into romance categories, and recently joined the Romance Writers of America. The next two books in my queue have an even more pronounced emphasis on the genre.
At the same time, I continue to expand the Third Chance Enterprises universe. Book four, which is previewed at the end of Begonia, is called Astroplane and features Quaid Rafferty, the series’ final co-protagonist, who’s not thrilled about having to wait so long for his standalone.
You can find more – including short stories and original artwork – about him, Molly, and Durwood at www.thirdchancestories.com.
Catch Up With Jeff Bond:
ThirdChanceStories.com
Goodreads
BookBub – @jeff_bond
Instagram – @jeffabond
Twitter – @jeffABond
Facebook – @jeffabondbooks
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