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The Wayward Assassin by Susan Ouellette | #Showcase #Interview #Giveaway

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The Wayward Assassin

by Susan Ouellette

March 1-31, 2022 Virtual Book Tour

Synopsis:

The Wayward Assassin by Susan Ouellette

Revenge knows no deadline.

Although told to stand down now that the Chechen rebel who killed her fiancé is dead, CIA analyst Maggie Jenkins believes otherwise and goes rogue to track down the assassin. Soon it becomes clear that failure to find Zara will have repercussions far beyond the personal, as Maggie uncovers plans for a horrific attack on innocent Americans. Zara is the new face of terrorism–someone who doesn’t fit the profile, who can slip undetected from attack to attack, and who’s intent on pursuing a personal vendetta at any cost.

Chasing Zara from Russia to the war-torn streets of Chechnya, to London, and finally, to the suburbs of Washington, D. C., Maggie risks her life to stop a deadly plot.

Praise for The Wayward Assassin:

“Ouellette, herself a former intelligence analyst for the CIA, imbues the exciting action with authenticity. Readers will want to see more of the wily Maggie . . .”
Publishers Weekly

“Every once in a decade you read a book like The Wayward Spy, which is thrilling, addictive, and sends you reading more thrillers, but you’ll go back to this stunning book by Susan Ouellette and reread this tour de force.”
The Strand Magazine, a Top 12 Book of the Year

Book Details:

Genre: Thriller
Published by: CamCat Books
Publication Date: March 15, 2022
Number of Pages: 416
ISBN: 0744304784 (ISBN13: 9780744304787)
Series: The Wayward Series, Book 2 || Each is a Stand Alone Book
Purchase Links: Amazon | Barnes & Noble | Goodreads | IndieBound.Org | CamCat Books

Read an excerpt:

CHAPTER ONE

CIA Headquarters, August 16, 2004

Maggie Jenkins strode across the parking lot to the sidewalk that led her past the “Bubble,” the CIA’s white, dome-shaped auditorium. Just ahead, she paused at the bronze statue of Nathan Hale, the first American to be executed for spying for his country. A half dozen quarters lay scattered at his feet, left there by superstitious CIA employees hoping to garner good luck before deploying overseas. She fished around in her purse for a quarter, which she placed carefully atop Hale’s left shoe.

In just a few minutes, Maggie would learn whether her six-month deployment to the US embassy in Moscow had been approved. Even though Warner Thompson, the CIA’s deputy director for operations, had advocated on her behalf, there were several others, including an Agency psychiatrist and a team of polygraphers who were not convinced that she should be stationed overseas. She’s not ready yet, the shrink had opined, as if she were a piece of fruit not quite ripe enough for picking.

“Wish me luck,” she said to the statue as she turned for the entrance ahead. The CIA’s headquarters comprised two main buildings, both seven stories high, which were linked together by bright hallways with large windows overlooking a grassy courtyard. Maggie worked in the original headquarters building (OHB), which had been built some forty years earlier during the height of the Cold War. From the outside, OHB was a concrete monstrosity with no aesthetically redeeming value, at least in Maggie’s opinion. It reminded her of Soviet architecture—heavy on the concrete, light on the beauty.

And other than the expansive marbled foyer and the posh seventh-floor executive offices, OHB’s interior also was nothing to write home about. Every floor between the first and the seventh looked exactly the same—drab, hushed, windowless hallways lined with vault doors. Behind those heavily fortified doors sat rows of cubicles, a few conference rooms, and cramped offices here and there for mid-level managers.

Maggie pulled open the heavy glass entry door and ducked into a pristine lobby gleaming with white marble-clad walls. Ahead, the Agency’s bright blue logo covered a massive swath of the gray-and-white checked granite floor. To the right stood the Memorial Wall, which was emblazoned with black stars honoring dozens of Agency officers who’d perished in the line of duty. Maggie stopped and bit down on her lip.

The wall was an awesome, solemn reminder of lives given in the defense of freedom. Every time she walked past it, the sharp points of the eighty-fourth star—Steve’s star—ripped another gash in her heart. He’d been working under cover, so no outside friends or relatives had been invited to the ceremony. Warner had sat with her, stoic, as she clutched his hand and stared at the parade of speakers, not hearing a word they said.

She turned her gaze from the wall, slid her badge through the security turnstile, and offered a polite hello to the officer manning the front desk. She bypassed the elevator that she took every day to the fourth floor and made a beeline for the spacious employee cafeteria. In the far corner sat Warner Thompson, nose buried in the Washington Post.

“Morning,” she offered.

Warner rattled the paper and folded it lengthwise. “Coffee?” He pushed a Styrofoam cup across the quartz tabletop and smiled at her. His full head of hair had grayed considerably since last year, but it worked on him, enhancing his gray-flecked eyes and tanned complexion.

“Thanks.” Maggie sat.

“You ready?”

“I guess.” She sipped the coffee, still piping hot and perfectly sweetened. Warner knew her well. “What do you think they’ll say?”

“There’s no reason they should deny you the posting.”

“The psychiatrist thinks I’m obsessed with Zara.”

“He has a point.” Warner leaned forward, elbows on the table. “I told you not to bring her up in your evaluation sessions. If she’s still alive, we’ll find her, Maggie. I promise.”

“There’s no ‘if’ about it.” She waited until a man with a breakfast tray settled at a nearby table, then lowered her voice. “I saw her fleeing the farmhouse in Georgia. Who do they think set fire to the place after I escaped with Peter?”

Warner winced, obviously uncomfortable with the reminder of Peter, his former case officer, the one who’d been intimately involved in the murder of Steve, another case officer, and his protégé, nine short months ago. That Steve also had been Maggie’s fiancé made saying what he had to say all the more difficult. “The point is, the Agency needs to think that you’ve moved on from what happened in Georgia before they send you to such a sensitive overseas posting.”

“Moved on? Warner—”

He raised a hand to stop her. They’d had this discussion dozens of times since the previous November. Maggie had made it perfectly clear that there was no moving on, no closure, as people said these days, until she found Zara. “You know what I mean. You have to toe the party line and say you believe that everyone involved in Steve’s murder is dead. Period.”

“I still don’t understand why they won’t at least consider the possibility that Zara got away.”

Warner rubbed his forehead. “Because the Agency wants this to go away. A star operations officer was murdered by a terrorist and the terrorist is dead. It’s a simple, straightforward narrative. They don’t want the press finding out that another Agency employee and a senior US congressman were involved in Steve’s death. Everything is about the war on terror, Maggie. If the media found out that CIA and elected officials were mixed up with terrorists, there would be hell to pay.”

Maggie quoted the Biblical phrase inscribed on a wall in the CIA’s lobby. “The truth shall make you free.” She snorted. “The truth, unless it’s too embarrassing?”

Warner exhaled and shifted in his seat. “Both of us are lucky that the FBI investigation didn’t uncover . . . everything.”

He was right, of course. Last year, Maggie had destroyed classified documents and withheld other evidence from the FBI to protect them both. And Warner had been entangled, albeit unwittingly, with a Russian who had ties to both Zara and the congressman. Had the FBI known any of this, neither of them would be CIA employees today.

Maggie waved to a coworker who stared from the nearby coffee station. Warner didn’t frequent the employee cafeteria, so his appearance was sure to raise eyebrows. She’d grown accustomed to sidelong glances inside the Agency’s walls. Everyone recognized her. The media had splashed her face all over television and the internet after Congressman Carvelli’s death. There were some who whispered about her using her fiancé’s death to advance her career. Fortunately, they were in the minority. Most who knew about her role in uncovering the terrorist plot considered her a hero, a designation she refused to embrace. Her actions may have saved thousands of lives, but her motivation had been personal—to clear Steve’s name.

He was no traitor, and she’d proven it.

Maggie glanced at her watch. “We’d better go.”

Warner nodded. They grabbed their coffees and headed for the elevator bank. “Remember, you believe Zara died in the fire at the farmhouse,” Warner reminded her on the way up to the fourth floor.

“That’s what I told the shrink last session, but then he talked to the polygraph people.” Since leaving the House Intelligence Committee to return to the CIA earlier this year, she’d endured three marathon polygraph sessions. Every time, the stupid machine registered deception in her response to questions about whether she intended to violate government policies for her own benefit. “Now he thinks I’m up to something.”

Warner shrugged. “Aren’t you?”

Maggie laughed despite herself. “Always.”

***

Excerpt from The Wayward Assassin by Susan Ouellette. Copyright 2022 by Susan Ouellette. Reproduced with permission from CamCat Books. All rights reserved.

 

 

Author Bio:

Susan Ouellette

Susan Ouellette is the author of The Wayward Spy, a thriller that Publishers Weekly calls a “gripping debut and series launch.” She was born and raised in the suburbs of Boston, where she studied international relations and Russian as both an undergraduate and graduate student. As the Soviet Union teetered on the edge of collapse, she worked as a CIA intelligence analyst. Subsequently, Susan worked on Capitol Hill as a professional staff member for the House Permanent Select Committee on Intelligence (HPSCI). Since her stint on Capitol Hill, she has worked for several federal consulting firms. Susan lives on a farm outside of Washington, D.C. with her family.

Q&A with Susan Ouellette

What was the inspiration for this book?

There were two inspirations for THE WAYWARD ASSASSIN. First, is my career in the intelligence world. After working as a CIA analyst in college and graduate school, I took a job on Capitol Hill working for the House Intelligence Committee. It was there, tucked away in a secure room in the attic of the U.S. Capitol Building, where I came up with my series’ protagonist, Maggie Jenkins, an intelligence analyst who uncovered threats to the United States and corruption at the highest levels of power. The second inspiration came from real world events. I hesitate to use the word “inspiration” for the real world event that anchored this story, so let’s just call it a “marker” in my life. In 2004, Chechen separatists in Russia killed hundreds of people in an attack on a school in Beslan, Russia. As a mother of school-aged children, this event captured my attention like no event since the September 11th attacks. I started writing fictionalized scenes about this school siege in an attempt to try to make sense of such a senseless loss of life.These scenes ended up in critical scenes in THE WAYWARD ASSASSIN.

What has been the biggest challenge in your writing career?

The biggest challenge in my writing career has been persevering through rejection. I wrote the first book in this series (THE WAYWARD SPY) in 2001 and wrote THE WAYWARD ASSASSIN in 2007. I secured agents for both books but didn’t land a book deal for either. For years, I put the manuscripts in a drawer. But even though I “gave up” on becoming an author, I never truly gave up. I’d revise the manuscripts, query new agents, and submit the manuscripts to contests. Eventually, I found an outstanding freelance editor who helped to untangle my overly complicated plots. Soon after, I signed with an agent and a publisher.

What do you absolutely need while writing?

I need my laptop (of course) and uninterrupted silence. Oh, and water or coffee and access to a bathroom.

Do you adhere to a strict routine when writing or write when the ideas are flowing?

I jot down ideas when they come to me, but I get the real work done when adhering to a strict routine. Otherwise, I find every reason in the world not to write–laundry, talking to the cat, organizing the pantry….

Who is your favorite character from your book and why?

Maggie, my protagonist, is my favorite character. She’s an every-woman, the girl next door who has to use her wits to get out of situations she never wanted in the first place.

Tell us why we should read your book.

If you like page-turning, realistic thrillers, you should read THE WAYWARD ASSASSIN. I’d like to apologize in advance for keeping you awake past your bedtime!

Give us an interesting fun fact or a few about your book?

I changed the ending of THE WAYWARD ASSASSIN more times than I can count. Most of the changes involved who lives and who dies.

Do you have anything specific that you want to say to your readers?

At the risk of sounding like a motivational speaker, I’ll say this: If you have a dream, don’t give up. Keep plugging away. It took me twenty years from Chapter One to publication. You’ll never know what’s possible if you give up.

Tell us a little about yourself and your background?

As a teenager, I was fascinated by the CIA but had no idea how to go about getting a job there. When I was in college, I went to a job fair where I met a CIA recruiter. It took almost a year from applying to walking into CIA headquarters. I loved my time at the Agency. But I also love writing. I’m so grateful that I was able to combine those two passions and entertain people in the process.

What’s next that we can look forward to?

The third book in the Maggie Jenkins series, THE WAYWARD TARGET, will be out in the spring of 2023.

Catch Up With Susan Ouellette:
www.SusanOuellette.com
Goodreads
BookBub – @susanobooks1
Instagram – @susanobooks
Twitter – @smobooks
Facebook – @SusanOuelletteAuthor

 

 

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Trust Me by Kelly Irvin | #Showcase #GuestPost

Trust Me

by Kelly Irvin

February 7 – March 4, 2022 Virtual Book Tour

Synopsis:

Trust Me by Kelly Irvin

When her best friend is murdered the same way her brother was, who can she possibly trust?

A decade ago, Delaney Broward discovered her brother’s murdered body at the San Antonio art co-op he founded with friends. Her artist boyfriend, Hunter Nash, went to prison for the murder, despite his not-guilty plea.

This morning, Hunter walks out of prison a free man, having served his sentence.

This afternoon, Delaney finds her best friend dead, murdered in the same fashion as her brother.

Stay out of it or you’re next, the killer warns.

Hunter never stopped loving Delaney, though he can’t blame her for not forgiving her. He knows he’ll get his life back one day at a time, one step at a time. But he’s blindsided to realize he’s a murder suspect. Again.

When Hunter shows up on her doorstep asking her to help him find the real killer, Delaney’s head says to run away, yet her heart tells her there’s more to his story than what came out in the trial. An uneasy truce leads to their probe into a dark past that shatters Delaney’s image of her brother. She can’t stop and neither can Hunter—which lands them both in the crosshairs of a murderer growing more desperate by the hour.

In this gripping romantic suspense, Kelly Irvin plumbs the complexity of broken trust in the people we love—and in God—and whether either can be mended.

Book Details:

Genre: Mystery, Suspense
Published by: Thomas Nelson
Publication Date: February 8th 2022
Number of Pages: 384
ISBN: 0785231935 (ISBN13: 9780785231936)
Purchase Links: Amazon | Barnes & Noble | Christianbook.com | Goodreads

Read an excerpt:

CHAPTER 1

APRIL 22, 2010
SAN ANTONIO ART CO-OP
SOUTHTOWN, SAN ANTONIO

The cloying stench of pot told the same old story.

With an irritated sigh Delaney Broward quickened her pace through the warehouse-turned-art-co-op toward her brother’s studio at the far end of the cavernous hall. On his best days Corey had little sense of time. Add a joint to the mix and he lost his sense not only of time but of responsibility. It also explained why he didn’t answer his phone. When he got high and started painting, he wanted no interruptions. His lime-green VW van was parked cattywampus across two spaces in the lot that faced Alamo Street just south of downtown San Antonio. He might be physically present, but his THC-soaked mind had escaped its cell.

Marijuana served as his muse and taskmaster. Or so he’d said.

The soles of her huarache sandals clacking on the concrete floor sounded loud in Delaney’s ears. “Corey? Corey! You were supposed to pick us up at Ellie’s. Come on, dude. She’s waiting.”

No answer.

