The Company Files: 2.
The Naming Game
by Gabriel Valjan
on Tour April 22 – June 22, 2019
Whether it’s Hollywood or DC, life and death, success or failure hinge on saying a name.
The right name.
When Charlie Loew is found murdered in a seedy flophouse with a cryptic list inside the dead script-fixer’s handkerchief, Jack Marshall sends Walker undercover as a screenwriter at a major studio and Leslie as a secretary to Dr. Phillip Ernest, shrink to the stars. J. Edgar Hoover has his own list. Blacklisted writers and studio politics. Ruthless gangsters and Chief Parker’s LAPD. Paranoia, suspicions, and divided loyalties begin to blur when the House Un-American Activities Committee insists that everyone play the naming game.
Praise for The Naming Game:
“With crackling dialogue and a page turning plot shot-through with authentic period detail, Gabriel Valjan pulls the reader into the hidden world of the 1950’s Hollywood studio scene, involving murder, McCarthyism and mayhem.”
~ James L’Etoile, author of At What Cost and Bury the Past
“Terrific historical noir as Gabriel Valjan takes us on a trip through post-war Hollywood involving scandal, McCarthyism, blacklisting, J. Edgar Hoover and, of course, murder. Compelling story, compelling characters – and all the famous name dropping is great fun. Highly recommended!”
~ R.G. Belsky, author of the Clare Carlson Mystery Series
“Brilliantly written, Gabriel Valjan’s The Naming Game whisks the reader back in time to postwar Los Angeles. Spies, Communism, and Hollywood converge in a first-rate thriller.”
~ Bruce Robert Coffin, Agatha Award nominated author of Beyond the Truth
Genre: Historical Mystery, Crime Fiction
Published by: Winter Goose Publishing
Publication Date: May 4, 2019
Number of Pages: 210
Series: The Company Files: 2
Purchase Links: Amazon | Goodreads
Gabriel Valjan is the author of two series, The Roma Series and The Company Files, available from Winter Goose Publishing. His short stories have appeared in Level Best anthologies and other publications. Twice shortlisted for the Fish Prize in Ireland, once for the Bridport Prize in England, and an Honorable Mention for the Nero Wolfe Black Orchid Novella Contest, he is a lifetime member of Sisters in Crime National, a local member of Sisters in Crime New England, and an attendee of Bouchercon, Crime Bake, and Malice Domestic conferences.
Q&A with Gabriel Valjan
Welcome and thank you for stopping by CMash Reads
Reading and Writing:
What inspired you to write this book?
Griffin Fariello’s Red Scare inspired me. For readers unfamiliar with the book, which appeared in 1995 and is now available in digital format, Fariello is a journalist who compiled interviews with victims and those who abetted McCarthy’s drive to expose Communists in every stratum of American life. You become cognizant of contradictions, the contagious paranoia, and the frenzy that McCarthy stirred up without ever providing one shred of proof. With only innuendo and the flimsiest of evidence, he hounded people to ruin and, in some cases, early death. Throughout all this surrealism, I was already aware of how government and corporations used Hollywood to shape public thought prior to McCarthy. I became intrigued as to how Hollywood studios, after he’d appeared on the scene, found creative ways to get films written and produced, when the House Un-American Activities Committee (HUAC) had blacklisted writers. Note: HUAC existed before (founded in 1938) Senator McCarthy and it did not officially disband until 1975. It seems that money, regardless of circumstances and politics, had to be made, a profit turned.
What was the biggest challenge in writing this book?
Flow. When you write historical fiction, a writer wants to avoid information dumps or anything that impedes the flow of the story. Smart editing trims the unnecessary or identifies areas where more details are needed. As with anything conjuring up the past, an author doesn’t want their dialogue to sound as if it came from a film noir or a Shakespearean play. Turns of phrase like fashion come and go, but human emotions and concerns remain universal. We love. We hate. We fear what we don’t know or understand. We have hindsight to judge the past, to slap our foreheads with amazement that anyone could believe such-and-such;
but to those people, it was as real as the sky is blue. A writer is challenged to make all that real to the reader. The Spanish Flu and polio once terrified people, just like AIDS and Ebola do today. Communism was yesterday’s terrorism. Technology has improved life, made things once thought impossible, but fundamental conflicts between people and nations have not changed; only names and places.
