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SWEET WATER by Cara Reinard | #Showcase #Interview #Giveaway

Sweet Water

by Cara Reinard

January 1-31, 2021 Tour

Synopsis:

Sweet Water by Cara Reinard

What did her son do in the woods last night? Does a mother really want to know?

It’s what Sarah Ellsworth dreamed of. Marriage to her childhood sweetheart, Martin. Living in a historic mansion in Pennsylvania’s most exclusive borough. And Finn, a teenage son with so much promise. Until…A call for help in the middle of the night leads Sarah and Martin to the woods, where they find Finn, injured, dazed, and weeping near his girlfriend’s dead body. Convinced he’s innocent, Sarah and Martin agree to protect their son at any cost and not report the crime.

But there are things Sarah finds hard to reconcile: a cover-up by Martin’s family that’s so unnervingly cold-blooded. Finn’s lies to the authorities are too comfortable, too proficient, not to arouse her suspicions. Even the secrets of the old house she lives in seem to be connected to the incident. As each troubling event unfolds, Sarah must decide how far she’ll go to save her perfect life.

Sweet Water Reviews:

“An unsparing account of ‘rich people problems’ that goes on forever, like all the best nightmares.” —Kirkus Reviews

Book Details:

Genre: Domestic Thriller, Crime Fiction
Published by: Thomas & Mercer
Publication Date: January 1st 2021
Number of Pages: 364
ISBN: 1542024935 (ISBN13: 978-1542024938)
Purchase Links: Amazon | Barnes & Noble | Goodreads

 

Cara Reinard

Author Bio:

Cara Reinard is an author of women’s fiction and domestic. She currently lives north of Pittsburgh with her husband, two children, and Bernese mountain dog.

Q&A with Cara Reinard

Welcome and thank you for stopping by CMash Reads
Reading and Writing:

What inspired you to write this book?

It all started with a short story I published in the Mindful Writer’s Into the Woods anthology (2018), a compilation of stories, poems & essays. My story was about two college kids who messed around with drugs in the woods in a park outside of Manhattan. Only one of the kids left the woods alive. It was a premise that stuck with me long after the story was published and one I thought could expand on. I moved the setting to Pittsburgh, thought of the most beautiful, affluent wooded area around, and started drafting Sweet Water.

What was the biggest challenge in writing this book?

I’ve never written anything with an alternating timeline before. Sweet Water flashes back to 1987, the 90s and the early 2000s. Even though I’ve lived during all those eras, it was challenging keeping my historical facts straight. For instance, I had a lot of musical references in the book and I had the copyeditor flag me a couple of times because I used bands who existed but weren’t “known” yet. On top of the alternating timeline, I had a dated journal and I had to make sure my days of the week accurately synched up.

Give us a glimpse of the research that went into this book.

Because the book was set in a real town and I used a lot of historical references I had to fact check everything. I also had to research laws and other criminal cases like the one in my book to make sure they were factually represented.

How did you come up with the title?

At last, an easy question! Sweet Water is the Native American translation for Sewickley, the name of the town where the book is set. Water is a present theme throughout the book so it seemed like a fitting title.

Your routine in writing? Any idiosyncrasies?

I wish had a set routine! I work full-time in an unrelated field and have two elementary-aged children (and a husband I talk to occasionally). I write when I have the time, although the colder months are often more productive because I’m forced inside more. I also attend one writing retreat a year where I’m usually able to crank out a lot of words. If I’m on deadline, I join other fellow authors on Twitter for #5AMwritersclub and get in some early morning edits.

Tell us why we should read your book?

Sweet Water is a domestic suspense novel and book club fiction. The alternating timeline and town, which is described as a character itself, sets it apart from other books in the same genre. I’d say readers who are fans of Kimberly McCreight and Ruth Ware will enjoy this book.

Are you working on your next novel? If so, can you tell us a little bit about it?

Yes, I’m working on my edits for Into the Sound, my second book to be released through Thomas & Mercer on December 1st, 2021. It’s a novel of domestic suspense in which a woman is forced to expose long-buried family secrets to find her missing sister after she’s suspected of being swept away during a Long Island superstorm.

Fun Questions:

Your novel will be a movie. You would you cast?

Sarah, my main protagonist – Rosamund Pike. Martin, her husband – Hugh Jackman. Joshua, Sarah’s ex – Josh Hartnett.

Favorite leisure activities/hobbies?

Running, going to shows with my husband, playing with my Bernese mountain dog and kids (cheer and hockey mom).

Favorite foods?

Anything Mediterranean, especially Italian! Or anything my husband makes for me, he’s the resident chef!

For more information, visit:
www.carareinard.com
Goodreads
BookBub – @CaraReinard
Twitter – @carareinard
Instagram – @carareinard
Facebook – Cara Reinard, Author

 

Read an excerpt:

Chapter 1

I reach for my phone inside my purse slung around my neck. It’s dangling behind my back because I had nowhere else to put it while examining the body.

“Sarah, is she breathing?” Martin asks. I turn my head to find him, but it’s too dark.

I stumble, disoriented under the canopy of trees. We’re somewhere off Fern Hollow Road, the closest turnoff to Finn’s pinned iPhone location.

“I d-don’t know,” I sputter, still shocked we found her and not Finn when we parked the car and hiked the rest of the way into Sewickley Heights Park.

“Check her—now. I need to find Finn.” Martin’s voice fades into the forest, and all I want to do is follow him, but I just spoke to my son on the phone. His speech was slurred, and his girlfriend is . . .

“Oh God.” I open my mouth and let out a strangled breath, so sick that I sway to the side.

My eyes water as I kneel beside Yazmin Veltri, a girl I’ve known for only the briefest period. The wetness soaks through the holes in my jeans, settling into my bare kneecaps, ice on bone.

“Yazmin?” I shine my phone’s light in her direction, but I’m stopped by the certain hint of marijuana.

Shit. All these years working with at-risk young women, and I couldn’t see that Finn was dating one.

“Please,” I beg the starlit sky peeking through the trees. “Let her be breathing.”

I sniffle and inhale the truth through the rotting leaves. Something terrible has happened here, and I’m too late. The autumn mist snakes in through my nose, out through my mouth, emitting tiny white puffs of air.

The forest ground is slippery, a feathered blanket beneath my knees, slathering the tops of my shoes.

I hear more hurried footsteps. Martin sounds like a mouse lost in a maze. Has he found Finn? I need to go to him, but my husband told me to stay here.

The branches scratch the tops of my feet as I move closer to her, the fallen leaves collecting between my knees. Yazmin could still be alive. A bitter taste rises in my mouth as I bite my tongue, and I’m close enough to touch her now.

My arm trembles as I place two fingers on the cold flesh of her neck. Not only cold—wet. I can’t see what I’m touching, but I can feel her absence. Right below her jawline, in the space beside her trachea where I know a steady drumbeat should exist, there’s nothing.

No pulse. My heartbeat quickens and plummets. Oh God.

My blood is rushing. Pounding. I’m sweating despite the near-thirty-degree temperature. I dip my head closer to Yazmin’s chest, careful not to tangle my hair with hers. I’ve checked on my kids enough times in the middle of the night to know this girl’s not breathing. I shut my eyes and listen anyway.

Sure enough, the steady rise and fall of Yazmin’s chest is absent along with her pulse.

“She’s dead. We have to call the police,” I announce, loud enough for Martin to hear, but not nearly as loud as the screaming in my head.

Call somebody! Help!

I hear Martin crunch closer, and I turn my back on the girl.

I scoot up on my legs and use my hands to push myself into a crouching position. My breath is heavy, and everything on my body—my hands, my knees—rattles with fear. I hear a cry in the distance.

My son’s cry. And then Martin’s rustling footsteps. Beside me again.

“Where is he?” I ask.

“He’s okay, but . . .” Martin nods to the right. “He’s injured. We need to get him out of here, Sarah.”

“Okay,” I say, but I close my eyes because my head is a ringing bell of stress even though this wooded area is one of the things that drew me to this town. The park is near the country club where we’re members, where Martin’s family have been members for years, and things like this just don’t happen here.

“Let’s go, Sarah!” Martin urges.

My eyes snap open, and I hold up my phone. “Wait. I’m calling 911. For her.”

“No.” Martin swats my hand away with the flick of his strong knuckles. The blood on my palms makes everything slick, and my cell phone goes flying across the forest like a bar of soap in the shower. I slip sideways into a bramble of branches and land on my left hip, staring at my husband’s garish face in the moonlight. He looks unfamiliar, that expression one reserved for when he loses business at work, a rare occurrence. Martin is an innovator, his causes noble. Sometimes I don’t approve of how he does things, but I usually approve of why.

“Damn it.” Martin scrambles to find my phone. Right now, I don’t approve at all.

“Why did you do that?” I ask, but I’m more surprised that he’s hit me than I am by the fact that he doesn’t agree with my decision to call the police.

“It will get reported tomorrow. We need to leave with Finn. Now.”

“What? That makes no sense.”

Martin retrieves my phone, and I’m trying to get his attention, but he’s looking right past me at the gas pipeline in the distance, a clear-cut, inclined path free of foliage about a thousand yards long in the mountainous terrain. Martin and I messed around with sleds one winter on a protected slope of land just like it, and I think maybe Finn and Yazmin planned their own adventure out here tonight and something went terribly wrong.

“Martin.” I try to get up, but my foot slips on a mossy rock.

He grabs my arm. Then drops it. “Watch yourself,” he says, but he doesn’t help me rise. He’s too busy texting.

It’s then that I hear water rushing nearby. The river rocks are indigenous to this area, like everything else woodsy and serene in Sewickley.

Sewickley, the Shawnee word for sweet water, derived from the tribe’s belief that the borough’s shores were a little sweeter on that stretch of the Ohio River, the maple trees that grow at its shores only part of the saccharine story.

“Who’re you texting?” I’m crying and my hands are still wet, but I can’t wipe them. There’s blood all over my palms, and I can’t remember how it got there; head wounds bleed the worst.

“Hold on!” Martin is standing with his back to me now, holding his phone in the air like he’s trying to decide what to do with it, a six-foot silhouette of trepidation. He scratches his dark hair and rubs his cell phone on his sweater-vest, but he doesn’t use it to call anyone, only texts.

“I’m getting legal advice from my father,” Martin says.

His father?

I picture William Sr. texting back from the comfort of one of his high-back chairs inside his home, one of the few estates that make up Sewickley Heights like a richly woven patchwork quilt—the expensive kind sewn together with colonials surrounded by alabaster columns and mile-long driveways.

“Martin?”

William’s house is a fat-thatched Tudor hiding behind manicured bushes, a peek of white here, a slip of brown there, but there’s no hiding from this.

“Of course you have to report it!” I look again—at her—and the blood is already congealing around her open head wound, her neck bent at an awkward angle, a matchstick snapped in half. The rushing water streams just behind her.

Martin’s tugging on my coat. “Get up, Sarah. We have to go.”

“We can’t leave her.” Yazmin’s long black hair is covering the expression on her face, although the one I imagine is stuck there will haunt me more than the one I cannot see. She rests on her back, and it would be an odd way to fall, backward instead of forward, her hands crossed over her chest as if she were thwarting an attack. It reminds me of a tae kwon do block from when Finn used to take classes. We’d enrolled him when he was a child because he was painfully shy, whereas Spencer, his older brother, was frequently mentioned by his teachers as boisterous or exuberant, adjectives used in private schools to describe disruptive overachievers. I might expect Spencer to get into trouble with a girl like this, but not my poor Finny.

I turn toward Martin. He’s speaking, but I’ve stopped listening.

His eyes are pleading. “She’s dead. We can’t help her. Finn was the last person with her.”

“But—”

“He’s on something, Sarah. Drugs.” Martin shakes his head furiously. “This looks bad.”

I can hear what he’s saying, but I’ve retreated into my own body, and I don’t even know who we are right now.

We used to be Martin and Sarah Ellsworth of Blackburn Road.

We were the couple sitting at a corner table at a fancy restaurant, splitting a bottle of wine. Laughing at each other’s jokes.

“We have to do something for her.” My voice is swallowed by the humming sounds of the forest and the flapping of the leaves on the trees, the river. She’s already dead, but we need to make sure she’s at least taken to the hospital so her parents can identify her. Bile rises in my mouth. My heart is beating so fast, drowning out everything else, but I faintly hear Finn’s voice again nearby.

“I’m sorry.” Martin extends his arm to help me up, but I waggle my finger in the air at him, pointing to my hands, reminding my brainy husband that I’m bloodied and pulling me up isn’t a good idea. I must’ve made the mistake of touching Yazmin in the wrong place.

“Right.” He draws his palms back.

My legs won’t work. I gaze up, silently praying. The large enveloping trees of Sewickley Heights tower above us like old wealthy gatekeepers winking in the night.

“I need your help. I can’t move him on my own, Sarah,” Martin reveals.

I close my eyes, wishing it all away. It’s all a bad dream.

“Can we just make an anonymous call from a pay phone or something? For her parents’ sake, at least?”

“You can’t. They’ll try to interview Finn, see the drug use, and assume the worst. He’ll go to jail.” His voice is thick with desperation. “Sarah, this will ruin Finn’s life. This isn’t his fault!” Martin kicks a stone with his worn loafer, a product from one of the posh boutiques that line downtown Sewickley, a mishmash of overpriced things people don’t really need displayed in windowed storefronts on cobblestone streets. There’s a place to reupholster old furniture with patterns better left to die with their original owners, a claw-foot-tub specialist, an herbal spa with enough fresh fruit remedies to double as a bakery, the imported-leather-shoe store.

I bought Martin the shoes he has on now, and he’s worn them down to the soles. He’s practical, a computer engineer and CEO of a robotics start-up in the Strip District. He does things that make sense.

But right now, he’s not making any.

“Maybe she slipped.” My voice is shallow like the night air sneaking away from my lips, but the idea of an accident fills my heart with hope. “We’ll leave an anonymous tip.” If I had my phone, I’d call myself.

I’d explain this is exactly how we found her. She wasn’t even near our son when we discovered her body.

Unless . . . we’ve messed with the scene of the crime so much that we’ve hurt Finn more than helped him. I look down at my bloody hands and cringe. As far as we know, Finn is the last one who saw Yazmin alive. This could be very bad for him. “Shit.”

Martin grabs me by the arm. “We have to go, Sarah. Get up.” I can’t see much of Martin’s face but the stringy blue vein in his forehead that only comes out when he’s upset.

It’s been only minutes, but we need to move—faster.

“We need to go to him,” I say.

“Yes.” Martin nods.

I’m in shock. That’s what’s wrong with me. I blindly follow Martin, adrenaline fueling my limbs. Finn is off the beaten path, and I feel as though I’ve already failed him for taking so long. He’s huddled over a pile of leaves, his knees tucked into his chest like he used to do when he was a little kid. He looks so small right now.

So young.

A little boy who fell off his scooter and skinned his knee. I wish this problem were as easy to fix.

I wipe my hands on my jeans and throw my arms around him.

“I’m here. Mom’s here.” Finn’s crying and I don’t know how to make it better for him. He obviously didn’t mean for the girl to get hurt, but this was no accident either. He’s made a terrible mistake, gotten himself into a horrible predicament. So Finn did what we always told him to do if he was ever in trouble—he called us.

***

Excerpt from Sweet Water by Cara Reinard. Copyright 2021 by Cara Reinard. Reproduced with permission from Cara Reinard. All rights reserved.

 

 

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SHADOW RIDGE by M.E. Browning | #Showcase #Interview #Giveaway

Shadow Ridge by M.E. Browning Banner

 

 

Shadow Ridge

by M.E. Browning

December 1-31, 2020 Tour

Synopsis:

Shadow Ridge by M.E. Browning

Death is one click away when a string of murders rocks a small Colorado town in the first mesmerizing novel in M. E. Browning’s A Jo Wyatt Mystery series.

Echo Valley, Colorado, is a place where the natural beauty of a stunning river valley meets a budding hipster urbanity. But when an internet stalker is revealed to be a cold-blooded killer in real life the peaceful community is rocked to its core.

It should have been an open-and-shut case: the suicide of Tye Horton, the designer of a cutting-edge video game. But Detective Jo Wyatt is immediately suspicious of Quinn Kirkwood, who reported the death. When Quinn reveals an internet stalker is terrorizing her, Jo is skeptical. Doubts aside, she delves into the claim and uncovers a link that ties Quinn to a small group of beta-testers who had worked with Horton. When a second member of the group dies in a car accident, Jo’s investigation leads her to the father of a young man who had killed himself a year earlier. But there’s more to this case than a suicide, and as Jo unearths the layers, a more sinister pattern begins to emerge–one driven by desperation, shame, and a single-minded drive for revenge.

As Jo closes in, she edges ever closer to the shattering truth–and a deadly showdown that will put her to the ultimate test.

Book Details:

Genre: Mystery (Police Procedural)
Published by: Crooked Lane Books
Publication Date: October 6th 2020
Number of Pages: 296
ISBN: 1643855352 (ISBN13: 9781643855356)
Series: A Jo Wyatt Mystery, #1
Purchase Links: Amazon | Barnes & Noble | Penguin Random House | Goodreads

 

Author Bio:

M.E. Browning

M.E. BROWNING served twenty-two years in law enforcement and retired as a captain before turning to a life of crime fiction. Writing as Micki Browning, she penned the Agatha-nominated and award-winning Mer Cavallo mysteries, and her short stories and nonfiction have appeared in anthologies, mystery and diving magazines, and textbooks. As M.E. Browning, she recently began a new series of Jo Wyatt mysteries with Shadow Ridge (October 2020).