At this rate Delaney would never get to Night in Old San Antonio, affectionately known to most local folks as NIOSA. Everyone who was anyone knew it was pronounced NI-O-SA, long I and long O, the best party-slash-fundraiser during the mother of all parties where her boyfriend would be waiting for her. “Hey, bro, I’m starving. Let’s go.”

Delaney’s phone rang. She slowed and dug it from the pocket of her stonewashed jeans. Speaking of Ellie. “I’m at the co-op now. He’s here.”

Share as little info as possible.

“He’s stoned again, isn’t he? I’m sick of this.” Ellie’s shrill voice rose even higher. “I swear if he stands me up again— ”

Us. Stands us up.”

“Stood us up again. That will be it. I’m done. I’m done waiting around for him. I’m done playing second fiddle to his self-destructive habits. I’m done with his starving-artist, free-spirit, pothead schtick. The man is a walking stereotype. I’m done with him, period.”

Delaney mouthed the words along with her friend. She knew the lyrics of this lovesick song by heart. The childish rejoinder “It takes one to know one” stuck in her throat. “We’ll be there in twenty. You can tell him yourself.”

Ellie would and then Corey would kiss her until she took it all back. With a final huff Ellie hung up.

The door to his studio— the largest and with the best light because the co-op was Corey’s dream child— stood open. “Seriously, Corey. Think of someone besides yourself once in a while, please.” Delaney strode through the door, ready to ream her brother up one side and down the other. “You are so selfish.”

Delaney halted. At first blush it didn’t make sense. Twisted and smashed canvases littered the floor. Along with paints, brushes, beer bottles, and Thai food take-out cartons.

Wooden easels were broken like toothpicks and scattered on top of the canvases. Someone had splattered red paint over another finished piece— a woman eating a raspa in front of a vendor’s mobile cart, the Alamo in the background.

Delaney’s hands went to her throat. The metallic scent of blood mingled with the odor of human waste gagged her. A fiery shiver started at her toes and raced like a lit fuse to her brain. Her mind took in detail after detail. That way she didn’t have to face the bigger picture staring her in the face. “Please, God, no.”

Even He couldn’t fix this.

She shot forward, stumbled, and fell to her knees. Her legs refused to work. She crawled the remainder of the distance to Corey across a floor marred by still-wet oil paint, beer, and other liquids she couldn’t bear to identify.

He sat with his back against the wall. His long legs clad in paint-splattered jeans sprawled in front of him. His feet were bare. His hands with those thin, expressive fingers lay in his lap. Deep lacerations scored his palms and fingers.

Her throat aching with the effort not to vomit, Delaney forced her gaze to move upward. His T-shirt, once white, now shone scarlet with blood. His blood. Rips in the shirt left his chest exposed, revealing stab wounds— too many to count.

Delaney opened her mouth. Scream. Just scream. Let it out.

No sound emerged.

She crawled alongside her big brother until she could lean her shoulder and head against the wall. “Corey?” she whispered.

His green eyes, fringed by thick, dark lashes that were the envy of every woman he’d ever dated, were open and startled. His skin, always pale and ethereal, had a blue tinge to it.

Delaney drowned in a tsunami of nausea. “Come on, Corey, this isn’t funny. I need you.”

Her teeth chattered. Hands shaking, she touched his throat. His skin was cold. So cold.

Too late, too late, too late. The words screamed in her head. Stop it. Just stop it. “You can’t be dead. You’re not allowed to die.”

Mom and Dad had died in a car wreck a week past her eighth birthday. Nana and Pops had taken their turns the year Delaney turned eighteen. Everybody she cared about died.

Not Corey. Delaney punched in 9–1–1.

The operator’s assurance that help was on the way did nothing to soothe Delaney. She sat cross-legged and dragged Corey’s shoulders and head into her lap. She had to warm him up. “Tell them to hurry. Tell them my brother needs help.”

“Yes, ma’am. They’re en route.”

“Tell them he’s all I’ve got.”

CHAPTER 2

TEN YEARS LATER
NASH RESIDENCE, SAN ANTONIO

Real men didn’t cry. Not even during a reunion with a beloved truck.

Swallowing hard, Hunter Nash wrapped his fingers around the keys, concentrating on the feel of the metal pressing into his skin. He cleared his throat. “Thanks, Mom. For keeping it all these years.”

His mom didn’t bother to try to hide her tears. She wiped her plump cheeks on a faded dish towel, offered him a tremulous smile, and bustled down the sidewalk that led from the house on San Antonio’s near west side where Hunter had grown up to the detached two-car garage in the back. It had housed his truck for the past eight years. Almost ten if he counted the two years it took for his case to go to trial. He had no place to go in those years when he’d allegedly been innocent until proven guilty. His friends no longer friends and his job gone, he had no need for transportation.

The door to the garage was padlocked. Mom handed him the key. “My hands are shaking. You’d better do the honors.” She stepped back. “I still can’t believe you’re here.”

“I did my time, Ma.” As a model prisoner he’d earned time off for good behavior. It was easy for a guy to behave when he spent his days and nights scared spitless.

“I know. All those nights I’ve lain in bed worrying about you in that place, whether you were safe, if you were hurt, if you were sick.” Her voice broke. “I can’t believe it’s over.”

“Me neither.”

It wasn’t over. In fact, it was just beginning, but she didn’t need to know that. His determination to prove his innocence would only worry her more. A divorced mother of four, she’d raised her kids on a teacher’s salary and an occasional child support check from the crud-for-brains ex-husband who showed up once every couple of years in an attempt to make nice with his kids. She deserved a break.

The aging manual garage door squeaked and protested when Hunter yanked on the handle. He needed to do some work around here, starting with applying some WD-40. The smell of mold and old motor oil wafted from the dark interior. Hunter slipped inside and waited for his eyes to adjust. A layer of dust covered the 2002 midnight-blue Dodge RAM 1500, but otherwise it remained in the pristine condition in which he’d left it the night he said goodbye and promised he’d be back. “My baby.”

More tears trickling down her face, Mom chuckled softly. “After you finish reintroducing yourself, come back inside. I’m making your favorite chicken-fried steak, mashed potatoes, gravy, pineapple coleslaw, and creamed corn. Your brother and sisters are coming over after work. Shawna’s bringing a carrot cake with cream cheese frosting. Melissa’s contribution is three kinds of ice cream, including rocky road. She said it seemed appropriate. I hope you haven’t lost your sense of humor. And you know Curtis. He’s all about the beer.”

The last thing Hunter wanted to do was celebrate with his sibs. Mel and Shawna had visited faithfully at first, but less as the years rolled by. Curtis never showed, even though Fabian Dominguez State Jail was only a few miles down the road from San Antonio.

Nor did Hunter want to explain why he’d sworn off alcohol. The conditions of his parole included monthly pee tests— no alcohol or drugs, but that part of his life was over anyway. It had been easy to comply in prison, obviously. Whether he could maintain his sobriety in the beer drinking capital of the country remained to be seen. He’d do AA if necessary. “Mom— ”

“No buts. They’re family. They love you. You need to live life, enjoy life, make up for all you’ve missed. You haven’t even met most of your nieces and nephews. Did you know Mel is expecting another baby in August?”

“Yes, I— ”

“Today we celebrate your new job and your new life.”

His bachelor of fine arts with an emphasis in drawing and painting from Southwest School of Art might once have allowed him to teach art in one of the school districts, but not anymore.

It didn’t matter. The prison chaplain had hooked him up with Pastor James. The preacher ran a faith-based community center that served at-risk youth. He’d hired Hunter to teach art to those who’d already had their first brush with the law. He figured Hunter could teach life lessons at the same time he introduced them to art as a way to channel their anger at the hand life had dealt them. Learning what happened when a guy got off track would be the lesson.

Even though Hunter hadn’t gotten off the track. He’d been shoved off it. By an eager-beaver, newbie detective; a green-as-a-Granny-Smith-apple public defender; and an assembly-line justice system.

He would get by in this world that had hung him out to dry. Especially knowing Mom had his back. She had that don’t-mess-with-me teacher look in her burnt-amber eyes. Like her sixth graders, Hunter knew better than to argue. It felt good to know she remained in his corner. When everyone else had hit the ground, scattering in opposite directions, she never budged in her belief that son number two could not be a murderer. She’d brought him up better than that.

“You’re right. Give me a few minutes.”

She patted his chest and stretched on her tiptoes to plant a kiss on his cheek. Her lips were chapped, and the wrinkles had deepened around her mouth and eyes. Her long hair had gone pure white during his years away. “Take your time, sweetheart.”

Hunter gritted his teeth. After years of looking over his shoulder, bobbing and weaving around hard-core convicts who’d as soon shank a guy in the shower as look at him, he didn’t know how to cope with nice. With sweet. With love tempered with wisdom and a hard life.

“One day at a time.” That’s what the prison chaplain had told him. “Get through the next minute, the next hour, the next day.” That’s how he did eight years at Dominguez. This couldn’t be any harder. He opened the truck’s door and slid into the driver’s seat. The faint odor of pine air freshener greeted him. And citrus.

More likely that was his imagination. Delaney’s perfume simply could not linger that long. Move on. She has. She did. To her credit Delaney held on as long as she could— until the guilty verdict. Then she was forced to move on. She couldn’t be blamed for that.

Hunter picked up the sketch pad on the passenger seat. In those days he kept one everywhere. Just in case. The first page. The second. The third. All drawings of Delaney. Sweet Laney eating a slice of watermelon at a Fourth of July celebration. Laney rocking Hunter’s newborn nephew in a hickory rocker on the front porch. Laney in a bathing suit sitting on the dock at Medina Lake. Laney with her soulful eyes, long sandy-brown hair, and air of sad vulnerability worn like a pair of old jeans that fit perfectly. That too-big nose, wide mouth, and pointed chin. Corey might have been the angelic beauty— totally unfair— but Delaney’s face had character. She had a face Hunter never ceased to want to draw and paint.

And kiss.

He turned the pages slowly, allowing the memories to have their way with him. Meeting at a party Corey had thrown when Delaney was a senior in high school. Their first date, ribs and smoked chicken with heart-stopping creamed corn, potato salad, coleslaw, and jalapeños at Rudy’s Country Store and Bar-B-Q followed by dancing at Leon Springs Dance Hall.

She had danced with the abandon of a small child. As if she didn’t care who watched. Her face glowed with perspiration. Her green eyes sparkled with happiness. His two left feet couldn’t keep up, but she didn’t mind. She twirled her peasant skirt as she flew around him, her hands in the air, her curves beckoning.

Hunter closed his eyes. Her softness enveloped him. Her sweetness surrounded him.

He needed to see her again. He needed to talk to her. Somehow he had to prove to her that she was wrong about him. Whatever it took. He laid the sketchbook aside. “Come on, dude, let’s take a ride.”

He stuck the key in the ignition and turned it.

Nothing. Not even a tick-tick-tick. He tried a second time. Nada. “I’m an idiot.” He patted the steering wheel. “Not your fault, man.”

The truck hadn’t been driven in years. The battery was dead. He might be able to jump it, but more likely he’d need a new one. Batteries cost money.

One thing at a time. He’d waited this long.

Hunter slid from the truck and eased the door closed. “I’ll be back when I get my act together.”

In the kitchen Hunter found his mom peeling potatoes. She pointed the peeler at him. “You can’t imagine how good it feels to have you home.”

“You can’t imagine how good it feels to be here.” He landed a kiss on her soft hair. She smelled of Pond’s cold cream. The same old comforting scent. Life had changed but not her. “I’m gonna take a walk. I need to blow the prison stink off.”

“Enjoy. They redid the walking trail at the lake and installed new outdoor fitness equipment.” She waved the paring knife in the air. “But don’t stay too long. You have company coming.”

“Yes, ma’am.” He pantomimed a mock salute and headed for the front door.

One thing at a time. One step at a time. That’s how he’d get his life back.

***

Excerpt from Trust Me by Kelly Irvin. Copyright 2022 by Kelly Irvin. Reproduced with permission from Thomas Nelson. All rights reserved.

 

 

Author Bio:

Kelly Irvin

Kelly Irvin is a bestselling, award-winning author of over twenty novels and stories. A retired public relations professional, Kelly lives with her husband, Tim, in San Antonio. They have two children, three grandchildren, and two ornery cats.

Guest Post

To Trust Or Not To Trust by Kelly Irvin

Think about a time when you’ve trusted someone close to you. A boyfriend, girlfriend, sister, brother, parent. Then that person let you down—big time. How hard is it to trust him or her again? Remember that old saying: fool me once, shame on you, fool me twice, shame on me? That’s the situation Delaney Broward finds herself facing in Trust Me. Ten years earlier she found her brother murdered in his art studio. Her boyfriend Hunter Nash—the love of her life—was convicted of his best friend’s murder. Delaney lost her only remaining family member and the man she loves.

Delaney spends the next ten years fundamentally changing who she is so she never has to feel that pain of betrayal again. She leaves her chosen profession and opens a frame shop in San Antonio’s historic art district La Villita. She lives alone. She doesn’t even have a pet—after all they die and leave you, just like the people you love. She’s learned to box and the art of self-defense. Her only real relationships are with a few good friends from that era when her life orbited around the sun that was her brother, an extraordinarily talented artist who lived life like every day was his last—until it was. She doesn’t even trust God anymore. How could He allow this to happen to her? She’d already lost both parents in a car accident as a child. And then her grandparents, who raised her, died of old age when she was in high school. She has no one.

Then another murder occurs, exactly like the one that turned her life upside down ten years earlier. She turns to her closest friends for comfort and help in discovering why this has happened again. How can she know who to trust? So, when Hunter shows up and insists he’s innocent of both murders, he’s asking her to trust him again. Would you? Do we give those we love second chances? Or do we protect ourselves from greater hurt.

Exploring these themes while delivering a suspenseful whodunit is a challenge, but that’s one of the reasons I enjoy writing romantic suspense. Readers get the murder mystery, the romance, and a thought-provoking dilemma that I hope will remain with them after they finish the last page. After all, who can you really trust?

Visit her online at:
www.KellyIrvin.com
Goodreads
BookBub – @KellyIrvin
Instagram – @kelly_irvin
Twitter – @Kelly_TrustMe
Facebook – @Kelly.Irvin.Author

 

 

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One Will Too Many by PJ Peterson | #Showcase #Interview #Giveaway

One Will Too Many by PJ Peterson Banner

One Will Too Many

by PJ Peterson

March 1-31, 2022 Virtual Book Tour

Synopsis:

One Will Too Many by PJ Peterson

A wealthy banker with a long list of secrets dies.

The bizarre crime scene stumps the local police…

… but a young doctor could be the key to solving the case.

Internist Julia Fairchild encounters banker Jay moments too late – the poor man is near death in his own dining room. At first no one can figure out what killed him, but the coroner soon confirms that it was homicide: Jay died of methanol poisoning, and now a murderer is on the loose. Julia knows how to catch a killer and she can cut through the noise like a scalpel through skin. She agrees to help the understaffed police force solve the case, but each clue only complicates her investigation further.

