May 222019
 

The Naming Game by Gabriel Valjan

The Company Files: 2.

The Naming Game

by Gabriel Valjan

on Tour April 22 – June 22, 2019

The Company Files 2 The Naming Game by Gabriel Valjan

Synopsis:

Whether it’s Hollywood or DC, life and death, success or failure hinge on saying a name.

The right name.

When Charlie Loew is found murdered in a seedy flophouse with a cryptic list inside the dead script-fixer’s handkerchief, Jack Marshall sends Walker undercover as a screenwriter at a major studio and Leslie as a secretary to Dr. Phillip Ernest, shrink to the stars. J. Edgar Hoover has his own list. Blacklisted writers and studio politics. Ruthless gangsters and Chief Parker’s LAPD. Paranoia, suspicions, and divided loyalties begin to blur when the House Un-American Activities Committee insists that everyone play the naming game.

Praise for The Naming Game:

“With crackling dialogue and a page turning plot shot-through with authentic period detail, Gabriel Valjan pulls the reader into the hidden world of the 1950’s Hollywood studio scene, involving murder, McCarthyism and mayhem.”
~ James L’Etoile, author of At What Cost and Bury the Past

“Terrific historical noir as Gabriel Valjan takes us on a trip through post-war Hollywood involving scandal, McCarthyism, blacklisting, J. Edgar Hoover and, of course, murder. Compelling story, compelling characters – and all the famous name dropping is great fun. Highly recommended!”
~ R.G. Belsky, author of the Clare Carlson Mystery Series

“Brilliantly written, Gabriel Valjan’s The Naming Game whisks the reader back in time to postwar Los Angeles. Spies, Communism, and Hollywood converge in a first-rate thriller.”
~ Bruce Robert Coffin, Agatha Award nominated author of Beyond the Truth

Book Details:

Genre: Historical Mystery, Crime Fiction
Published by: Winter Goose Publishing
Publication Date: May 4, 2019
Number of Pages: 210
ISBN: 978-1-941058-86-2
Series: The Company Files: 2
Purchase Links: Amazon | Goodreads

 

Gabriel Valjan

Author Bio:

Gabriel Valjan is the author of two series, The Roma Series and The Company Files, available from Winter Goose Publishing. His short stories have appeared in Level Best anthologies and other publications. Twice shortlisted for the Fish Prize in Ireland, once for the Bridport Prize in England, and an Honorable Mention for the Nero Wolfe Black Orchid Novella Contest, he is a lifetime member of Sisters in Crime National, a local member of Sisters in Crime New England, and an attendee of Bouchercon, Crime Bake, and Malice Domestic conferences.

Q&A with Gabriel Valjan

Welcome and thank you for stopping by CMash Reads
Reading and Writing:

What inspired you to write this book?

Griffin Fariello’s Red Scare inspired me. For readers unfamiliar with the book, which appeared in 1995 and is now available in digital format, Fariello is a journalist who compiled interviews with victims and those who abetted McCarthy’s drive to expose Communists in every stratum of American life. You become cognizant of contradictions, the contagious paranoia, and the frenzy that McCarthy stirred up without ever providing one shred of proof. With only innuendo and the flimsiest of evidence, he hounded people to ruin and, in some cases, early death. Throughout all this surrealism, I was already aware of how government and corporations used Hollywood to shape public thought prior to McCarthy. I became intrigued as to how Hollywood studios, after he’d appeared on the scene, found creative ways to get films written and produced, when the House Un-American Activities Committee (HUAC) had blacklisted writers. Note: HUAC existed before (founded in 1938) Senator McCarthy and it did not officially disband until 1975. It seems that money, regardless of circumstances and politics, had to be made, a profit turned.

What was the biggest challenge in writing this book?

Flow. When you write historical fiction, a writer wants to avoid information dumps or anything that impedes the flow of the story. Smart editing trims the unnecessary or identifies areas where more details are needed. As with anything conjuring up the past, an author doesn’t want their dialogue to sound as if it came from a film noir or a Shakespearean play. Turns of phrase like fashion come and go, but human emotions and concerns remain universal. We love. We hate. We fear what we don’t know or understand. We have hindsight to judge the past, to slap our foreheads with amazement that anyone could believe such-and-such;
but to those people, it was as real as the sky is blue. A writer is challenged to make all that real to the reader. The Spanish Flu and polio once terrified people, just like AIDS and Ebola do today. Communism was yesterday’s terrorism. Technology has improved life, made things once thought impossible, but fundamental conflicts between people and nations have not changed; only names and places.

Give us a glimpse of the research that went into this book.

There is no end to the number of resources on Golden Hollywood or Los Angeles of yesteryear. I didn’t want to recycle familiar tropes (the inherent danger of Raymond Chandler as an inspiration). I dug around for bits and pieces that I thought were obscure to readers. Everyone who has read enough stories about LA in the Forties and Fifties knows of Musso and Frank, or the Trocadero. In The Naming Game, I went farther afield. I mentioned a nightclub called Slapsie Maxie, which went by another name in 1951, the year of my story. People then still referred to it as Slapsie, but for accuracy I gave the new name after the establishment changed hands. Other examples: I mention a property once owned by Charlie Chaplin. Because the story was set in 1951, I consulted maps to make sure I had the names of streets and highways right, especially for the artist colony called Malibu. I sought out photographs of the Cocoanut Grove, cocktail menus and researched clothing and cars and the cost of things, so readers could ‘feel’ the snapshot of time. Research conveys fidelity to the era, creditability to the story for the knowledgeable reader, and integrity on the writer.

How did you come up with the title?

Not sure. I certainly wanted an enticing title, and to have this novel evoke the McCarthy era. I picked ‘naming game’ because, in my mind, it denoted a childhood game reminiscent of ‘I Spy.’ The difference, of course, is I’m pointing towards real history and the game resulted in disastrous consequences.

Your routine in writing? Any idiosyncrasies?

My routine is not terribly exciting. Writing involves sitting in a chair with the hands and mind engaged in translating what’s inside your head onto the screen. Other than that, I write in the morning after exercise. I don’t outline, though I may jot down a word or a phrase as a reminder. When I factor in research, I’ll have notes nearby.

Tell us why we should read your book?

With The Company Files, I introduce readers to forgotten chapters of American history. When readers think of the CIA (The Company is a euphemism for the agency), they think and expect high-tech thrillers. James Bond. The reality is far more prosaic. The intelligence community then was inept, made terrible decisions and mistakes, and was easily manipulated by foreign enemies and domestic politicians. This mix of history and fiction makes for compelling reading.

Are you working on your next novel? If so, can you tell us a little bit about it?

The Company Files: 3. Diminished Fifth is written and ready for editing. I’m working on a third book in another series. A little superstitious about providing too much detail, but it involves Shanghai in the Thirties, the European elites of that society and various crimes that require solving.

Fun Questions:

Your novel will be a movie. Who would you cast?

The writer in me would like to see unknowns play the roles, but I think there are numerous contemporary actors who have the talent to take viewers back to an earlier era. I can see Joseph Gordon-Levitt as Walker. Donnie Wahlberg as Whittaker from the first book. Michael Shannon as Jack. Gretchen Mol as Vera. Keri Russell or Jennifer Connelly as Leslie.

Favorite leisure activities/hobbies?

Long walks, working out, and drinking coffee. I’m always on the lookout for excellent movies or a series. I don’t care if they are vintage or contemporary. I love a good story, excellent writing and dialogue at work.

Favorite foods?

I’m a bit of a foodie, so I’m an adventuresome eater. I have a short list of what I won’t eat, otherwise I’m game and I enjoy food paired with wines because you can learn so much about culture, geography, and history from a meal.

Catch Up With Gabriel On:
gabrielvaljan.com, Goodreads, BookBub, Twitter, & Facebook!

 

Read an excerpt:

At seven minutes past the hour while reviewing the classified documents at his desk, one of the two colored phones, the beige one, rang. He placed the receiver next to his ear, closed the folder, and waited for the caller’s voice to speak first.

“Is this Jack Marshall?”

“It is.”

“This is William Parker. Is the line secure?”

“It is,” Jack replied, his hand opening a desk cabinet and flipping the ON switch to start recording the conversation.

“I don’t know you Mr. Marshall and I presume you don’t know me.”

A pause.

“I know of you, Chief Parker.”

“Were you expecting my call?”

“No and it doesn’t matter.” Jack lied.

“Fact of the matter, Mr. Marshall, is an individual, whom I need not name, has suggested I contact you about a sensitive matter. He said matter of security so I listened.”

“Of course. I’m listening.”

“I was instructed to give you an address and have my man at the scene allow you to do whatever it is that you need to do when you arrive there.”

“Pencil and paper are ready. The address, please.”

Jack wrote out the address; it was in town, low rent section with the usual rooming houses, cheap bars, about a fifteen-minute drive on Highway 1 without traffic.

“Ask for Detective Brown. You won’t miss him. Don’t like it that someone steps in and tells me how to mind my own city, but I have no choice in the matter.”

Jack ignored the man’s defensive tone. He knew Detective Brown was a dummy name, like Jones or Smith on a hotel ledger. Plain, unimaginative, but it would do. Most policemen, he conceded, were neither bright nor fully screwed into the socket. A chief was no different except he had more current in him. The chief of police who ruled Los Angeles by day with his cop-syndicate the way Mickey Cohen owned the night must’ve swallowed his pride when he dropped that nickel to make this call.

“Thank you, Chief Parker.”

Jack hung up and flipped the switch to OFF.

Whatever it was at the scene waiting for Jack was sufficient cause to pull back a man like Bill Parker and his boys for twelve hours. Whoever gave this order had enough juice to rein in the LAPD.

Jack took the folder he was reviewing and walked it across the room. He opened the folder once more and reread the phrases ‘malicious international spy’ and, in Ronald Reagan’s own choice of words, ‘Asia’s Mata Hari’, before closing the cover and placing it inside the safe. His review will have to wait. He put on his holster and grabbed a jacket.

Betty came out on the porch as he was putting the key into the car door.