Micki is a member of Mystery Writers of America, International Thriller Writers, and Sisters in Crime—where she served as a former president of the Guppy Chapter. A professional divemaster, she resides in Florida with her partner in crime and a vast array of scuba equipment she uses for “research.”

Q&A with M.E. Browning

What was the inspiration for this book?

I had read an article that delved into the misogyny women faced in the gaming industry and the chilling effect it had on women at all levels—from those who merely wanted to enjoy playing games to those who wanted to design them. As a writer, I saw an opportunity to parallel a female gamer’s issues with a female officer’s battle against sexism in the ranks of her department. The story took off from there.

What has been the biggest challenge in your writing career?

Balancing the myriad tasks writers must do that don’t involve actual writing. Social media is a wonderful way to interact with readers and I’ve discovered I enjoy creating graphics to post—but it is easy to get distracted and fall down the rabbit hole.

What do you absolutely need while writing?

Tea: hot, bracing, and plain. I have to admit to being a bit of a snob about it. I brew loose-leaf. My favorite purveyor is Harney & Sons—I love their Paris blend, Victorian London Fog, and spicy Holiday blend. If I can find it, I’ll splurge on Mariage Frères. Once I have tea in hand, I’ll reach for my mechanical pencil and pad, and scratch out my day’s objective. Only then will I open up Scrivener on my computer and get to work.

Do you adhere to a strict routine when writing or write when the ideas are flowing?

I do something to further my career every day, but it may not be actual writing. I start by reviewing my prior day’s words which inevitably leads to a bit of revision—not much, but enough to drop me back into my story world. Once I’ve been writing for a bit, I’ll switch gears and go for a walk. That break is often all that’s needed to come up with the solution to a problem that looked insurmountable inside my office. In the afternoon, I’ll tackle the business side of the profession.

Who is your favorite character from your book and why?

Detective Jo Wyatt. She’s a second-generation cop in a small southwestern Colorado city. I had a reader describe her as “Smart enough to know her limitations, confident enough to trust her gut, and determined enough to unravel the threads in any case.” She makes mistakes, but owns them. By the time the last page is read, I hope readers believe she’s exactly who they’d want on their doorstep if they ever needed to call for help.
Quinn, however, was the most fun to write—she doesn’t have any filters and I could push her boundaries in ways I couldn’t with Jo.

Who is your least favorite character from your book and why?

That’s a difficult question! I think a writer has to have an affinity for all her characters or they’ll fall flat on the page. But on a would-I-enjoy-sharing-a cup-of-tea-with-them scale, Professor Lucas is at the bottom of the list.

Give us an interesting fun fact or a few about your book?

Jo muses about cycling along a particular mountain road that was based on one of my favorite training rides when I lived in Durango, Colorado. Cycling for 20-30 miles through the changing colors of aspens in autumn was almost enough to distracted me from the burn in my legs and the fire in my lungs from the climb.

Do you have anything specific that you want to say to your readers?

Thank you! I believe a book isn’t truly a book until it’s been read. As the author, I can only control half the equation. Once the edits are finished, my job is done. It’s readers who bring my characters back to life.

Tell us a little about yourself and your background?

I dedicated 22 years of my life to law enforcement and during that time I was a field training officer, academy trainer, hostage negotiator, and coordinated the Citizens Police Academy where I met a quiet, witty woman named Sue Grafton. By education, I’m a medieval historian, and I play the Celtic harp…badly.

What’s next that we can look forward to?

Thanks for asking! I’m currently hard at work on the next Jo Wyatt adventure. Jo is called out to investigate a missing child, but as she digs into the girl’s fractured family life, Jo unearths a trove of secrets and half-lies that paints a different picture of the two parents she’s known since high school.

Catch Up With M.E. Browning On:
MEBrowning.com, Goodreads, BookBub, Instagram, Twitter, & Facebook!

 

Read an excerpt:

Chapter One

Detective Jo Wyatt stood at the edge of the doorway of the converted garage and scanned the scene for threats. She’d have the chance to absorb the details later, but even at a glance, it was obvious the occupant of the chair in front of the flickering television wouldn’t benefit from her first-aid training. The stains on the ceiling from the gun blast confirmed that.

Officer Cameron Finch stood on the other side of the sorry concrete slab that served as an entrance. “Ready?”

The only place hidden from view was the bathroom, and the chance of someone hiding there was infinitesimal, but someone always won the lottery. Today wasn’t the day to test the odds. Not when she was dressed for court and without her vest.

She pushed the door open wider. Her eyes and handgun moved in tandem as she swept the room.

A mattress on the floor served as a bed. Stacks of clothes took the place of a real closet. A dorm-sized fridge with a hot plate on top of it made up the kitchen.

Jo avoided the well-worn paths in the carpet and silently approached the bathroom. Its door stood slightly ajar, creating enough space for her to peer through the crack. Never lowering her gun, she used her foot to widen the gap.

No intruder. Just a water-spotted shower stall and a stained toilet with the seat up. A stick propped open the narrow ventilation window above the shower. Too small for even the tiniest child, but an open invitation to heat-seeking raccoons.

“Bathroom’s clear.” She holstered her gun. The cut of her wool blazer fell forward and did its best to hide the bulge of her Glock, but an observant person could tell she was armed. One of the drawbacks of having a waist.

She picked her way across the main room, staying close to the walls to avoid trampling any evidence. A flame licked the edges of the television screen—one of those mood DVDs of a fireplace but devoid of sound. It filled the space with an eerie flicker that did little to lighten the gathering dusk.

Sidestepping a cat bowl filled with water, she stopped in front of the body and pulled a set of latex gloves from her trouser pocket.

“Really?” Cameron asked.

Jo snapped them into place, then pressed two fingers against the victim’s neck in a futile search for a pulse—a completely unnecessary act that became an issue only if a defense attorney wanted to make an officer look like an idiot on the stand for not checking.

The dead man reclined in a high-backed gray chair that appeared to have built-in speakers. In the vee of his legs, a Remington 870 shotgun rested against his right thigh, the stock’s butt buried in the dirty shag carpet. On the far side, a toppled bottle of whiskey and a tumbler sat on a metal TV tray next to a long-stemmed pipe.

“Who called it in?” Jo asked.

“Quinn Kirkwood. I told her to stay in her car until we figured out what was going on.”

Jo retraced her steps to the threshold, seeking a respite from the stench of death.

A petite woman stood at the edge of the driveway, pointedly looking away from the door. “Is he okay?”

So much for staying in the car. “Let’s talk over here.” Not giving the other woman the opportunity to resist, Jo grabbed her elbow and guided her to the illuminated porch of the main house, where the overhang would protect them from the softly falling snow.

“He’s inside, isn’t he?” Quinn pulled the drawstring of her sweat shirt until the hood puckered around her neck. “He’s dead.” It should have been a question, but wasn’t. Jo’s radar pinged.

“I’m sorry.” Jo brushed errant flakes from a dilapidated wicker chair and moved it forward for her. “Is there someone I can call for you?”

She shook her head.

“How well did you know—”

“Tye. His name is—was—Tye Horton.” Quinn played with the tab of her hood string, picking at the plastic that kept the ends from fraying.

Jo remained quiet, digesting the younger woman’s unease. She was all angles: sharp shoulders, high cheekbones, blunt-cut dark hair, and canted eyes that looked blue in the open but faded to grey here in the shadows.

A pile of snow slid from a bowed cottonwood branch and landed with a dull plop. The silence broken, Quinn continued to fill it. “We have a couple classes together up at the college. He missed class. I came over to see why.”

“Does he often cut class?”

“He didn’t cut class,” she said sharply. “He missed it.” She pulled out her cellphone. “The project was due today. I should tell the others.”

What would she tell them? She hadn’t asked any questions. The pinging in Jo’s head grew louder. “Did you go inside before the officer got here?” She looked at the woman’s shoes. Converse high-tops. Distinctive tread.

Quinn launched out of her seat, sending it crashing into the porch rail. “I called you guys, remember?”

“It’s a simple yes or no.”

The smaller woman advanced and Jo fought the impulse to shove her back. “No, Officer—”

“Detective Wyatt.”

The top of Quinn’s head barely reached Jo’s chin. “Tye and I were classmates with a project due, Detective. I called him, he didn’t answer. I texted him, he didn’t respond. He didn’t show up for the game last night, which meant something was wrong. He never missed a game.”

Football. Last night Jo had pulled on her uniform and worked an overtime shift at the Sunday night game. Despite the plunging temperatures, the small college stadium had been filled to capacity.

“Did you check on him afterward?” Jo asked.

“No.” Color brightened Quinn’s pale cheeks. “By the time the game ended, it was too late. After he missed class today, I came straight over. Called the police. Here we are. Now, can I go?”

“Was Tye having any problems lately?”

“Problems?”

“With school? Friends?”

“I shared a class with him.”

Another dodge. “You knew he wasn’t at the game.”

“I figured he was finishing up his end of the project. Are we done? I’ve got class tonight.”

“I need to see your identification before you leave.”

“Un-fucking-believable.” Quinn jammed her hand into her jacket pocket and removed an old-fashioned leather coin purse. Pinching the top, she drew out her driver’s license and practically threw it at Jo.

“I’m sure you understand. Whenever there is a death, we have to treat it as a crime until we determine otherwise.”

The air left Quinn in a huff of frost. “I’m sorry. I’m just…” She dipped her face but not before Jo saw the glint of tears. “I’m just going to miss him. He was nice. I don’t have a lot of friends in Echo Valley.”

“Were the two of you dating?”

The sharpness returned to her features. “Not my type.”

“Do you know if he was in a relationship?”

“Not that I know of.”

“Would you know?”

Cameron joined the women on the porch and extended his hand to Quinn. “I’m Sergeant Finch.”

Jo sucked in her breath, and covered it with a cough. The promotional memo hadn’t been posted even a day yet.

“I’m sorry about your friend,” Cameron added.

Quinn crossed her arms, whether for warmth or for comfort, Jo couldn’t tell. “Your badge says Officer. Aren’t sergeants supposed to have stripes or something?”

“It’s official next week.”

“So. Really just an officer.”

Jo bit the inside of her cheek to keep from smiling. Served him right for acting like an ass.

“I wouldn’t say just.” Cameron hooked his thumb in his gun belt.

“Of course you wouldn’t.” Quinn drew a deep breath and let it out as if she feared it might be her last. “What happened?” she finally asked.

Jo spoke before Cameron could answer. “That’s what we’re here to find out.” She opened her notebook.

Quinn sized up the two officers like a child trying to decide which parent to ask, and settled on Cameron. “Will you get me the laptop that’s inside? It’s got our school project on it.”

“I’m sorry,” Jo answered. “But until we process the scene, everything needs to stay put.”

Quinn sought confirmation from Cameron. “Really?”

Jo shot him a look she hoped conveyed the slow torturous death he’d suffer if he contradicted her and compromised the scene.

Cameron placed his hand on Quinn’s forearm. “I’m certain it won’t take long and I’ll personally deliver it to you as soon as I can.”

“Thanks.” She shook off his hand and addressed Jo. “Am I free to go?”

Prickly thing. Jo handed Quinn’s license back to her. “I’m truly sorry about your friend. May I call you later if I have any questions?”

Cameron stepped closer, all earnestness and concern. “It would be very helpful to the investigation when she realizes she forgot to ask you something.”

The coin purse snapped shut. “Sure. Whatever.”

“Thank you,” Jo said, then added, “Be careful.”

Quinn jerked. “What?”

The wind had picked up, and waves of snow blew across the walkway. Jo pointed toward the street. “The temperature drops any lower and it’ll start to ice up. Be careful. The roads are going to be slick.”

Quinn bobbed her head. Hunched against the cold, she climbed into her bright yellow Mini Cooper.

Snow had collected on the bumper and Jo noted the plate. She’d seen the car around town, its brilliant color and tiny chassis a contrast to the trucks and four-wheel-drive SUVs most locals drove.

The car crunched down the driveway. Jo returned to the task at hand, ignoring Cameron as he followed her.

Two buildings—the main residence and the converted garage—stood at the center of the property. The driveway dumped out onto an alley and the hum of downtown carried across the crisp air. Dogs barked. Cars slowed and accelerated at the nearby stop sign, their engines straining and tires chewing into the slushed snow. A sagging chain-link fence ringed the property, pushed and pulled by a scraggly hedge.

Built in the days when a garage housed only a car and not the detritus of life, the building was barely larger than a tack room. A small walkway separated the dwellings. She followed the path around the exterior of the garage.

Eaves kept snow off the paint-glued windowsill on the far side of the outbuilding. Rambling rosebushes in need of pruning stretched skeletal fingers along the wall. Jo swept the bony branches aside. A thorn snagged the shoulder of her blazer.

She studied the ground. Snow both helped and hindered officers. In foot pursuits, it revealed a suspect’s path. But the more time separated an incident from its investigation, the more it hid tracks. Destroyed clues. This latest snow had started in the early hours of the morning, gently erasing the valley’s grime and secrets and creating a clean slate. Tye could have been dead for hours. The snow told her nothing.

As she stood again at the door, not even the cold at her back could erase the smell of blood. The last of the evening’s light battled its way through the dirty window, failing to brighten the dark scene in front of her.

She tried not to let the body distract her from cataloging the room. Echo Valley didn’t have violent deaths often. In her twelve years on the department, she’d investigated only two homicides, one as an officer, the second as a detective. Fatal crashes, hunting accidents, Darwin Award-worthy stupidity, sure, but murder? That was the leap year of crimes and only happened once every four years or so.

Cameron joined her on the threshold and they stood shoulder to shoulder. He had a shock of thick brown hair that begged to be touched, and eyes that said he’d let you. “Why so quiet, Jo-elle?”

The use of her nickname surprised her. Only two people had ever called her that and Cameron hadn’t used it in a long time. “I don’t want to miss anything.”

“What’s to miss? Guy blew his brains out.”

“It’s rarely that simple.”

“Not everything needs to be complicated.” He laughed. The boyishness of it had always charmed her with its enthusiasm. Now it simply sounded dismissive. Perhaps it always had been, but she’d been too in love to notice. “Hey, you got plans tonight?” He tried to sound innocent. She had learned that voice.

“Other than this? I don’t see as that’s any of your business.”

“Of course it’s my business. You’re still my wife.” He stared into the distance as he said it. A splinter of sun pierced the dark clouds and bled across his unguarded expression.

Yearning.

Jo stood as if on ice, afraid to move lest she lose her balance.

He seemed to wake up, and after a deep breath, he surveyed the room. “The landlord is going to be looking for a new tenant. You should give him your name. It’s got to be better than living with your old man.”

Fissures formed beneath her and it took her two blinks before she recovered her footing.

“I need to get my camera. I’ll be right back.”

She left him at the door. The December chill wormed through her wool dress slacks as she trudged the half block to her car. She drew breath after breath of the searing chill deep into her lungs to replace the hurt, the anger, the self-recriminations that burned her. She sat in the passenger seat and picked up the radio mic. She wasn’t ready to face Cameron. Not yet.

To buy herself some time, she ran a local warrant check on Quinn. Something wasn’t quite right about the woman. A warrant might explain things.

Dispatch confirmed Quinn’s address, but had nothing to add.

Jo grabbed her camera bag and crime scene kit and schlepped back to the scene, prioritizing her actions as she went. She’d need to snag another detective. Interrupt a judge’s dinner to get a search warrant. Swab the victim’s hands for gunshot residue. Try to confirm his identification. Hopefully, the person in the front house would return soon so Jo could start collecting background on the deceased. Take overview photos of the exterior first. Inside there’d be lights. Then evidence. Identify it. Bag it. Book it.

She reached the door before she ticked through all the tasks. Cameron was circling the chair.

Jo stopped on the threshold, stunned.

“No wonder they didn’t promote you.” Cameron peered into the exposed cranium. “If you can’t tell this is a suicide, you got no business being a cop—let alone a detective.”

“Get out.”

“We’re not home, sweetie. You can’t order me out here.”

“Actually, I can. Detective, remember? This is my scene and you’re contaminating it.”

He laughed. “Sergeant outranks detective.”

“I think it’s already been established that you’re not sporting stripes.”

“Yet. Couple more days.”

Three. Three days until he started wearing the stripes that should have been hers. Three days until he outranked her. Three. Damn. Days. “And until then, Officer Finch.” With exaggerated care, she took out her notebook and started writing.

“What are you doing?”

“Making a note of the path you’ve taken. Try to retrace your steps. I’d hate to have to say how badly you mucked things up.” She paused for effect. “You getting promoted and all.”

“You’re such a bitch.”

“Is that how you talk to your wife?”

He picked up the overturned bottle on the TV tray. “Johnnie Walker Gold.” He sniffed the premium Scotch whisky. “And here I would have pegged him for a Jack fan, at best.” Cameron tipped the bottle back into place and retraced his steps.

The latex gloves did nothing to warm her fingers, and Jo shoved her hands in her pockets. Had he changed or had she? “When did you become such an ass?”

“When’d we get married?” He shouldered past her, swinging his keys around his finger. Outside, the streetlamps flickered to life. “I’ll leave you to it. Even you can see it’s a slam dunk.”

She didn’t want to agree with him. “It’s only a suicide when the coroner says so.”