Can Julia dissect the deadly riddle and nail the perp, or will this be the first time a monster succeeds in giving her the slip?

If you love Louise Penny, Kelly Oliver, and PC James, you need this medical mystery! Find out why fans say, “I love the character Julia Fairchild!”

Don’t wait – Click the BUY button now!

Book Details:

Genre: Cozy Mystery
Published by: Finngirl, LLC
Publication Date: December 2021
Number of Pages: 206
ISBN: 978-1-7335675-7-2
Series: A Julia Fairchild Mystery, #4 || Each is a stand Alone Novel
Purchase Links: Amazon | Barnes & Noble | Goodreads

Read an excerpt:

Julia arrived at the Hotel Montpelier just as Drake drove up. She took advantage of his simultaneous presence to make a proper entrance to the celebration in the Hotel’s Grand Ballroom. It had recently been refurbished to its original grandeur from the early 1920’s. She admired the beauty of the ceilings with their Art Deco design, recently uncovered by the removal of a false ceiling from a previous “upgrade.” The beautiful wood floor with exquisite inlaid mosaics shone from a recent floor polishing. The cherry and mahogany woodwork glistened in the light from the elegant crystal chandeliers which had also been hidden until now.

Julia and Drake were greeted by some of the other members of the restoration committee. Drake was the designated master of ceremonies while Julia’s primary duty was to personally welcome as many of the potential donors as possible and say a few words in support of the project. He certainly looked the part tonight in a well-cut black velvet tuxedo. His dark hair was touched with silver—just enough to give him a classy look. He stood tall and proud as he walked through the crowd, nodding to some and saying a word or two to other attendees.

Julia searched the assembled festival attendees for familiar faces as Drake gently guided her to an older man and woman. He placed his hand at the small of her back as he addressed the wealthy couple. “Julia, I’d like to introduce Mr. And Mrs. George Oglethorpe. They have been long-time supporters of the theatre.”

Julia stepped forward a half-step and extended her hand. “I’m Julia Fairchild. I’m honored to meet you. I love our theatre, too.”

The woman’s face brightened as she recognized the name. “Of course! Dr. Fairchild. Call me Anna. I’ve heard a lot of good things about you.” She took Julia’s hand in both of hers. “You’re so young and pretty for a doctor.”

Julia reddened. She actually felt a little mousey most days, but conceded to herself that she did ‘clean up’ nicely for such events. “Thank you. I was blessed with good genes. How long have you and your husband lived in Parkview?”

“My goodness. Forever. Right out of college anyway. George heard about the paper mill here looking for mechanical engineers and applied right away.” She smiled proudly at him. “We love the town and were never inclined to leave once we settled in. Isn’t that right, dear?” Her husband nodded between sips of his drink. “Are you from here?”

“Not from Parkview. I grew up down the highway on a small farm. My grandma persuaded me to come home and here I am.” Julia felt her eyes well up as she recalled warm memories of time spent with her grandparents. “Thank you for your support of our lovely theatre. The restoration committee will be sharing the plans for the renovation during the program.”

Julia felt Drake’s arm around her waist as he interceded. “Thank you for coming this evening. Please excuse us. I see someone who is clamoring to talk with Dr. Fairchild before the dinner starts.”

Drake took Julia’s arm and as they turned around, they found Gregory Lantz and his wife Sandy who had been standing right behind them. “Greg! So good to see you here tonight. Thanks for coming.” They exchanged nods and handshakes. “Julia is standing in for Karen tonight. She’s also supporting the project.” Julia smiled and nodded. Aside from the perfunctory smiles, Julia sensed a tension between the men, and she moved a step away from Drake to better observe them both.

Greg stirred his gin and tonic vigorously. “I’ve talked with some of the members of the board at the bank, but I don’t have a definite commitment yet for a donation. I think we can come through for $50,000. But nothing close to the million dollars that everyone seems to think the bank can donate.”

“Greg, any amount would be great. I understand it’s been a little tough with the new bank still getting started.” Drake Ashford was the president of the older, long-established Parkview National Bank. He was aware that despite heavy advertising and promotions, the new River City Community Bank was not yet meeting expectations. He was also acutely sensitive to the loss of some of his own banking clients to the new bank, where Greg was Vice President.

Greg bristled. “Actually, we’re meeting our numbers and seeing new business every day. I would think you would have noticed already.” He smirked.

“We’ve noticed a little change, but we’re prepared to handle it.” Drake took a large swallow of his scotch. “Please excuse us. I have some other people to greet. Talk to you later, Greg.” Drake and Julia moved away.

“That man really annoys me,” Drake said under his breath. “He’s so naive. He doesn’t see how Jay is using him. He’s just a ‘yes’ man. But I guess it makes him feel important.”

“What do you mean?” Julia asked, nodding and smiling at some of the faces she recognized. She knew he referred to Jay Morrison, recently divorced and head of the new bank. She felt Drake’s hand shaking as he maneuvered her through the crowd.

“I’ll tell you later. Too many ears here.” He surveyed the guests nearby. “Let’s see…there’s Warren Pontell and his lovely wife Sarah. He’s talked about making a major contribution. His wife was a theatre actress in her younger days. And they have money to burn.” He turned to Julia and wiggled his eyebrows, à la Groucho Marx.

Drake and Julia chatted with the Pontells for a few minutes, using the time to emphasize the benefits of the smaller venue of the “little theatre.” It was designed to be an intimate stage setting with seating for about one hundred fifty people. Until recently, the area had been used for storage and was marginally functional for stage events in its current state.

Julia had found herself daydreaming but tuned back in when she heard Mr. Pontell say, “We’d like to donate $50,000 for the little theatre. Perhaps you can find a way to let us have something to say about naming it.” He grinned broadly as his wife beamed.

“Warren, that’s wonderful!” said Drake. “I’ll talk with the board of directors about naming opportunities. Let me get back to you on details for your donation. Thank you.”

Now grinning, Drake gently guided Julia toward Adam Johns, an influential man in the local union hierarchy, and his wife. He had started working at ESCO Paper Company right out of high school and had worked his way up from the labor pool to an electrician apprenticeship and then to a journeyman electrician. His constituents considered him to be fair and honest. He had an unofficial status in the union as a leader, although he didn’t have an elected or paid position as such.

Adam tugged at the neck of his dress shirt and pulled at the bottom of his dark blue waistcoat. The jacket gaped over his generous girth. He looked uncomfortable in his tuxedo. Julia was sure her mother would have said something like “putting perfume on a goat,” but most likely his wife had insisted he dress up for this occasion. He certainly looked impressive at his height of six foot three inches.

“Mr. and Mrs. Johns, good evening,” said Drake as he offered his hand. “Do you know Dr. Julia Fairchild? She’s helping to support the Theatre Restoration project as we all are.”

“We sure do,” said Adam, returning the handshake. “Dr. Fairchild, you took care of my mom several years back. She was real sick but you got her well and she’s fine now. Thanks to you. In fact, she’s going on a cruise through the Panama Canal with her church group this coming week. She’s always wanted to go on that trip.”

“You’re welcome, Mr. Johns. I do remember your mom—Violette, I believe? She’s a lovely lady with a lot of spunk.” Julia shook his hand before turning to his wife. “Pleased to meet you, Mrs. Johns.”

Mr. Johns turned back to Drake. “Mr. Ashford, some of the guys at the mill want to know if you had talked with our union officials yet about the stock trading going on with our pension funds. And if you know anything, they hope you can tell them. And call me Adam. My wife is Linda.”

“Yes, Adam. I talked with a Scott Sowders in Portland. He’s looking into whether those trading fees can be traced back to any individuals. May I call you when I know something more?”

“Sure. You can call me at ESCO. The operator knows how to reach me. Thanks a lot, Mr. Ashford.”

“You can call me Drake, please. I’ll call you soon and we’ll go from there. Thanks again for being here tonight.”

“Hey. It’s an alright party. My wife is always trying to get me to gussy up. It’s more fun than I thought it would be.” He grinned and saluted with his cocktail.

Julia saw the auctioneer heading their way and alerted Drake. “I’ll check my lipstick while you talk with him. Where are we sitting?”

“Main table,” he said, pointing to the center of the long side of the room. He scowled. “Unfortunately, it appears we’re seated next to Jay Morrison, of all people.”

***

Excerpt from One Will Too Many by PJ Peterson. Copyright 2022 by PJ Peterson. Reproduced with permission from PJ Peterson. All rights reserved.

 

 

Author Bio:

PJ Peterson

PJ is a retired internist who enjoyed the diagnostic part of practicing medicine as well as creating long-lasting relationships with her patients. As a child she wanted to be a doctor so she could “help people.” She now volunteers at the local Free Medical Clinic to satisfy that need to help. She loved to read from a young age and read all the Trixie Belden and Nancy Drew books she could find. It wasn’t until she was an adult that she wrote anything longer than short stories for English classes and term papers in others. Writing mysteries only makes sense given her early exposure to that genre. Sprinkling in a little medical mystique makes it all the more fun.

Q&A with PJ Peterson

What was the inspiration for this book?

About fifteen years ago two brand new banks opened in my hometown at the same time. I remember wondering if we needed them at the time. I started writing this book then, and put it aside after 7 or 8 chapters. Last year when I was looking for ideas for the next book (after Pickled PInk in Paris) I ran across a notebook with those first few chapters written in long-hand and decided to flesh it out. I hadn’t done an outline (I’m more of a pantser than a plotter) so picked up the thread from what I had written earlier and finished the book.

What has been the biggest challenge in your writing career?

Believing that my books are as good as thousands of others out there and are worth spending the dollars on marketing and getting them in front of potential readers’ eyes.

What do you absolutely need while writing?

A dedicated writing space with a notebook handy to write down ideas that I want to check out, my CD player with good music to listen to in the background, and a synonym finder or thesaurus for looking up other words to avoid using the same adjective fifty times!

Do you adhere to a strict routine when writing or write when the ideas are flowing?

Almost every day I do SOMETHING related to writing, whether it’s joining a promo, or watching/reading something I need to learn. Most days I sit down and write at least a scene in a book if I can’t write a chapter. When I’m on a roll, I can write 2000-5000 words in a sitting, but most of the time I’m happy with 1000 +/-.

Who is your favorite character from your book and why?

Probably Carly, my younger sister and sidekick. She is pretty much the character as I’ve portrayed her. She makes me smile.

Tell us why we should read your book.

The story encompasses a little medical mystery, touches on some legal aspects when death is involved, and has several relationship situations going on. But it doesn’t have a talking animal or recipes or other common cozy mystery features.

Give us an interesting fun fact or a few about your book?

This story is set in my current town, although the name has been changed to protect the innocent! None of the people are “real” but are based on people that I know and some of the incidents really happened.

Do you have anything specific that you want to say to your readers?

I hope you’ll give my book, or one of its predecessors, a try. I think you’ll find it’s not like many of the cozy mysteries out there.

Tell us a little about yourself and your background?

I’m a retired internist and grew up loving to read mysteries of all kinds, as well as historical fiction and autobiographies. I grew up with 5 siblings on a small farm, did well in school and all that. I play the piano, am a cantor at church, and am on several boards in my community. My first book, Blind Fish Don’t Talk, grew out of a journal entry after a fantastic vacation to St. Maarten. I didn’t know about professional editing and all that until years later, and self-published with lots of encouragement. I’ve learned much about being an author, and now a self-marketer in the last three years since I pushed that “publish” button. It reminds me of the three years of residency after medical school–That’s where doctors learn to apply the basic tools in real life.

What’s next that we can look forward to?

Julia Fairchild’s next adventure is set on Virgin Gorda. She and her sister are on vacation but of course there’s a dead body on a beach, a pirate movie being filmed, and a mystery surrounding old pirate booty. Stay tuned!

Catch Up With PJ Peterson:
www.PJPetersonAuthor.com
Goodreads
BookBub – @mizdrpj1
Facebook – PJ Peterson

 

 

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The Prisoner of Paradise by Rob Samborn | #Showcase #Giveaway #Excerpt #Thriller

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The Prisoner of Paradise

by Rob Samborn

January 24 – February 18, 2022 Virtual Book Tour

Synopsis:

The Prisoner of Paradise by Rob Samborn

The world’s largest oil painting. A 400-year-old murder. A disembodied whisper: “Amore mio.” My love.

Nick and Julia O’Connor’s dream trip to Venice collapses when a haunting voice reaches out to Nick from Tintoretto’s Paradise, a monumental depiction of Heaven. Convinced his delusions are the result of a concussion, Julia insists her husband see a doctor, though Nick is adamant the voice was real.

Blacking out in the museum, Nick flashes back to a life as a 16th century Venetian peasant swordsman. He recalls precisely who the voice belongs to: Isabella Scalfini, a married aristocrat he was tasked to seduce but with whom he instead found true love. A love stolen from them hundreds of years prior.

She implores Nick to liberate her from a powerful order of religious vigilantes who judge and sentence souls to the canvas for eternity. Releasing Isabella also means unleashing thousands of other imprisoned souls, all of which the order claims are evil.

As infatuation with a possible hallucination clouds his commitment to a present-day wife, Nick’s past self takes over. Wracked with guilt, he can no longer allow Isabella to remain tormented, despite the consequences. He must right an age-old wrong – destroy the painting and free his soul mate. But the order will eradicate anyone who threatens their ethereal prison and their control over Venice.

Book Details:

Genre: Thriller
Published by: TouchPoint Press
Publication Date: November 30th 2021
Number of Pages: 333
ISBN: 1952816890 (ISBN-13: 9781952816895)
Series: The Paradise Series, #1
Purchase Links: Amazon | Barnes & Noble | Goodreads

Read an excerpt:

The flood of questions never left Nick’s lips. Large hands wrenched him up by his armpits.

A hushed voice spoke in his ear. “Come with us. Quietly.”

The grip tightened.

Nick twisted his head to his sides. Bernardo led him away, staring straight ahead. Another security guard in a navy-blue suit flanked him. The man was about Nick’s age, with a close-cropped beard and light brown hair pulled into a tight ponytail—and considerably heftier than Bernardo.

“Dante,” said Bernardo to the guard, “please notify—”

Nick whipped his arms from Bernardo’s hold. Twisting, he whacked Dante’s earpiece, jamming the device into the large man’s head. Then he shouldered him into the nearest wall. Appalled gasps rose from the remaining tourists.

Bernardo grabbed Nick from behind. Nick’s elbow blasted backward, landing with a shattering blow in the man’s ribs. Dante dug his finger into his ear and pulled the piece out. He flicked it at Nick, poised to attack.

Confident he was quicker, Nick ducked, popped up, and discharged a quick snap of his fist.

Blood from the brawny guard’s nose sprayed across the polished marble wall.

Museum patrons, many holding cell phones, cameras, and tablets, backed up, giving the fight a wide berth. Nick clocked Bernardo. His wide tungsten wedding ring connected with the man’s jaw.

Bernardo stumbled, falling to the floor.

Nick sprinted for the exit and down the hall, tossing the hat and scarf as he ran.

Bursting through the Palazzo doors, he descended the Giants’ Staircase three steps at a time but slipped on the courtyard’s stone surface and crashed on his back. A jolt to his tailbone rang up his spine. He rolled onto his side and checked the staircase.