“I won’t be long. Please kiss the children good night for me.”

“Can’t this wait, Jack? The children were expecting you to read to them tonight. Jack Junior set aside the book and you know Elizabeth will be crushed.”

“It can’t wait. I’m sorry. Tell them I’ll make it up to them.”

“You need to look them in the face when you tell them sorry.”

He opened the door as his decision. She understood she dealt him the low card. “Want something for the road?”

“No thanks. I’ll see you soon.”

He closed the door with finesse. He couldn’t help it if the children heard the car. He checked the mirror and saw her on the porch, still standing there, still disappointed and patient, as he drove off.

Detective Brown, sole man on the scene, walked him over to the body without introducing himself. Jack didn’t give his name.

At six-fifteen the vet renting a room down the hall discovered the body. Detective Brown said the veteran was probably a hired hound doing a bag job – break-ins, surveillance, and the like. Recent veterans made the best candidates for that kind of work for Hoover, Jack thought. Worked cheap and they went the extra mile without Hoover’s agents having to worry about technicalities like a citizen’s rights going to law.

“What makes you think he was hired out?” Jack asked.

Brown, a man of few words, handed Jack his notebook, flipped over to the open page he marked Witness Statement and said politely, “Please read it. Words and writing are from the witness himself.”

“The man was a no good ‘commonist’.”

“Nice spelling. A suspect?”

“No, sir. The coroner places the death around early afternoon, about 2ish. Our patriot was across the street drinking his lunch. I verified it.”

Jack viewed the body. The man was fully dressed wearing a light weave gabardine suit costing at least twenty-five. The hardly scuffed oxfords had to cost as much as the suit, and the shirt and tie, both silk, put the entire ensemble near a hundred. Hardly class consciousness for an alleged Communist, Jack thought.

The corpse lying on his side reminded Jack of the children sleeping, minus the red pool seeping into the rug under the right ear. The dead man wore a small sapphire ring on his small finger, left hand. No wedding band. Nice watch on the wrist, face turned in. An odd way to read time. Breast pocket contained a cigarette case with expensive cigarettes, Egyptian. Jack recognized the brand from his work in the Far East. Ten cents a cigarette is nice discretionary income. Wallet in other breast pocket held fifty dollars, various denominations. Ruled out robbery or staging it. Identification card said Charles Loew, Warner Brothers. Another card: Screen Writers Guild, signed by Mary McCall, Jr. President. Back of card presented a pencil scrawl.

“Find a lighter or book of matches?”

Detective Brown shook his head. Jack patted the breast pockets again and the man’s jacket’s side-pockets. Some loose change, but nothing else. The man was unarmed, except for a nice pen. Much as he disliked the idea Jack put his hands into the man’s front pockets. Nothing. He found a book of matches in the left rear pocket, black with gold telltale lettering, Trocadero on Sunset. Jack flipped the matchbook open and as he suspected, found a telephone number written in silver ink; different ink than the man’s own pen. Other back pocket contained a handkerchief square Jack found interesting, as did Detective Brown.

“What’s that?” he asked, head peering over for a better look.

“Not sure,” answered Jack, unfolding the several-times folded piece of paper hidden inside the hanky. The unfolded paper revealed a bunch of typewritten names that had bled out onto other parts of the paper. It must have been folded while the ink was still wet. It didn’t help someone spilt something on the paper. Smelled faintly of recent whiskey. Jack reviewed what he thought were names when he realized the letters were nonsense words.

“Might be a Commie membership list. Looks like code.” But Brown zipped it when Jack folded the paper back up and put it into his pocket.

“The paper and the matches stay with me. We clear?”

“Uh, yes sir. The Chief told me himself to do whatever you said and not ask questions.”

“Good. Other than the coroner – who else was here? Photographers, fingerprints?”

“Nobody else. Medical pronounced him dead, but nothing more. Chief had them called off to another scene – a multiple homicide, few blocks away. We’re short-staffed tonight. The Chief said he’d send Homicide after you leave. They’ll process the scene however you leave it. They won’t know about the matches or the paper. Chief’s orders.”

Jack checked his watch. Man down, found at six fifteen. Chief called a little after seven. He arrived not much later than seven forty. The busy bodies would get the stiff by eight or eight thirty, the latest. Perfectly reasonable Jack thought. He squatted down to see the man’s watch, noticing light bruising on the wrist and the throw rug bunched into a small hill near the man’s time hand. Intriguing.

“Thank you, Detective. I’ll be going now. If I speak to the chief I’ll let him know you’ve done your job to the letter.”

“You’re welcome. Night.”

Jack knew he and the chief would be speaking again.

Outside on the street, Jack pulled out his handkerchief and wiped both hands for any traces of dead man as he headed for the parked car. Compulsive habit. He pulled up the collar on his jacket. It was cold for late May.

The street sign said he was not far from Broadway. In this part of town thousands lived crowded in on themselves as lodgers in dilapidated Gothic mansions or residence hotels, working the downtown stores, factories, and offices, riding public transit and the other funicular railway in the area, Court Flight, a two-track railway climb towards Hill Street.

Los Angeles changed with the world. The war was over and there was a new war, possibly domestic, definitely foreign. Court Flight is gone, ceased operations. Its owner and his faithful cat had passed on. His good widow tried. In ’43 a careless brush fire destroyed the tracks and the Board of Public Utilities signed the death warrant; and now Jack was hearing whispers Mayor Bowron planned to revitalize the area International Style, which meant dotting the desert city with skyscrapers.

Jack opened the door and sat behind the wheel a moment. He took the family once to nearby Angels Flight. Junior wondered why there was no apostrophe on the sign. Betty tolerated the excursion, indifferent to Los Angeles because she preferred their home in DC. He released the clutch. Betty disliked LA because it changed too much without reason. She might have had a point. He shifted gear. Pueblo city would level whole blocks of thriving masses just to create a parking lot. He pulled the car from the curb.

***

Excerpt from The Naming Game by Gabriel Valjan. Copyright 2019 by Gabriel Valjan. Reproduced with permission from Gabriel Valjan. All rights reserved.

 

 

Tour Participants:

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Giveaway:

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Gabriel Valjan. There will be 1 winner of one (1) Amazon.com Gift Card. The giveaway begins on April 22, 2019 and runs through June 24, 2019. Void where prohibited.

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May 152019
 

Bad Pick

by Linda Lovely

on Tour April 1-May 31, 2019

Synopsis:

Bad Pick by Linda Lovely

Vegan Brie Hooker lives and works with her feisty Aunt Eva at Udderly Kidding Dairy, a hop, skip, and jump away from South Carolina’s Clemson University. Brie’s fun farm outreach attempt backfires when religious extremists decide goat yoga is a form of devil worship. Believing one of the zealots might be persuaded to see reason, Brie’s free-wheeling friend Mollye convinces her they should call on the young woman. Big mistake.

Picketers at Udderly’s gates soon become the least of Brie’s troubles. Not only is she accused of murder, she worries the death might actually be her fault. Danger mounts when an old family friend’s visit ensnares Brie in a high-stakes feud between a U.S. Supreme Court nominee and the woman determined to expose his secrets. In her personal life, Brie’s still torn between the town’s two most eligible bachelors. While she’s edging toward a decision, she must first survive a cunning killer adept at crafting murders that look like tragic accidents. Will Brie be another “accident” victim? Pay a visit to Udderly Kidding Dairy and find out!

Praise for Bad Pick

“There’s such a lot to enjoy in Linda Lovely’s third Brie Hooker mystery Bad Pick. Of course, I came for the goat yoga and the religious extremists (I’m only human), but I stayed for the love triangle, the female friendships, the family members rubbing along so realistically, the sidelights on vegan cooking and the rich depiction of small-town life. And what kept me flicking the pages fast enough to cause a draft? The twisty, knotty, killer plot underneath all that charm. Bad Pick is a good un!”—Catriona McPherson, Multi-Award-Winning Author of the Last Ditch Mysteries.

“Wow! In Bad Pick, Lovely wrote an amazing novel only to see one part of the plot come to life in headlines all over the country. A fringe religious cult, a Supreme Court nominee, and goat yoga combine together in a tale that fans of mysteries won’t want to miss. –Sherry Harris, Agatha Award Nominee and Author of the Sarah Winston Garage Sale mysteries.

“The Brie Hooker mysteries from author Linda Lovely continue to entertain, this time with extremists who really don’t like the farm’s new goat yoga offering. You’ll find yourself muttering, “What the feta?” as you follow the action around not one but two murders from the edge of your seat. Fix yourself a chevre sandwich and sit down to enjoy a delightful – and suspense-filled – read.”—Edith Maxwell, Author of the Local Foods Mysteries and the Quaker Midwife Mysteries.

Book Details:

Genre: Cozy Mystery
Published by: Henery Press
Publication Date: April 16, 2019
Number of Pages: 270
ISBN: 9781635114744
Series: Brie Hooker Mystery Series
Purchase Links: Amazon | Barnes & Noble | Goodreads

 

Author Bio:

Linda Lovely

Hundreds of mystery writers have met Linda Lovely at check-in for the annual Writers’ Police Academy, which she helps organize. Lovely finds writing pure fiction isn’t a huge stretch given the years she’s spent penning PR and ad copy. She writes a blend of mystery and humor, chuckling as she plots to “disappear” the types of characters who most annoy her. Quite satisfying plus there’s no need to pester relatives for bail. Her new Brie Hooker Mystery series offers good-natured salutes to both her vegan family doctor and her cheese-addicted kin. Bad Pick is her eighth published mystery novel. She served as president of her local Sisters in Crime chapter for five years and belongs to International Thriller Writers and Romance Writers of America.

Q&A with Linda Lovely

Writing:
Which of your characters do you dislike the most and why?

Jeannie Nickles. She’s a sweet-smiling, kindly-grandmotherly-appearing hypocrite who projects an image of Christian virtue but manipulates everyone in her orbit to do decidedly un-Christian things.

Which of your characters was the hardest to write and why?
Ursula Billings. She’s a celebrity judge on a reality TV show. It was hard to imagine her day-to-day life and mesh it with her history.