“Oh, Jo-elle.”

There was that laugh again, and she hated herself for warming to him.

“You’ve got to learn to choose your battles.”

***

Excerpt from Shadow Ridge by M.E. Browning. Copyright 2020 by M.E. Browning. Reproduced with permission from M.E. Browning. All rights reserved.

 

 

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THE RAGE ROOM by Lisa de Nikolits | #Showcase #Giveaway

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The Rage Room

by Lisa de Nikolits

December 1-18, 2020 Tour

Synopsis:

The Rage Room by Lisa de Nikolits

What if you made the worst mistake of your life and got the chance to fix it? Only you made it so much worse? From the incomparable crafter of nine cross-genre works of fiction, Lisa de Nikolits expands her horizons to pen a grab- you-by-the-throat, feminist speculative-fiction thriller in the style of Groundhog Day meets The Matrix.

The perfect father kills his family on Christmas Eve, and tries to undo his actions by jumping back in time. The result is murder and mayhem in dystopia. Set in 2055, the world is run by robots and virtual data, while the weather is controlled by satellite dishes. Arts and culture are no more than distant memories. People are angry, placated by prescribed visits to rage rooms to vent their boredom, fury, and discontent. Beneath the sunny skies and behind the garbage-free suburban McMansions live deeply disturbed, materialistic families.

During his time travels and increasingly desperate attempts to reserve his colossal mistake, Sharps Barkley meets the leader of the Eden Collective, a feminist army determined to save the Earth by removing all artificial intelligence and letting the Earth restore itself—if necessary, at the expense of mankind. The Eden Collective uses data gathered from the rage rooms to analyze and predict the potential and actions needed for the Earth to reset and they need to prove that time travel is an effective tool. If Sharps can go back and save his children, then there is hope for the future. Sharps is the 49th experiment and his success is pivotal. Can love prevail over anger?

The Rage Room has a multi-layered plot that is fueled by a feminist-driven courage to take charge and save the world as it exposes the effects of an increasingly digital age on our lives and, ultimately, our humanity.

What Readers Are Saying:

“In her latest captivating book, Lisa de Nikolits proffers not only a roller coaster of entertainment, but also, sharp political commentary in complicated times. The Rage Room is an intricately woven dystopian world, rich in strong female characters who easily whisk readers to a world of futuristic follies. Move over George Orwell—De Nikolits shows us how the future can be scary, exciting, and above all, female.” —Kelly S. Thompson, national bestselling author of Girls Need Not Apply: Field Notes from the Forces

“Wow, what a ride! Lisa de Nikolits has written a pulse-pounding thriller set in a troubled future that might just be ours. We see the seeds of The Rage Room in our own digital landscape. Mind-bending yet all too believable in the hands of a masterful storyteller.” —Terry Fallis, two-time winner of the Stephen Leacock Medal for Humour

“If dystopian speculative fiction is your thing, with the enticement of time travel, you won’t go wrong with The Rage Room. The world de Nikolits has built is utterly fascinating, and quite horrific, yet believable. I sympathized with the main character, even though he is flawed, but that makes the story even more interesting. What a ride! The plot ratchets up like a train speeding down the tracks out of control. Gripping tension, and at the same time, highly complex, with multiple time travel redos and memories overlapping. I found that fascinating. I was absolutely riveted, and pleased to see that it ends with the hint of more books to come.” —Melodie Campbell, award-winning author of The Goddaughter series

“In turns unsettling and very funny, The Rage Room is a berserk science-fiction satire of toxic masculinity, narrated by your guide, Sharps, the neurotic, rage-filled Jason Bateman of the future. There are lines and descriptions that will stop you dead in your tracks and make you take notes.” — Evan Munday, author of The Dead Kid Detective Agency series

“We’ve all wanted to go back to the past to fix the future – but Sharps has messed things up so much in his own high- tech future-world that he has to do it. Lisa de Nikolits takes us – and him – on a wild, high-octane ride into other times and places so bizarre, blighted, funny and wise that they just might seem chillingly familiar. She turns time travel on its proverbial ear and you won’t want to get out of the passenger seat until the last page.” —Catherine Dunphy, author of Morgentaler, A Difficult Hero

“Why would one go back in time? To make things right, of course. But every time Sharps visits his past, things change in ways he can’t control, and he keeps changing from a worrier to a warrior. I loved all the witty characters, and original, daring twists in this genuine reality fiction beyond imagination!” —Suzana Tratnik, author of Games with Greta

“Dark, fun, weird, imaginative, The Rage Room is a dystopic ride perfect for the anxieties and conditions of the present day. The paranoia of Sharps Barkley seeps into you, propelling this thriller that will keep you guessing to the very end.” —David Albertyn, author of Undercard

“With The Rage Room, Lisa de Nikolits takes a deep dive into dystopia. Prepare to be alternately chilled and thrilled as the hapless hero journeys backwards and forwards in time in his increasingly desperate attempts to right his terrible wrongs, and to find some sense in his rapidly disintegrating world.” —Lorna Poplak, author of Drop Dead: A Horrible History of Hanging in Canada

“Leave it to the wild imagination of Lisa De Nikolits to bring us the dystopian future of The Rage Room, an extraordinarily inventive speculative fiction thriller with a decidedly feminist bent. Fast-paced, funny, bold, and completely engrossing, The Rage Room is an allegory, a cautionary tale, and a rollicking good read that will stay with you long after the last page has been turned.” —Amy Jones, author of We’re All in This Together and Every Little Piece of Me

The Rage Room is a hugely intriguing, intense and provocative exploration … an untangling of sorts … a measuring of societal coded messages … a scouring type of scrutiny …beckoning us… calling for curious changes of perception.” —Shirley McDaniels, Artist

Book Details:

Genre: Science Fiction
Published by: Inanna Publications
Publication Date: October 30th 2020
Number of Pages: 312
ISBN: 177133777X (ISBN13: 9781771337779)
Purchase Links: Amazon | Barnes & Noble | Goodreads

Read an excerpt:

BOOK ONE: TO THE MELTDOWN

1. The Rage Room

I don’t know what year it is. We aren’t allowed to know and really, I couldn’t care less. I’m in my safe place, the rage room, focussed on doing what I do best, breaking things.

Thwack. I bring the baseball bat down on what’s left of a kiddies wagon. The room is full of wagons, broken toys, junk furniture and discarded office equipment, garbage, all of it. The auto voice made her usual announcement as I entered the room: Screen-based materials are forbidden in the rage room. Glass cannot be utilized or destroyed in the rage room. We always consider your safety first! Because we care about you! All in accordance with Docket102.V, Health and Safety Code 0009: By Order of The Sacred Board, Gloria In Excelsis Deo. Yeah man, I know all the rules. And here’s what I think of your rules.

I attack the wagon again and the cheerful pink plastic replies with a slight ‘ugh’ as if asking me if that was the best I could do but it doesn’t give. I come down harder and score a crack that mocks my feeble efforts. Story of my life.

My soundtrack is on maxed. O Fortuna, Carmina Burana on repeat, volume pumped. Sometimes it’s War, by The Cult or You Lied by Tool or, incongruously, Vivaldi’s Four Seasons with a disco twist and added bass for power. Rage Against The Machine is a good one too. Thud, thud, thud, yeah. I choose my soundtrack and I like vintage, none of that auto-robo music for me.

Thinking about music choices makes me think about life choices or the lack thereof, and my wife’s beauty badge, previously known as her profile pic, flashes unbidden across my crystal path. Celeste. She looks angelic, like Farrah Fawcett in the days of Charlie’s Angels, only hundred pounds heavier, with two chipmunk teeth perching on the lower lip of her overbite. Celeste had ordered those teeth, paid premium to get her primaries longer than anyone else’s. She thought it made her sexy.

I raise the bat higher and split the wretched wagon in two. Sweetie, honey, baby, sugar. Thwack. Was it possible for the woman to utter anything without coating it with saccharine, glucose and fructose and then deep-frying it like an Oreo at fun fair? Celeste had fried my brain alright. So why did I marry her? Thwack. Because she offered me everything I wanted, the sum of which boiled down to one thing. I wanted to be normal. I wanted to be The King of Normal. And Celeste’s marrying me was the act of a desperate addict trying to set her life straight, topped up with a deep-seated desire to please her father, Daddy.

I thrash at an impervious lime green keyboard, finally picking it up and slamming it against a workbench. I’m grunting as if I’m up against heavyweight champion of the world and my thin white protective plastic suit rips off like old wallpaper. But it’s not all my fault, the suit was torn when I got into it. That’s the government for you, step into this used piece of shit, so what if it’s slick with the sweat of some other angry dude who came before you, the rules say you have to wear it, Docket809.V, Health and Safety Code 0009.12: By Order of The Sacred Board, Gloria In Excelsis Deo. The rules should say you each get a fresh new suit but that would cost too much money.

We look like giant Easter bunnies, hopping insanely behind one-way mirrors, covered from head to toe in white disposable Tyvek coverall suits with elastic wrists, booties and hoodie. All we need are big floppy ears and little bobbing white pompom tails. Hop, hop, hop in a plastic room and break plastic shit to make yourself feel better for a tiny piece of your stupid, meaningless life.

I’m a clean freak and I like my life to be scrubbed and tidy which makes the rage rooms an anomaly to be my safe place but I’m an anger addict, giving into chaos at the drop of a hammer. And the hammer drops a lot in my life which I’ve come to accept but what I can’t accept is that the white suits still disgust me. They’re damp when you pull them on and it’s like trying to wriggle into someone else’s just-discarded swimsuit. I also hate the smeared and greasy goggles with scratches like some kid used them for skateboarding, which is still a thing.

I’ve offered more than once to buy my own equipment but it’s against regulations. It’s also against the rules to self-harm in a rage room but more than one person has tried to commit suicide. I imagined them rushing in, falling to their knees and hacking their veins open, wanting to die in a thick red sea of gushing blood while their fave hate song drums out the dying pulse of their lives. Trust me, I’ve thought about trying too. It’d be a fitting place for me to meet my end but the person behind the window watches just enough to not let that happen.

Sometimes I yell profanities at the blacked-out glass window but I’m sure whoever’s watching is so used to witnessing the pointless destruction that they don’t even bother to look or listen most of the time.

I smash on, chasing release and finding none. Then the music stops, just like that and a cop-car siren sounds. Whoop, whoop, whoop! Red lights flash across the room. Green lights signal go, red for when your time is up.

I’m out of time but release was denied. Shit. I pulled my face gear off, hearing only my frustrated breath. My face is dented from the goggles and I run my fingers along the ridges and bumps. A guy opened the door and dragged in a trash can. He ignored me and I just stood there. I wasn’t ready to leave but my time was up. The siren sounded again, whoop, whoop, whoop, and still, I stood there, goggles in hand, looking the useless crap I had broken.

Another guy came, in a big fella. “Buddy,” he said, “you know the rules. You gotta go. Come on now.”

I turned to him and I couldn’t help myself, tears spilled down my face and I heard myself sobbing and he said “oh crapola, we got ourselves a wet one,” and he left. The guy behind me carried on cleaning. I had nowhere to go so I just stood there, crying.

The big guy came back and handed me a roll of paper towel. I tore off three sheets, blew my nose and handed the roll back to him.

“A bunch of us are going for a drink,” he said. “You wanna come? You need a drink. Come on.”

I thought about Celeste, waiting at home and I thought about my baby boy, Baxter. I thought about the carpet that needed vacuuming because the robovacs never got into the corners and how Bax wasn’t eating properly and how Celeste wouldn’t listen to me when I panicked about his nutrients. I needed my boy to eat properly and no one cared but me.

“But honey,” Celeste smiled, “we’ve got science, you know that. Science takes care of us. Minnie’s got everything under control. It’s not like the old days. We don’t have to worry anymore.” She was right. It wasn’t like back in the early 21st century when the news was filled with illness, devastation, human loss and natural disaster. It was, however, thanks to the pervasive fears of that time, of illness, aging and dying, that politicians had secretly funnelled billions from the taxpayer’s pockets into the science labs, and the results, once uncovered, were astounding. The powers-that-be knew they were killing the world by denying the existence of global warming and they’d collectively and secretly developed labs to create food and fuel, motivated not by altruism but because none of them wanted starve or die in a flood or drought or fire or get taken out by the newest raging disease, caused by alpacas or bearded dragons or, in the most deadly of cases, the family cat. Scientists had developed surgeries and scientific solutions for any manner of ailment or disease and Minnie, the Supreme World Leader, and her Sacred Board of Directors, shared this wealth of knowledge with the world.

So Celeste was right. Bax would be fine.

I was exhausted. All I wanted to do was lie down on the floor and carry on crying. Yes, the carpet at home needed cleaning and yes, I was worried about Bax not getting enough protein but, weighing on me more heavily than anything, was the fact that my paternity leave was over.

I was due back at work the next day, the thought of which ripped through my gut like a tumbling drum of sharp nails and broken glass, all sloshing around in an icy pit of poisoned, oily water.

So I mopped up my face and figured it would be best to follow this guy to a bar and pull myself together before I went home. I couldn’t let Celeste see me like this. She thought I was Mr. Strong and Steadfast, solid as a rock and I couldn’t let her know any different.

But I realized I needed help, so I flashed a comm to my best friend, Jazza. Need to see ya, buddy. Follow my cp. I wondered if Jazza would even respond, given that I’d sorely neglected him since I ran out the building into the waiting arms of my pat leave.

My cp. My Crystal Path. By logging in, Jazza could access my bio-hard drive, the neural implant microchip embedded in my brain. We all had them. Every interaction from my, and everyone else’s Crystal Path, moved across The Crystal Lattice which was like a large invisible digital spider’s web around the Earth, connecting all the satellites and all of us. Even the weather was satellite controlled and every strand of the information was part of the Crystal Lattice.

We were studded with implants shortly after Minnie came into power. Of course, she said it was optional but after she assumed control of the Internet, how else were we to communicate? She dominated the service providers and instated regulations that didn’t let anyone else provide access. So really, what choice did we have? In my opinion, Bax was far too young for implants, he was only a year old which didn’t stop some parents hooking their newborns up, to monitor them in their cribs, watch them at childcare, at preschool and in the playgrounds. It was important to keep an eye on the nannies, don’t you know, and make sure that the robo-carers and humans were doing a good job and not subjecting their beloved offspring to any horrifying abuse or disturbing discipline. More expensive software developments allowed parents to access the kiddies bio-stats to make sure heart rates, blood sugars and serotonin levels where all where they should be. The Crystal Path wasn’t exactly pure, it had its own form of the Dark Web just like the old days and, despite my body being riddled with every manner of software that I could get my hands on, I wasn’t sure I wanted Bax to have access to any of it. And yet, the creation of those implants were the very thing that gave me, and thousands of others, jobs.

The Crystal Path was like a map of screens that could viewed at any time, all jam-packed with data and information that we could switch on or off, supposedly curated by ourselves, we were supposedly the editors of our own content. What a joke that was. We were pawns while big business moved the pieces of our lives around the playing field.

When I went on pat leave, I shut Jazza out of my cp. You could do that, control who had access to what. Previously, Jazza had permissions to my path that Celeste didn’t even know existed. I just hoped Jazza would head my cry for help. God knew the guy owed me nothing considering how I’d dumped him when Bax was born.

I nodded at the rage room attendant.

“Yeah. I’ll come for a drink.” I ripped my suit off, a petty act of childish fury that felt so good at the time but later, felt shameful. That was me to a T – equal parts fear, guilt, shame and anger. The guy didn’t say anything as I followed him. He had a man bun. Talk about retro. Why was I even following a guy with hair like that? But I went out to the parking lot and got behind the wheel of my solar-powered station bubble, an Integratron company car, courtesy of Celeste’s father. The inside was full of yielding soft curves and cushions that molded to my body. The round rolling ball of the car’s exterior looked like just glass but it was it was plastic, shatterproof polymethyl methacrylate to be exact, with a sunshiny yellow interior. Our car interiors came in a variety of colours – sky blue, fire engine red or bubblegum Juicy Fruit pink. Pink was the most popular. The cars were cheerful, happy creatures, with scads more room than one might think, and they rolled along like soap-bubble spheres. My cp connected me to the car’s displays and controls and I could choose to drive the car or not. I always chose to drive. The cars were utterly silent and they were soundproof and it felt odd, rolling along a busy suburban street or highway, and seeing other bubbles filled with reclining people who looked like they were talking to themselves, leaning back in their colourful chairs and controlling the cars with their thoughts. There were no steering wheels or dashboards, just the flashview that connected the driver to the car via their cps.

I sniffed my pits. I was annoyed with myself for skipping the post-session cleansing shower booth and my clothes had a rank, sweaty plastic smell. I’d have to do a washdown with wipes so Bax wouldn’t smell me like this. I couldn’t let my little guy smell the fear on me. I had to get a grip.

3. Glory Days

A pay-to-play lottery. Our first project. Targetted Shoppers, or TC’s, had to rack up WinCreds by joining a points program which would score them a golden ticket to try out for the next golden ticket. If they won the round, they were promoted to a higher grade. There was a thirteen-level maze of lottery wins and points acquisitions and TC’s had to shop their way through all of them. Finally, with the odds at one in three million, they got to be one of a dozen Contestants on 123BlikiWin, the hottest reality

TV program out there. Jazz and I created it. Correction, Jazz did. He invented the whole thing and it was gold.