Bernardo and Dante loomed at the top. The two men hustled down, their dark jackets flowing behind them.

Tiny gravel pebbles burrowed into Nick’s palms as he scrambled up. He darted for the main entrance, disregarding what felt like a sledgehammer pounding his lower back with every step.

“Arrestatelo!” Bernardo called out.

Two uniformed guards rushed to block the front gate.

Nick stormed ahead.

The guards braced themselves. Nick plowed into the larger one, his speed and weight bowling the man over.

The smaller guard dove for Nick, wrapping a firm hold around his ankle. He pitched forward and fell to the ground.

“Fuck.” Nick kicked his free foot out. It hit the man’s cheek with a sickening crunch. A bloody tooth flew out and skipped across the ground. The guard’s grip loosened.

Nick clambered to his feet and bolted for the entrance. He dodged a college-aged tourist, jumped the turnstile, and sprinted for St. Mark’s Square.

A large woman in a neon pink shirt with a matching visor shouted at him. She pulled her young daughter to her as Nick ran by, almost knocking them down. He regretted the bedlam he was causing, but what choice did he have?

Pigeons flew upward in alarm as he made his way through the golden, late afternoon light of the square. He glanced over his shoulder.

Bernardo and Dante closed in, thirty feet away.

Nick’s throbbing back screamed for attention, but he upped his speed and crossed into an alley in the corner of the piazza. He reached the other side, raced through the passageway between buildings, and entered a narrow street. He shuffled into a group of revelers who had overflowed from a crowded wine bar. Shimmying through the people, he spotted a small bridge over the next canal. Nick dashed across it and made another right, which led him to yet another alley.

Stagnant, rank air engulfed him.

“Son of a bitch.”

A dead-end. Illegible graffiti covered the walls. Even in the moment, the vandalism pissed Nick off.

A steel door was the only possible exit. The rusty knob didn’t budge. Nick pivoted back toward the alley entrance.

His pursuers cast long shadows that extended to Nick’s sneakers. Despite their broken posture as they fought to catch their breath, their expressions championed triumph. Dante wiped the blood from his nose with a grin.

“You were warned more than once.” Bernardo’s voice echoed off the walls.

Unsure how he’d escape, Nick retreated until he bumped against the door.

The men advanced. Each pulled a silver short sword from a concealed holster beneath their suit jackets.

Fear and desperation caused Nick’s heart to pound so violently, he thought he heard it. But the blood churning through him generated a stronger urge: revenge. And he could only do right by Isabella if he survived this mess.

Bernardo lunged. Though burly and one-armed, his movements were lithe.

Nick dropped low as the sword whizzed over his head.

Dante positioned his weapon high and brought it down, slicing through Nick’s shirt and into his forearm.

Nick hollered as the pain seared through him.

He charged Dante, who raised his sword again. Nick caught his hand and body-checked him into the brick wall. Nick sensed Bernardo behind him and rotated, barely avoiding the blade slicing for his back.

Planting his foot, Nick went for the sword. His hands clenched around Bernardo’s, and they struggled for control of the hilt. Nick spat in his eyes and wrested the weapon away. With the last of his wavering strength, he slipped behind Bernardo and brought the sword to the man’s armpit under his one arm.

“Drop it,” he said to Dante, who had his back to the alley’s end.

Dante scowled but let his weapon fall with an echoing clang.

“Now kick it over here and lay down. On your stomach. Arms out.”

Dante did as instructed.

“Get next to him,” Nick ordered Bernardo with a shove. “Flat.”

Bernardo followed suit.

Retrieving Dante’s weapon, Nick kept watch on their forms. His opponents counterbalanced the stare, studying his every move. Nick wrapped his fingers around the hilts. Holding swords felt good. Natural. He flourished them simultaneously and grinned, unaware he had that skill.

Nick had a peculiar sensation, not that of anger but distinct determination. His mind played through potential outcomes, and one came into focus: he imagined rushing the men, and with raised blades, he hacked their bodies—first their faces, then their necks and torsos. Their warm blood drenched his skin.

The scene gave him a surge of foul power. He teetered from the unfamiliarity of it and shook his head to clear the image.

No. Nick wasn’t a murderer.

Instead, he turned and raced for the alley entrance, tossing the swords away in disgust. His heart sank as he heard the two men getting to their feet. Rounding the corner, Nick ran under an archway connecting two buildings. He angled for the building wall, stepped on a brick edge, and jumped up, catching an exposed pipe ten feet up.

As footsteps approached, he swung and kicked, striking a direct hit into Bernardo’s face. Bernardo toppled into Dante, the two landing hard on the ground. Nick dropped from the pipe and sprinted in the other direction, his torn shirtsleeve flapping off his bloodied arm. 

***

Excerpt from The Prisoner of Paradise by Rob Samborn. Copyright 2021 by Rob Samborn. Reproduced with permission from Rob Samborn. All rights reserved.

 

 

Author Bio:

Rob Samborn

In addition to being a novelist, Rob Samborn is a screenwriter, entrepreneur and avid traveler. He’s been to forty countries, lived in five of them (including Italy) and studied nine languages. As a restless spirit who can’t remember the last time he was bored, Rob is on a quest to explore the intricacies of our world and try his hand at a multitude of crafts; he’s also an accomplished artist and musician, as well as a budding furniture maker. A native New Yorker who lived in Los Angeles for twenty years, he now makes his home in Denver with his wife, daughter and dog.

Catch Up With Rob Samborn:
RobSamborn.com
Goodreads
BookBub – @rsamborn
LinkedIn
Instagram – @robsamborn
Twitter – @RobSamborn
Facebook – @RobSambornAuthor
TikTok – @robsamborn

 

 

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Twentymile by C. Matthew Smith | #Twentymile @cmattwrite #Thriller #PoliceProcedural #Interview #Showcase

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Twentymile

by C. Matthew Smith

November 15 – December 10, 2021 Tour

Synopsis:

Twentymile by C. Matthew Smith

When wildlife biologist Alex Lowe is found dead inside Great Smoky Mountains National Park, it looks on the surface like a suicide. But Tsula Walker, Special Agent with the National Park Service’s Investigative Services Branch and a member of the Eastern Band of Cherokee Indians, isn’t so sure.

Tsula’s investigation will lead her deep into the park and face-to-face with a group of lethal men on a mission to reclaim a historic homestead. The encounter will irretrievably alter the lives of all involved and leave Tsula fighting for survival – not only from those who would do her harm, but from a looming winter storm that could prove just as deadly.

A finely crafted literary thriller, Twentymile delivers a propulsive story of long-held grievances, new hopes, and the contentious history of the land at its heart.

Praise for Twentymile:

“[A] striking debut . . . a highly enjoyable read suited best to those who like their thrillers to simmer for awhile before erupting in a blizzard of action and unpredictability . . .” Kashif Hussain, Best Thriller Books.

“C. Matthew Smith’s original, intelligent novel delivers unforgettable characters and an irresistible, page-turning pace while grappling with deeply fascinating issues of land and heritage and what and who is native…. Twentymile is an accomplished first novel from a talented and fully-formed writer.” James A. McLaughlin, Edgar Award-winning author of Bearskin

Twentymile is packed with everything I love: A strong, female character; a wilderness setting; gripping storytelling; masterful writing. Smith captures powerfully and deeply the effects of the past and what we do to one another and ourselves for the sake of ownership and possession, for what we wrongfully and rightfully believe is ours. I loved every word. A beautiful and brutal and extraordinary debut.” Diane Les Becquets, bestselling author of Breaking Wild and The Last Woman in the Forest

Book Details:

Genre: Procedural, Thriller
Published by: Latah Books
Publication Date: November 19, 2021
Number of Pages: 325
ISBN: 978-1-7360127-6-5
Purchase Links: Amazon | Barnes & Noble | Goodreads | Latah Books

Read an excerpt:

HARLAN

CHAPTER ONE

May 10

The same moment the hiker comes upon them, rounding the bend in the trail, Harlan knows the man will die.

He takes no pleasure in the thought. So far as Harlan is aware, he has never met the man and has no quarrel with him. This stranger is simply an unexpected contingency. A loose thread that, once noticed, requires snipping.

Harlan knows, too, it’s his own fault. He shouldn’t have stopped. He should have pressed the group forward, off the trail and into the concealing drapery of the forest. That, after all, is the plan they’ve followed each time: Keep moving. Disappear.

But the first sliver of morning light had crested the ridge and caught Harlan’s eye just so, and without even thinking, he’d paused to watch it filter through the high trees. Giddy with promise, he’d imagined he saw their new future dawning in that distance as well, tethered to the rising sun. Cardinals he couldn’t yet spot were waking to greet the day, and a breeze picked up overhead, soughing through shadowy crowns of birch and oak. He’d turned and watched the silhouettes of his companions taking shape. His sons, Otto and Joseph, standing within arm’s length. The man they all call Junior lingering just behind them.

The stranger’s headlamp sliced through this reverie, bright and sudden as an oncoming train, freezing Harlan where he stood. In all the times they’ve previously made this journey—always departing this trail at this spot, and always at this early hour—they’ve never encountered another person. Given last night’s thunderstorm and the threat of more to come, Harlan wasn’t planning on company this morning, either.

He clamps his lips tight and flicks his eyes toward his sons—be still, be quiet. Junior clears his throat softly.

“Mornin’,” the stranger says when he’s close.

The accent is local—born, like Harlan’s own, of the surrounding North Carolina mountains—and his tone carries a hint of polite confusion. The beam of his headlamp darts from man to man, as though uncertain of who or what most merits its attention, before settling finally on Junior’s pack.

The backpack is a hand-stitched canvas behemoth many times the size of those sold by local outfitters and online retailers. Harlan designed the mammoth vessel himself to accommodate the many necessities of life in the wilderness. Dry goods. Seeds for planting. Tools for construction and farming. Long guns and ammunition. It’s functional but unsightly, like the bulbous shell of some strange insect. Harlan and his sons carry similar packs, each man bearing as much weight as he can manage. But it’s likely the rifle barrel peeking out of Junior’s that has now caught the stranger’s interest.

Harlan can tell he’s an experienced hiker, familiar with the national park where they now stand. Few people know of this trail. Fewer still would attempt it at this hour. Each of his thick-knuckled hands holds a trekking pole, and he moves with a sure and graceful gait even in the relative dark. He will recognize—probably is just now in the process of recognizing—that something is not right with the four of them. Something he may be tempted to report. Something he might recall later if asked.

Harlan nods at the man but says nothing. He removes his pack and kneels as though to re-tie his laces.

The hiker, receiving no reply, fills the silence. “How’re y’all do—”

When Harlan stands again, he works quickly, covering the stranger’s mouth with his free hand and thrusting his blade just below the sternum. A whimper escapes through his clamped fingers but dies quickly. The body arches, then goes limp. One arm reaches out toward him but only brushes his shoulder and falls away. Junior approaches from behind and lowers the man onto his back.

Even the birds are silent.

Joseph steps to his father’s side and offers him a cloth. Harlan smiles. His youngest son is a carbon copy of himself at eighteen. The wordless, intent glares. The muscles tensed and explosive, like coiled springs straining at a latch. Joseph eyes the man on the ground as though daring him to rise and fight.

Harlan removes the stranger’s headlamp and shines the beam in the man’s face. A buzz-cut of silver hair blanches in this wash of light. His pupils, wide as coins, do not react. Blood paints his lips and pools on the mud beneath him, smelling of copper.

“I’m sorry, friend,” Harlan says, though he doubts the man can hear him. “It’s just, you weren’t supposed to be here.” He yanks the knife free from the man’s distended belly and cleans it with the cloth.

From behind him comes Otto’s fretful voice. “Jesus, Pop.”

Harlan’s eldest more resembles the men on his late wife’s side. Long-limbed and dour. Quiet and amenable, but anxious. When Harlan turns, Otto is pacing along a tight stretch of the trail with his hands clamped to the sides of his head. His natural state.

“Shut up and help me,” Harlan says. “Both of you.”

He instructs his sons to carry the man two hundred paces into the woods and deposit him behind a wide tree. Far enough away, Harlan hopes, that the body will not be seen or smelled from the trail any time soon. “Wear your gloves,” he tells them, re-sheathing the knife at his hip. “And don’t let him drag.”

As Otto and Joseph bear the man away, Harlan pockets the lamp and turns to Junior.

“I know, I know,” he says, shaking his head. “Don’t look at me like that.”

“Like what?”

Harlan sweeps his boot back and forth along the muddy trail to smooth over the odd bunching of footprints and to cover the scrim of blood with earth. He’s surprised to find his stomach has gone sour. “No witnesses,” he says. “That’s how it has to be.”

“People go missing,” Junior says, “and other people come looking.”

“By the time they do, we’ll be long gone.”

Junior shrugs and points. “Dibs on his walking sticks.”

Harlan stops sweeping. “What?”

“Sometimes my knees hurt.”

“Fine,” Harlan says. “But let’s get this straight. Dibs is not how we’re going to operate when we get there.”

Junior blinks and looks at him. “Dibs is how everything operates.”

Minutes later, Otto and Joseph return from their task, their chests heaving and their faces slick. Otto gives his younger brother a wary look, then approaches Harlan alone. When he speaks, he keeps his voice low.

“Pop—”

“Was he still breathing when you left him?”

Otto trains his eyes on his own feet, a drop of sweat dangling from the tip of his nose.

“Was he?”

Otto shakes his head. He hesitates for a moment longer, then asks, “Maybe we should go, Pop? Before someone else comes along?”

Harlan pats his son’s hunched neck. “You’re right, of course.”

The four grunt and sway as they re-shoulder their packs. Wooden edges and sharp points dig into Harlan’s back and buttocks through the canvas, and the straps strain against his burning shoulders. But he welcomes this discomfort for what it means. This, at last, is their final trip.

This time, they’re leaving for good.

They fan out along the edge of the trail, the ground sopping under their boots. Droplets rain down, shaken free from the canopy by a gust of wind, and Harlan turns his face up to feel the cool prickle on his skin. Then he nods to his companions, wipes the water from his eyes, and steps into the rustling thicket.

The others follow after him, marching as quickly as their burdens allow.

Melting into the trees and the undergrowth.

PART I:

DRIFT 

TSULA 

CHAPTER TWO

October 26

By the time the two vehicles she’s expecting appear at the far end of the service road, Tsula is already glazed with a slurry of sweat and south Florida sand so fine it should really be called dust. She hasn’t exerted herself in the slightest—she parked, got out of her vehicle, waited for the others to arrive—but already she longs for a shower. She wipes her brow with an equally damp forearm. It accomplishes little.

“Christ almighty.”

Tsula grew up in the Qualla Boundary—the eighty square miles of western North Carolina held by the federal government in trust for the Eastern Band of Cherokee Indians—and had returned to her childhood home two years ago after a prolonged absence. This time of year in the Qualla, the mornings are chilly and the days temperate, autumn having officially shooed summer out of the mountains. In northern Wyoming, where she’d spent nearly two decades of her adult life, it takes until mid-morning in late October for the frost to fully melt. Tsula understands those rhythms—putting on layers and shedding them, freezing and thawing. The natural balance of it. But only miles from where she stands, in this same ceaseless heat, lies the Miami-Dade County sprawl. It baffles her. Who but reptiles could live in this swelter?