What is the biggest lesson you’ve learned through writing?
Once you have even a hazy idea of your plot and characters just start writing. You can’t edit and improve on a blank page. After you start writing, your characters will get in the act and suggest plot twists and options that never occurred to you when you began.

What has been your biggest challenge to your writing career?
There are so many books written each year—many of them excellent—that it’s very hard to be “discovered.” I also handicap myself in this regard by my ineptness at social media. I don’t get Twitter, and I resent spending a lot of time on social media posts when I could be working on a book.

What was your biggest challenge writing this book?
Bringing together the main plot with two different subplots and finding ways to ensure all the villains were brought to justice. That’s one of the reasons I write crime fiction—to show that good can triumph over evil and to make sure villains get their just desserts. That’s what I call a happy ending.

Do you have anything specific that you want to say to your readers?
I hope they enjoy reading my books as much as I do writing them. I try to balance the crimes and villains in my mysteries with humor and romance. When they turn the last page of one of my books, I want them to feel every loose end has been tied up and they have a reason to smile. Of course, I’d also love it if they’d leave reviews, which are so important to authors in this age of algorithms that often determine a book’s online visibility.

Fun Questions:
Which actor/actress would you like to see playing the lead character from your most recent book?

Emma Stone would make an excellent Brie Hooker. I loved Stone in the movie, The Help.

Give us an interesting fun fact or a few about your book or series
I owe the Writers’ Police Academy and the many subject experts I’ve met and made friends with there over the years for both giving me ideas for plots and for helping me with forensics and other details to make my books as realistic as possible. For example, in BAD PICK, WPA friends provided me with several alternate scenarios when I wanted a tainted dish served at a luncheon to prove fatal to one person while only making the other guests sick. This August I’ll attend my seventh Writers’ Police Academy, which I’m helping to organize. It’s a unique once-a-year, four-day event that gives authors and fans of crime fiction a chance for hands-on learning with instructors who normally teach law enforcement professionals from around the world.

Favorite foods?
I love most pasta dishes, the entire Thanksgiving menu including turkey, gravy and all the sides, and, of course, I love chocolate.

Favorite activities?
Reading, tennis, walking with my husband, kayaking, gardening, spending time with friends and family.

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Catch Up With Our Author On:
lindalovely.com, Goodreads, Twitter, & Facebook!

 

Read an excerpt:

ONE

“How many people did you con into trying this goat yoga?” Aunt Eva asked as she slapped two strips of cold bacon in a skillet.

“No conning needed,” I answered. “Everyone’s looking forward to the class.”

“You sure goat yoga’s a good idea?”

I laughed. “I’m sure. People love it. Admittedly, a sense of humor’s required, but it’s caught on all across the country. Why don’t you join the fun? Class starts at three. We don’t have many Sunday customers this time of year. We’ll probably have the farm to ourselves by then. You up for some downward-facing dog?”

“No.” Eva harrumphed. “Don’t go insulting our noble dogs. Bad enough you’ll expose our baby goats to human pretzels. It’s bound to confuse the poor kids. Won’t know which human end is supposed to be up. They’ll think all us two-legged beings are bonkers. So who’s coming?”

“Jayla, our yoga instructor, wanted to limit the trial class to four students so it’s just Mollye, Fara, Mimi, and me.”

I pulled out a bag of frozen blueberries I’d picked at the Happy Berry Farm last summer. While Udderly Kidding Dairy, my home for the past seven months, boasted dozens of blueberry bushes, our four-hundred goats called first dibs on the fruit.

“Oh, and Paint’s shooting video to promote the class,” I added.

Aunt Eva chuckled as she flipped her sizzling bacon strips. “Not a hardship for Paint, videoing young ladies in nothing but skivvies and tutus.”

I glanced heavenward. “We don’t wear tutus. Our workout clothes show less skin than you do on the Fourth of July.”

Eva cocked an eyebrow. “Could be you’re helping Paint select babes for the weeks he’s not your designated beau.”

I opened the cupboard and grabbed a microwave packet of steel-cut oatmeal. “Paint sees a variety of ladies when we’re not dating, and he knows everyone in this class. No behind-the-camera scouting required.”

“Maybe, but as far as I know, he hasn’t seen any of them with their ankles up around their ears.”

“And he won’t today.”

“If you say so, but I swear my old bones creak just looking at some of those yoga contortions.”

Eva cracked two eggs in the hot bacon grease, while I used our microwave—a new kitchen addition—to thaw my frozen berries and heat the oats. My usual February morning fare. At Udderly, we didn’t chow down until the morning chores were done. That meant I was starved and in dire need of a caffeine injection.

Eva glanced over. “So how’s that boyfriend-for-a-week plan working? Who’s ahead in the Brie Hooker heart throb race? Any close calls on the clothing discard clause?”

I smiled. “Paint and Andy try to outdo each other in dreaming up ways to initiate a striptease. Despite their enterprising efforts, the nude- default clause remains unchallenged.”

Last November, I’d agreed to this bizarre boyfriend pact with Andy Green, our veterinarian, and David “Paint” Paynter, an entrepreneurial moonshiner. Though strongly attracted to both thirty-four-year-old hunks, I’d sworn I’d date neither. Didn’t want to lose them as friends or come between them. They’d been best buds for thirty years, practically since they left diapers.

The boys came up with an alternative. I’d date Paint one week, Andy the next, until either I selected a fulltime beau, one of them opted out, or a ridiculous nudity clause kicked in. If I disrobed on any date, the magician who assisted in making my clothes disappear would win by default. Both men swore the arrangement would not affect their friendship.

Me? I felt like I’d been locked in a chastity belt. Foreplay’s a lot less fun when there’s no after.

“You know it can’t last, don’t you?” Aunt Eva asked, giving voice to my own misgivings.

“Yep, I do. But like today’s sunny warmth—way too early for mid- February—I’ll enjoy it while I can.”

TWO

Jayla Johnson, our tall, willowy teacher waved as she walked toward me. Had to admit Paint would get an eyeful watching her stretch every which way. He was male, and Jayla was a stunner. As a shorty—I’m five four—I’d always envied long-legged ladies like Jayla. Somehow those extra inches made them look cool and sophisticated.

Luckily, Jayla wasn’t in the running to join Paint’s off-week harem. She was happily married to one of Clemson University’s football coaches and had a darling three-year-old son.

“Do we have a plan B?” Jayla glanced up at the Carolina blue sky. “It’s really warm for February, but the ground’s too muddy to put our mats down in a pasture. After five minutes, we’d look like we’d been mud wrestling.”

“Agreed. It’d be a shame to get that outfit muddy.” Jayla looked like an Oreo cookie, her ebony skin a sharp contrast to her snowy outfit. “I did warn you baby goats aren’t potty-trained, didn’t I? Accidents can happen.” “Not to worry.” Jayla smiled. “My laundry room has one whole shelf devoted to stain removers for husband-son accidents. So where are we setting up?”

“The horse barn. Plenty of room and it will be easier to keep Curly, Moe, and Larry contained.”

“Who?”

“Curly, Moe, and Larry are the baby goats—five-day-old triplets. We named the kids after The Three Stooges. Full of energetic hijinks. They’re also super cuddly.”

We turned as Mollye Camp’s psychedelic van crunched down the gravel drive. Her van’s midnight blue paint job served as a backdrop for a galaxy of glittering stars, a super-sized harvest moon, and a broom-riding witch. Moll, my best friend since childhood, was a gifted potter who sold her creations along with an eclectic hodgepodge of homeopathic remedies, herbs, and astrological doodads in her Starry Skies shop.

Moll jangled as she hopped down from her ride. She adored jewelry and had more piercings than a rapper. A vibrant purple streak adorned her white-blonde hair. She chose a new neon hue every month.

Mollye hustled over. “Who we waiting for?”

“Mimi and Fara,” I answered. “We’re keeping the group small for the test run. Paint’s shooting video.”

Mollye checked the amount of cleavage revealed by her scoop-necked purple top and inspected the seams of her orange leggings as they meandered south of her shorts. “Glad I didn’t wear anything too revealing. Don’t want folks thinking I’d participate in some racy video.”

Mimi and Fara’s arrival cut short Jayla’s and my eye rolls. Racy might not be Mollye’s middle name, but outrageous could be. I loved Mollye and her adventurous spirit though it sometimes landed me in hot water. Okay, in one case, freezing water.

With rolled mats tucked under their arms, the class newcomers looked like an odd couple. Mimi, who’d emigrated from Vietnam at age two, stood four feet nine on tiptoe, while Fara, a busty blonde with long braids, topped out at five ten. Mimi was a pharmacist; Fara grew up in her family’s funeral parlor and was now the town’s youngest funeral director.

Hard for this class to be more diverse. Paint would enjoy himself. “Hey, Fara, you boxing anyone up today?” Mollye joked.

“Maybe you after class,” the funeral director quipped. “You want the deluxe mahogany coffin or a pine box? I’m thinking you and Brie have used up eight of your nine lives. Better not exert yourselves today.”

Jayla clapped her hands. “Now children. Snarky is not the proper frame of mind for yoga. Think serenity. We want to clear our minds, be one with nature.”

I chuckled at the good-natured kidding. “Follow me to our classroom. We have the horse barn to ourselves. The smell alone will remind you we’re one with nature. I evicted Rita and Hank. They’re grazing in the pasture. Figured Lilly’s mule and Eva’s horse were more inclined to nicker than meditate.”

“Where are the goats in this goat yoga?” Fara asked.

“Eva will bring Curly, Moe, and Larry in after we start. We need to leave the barn door open for the light. Jim, our Border collie, will keep the little goat Houdinis from escaping.”

The triplets’ antics drove Jim nuts. Yesterday Moe pranced on top of a picnic table for five minutes taunting the poor herd dog. Jim ran circles around the table, barking in protest, unable to figure out how to nudge Moe back to her pen. After we placed our mats, Jayla led us through a series of simple warm-up stretches and breathing exercises. I’d been an avid runner and swimmer for years, but yoga was a new pursuit. I was pleasantly surprised to find its emphasis on breathing and mindfulness and its practiced movements helped me shed stress and fall asleep faster.