“We were a great team. We are a great team,” I insisted. “And even more genius was us sitting on for years, milking it. Did you score more vintage games while I was gone?” He shook his head. “Nah. Minnie’s cracked down even harder.”

Great. Going back to work wasn’t only going to be super stressful, we didn’t even have games to pass the time.

“Hey,” I said, “maybe we can do a rerun of ClothesKissezThugs?”

ClothesKissezThugs was Jazza’s follow-up idea to the Lottery 123BlikiWin. He said it was inspired by the religious baptismal trucks that rolled out after Minnie the Great’s Supreme World Leader inauguration but instead mimicking her Come-to-Jesus marathon, we marketed Come-to-Style. We paced our pitches, riding the 123BlikiWin as long as we could before offering up the couture trucks of ClothesKissezThugs.

I loved Jazza’s way of thinking and at first we had fun, hanging out at work, gaming and eating crap and feeling like we owned the world but then Mother kicked me out. She said I had to get my own apartment. She said it was time for her to do something meaningful for her life and that she was cutting the umbilical cord. I asked her what that meaningful thing was because perhaps I could do it with her

but she just looked cagey and said I wouldn’t understand.

And I got tired of cleaning up Jazza’s mess at work. It was like the guy couldn’t be in a room for ten seconds without making it look like Hoarders met The Trashman from Outer Space. About two days into our partnership, he looked over at me.

“Clean the shit up,” he said. “If you need to. But don’t expect me to do any of it and don’t expect me to change.”

Relieved that he understood me, I bagged his crap, wiped his sticky fingerprints off the surfaces and Lysoled the world endlessly. Cleaning brought me peace. Jazza said I was OCD and that there was a pill for that and I said who cared, there was Windex and bleach, I didn’t need pills or his psychoanalysis, thank you very much.

But, after career success, what was next? I began to feel empty. Bored. Lonely. I hit the rage rooms even harder.

The rage rooms were Minnie’s idea. Three years after her ascent, an outbreak of violence spread throughout the world and people smashed up cities, rampaging with baseball bats, hammers and wrenches. Minnie had outlawed firearms so at least no one got shot but the damage was nonetheless widespread and extensive. Rioters tore down parks and buildings, smashed cars and looted malls.

Minnie called in an alarmingly large secret AI army. She teargased the unruly and got things back under control. Who knew she had an army? We fell in line pronto. We thought Minnie would be furious and punitive in the aftermath but instead, she was sorrowful.

“I get it,” she said with that chocolately voice, direct to our flashviews via our cps. “Life is tough. Even when it’s good, it’s tough. Everyone has anger issues. You just need a place to express your true emotions. I didn’t realize, when I banned the Internet, that it was a drug you were hooked to. It was a place you could vent your opinions and feel like you had been heard.” She didn’t say that we were all idiots, addicted to expressing idiotic opinions but it was clear enough from her tone

“But,” she said, and her voice turned stern. “You misused the tools. I mean, my goodness, exchanging pictures of your genitals and having sexual relations willy nilly! Encrypting messages so child pornography could thrive? You lost your way. And, by God and through God, it is my Divine Destiny to help guide you back to the path of Light. God handpicked me for this job, me, with Mama at my side and we will help you!

“I thusly decree that rage rooms shall be constructed, places where you can express your most basic hatred and fears. Because I realize now that much of life is fueled by hatred, rage and fear. That’s is just the way man is. You are fundamentally flawed. But, flawed though you are, you were created in God’s image, and it is my Divine Task to help you shed the wages of sin and find your way back to that image, back to the perfect human beings that you were before you ate the apple and were lured by the snake.”

And, by Minnie’s side, her mother, Mama, leaned in and whispered something into Minnie’s ear and Minnie nodded.

“Before the Advent of Minnie, the world was depressed, obese and morbid. You spent your lives staring at screens and arguing with strangers with your ignorant opinions or pretending to love each other with likes or haha or sad faces. Emoticons! Banning emoticons was one of my greatest triumphs. Learn to talk to each other, don’t gesticulate like uneducated children flashing reader cards with a stupid face.”

A wild look had come into Minnie’s eyes and Mama laid a reassuring hand on her shoulder. Mama whispered something else and Minnie nodded again.

“But all is not lost. Every step is a step forward. So we are going to give you fun! We are going to make you happy! I thought sunshine every day would make you happy but no! I gave you solid Vitamin D, not a cloud in the sky! Then you complained, why are there no clouds you asked? You people are so hard to please! Why are you so hard to please? So I got you clouds.”

She shut her eyes and Mama patted her again. “Right. There shall be rage rooms where you can express yourselves to your heart’s content.”

In addition to the rage rooms, Minnie poured money into streaming new shows. Robots invented new dances and we became preoccupied, adult and child alike, trying to learn new moves and share clips of ourselves thus engaged. Once again, we found ourselves staring at screens, our viewing monitored by Minnie the Belle.

Minnie also gave us comfort centres. I tried them out but I’ve got restless leg syndrome and can’t lie still for any amount of time without feeling like I’m going to go nuts, the ants under my skin want to eat me alive.

“Nope, we ran ClothesKissezThugs dry.” Jazza grinned, bringing me back into the moment. “Ha but we did good with CrystalMeBooty. Knocked it out the park, yeah? Think about the good times, buddy. That was you as much as me.”

I laughed. Despite the circumstances, it was good to be talking to Jazza again, reliving our glory days.

The follow-up to ClothesKissezThugs was CrystalMeBooty. Towering crystal-sided transport trucks rolled out with strobe lights and disco mirror balls and the music became urgent, angry and hateful which only increased its appeal. Not everyone could place a purchase, TC’s had to earn points to be a Big Spender, accruing a certain level of debt before being given access to the arenas of superior consumerism. And oh, the shame if you weren’t that level. For some reason, the Big Spender and CrystalMeBooty made even more money than 123BlikiWin. Pretty soon, the whole world was in hock, just to be on the so-called right playing field.

Meanwhile, my life became increasingly, utterly meaningless. I don’t know what I would have done if Celeste hadn’t come along. She and Bax changed everything. I finally knew my purpose. Family. My family was the only thing that mattered, the only thing that gave any kind of meaning to this sham plastic world. All I wanted was to be a stand-up guy. I wanted my boy to be able to say that’s my Dad! with a mixture of choked-up pride and overwhelming love. I wanted Celeste to look over at me, there’s my man, he’s the guy, don’t you know!

But the minute I had Bax, my worries increased a thousandfold. How would I keep up in this fiercely competitive world? And, increasingly, I couldn’t afford Celeste. Of course, Celeste was a great fan of CrystalMeBooty and Daddy’s money was, as he himself often reminded me, limited when it came to keeping Celeste in the style to which the world had told her she needed to remain accustomed.

And what about when Bax grew up? How could I make sure he had what he needed, to be part of the respected world of The Haves? How could I make sure he didn’t get into drugs? There were rumours of strange sex clubs popping up like fungi in a forest, which was a bit rich coming from me, given my predilictions but I didn’t want Bax to end up an anxiety-ridden, anger-driven worrier like me.

***

Excerpt from The Rage Room by Lisa de Nikolits. Copyright 2020 by Lisa de NikI followed Man Bun to a diveolits. Reproduced with permission from Lisa de Nikolits. All rights reserved.

 

 

Author Bio:

Lisa de Nikolits

Originally from South Africa, Lisa de Nikolits is an award-winning author whose work has appeared on recommended reading lists for both Open Book Toronto and the 49th Shelf, as well as being chosen as a Chatelaine Editor’s Pick and a Canadian Living Magazine Must Read. She has published nine novels that most recently include: No Fury Like That (published in Italian under the title Una furia dell’altro mondo); Rotten Peaches and The Occult Persuasion and the Anarchist’s Solution. Lisa lives and writes in Toronto and is a member of the Sisters in Crime, Toronto Chapter; Sisters in Crime; Mesdames of Mayhem; and The International Thriller Writers.

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A MURDER IS FOREVER by Rob Bates | #Showcase #Interview #Giveaway

A Murder is Forever

by Rob Bates

December 1, 2020 – January 31, 2021 Tour

Synopsis:

A Murder is Forever by Rob Bates

Max Rosen always said the diamond business isn’t about sorting the gems, it’s about sorting the people. His daughter Mimi is about to learn that some people, like some diamonds, can be seriously flawed.

After Mimi’s diamond-dealer cousin Yosef is murdered–seemingly for his $4 million pink diamond–Mimi finds herself in the middle of a massive conspiracy, where she doesn’t know who to trust, or what to believe. Now she must find out the truth about both the diamond and her cousin, before whoever killed Yosef, gets her.

“[A] sprightly debut …. Bates, who has more than 25 years as a journalist covering the diamond business, easily slips in loads of fascinating information on diamonds and Jewish culture without losing sight of the mystery plot. Readers will look forward to Mimi’s further adventures.” – Publishers Weekly

Book Details:

Genre: Mystery
Published by: Camel Press
Publication Date: October 13th 2020
Number of Pages: 281
ISBN: 1603812229 (ISBN13: 9781603812221)
Series: The Diamond District Mystery Series
Purchase Links: Amazon | Barnes & Noble | Goodreads

 

Author Bio:

Rob Bates

Rob Bates has written about the diamond industry for over 25 years. He is currently the news director of JCK, the leading publication in the jewelry industry, which just celebrated its 150th anniversary. He has won 12 editorial awards, and been quoted as an industry authority in The New York Times, The Wall Street Journal, and on National Public Radio. He is also a comedy writer and performer, whose work has appeared on Saturday Night Live’s Weekend Update segment, comedycentral.com, and McSweeneys He has also written for Time Out New York, New York Newsday, and Fastcompany.com. He lives in Manhattan with his wife and son.

Q&A with Rob Bates

What was the inspiration for this book?

I have written about the diamond and jewelry industry for nearly 30 years for different trade publications. I always thought there would be some great stories to tell about the industry. It’s so exotic, and different than most other industries. (For instance, most diamond deals are sealed with the word Mazal. That’s it. No contracts, no lawyers. And that’s binding.)

There are also many misconceptions about it. I wanted my book to be a true insider’s view. Many people who have walked through New York’s Diamond District have no idea what exactly what happens there. So this lifts the veil a bit.

What has been the biggest challenge in your writing career?

It’s all pretty challenging, but I consider myself lucky to get a book published in this environment.

I’ve engaged in many creative pursuits over the years, including performing sketch comedy and stand-up. They all involve a lot of rejection. When I first started looking for agents, and I experienced some turndowns, and thought, “Why am I putting myself through this again?” It worked out okay in the end. You just have to look at rejection as part of the process. One day, I’ll figure out how to do that.

The main character of my book is a laid-off journalist who also deals with rejection. I’m happy that’s in there. It’s something you don’t always see portrayed in books and media, but it’s part of life.
My day job involves writing for a trade publication. And while it’s 150 years old, and an institution, it’s faced a lot of changes and challenges, like the rest of the publishing business has. But that’s a long long story.

What do you absolutely need while writing?

I usually listen to music, just because music calms me and lifts my spirits. I probably shouldn’t, as it can distracting, but it’s a habit by now.

A deadline helps, too.

Do you adhere to a strict routine when writing or write when the ideas are flowing?

I try to set myself a goal for the month, so if I screw up one day (which happens), I can make it up later. But my work habits vary, put it that way. I wish I had a magic formula, except for making myself feel guilty. That works. Sometimes.

Who is your favorite character from your book and why?

Everyone likes the character of Max, the heroine’s father, so I guess I would say him. I can’t dispute the wisdom of the crowd.

There’s a Rabbi in the book, and he was fun to write. One character is a composite of a different jargon-spouting executives I’ve spoken with over the years. But I like all the characters. Otherwise, I wouldn’t include them.

Most of the people in the book—even the flawed ones—are fundamentally good. Maybe I’m naïve, but I think that’s true of people in general.

Getting back to the diamond business, a lot of the portrayals you have seen in films, like Uncut Gems, have been unduly harsh. The bad side of the business certainly exists; there’s problems in the industry, and the book is sometimes frank about them. But I also wanted to portray the industry like I’ve experienced it: it’s not perfect, by any means, but it’s full of good and bad people, like any other business. Some of the nicest, most decent, as well as smartest, people I’ve met work in the diamond industry. It’s full of people trying to make a living, like any business.

Who is your least favorite character from your book and why?

Some of the characters in the book do things that are unconscionable (like kill people). But I try to make them all have some good or interesting qualities. If I didn’t like them, or didn’t find them worth writing about, I’d cut them from the book.

I also tried to make even the minor characters, like a security guard who plays a bit role in a few chapters, be unique or different.

Give us an interesting fun fact or a few about your book?

The main character (Mimi) is named after my late mother, and her father is named after my grandfather, who was a diamond dealer on 47th Street. That’s in tribute to them. The characters are not based on the actual people.

Many of the quotes in this book are actual things I’ve heard in the diamond business. I’ll let people decide which ones those are.

When I started writing this, I didn’t really know what a “cozy” mystery was. But it turned out that my book fit most of its requirements: it is light-hearted, has lots of humor, features little violence, and is built around an amateur detective. It’s not set in a small community—like most cozies are—but in New York City. But the Diamond District is definitely its own community. It’s an urban cozy. Perhaps I’ve invented a new genre.

When I first started writing this, an editor suggested I make the main character female, which was not something I would have considered on my own. Obviously, that was a little challenging at times, but I had my wife look it over to make sure I was on the right track. Every now and then, she’d write “hmmm…” on something I wrote. I got rid of everything that had “hmmmm…” on it.

Do you have anything specific that you want to say to your readers?

Thank you! I appreciate anyone who takes the time to read my book. It means so much to me.

I’m also interested in hearing readers’ feedback. If we weren’t living in COVID, I’d be happy to meet readers in person and autograph the books, not that my signature is particularly valuable.

The news is so depressing these days. If this proves a pleasant distraction for people, I’d be happy

Tell us a little about yourself and your background?

I’m just a bald guy from suburban New Jersey. When I graduated from college, I was looking for a writing job, and there was an ad for a writer for a diamond industry publication. As I mentioned, my grandfather had been a diamond dealer, and even though he died long before all this happened, I told the interviewer that I grew up in the business, and knew all about it. That was mostly B.S., but he bought it, or maybe he just pitied me. Regardless, I’m still at it 30 years later.

What’s next that we can look forward to?

The second book in this series is coming out next year. In fact, I turned in the manuscript one day before I did this interview. The second book, “Murder’s Not a Girl’s Best Friend,” focuses on some of the social issues the industry has had to deal with, so its subject matter is a little more serious than this one. But I tried to make it also fun and enjoyable.

(By the way, I’m really happy with my first two titles: “A Murder is Forever” and “Murder’s Not a Girl’s Best Friend,” as they play on the best-known slogans in the diamond business. I’m still figuring out what the third title will be. Suggestions welcome!)

There are so many stories in the diamond business. It’s an industry that touches so many different aspects of life—marketing, politics, economics, etc. I find it fascinating, and I hope that anyone reading these books will find it fascinating, too. And I hope to keep writing these books as long as the publishing gods let me.

Catch Up With Rob Bates:
RobBatesAuthor.com
Goodreads
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Read an excerpt:

A MURDER IS FOREVER

By Rob Bates

CHAPTER ONE

As Mimi Rosen exited the subway and looked out on the Diamond District, she remembered the words of her therapist: “This won’t last forever.”

She sure hoped so. She had been working on Forty-Seventh Street for two months and was already pretty tired of it.

To outsiders, “The Diamond District” sounded glamorous, like a street awash in glitter. To Mimi, who had spent her life around New York, Forty-Seventh Street between Fifth and Sixth Avenues was a crowded, dirty eyesore of a block. The sidewalk was covered not with glitz, but with newspaper boxes, cigarettes, stacks of garbage bags, and, of course, lots of people.

Dozens of jewelry stores lined the street, all vying for attention, with red neon signs proclaiming “we buy gold” or “50 percent off.” Their windows boasted the requisite rows of glittery rings, and Mimi would sometimes see tourists ogling them, their eyes wide. She hated how the stores crammed so many gems in each display, until they all ran together like a mess of kids’ toys. For all its feints toward elegance, Forty-Seventh Street came off as the world’s sparkliest flea market.

Mimi knew the real action in the Diamond District was hidden from pedestrians, because it took place upstairs. There, in the nondescript grey and brown buildings that stood over the stores, billions in gems were bought, sold, traded, stored, cut, appraised, lost, found, and argued over. The upstairs wholesalers comprised the heart of the U.S. gem business; if someone bought a diamond anywhere in America, it had likely passed through Forty-Seventh Street.

Mimi’s father Max had spent his entire life as part of the small tight-knit diamond dealer community. It was a business based on who you knew—and even more, who you trusted. “This business isn’t about sorting the diamonds,” Max always said. “It’s about sorting the people.” Mimi would marvel how traders would seal million-dollar deals on handshakes, without a contract or lawyer in sight.

It helped that Forty-Seventh Street was comprised mostly of family businesses, owned by people from a narrow range of ethnic groups. Most—like Mimi’s father—were Orthodox, or religious, Jews. (“We’re the only people crazy enough to be in this industry,” as Max put it.) The Street was also home to a considerable contingent of Hasidic Jews, who were even more religious and identifiable by their black top hats and long flowing overcoats. Mimi once joked that Forty-Seventh Street was so diverse, it ran the gamut from Orthodox to ultra-Orthodox.