Give us a glimpse of the research that went into this book.
There is no end to the number of resources on Golden Hollywood or Los Angeles of yesteryear. I didn’t want to recycle familiar tropes (the inherent danger of Raymond Chandler as an inspiration). I dug around for bits and pieces that I thought were obscure to readers. Everyone who has read enough stories about LA in the Forties and Fifties knows of Musso and Frank, or the Trocadero. In The Naming Game, I went farther afield. I mentioned a nightclub called Slapsie Maxie, which went by another name in 1951, the year of my story. People then still referred to it as Slapsie, but for accuracy I gave the new name after the establishment changed hands. Other examples: I mention a property once owned by Charlie Chaplin. Because the story was set in 1951, I consulted maps to make sure I had the names of streets and highways right, especially for the artist colony called Malibu. I sought out photographs of the Cocoanut Grove, cocktail menus and researched clothing and cars and the cost of things, so readers could ‘feel’ the snapshot of time. Research conveys fidelity to the era, creditability to the story for the knowledgeable reader, and integrity on the writer.
How did you come up with the title?
Not sure. I certainly wanted an enticing title, and to have this novel evoke the McCarthy era. I picked ‘naming game’ because, in my mind, it denoted a childhood game reminiscent of ‘I Spy.’ The difference, of course, is I’m pointing towards real history and the game resulted in disastrous consequences.
Your routine in writing? Any idiosyncrasies?
My routine is not terribly exciting. Writing involves sitting in a chair with the hands and mind engaged in translating what’s inside your head onto the screen. Other than that, I write in the morning after exercise. I don’t outline, though I may jot down a word or a phrase as a reminder. When I factor in research, I’ll have notes nearby.
Tell us why we should read your book?
With The Company Files, I introduce readers to forgotten chapters of American history. When readers think of the CIA (The Company is a euphemism for the agency), they think and expect high-tech thrillers. James Bond. The reality is far more prosaic. The intelligence community then was inept, made terrible decisions and mistakes, and was easily manipulated by foreign enemies and domestic politicians. This mix of history and fiction makes for compelling reading.
Are you working on your next novel? If so, can you tell us a little bit about it?
The Company Files: 3. Diminished Fifth is written and ready for editing. I’m working on a third book in another series. A little superstitious about providing too much detail, but it involves Shanghai in the Thirties, the European elites of that society and various crimes that require solving.
Your novel will be a movie. Who would you cast?
The writer in me would like to see unknowns play the roles, but I think there are numerous contemporary actors who have the talent to take viewers back to an earlier era. I can see Joseph Gordon-Levitt as Walker. Donnie Wahlberg as Whittaker from the first book. Michael Shannon as Jack. Gretchen Mol as Vera. Keri Russell or Jennifer Connelly as Leslie.
Favorite leisure activities/hobbies?
Long walks, working out, and drinking coffee. I’m always on the lookout for excellent movies or a series. I don’t care if they are vintage or contemporary. I love a good story, excellent writing and dialogue at work.
I’m a bit of a foodie, so I’m an adventuresome eater. I have a short list of what I won’t eat, otherwise I’m game and I enjoy food paired with wines because you can learn so much about culture, geography, and history from a meal.
Read an excerpt:
At seven minutes past the hour while reviewing the classified documents at his desk, one of the two colored phones, the beige one, rang. He placed the receiver next to his ear, closed the folder, and waited for the caller’s voice to speak first.
“Is this Jack Marshall?”
“This is William Parker. Is the line secure?”
“It is,” Jack replied, his hand opening a desk cabinet and flipping the ON switch to start recording the conversation.
“I don’t know you Mr. Marshall and I presume you don’t know me.”