Believe me, falling asleep quickly is a prized skill for anyone required to rise before the sun. At Udderly, one of my jobs appeared to be waking the roosters.

Jayla announced the cat pose. I knelt on my mat and set my arms to provide four-point support. Then I arched my back like cats do when threatened. I lowered my head, giving my neck muscles a pleasant stretch.

“Looking good, ladies.” With my head down I heard the man’s voice before I saw him.

“Don’t mind me,” the newcomer continued. “I’m gonna wander around and take photos.”

The sexy baritone belonged to Paint. It should be outlawed.

“Have fun, kids—human and goat.” Eva laughed as she let the baby goats loose in the barn. Moe immediately darted under my arched back, executed a one-eighty, and raced back again as if she were playing a game of London Bridge.

My concentration faltered as Curly discovered she had easy access to one of my earlobes and began to nibble with her lips. It tickled.

Fara broke out laughing as Larry scrambled up her arched back and danced a little jig on his newly discovered perch.

“I’ve got a miniature geisha doing a four-footed massage.” Fara giggled. “Actually feels kind of good, though very strange.”

“No talking,” Jayla admonished. “Concentrate on your breathing, your muscles. Be one with nature.”

Paint hooted. “Nature’s winning.”

Paint obviously felt he was exempt from Jayla’s no-talking reprimand. The instructor began laughing, too. Moe had curled her body around Jayla’s legs as she attempted to hold the Big Toe pose.

We were all bent in half, butts in the air, when a loud voice brayed, “Oh dear God, save us. They are bowing to the devil, mocking the Lord Jesus by thrusting their bottoms at heaven above.”

THREE

What the feta?

I snapped around to see who was calling us devil worshippers. Was this a joke?

Flipping out of downward dog, I body slammed the mat. A second after hitting the plastic, a furry comedian bounced against my side. Curly shook her head as she attempted an impressive four-legged hop. She’d taken my tumble to the ground as an invitation to play. The little goat butted my side again.

“Lord Jesus, help us keep these devil worshippers from claiming more souls!” the stranger bellowed.

I was flabbergasted. No other word for it. Then my shock morphed into anger. Who did this woman think she was, calling us devil worshippers? Who invited her to our private workout? How did she even find out about it?

The plump leader held a super-sized wooden cross before her as if she were fending off a clutch of vampires. I figured her for mid-fifties. Gray streaks wound through her mousy brown hair. Light glinting off oversized spectacles lent her the look of an alien with round yellow bug eyes.

Two cross-carrying acolytes hovered about a foot behind her.

Were these people serious? I felt the blood rush to my cheeks. My heartbeat raced. Angry? You betcha.

I almost yelled one of my old-time favorite curses. Years back, I cleaned up my salty language for dear old Mom. As a vegan, processed- meat-and-cheese exclamations had become my exclamatory substitutes. But Cruddy corndogs! didn’t quite express my outrage.

Mollye, closest to the barn door, marched toward the scowling leader. “Susan, what in blazes do you think you’re doing?” she growled. “I got a restraining order to keep you and your looney-tune zealots off my property. Now you’re following me?”

“I didn’t know you’d be here,” the intruder raged, “though I’m not surprised. Goat yoga! What blasphemy. At church this morning, one of our faithful told me you were planning this abomination. I prayed on it, and decided we had to stop the spread of this evil in Ardon County.”

She waved her cross at us. “In the name of the Father and the Son we demand—”

“You need to leave,” Paint spoke through gritted teeth. “The only evil here is you.”

Susan closed her eyes and rocked back and forth on her heels. “You are Satan’s handmaidens duping people into believing Baphomet goat worship is fun.”

Susan’s diatribe was accompanied by a murmur of “Amen, Sister, Amen” from her backups. The sidekicks still wore church-go-to-meeting dresses, nylons, and heels. They kept sneaking peeks at the ground. Worried their high heels might sink in goat doo-doo during their barnyard sortie?

One of the acolytes looked to be Susan’s age; the other much younger, about my age.

“Knights Templar worshipped Baphomet as a deity.” Susan’s tone changed. Her words flowed in a singsong chant. “These monsters with their snake eyes are his descendants.”

“Are you nuts?” Jayla broke in. “How can you think these adorable babies are evil?”

Susan’s rant hadn’t cowed my friends.

The harpy wasn’t deterred. “Open your eyes. The Satanic goat is a source of evil.” Her yellow bug eyes flashed at each of us in turn. “You worship the Devil. We won’t allow your sickness to infect the pious people of Ardon County.”

Aunt Eva appeared in the barn door carrying two pails of goat milk. “You’re trespassing and you’re scaring the baby goats.”

My aunt’s face flamed red.

“We’ll leave,” Susan said. “But this isn’t over. We will fight to the death for the soul of Ardon County. Goat yoga will not corrupt our world.”

Curly made a break for it. The tiny kid ran pell-mell toward the barn door, which happened to be a few feet beyond where the intruding trio stood. Susan screeched. Did she really believe the Devil inhabited the itty- bitty creature?

The woman raised her leg to kick Curly.

Eva flung both buckets of goat milk, drenching Susan. The white liquid plastered her beehive hairdo to her scalp and her puffy blouse to her chest.

Oh my, was she really wearing a flaming red teddy under her prim white cotton?

A laugh bubbled up. I laughed so hard I doubled over.

Susan shrieked like a storm-warning siren and ran. Though only a few drops of goat’s milk spattered her companions, they caterwauled like they’d been doused with acid as they scurried after their leader.

The entire Udderly Kidding Dairy crew exploded in laughter.

Eva halted her hee-haws long enough to imitate a cackling witch. “You’ve been baptized with the milk of Baaa-Phooey. Your souls belong to us!”

Susan spun when she reached a shiny Chevy van. “You’ll pay for this!” she yelled. “Laugh all you want. You’ll see Hell sooner than you thought.”

I quit laughing as abruptly as I’d started. It was Susan’s tone not her words that gave me the heebie-jeebies. We’d embarrassed the woman. Humiliated her. Perhaps she’d started this protest as some form of ecclesiastical theater, art for show, a way to rally the troops.

Now it was personal. Susan had been scorned.

***

Excerpt from Bad Pick by Linda Lovely. Copyright © 2019 by Linda Lovely. Reproduced with permission from Linda Lovely. All rights reserved.

 

 

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Apr 242019
 

And Every Word Is True by Gary McAvoy BannerAnd Every Word Is True

by Gary McAvoy

on Tour April 1 – May 31, 2019

Synopsis:

And Every Word Is True by Gary McAvoy

Truman Capote’s bestselling book “In Cold Blood” has captivated worldwide audiences for over fifty years. It is a gripping story about the consequences of a trivial robbery gone terribly wrong in a remote village of western Kansas.

But what if robbery was not the motive at all, but something more sinister? And why would the Kansas Bureau of Investigation press the Attorney General to launch a ruthless four-year legal battle to prevent fresh details of the State’s most famous crime from being made public, so many years after the case had been solved?

Based on stunning new details discovered in the personal journals and archives of former KBI Director Harold Nye—and corroborated by letters written by Richard Hickock, one of the killers on Death Row—And Every Word Is True meticulously lays out a vivid and startling new view of the investigation, one that will keep readers on the edge of their seats as they pick up where Capote left off. Even readers new to the story will find themselves drawn into a spellbinding forensic investigation that reads like a thriller, adding new perspectives to the classic tale of an iconic American crime.

Sixty years after news of the 1959 Clutter murders took the world stage, And Every Word Is True pulls back the curtain for a suspenseful encore to the true story of “In Cold Blood.”

Book Details:

Genre: True Crime, Memoir
Published by: Literati Editions
Publication Date: March 4, 2019
Number of Pages: 310
ISBN: 978-0-9908376-0-2 (HB); 978-0-9908376-1-9 (PB)
Purchase Links: Amazon Barnes & Noble iBooks Kobo Goodreads

And Every Word Is True Book Trailer

 

Read an excerpt:

Over a half century ago, Special Agent Harold R. Nye of the Kansas Bureau of Investigation (KBI)—who would later become that agency’s third director—was thrust into an investigation to help solve what would eventually become an iconic tale of true crime in America: the brutal slayings of a Kansas wheat farmer, Herbert Clutter, and his wife and two children in November 1959.

A little more than 50 years later—being a dealer of rare collectible letters, photographs, manuscripts, and books—I was contacted by Harold Nye’s son, Ronald, in March 2012, revealing who his father was and what materials he had to offer for sale. As an ardent collector of historical autograph memorabilia since the 1980s, with a particular appetite for literary manuscripts and signed first editions, I felt privileged to be handling the sale of the rarest books and letters by Truman Capote—presentation copies personally given by the author to one of the principal investigators, during the time history was being made.

The books, first editions of both In Cold Blood and Capote’s earlier work Selected Writings, were each warmly inscribed by Truman to Harold Nye and his wife Joyce. That alone would generate solid interest in the sale, but this particular copy of In Cold Blood was also signed by 12 other people, including Logan Sanford, Director of the Kansas Bureau of Investigation; the other three principal investigators in the case, among them Special Agent Alvin Dewey (who fared remarkably well in the story); and the director, actors, and crew of the eponymous 1967 movie, which used the Clutter house and other area locations to produce on film a chillingly authentic portrayal of what appeared on the page. As of this writing, only three such books signed by all principal figures are known to exist.

But the two personal letters Truman had written to Agent Nye were the most tantalizing of the lot. Both were sent in 1962 from his villa in Spain, overlooking the Mediterranean on the Costa Brava, where he spent three springs and summers writing much of his book. In one letter, neatly composed on thin pages the color of wheat, Capote laments having to suffer yet another delay in finishing his book, the Kansas Supreme Court having issued a stay of execution for the killers. For the frustrated author, this meant he didn’t yet have an ending—one way or the other—and he was to endure another three years before realizing that goal, with the hanging of Richard Hickock and Perry Smith in April 1965. For a collector, this is the most vivid form of autograph correspondence: handwritten documents richly infused with direct historical impact and solid provenance.