Now Mimi, while decidedly secular, was part of it all. Working for her father’s diamond company was not something she wanted to do, not something she ever dreamed she would do. Yet, here she was.

She had little choice. She had not worked full-time since being laid off from her editing job a year ago. She was already in debt from her divorce, which had cost more than her wedding, and netted little alimony. “That’s what happens when you divorce a lawyer,” said her shrink.

Six months after she lost her job, Mimi first asked her father for money. He happily leant it to her, though he added he wasn’t exactly Rockefeller. It was after her third request—accompanied, like the others, by heartfelt vows to pay him back—that he asked her to be the bookkeeper at his company. “I know you hate borrowing from me,” he told her. “This way, it isn’t charity. Besides, it’ll be nice having you around.”

Mimi protested she could barely keep track of her own finances. Her father reminded her that she got an A in accounting in high school. Which apparently qualified her to do the books at Max Rosen Diamond Company.

“We have new software, it makes it easy,” Max said. “Your mother, may she rest in peace, did it for years.”

Mimi put him off. She had a profession, and it wasn’t her mother’s.

Mimi was a journalist. She had worked at a newspaper for nine years, and a website for five. She was addicted to the thrill of the chase, the pump of adrenaline when she uncovered a hot story or piece of previously hidden info. There is no better sound to a reporter’s ears than someone sputtering, “How did you find that out?”

“It’s the perfect job for you,” her father once said. “You’re a professional nosy person.”

She loved journalism for a deeper reason, which she rarely admitted to her cynical reporter friends: She wanted to make a difference. As a girl, she was haunted by the stories they told in religious school, how Jews were killed in concentration camps while the world turned its head. Growing up, she devoured All the President’s Men and idolized pioneering female muckrakers like Nellie Bly.

Being a journalist was the only thing Mimi ever wanted to do, the only thing she knew how to do. She longed to do it again.

Which is why, she told her therapist, she would tell her father no.

Dr. Asner said she understood, in that soft melancholy coo common to all therapists. Then she crept forward on her chair.

“Maybe you should take your father up on this. He’s really throwing you a lifeline. You keep telling me how bad the editorial job market is.” She squinted and her glasses inched up her nose. “Sometimes people adjust their dreams. Put them on hold.”

Mimi felt the blood drain from her face. In her darker moments—and she had quite a few after her layoff—she had considered leaving journalism and doing something else, though she had no idea what that would be. Mimi always believed that giving up her lifelong passion would be tantamount to surrender.

Dr. Asner must have sensed her reaction, because she quickly backtracked.

“You can continue to look for a journalism job,” she said. “Who knows? Maybe working in the Diamond District will give you something to write about. Besides,”— here, her voice gained an edge—“you need the money.” That was driven home at the end of the forty-five minutes, when Dr. Asner announced that she couldn’t see Mimi for any more sessions, since Mimi hadn’t paid her for the last three.

By that point, Mimi didn’t know whether to argue, burst into tears, or wave a white flag and admit the world had won.

It was a cold February morning as Mimi walked down Forty-Seventh Street to her father’s office, following an hour-plus commute from New Jersey that included a car, a bus, and a subway. With her piercing hazel eyes, glossy brown hair, and closely set features, Mimi was frequently told she was pretty, though she never quite believed it. She had just gotten her hair cut short to commemorate her thirty-eighth birthday, hoping for a more “mature” look. She had always been self-conscious about her height; she was five foot four and tried to walk taller. She was wearing a navy dress that she’d snagged for a good price on eBay; it was professional enough to please her father, who wanted everyone to look nice in the office, without being so nice that she was wasting one of her few good outfits. She was bundled up with multiple layers and a heavy coat—to protect against the winter chill, as well as the madness around her.

Even though it was before 9 AM, Forty-Seventh Street was, as usual, packed, and Mimi gritted her teeth as she bobbed and weaved through the endless crowd. She sidestepped the store workers grabbing a smoke, covering her mouth so she wouldn’t get cancer. She swerved around the stern-looking guard unloading the armored car, with the gun conspicuously dangling from his belt. And she dodged the “hawker” trying to lure her into a jewelry store, who every day asked if she had gold to sell, even though every day she told him no.

Finally, Mimi reached her father’s building, 460 Fifth, the most popular address on “The Street.” After a few minutes standing and tapping her foot on the security line, she handed her driver’s license to the security guard and called out, “Rosen Diamonds.”

“Miss,” growled the guard with the oversized forehead who’d seen her three days a week for the past two months, “you should get a building ID. It’ll save you time in the morning.”

“It’s okay. I won’t be working here for long,” she chirped, though she wasn’t quite sure of that.

Next stop, the elevator bank. Mimi had an irrational fear of elevators; she was always worried she would die in one. She particularly hated these elevators, which were extremely narrow and perpetually packed. She envied those for whom a subway was their sole exposure to a cramped unpleasant space.

As the car rose, one occupant asked a Hasidic dealer how he was finding things.

“All you can do is put on your shoes. The rest is up to the man upstairs.”

Only in the diamond business. Mimi’s last job was thirty blocks away, yet in a different universe.

At each floor, dealers pushed and rushed like they were escaping a fire. When the elevator reached her floor, Mimi too elbowed her way to freedom.

As she walked to her father’s office, she marveled how the building, so fancy and impressive when she was a kid, had sunk into disrepair. The carpets were frayed, the paint was peeling, and the bathroom rarely contained more than one functioning toilet. If management properly maintained the building, they’d charge Midtown Manhattan rents, which small dealers like her father couldn’t afford. The neglect suited everyone.

She spied a new handwritten sign, “No large minyans, by order of the fire department.” Mimi produced a deep sigh. She had long ago left her religious background behind. Somehow, she was now working in a building where they warn against praying in the halls. She was going backward.

Perhaps the dealer in the elevator was right. You could only put on your shoes and do your best. She grabbed her pocketbook strap, threw her head back, and was just about at her father’s office when she heard the yelling.

“I’m so tired of waiting, Yosef! It’s not fair!”

Max’s receptionist, Channah, was arguing with her boyfriend, Yosef, a small-time, perpetually unsuccessfully diamond dealer. Making it more awkward: Yosef was Mimi’s cousin.

Channah and Yosef had dated for nearly eighteen months without getting married—an eternity in Channah’s community. Still, whenever Channah complained, Mimi remembered how her ex-husband only popped the question after three years and two ultimatums.

“Give me more time,” Yosef stuttered, as he tended to do when nervous. “I want to be successful in the business.”

“When’s that going to happen? The year three thousand?”

The argument shifted to Yiddish, which Mimi didn’t understand, though they were yelling so fiercely she didn’t need to. Finally, tall, skinny Yosef stormed out of the office, his black hat and suit set off by his red face. He was walking so fast he didn’t notice his cousin Mimi standing against the wall. Given the circumstances, she didn’t stop him to say hello. She watched his back grow smaller as he stomped and grunted down the hall.

Mimi gave Channah time to cool down. After a minute checking in vain for responses to her latest freelance pitch—editors weren’t even bothering to reject her anymore—she rang the doorbell. She flashed a half-smile at the security camera stationed over the door, and Channah buzzed her in. Mimi hopped into the “man trap,” the small square space between security doors that was a standard feature of diamond offices. She let the first door slam behind her, heard the second buzz, pulled the metal handle on the inner door, and said hello to Channah, perched at her standard spot at the reception desk.

Channah had long dark curly hair, which she constantly twirled; a round, expressive face, dotted with black freckles; and a voluptuous figure that even her modest religious clothing couldn’t hide.

“Did you hear us argue?” she asked Mimi.

“No,” she sputtered. “I mean—”

Channah smiled and pointed to the video monitor on her desk. “I could see you on the camera.” Her shoulders slouched. “It was the same stupid argument we always have. Even I’m bored by it.”

“Hang in there. We’ll talk at lunch.” Mimi and Channah shared a quick hug, and Mimi walked back to the office.

She was greeted by her father’s smile and a peck on the cheek. If anything made this job worthwhile, it was that grin. Plus the money.

“How are things this morning?”

“Baruch Hashem,” Max replied. Max said “thank God” all the time, even during his wife’s sickness, when he really didn’t seem all that thankful.

Sure enough, he added, “We’re having a crisis.”

Mimi almost rolled her eyes. It was always a crisis in the office. When Mimi was young, the family joke was that business was either “terrible” or “worse than terrible.”

Lately, her dad seemed more agitated than normal. As he spoke, he puttered in a circle and his hands clutched a pack of Tums. That usually didn’t come out until noon.

“I can’t find the two-carat pear shape.” He threw his arms up and his forehead exploded into a sea of worry lines. “It’s not here, it’s not there. It’s nowhere.”

Max Rosen was dressed, as usual, in a white button-down shirt and brown wool slacks, with a jeweler’s loupe dangling on a rope from his neck. His glasses sat off-kilter on his nose, and two shocks of white hair jutted from his skull like wings. When he was excited about something, like this missing diamond, the veins in his neck popped and the bobby-pinned yarmulke seemed to flap on his head.

Mimi stifled a laugh. That was the crisis? Diamonds always got lost in the office. As kids, Mimi and her two sisters used to come in on weekends and be paid one dollar for every stone they found on the floor. “They travel,” Max would say.

It was no surprise that things went missing in that vortex of an office. Every desk was submerged under a huge stack of books, magazines, and papers. The most pressing were placed on the seat near her father’s desk, what he called his “in-chair.”

When Mimi’s mother worked there, she kept a lid on the chaos. After her death, Max hired a few bookkeepers, none of whom lasted; two years later, the job had somehow fallen to Mimi.

Eventually, Channah found the two-carat pear shape, snug in its parcel papers, right next to the bathroom keys. The only logical explanation was that Max was examining it while on the toilet.

Max sheepishly returned to his desk. Mimi loved watching her father at work. She was fascinated by how he joked with friends, took grief from clients, and kept track of five things at once. It felt exotic and forbidden, like observing an animal in its natural habitat.

For the most part, they got along, which was no small thing. Over the years, there had been tense moments as he struggled to accept that she was no longer religious. Lately, he rarely brought the topic up, and she didn’t want him to. Her split from her non-Jewish ex probably helped.

On occasion, the old strains resurfaced, in subtle ways. Max’s desk was covered with photos—mostly of Mimi’s mom and her religious sisters and their religious broods. One time when Max was at lunch, Mimi tiptoed over to glance at them, and—not incidentally—check how many were of her. It made her feel silly, yet she couldn’t help herself. She was a professional nosy person.

She got her answer: out of about twenty photos, Mimi was in three, an old family photo and two pics from her sisters’ weddings. That was less than expected. She tried not to take it personally. She had no kids and her marriage was a bust. What was there to show off?

Mimi spent most of the morning deciphering her father’s books—a task made more difficult by his aging computer system, which regularly stalled and crashed. Her father’s “new” software was actually fifteen years old.

Sometimes she wished he gave her more substantial tasks to do. While her father would never say it, he didn’t consider the diamond industry a place for women, as it had always been male-dominated—even though, ironically, it catered mostly to females. That was fine with Mimi. She didn’t want to devote her life to a rock.

At 1 PM, Channah and Mimi headed for Kosher Gourmet, their usual lunch spot. Mimi always joked, “I don’t know if it’s kosher, but it’s not gourmet.”

In the two months Mimi had worked for her father, she and Channah had become fast friends, bonding over their shared love of mystery novels, crossword puzzles, and sarcastic senses of humor.

Channah was not Mimi’s typical friend. She was twenty-three and her parents were strictly religious, even more than Mimi’s. She commuted to Forty-Seventh Street every day on a charter bus from Borough Park, a frum enclave in Brooklyn. The Diamond District was her main exposure to the wider world. She reminded Mimi of her younger, more religious self, under her parents’ thrall yet curious what else was out there.

Mimi was not Channah’s typical friend either. During their lunches, Channah quizzed her on the taste of non-Kosher food (it didn’t taste any different, Mimi told her); sex (“When the time comes,” Mimi said, “you’ll figure it out”); and popular culture (“Can you explain,” Channah once asked, “why Kim Kardashian is famous?” Mimi just said no.) Today, as usual, they talked about Yosef.

“I don’t get it.” Channah wrapped sesame noodles around her white plastic fork. “I love him. He loves me. Why not get married?”

Mimi took a sip from her Styrofoam cup filled with warm tap water. She preferred bottled water but couldn’t afford it. “Have you thought of giving Yosef an ultimatum? Tell him if he doesn’t marry you by a certain date, that’s it.”

“Yosef wouldn’t take that seriously.” Channah turned her eyes to her tray.

“Why not?”

“Cause I’ve done that already. Three times! I backed down every time.” Her fork toyed with her food. “I believe it is beshert that Yosef and I will end up together. I’ve thought so since I first met him at your father’s office, and he smiled at me. What choice do I have?” Her elbow nudged her tray across the table.

“I understand why he’s waiting. He wants to be a steady provider. That’s a good thing, right?”

Actually, Mimi found it sexist. She didn’t say that, because she found many things in Channah’s world sexist.

“He just needs to sell that pink,” Channah said, spearing a dark brown cube of chicken.

Mimi took a quick sip of water. “That pink” was an awkward subject.

One month ago, Yosef had bought a three-point-two carat pink diamond. It was the biggest purchase of his career, the kind of high-risk move that could make or break his business. Max was overjoyed. “Do you know how rare pink diamonds are?” he exclaimed. “And it’s a three-carater! Sounds like a great buy!”

That was, until Yosef proudly presented it to his uncle Max, who inspected it under his favorite lamp, muttered “very nice,” and quickly handed it back.

It was only after Yosef left that Max dismissed his nephew’s score as a strop, a dog of a diamond, the kind of unsellable item that gathered dust in a safe.

“It has so many pepper spots,” Max lamented. “The color’s not strong at all. No one will buy that thing.”

“Maybe he got it for a good price,” Mimi said.

“I’m sure whoever sold it to him said it was the bargain of the century. Anytime someone offers me a metziah, that’s a sign they can’t sell the stone. There’s a saying, ‘your metziah is my strop.’” His face sagged. “I wish he talked to me first. That stone is worthless. I don’t have the heart to tell him.”

When Channah brought up the big pink at lunch, Mimi didn’t want to dwell on the subject. “What’s happening with that?” she asked, as casually as possible.

“Didn’t you hear?” Channah jerked forward. “It got the highest grade possible on its USGR cert.”

“You’ll have to translate.” Mimi tuned out most diamond talk.

“Cert is short for certificate, meaning grading report. The USGR is the U.S. Academy for Gemological Research, the best lab in the industry.”

Mimi just stared.

“That stone’s worth four million dollars.”

That Mimi understood. “Wow.” A lot of money for a dog of a diamond.

“Four point one million, to be exact.” Channah laughed. “Don’t want to leave that point one out!”

“I thought that stone was—”

“Ugly?” Channah chuckled. “Me too! I don’t understand how it got that grade. I guess it doesn’t matter. As your father says, ‘today the paper is worth more than the diamond.’” She slurped some diet soda.

“Is Yosef going to get four million dollars?”

“Who knows? He isn’t exactly an expert in selling such a stone. Your father convinced him to post it on one of the online trading networks. Someone called him about it yesterday.”

“That’s great!”

“Hopefully. If anyone could screw this up, Yosef could.” Channah’s mouth curled downward. “I keep checking my phone to see if there’s any news.” She flipped over her iPhone, saw nothing, and flipped it back. “The way I figure, if he sells that stone, he’ll have to marry me. Unless he comes up with some new excuse. He wouldn’t do that, right? Not after all this time. Would he?”

Mimi struggled to keep herself in check. She was dying to shake Channah and scream that if Yosef wasn’t giving her what she wanted, it was time to move on. She didn’t. Yosef was her cousin. Mimi was in no position to critique someone else’s love life. She always told people hers was “on hold.” It was basically non-existent.

Plus, she remembered how, weeks before her wedding, her friends warned her that her fiancé had a wandering eye. That just strengthened her resolve to marry him, even though in retrospect, they were right. “With situations like that,” her therapist said later, “I always recommend not to say anything. Just be a supportive friend.”

Mimi waited until Channah stopped speaking. She touched her hand. “I’m sure it will work out,” she said.

***

Excerpt from A Murder is Forever by Rob Bates. Copyright 2020 by Rob Bates. Reproduced with permission from Rob Bates. All rights reserved.

 

 

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THE MADNESS OF MERCURY by Connie di Marco | #Showcase #Interview #Giveaway

The Madness Of Mercury by Connie di Marco Banner

 

 

The Madness of Mercury

by Connie di Marco

December 1-31, 2020 Tour

Synopsis:

The Madness of Mercury by Connie di Marco

San Francisco astrologer Julia Bonatti’s life is turned upside down when she becomes a target of the Reverend Roy of the Prophet’s Tabernacle. The Reverend, a recently-arrived cult preacher, is determined to drive sin from the city, but his gospel of love and compassion doesn’t extend to those he considers an “abomination unto the Lord.” Julia’s outspoken advice in her newspaper column, AskZodia, has put her at the top of the Reverend’s list. While the powerful Mercury-ruled preacher woos local dignitaries, his Army of the Prophet will stop at nothing to silence not just Julia, but anyone who stands in his way.