“I know of you, Chief Parker.”
“Were you expecting my call?”
“No and it doesn’t matter.” Jack lied.
“Fact of the matter, Mr. Marshall, is an individual, whom I need not name, has suggested I contact you about a sensitive matter. He said matter of security so I listened.”
“Of course. I’m listening.”
“I was instructed to give you an address and have my man at the scene allow you to do whatever it is that you need to do when you arrive there.”
“Pencil and paper are ready. The address, please.”
Jack wrote out the address; it was in town, low rent section with the usual rooming houses, cheap bars, about a fifteen-minute drive on Highway 1 without traffic.
“Ask for Detective Brown. You won’t miss him. Don’t like it that someone steps in and tells me how to mind my own city, but I have no choice in the matter.”
Jack ignored the man’s defensive tone. He knew Detective Brown was a dummy name, like Jones or Smith on a hotel ledger. Plain, unimaginative, but it would do. Most policemen, he conceded, were neither bright nor fully screwed into the socket. A chief was no different except he had more current in him. The chief of police who ruled Los Angeles by day with his cop-syndicate the way Mickey Cohen owned the night must’ve swallowed his pride when he dropped that nickel to make this call.
“Thank you, Chief Parker.”
Jack hung up and flipped the switch to OFF.
Whatever it was at the scene waiting for Jack was sufficient cause to pull back a man like Bill Parker and his boys for twelve hours. Whoever gave this order had enough juice to rein in the LAPD.
Jack took the folder he was reviewing and walked it across the room. He opened the folder once more and reread the phrases ‘malicious international spy’ and, in Ronald Reagan’s own choice of words, ‘Asia’s Mata Hari’, before closing the cover and placing it inside the safe. His review will have to wait. He put on his holster and grabbed a jacket.
Betty came out on the porch as he was putting the key into the car door.
“I won’t be long. Please kiss the children good night for me.”
“Can’t this wait, Jack? The children were expecting you to read to them tonight. Jack Junior set aside the book and you know Elizabeth will be crushed.”
“It can’t wait. I’m sorry. Tell them I’ll make it up to them.”
“You need to look them in the face when you tell them sorry.”
He opened the door as his decision. She understood she dealt him the low card. “Want something for the road?”
“No thanks. I’ll see you soon.”
He closed the door with finesse. He couldn’t help it if the children heard the car. He checked the mirror and saw her on the porch, still standing there, still disappointed and patient, as he drove off.
Detective Brown, sole man on the scene, walked him over to the body without introducing himself. Jack didn’t give his name.
At six-fifteen the vet renting a room down the hall discovered the body. Detective Brown said the veteran was probably a hired hound doing a bag job – break-ins, surveillance, and the like. Recent veterans made the best candidates for that kind of work for Hoover, Jack thought. Worked cheap and they went the extra mile without Hoover’s agents having to worry about technicalities like a citizen’s rights going to law.
“What makes you think he was hired out?” Jack asked.
Brown, a man of few words, handed Jack his notebook, flipped over to the open page he marked Witness Statement and said politely, “Please read it. Words and writing are from the witness himself.”
“The man was a no good ‘commonist’.”
“Nice spelling. A suspect?”
“No, sir. The coroner places the death around early afternoon, about 2ish. Our patriot was across the street drinking his lunch. I verified it.”
Jack viewed the body. The man was fully dressed wearing a light weave gabardine suit costing at least twenty-five. The hardly scuffed oxfords had to cost as much as the suit, and the shirt and tie, both silk, put the entire ensemble near a hundred. Hardly class consciousness for an alleged Communist, Jack thought.
The corpse lying on his side reminded Jack of the children sleeping, minus the red pool seeping into the rug under the right ear. The dead man wore a small sapphire ring on his small finger, left hand. No wedding band. Nice watch on the wrist, face turned in. An odd way to read time. Breast pocket contained a cigarette case with expensive cigarettes, Egyptian. Jack recognized the brand from his work in the Far East. Ten cents a cigarette is nice discretionary income. Wallet in other breast pocket held fifty dollars, various denominations. Ruled out robbery or staging it. Identification card said Charles Loew, Warner Brothers. Another card: Screen Writers Guild, signed by Mary McCall, Jr. President. Back of card presented a pencil scrawl.