The second letter, also in Capote’s cramped, childlike scrawl but this one on 3-holed, blue-lined composition paper, teasingly informs Nye how often he appears in the book and that “…my editor said: ‘Aren’t you making this Mr. Nye just a little too clever?’

Along with the two signed books, then, these letters were to form the centerpiece of the auction. The rest of the material, though interesting on its own, held little tangible value to serious collectors. But it did contribute historical relevance and an in-person, chronicled authority to the auction as a whole, so we chose to offer all materials to the winning bidder—and only one bidder, since Ron Nye felt the material should stay together for historical continuity.

Sensing the gravity of the task ahead, like an eager historian I began educating myself more deeply in the Capote legacy. As I paged through Harold Nye’s investigative notebooks and copies of actual case reports he had written—not digging deep, just skimming the material—I was reminded of key passages in Capote’s masterwork—but they were hazy, since my first and last reading of it was the year it was published, in 1966. So I reread the book with new vigor—though now every word seemed to have fresh perspective, since I was privy to actual handwritten notes describing Nye’s interviews, his discovery of clues and gathering of evidence, his random thoughts, and a hastily penned transcript gleaned while extracting a confession from one of the killers—all of which made the experience as visceral as being on the scene in 1959.

I watched the indelible 1967 film “In Cold Blood,” as well as the 1996 TV production of the same name, followed by 2005’s film “Capote” and 2006’s “Infamous.” I absorbed Ralph Voss’s skillful examination of Capote’s book, Gerald Clarke’s rich biography, George Plimpton’s interviews with Capote’s “friends, enemies, acquaintances and detractors,” Charles Shields’ portrait of Harper Lee, and anything else I could find that brought objective viewpoints to the table—along with many not so objective.

As prepared as one could be, then, I began assembling the material for an online catalog exhibiting the auction—excluding, ultimately, the crime scene photos, most of which were simply too gruesome to release “into the wild,” realizing well before the auction went live that we would have no control over how they might be used in the future. Not wishing that burden on our shoulders, we removed the photos from the auction, and instead voluntarily sent them to the KBI for archival disposition.

To our surprise and dismay, a few days later we were served with a cease and desist letter from the Kansas Attorney General at the instigation of the KBI, claiming among other things that Harold Nye’s personal journals were state property and were possessed of “highly confidential information.” On the face of it this was a farcical claim at best, since they had never even seen the notebooks, not to mention that it had been well over 50 years since the case was closed and those charged with the crime had been executed, as the Court itself would ultimately point out. Our position, obviously, couldn’t have been more at odds with Kansas’s reckoning, and believing we were on the right side of the law, we took on their challenge. After a grueling legal battle lasting years, it’s clear now that Kansas thought Ron and I would just roll over and be done with it. That was their first mistake.

Over the time we prepared our defense—all the while baffled as to why Kansas was so vigorously mounting an expensive, and unusually high-level campaign of suppression and intimidation—a new thesis emerged that seemed at odds with the State’s declared rationale. And the deeper we looked, the clearer that proposition became. To our thinking—not to mention the views of independent lawyers, journalists, forensic criminologists, and others who in some way touched our case—it looked more and more as if Kansas had something to hide. At the very least there was something more to this story, and I intended to find out what it was.

And therein lies their second mistake and the irony of this cautionary tale: Had the State of Kansas simply avoided such heavy-handed tactics as pressing the lawsuit against us, and publicly tarnishing Harold Nye’s good name, we might never have discovered the sensational “new” details of the Clutter case that time and opportunity revealed as our own investigation deepened. Had they not interfered in our legitimate business—to provide for the Nye family’s medical needs by selling the books, letters, and notes that rightfully belonged to his father—the KBI would not now be suffering under the weight of the embarrassing disclosures being made here.

Throughout his life Truman Capote maintained that his book was “immaculately factual,” as he told George Plimpton in a January 1966 interview. Shortly after In Cold Blood first appeared in print—in September 1965, when the story was serialized in four consecutive issues of The New Yorker magazine—critics, pundits, and others assessing the work were already taking Capote to task for inaccuracies found in his account, or as one reviewer put it, “reaching for pathos rather than realism.” Not least among these was Harold Nye, who not only lived it, but whose prominent role in the book ultimately ensured a firsthand comparison of the known facts.

But for as much as Capote added to or reshaped the brilliant telling of his story, in analyzing Harold Nye’s notebooks I found that much had been omitted from In Cold Blood, and in many cases there were surprisingly crucial details that, at the time, would have appeared in the eyes of many to be of little value. It was only when other documents came into my possession that we were able to connect the dots, alluding to something very different than was passed on to readers of In Cold Blood.

In a striking coincidence, within a matter of weeks another new client—a grandson of Garden City Undersheriff Wendle Meier, one of the central characters in the story—consigned to me the Death Row diaries, family photos and correspondence, poetry, and a whole passel of riveting memorabilia given to Wendle Meier and his wife, Josephine, by one of the killers, Perry Edward Smith, on his way to the gallows. To be clear, I have no interest dealing in the so-called “murderabilia” market. But this was becoming more of a literary mystery the likes of which few people in my position could resist.

By this point any writer would feel grateful to have such an abundance of material to work with. But later, as a result of the media coverage our case had sparked, synchronicity struck again. I came into possession of copies of handwritten letters by the other killer, Richard Eugene Hickock, which had originally been sent to Wichita Eagle reporter Starling Mack Nations. Hickock had contracted with Nations to write his “life story” while he was on Death Row To the chagrin of both Hickock and Nations, though, no publisher showed interest in the book, High Road to Hell, at the time. But it’s clear from Hickock’s remarkable memory and his command of precise details, which both Capote and case investigators marveled over, that he did have compelling things to say.

As of this writing neither the Smith diaries nor the Hickock letters have been published, and only a handful of people have seen Hickock’s letters to Mack Nations. But at least one thing is clear from putting all this material together—it appears there was a good deal more to the foundations of Capote’s story than was originally told. And if there were any doubt as to whether Ron Nye and I would just give in to the bullying tactics of a well-funded state government—saving ourselves a lot of time and money fighting a senseless battle—the new evidence coming at us from all directions made it unambiguously clear that we were on to something. And we had to believe Kansas suspected it, too.

Presented here, then, are several new hypotheses—undoubtedly bound for controversy, while nonetheless supported by facts—including one in particular that would surely have given authorities in Kansas every reason to fight as hard as it did to keep this material from being published: that robbery may not have been the motive for the death of Herbert Clutter and his family.

Despite an abundance of leads pointing in this darker direction, it appears that the original KBI investigation overlooked this fundamental possibility, one that no responsible law enforcement agency would ever rule out, given the circumstances. Indeed, this was and remained for some time coordinating investigator Alvin Dewey’s strongest opinion, and he personally knew Herb Clutter very well.

Yet despite new information coming out years later, before the killers had even been executed, the Kansas attorney general at the time appears to have adopted a stance of letting sleeping dogs lie, without further investigation. But why? As is often the case with powerful institutions, could their keen drive for self-preservation have overshadowed a full accountability of justice?

Now, nearly six decades later, and with the passing away of nearly every involved character since 1959, it’s unlikely any final determination can be made, short of a “Deep Throat” insider emerging from the shadows of time. But much of what you find here will present compelling new arguments, and I leave it to readers to draw their own conclusions.

***

Excerpt from And Every Word Is True by Gary McAvoy. Copyright © 2018 by Gary McAvoy. Reproduced with permission from Gary McAvoy. All rights reserved. May not be reproduced in any form without written permission from the author.

 

 

Author Bio:

Gary McAvoy

Gary McAvoy is a veteran technology executive, entrepreneur, and lifelong writer. For several years he was also a literary media escort in Seattle, during which time he worked with hundreds of authors promoting their books—most notably Dr. Jane Goodall, with whom Gary later collaborated on “Harvest for Hope: A Guide to Mindful Eating” (Hachette, 2005).

Gary is also a professional collector of rare literary manuscripts and historical letters and books, a passion that sparked the intriguing discoveries leading up to his latest book, And Every Word Is True (Literati Editions, March 2019), a revealing look at startling new disclosures about the investigation surrounding the 1959 Clutter family murders, heinous crimes chillingly portrayed in Truman Capote’s “In Cold Blood.” And Every Word Is True pulls back the curtain for a suspenseful encore to Capote’s classic tale, adding new perspectives to an iconic American crime.

Q&A with Gary McAvoy

Welcome and thank you for stopping by CMash Reads
Reading and Writing:

What inspired you to write this book?
While a lifelong writer, I am also a literary manuscript dealer. In 2012 I was approached by Ronald Nye, the son of former Kansas Bureau of Investigation Director Harold Nye (who was also the lead field investigator for the 1959 Clutter murders, on which Truman Capote based his book, In Cold Blood), who consigned to me several books and letters from Truman to his father during the 1959 murder investigation. Shortly afterward the State of Kansas sued both Ron and me to prevent the material from being made public.

We prevailed in that litigation, but over the next six years, as I dug more deeply into the Nye archives, I found that Capote’s book didn’t tell the whole story—and there is much more to tell. It looks as if robbery was not the motive at all, but something more sinister. Based on stunning new details discovered in Nye’s personal journals and archives—and corroborated by letters written by Richard Hickock, one of the killers on Death Row—my book, And Every Word Is True, meticulously lays out a vivid and startling new view of the investigation, one that will keep readers on the edge of their seats as they pick up where Capote left off.

What was the biggest challenge in writing this book?
Dealing with a lawsuit by the State of Kansas, not knowing if we would win in court and allow this book to be published.