Driven out of her apartment in the midst of a disastrous Mercury retrograde period, she takes shelter with a client who’s caring for two elderly aunts. One aunt appears stricken with dementia and the other has fallen under the spell of the Reverend Roy. To add to the confusion, a young man claiming to be a long-lost nephew arrives. The longer he stays, the more dangerous things become. One aunt slides deeper into psychosis while the other disappears. Is this young man truly a member of the family? Can astrology confirm that? Julia’s not sure, but one thing she does know is that Mercury wasn’t merely the messenger of the gods – he was a trickster and a liar as well.

Book Details:

Genre: Mystery
Published by: Suspense Publishing
Publication Date: October 9, 2020
Number of Pages: 268
ISBN: 0578752654 (ISBN13: 9780578752655)
Series: Zodiac Mystery #1
Purchase Links: Amazon | Barnes & Noble | Goodreads

 

Author Bio:

Connie di Marco

Connie di Marco is the author of the Zodiac Mysteries featuring San Francisco astrologer Julia Bonatti. The Madness of Mercury, the first book in the series will be re-released in October 2020.

Writing as Connie Archer, she is also the author of the national bestselling Soup Lover’s Mysteries from Berkley Prime Crime. You can find her excerpts and recipes in The Cozy Cookbook and The Mystery Writers of America Cookbook. Connie is a member of Mystery Writers of America, International Thriller Writers and Sisters in Crime.

Q&A with Connie di Marco

What was the inspiration for this book?

The initial inspiration for this story was the history of Jim Jones and the People’s Temple in San Francisco. I was living in the city at the time of Jones’ fame and was horrified when news of the mass murders in the jungle and the shooting of a California Congressman and others broke.
But it was the mythology of Mercury that made this story come together. Mercury was a messenger of the gods, but he also represented much darker concepts. He ruled over crossroads, he escorted the dead on their final journey, and on top of all that, he was a liar and a trickster. Jones was a silver-tongued preacher, undoubtedly with a powerful Mercury in his chart, powerful enough to convince others to follow him and give up autonomy over their own lives. He used his ‘Mercury gifts’ to control others. My evil preacher, the Reverend Roy of the Prophet’s Tabernacle, is just as evil but perhaps a little less mad.

What has been the biggest challenge in your writing career?

Oddly enough, while writing the Zodiac series and waiting and hoping my agent would be able to sell these books, I was offered a three-book deal from Penguin to write a cozy series. It was about the last thing I ever expected. So there I was, an unpublished writer, faced with completing three books for one of the biggest publishers. Could I produce something acceptable? Hopefully, something much more than acceptable? I didn’t really have a choice in the matter. I had signed a contract. Fear is a great motivator, so convincing myself that I could actually do this was probably my biggest challenge and a great learning experience.

What do you absolutely need while writing?

I need absolute focus, complete quiet, no music and best of all no interruptions. I think that’s why I’ve always written at night. The house is quiet, the phone stops ringing, there’s no place I need to go. Sometimes all of that is impossible, but I do my best to achieve it. I think we write best when we can step into our stories completely and feel like our characters are real people. After all, we live with them for such a long time while we write.

Do you adhere to a strict routine when writing or write when the ideas are flowing?

With my first series, the Soup Lovers’ Mysteries, I was under a contract that required submitting each finished manuscript every eight months. I had to stick to a routine. I’d write from about 9 PM to 11 or midnight, as long as my brain would work. On weekends, I’d put in anywhere from three to six hours of writing.

Now that I’m not under such a tight schedule, I have a lot more freedom. The truth of the matter is that in the process of writing a book, I’m haunted. The story nags me and takes over my brain until I reach the end of my first draft. Once that first draft is finished, I breathe a little easier. There’s still a lot of work to do, but by then I feel I have something solid to work with.

Who is your favorite character from your book and why?

I think Jack, Lucky’s grandfather in the Soup Lovers’ series, pops into my mind first. Jack’s a loving but eccentric elderly man, a Navy vet, who suffers from episodes of PTSD. Jack tells time by the bells and only Lucky can interpret. He calls the walls the bulkhead and the floors, the deck. Without thinking of it consciously, I created an amalgam of my dear dad and my ex-father-in-law. So, Jack’s still my favorite in that series.

In the Zodiac Mysteries, I’ve had a lot of fun creating unusual characters, like Zora, the cranky psychic, and Nikolai, the Russian past-life regression hypnotist. I love them all, but if I have to pick just one, I’d say Kuan Lee. Kuan is an old friend of Gloria, Julia’s grandmother. He lives in the first floor apartment of Gloria’s house and practices Chinese medicine and acupuncture. Julia considers him family. He’s always there to give her good advice, to help her see problems or crimes from a different perspective and Julia’s grateful for his advice. He’s a Yoda figure who can shift the paradigm of the story.

Who is your least favorite character from your book and why?

Least favorite character in Madness? Okay, I’ve got it. It’s Gudrun, the companion of the elderly ladies on Telegraph Hill. She’s a larger than life woman, surly, taciturn, who speaks with a German accent and tries to control the household. She’s been hired to look after the elderly aunts, but in reality, she’s committed to the forces of darkness. I can’t say much more about Gudrun, it would be a spoiler.
I love all my characters, especially the bad ones! I think you have to get into the head of villains as much as sleuths. And with certain exceptions, I’ve made the killer or killers sympathetic characters. The exploration of what would cause someone to take a human life is one of the more fascinating things about crime writing – whether a thriller or a culinary cozy. Even the bad guys have reasons for what they do.

Give us an interesting fun fact or a few about your book?

I like to use locations that I know personally, particularly locations that could be threatening or chilling at the right time of day or night. I try to imagine how they would work in a crime story. Chrissy Field, an old military installation, now updated as a beautiful park with modern facilities, would be a good place to find a body at night in the fog. In the next book in the series, the murderer attempts to use the currents under the Golden Gate Bridge to dispose of bodies. Most physical addresses in the books don’t really exist, but Julia’s apartment does. It’s real. I know because I used to live there.

Do you have anything specific that you want to say to your readers?

I just hope my readers will be entertained and enjoy the stories. And best of all, want to come back for more.

Tell us a little about yourself and your background?

I was born in Boston. I grew up there and went to school there. I majored in biology in college and worked as a lab technician until I realized I didn’t want to spend my life in a lab, so I changed my major to English lit, the quickest way to escape college. My real love was always acting. As a kid, I worked with Boston Children’s Theatre and then years later, on the west coast, returned to that professionally. I’ve always held a day job, but I’ve spent years working in TV for the most part. One day, I was on a set, chatting with one of the assistant directors about stories and films and I realized I was creatively bored. That’s when I decided to try to write a mystery – just one, that was my goal. And look what happened! Here I am, still writing.

What’s next that we can look forward to?

Next up is Book 2 in the series, All Signs Point to Murder. Because these first three books are being re-released by my new publisher, they’ll be coming out very quickly. All Signs will be released on December 1st. Book 3, Tail of the Dragon should be out about a month after that.

Then a novella, Enter a Wizard, Stage Left, will be released in e-book format. That story is set before the series actually begins and the action of the story takes place at a theater production of an Agatha Christie play and of course, there’s a murder! Then finally, Book 4, Serpent’s Doom, will be out. Book 5 is finished but needs a bit more work and I guess then I’ll start thinking about Book 6.

Catch Up With Connie di Marco:

ConniediMarco.com, Goodreads, BookBub, Twitter, & Facebook!

 

Read an excerpt:

“Thank God you’re there.” Gale sounded very shaky.

“What’s wrong?”

“I’m at the Mystic Eye. Something very strange just happened. I heard a knock at the back door. I thought it might be you.”

“Are you alone?”

“Yes. I closed up and sent Cheryl home. When I opened the door . . . oh God, Julia. Someone left a dead cat on the doorstep.”

I cringed. “I’ll be right there.”

“I’m sorry. You don’t need to come. I wrapped it up and put it in plastic in the dumpster. It looked like its neck had been broken.”

“Don’t argue. I’ll be there in twenty minutes. Less than that.”

I drove the length of California Street as fast as I could, slowing at each red light. Once I was sure no other cars were crossing I ran through several intersections. When I reached the Eye the shop was closed but the display lights were on in the front windows. I pulled down the alleyway and parked next to Gale’s car. I tapped on the door. “Gale, it’s me.” She opened the door immediately. The storeroom was dark. A stack of empty boxes and packing materials stood against the wall. Inside, the only light was a small desk lamp in the office.

Gale is tall and self-assured with a regal bearing. Tonight she was completely shaken. She hugged her arms, more from fright than from cold. “I feel bad now that I’ve called you. I was just so freaked out. I recognized the cat, it was the little gray one that hangs out behind the apartment building next door. I think it’s a stray. Everyone around here feeds it, even the restaurant people, and it’s such a friendly little thing. Some sick bastard probably gave it some food and then snapped its neck. God, I think I’m going to be sick.”

“Shouldn’t you call the cops?”

“And tell them what? I found a dead cat? Please. Like they’d listen. Even if they thought someone had killed it, what could they do?”

“It shows a pattern of harassment. Might be worth making a report.”

She sighed. “Yeah. You’re probably right. I just wasn’t thinking straight. I was so upset.” She collapsed in the chair behind her desk.

I shrugged out of my coat. “Why are you here so late?”

“We just got a huge shipment of books and supplies in. Cheryl’s been working late every night so I sent her home. I had just finished stacking the boxes in the storeroom.” Gale shivered involuntarily. “Look, let’s get out of here. Have you eaten? Why don’t we go up the block and grab some food? Actually a drink sounds even better.”

“Okay.”

“Get your coat. We can leave the cars here and walk. I’ll just get my purse.”

I headed to the front door and checked that the locks were all in place. The drapes separating the display windows from the shop were drawn for privacy. Gale left the desk lamp on in the office and walked out to the front counter. As she reached under the counter for her purse, we heard glass breaking. Then I saw a flash of flame through the doorway to the back storeroom. I screamed. The empty boxes and packing materials had caught fire in an explosive flash. The smoke alarm started to ring, filling the shop with earsplitting sound. Using my coat like a blanket, I dropped it over the center of the flaming pile. It wasn’t going to be enough, but I had to do something before the entire storeroom went up, if not the building.

***

Excerpt from The Madness of Mercury by Connie di Marco. Copyright 2020 by Connie di Marco. Reproduced with permission from Connie di Marco. All rights reserved.

 

 

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This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Connie di Marco. There will be two (2) winners each receiving one (1) Amazon.com Gift Card. The giveaway begins on December 1, 2020 and runs through January 2, 2021. Void where prohibited.

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EYE FOR EYE TRILOGY by J.K. Franko | #Reviews #Giveaway

Eye for Eye Trilogy

by JK Franko

October 19 – December 31, 2020 Tour

Eye for Eye Trilogy by JK Franko

 

If you like smart, fast-paced thrillers with unexpected twists, then you’ll love J.K. Franko’s Eye for Eye Trilogy!

 

“REALISTIC & CHILLING!” – Mystery Thriller Week

 

MY THOUGHTS ON THE TRILOGY

5 stars

This Trilogy was phenomenal!! High octane reads!!! Both thrilling and chilling!! Outstanding!!!!

The research was extensive, whereas the reader will learn many things, at least I did. Lies, secrets, betrayals, friendships, and murder fill the pages. Don’t let the 400 pages deter you from picking up these books because it was so captivating that the pages were turning at warp speed.

An exceptional ingenious story!!! I can honestly say that these books are in the Top 10 of my all-time reads!!!!

These books should be both on the NYT Best Sellers list and/or made into a series or movie!!!! Remember his name because I am sure, you will be hearing more about him!!!

Not only do I highly recommend it, but I also suggest you put your life on hold and devour it!!!!! But then, you may not have a choice because you won’t want to miss what happens next!!

BRAVO Mr. Franko!!! BRAVO!!!!!!

MY THOUGHTS ON EACH INDIVIDUAL BOOK BELOW

 

 

 

Eye for Eye

“NEW TWIST ON STRANGERS ON A TRAIN”
~ THE SUNDAY TIMES

Roy and Susie are on a skiing holiday, trying to take a break from the constant reminders of their daughter, tragically killed by a careless driver. Out of the blue they meet Deb and Tom, another couple with a tragic past and a shocking proposal to put things right.

As the bodies accumulate, secrets are revealed and alliances crumble. Ultimate survival depends on following the rules for a perfect murder. And the first rule is… leave no singing bones.

My Thoughts On Eye For Eye

5 stars

The story starts 30 years ago in 1980 when an eleven-year-old Joan saw something shocking while she was at camp and was running to tell the adults because she knew what she saw was sinful. But she never did because a tragic and fatal accident interfered. Or was it more than just an accident?

The story then proceeds to 2018 where the reader is introduced to a married couple, Susie Font and Roy Cruise. From the outside, they have everything, the perfect marriage, wealth, and notoriety to all of their accomplishments. Or should I say had? All of that meant nothing after they lost their only child, sixteen-year-old Camilla in a fatal car accident. The other driver, Liam Bareto, hit her head on because of texting. He fell into a coma with severe injuries but the doctors thought he would survive. During this time, Susie became a shell of a person and Roy tried everything to help her through this dark time. Then a few months later, Liam also died. His mother believed it was not due to his injuries but to something more sinister.

Should life’s bad choices be an eye for an eye or should one believe in the justice system? And if there is no justice, should there be revenge? And if this route is taken, make sure there are no singing bones!

An exceptional read. With most books, the jaw-dropping usually happens at the end of the story. However, this book had multiple jaw-dropping moments throughout. There were stories within stories, each interwoven with precision. The writing fluid and sharp.

Highly, HIGHLY, recommend!!!!

 

 

The Trial of Joe Harlan Junior

A college Halloween party. A night of fun, dress-up, and laughter. But for Kristy Wise, it quickly became a night of horror.

Now, Joe Harlan Junior, entrepreneur and son of a prominent senator, is at risk of losing everything as he stands accused of a crime he insists he did not commit.

Yet the facts are undisputed: Kristy was drugged, and she did have sex with Joe.

But was it consensual?

Read the story. Listen to the testimony. Is everything that happens next justified?

YOU decide.

My Thoughts on The Trial of
Joe Harlan Junior

5 stars

This is how and when it all began. The outcome of this case set everything in motion that caused upstanding individuals to take justice, and revenge, into their own hands and become murderers.

This was a quick read. The majority was the transcript of the court proceedings and the outcome. I did feel that I was in that jury box but I’m still not sure what my verdict would have been. But then I might not have seen the silent, instantaneous reaction that the defendant gave to the victim. Would that have changed my decision?

 

Tooth for Tooth

What would YOU do?

What would you do if you got away with murder? Would you stop there? Could you?

Susie and Roy thought that they committed the perfect crime.

Their planning was meticulous. Their execution flawless.

But, there is always a loose end, isn’t there? Always a singing bone.

Now, while enemies multiply and suspicions abound, their perfect world begins to crumble.

The hunters have become the hunted.

MY Thoughts on Tooth For Tooth

5 stars

More bodies are piling up at the hands of Roy Cruise and Susie Font in the name of revenge.

In Tooth For Tooth the who, how, and why of the murders in Eye For Eye are revealed and the details are shocking and will totally surprise you. And even more jolting is that one young victim joins in the fray of vengeance.

But have this successful husband and wife, turned murderers, committed one murder too many to put themselves in the crossfire?

Tune in to Book 3, Life For Life.

Another thrilling and chilling read in this Trilogy!!!!

 

 

Life for Life

What would YOU do if someone threatened your family?

Roy Cruise and his pregnant wife Susie barely survived an assassination attempt in their own home. The police now have them under surveillance. Meanwhile, Kristy Wise is a loose cannon—she knows too much and is trying to “set things right.”

What goes around comes around. And in this case, Roy and Susie may have pushed things too far. There are too many dead bodies. Too many foes plotting against them.

Roy and Susie must outwit the police and neutralize their enemies once and for all. If not, their days of retribution may end behind bars… or six feet under.

 

My Thoughts on Life For Life

5 stars

The drama continues and like I mentioned in my review for Eye For Eye, more jaw-dropping moments. More truths are revealed and more bodies are piling up. But is it true what they say about Karma?

In Life For Life it may have just caught up with Roy Cruise as he has to make a horrendous decision. And on the tails of that, he is charged with the murder of Joe Harlan Junior. Is there a “singing bone” that will cost him his freedom?

As much as I wanted to see how this ended, as I was getting to the last few chapters in the book, I also didn’t want it to end. I was invested in these characters.

And if you heard a scream, it was me, more books are on the horizon and I CAN’T WAIT!!!!!

 

Eye for Eye Trilogy Details:

Genre: Thriller, Suspense, Crime, Legal
Published by: Talion Publishing
Publication Date: October 5, 2020
Number of Pages: 1050
ASIN: B08KSCHTRX
Series: Talion Trilogy #1
Find out more or get your copy:

Amazon & Goodreads

 

 

Read an excerpt from Eye for Eye:

When I try to piece together how this whole mess began, a part of me thinks it may have started over thirty years ago. At least the seeds were planted that far back, in the early 1980s. What happened then, at that summer camp in Texas, set the stage for everything that was to come.

Odd, how something so remote in time and geography continues to impact me here, today.

Sometimes I try to imagine her, how she felt—that eleven year-old girl—as she ran, stumbling and tripping through the woods that night. I try to put myself in her shoes. When I do, I wonder if she was frightened.

Did she understand the consequences of what she’d gotten herself into? I imagine it felt otherworldly to her, like a dream. But not a good dream. No, one of the bad ones—the ones that make your heart machine-gun as you try to outrun some dark thing that’s chasing you. But the faster you try to run, the slower you go, your legs feeling leaden, clumsy, useless.