Tsula raises her binoculars. A generic government-issued SUV, much like her own, leads the way. An Everglades National Park law enforcement cruiser follows close behind.

She looks down at her watch: 11:45 a.m.

Tsula flaps the front of her vented fishing shirt to move air against her skin. The material is thin, breathable, and light tan, but islets of brown have formed where the shirt clings to perspiration on her shoulders and chest. She removes her baseball cap, fans her face, and lifts her ponytail off her neck. In this sun, her black hair absorbs the heat like the hood of a car, and she would not at all be surprised to find it has burned her skin. For a moment, she wishes it would go ahead and gray. Surely that would be more comfortable.

The vehicles pull to a stop next to her, and two men exit. Fish and Wildlife Commission Investigator Matt Healey approaches first. He is fifty-something, with the tanned and craggy face of someone who has spent decades outside. Tsula shakes his hand and smiles.

“Special Agent,” he says, scratching at his beard with his free hand.

The other man is younger—in his late twenties, Tsula figures—and dressed in the standard green-and-gray uniform of a law enforcement park ranger. He moves with a bounding and confident carriage and thrusts out his hand. “Special Agent, I’m Ranger Tim Stubbs. Welcome to Everglades. I was asked to join y’all today, but I’m afraid they didn’t give me much other info. Can someone tell me what I’m in for?”

“Poachers,” Healey answers. “You’re here to help us nab some.”

“We investigate poaching every year,” Stubbs says, nodding toward Tsula. “Never get the involvement of the FBI.”

“ISB,” she corrects him. “Investigative Services Branch? I’m with the Park Service.”

“Never heard of it,” Stubbs says.

“I get that a lot.”

Whether he knows it or not, Stubbs has a point. The ISB rarely, if ever, involves itself in poaching cases. Most large parks like Everglades have their own law enforcement rangers capable of looking into those of the garden variety. Federal and state fish and wildlife agencies can augment their efforts where necessary. At just over thirty Special Agents nationwide, and with eighty-five million acres of national park land under their jurisdiction from Hawaii to the U.S. Virgin Islands, this little-known division of the Park Service is too thinly staffed to look into such matters when there are suspicious deaths, missing persons, and sexual assaults to investigate.

But this case is different.

“It’s not just what they’re taking,” Healy says. “It’s how much they’re taking. Thousands of green and loggerhead turtle eggs, gone. Whole nests cleaned out at different points along Cape Sable all summer long. Always at night so cameras don’t capture them clearly, always different locations. They’re a moving target.”

“We’ve been concerned for a while now that they may be getting some assistance spotting the nests from inside the park,” Tsula adds. “So, we’re keeping it pretty close to the vest. That’s why no one filled you in before now. We don’t want to risk any tip-offs.”

“What would anyone want with that many eggs?”

“Black market,” Healey says.

“You’re kidding.”

Healey shakes his head. “Sea turtle eggs go down to Central America where they’re eaten as an aphrodisiac. Fetch three to five bucks apiece for the guy stateside who collects them. Bear paws and gallbladders go over to Asia. All kinds of other weird shit I won’t mention. And, of course, there are the live exotics coming into the country. Billions of dollars a year in illegal animal trade going all over the world. One of the biggest criminal industries besides drugs, weapons, and human trafficking. This many eggs missing—it’s like bricks of weed or cocaine in a wheel well. This isn’t some guy adding to his reptile collection or teenagers stealing eggs on a dare. This is commerce.”

Tsula recognizes the speech. It’s how Healey had hooked her, and how she in turn argued her boss into sanctioning her involvement. “Sure, most poaching is small-potatoes,” he told her months ago. He’d invited her for a drink that turned out to be a pitch instead. “Hicks shooting a deer off-season on government land and similar nonsense. This isn’t that. You catch the right guys, and they tell you who they’re selling to, maybe you can follow the trail. Can you imagine taking down an international protected species enterprise? Talk about putting the ISB on the map.”

“So maybe that’s what’s in it for me,” Tsula said, peeling at the label on her bottle. “Why are you so fired up?”

He straightened himself on his stool and drew his shoulders back. “These species are having a hard enough time as it is. Throw sustained poaching on top, it’s going to be devastating. I want it stopped. Not just the low-level guys, either. We put a few of them in jail, there will always be more of them to take their place. I want the head lopped off.”

Tsula had felt a thrill at Healey’s blunt passion and the prospect of an operation with international criminal implications. Certainly, it would be a welcome break from the child molestation and homicide cases that ate up her days and her soul, bit by bit. It took three conversations with the ISB Atlantic Region’s Assistant Special Agent in Charge, but eventually he agreed.

“This better be worth it,” he told her finally. “Bring some people in, get them to tell us who they’re working for. We may have to let the FBI in after that, but you will have tipped the first domino.”

Their investigation had consumed hundreds of man-hours across three agencies but yielded little concrete progress for the first several months. Then a couple weeks ago, Healey received a call from the Broward County State Attorney’s office. A pet store owner under arrest for a third cocaine possession charge was offering up information on turtle egg poachers targeting Everglades in a bid for a favorable plea deal. Two men had recently approached the store owner, who went by the nickname Bucky, about purchasing a small cache of eggs they still had on hand. It was toward the end of the season, and the recent yields were much smaller than their mid-summer hauls. Since many of the eggs they’d gathered were approaching time to hatch, the buyers with whom the two men primarily did business were no longer interested. The two men were looking for a legally flexible pet store owner who might want to sell hatchlings out the back door of his shop.

Tsula decided to use Bucky as bait. At her direction, he would offer to purchase the remaining eggs but refuse to conduct the sale at his store. The strip mall along the highway, he would explain, was too heavily trafficked for questionable transactions. But he knew a quiet place in the pine rocklands near the eastern border of the park where he liked to snort up and make plans for his business. They could meet there.

“Do I really have to say the part about snorting up?” Bucky had asked her, scratching his fingernails nervously on the interrogation room table. “I really don’t want that on tape. My parents are still alive.”

“You think they don’t know already?” Tsula said. “You don’t like my plan, good luck with your charges and your public defender here. How much time do you figure a third offense gets you?”

At his lawyer’s urging, Bucky finally agreed. The plan was set in motion, with the operation to take place today.

“So how are we looking?” Healey asks.

“Bucky’s on his way,” Tsula says. “I met with him earlier for a final run-through, got him mic’d up. We’re going to move the vehicles behind the thicket over there and wait. I’ve scouted it out. We’ll be concealed from the road. The purchase will take place about 12:30. As soon as Bucky has the eggs, we make our move.”

“I’ll secure the eggs,” Healy says. “You guys reel in some assholes.”

Tsula looks at Stubbs. His jaw is clenched, his eyes suddenly electric. “I’ll ride with you when it’s time, if that’s alright,” she says. “Keep it simple.”

They move their vehicles behind the wall of climbing fern and ladies’ tresses. Tsula exits her SUV, takes a concealed vantage point behind the brush, and raises her binoculars. To her left, a breeze has picked up and is swaying the distant sawgrass. A golden eagle circles effortlessly on a thermal, its attention trained on something below. Directly beyond the thicket where she stands, a large expanse of grass spreads out for a quarter mile before giving way to a dense stand of pine trees. To her right, that same open field stretches perhaps two miles, bordered by the service road on which Healy and Stubbs had just come in. All is silent but the soft hum of the breeze.

Bucky’s rust-colored compact bounces up the road around 12:15 and disappears as it passes on the opposite side the thicket. Minutes later, a mud-flecked pickup on oversized tires proceeds the same direction up the road, dragging a dust plume like a thundercloud behind it.

Tsula turns, nods to Healey, and climbs quietly into Stubbs’s cruiser. She inserts her earpiece and settles into the seat. Stubbs looks over at her expectantly, his hand hovering over the ignition.

Tsula shakes her head. “Not yet.”

***

Excerpt from Twentymile by C. Matthew Smith. Copyright 2021 by C. Matthew Smith. Reproduced with permission from C. Matthew Smith. All rights reserved.

 

 

Author Bio:

C. Matthew Smith

C. Matthew Smith is an attorney and writer whose short stories have appeared in and are forthcoming from numerous outlets, including Mystery Tribune, Mystery Weekly, Close to the Bone, and Mickey Finn: 21st Century Noir Vol. 3 (Down & Out Books). He’s a member of Sisters in Crime and the Atlanta Writers Club.

Q&A with C. Matthew Smith

What was the inspiration for this book?

It was the conjunction of three different narrative sparks. First, I’ve loved the setting of the book, Great Smoky Mountains National Park, for nearly three decades, and I’ve often thought how great a setting it would be for a novel. Second, I’d been toying for a while with the idea featuring a “good guy” character on the run from “bad guys” in difficult terrain, and the conflict between them arising out of being some sort of dispute over land use. (Were the bad guys poaching? Did they manage a hostile takeover of public lands like the Ammon Bundy situation?) Third, I found an article in 2018 in the magazine Outside profiling the National Park Service’s own FBI-type law enforcement organization, the Investigative Services Branch. Based on my research, no prior novel has featured an ISB special agent, and I realized this was an opportunity for a compelling and unique “good guy.”

What has been the biggest challenge in your writing career?

Being patient–with myself, with my writing, with the whole process of querying and publication. It takes a long time to write a good book, and when that’s done, you’re still only like halfway there.
What do you absolutely need while writing?

Quiet and time. Writing takes all of my attention, so I need a distraction free zone.

Who is your favorite character from your book and why?

Tsula Walker is my favorite. She’s a flinty woman doing a tough job and dealing with complications at home. She’s far from perfect, but her heart is in the right place. I almost feel bad for what I put her through in the story.

Tell us why we should read your book.

I wrote a book I’d want to read, and I doubt I’m terribly unique in my tastes. I enjoy crime novels and outdoor adventure stories, and Twentymile has a bit of both. In addition, my favorite novels are those whose themes and subtext run deep, give me something to chew on long after the resolution. Twentymile, I hope, raises important questions about the history of its setting, about what “home” means, and about the stories we tell ourselves about our history.

Give us an interesting fun fact or a few about your book?

I’ll go with the National Park Service’s Investigative Services Branch, which I had no idea even existed until 2018. It’s a group of about three dozen special agents that investigate the most serious crimes committed in our national parks. They’re like the FBI, except they’re far fewer in number and often work alone in remote locations. It takes a particular kind of person to want to do that.

Do you have anything specific that you want to say to your readers?

I genuinely appreciate you taking the time to read Twentymile. I know how little time we all have and how many other books choices you had. I hope you enjoy it!

Tell us a little about yourself and your background?

I’ve loved books since I was a child, and when I entered college in 1993, I swore I was going to be a writer. I ended up going to law school instead of graduate school, and I’ve spent twenty years in practice. I still have the day job, but I finally had an idea for a novel that wouldn’t leave me alone, so I started writing three years ago. The result is Twentymile. Outside of work and writing, I’ve been married to my wife, Cindy, for nearly two decades, and we have a fifteen-year-old son, Everett. My hobbies include all manner of outdoor activities, but especially fly-fishing and spending time in the woods.

What’s next that we can look forward to?

I’m already at work on another novel, which is quite different from Twentymile. Think “crime in the early gig economy.” I figure it’ll take me a couple of years to finish, but in the meantime, a short story I’m pretty proud of will appear in the anthology Mickey Finn: 21st Century Noir Vol. 3 next fall.

Catch Up With C. Matthew Smith:
www.cmattsmithwrites.com
Twitter – @cmattwrite
Facebook

 

 

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Cliff Diver by Carmen Amato | #CliffDiver @authorcarmenamato #Mystery #PoliceProcedural #Interview #Showcase

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Cliff Diver

by Carmen Amato

November 1-30, 2021 Virtual Book Tour

Synopsis:

Cliff Diver by Carmen Amato

Acapulco’s first female police detective dives into an ocean of secrets, lies, and murder when she investigates her own lieutenant’s death.

In this explosive start to the award-winning Detective Emilia Cruz mystery series set in Acapulco, Emilia beat the odds to become the resort city’s first female police detective. But she’s living in a pressure cooker. Other detectives are scheming to push her out and the police department is riddled with corruption and drug cartel influence.

When the lieutenant is murdered, Emilia is assigned to lead the investigation. Soon the man’s sordid sex life, money laundering, and involvement in a kidnapping double-cross combine to create an ugly mess no one wants exposed. The high profile murder case could wreck Emilia’s career. When another detective–Emilia’s worst enemy in the squadroom–emerges as the prime suspect, keeping her job might be the least of her worries.

Readers who love international mystery series crime fighters including Armand Gamache, Harry Hole, Guido Brunetti, and the Department Q series will also love Detective Emilia Cruz’s complex plots, pulse-pounding suspense, and exotic location. Perfect for lovers of detective fiction by Ian Rankin, Jo Nesbo, and Peter May, as well as Don Winslow’s Mexican cartel and border thrillers.

“Consistently exciting”
Kirkus Reviews

“A wonderful crime mystery”
— MysterySequels.com

Poison Cup award, Outstanding Series 2019 and 2020
— CrimeMasters of America

Book Details:

Genre: Mystery, Police Procedural
Published by: Laurel & Croton
Publication Date: September 2021 (first published January 27, 2013)
Number of Pages: 302
ISBN: 1482308045 (ISBN13: 9781482308044)
Series: Emilia Cruz Mysteries #1
Purchase Links: Amazon | Barnes & Noble | Goodreads

 

Read an excerpt:

The two newcomers surveyed the squadroom. One of them looked vaguely familiar, as if he’d been in the newspaper lately. He was in his late thirties, with longish dark hair slicked back from a high forehead and the sort of angular cheekbones that spoke of a strong indio heritage. He wore a black leather blazer over a black tee shirt and cuffed pants. There was a slight bulge under the left arm.

Emilia stopped typing. The man exuded power.

The other man was bigger and blockier, with a square chin and a nose that had been broken too many times. He was also well dressed in expensive casual clothing.

“I’m looking for a Detective Cruz,” the black-clad man announced.

Emilia felt all eyes shift to her. But before she could say anything Silvio crossed the room. “Detective Franco Silvio,” he said to the man in black.

“I know who you are,” the man replied. “I’m here to talk to Cruz.”

Emilia slowly stood up.

“In the office.” The man jerked his chin at Emilia and then he and his cohort pushed past Silvio and headed into el teniente’s office.

Silvio swung over to Emilia. “What the fuck’s this?” he hissed.

“I don’t know,” she flashed back. Rico came to stand next to her and Silvio gave him a what-the-fuck-do-you-think-you’re-doing look but Rico stood his ground.

The three of them went into the office. The man in black sat in el teniente’s chair and jiggled the locked desk drawers. “Shut the door,” he said without looking up.

Silvio complied and the man came out from behind the desk.

“Do you know who I am?” he asked Emilia.