Give us a glimpse of the research that went into this book.
Voluminous. This book is the result of over six years of research relying on a generous collection of source material, including the personal investigative notebooks of Kansas Bureau of Investigation Special Agent and former director Harold R. Nye; official State of Kansas law enforcement reports, prison records, photographs, and other largely-inaccessible documents published here for the first time, as permitted by Kansas court ruling; reports found in the preserved files of the Finney County Sheriff’s office, including photos, copies of KBI investigation reports, copies of memoranda written by local police and KBI investigators; the original research papers of Truman Capote and Nelle Harper Lee archived in the New York Public Library and the Library of Congress, and the product of that research, Capote’s nonfiction novel In Cold Blood; Richard Hickock’s Death Row letters; Perry Smith’s personal journals and correspondence; publicly available records and news reports; books and articles published over the past 60 years specific to the subject matter; and extensive interviews with scores of individuals related to the events or hypotheses contained herein. Where appropriate—and without revealing the identity of certain sources who have requested anonymity—all references are cited in the narrative or in endnotes.

How did you come up with the title?
It comes from a quote Truman Capote made in an interview, claiming his book was immaculately factual; but it isn’t.

Your routine in writing? Any idiosyncrasies?
I am a master multitasker, which is often an impediment to focus.

Tell us why we should read your book?
Truman Capote’s bestselling book “In Cold Blood” has captivated worldwide audiences for over fifty years. It is a gripping story about the consequences of a trivial robbery gone terribly wrong in a remote village of western Kansas.

But what if robbery was not the motive at all, but something more sinister? And why would the Kansas Bureau of Investigation press the Attorney General to launch a ruthless four-year legal battle to prevent fresh details of the State’s most famous crime from being made public, so many years after the case had been solved?

Based on stunning new details discovered in the personal journals and archives of former KBI Director Harold Nye—and corroborated by letters written by Richard Hickock, one of the killers on Death Row—“And Every Word Is True” meticulously lays out a vivid and startling new view of the investigation, one that will keep readers on the edge of their seats as they pick up where Capote left off. Even readers new to the story will find themselves drawn into a spellbinding forensic investigation that reads like a thriller, adding new perspectives to the classic tale of an iconic American crime.

Are you working on your next novel? If so, can you tell us a little bit about it?
I’ve been working on my first novel for 20 years and hope to finish it “eventually.” It’s a historical Vatican thriller in the vein of The da Vinci Code.

Fun Questions:
Your book will be a movie. You would you cast?
My friends are already lining up. Not sure this lends itself to dramatic treatment, more like a documentary mini-series (which is in the works).

Favorite leisure activities/hobbies?
Travel to Italy, specifically Lake Como and Tuscany.

Favorite foods?
Anything Italian (pasta comes to mind).

Catch Up With Gary McAvoy On:
garymcavoy.com, Goodreads, BookBub, Twitter, & Facebook!

 

 

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Enter To Win!:

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Gary McAvoy. There will be four (4) giveaway winners. One winner will receive one (1) Amazon.com Gift Card and three (3) winners will receive one (1) print copy of And Every Word Is True by Gary McAvoy (Open to U.S. addresses only). The giveaway begins on April 1, 2019 and runs through June 2, 2019. Void where prohibited.

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Mar 192019
 

Dead In A Week by Andrea Kane Banner

 

 

Dead In A Week

by Andrea Kane

on Tour March 18 – April 19, 2019

Dead In A Week by Andrea Kane

What would you do if your daughter was kidnapped and given only a week to live?

Lauren Pennington is celebrating her junior year abroad when life comes to a screeching halt. At Munich’s Hofbräuhaus, she engages in an innocent flirtation with a charming stranger for the length of a drink. Drink finished, Lauren leaves—only to be snatched from the streets and thrown into an unmarked van.

Officially, Aidan Deveraux is a communications expert for one of the largest financial firms in the world. In his secret life, the former Marine heads the Zermatt Group, a covert team of military and spy agency operatives that search the data stream for troubling events in an increasingly troubled world. When his artificial intelligence system detects Lauren’s kidnapping, Aidan immediately sees the bigger picture.

Silicon Valley: Lauren’s father, Vance Pennington, is about to launch a ground-breaking technology with his company NanoUSA—a technology that the Chinese are desperate for. No sooner does Aidan arrive on Vance’s doorstep to explain the situation than the father receives a chilling text message: hand over the technology or Lauren will be dead in a week.

In a globe-spanning chase, from the beer halls of Germany, to the tech gardens of California, to the skyscrapers of China, and finally the farmlands of Croatia, Aidan’s team cracks levels of high-tech security and complex human mystery with a dogged determination. Drawing in teammates from the Forensic Instincts team (introduced in The Girl Who Disappeared Twice), the Zermatt Group will uncover the Chinese businessmen responsible, find the traitors within NanoUSA who are helping them, and save Lauren from a brutal death.

Check out my review HERE!

Book Details:

Genre: Suspense Thriller
Published by: Bonnie Meadow Publishing
Publication Date: March 19th 2019
Number of Pages: 384
ISBN: 1682320294 (ISBN13: 9781682320297)
Series: Forensic Instincts, Zermatt Group
Purchase Links: Amazon | Barnes & Noble | Goodreads

Read an excerpt:

Munich, Germany
20 February
Tuesday, 4:00 p.m. local time

Normally, Lauren Pennington loved the sound of her combat boots clomping across the cobblestone apron. But right now, all she could think about was the growling of her empty stomach, urging her to move faster. She was oblivious to everything else—the couple on the corner sharing a passionate, open-mouthed kiss, the guy puking up his over-consumption of beer into the storm sewer grating, and the man watching her every move as he talked into his cell phone in a language that Lauren wouldn’t have recognized had she been paying attention.

She walked into Hofbräuhaus’ main hall, took a seat at one of the wooden tables, and placed her order. Minutes later, the waitress came over and brought Lauren’s food and drink. Barely uttering a perfunctory “Danke,” Lauren bit into a pretzel the size of her head and took a healthy gulp of Hofbräu.

The semester had ended, and she was entitled to some carbs and a dose of people-watching at the historic Munich brewery. Pretzels and beer were addicting, but people-watching had always fascinated her. Despite a whole winter semester of her junior year abroad studying art history at the Ludwig Maximilian University at Munich, she still enjoyed playing the tourist. Not at school, but every time she strolled the streets, studied the architecture, chatted with the locals.

Hofbräuhaus was less than a mile from campus, but the brewery’s main hall had a reputation all its own. With its old-world atmosphere of wooden tables, terra cotta floors, painted arches, and hanging lanterns, how could anyone not feel a sense of history just being within these walls?

Maybe that’s why Europe called out to her, not just here, but from a million different places. Museums. Theaters. Cathedrals. She wanted to experience them all, and then some. She’d be going home to San Francisco in July, and she hadn’t been to Paris or London or Brussels. She’d gotten a mere taste of Munich and had yet to visit Berlin.

When would she get another chance to do all that?

Not for ages. And certainly not with the sense of freedom she had as a college student, with little or no responsibilities outside her schoolwork to claim her attention. On the flip side, she felt terribly guilty. Every February, her entire family traveled to Lake Tahoe together. It was a ritual and a very big deal, since her father rarely got a day, much less a week, off as a high-powered executive. Her mother usually began making arrangements for the trip right after the holidays. In her mind, it was like a second Christmas, with the whole family reuniting and sharing time and laughter together.

This year was no different. Lauren’s brother, Andrew, and her sister, Jessica, were both taking time off from their busy careers to join their parents at Tahoe—no easy feat considering Andrew was an intellectual property attorney in Atlanta, and Jess was a corporate buyer for Neiman Marcus in Dallas. Lauren was the only holdout. Lauren. The college kid. The baby. The free spirit who always came home from Pomona College to nest, especially for family gatherings and rituals.

Her parents had been very quiet when she’d told them about her plans. Lauren knew what that silence meant. After the phone call ended, her mother would have cried that she was losing her baby, and her father would have scowled and written off her decision as college rebellion. Neither was true. But no matter how she explained it, her parents didn’t understand. They’d traveled extensively in Europe, and to them, it was no big deal. But it was Lauren’s first time here, and to her, it was like discovering a whole new world—a world she felt an instant rapport with. It was like discovering a part of her soul she’d never known existed. And she had to immerse herself in it.

She’d entertained the idea of flying to Lake Tahoe for the week and then returning to fulfill her dream. Her parents would definitely pay for that. But given the long international travel, the flight changes, the time differences, and the jet lag, Tahoe would put too much of a crimp in the many plans she had for her break between semesters. She’d had invitations from school friends who said she could stay with them during her travels—friends from Germany and so many other countries.

The world was at her feet.

No, despite how much she loved her family, she had to do things her way this time. There’d be other Februarys, other trips to Tahoe. But this was a once-in-a-lifetime opportunity.

She was still drinking her beer and lamenting her situation when a masculine voice from behind her said, “Hallo. Kann ich mitmachen?”

Turning, Lauren saw a handsome, rugged-featured guy, gazing at her with raised brows. He was asking if he could join her.

“Sind Sie allein?” he asked, glancing to her right and to her left.

“Yes, I’m alone,” she answered in German. “And, yes, please join me.”

The man came around and slid onto the bench seat. He propped his elbow on the table, signalling to the waitress that he’d have the same as the lady. The waitress nodded, hurrying off to get his refreshment.

He turned his gaze back to Lauren. “You’re American,” he noted, speaking English that was heavily accented.

“Guilty as charged,” she responded in English. “Is it that obvious?” She gave him a rueful look.

He smiled, idly playing with the gold chain around his neck. “Your German is quite good. But I picked up the American…what’s the word you use? Twang.”

Lauren had to laugh. “It’s my turn to take a stab at it, then. You’re French? Slavic? A combination of both?”

“The last.“ His smile widened. “You have a good ear, as well.”

“Your German and your English are excellent. I guess I just got lucky.”

“Speaking of getting lucky, what’s your name?” he asked.

His boldness took her aback, but she answered anyway. “Lauren. What’s yours?”

“Marko.” He held out his hand, which Lauren shook. “I’m in Munich on business. And you?”

“I’m an exchange student. I’m on break, and I’m looking forward to enjoying some time exploring Europe.”

Marko looked intrigued. “I can give you a few tips.” A mischievous glint lit his eyes. “Or I could travel with you for a few days and give you the best taste of Munich you’ll ever have.”