Panic sets in. Tears of frustration form. Fear takes hold and won’t let go. You open your mouth to scream but realize, to your horror, that you’re paralyzed. It’s not that you can’t scream; you can’t even breathe. Not a dream—a nightmare.

Then again, all that may simply be my imagination. It could just be me projecting what I might have felt onto Joan. Maybe she wasn’t scared at all.

True, it was dark out. The night smelled of rain, but there was no lightning, only the far-off rumble of thunder hinting at a distant storm. There were no trail lights, no visibility but for the moon peeking out intermittently from behind a patchwork of clouds. But, Joan had been down this trail before. She was running toward the main cabin.

She had been at Camp Willow for almost two full weeks. She had been up and down that trail at least ten times a day, every day. Of course, that was during the day, and always with her buddy, or a camp counselor (the children called them troop leaders). Joan had never been on the trail at night. And never alone.

Maybe I imagine Joan was scared because, as an adult, I believe that she should have been. I would have been terrified.

***

Excerpt from Eye For Eye by JK Franko. Copyright © 2019 by JK Franko. Reproduced with permission from JK Franko. All rights reserved.

 

 

Author Bio:

JK Franko

J.K. FRANKO was born and raised in Texas. His Cuban-American parents agreed there were only three acceptable options for a male child: doctor, lawyer, and architect. After a disastrous first year of college pre-Med, he ended up getting a BA in philosophy (not acceptable), then he went to law school (salvaging the family name) and spent many years climbing the big law firm ladder. After ten years, he decided that law and family life weren’t compatible. He went back to school where he got an MBA and pursued a Ph.D. He left law for corporate America, with long stints in Europe and Asia.

His passion was always to be a writer. After publishing a number of non-fiction works, thousands of hours writing, and seven or eight abandoned fictional works over the course of eighteen years, EYE FOR EYE became his first published novel.

J.K. Franko now lives with his wife and children in Florida.

Catch Up With JK Franko On:
jkfranko.com, Goodreads, Instagram, Bookbub, Twitter, & Facebook!

 

 

Tour Participants:

Visit these other great hosts on this tour for more great reviews and giveaways!



 

 

Enter To Win!

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for JK Franko. There will be Six (6) winners for this tour. Two (2) winners will each receive a $10 Amazon.com gift card; Two (2) winners will each receive 1 print edition of Eye for Eye, book 1 of the Talion series, by JK Franko (US and Canada Only); and Two (2) winners will each receive 1 ebook edition of Eye for Eye, book 1 of the Talion series, by JK Franko. The giveaway begins on October 19, 2020 and runs through December 21, 2020. Void where prohibited.

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  • INSIDE PASSAGE by Burt Weissbourd | #Showcase #Interview #Giveaway

    Inside Passage

    Book 1 of the Corey Logan Trilogy

    by Burt Weissbourd

    November 1-30, 2020 Tour

    Synopsis:

    Inside Passage by Burt Weissbourd

    Corey Logan was set up. She knows Nick Season’s terrible secret. Coming home from prison, all Corey wants is to be with her son. To get him back, she needs to make a good impression on the psychiatrist evaluating her. Dr. Abe Stein doesn’t believe she was framed — until his well-heeled mother falls for the charming state attorney general candidate, Nick Season. As the dogs of war are unleashed, Corey and her son run for their lives — taking her boat up the Pacific Northwest’s remote Inside Passage.

    “A stunning, fast paced thriller that took me on an intense ride and kept me on the edge of myseat the entire way through … If you love beautifully executed thrillers that will play with your mind as well as your heart, this is the book for you.” ~ Midwest Book Review

    Corey Logan Trilogy by Burt Weissbourd

    Inside Passage is the first in Weissbourd’s haunting, heart-stirring Corey Logan Trilogy.

    Click here to find out more about the Corey Logan Trilogy.

    Book Details:

    Genre: Crime Thriller
    Published by: Blue City Press
    Publication Date: October 20th 2020
    Number of Pages: 290
    ISBN: 1733438246 (ISBN13: 9781733438247)
    Series:A Corey Logan Thriller, #1 || STAND ALONE MYSTERY
    Purchase Links: Amazon | Barnes & Noble | IndieBound | Goodreads

    Author Bio:

    Burt Weissbourd

    Burt Weissbourd is a novelist, screenwriter and producer of feature films. He was born in 1949 and graduated cum laude from Yale University, with honors in psychology. During his student years, he volunteered at the Museum of Modern Art in Paris and taught English to college students in Thailand. After he graduated, he wrote, directed, and produced educational films for Gilbert Altschul Productions. He began a finance program at the Northwestern University Graduate School of Business, but left to start his own film production company in Los Angeles. He managed that company from 1977 until 1986, producing films including Ghost Story starring Fred Astaire, Melvyn Douglas, John Houseman, Douglas Fairbanks Jr., and Patricia Neal, and Raggedy Man starring Sissy Spacek and Sam Shepard, which The New York Times called “a movie of sweet, low-keyed charm.” In 1987, he founded an investment business, which he still runs. Burt’s novels include the thrillers Danger in Plain Sight, The Corey Logan Trilogy (Inside Passage, Teaser and Minos), and In Velvet, a thriller set in Yellowstone National Park.

    Q&A with Burt Weissbourd

    What was the inspiration for this book?

    Writing a woman who was very capable in the wilderness, on the water, in rough neighborhoods in the city, but not very self-aware, I wanted to write about how becoming more insightful would help her realize her capacity.

    She’s a fisherwoman in Alaska, strong and capable in that wild water. She comes out of prison and has to get an evaluation by a psychiatrist in order to get her son back, and that relationship is the beginning of her path to becoming more introspective.

    What has been the biggest challenge in your writing career?

    The biggest challenge so far has not been the writing, but in marketing the books. The Corey Logan Trilogy were originally published by a small, capable publishing company run by a bright publisher. He got me started, listened to me about what the books should look like, He encouraged many, many book readings and signings in LA, NYC, Chicago, Boston, Bozeman MT, Yellowstone General Stores, Seattle, and so on. He supported me to interview more than 50 people—well-known movie people, prominent Seattleites, bookstore owners, other writers, TV personalities, accomplished Seattle architects, newspaper writers, and so on for his channel on blog talk radio. I liked him; I still like him. There was one problem for me—he wasn’t selling enough books.

    Of course, anyone who knew publishing, knew that it was always possible that even if you had a great product, your publisher might not be able to sell that type of book. So, I decided to take the next, final step. I would control the final product, and for better or worse, I would decide how to sell it. So here I am, selling my new book, Danger in Plain Sight, then recovering and republishing all four of my earlier books. It’s too early to predict the outcome, but I’m hugely happy that I’m making the decisions and that my success will not depend on someone else’s product nor a hesitant or unconvinced publisher. I couldn’t be happier about the process so far, and as they say, “let the chips fall where they may.” I’m responsible. I’ll take the blame, or I’ll lead the celebration for the outcome.
    What do you absolutely need while writing?
    Free time and lack of distractions.

    Do you adhere to a strict routine when writing or write when the ideas are flowing?

    I try to write every day. I prefer a character-driven approach to writing. As a producer in Hollywood developing a screenplay, I always looked for stories with strong, complex characters and a “rich stew”—that is to say a situation with conflict, emotional intensity, and the potential to evolve in unexpected ways. That is exactly how I approach the books that I write. While some authors choose to map out their plots before all else, I choose to craft complex, unexpected characters first. From there, I write sequentially, allowing my characters to take the lead.

    The most surprising and most satisfying part of writing for me has been how characters take over when you’re writing really well and go down unexpected paths to unintended, often more complex, more satisfying outcomes than you anticipated.

    The most rewarding part of the entire writing process for me has been learning to write, rewrite, then rewrite again until I know that I’ve written precisely what I hoped for and found exactly the emotional complexity I was reaching for. And that all begins with clear, emotionally and mentally developed characters.

    Who is your favorite character from your book and why?

    My two favorite characters in Inside Passage are my protagonists, Corey and Abe. Corey is a strong woman who’s coped with painful, debilitating hardship. After serving 22 months for drug smuggling, a crime she didn’t commit, Corey Logan is finally released from a Federal Correctional Institution. All she wants now is to get her teenaged son out of foster care and make a home for the two of them in Seattle. But there’ll be a Psychiatric Evaluation first, with some shrink named Dr. Abe Stein, and assuming she gets by him, there’s the threat of Nick Season, the candidate for State Attorney General who set her up, tried to have her killed in prison, and now, more than ever, wants her out of the picture. Her problem—she can neither prove nor say what she knows, for fear of losing her son forever.

    Corey is very able in the world, but she doesn’t do well with her feelings. She doesn’t talk about her inner life. In fact, she really doesn’t see insight as the first and essential step to solving problems. She’s never had a wonderful relationship with a partner. She’s not able to sort through and understand her emotional life. She’s not able to see how to make decisions that might dramatically change the reality she’s stuck in. But everything changes for her when she meets Dr. Abe Stein. The last man that Corey could ever imagine having a relationship with is Abe Stein. He’s distracted. He sideswipes cars. He sets fires in ash trays or in waste baskets, where he carelessly throws lit matches from his pipe. He’s uneasy on her boat because he can’t swim. He misjudges her at the start, not believing that she was framed. While it is Dr. Stein whose work with Corey liberates her, it is Corey who brings Abe back to life.

    Who is your least favorite character from your book and why?

    I don’t think I have a least favorite character in this book. Even the villains, though horrifying and unlikeable, become understandable. I strive to deepen the emotional lives of all my characters to their fullest extent, so much so that I enjoy writing all my characters, protagonists and antagonists alike.

    Give us an interesting fun fact or a few about your book?

    I’ve been a fly fisherman for many years, and I’ve been fishing up the Inside Passage. Much of those descriptions of that area are from my own experiences.

    Do you have anything specific that you want to say to your readers?

    Thank you, and I truly hope you enjoy the book.

    Tell us a little about yourself and your background?

    I came to Hollywood in 1977 to produce feature films. I was 28 years old. I didn’t know anyone in the movie business, but I’d stumbled onto a timely idea — I was going to work with, and most importantly, back screenwriters. That is to say, stand behind their work — and I say this with hindsight — protect them from being rewritten, include them in the process of choosing a director, casting the picture, all of the decisions that go into making a feature film.

    Early in my producing career, I had the privilege of working with author Ross Macdonald, a legend in crime fiction, on his only screenplay. Working with him, I began to see how characters could drive plot.

    I left Hollywood in 1987 — the golden age was over, and I wanted to write. With hindsight, the best screenplays I’d worked on never got made. Nevertheless, it was a great experience. As a producer developing a screenplay, you learn to look for stories with strong, complex characters and a “rich stew” — that is to say a situation with conflict, emotional intensity, and the potential to evolve in unexpected ways. That is exactly how I approach the books that I write. I learned how to do that as a producer working on screenplays.

    What’s next that we can look forward to?

    My next book, In Velvet, a wildlife thriller set in Yellowstone National Park, will be released in February of 2021.

    I’m also finishing a book, ROUGH JUSTICE, I started years ago. It’s also a thriller, with a wide canvas going from Hollywood in the 80s and 90s to Seattle, Chicago, Paris, Vancouver Island, and then Laos. When I finish this, I intend to write the sequel to my novel DANGER IN PLAIN SIGHT when main characters Cash and Callie are together.

    Catch Up With Burt Weissbourd:
    BurtWeissbourd.com, Goodreads, BookBub, Instagram, Twitter, & Facebook!

     

    Read an excerpt:

    “Wouldn’t you like to get married in your own backyard?”

    “Of course I would. You know that,” she snapped. “But I can’t.”

    “Why not? Because Nick Season says you can’t. You have the right to live the life you want to live. Don’t give it up for that son of a bitch. Hell no. You don’t have to do that.” Abe leaned closer. There it was, those laser-like light blue eyes. “It won’t be easy, but together, we can figure out what to do. You and I can do this. We have to.”

    “My God, what are you thinking? This isn’t like psycho-therapy.” She held his eyes. “We can’t ‘figure it out’ or ‘work on it.’ It’s not a head game. We have no evidence. Nothing. Nick’s a foolproof liar and a stone-cold killer. And he’s going to be Washington’s state attorney general.”

    “And he has to be stopped.” Abe looked into their fire. “It’s not just about what you’d have to give up … think about what he’ll do if he ever finds out that you and Billy are alive. And though you might be okay for a year, or even two, eventually, he’ll start to wonder. And then to worry. It’s who he is. You’ve told me that. And then he’ll never stop checking. He’ll have me followed. Every year, he’ll run your prints, and Billy’s, through some Canadian database. And that’s just the beginning … unless we stop him.”

    “And how do you propose to do that?”

    Abe’s bushy brows furrowed in a “V” until they almost touched. “I understand the problem now.” They touched. Corey had never seen that. Very cool. He meant business. He turned to her, full face. “To begin, I’ll comb my hair and look this devil in his shiny black eyes.”

    What? What was that? Corey was dumbstruck. Eventually, she softly mouthed, “What?” And louder, before he could answer, “Aren’t you afraid of him?”

    “He’s very frightening, and I’m painfully aware of what’s at stake. And of course I see how very dangerous he is and yes, that scares me.” He scowled. “But I have other feelings that are even stronger than my fear.”

    “What does that mean?”

    “What I’m afraid of, what keeps me up at night, is losing you. Nick wants to kill the person I love most in the world. That makes him my archenemy, my nemesis. What I feel for Nick is inexhaustible rage.” He tapped his pipe against the log, emptying it into the sand, then he carefully set it down. When he looked up, his expression had turned fierce. Abe took both of her hands. “Nick Season be damned!”

    “You’re being crazy.” She had never seen Abe like this.

    “No, I’m telling you how I feel. I want to marry you Corey. I want to live with you and Billy in Seattle. I want to go to parent night at Billy’s school. I want to take you guys to dinner at Tulio and for pizza at Via Tribunali. I want to fish at your favorite spots near Bainbridge —”

    “He’ll kill us all.” And Abe was really scaring her.

    “I have to keep that from happening.”

    “This isn’t a storybook. Nick isn’t like anyone you know. And this isn’t an insight kind of deal. Look what happened the last time you tried to help. They almost got Billy, and I had to kill someone. Look what almost happened last night. This time you and Billy and I, we could all die. Do you understand that?”

    “Yes, I do. But I won’t let that happen.”

    “Won’t let that happen?”

    “No, I won’t.”

    “How?”

    “I’m working on that. “

    “Working on it? How? You’re going to comb your hair? Look this devil in his shiny black eyes? What is that about?”

    Abe considered her question. “It’s a way of starting.”

    Corey put her head in her hands. She didn’t know what to say.

    ***

    Excerpt from Inside Passage by Burt Weissbourd. Copyright 2020 by Burt Weissbourd. Reproduced with permission from Burt Weissbourd. All rights reserved.

     

     

     

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    EMERGENCY POWERS by James McCrone | #Showcase #Interview #Giveaway

    Emergency Powers by James McCrone Banner

     

     

    Emergency Powers

    by James McCrone

    on Tour October 1-31, 2020

    Synopsis:

    Emergency Powers by James McCrone

    The accidental president is no accident. The investigation that was FBI Agent Imogen Trager’s undoing may be the key to stopping a brutal, false flag terrorist attack meant to tighten a puppet president’s grip on power.

    Emergency Powers will delight mystery and thriller fans (“Great for fans of Brad Meltzer, David Baldacci.” –Publishers Weekly) And politics junkies will enjoy the ripped-from-the-headlines urgency. But it’s about more than the headlines. And darker. A story of corruption and redemption, achieved at enormous personal cost, featuring FBI Agent Imogen Trager: “a memorable protagonist—as tough as she is smart.” (Kirkus Review)  Indeed, “Three tough female characters steal the show: FBI agents Vega, Sartain, and Trager. Overall, the power dynamics of these women…are something special.” (T. LIEBERMAN, Independent Book Review)

    As the story begins, Imogen is haunted—and sidelined—by a case she couldn’t solve. When the president dies in office, she knows that the conspiracy she chased down a blind alley still has life in it—and she needs to get back in the hunt. As bodies pile up and leads go cold, the main target from that old case reaches out to her. He’s still at large, and now he needs protection. Imogen doesn’t trust him, and it’s not only because he’s offering intel that sounds too good to be true. He’s already tried to kill her once.

    Set in D.C., Seattle and small town America, Emergency Powers is a story of corruption and redemption, achieved at enormous personal cost.

    “A high-stakes political thriller that feels so chillingly true, you pray it’s not”—TOM STRAW, seven-time NYT bestselling author, as Richard Castle

    “RECOMMENDED” – Kate Robinson, US Review of Books

    “Compelling, heart-pounding and thoroughly intriguing…”— STEPHEN MACK JONES, August Snow, Lives Laid Away

    “Keen portraits of true patriotism—and the courage that drives it.” —  ART TAYLOR, The Boy Detective & The Summer of ’74

    Book Details:

    Genre: Suspense-Thriller
    Published by: James McCrone
    Publication Date: October 1, 2020
    Number of Pages: 300
    ISBN: 9780999137727 (9780999137734)
    Series: An Imogen Trager Thriller
    Purchase Links: Amazon | Barnes & Noble | Bookshop.org | Goodreads

     

    Author Bio:

    James McCrone

    James McCrone has a Master of Fine Arts degree from the University of Washington, in Seattle. He’s a member of Crime Writers of America (NY Chapter), Sisters in Crime (DE-Valley Chapter), Int’l Assoc. of Crime Writers, Philadelphia Dramatists Center and Int’l Thriller Writers.