Emilia gave her head a tight shake. With five people in the room it felt crowded and Emilia felt that cold spurt of wariness she always did when she was the only woman in a crowd of unfriendly men. “I’m sorry, señor.”

“I’m Victor Obregon Sosa, the head of the police union for the state of Guerrero,” he announced. “This is my deputy, Miguel Villahermosa.” The other man didn’t acknowledge the introduction but it was clear Obregon had not expected him to do so. “We’re here to make sure that the investigation into Fausto Inocente’s death is handled properly.”

Rico bristled, as if he was offended that the union would butt in. Emilia waited for him to say something stupid but Silvio shot him a murderous glare and Rico kept his mouth shut.

“We’re barely two hours into the investigation,” Silvio said, obviously making an effort to keep his temper. It had been less than 40 minutes since the call to the chief of police. “It came in as a routine dispatch call. Cruz and Portillo were given the assignment, made the discovery, locked down the scene, and notified the next of kin.”

“So let’s hear it,” Obregon said and flapped a hand.

Silvio nodded at Rico.

“We got a report of a drifting boat,” Rico began. “It was off the beach at the Palacio Réal hotel–.”

“No,” Obregon interrupted. He folded his arms. “Cruz.”

Emilia stole a look at Rico. His face was like thunder. She swallowed hard. “As my partner said, the call was to investigate a drifting boat off the beach at the Palacio Réal. The hotel chef and manager saw it from the beach early this morning, thought there were bloodstains on the side. We met Water Patrol at the hotel and they towed in the boat.” She took another breath and tried to sound as professional as possible. “Lt. Inocente was in the bottom of the boat, with his head encased in a plastic bag. It was pulled tight and knotted around his neck. When the crime scene technician opened the bag it appeared that the back of his head was caved in. We’ll know more when the coroner examines the body.”

Obregon nodded. “Any other injuries?” he asked her.

She shook her head. “No bullet holes in the hull of the boat, no evidence of a struggle. Blood on the deck under the body, likely from the head wound. Blood had also soaked through his shirt and there was some on the upper edge of the boat hull. Technicians took samples but they’ll probably all come back as his.”

“Anything else?”

“The boat is his. His wife gave us the registration papers.” Emilia paused, discomfited by Obregon’s stare. The tension in the room was palpable. She glanced at Rico and plowed on. “They live in the same area as the hotel. The wife wasn’t much help regarding his whereabouts last night. The last person who could pinpoint his whereabouts last night was their maid. Said he got a phone call late in the evening and went out. Took the boat keys but nothing else.”

“Wife didn’t see him?”

“She had gone out to a charity event,” Emilia said. “Of course, we’ll be checking to verify her story.”

Obregon tipped the chair back. A thin silver chain showed inside the loose neck of the tee. His skin was smooth and his jaw was tightly defined. He looked like someone who worked out a lot. And liked showing off the results.

“So, Cruz, tell me how you’re going to proceed,” he said, as if Rico and Silvio weren’t even in the crowded office.

“We’ll set up a hotline and get detectives out talking to everyone at his apartment building and the hotel to see if we can piece together his last hour. He was apparently close to his brother. We’ll talk to him as well. Look at his phone records to see if we can find out who the late night caller was. Coroner’s report. Forensics on his laptop. See if we get any prints off the boat.”

Obregon nodded and straightened the chair. Even that simple movement belied grace and power and focused intent. “This is how the investigation is going to go.” He pointed at Emilia. “You’re appointed acting lieutenant. Do whatever you want with these clowns”–he snapped his fingers at Silvio and Rico–“and the other cases you’ve got but I want you to personally head the Inocente investigation.”

Both Silvio and Rico froze as if they couldn’t believe what they’d just heard.

“Chief Salazar has already been notified. You’ll report directly to my office every few days until this thing is over.” Obregon indicated Villahermosa who’d remained by the door during the entire conversation, like a large, menacing statue. Obregon’s deputy was even bigger than Silvio, with legs the size of tree trunks. Another former boxer, no doubt. “Villahermosa will be on call to assist as well.”

The tension in the room was now tinged with menace. Emilia struggled to keep breathing normally.

“Cruz is a junior detective.” Silvio’s voice was tight. “She doesn’t have the experience or the seniority to be acting lieutenant.”

“Cruz has my full support,” Obregon said.

“With respect,” Silvio said. “We understand that. But she’s not the senior detective here.”

“Nobody’s asking for your fucking opinion,” Obregon blazed. His eyes drilled into Silvio. “Cruz is in charge as of now. Thanks for coming.”

Villahermosa pulled open the door and jerked his chin at Silvio and Rico. They both walked out.

Emilia stood rooted to the spot as her mind jumped around. Why had he chosen her? Did the union have the authority to put her in this position?

Obregon motioned to Villahermosa and the man left the office, too. And then it was just Obregon and Emilia. He walked round the desk again and rifled through a few of the papers on the desktop.

“The mayor has a press conference tomorrow and she’ll want to say something about the Inocente investigation,” Obregon said as he looked through the papers. “Be nice if you could have this all wrapped up by then.”

Emilia felt as if she’d been gutted. She forced a single word out around the tightness in her throat and the dryness in her mouth. “Sure.”

She must have sounded sassier than she felt because he looked up and laughed. “At any rate, we’ll meet beforehand to review what you’re going to tell her. Let’s say tomorrow 4:00 pm.”

He glanced at his watch, an expensive-looking silver job with three knobs on the side. “That gives you more than 24 hours to come up with something significant.”

Emilia licked her lips. “I won’t even have the phone records by then.”

“You’ll have something for the press conference,” Obregon said nastily. “Some nice sound bite about the diligence of the Acapulco police and how they’re sad but determined.”

“You want me to say this to the mayor?”

“Inocente was as dirty as they come.” Obregon turned his attention back to the overflowing inbox. “You’re going to turn up a lot of bad things. When you do, you tell me or Villahermosa. Not the other detectives and not the chief of police. You don’t arrest anybody, you don’t get yourself shot, you don’t do anything. I’ll take care of that part.”

Emilia’s heart hammered like a warning bell in her chest. “I think Silvio should be in charge of this investigation. He’s the senior detective.”

“If you find that the wife popped him,” Obregon went on. “And you know it beyond a shadow of a doubt, go ahead and arrest her. Otherwise come to me first. Nobody else.”

“Did you hear what I said?” Emilia said.

“I’m trying to clean up the police in this state,” Obregon said as he plucked a folder out of the box. As he flipped it open his hands knotted with veins, as if he had a lot of practice clenching and unclenching his fists. “I’m sick of the corruption and men like Inocente making deals with the cartels. People like him protect their empires, feed it with drugs and private armies. When you find out who killed Inocente we can probably roll up whatever cartel he was in bed with.”

“Why me?” Emilia asked. She was talking to his bent head as if he couldn’t be bothered to look her in the eye. The warning bell was deafening and Emilia knew she had to get herself out of this situation. Silvio should have this job. Or Loyola. They’d know how to deal with Obregon as well as how to conduct a major murder investigation. “You heard what Silvio said. Almost all the detectives out there are senior to me. There will be a lot of resistance. From all the other detectives. Enough to keep the investigation from going forward.”

“You’ll handle it.” Obregon read something else out of the inbox.

“You don’t understand.” Emilia slammed her hand down on the desktop to get his attention.

“Good,” he said, finally looking up from whatever he’d been reading. “You’ve got a fire in the belly. You get those detectives talking to everybody in that fucking hotel. Everybody who lived near him. Whoever even heard of Fausto Inocente. And if the boys don’t do what you say, shoot one of them. The rest will fall in line.”

He was serious.

“I don’t know who you think I am, señor,” Emilia gulped. “But I’ve only been a detective for two years. Mostly I’ve handled the crap cases. You need a seasoned investigator on this one. Get one of the other detectives to be acting lieutenant.”

“You’ve made quite a mark in two years, whether you know it or not,” Obregon said. “Recovering the Morelos de Gama child was a big deal.”

“The media made it out to be more than it was,” Emilia parried. “The case was handled in Ixtapa, not here.”

“We’ve been watching you.” He tossed the file onto the desk and regarded her. “Our girl detective. You’re a hungry one. You want to get someplace.”

“I’m sorry,” Emilia said. “Not this.”

“You’re the only woman here.” Obregon’s glance was searing.

“This is because I’m a woman?”

“Yes. Everybody knows women are less corrupt.” Obregon came around the side of the desk and Emilia resisted the urge to shrink away from him. “You do this or you won’t even be able to be hired on as the lowliest transito cop in any police force in this state.”

He leaned down and put his face close to hers. “You know he was corrupt. Up to his neck in shit. Well, I’m the person putting an end to it in the state of Guerrero, and you don’t get to choose sides.”

Emilia didn’t move. It was hard to breathe. He smelled like leather and cigarettes and an unexpected whiff of spicy cologne.

“I’ll be calling you on this office phone so you’d better move in today.” Obregon stepped back and ran an appraising eye down Emilia’s body. “And look good tomorrow. You want the mayor to take you seriously.”

“I’m junior around here,” Emilia said stubbornly. “You want a fast result, you get Silvio.”

“Maybe I wasn’t clear enough for you, Cruz.” Obregon’s voice was flat. “If the union puts you and your mother out on the street you won’t work as a whore in this town much less as a transito. So you show up and be nice to the mayor and tell her something clever for her little television press conference. How you’re working night and day to solve this terrible crime and keep Acapulco safe for the tourists.”

They stared at each other for a long moment.

You and your mother struck home for Emilia, as no doubt it was intended to.

“I want doors on the stalls in the detectives’ bathroom,” Emilia heard herself say. “And a copier that works. And paper for it. And ink.”

The corner of Obregon’s mouth twitched. “Anything else?”

“I’ll let you know,” she said tightly.

Obregon handed Emilia a card. There were two cell phone numbers printed on it. “You only use these numbers to get in touch with me,” he said.

Before she could respond he pulled open the door and shouted “Attention.”

Emilia followed Obregon as far as the doorway. The detectives were all there, as was Villahermosa. Obregon strode to the center of the squadroom, commanding everyone’s attention.

“Most of you know me. I am Victor Obregon Sosa, the head of the police union for the state of Guerrero.” He revolved slowly and most of the detectives stood a little straighter as his eye rested on them for a moment, creating the same malice-tinged tension he’d first brought into the squadroom. “As you know, Lt. Inocente was found dead this morning. His death will be investigated as a homicide by this unit until his murderer is found and dealt with.”

There was a low sound of shuffling feet. Somebody coughed.

Obregon jerked his chin in the direction of Lt. Inocente’s office where Emilia leaned awkwardly against the doorjamb. “Detective Emilia Cruz will be acting lieutenant for the duration and in charge of the investigation into Lt. Inocente’s death.”

Eyes swiveled to Emilia. Rico was openly shocked as he sat on the end of his desk. Silvio’s face was like granite. He was the only one who kept his gaze on Obregon.

Emilia didn’t acknowledge the stares. She kept her eyes on the ancient copier.

Several of the detectives shifted uncomfortably in the silence. “One of our own has died,” Obregon said. “And we will conduct a thorough investigation, find whoever did this, and punish them according to the full measure of Mexican law.”

He nodded at Emilia. “See you tomorrow, Cruz. Four o’clock.” His eyes revealed nothing. “Good luck.”

Obregon and Villahermosa walked out. As soon as the door shut behind them the squadroom erupted into a bedlam of shouting.

***

Excerpt from Cliff Diver by Carmen Amato. Copyright 2021 by Carmen Amato. Reproduced with permission from Carmen Amato. All rights reserved.

 

 

Author Bio:

Carmen Amato

Carmen Amato turns lessons from a 30-year career with the Central Intelligence Agency into crime fiction loaded with intrigue and deception.”

Her award-winning Detective Emilia Cruz mystery series pits the first female police detective in Acapulco against Mexico’s drug cartels, government corruption, and social inequality.

Described as “A thrilling series” by National Public Radio, the Detective Emilia Cruz series was awarded the Poison Cup for Outstanding Series from CrimeMasters of America in both 2019 and 2020 and has been optioned for television.

Originally from upstate New York, Carmen was educated there as well as in Virginia and Paris, France, while experiences in Mexico and Central America ignited her writing career.

Her family tree includes a mayor, a Mensa genius, and the first homicide in the state of Connecticut with an automatic weapon. The perpetrator, her great-grandfather, eluded a state-wide manhunt after killing two people–one of whom was his wife. He was never brought to justice. Carmen is a recipient of both the National Intelligence Award and the Career Intelligence Medal.

Grab a free copy of the Detective Emilia Cruz Starter Library at CarmenAmato.net.

You’ll see why Amazon Hall of Fame reviewer Grady Harp wrote: “For pure entertainment and a gripping story likely resulting in nail biting, read Carmen Amato’s addictive prose. She knows this territory like a jaguar!”

Q&A with Carmen Amato

What was the inspiration for this book?

CLIFF DIVER is the first novel in the Detective Emilia Cruz mystery series about the first female police detective in Acapulco.

After living in Mexico and Central America for many years, I wanted to create a female character who faced all the pressures that region of the world brings to bear on women. Making her a police detective meant that she lives in a pressure cooker created by drug cartels, official corruption, and Mexico’s culture of machismo.

Add a relationship with Kurt Rucker, manager of Acapulco’s most luxurious hotel, and it’s a receipt for not only secrets, lies, and murder, but a little romance, too.

What has been the biggest challenge in your writing career?

The biggest challenge has been to loosen up my writing. As an intelligence officer with the Central Intelligence Agency for 30 years, I learned to write intelligence reports focusing on truth, predictions and precision. Those reports use qualifiers like “almost certainly” and “reportedly.”

But in fiction you make things up! I’ve learned to leave those qualifiers behind.

Writing fast-moving fiction dialogue, especially the arguments between Emilia and senior detective Franco Silvio has been terrific fun. They’re constantly pushing each other’s buttons and reveling in the reaction.

What do you absolutely need while writing?

The first is sticky notes, which I use to create outlines and jot reminders.

The second is writing time without interruption. Much harder to find.

For years, my kids dropped in so frequently while I was trying to write that I always had a spot for them. When they were in high school we called it the therapy chair!

Now one of our 3 dogs keeps me company. Dutch is a great sleeper, so he is always welcome to spend the afternoon curled up by my desk.

Do you adhere to a strict routine when writing or write when the ideas are flowing?

I write 3-4 hours a day. I always have a work-in-progress, plus blog posts or a newsletter to finish.

If I get stuck, I hit the pool or walking trail. A fresh idea or approach always shakes loose.

Who is your favorite character from your book and why?

Emilia Cruz is the main character in the series (CLIFF DIVER, HAT DANCE, DIABLO NIGHTS, KING PESO, PACIFIC REAPER, 43 MISSING, RUSSIAN MOJITO, NARCO NOIR) and she’s the most iconic character I’ve ever created.

Host of NPR’s ALT.Latino radio show Felix Contreras wrote that “Carmen Amato has created a character that deserves to be recognized as an equal alongside well known favorites by created by Hammett, Larson and Padura. I can’t wait to spend more time with Detective Cruz.”