Lauren felt flushed. She was twenty years old. She knew very well what Marko meant by “the best taste.” She should be offended. But she couldn’t help being flattered. He was older, good-looking, and charming.
Nonetheless, she wasn’t stupid. And she wasn’t in the market for a hookup.

“Thanks, but I’m tackling this trip on my own,” she replied. “I’m meeting up with friends later, but I’m good as planned.”

“Pity.” The glint in his eyes faded with regret. “Then at least let me give you some pointers about the best sights to see and the best restaurants and places to visit.”

“That would be fantastic.” Lauren rummaged in her purse for a pen and paper. Having found them, she set her bag on the floor between them.

She spent the next twenty mesmerizing minutes listening to Marko detail the highlights of Munich and other parts of Bavaria, as she simultaneously scribbled down what he was saying.

“Thank you so much,” she said when he was finished. “This is like a guided tour.”

“Once again, I could do it in person.”

“And once again, I’m flattered, but no thank you.” Lauren signaled for her check, reaching into her bag and retrieving a twenty euro bill when the waitress approached the table. “The rest is for you,” she told her.

“I’ll take care of that,” Marko offered, stopping Lauren by catching her wrist and simultaneously fishing for his wallet. Evidently, he was still holding out hope that she would change her mind.

“That’s okay. I’ve got it.” Lauren wriggled out of his grasp, leaned forward, and completed the transaction.

“You’ve been a tremendous help,” she said to Marko as she rose. “I’m glad we met.”

This time it was she who extended her hand.

Reluctantly, he shook it. “I hope we meet again, Lauren. I’ll look for you the next time I’m in Munich.”

Still smiling, Lauren left the café and walked through the wide cobblestone apron outside. There were little tables with umbrellas scattered about, with patrons chatting and eating. Sated by the beer and pretzel, she inhaled happily, and then, walking over to the sidewalk, began what she expected to be a thoughtful stroll. Maybe she’d text her parents this time, try explaining her position without all the drama of a phone call.

She was halfway down the street when she heard a male voice call after her, “Lauren!”

She turned to see Marko hurrying in her direction. “Here.” He extended his arm, a familiar iPhone in his hand. “You left this on the table.”

“Oh, thank you.” How could she have been so careless? She protected her cell phone like a small child. “I’d be lost without that—“

As she spoke, a Mercedes van tore around the corner and came screeching up to them.

The near doors were flung open, and a stocky man jumped out, his face concealed by a black hood. Before Lauren could so much as blink, he grabbed her, yanking a burlap sack over her head and tossing her over his shoulder.

“Merr në makinë,” he said in a language Lauren didn’t understand.

By this time, Lauren had recovered enough to struggle for her freedom. Her legs flailed in the air, kicking furiously, and she pounded on the man’s back as he carried her and flung her into the back of the van.
Marko jumped in behind her, slamming the doors shut and barking out something in the same dialect as the other man—neither French nor Slavic—as the stocky barbarian held her down.

Finally finding her voice, Lauren let out a scream, which was quickly muffled by the pressure of Marko’s hand over her mouth. She could taste the wool of the sack, and she inclined her head so she could breathe through her nose.

A short-lived reprieve.

Marko fumbled around, then shoved a handkerchief under the sack, covering her nose and mouth. Lauren thrashed her head from side to side, struggling to avoid it. The odor was sickeningly sweet and citrusy.

Chloroform.

Tears burned behind her eyes. Shock waves pulsed through her body.

Oh God, she didn’t want to die.

Marko clamped his other hand on the back of her head, holding it in place while he forced the handkerchief flush against her nose and mouth, making it impossible for her to escape.

Dizziness. Nausea. Black specks. Nothing.

“Shko,” Marko ordered his accomplice, shoving him toward the driver’s seat.

The van screeched off, headed to hell.

***

Excerpt from Dead In A Week by Andrea Kane. Copyright © 2019 by Andrea Kane. Reproduced with permission from Andrea Kane. All rights reserved.

Andrea Kane

Andrea KaneAndrea Kane is the New York Times and USA Today bestselling author of twenty-nine novels, including fifteen psychological thrillers and fourteen historical romantic suspense titles. With her signature style, Kane creates unforgettable characters and confronts them with life-threatening danger. As a master of suspense, she weaves them into exciting, carefully-researched stories, pushing them to the edge—and keeping her readers up all night.

Kane’s first contemporary suspense thriller, Run for Your Life, became an instant New York Times bestseller. She followed with a string of bestselling psychological thrillers including No Way Out, Twisted, and Drawn in Blood.

Her latest in the highly successful Forensic Instincts series, Dead in a Week, adds the Zermatt Group into the mix—a covert team of former military and spy agency operatives. With a week to save a young woman from ruthless kidnappers, this globe-spanning chase, from the beerhalls of Germany, to the tech gardens of California, to the skyscrapers of China, and finally the farmlands of Croatia will keep readers guessing until the very end. The first showcase of Forensic Instincts’ talents came with the New York Times bestseller, The Girl Who Disappeared Twice, followed by The Line Between Here and Gone, The Stranger You Know, The Silence that Speaks, The Murder That Never Was, and A Face to Die For.

Kane’s beloved historical romantic suspense novels include My Heart’s Desire, Samantha, Echoes in the Mist, and Wishes in the Wind.

With a worldwide following of passionate readers, her books have been published in more than twenty languages.

Kane lives in New Jersey with her husband and family. She’s an avid crossword puzzle solver and a diehard Yankees fan. Otherwise, she’s either writing or playing with her Pomeranian, Mischief, who does his best to keep her from writing.

Author Hometown – Warren, New Jersey

Q&A with Andrea Kane

Writing:
Q: Which of your characters do you dislike the most and why?
A: Hmmm… given DEAD IN A WEEK’s storyline, how do I answer this question without giving too much away? I’ll start out by saying that I have the same kind of emotional attachment and sense of loyalty to the Zermatt Group as I do to the Forensic Instincts team. I could never dislike any of them, and if I did, they’d be gone! That covers the “good guys”. Next, come the gray characters—the ones who are unpleasantly flawed but not evil. Some of them I pity, some of them ruffle my feathers, and some of them truly irk me. Still, it’s the unconscionable characters, the ones who commit despicable and unforgivable acts—those are the ones I can’t help but hate. The problem here is, I can’t tell you who they are since it would ruin the book for you! But, trust me, once you’ve turned the final page, you’ll know exactly who I mean.

Q: Which of your characters is the hardest to write and why?
A: The Zermatt Group makes its debut in DEAD IN A WEEK, so I had to dig deep to create the “core four”. I already had a connection to Aidan Devereaux, from his assistance on Forensic Instincts cases, and from the fact that he’s Marc’s brother and Abby’s daddy. He was the first Zermatt team member (as it should be, since he’s the guy at the helm!) that I fleshed out, and he quickly grew to be exactly who he was meant to be (his decision, not mine!). That left Simone, Philip, and Terri. An easy choice: Terri. Her way over-the-top techno-sophistication, her scientific focus, and her more insular personality are all so diametrically opposed to who I am that I had to really get inside her head (not to mention doing a lot of research) to flesh her out and watch her become a real person. She’s so brilliant that it was worth the effort!

Q: What is the biggest lesson you’ve learned through writing?
A: That there’s no half-measure and no shortcuts. The basics still hold true: You must care deeply about the characters you create, whether it’s love or hate, and feel the excitement of the storyline as it unfolds and the danger escalates. If you don’t, you can’t expect your readers to. I set super high standards for myself, and I do everything I can to meet or exceed those standards. My ultimate goal is always to write the very best book I can write.

Q: What has been your biggest challenge to your writing career?
A: Balancing my professional and my personal life without compromising either, which I refuse to do. I lay out great organizational timelines, but life always intervenes and blows my schedule apart. So I ride the waves, but, given what a diehard perfectionist I am, the thing that usually goes by the wayside is my sleep. Oh, and my housework, but that’s secondary to me.

Q: What inspired you to write your first book?
A: I’ve been telling stories since I was a little girl, long before I could write them down. I’d play them out through my stuffed animals, through the books that I read, through the wonder of my imagination. As soon as I could, I started writing smaller pieces—essays, stories, and, of course, long, long journal entries. I always loved to read and I always loved to write. When my daughter was little, I wrote book reviews, which taught me a great deal about being concise—and about the fact that I wasn’t born to be concise! At a certain point, when my ideas kept growing and growing, I decided to take the plunge and try my hand at a novel. Despite the grueling work hours, setbacks, and struggles along the way, I’ve never regretted my decision and never once looked back. I know the saying is trite, but for me it’s still true: Writing is really who I am, not just what I do.

Q: Do you have anything specific that you want to say to your readers?
A: The creation of the Zermatt Group, and its integration with the Forensic Instincts team, was truly a labor of love for me. I hope you feel the same way when you read DEAD IN A WEEK.

Fun Questions:

Q: Which actor/actress would you like to see playing the lead character from your most recent book?
A: I’ve been asked this question before and I never have an answer. My characters are so specific in my mind that no actors or actresses ever feel right to play the parts. I wish I could give you a better answer, but I just don’t have one. I doubt I ever will.

Q: Give us an interesting fun fact or a few about your book or series:
A: Since a good chunk of DEAD IN A WEEK takes place in Croatia, I had to do months of long-distance research. My FBI liaison (a/k/a my lifesaver) connected me up with everyone from law enforcement to dairy farmers, all of whom were beyond generous with their time and knowledge. The dairy farmers sent me a fabulous care package of kulen (their own high quality sausage) and a home produced bottle of Rakia (a fruit brandy I had never tasted but later learned had a 50% alcohol content). I savored the kulen and then took a deep swallow of the Rakia. My insides burst into flames and my sinuses sure cleared up in a hurry! Wow! That stuff is potent! I was slumped over the table after one glass and didn’t do any writing that night. 

Q: Favorite foods?
A: Hands-down, pizza and ice cream.

Q: Favorite activities?
A: Playing with my 1-year-old granddaughter, cuddling up with my Pomeranian, and watching the New York Yankees.