    He’s the author of Faithless Elector and Dark Network, the first two Imogen Trager “Noirpolitik” suspense-thrillers about a stolen presidency. The third Imogen Trager thriller, EMERGENCY POWERS, is due out in late September, 2020. His short story, “Numbers Don’t Lie” will appear in the anthology Low Down Dirty Vote, Vol.2 (M. Berry, ed.), out on July 4, 2020.

    A Pacific Northwest native, he now lives in Philadelphia with his wife and three adult children.

    James’s work explores characters pitted against forces larger than themselves. Both on an off the page, he’s fascinated with politics and issues of social responsibility and justice.

    Q&A with James McCrone

    Welcome and thank you for stopping by CMash Reads

    What was the inspiration for this book?

    Great question! The character of Imogen Trager, the heroine of Emergency Powers, inspired me and fired me up. She grabbed me and demanded that I “listen” to her and pay attention. She’s smart, engaged and driven – and you’d do well to do as she says (ha ha :).
    I’m grateful that those qualities are something a lot of the early reviews have picked up on. Imogen’s been marginalized at the FBI, and I was looking for a way to examine the current political climate and how it came about, not as a screed, or a polemic, but as an examination of what’s going on now. I saw and “heard” her as the perfect foil to the conspirators.
    No homework required!

    Do you draw from personal experiences and/or current events?

    I do draw from current events. But it’s less about what’s happening right now, and more about what it might mean—now and in the future. There’s certainly a ripped-from-the-headlines urgency to what happens in these pages, but it’s much more than headlines about things people think they know. And it’s darker. The book isn’t about the current administration—or any administration, but what could happen if we took our eye off the ball, so to speak. As long ago as the year 2000, I was unsettled by some of the anti-democracy rhetoric I was hearing, and I knew that Imogen would want to expose and put a stop to it all. Because if she doesn’t, none of us will recognize the nation.

    Are any of your characters based on people that you know?

    No. In fact the disclaimer at the beginning of the book says that “anyone who thinks they recognize a real person in the characters presented here is paying the author an extravagant compliment.” 
    • Certainly, there’s an element of myself in Imogen—I’ve forced myself to think about the times I’ve been marginalized or not heard. And I’ve put those feelings and impressions through the prism of her character.
    • That being said, I see people—on the street, in the cafes—or I hear them talk, and I use bits and pieces—the way someone holds a pen, a bizarre haircut, a supercilious manner. And I use it. The constraints of writing characters who seem real in the situations in which they find themselves means that you have to make decisions about who they are, and once you start doing that, even if you began by “drawing” someone from real life, you change them. The needs of the story change them.

    Your routine when writing? Any idiosyncrasies?

    I write pretty much full time, 9-5. I sit in my room, type my little conspiracies and occasionally venture out for supplies. It’s not that different from lockdown, frankly. I can’t listen to music while working because I find it’s too distracting, and it’s terrible if someone out on the sidewalk in front of the house is having a conversation, because it’ll intrude on my writing, too.
    Ideally, each day, I’ve done whatever business there is to do, got caught up on email, social media, and so on, before 9 or 10am. And then I write until noon-ish. I take an hour break and get back to it. Then I take a break at about 3, and run on until 5.

    The strange thing is that much of what I write in the morning is terrible—and terribly frustrating! I’ve tried not writing until after lunch, thinking, I’d jump right in. But it doesn’t work. It’s the price I pay for the afternoon to be productive.
    I also do the shopping and the cooking for our household, so if I have to go out, I do it as early in the morning as I can, so I can keep to schedule.

    Tell us why we should read your book?

    Emergency Powers is that delightful discovery—a tense, timely thriller with canny political insight and strong, complex characters. It’s well written, well researched and seamlessly crafted. It has that ripped-from-the-headlines urgency, the insider’s look a lot of readers crave.
    But it’s the three tough female characters who steal the show and will stay with you. Imogen is complex and driven. She’s brave, not because she’s foolhardy, but because she must be. Her friendships are complex, too. Her only real allies in the Bureau are Special Agent in Charge Amanda Vega and Special Agent Annette (“Nettie”) Sartain, both of whom disliked her at first. Both come to like her. And to respect her.

    Are you working on your next novel? If so, can you tell us a little bit about it?

    I can’t say too much, but it’s another thriller, this time set outside the US, in Scotland. It deals with the Scottish Independence referendum and Brexit. I’m afraid that’s all I can say now. I’m almost done with the first draft, and I’m pretty excited about it.

    What are you reading now?

    I just finished Meg Gardiner’s Dark Corners of the Night, and Blacktop Wasteland, by SA Cosby, and before that I was on a Philip Kerr jag. My wife got me four of his Bernie Gunther novels for Father’s Day. I have a massive TBR pile next to the bed.

    Fun Questions:
    Your novel will be a movie. Who would you cast?

    I think Jessica Chastain would be perfect as Imogen. She has just the right level of simmering restraint—and the red hair!  She, like Imogen, radiates a calm, self-assuredness.
    • Vega could be played by Paulina Gaitan (she was in “Narcos” and “Sin Nombre”) or Natalia Cordova-Buckley (Agents of S.H.I.E.L.D.) – someone tough, but not hard-hearted. Clare-Hope Ashitey (Seven Seconds) might be a good Nettie. For Calder, I think Kevin McKidd or Dominic West.
    • Having made my choices, I have to say: I know nothing about casting. I decided this was true after watching Amadeus, the film about Mozart. I really admire this film, but think about it:
    The kid from Animal House plays Mozart? The principal from Ferris Beuhler’s Day Off is Emperor Joseph? If you’d asked me, I’dve said, never in a million years. And yet they’re perfect in the roles.

    Favorite leisure activity/hobby>?

    Cooking, reading, dancing (though there hasn’t been much of that since March). My wife and I will occasionally dance in the living room or out on our back patio. Fortunately, the children are grown and moved out, so there’s far less criticism or cringing than in years past. 

    Favorite meal?
    • I worked in restaurants for more than 15 years, and I love cooking and food far too much to limit myself. I have the waistline to prove it!
    There is basically nothing I don’t like. Sure, there are things I prefer over others, but unless you’re offering me sea cucumber sushi, or dried jellyfish, or that Sicilian cheese with live bugs in it, I’m probably going to eat it and enjoy it.
    • My favorite thing is to cook seasonally. With what’s available now. Mid-summer to late fall is the best time. So much to choose from!
    The meal I’m going to make in a couple nights is pretty close to my heart for that reason. I’m making dinner for some friends (we’ll be eating outside), and I’ll probably serve gazpacho soup to start, and sautéed scallops with pasta al pesto (the basil from my back garden) and some broad Roma beans. Ripe fruit for dessert (maybe a blueberry pie).

    Catch Up With James McCrone:
    JamesMcCrone.com, Chosen Words Blog, Goodreads, BookBub, Instagram, Twitter, & Facebook!

     

    Read an excerpt:

    Friday, March 10

    Seattle, Washington

    1

    Just before 5am, FBI Agent Imogen Trager gave a low growl and reached for the phone, buzzing officiously on the nightstand. She sat on the edge of the bed she shared with Duncan Calder, glowering at it as her eyes focused in the dark. Fixing a strand of red hair behind her ear, she scrolled through texts and posts from colleagues and friends. Her anger turned from dismay to sickening fear.

    “Duncan!” She shook him awake and handed him the phone. He sat up and took it, scanning the news, instantly awake.

    Imogen rose and picked her way to the living room in the dark where she turned on the television. The piercing glare of the screen stung the murky Northwest morning. Some 3,700 miles away, Vice President Robert Moore approached a phalanx of microphones, manfully fighting back tears:

    “My fellow Americans,” he said, “it is my sad duty to confirm that Diane Redmond, the President of the United States, is dead.”

    Bob Moore, a towering figure in person, looked small on screen, standing in the rain under a canopy of black umbrellas at the entrance to Walter Reed Medical Center. Duncan joined Imogen in the darkness, and she reached for his hand.

    They stared, dumbfounded, as Moore continued: “Her doctors have informed me”—here he paused to clear his throat—“that the cause of death is believed to be a heart attack; that it was sudden and fatal. A full autopsy is underway, and it will give us a clearer picture. Our prayers go out to her family and loved ones.

    “The Chief Justice has administered the Oath of Office to me here in the presence of cabinet members and hospital staff. The preservation of our great nation’s interests, its security and the continuity of government are assured.”

    Duncan turned to Imogen: “Is it starting again?”

    “I don’t think it ever stopped,” she brooded, her green eyes smoldering. “We failed. We didn’t cut the head off the snake.” Fury rose within her, sharp and raw like nausea.

    Duncan handed her back the phone. It continued buzzing as reporters swarmed, asking for a quote from her as the public and photogenic face of the Faithless Elector investigation. She’d learned her lesson there and declined each call.

    Their texted questions—the ones she bothered to read—were, as usual, off the mark: Would the Faithless Elector task force be revived to look into the President’s death? Would unanswered questions from the investigation strengthen or weaken support for the new President? Regarding the first: the task force was alive, if not well, she thought, and at any rate, she’d be one of the last to know about any official changes or developments. As to the second: Take a fucking a poll.

    None of them asked the real questions—the ones she needed answered: Was this the final move of the conspiracy she had chased madly into a blind alley? If so, how had the dark network assassinated a President inside the White House? Who was moving the pieces, and what were the next moves? Most pressing: How would she get herself back in the hunt? From her phone, she deleted the draft email bearing the resignation she had planned to send on Monday morning.

    Dawn was still some two hours away as Calder sat down on the couch next to her. “So you won’t be resigning, I take it,” he observed.

    “No,” she said, not looking up from her notebook.

    “How will you begin?”

    She looked up. “We were digging in the wrong place. I’m going to go back over the associates and links we’ve established, see where or how any of them point at Bob Moore.”

    “So Moore digging, eh?” he quipped.

    Imogen sighed. She loved him, but how was he able to have distance at a moment like this? she wondered. She eyed him wearily. “Duncan, I’m going to get stonewalling from Nettie at the office about this new direction. I’m—”

    He held up a hand. “What will you do?” He looked at her notebook. “And who’s Carla?”

    “I’m going back to the data.”

    “You’ve gotten nowhere with that,” said Calder acidly.

    “Because we were looking at it in relation to other actors. Not Moore. And Carla’s not a who, but a what—short for ‘CARLA F BAD’: Character, Associates, Reputation, Loyalty, Ability, Finances, Bias, Alcohol, Drugs. It’s what you look at in a security clearance, among other things. It helps define spheres of influence and interaction. The disclosure dossiers on the men who’ve been working directly under Moore will have looked precisely at these CARLA factors. And I want to look at them, too. And his associates. So I’ll go backward, this time with Moore in mind. I want to look at his campaign finances. Who funded him early on in the race? Who else was involved or associated? Maybe something jumps out at me. Maybe that’ll point me in a direction.”

    “It’s a lot of maybes, ’Gen.” He scratched at his iron gray hair.

    “It’s where I’ll start. There’s always a gap in the armor somewhere. The really hard part is that I can’t just request materials the regular way through regular channels without telegraphing what I’m trying to do.”

    “Or looking like you’re still part of the Faithless Elector case.”

    She nodded and looked at him uncertainly. “And…I think I should cut this weekend short, if I can get a flight back to D.C.”

    “I’m wondering what you’re still doing here,” he said.

    Imogen leaned in and kissed him.

    On the East Coast it was early morning, but across much of the country the sun was still not up. In the darkness, the announcement of Redmond’s death in office set off a series of moves seemingly unconnected and largely unremarked, as pawns were sacrificed and battle pieces were moved into place for the final gambit.

    Rocky Mountains

    Snow lit by headlights split the darkness, blinding the Highway patrolman who waited for the tow truck to pull out a car buried in the snow. Working in the dark about 14 miles west-by-southwest of Aspen, Colorado, the tow truck was having a difficult time dragging the car out. In what must have been whiteout conditions, the car had plunged through a guardrail and into the ravine.

    As the patrolman stood at the side of the road waiting for the winch operator to do his work, he took off his right glove to read an alert on his phone. Speechless, he watched the news clip of now-President Moore at the hospital. Bewildered, numb—and not just from the cold—he stared over the still-dark, bleak expanse of mountains.

    “Damn,” said the winch operator, breaking the patrolman’s reverie. The contorted steel shell of a car came into view and slowly ascended backwards up the steep hill. “You guys close Route 82 for more than half the year. Maybe you should think about closing this one, too.”

    “We serve and protect,” the patrolman countered. “We can’t protect them from their own stupidity.”

    Maricopa, California

    Ninety-five miles northwest of Los Angeles, near Bakersfield, west of where the lush groves of San Emidio return to desert, police had responded to a call reporting shots fired.

    The bodies of four men lay strewn around the living room and kitchen of a battered, double-wide trailer home, victims of an apparent drug deal gone bad. Even before forensics got to work, it was obvious the house had been used as a meth lab. An acrid stench burned the eyes and throats of the responding officers, who quickly backed out and awaited the Kern County forensics team.

    As two officers sat in a squad car in the dark guarding the site, news reached them of the death of the president. They watched Moore at Walter Reed on the lieutenant’s phone. The death of these four drug dealers now seemed even less important. Desultorily, they searched the onboard police computer for information about the four corpses. Two of them had arrest records, known agitators and members of a border vigilante group.

    “Right,” the lieutenant said to the patrolman. “Illegally funded law and order.”

    “For some,” the officer added.

    In Seattle, Imogen packed her bags, while fewer than six miles away but as blind to one another as opposite sides of the same coin, a sleek Eclipse 500 jet touched down at Boeing Field. The light jet taxied rapidly in the damp winter darkness, coming to an abrupt stop on a dimly lit portion of the tarmac at the north end of the field.

    The hiss of its engines became a plaintive whistle as the doors popped open and two young men, Dan Cardoso and Eric Janssen, ran down the steps. They immediately turned round and helped close the stairs. But for this gesture of help, anyone witnessing their arrival—and no one did—might have mistaken them for two young executives returning from a casual outing.

    Its doors sealed once more, the small jet in the tan-on-beige livery of Flintlock Industries, pushed on, the whistle of its engines discordantly climbing the scale as it taxied away. Cardoso and Janssen walked toward their cars parked just outside a chain link fence, fist-bumping as they separated at the gate.

    “See you April 20,” Janssen said.

    Cardoso gave a thumbs-up as he turned away. Though the tarmac was deserted, the bravado exchange was a crucial performance. They had each been schooled in the need for watchfulness—especially of one another. Any sign of dissent, hint of doubt or fading spirit should be reported.

    Alone for the first time in more than 24 hours, each man allowed himself to think about what had just happened. On orders, they’d dispatched the members of a cell near Bakersfield, California, much like their own, though a failing one according to their handler. Although they had kept their misgivings to themselves, each had arrived at the same conclusion: when given a list of people marked for death, the quickest way to get your name added to the list was to refuse or even question the job. Each ruminated on the final step to come, and whether they would receive their just, or their eternal, reward.

    Before their cars were started, and as Imogen zipped her suitcase closed, the light jet was in the air, headed east to another rendezvous.

    2

    Reactions to the death of the President were swift across the nation and the political spectrum. Imogen, now waiting at the airport gate, had inadvertently seated herself between two television monitors, each tuned to a different 24-hour news channel. They faced each other, across her and the political divide. At times, they seemed to be arguing with each other, and she found herself glancing back and forth like someone watching a tennis match. Travelers congregated silently at screens large and small throughout the terminal.

    The remarkable unanimity of official emotion on television and across social media made it seem that everyone in Washington had been issued the same talking points memo: Redmond was praised for her “integrity,” her “dignity” and “strength,” each promising to uphold the unity she had embodied and to deliver on her legacy while offering support to Moore. There were, Imogen noted, still a few unfilled cabinet positions left. Snapchat, she mused tartly, seemed like a better venue for all the disposable preening and jockeying.

    The news was rife with speculation about what had befallen President Redmond, and what a new Moore administration might look like. Between the two televisions and along the political spectrum, while politicians hewed to their “unity in adversity” tropes, the talking heads seemed to be going through their own peculiar stages of grief: conservative hosts, when not in denial about the larger implications, presented with over-modulated anger; whereas mainstream pundits registered shock and dismay, their interviews with Democratic leaders manifesting pain, and above all bargaining. Only religious leaders seemed to have progressed to acceptance and hope, anointing Moore as one demonstrably chosen by Providence. In all cases, speculation was rampant, and there were no facts in evidence, save the obvious—Redmond was dead and Moore was president.

    Bob Moore was taciturn by nature, the pundits opined. He had a reputation for bloodless pronouncements, heavy on procedure and mindful of every political angle, earning him the ironic nickname “ad lib Bob.” But on the campaign trail, and during the contested fight for the Presidency, they noted, he had been a different man. All dispassion spent, he became a man of conviction. It remained to be seen, the pundits agreed, as to which version of Moore would prevail now that he was President.

    ***

    Excerpt from Emergency Powers by James McCrone. Copyright 2020 by James McCrone. Reproduced with permission from James McCrone. All rights reserved.

     

     

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