“Find a lighter or book of matches?”
Detective Brown shook his head. Jack patted the breast pockets again and the man’s jacket’s side-pockets. Some loose change, but nothing else. The man was unarmed, except for a nice pen. Much as he disliked the idea Jack put his hands into the man’s front pockets. Nothing. He found a book of matches in the left rear pocket, black with gold telltale lettering, Trocadero on Sunset. Jack flipped the matchbook open and as he suspected, found a telephone number written in silver ink; different ink than the man’s own pen. Other back pocket contained a handkerchief square Jack found interesting, as did Detective Brown.
“What’s that?” he asked, head peering over for a better look.
“Not sure,” answered Jack, unfolding the several-times folded piece of paper hidden inside the hanky. The unfolded paper revealed a bunch of typewritten names that had bled out onto other parts of the paper. It must have been folded while the ink was still wet. It didn’t help someone spilt something on the paper. Smelled faintly of recent whiskey. Jack reviewed what he thought were names when he realized the letters were nonsense words.
“Might be a Commie membership list. Looks like code.” But Brown zipped it when Jack folded the paper back up and put it into his pocket.
“The paper and the matches stay with me. We clear?”
“Uh, yes sir. The Chief told me himself to do whatever you said and not ask questions.”
“Good. Other than the coroner – who else was here? Photographers, fingerprints?”
“Nobody else. Medical pronounced him dead, but nothing more. Chief had them called off to another scene – a multiple homicide, few blocks away. We’re short-staffed tonight. The Chief said he’d send Homicide after you leave. They’ll process the scene however you leave it. They won’t know about the matches or the paper. Chief’s orders.”
Jack checked his watch. Man down, found at six fifteen. Chief called a little after seven. He arrived not much later than seven forty. The busy bodies would get the stiff by eight or eight thirty, the latest. Perfectly reasonable Jack thought. He squatted down to see the man’s watch, noticing light bruising on the wrist and the throw rug bunched into a small hill near the man’s time hand. Intriguing.
“Thank you, Detective. I’ll be going now. If I speak to the chief I’ll let him know you’ve done your job to the letter.”
“You’re welcome. Night.”
Jack knew he and the chief would be speaking again.
Outside on the street, Jack pulled out his handkerchief and wiped both hands for any traces of dead man as he headed for the parked car. Compulsive habit. He pulled up the collar on his jacket. It was cold for late May.
The street sign said he was not far from Broadway. In this part of town thousands lived crowded in on themselves as lodgers in dilapidated Gothic mansions or residence hotels, working the downtown stores, factories, and offices, riding public transit and the other funicular railway in the area, Court Flight, a two-track railway climb towards Hill Street.
Los Angeles changed with the world. The war was over and there was a new war, possibly domestic, definitely foreign. Court Flight is gone, ceased operations. Its owner and his faithful cat had passed on. His good widow tried. In ’43 a careless brush fire destroyed the tracks and the Board of Public Utilities signed the death warrant; and now Jack was hearing whispers Mayor Bowron planned to revitalize the area International Style, which meant dotting the desert city with skyscrapers.
Jack opened the door and sat behind the wheel a moment. He took the family once to nearby Angels Flight. Junior wondered why there was no apostrophe on the sign. Betty tolerated the excursion, indifferent to Los Angeles because she preferred their home in DC. He released the clutch. Betty disliked LA because it changed too much without reason. She might have had a point. He shifted gear. Pueblo city would level whole blocks of thriving masses just to create a parking lot. He pulled the car from the curb.
Excerpt from The Naming Game by Gabriel Valjan. Copyright 2019 by Gabriel Valjan. Reproduced with permission from Gabriel Valjan. All rights reserved.
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