That sort of commentary makes me sure that Emilia and I are on the right track.

She’s a woman in a male-dominated field, in a country where women lag far behind men when it comes to almost every indicator like salary, education, and senior-level jobs. But Emilia is smart, daring, and a little bit dishonest, as she clings to a tough but critical job; even as she deals with family secrets and her own frustrating inability to commit to a close personal relationship.

Tell us why we should read your book.

If you love mystery series with a strong female main character, then CLIFF DIVER and the rest of the Detective Emilia Cruz series is for you!

Readers who enjoy international crime fiction by Jo Nesbo, Peter May, Ann Cleeves, and Louise Penny, as well as Mexico-themed books like AMERICAN DIRT love the Detective Emilia Cruz series.

To give you an idea of reader reaction to the series, CLIFF DIVER has over 400 reviews with an average rating of 4.6 out of 5 stars on Amazon. Kirkus Reviews called it “Consistently exciting.”

Give us an interesting fun fact or a few about your book?

Some of the action in CLIFF DIVER takes place at the fictional Palacio Real hotel on the east side of Acapulco Bay. The hotel is a combination of my three favorite hotels in Mexico: Hacienda los Laureles in Oaxaca, the Sheraton Maria Isabel in Mexico City, and the Camino Real in Acapulco.

The hotel’s Pasodoble Bar is to the series what Olivier’s Bistro is to the Armand Gamache series by Louise Penny. A gathering place where mysteries are plotted and solved over great food and drinks.

Do you have anything specific that you want to say to your readers?

You can get a free copy of the Detective Emilia Cruz Starter Library on my website at https://carmenamato.net/starter-library/

You’ll get The Beast, the story that describes how Emilia landed her job as the first female police detective in Acapulco. It was originally published in Huffpost’s Fiction 50 Showcase.

Next, you’ll get The Angler, a story based on a true murder in Mexico City in 2007. The victim was my parish priest.

Finally, you’ll get the exclusive Who’s Who Guide to the series.

Tell us a little about yourself and your background?

I spent 30 years as an intelligence officer with the Central Intelligence Agency, retiring as head of one of the national intelligence tradecraft schools. I write about my career from time to time on my blog at https://carmenamato.net/shop-talk.

Writing the Detective Emilia Cruz series is my second career and I’m loving every minute of it.

What’s next that we can look forward to?
In addition to more books in the Detective Emilia Cruz mystery series set in Acapulco, I’m working on a 3-book Galliano Club thriller series based on my grandfather’s tales of working as a deputy sheriff of Oneida County, New York, during Prohibition. I have his ledgers from his time as City Marshall of Rome, New York, as well.
It’s hard to get a beer in 1926 but there’s plenty of murder, blackmail, and revenge on tap at the Galliano Club!
The Galliano Club thrillers will be released in mid-2022.

Catch Up With Carmen:
CarmenAmato.net
Goodreads
BookBub – @CarmenAmato
Instagram – @authorcarmenamato
Facebook – @authorcarmenamato

 

 

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New York: Give Me Your Best or Your Worst Presented by Elizabeth Crowens| #NewYork #Anthology #CoffeeTableBook #Photography

New York: Give Me Your Best or Your Worst Banner

New York: Give Me Your Best or Your Worst

Presented by: Elizabeth Crowens

October 25 – November 19, 2021 Virtual Book Tour

Synopsis:

New York: Give Me Your Best or Your Worst

An Anthology and Celebration of the Big Apple

I’m an unabashed, unapologetic lover of New York City, my hometown, and New York: Give Me Your Best or Your Worst is right up my dark, deserted alley. New York’s at its best when you sneak up on it, glance at its sideways, or let it glance sideways at you. The pros and photos in this collection all show New York’s best, even when they purport to be showing its worst; in NYC, that’s how we roll. A fine addition to your New York bookshelf, a collection to savor.
~ SJ Rozan, best-selling author of The Art of Violence

Book Details:

Genre: Coffee Table book of Photography with Short Stories
Published by: Atomic Alchemist Productions, LLC
Publication Date: Oct 25, 2021
Number of Pages: 150
ISBN: 1950384136, 9781950384136
Purchase Links: Amazon | BookBaby | The Mysterious Bookshop | Goodeareads

 

Read the Intro:

It is daunting to be asked to say something about New York City that hasn’t already been said with more eloquence than I could muster. As with many of the writing gigs I’ve accepted without carefully considering the consequences, I suppose I would have been better off letting someone else tilt at this windmill. With all due respect to Don Quixote, here goes.

My initial inclination was to do something about how New York City, because of its geography, is fated to be a place of stark contradictions: of churning and yearning, of inclusion and exclusion, of acceptance and denial. Unlike other cities, New York cannot expand outwards, only upwards. While that sounds great and may make for glorious postcards of a majestic, everchanging skyline to send to the folks back home, it leaves out New York City’s most valuable commodity—its people.

I could have written about the unknown or unseen New York, the scores of little islands—some populated, some not—in Jamaica Bay, in the harbor, in the East River, in the Hudson. Places like Ruffle Bar. Ruffle Bar? Google it. Places once home to psychiatric and typhoid quarantine hospitals. Buildings abandoned or demolished. Islands whose only residents are the dead buried there and forgotten. Interesting, certainly, but again it would have left out the thing that makes New York City what it is.

As a crime fiction author who sets much of his work in New York—largely in Brooklyn and Manhattan—I have done countless panels and interviews about the city. My friend and award-winning colleague, Peter Spiegelman, says that setting is the soil in which you grow your characters. He is so right. Ask any author worth his, her, or their salt, and they will tell you that a book that can be set anywhere isn’t much of a book at all. A book must be of its place. So too must a person.

New York City isn’t one place. It is a thousand places, ten thousand places. And because it is all those places, its people are different neighborhood to neighborhood, sometimes street to street. Certainly, house to house, apartment to apartment. Do we shape the place or does the place shape us? Instead of doing an overview, a sort of general discussion of this question, I think it better to talk about one place—Coney Island—and how it shaped one person—me.

I grew up in the shadow of Coney Island Hospital, about a mile or so away from the amusement park. I was right on the border of Brighton Beach, Gravesend, Sheepshead Bay, and Coney Island. I could explain how each of these neighborhoods differ, how, for instance, Sheepshead Bay is, for all intents and purposes, a fishing village. But no, not here, not now. At one point in my life or other, I have claimed to be from all these places. Yet it is Coney Island that resonates.

When I was four, my dad—a bitter, blustery, and angry man—was diagnosed with an aggressive bone sarcoma which he battled to a standstill for thirty plus more years. After his initial round of surgery and treatment, he was instructed to not do any activities that might jar or adversely affect his leg. Yet on summer Sundays, he would tell my mom that he was taking me for a car ride. We took car rides, alright, straight into Coney Island.

He would put me on the kiddy rides, take me to Nathan’s Famous, buy me pistachio soft serve. Then, in one of the few acts of true defiance I ever saw from him, he would get on the carousel and grab for the brass rings. On one of these Sundays, he pointed to the Parachute Jump. The “Jump” rose into the air two hundred and sixty feet. All orange steel, it looked like a cross between the Eiffel Tower and the skeleton of a giant umbrella.

“When that ride opened up,” he said, “my best pal Charlie and me got on it. The parachute dropped a few feet and then … nothing. We were stuck up there for forty-five minutes just hanging in the air. It was great.”

Of course, by then, the Parachute Jump, once part of Steeplechase Park, had been closed for years, its parachutes and rigging long gone. That day, those days, have stayed with me ever since. And when, as a teenager, I would go back to Coney Island with my friends, get high and ride the Cyclone, I would always look up at the Parachute Jump. It came to symbolize my dad to me. Mighty, impressive, but abandoned, and powerless. I loved my dad because I could see past his bluster. He let me see past it. All because of those few Sundays in Coney Island.

As if by osmosis, Coney Island began imposing itself in my work. My series character, Moe Prager, worked in the Six-O precinct in Coney Island. Scene after scene in the nine Moe books take place there. Even twenty-plus books later, in my new series, I cannot escape the gravity of Coney Island. It calls to me in a way I cannot explain other than to say it is romance in the way the Romantic poets understood it.

In my Edgar Award–nominated short story “The Terminal,” I wrote this:

“…He liked how Coney Island displayed its decay as a badge of honor. It didn’t try to hide the scars where pieces of its once-glorious self had been cut off. Stillwell Avenue west was like a showroom of abandonment, the empty buildings wearing their disuse like bankrupted nobility in frayed and fancy suits. He had come to the edge of the sea with the other last dinosaurs: the looming and impotent Parachute Jump, the Wonder Wheel, Nathan’s, the Cyclone.”

I could never have written those words in that way had I grown up in Washington Heights or Rego Park. New York City poets and writers are shaped by their families, yes, but shaped as much by where as by who. That is the magic of New York. This book will shine a light on the rest of that magic. By the way, my children and I have slightly different tattoos of the Parachute Jump: My son and I on our forearms; my daughter on her triceps. In those tats my dad and the Coney Island that was will live on.

***

Introduction from New York: Give Me Your Best or Your Worst by Reed Farrel Coleman. Copyright 2021 by Elizabeth Crowens. Reproduced with permission from Elizabeth Crowens. All rights reserved.

 

 

About New York: Give Me Your Best or Your Worst:

Elizabeth Crowens with Author photo with Reed Farrel Coleman

Writer and photographer, Elizabeth Crowens is one of 500 New York City-based artists to receive funding through the City Artist Corps Grants program, presented by The New York Foundation for the Arts (NYFA) and the New York City Department of Cultural Affairs (DCLA), with support from the Mayor’s Office of Media and Entertainment (MOME) as well as Queens Theatre.

She was recognized for New York: Give Me Your Best or Your Worst, her photo-illustrated anthology, which brought her published book along with ten other authors to Mysterious Bookshop in Lower Manhattan at 58 Warren Street on Monday, October 25, 2021 at 6:30 p.m. for an in-store event and author signing along with a simultaneous Facebook Live presentation and recording for Jim Freund’s WBAI program Hour of the Wolf.

Author contributors include:

  • Reed Farrel Coleman, New York Times bestselling author of over 31 award-winning mystery and thriller novels, including the Jesse Stone series for the estate of Robert B. Parker. Called a hard-boiled poet by NPR’s Maureen Corrigan.
  • Charles Salzberg, former magazine journalist, crime novelist of the Shamus Award-nominated Henry Swann series, founding member of the New York Writers Workshop.
  • Tom Straw, Emmy and WGA-nominated writer-producer, credits include Nurse Jackie, Night Court, Grace Under Fire, Whoopie, and the Late Late Show with Craig Ferguson. Crime novelist under the pen name of Richard Castle.
  • Randee Dawn, Entertainment journalist for Today.com, Variety, and the Los Angeles Times. Co-editor of Across the Universe: Tales of Alternative Beatles and The Law & Order: SUV Companion, and speculative fiction writer of the upcoming Tune in Tomorrow.
  • Barbara Krasnoff, Reviews Editor at The Verge, over 45 published short stories, Nebula Award finalist, author of the “mosaic” novel The History of Soul 2065.
  • Steven Van Patten, TV stage manager by day, horror writer by night. Co-host of the Beef, Wine and Shenanigans podcast, winner of several African American Literary Awards.
  • Triss Stein writes mysteries that all take place in Brooklyn.
  • Marco Conelli, former NYPD detective, consultant to Mary Higgins Clark, and Silver Falchion award-winner for young adult mysteries and the police procedural Cry For Help, taking place in The Bronx.
  • R.J. Koreto, historical mystery writer focusing on New York during the Gilded Age.
  • Richie Narvaez, award-winning mystery author of Hipster Death Rattle, Holly Hernandez and the Death of Disco, and Noiryorican.
  • Elizabeth Crowens, over 25 years in the entertainment industry, member of the International Cinematographers Guild as a Still Photographer (Imdb.com credited: Sheri Lane), award-winning writer of novels in the Hollywood mystery and alternate history genres. Recipient of the Leo B. Burstein Scholarship by the NY Chapter of Mystery Writers of America. Editor and photographer for New York: Give Me Your Best or Your Worst based on her Facebook Caption Contests. elizabethcrowens.com, @Ecrowens on Twitter, and Elizabeth Crowens on Facebook!

 

 

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The Last Speaker of Skalwegian by David Garner | #Thriller #Showcase #Interview

The Last Speaker of Skalwegian

by David Gardner

November 1-30, 2021 Virtual Book Tour

Synopsis:

The Last Speaker of Skalwegian by David Gardner

Professor Lenny Thorson lives in a defunct revolving restaurant, obsesses over word derivations, and teaches linguistics at a fourth-rate college with a gerbil for a mascot. Lenny’s thirty-four years have not been easy—he grew up in a junkyard with his widowed father and lives under a cloud of guilt for having killed another boxer as a teenager.

Desperate to save his teaching career, Lenny seizes the opportunity to document the Skalwegian language with its last living speaker, Charlie Fox. Life appears to have finally taken a turn for the better…

Unfortunately for Lenny, it hasn’t. He soon finds himself at war with Charlie, his dean, a ruthless mobster, and his own conscience.

A genial protagonist will keep readers enticed throughout this amusing romp.
~ Kirkus Reviews

Book Details:

Genre: Humorous Thriller, Academic Setting
Published by: Encircle Publications, LLC
Publication Date: September 8th 2021
Number of Pages: 308
ISBN: 164599239X (ISBN13: 9781645992394)
Purchase Links: Amazon | Barnes & Noble | Goodreads

 

Book Trailer:

 

Read an excerpt:

“Why document the Skalwegian language?” Charlie Fox asked. “The answer to your question should be obvious: I want to save the language of my Scandinavian ancestors and preserve their culture for future generations. I’m no longer young, and if I don’t act soon, Skalwegian will disappear forever. And give Professor Lenny Thorson a lot of the credit. He’s a linguist—I sure couldn’t do the job without him.”

The Last Speaker of Skalwegian, Newsweek

Chapter 1

Weegan

A word in the Skalwegian language loosely translated as butthead (impolite usage)

Lenny Thorson watched the red pickup roar into the parking lot, a statue propped up in back. It was the Ghurkin College mascot, an eight-foot-tall gerbil.

Charlie nudged Lenny. “You sure you want tenure at a college with a rat for a mascot?”

“It’s a gerbil. And yes, I do. Jobs are scarce.”

Gerry Gerbil stood on his hind legs and stared into the distance, a football clutched in his right front paw, his rat-like tail draped over his left. He looked hot and humiliated.

Lenny too felt hot and humiliated, and he guessed that Gerry hated parades as much as he did. Lenny tugged his sweaty shirt away from his chest. It was a sunny September afternoon, with heat waves shimmering off the blacktop in front of the building where he lived. He badly wanted the day to be over.

The pickup swung around with a screech of tires and backed up to Lenny’s beat-up Chevy. Two college students in matching black muscle shirts stepped out. Brothers, Lenny guessed. They were a wide-shouldered pair with mussy brown hair and long ears.

Lenny reached out his hand. “I’m Lenny Thorson and this is Charlie Fox.”