Catch Up With Our Author On: AndreaKane.com, Goodreads, Twitter, & Facebook!

 

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Rotten Peaches

by Lisa de Nikolits

on Tour February 1-28, 2019

Synopsis:

Rotten Peaches by Lisa de Nikolits

Rotten Peaches is a gripping epic filled with disturbing and unforgettable insights into the human condition. Love, lust, race and greed. How far will you go? Two women. Two men. One happy ending. It takes place in Canada, the U.S. and South Africa. Nature or nurture. South Africa, racism and old prejudices — these are hardly old topics but what happens when biological half-siblings meet with insidious intentions? Can their moral corruption be blamed on genetics — were they born rotten to begin with? And what happens when they meet up with more of their ilk? What further havoc can be wreaked, with devastating familial consequences?

“Wow. Just wow. Lisa de Nikolits’ Rotten Peaches blew me away. A dark, compulsive, and addictive story in which the characters’ secrets and needs conflict with each other and fold back in on themselves in an ever-tightening noose, Rotten Peaches will keep readers gripped until the very last page. Highly recommended!” —Karen Dionne, internationally bestselling author of The Marsh King’s Daughter

Book Details:

Genre: Noir Suspense Thriller
Published by: Inanna Poetry & Fiction Series
Publication Date: September 20th 2018
Number of Pages: 300
ISBN: 1771335297 (ISBN13: 9781771335294)
Purchase Links: Amazon | Inanna | Goodreads

Rotten Peaches Trailer:

Read an excerpt:

I am not a killer. I just fell in love with the wrong man. I went too far this time, and there’s no going back. There’s no going anywhere, period. I nearly stayed afloat, but my luck ran out. Luck, that mystical mythical glue that holds the shards of despair together and makes life navigable. But fragmented despair, that’s what sinks you.

It’s the middle of the day and the ghost of a cat walks across my bed. I am hidden in the downy softness of bleach-laundered sheets, sheets ironed with starch and cleansed of their filthy sins by scalding Catholic water.

The bed is high and wide and the pillows are like clouds ripped from a summer’s sky. I bury my head in cotton balls, puffy meringues and whipped cream, and try to ignore the ghost of the cat that is walking the length of my back.

The cat settles at my feet but it gets up again and pads along my legs. When it first started its prowl, I sat up and reached for it but, like all ghosts, it immediately vanished and waited for me to turn away before settling in a warm, heavy lump against my side. Its weight is comforting in a way, like being massaged by the hand of God, but it isn’t God. It can’t be,because God, like luck, has left the building of my life.

***

Excerpt from Rotten Peaches by Lisa de Nikolits. Copyright © 2018 by Lisa de Nikolits. Reproduced with permission from Lisa de Nikolits. All rights reserved.

 

Bonus Content!

Bake Your Way To Happiness by Lisa de Nikolits
amazon barnes & noble Goodreads

In addition to Lisa’s amazing new thriller, she’s also released a new cookbook. To celebrate she’s sharing the recipe for one of the South African desserts mentioned in Rotten Peaches!

Download your copy today & start baking your way to a nourished body and spirit!

Click Here to Download Your Copy of Melk Tert Recipe

 

Author Bio:

Lisa de Nikolits

Originally from South Africa, Lisa de Nikolits has lived in Canada since 2000. She has a Bachelor of Arts in English Literature and Philosophy and has lived in the U.S.A., Australia and Britain. Her seventh novel, No Fury Like That will be published in Italian, under the title Una furia dell’altro mondo, in 2019. Previous works include The Hungry Mirror, West of Wawa, A Glittering Chaos, Witchdoctor’s Bones; Between The Cracks She Fell and The Nearly Girl. Lisa lives and writes in Toronto and her very new book, Rotten Peaches is hot off the press to reader and literary acclaim. Lisa a member of the Sisters in Crime, Toronto Chapter, Sisters in Crime, Mesdames of Mayhem, The International Thriller Writers.

Q&A with Lisa de Nikolits

Which of your characters do you dislike the most and why?
That’s like asking a mother which of her children she dislikes the most! I love them all. A lot of them are pretty weird and they behave in self-destructive and morally reprehensible ways but that’s what makes them so interesting! One day, in the afterlife, I’d love to hold a banquet and invite every character I’ve ever written! All of them! Or maybe we’d rent out a resort in the Bahamas for a month and get to know each other!

Which of your character is the hardest to write and why? Leonie who was hard to write and she definitely took the most work. I think it’s because I thought she was perfectly formed in her first draft and it took the persistent nudging of a good friend to say hey, who is this gal? Once I started fleshing her out, I just loved working with her!

What is the biggest lesson you’ve learned through writing?
That you can work as hard as you like, be the hardest worker in the world and still, you may not be able to make your dreams comes true. Hard work doesn’t guarantee success and not even success guarantees success. I know a lot of really talented writer friends who’ve had bestselling novels and they’re struggling to find homes for their more recent books. It’s one of life’s assumptions that if you reach a certain point, that there will be no downhill from there but that’s so untrue! Which is why I love watching documentaries about movie stars or writers or musicians who peaked and then fell and then rose again and it was even sweeter the second time around. Also, you get to see how extremely hard those artists work, they practice every day, write every day, and they’re relentless in their comittment to their craft even when you’d think they’d be ready to sit on their laurels and enjoy doing not much of anything in the sunshine!

What has been your biggest challenge to your writing career
The biggest challenge is that I don’t write a straightforward, genre type of novel. Readers, booksellers, agents and publishers like books that neatly fit a slot and mine don’t do that! And if you mention the word ‘cross-genre’, people get suspicious. And the question, ‘who do you write like, or so what are your books about, or, tell me a book that’s similar to yours

What inspired you to write your first book?
I’ve tirelessly written books for the past thirty years! However, in the beginning, I didn’t actually realize what it meant, to write a book. I didn’t know anything about plot arcs or character development or strong dialogue or setting as character. I studied English Literature (with the goal of wanting to become a writer) but back in the day, we didn’t have creative writing courses. So I wrote long manuscripts that were awful streams of consciousness – terrible things!

The very first book I wrote was called Single Girls Go Mad Sooner and it was supposed to be a collaborative effort with an illustrator friend of mine. I would write anecdotes about dating (pre-Internet!) and she would illustrate these tales of disaster! This was in my early twenties. Then she bailed on me and I went ahead and wrote it anyway. It was, truly, one of the most poorly written collection of short stories to ever see the light of day but at least I tried! I always tell myself that, to not be disparaging of my early efforts because they all showed passion and commitment and the desire to do that which I really felt was my calling. Thankfully, there are no copies of Single Girls Go Mad Sooner out there and at one point I thought of rewriting it and I read it and shuddered! There wasn’t anything at all to salvage from it!

So really, the first book I sat down to really write in a proper way, was The Witchdoctor’s Bones, which was twelve years ago. By that time, I had attended conferences and workshops, I had read books on writing by the stack, I studied books in a different way, I dissected books to see how they had been written. I left my day job (madness!) and sat down and wrote The Witchdoctor’s Bones.

And one more note, clearly I hadn’t done my homework well enough because I wrote the book at 220 000 words! The average book length should be between 70-85 000 words! This resulted in many rejection letters and a lot of rewriting but the The Witchdoctor’s Bones made it into the world in 2014 and I was just delighted! I still love this book so very much

Do you have anything specific that you want to say to your readers?
I’d like to say, please give Rotten Peaches a try! I know some readers are more used to my more serio-comedic books, like The Nearly Girl and No Fury Like That but Rotten Peaches will give you a good read! It has a unique setting and story line and it’s a good, entertaining read! When I read a book, the thing I want most, is to escape into that world and I offer readers an escape!

Fun Questions:
Which actor/actress would you like to see playing the lead character from your most recent book?
I can see Charlize Theron as Bernice and Sandra Bullock as Leonie. Both are very strong women and would bring such power to the roles! And I’d love to see Sandra Bullock as the really nasty sociopathic, amoral Leonie.

Give us an interesting fun fact or a few about your book or series:
I tried to turn one aspect of Rotten Peaches into reality! In Rotten Peaches, Bernice is the author of self-help cookbooks and I thought this would be a hit in real life! So I got together with a wonderful therapist, Marilyn Riesz, and an extremely talented food editor, Gilean Watts, and we came up with Bake Your Way to Happiness. You can find it on Amazon (link below). Unfortunately this book did not fly in the way that I truly believed it would (and should!) but you never know, it’s day might still come – it really is a wonderful book and it got great reviews! https://amzn.to/2FhJjxe

Favorite foods?
My husband, Brad, made slow-cooked scalloped potatos with aged cheddar, garlic and parmesan cheese! That is definitely my most favourite thing in the world right now! Followed by birthday cake! Give me those two things in one meal and I’d be ecstatic!

Favorite activities?
Having a nap is definitely on the top of my charts! Talking to my cat, having a few good reads on the go at the same time, finding a fabulous new series to binge watch! I love finding a series with about eight episodes because that way you’re not going to lose your entire life for months but just a few hours! I’d love to watch Sons of Anarchy but with seven seasons and ten episodes (and actually I think there are more!), that’s 70 hours! Which is, I guess, two work weeks, so if I ever have a two week vacation and don’t know what to do with myself, I’ll do that! I love going for bike rides in summer and I also love exploring abandoned places! If there’s a hole in the fence, I’m in! Travel is high on my list too. If I won the lottery, Brad and I would travel the world, with the cat of course!

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Catch Up With Lisa On:
lisadenikolitswriter.com, Goodreads, Twitter, & Facebook!

Lisa de Nikolits picture credit Richard Picton

 

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Don’t Miss Your Chance to WIN!

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Lisa de Nikolits. There will be 5 giveaway winners. There will be 1 Grand Prize winner of one (1) Amazon.com Gift Card. There will be 1 2nd Prize winner of one (1) Print Edition of Rotten Peaches (US & Canadian Mailing Addresses only). There will be 3 additional winners of one (1) eBook Edition of Rotten Peaches. The giveaway begins on February 1, 2019 and runs through March 1, 2019. Void where prohibited.

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