“Yeah, I know,” the taller one said, glanced at Lenny’s outstretched hand, then climbed onto the back of the pickup and untied the statue.

Lenny and Charlie dragged the wood-and-papier-mâché gerbil from the bed of the pickup, boosted it atop Lenny’s car and stood it upright.

One brother thumbed his phone while the other fed ropes through the open doors and around the mascot’s ankles.

The boy was careless as well as rude, Lenny told himself, and he was tempted to order him to untie the ropes and start over, but Lenny hated confrontation. Once he was around the corner and out of sight, he would stop and retie the knots. He didn’t want anything bad to happen to Gerry Gerbil.

On second thought, did he really give a damn?

Charlie threw his right leg over his motorcycle, gripped the handlebars and bounced once in the saddle. He wore jeans and a T-shirt that read ‘So Are You!’ He nodded toward Gerry. “He looks like a weegan, and so will you when you parade him through the center of town.”

Lenny hadn’t yet learned that word in Skalwegian. “Weegan?”

“‘Butthead.’”

Lenny nodded. He was a weegan.

Charlie looked particularly worn and shrunken today, Lenny thought, especially astraddle his beefy black Harley. His hair was gray, his skin leathery, his chin neatly dimpled from Iraqi shrapnel. He was fifty-one—seventeen years older than Lenny—and eight inches shorter.

At six feet four, Lenny was always embarrassed by his size. He wished he could go through life unnoticed. He wondered if Gerry Gerbil ever felt the same.

The shorter brother slapped the mascot’s foot. “Have fun at the parade, professor.”

Both brothers laughed.

Lenny didn’t expect to have fun. His gut told him that the day would go badly.

* * *

Bob One wasn’t happy about whacking a professor. He specialized in crooked bookies, wise guys who’d flipped, and casino managers caught skimming. But never a civilian. Bob One believed in upholding the ethics of his profession.

He parted the tall tan grass at the side of the road, pinched a mosquito off the tip of his nose and peered westward. No cars yet, but the guy who’d hired him had said his target always took this route on his way into town and would have to slow to a crawl here at the switchback. Bob One figured he’d have plenty of time to pop up, rush forward, blast the guy at close range, then get the hell back to Chicago where he belonged.

* * *

Lenny eyed the brothers, now slouched against his car’s front fender, both lost in their phones. He couldn’t remember ever seeing them on the Ghurkin College campus, the fourth-rate institution an hour west of Boston where he taught French and linguistics. “I didn’t catch your names.”

The taller one glanced up. “You don’t know who we are?”

Lenny shook his head.

The boys exchanged puzzled looks. The taller one said, “I’m Tom Sprocket, and that’s my brother Titus.”

The names sounded familiar, but Lenny didn’t know where he’d heard them. He could memorize entire pages of the dictionary in one sitting, but he was terrible with names.

Tom pocketed his phone and looked Lenny up and down. “Did you play football in college?”

“No,” Lenny said.

Tom snickered. “Afraid of getting hurt?”

“I was afraid of hurting someone else.”

Tom snorted. “Man, that’s all the fun.”

No, it’s wasn’t, Lenny told himself. Hurting someone wasn’t fun at all. Twenty-one years ago, while fighting underage with a fake name, he’d killed an opponent in the boxing ring. Guilt still clung to Lenny, ate into his soul.

Tom gestured with a thick thumb over his shoulder toward the office building behind the parking lot. “You live on top of that thing?”

Lenny nodded.

“You’re weird, man.”

Lenny stiffened. He did feel weird for living in an abandoned rotating restaurant atop a ten-story insurance building, but didn’t particularly enjoy being told so.

But in spite of Tom’s rudeness, Lenny wouldn’t let himself get angry with the boy or even with Dean Sheepslappe who, for some reason, insisted he participate in the Gerry Gerbil Alumni Day Parade, even threatening to block his tenure if he refused. Lenny had grown up angry, had fought with rage in the ring, but after that last fight, he’d promised himself he would never again lose his temper. Some people found this strange, Lenny knew, some sweet. Others used his good nature as a way to take advantage of him. Lenny knew that too.

Titus Sprocket smirked and said, “I heard the place starts up running sometimes all on its own.”

The Moon View Revolving Restaurant had failed financially in just six months, when its motor took to speeding up at random moments, knocking staff off their feet and sending diners sliding sideways off their booths and onto the floor. Lenny moved in shortly afterwards. He was paying minimal rent in the abandoned restaurant in return for serving as its live-in caretaker. He found it oddly comforting to be the world’s only linguist who inhabited a rotating restaurant. “Sometimes it makes a couple of turns in the middle of the night,” Lenny said, “then shuts down. It’s no problem.”

It was in fact a problem. When the deranged motors and gears got it into their head to noctambulate, they did so with a terrific bellow and jolt that made Lenny sit up wide awake, and which frightened Elspeth so badly that she’d stopped staying overnight.

But Lenny wasn’t bothered by the smirking Sprockets. In fact, he felt sorry for the boys, regarding them as underprivileged lads from some sunbaked state where children ran barefoot across red clay all summer and ate corn pone for breakfast.

Lenny wondered what corn pone tasted like and—more importantly—what was the origin of the word pone? A Native American term? Spanish? Skalwegian even?

He turned to Charlie, astride his motorcycle and fiddling with one of its dials. “Is pone a word in Skalwegian?”

“It sure is,” Charlie said without looking up. “It means ‘He who makes a big weegan of himself by driving an eight-foot rat through the center of town.’”

“You’re no help.”

“I’ve heard that before.”

Lenny drifted off to ruminate on pone. The campus newspaper had labeled him the most distracted member of the faculty—misplacing his briefcase, forgetting to show up for class, walking into trees. But he’d also been one of the most popular until he’d flunked a pair of star football players. The school newspaper excoriated him, and fans called him a traitor. A few students considered him a hero, however. Lenny wanted to be neither.

Charlie tightened his helmet and slipped the key into the ignition. “I got to get back to the farm because Sally must have lunch ready by now. Besides, I don’t want to stick around and watch my good buddy make a big weegan of himself.”

“Can you come over tomorrow? We got only halfway through the G verbs this morning.”

“Tomorrow I got to work on the barn roof. Maybe the day after. Or the day after that.”

Charlie started the engine, leaned into the handlebars and roared away in a blast of blue smoke.

Lenny watched him go. There were times when Lenny felt like quitting the project. Charlie used him as resource—“What’s a gerund? Where do hyphens go? What in hell is a predicate complement?”—but had given him no real role in documenting the language itself. Although this was frustrating and puzzling, it was never quite enough to force Lenny to drop out. He took great pride in helping save a language, not to mention that it was a hot topic in linguistic circles and would go a long way toward saving his teaching job.

Tom and Titus simultaneously tucked their muscle shirts into their waistbands. Titus said, “We was football players.”

“Oh?” Lenny said. He paid no attention to team sports but closely attended to subject/verb conflicts.

“Yeah, that’s right,” Titus said. “But we got cheated and ain’t never going to get our whack at the NFL.”

Distracted, Lenny tugged on Gerry’s ropes. Yes, they’d definitely need retying. It pleased him to hear someone say ain’t so naturally and not merely to make an ironic point. He said over his shoulder, “NFL—that would be the National Federation of… uh…?”

“Holy shit on a shingle!” Titus said. “I’m talking about the National Football League—big money, fame and all the poontang a guy could ever want.”

Lenny had read somewhere that poontang descended from New Orleans Creole, from putain, the French word for prostitute, but he wasn’t absolutely sure. He would look into this later, along with pone. He turned to the brothers. “Something went wrong?”

The Sprockets looked at each other in wonder. “Yeah, you could say that,” Titus said. “We got screwed.”

“Yeah, screwed,” Tom repeated.

Lenny said, “That’s a shame.”

“Yeah, well, we’re gonna get payback,” Titus said and patted Gerry’s foot.

Lenny climbed into his car and eased out of the parking lot. Ropes squeaked against the door frames, the statue’s base creaked on the Chevy’s roof, and Lenny was sure he heard Gerry groan in anticipation of the dreadful day ahead.

In his rearview mirror, Lenny watched the diminishing Sprocket brothers waving and laughing. What an odd pair, he thought.

Lenny decided to take his usual route through the arboretum on his way downtown. The beauty and isolation of the place soothed him. He hoped it would today.

* * *

Bob One spotted a car approaching and got to his feet. It was an old black Chevy with a maroon right front fender. Don’t all professors drive Priuses?

But it had to be the guy on account of the statue on top like he’d been told to look for. What was that thing? A squirrel? A rat? Look at how the damn thing wobbles! About ready to tip over.

Bob One slipped closer to the road, crouched behind a bush, pulled his pistol from his belt and slapped a mosquito off his forehead. He examined the bloody splotch on his palm. Shit, stick around much longer, and the damn insects would suck him dead.

* * *

Lenny was scared.

In two days, he had to go on live television with Charlie and discuss their Skalwegian project—not easy for someone wanting to go through life invisible. Would he make a fool of himself? Say dumb things he’d later regret?

Probably.

Lenny’s thoughts turned back to the Sprocket brothers. Strange last name. Scholars could trace sprocket back as far as the mid-sixteenth century as a carpenter’s term but hadn’t yet located an ancestor.

Tom and Titus Sprocket!

Of course!

He’d flunked them in first-year French because they never showed up for class, which cost them their eligibility to play football. The dean had been furious with him but not with the errant guard and tackle. Jocks normally took Spanish with Juan Jorgenson—the other candidate for the language department’s one tenured slot. Juan automatically gave A’s to athletes just for registering.

Lenny reached over and cranked up the radio for the boisterous ending of Beethoven’s Fifth Symphony, then glanced up to see he was driving much too fast into Jackknife Corner.

Panicked, he jammed on the brakes and twisted the steering wheel hard left.

He felt the car tilt to the right and heard a loud Thunk! just as Beethoven’s Fifth swelled to a crescendo. Puzzled, Lenny drove on, with the Chevy pulling to the right. Probably something to do with tire pressure, Lenny guessed. He’d have that checked later.

* * *

Bob One lay on the side of road. Blood flowed out his left ear and down his cheek. His head buzzed, and his eyes slipped in and out of focus. He pulled himself to his feet, wobbled, then toppled into the ditch. He crawled into the marsh, still gripping his unfired handgun. Puddles soaked his knees and elbows. A possum trotted past. An airplane roared low overhead. Or was that inside his skull?

Bob One’s left temple hurt like a son of a bitch. That damn rat had toppled over and whacked him on the side of the head. Or was it a guinea pig?

Bob One curled up beside a bog. Half-conscious, he watched a fat snapping turtle waddle toward him, stop two feet from his nose, look him up and down, then open its jaw. Shit, Bob One said to himself, the thing’s got a mouth the size of a catcher’s mitt. Bob One didn’t like animals or much of anything else in nature. He tried to crawl away, but things started going dark—warm and dark—not such a bad feeling, actually.

Bob One awoke to see the turtle biting his right forefinger off at the second joint. Bob One felt no pain and noticed that one of his shoes was missing. As Bob One slipped comfortably into his final darkness, he wondered if a missing trigger finger would hinder him professionally.

* * *

Lenny reached the parade route late and swung in behind the school bandsmen in their sky-blue uniforms with “Skammer’s Fine Meats” embroidered in bright yellow across the back.

Spectators to Lenny’s right shouted and pointed. Some ducked, some knelt, some even dropped to their stomachs. Lenny shook his head in disbelief. Had students and townspeople taken to prostrating themselves before the college mascot? Did he really want tenure at a batty place like this?

At the end of the block, a policeman holding a Dunkin’ Donuts cup stepped into the street, raised his palm, and forced Lenny to brake.

As Lenny stepped from his car, he realized that he’d forgotten to retie the ropes.

Gerry Gerbil lay sideways across the car’s roof, projecting five feet to the right, the ankles tied precariously in place. Someone took a photo. Someone fingered the slack ropes and spoke of slip knots. Lenny touched a patch of something red and damp on the mascot’s forehead. Lenny rubbed thumb against forefinger. The stuff looked like blood.

Since when did gerbil statues bleed?

***

Excerpt from The Last Speaker of Skalwegian by David Gardner. Copyright 2021 by David Gardner. Reproduced with permission from David Gardner. All rights reserved.

 

 

Author Bio:

David Gardner

David Gardner grew up on a Wisconsin dairy farm, served in Army Special Forces and earned a Ph.D. in French from the University of Wisconsin. He has taught college and worked as a reporter and in the computer industry. He coauthored three programming books for Prentice Hall, wrote dozens of travel articles as well as too many mind-numbing computer manuals before happily turning to fiction: “The Journalist: A Paranormal Thriller” and “The Last Speaker of Skalwegian” (both with Encircle Publications, LLC). He lives in Massachusetts with his wife, Nancy, also a writer. He hikes, bikes, messes with astrophotography and plays the keyboard with no discernible talent whatsoever.

Q&A with David Garner

What inspired you to write this book?

I was reading an article about dying languages and was astonished to learn that, of the 6,000-to-7,000 languages in the world, they are dying out at the rate of about once every two weeks. That means that at least half the world’s languages will have disappeared by the end of this century, taking with them their songs, traditional stories and communal memory.

What was the biggest challenge in writing this book?

I somehow got it into my head that I needed to make up the Skalwegian language, at least a few hundred words and a simple syntax. This turned into an enormous task.

Give us a glimpse of the research that went into this book.

I read about dying languages, but mostly I winged it.

How did you come up with the title?

I thought that “The Last Speaker of Skalwegian” would make people curious. Looking back, I wish I’d have come up with a word that’s easier to pronounce than ‘Skalwegian.’ In my head, it rhymes with ‘Norwegian,’ but I don’t care how others pronounce the word, just as long as they buy the book. Better, a copy and a spare.

Your routine in writing? Any idiosyncrasies?

I either write or outline every day. By noon, I’m exhausted. I worked as a technical writer for a number of years and got used to just sitting down and writing.

Tell us why we should read your book?

I’ll feel really awful if you don’t. Seriously—or not so seriously—I hope you’ll get some laughs and enjoy the plot, setting and quirky characters.

Are you working on your next novel? If so, can you tell us a little bit about it?

I’ve started writing a sequel to “The Last Speaker of Skalwegian” and am taking copious notes for the third of the trilogy.

Your novel will be a movie. You would you cast?
I’d cast Emma Stone as the love interest and Adam Driver as the protagonist, but only if he’d promise to smile. (A movie/tv agency has in fact approached my publisher for the manuscript. Fingers crossed. Very long shot.)

Favorite leisure activities/hobbies?

I bike and hike, fool around with astrophotography and play the keyboard with no discernable talent whatsoever.

Favorite foods?

Blueberry shortcake (much better than strawberry, and blueberries are a super food). Also, anything with cheese in it (I grew up on a Wisconsin dairy farm). As a joke, my wife Nancy once bought me a Green Bay Packers cheese head, which, it turned out, didn’t taste a bit like cheese.

Catch Up With David:
DavidGardnerAuthor.com
Goodreads
Instagram – @davidagardner07
Facebook

 

 

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