Category: Misc

Guest Author GLORIA GAYNOR showcase & giveaway ENDED

WELCOME GLORIA GAYNOR

GLORIA GAYNOR

Grammy Award-winning singer GLORIA GAYNOR took the music world by storm in the 1970s, striking platinum with her disco hit “I Will Survive.” “I Will Survive” was the only song to earn a Grammy for Best Disco Recording and was one of only 25 songs inducted into the Grammy Hall of Fame in 2012. Gaynor has appeared on countless television and radio shows, received numerous national and international music and humanitarian awards, and continues to perform around the world for legions of fans. Her most requested song is, of course, “I Will Survive.”

 

Coauthor SUE CARSWELL, author of Faded Pictures from My Backyard (Ballantine), is a reporter-researcher at Vanity Fair and has ghostwritten numerous books. She is a former executive and senior editor at Random House Inc. and Simon and Schuster, a former story producer for Good Morning America, and correspondent for People magazine.
Connect with Ms. Gaynor at these sites:

WEBSITE        TWITTER    

*A portion of the author’s proceeds will donated to the NY Chapter of the American Diabetes Association (http://www.diabetes.org/in-my-community/local-offices/new-york-new-york/) and Danny and Ron’s Rescue (http://dannyandronsrescue.com/).

 

ABOUT THE BOOK

— For millions of music lovers around the world Gloria Gaynor’s name is synonymous with pop music. An undisputed disco sensation, she was enjoying tremendous success in the 1970’s, performing to sold-out audiences across the country and riding the top of the Billboard chart with her hit single, “I Never Can Say Goodbye”.  Little did she know that fate would soon strike in both tragic and triumphant ways. While performing a concert in New York City, Gaynor fell from the stage. She got back up and continued the performance, but the next morning she woke up unable to move. The singer required back surgery and a lengthy, painful recovery, and she nearly lost her recording contract. At the request of the label she went back into the studio (in a back brace) to record a cover version of a Righteous Brothers song called “Substitute”. The hastily selected B-side chosen for the single…a little tune you may have heard of called “I Will Survive”.

Over the last 35-years, “I Will Survive” has transcended from a surprise hit to a pop culture anthem.  From its instantly recognizable opening riff to its final chorus, the song has become an international inspiration for people everywhere struggling to find the courage and strength to survive and thrive against life’s challenges and setbacks. Gloria Gaynor and the song have both become legends, and the legend lives on!

Gaynor will celebrate the 35th anniversary of the Grammy Award winning tune with a new book and a new CD. WE WILL SURVIVE: True Stories of Encouragement, Inspiration and the Power of Song (December 2013, Grand Harbor Press), written with Vanity Fair reporter Sue Carswell, shares personal stories from fans across the country who have triumphed over incredible adversity, and for whom the song “I Will Survive” has become a mantra for perseverance and success.  The book recounts real-life experiences from people from all walks of life – from an Oklahoma Bombing rescuer to a 9/11mother to a Holocaust survivor. Gloria also opens up for the first time about her own personal life struggles including the murder of her sister and the break-up of her marriage.

WE WILL SURVIVE is both heart-wrenching and uplifting – a book that illustrates the unifying and healing powers of music. It also eloquently expresses Gloria Gaynor’s unique style – her fierce love of life, her devotion to faith and her enduring love for the song that has become the soundtrack of a million lives.  “I still love singing it in concert, and on tour I save it for last,” says Gaynor. “I sing the song to myself every time I face a problem. It always works.”

Read an excerpt

INTRODUCTION

Behind the Song

I grew up in a single-parent home with a single mother and six siblings—therein lay the crux of my problems. Too few people know the devastating long-term effects that can ravage the life of a child raised without a father—or at least a good father figure. I had no uncles—my mother was an only child—and my father had two sisters but no brothers.

When I was five years old, we moved from an apartment building to a two-family house. There was a young, childless couple, John and Mary, who lived on the second floor. I often visited them, and they played with me every day.

One day Mary went to the hospital to deliver their first child. I had come to think of them as an aunt and uncle, so it was not strange to me when John invited me up to their apartment to have cookies and milk. I innocently allowed him to lead me into the bedroom, where he proceeded to lift me onto the bed and remove my panties. As he began to molest me, I looked up at him and said, “My mommy’s not gonna like this!”

He responded angrily: “Your mother’s not gonna know!”

“Yes, she will, cuz I’ll tell her,” I timidly said.

At that he hurriedly replaced my panties, snatched me from the bed, and dragged me to the front door of the apartment, where he shoved me out with a growl: “Git on back downstairs. You make me sick.” Looking back on it now, I think he probably meant, “You make me scared.”

My mother was a no-nonsense, take-no-crap-from-anyone kind of person, and John knew it. Because of that, I never told her what happened that day. I believed she would probably have hurt him seriously, which would have meant jail time and that I would be left without a mother as well as a father. I had no way of realizing then that John had stolen my innocence that afternoon and had reinforced the low self-esteem and abandonment issues I already suffered, born of fatherlessness.

Fatherlessness, coupled with this incident, set the stage for my behavior in male relationships from then on. I grew up feeling that every rejection or maltreatment from any man for any reason was because I wasn’t worthy of better treatment. When I was twelve, my mother had a relationship with a man she grew to love. For two years she kept him away from my siblings and me, so as not to have someone around who might, in some way, harm her daughters. Eventually he came to live with us, and we grew to like him a lot. He was a father figure—until one day he sexually molested me while I was asleep in my bedroom and my mother was asleep in hers.

“Why are you doing this?” I asked as I awoke.

“I was just trying to see if you were messing with those little boys,” he answered.

“You could have asked me that,” I snapped back.

I stopped him before he had gone too far, but the damage to my psyche had already been done. Again I didn’t tell my mom, even though her greatest fear had come to pass. I had seen her alone and lonely for years, and I didn’t want to get in the way of her happiness with the man she loved. I also didn’t want her to get into trouble for trying to seek retribution against him.

The incidents with my stepfather and John, as well as my reactions to them, set the tone for my future relationships with men and became par for the course. I ended up being rejected, disrespected, and neglected in every relationship, from puberty up to and including my marriage. When I was eighteen, I was naïve enough to trust the cousin of an ex-boyfriend. I allowed him to take me to visit his girlfriend—only to find that not only was she not home, there was no one there at all. He raped me. “Don’t even think of screaming,” he threatened. “No one else is here, no one will hear you, and you will only piss me off. So, act like you like it!”

When I got home that night, I went straight to the bathroom and tried to scrub away the guilt and shame I felt. It did not work. I never told anyone about it because, again, I didn’t want anyone to get in trouble for trying to defend me. Legal recourse never crossed my mind. Again, I just considered it all par for the course.

When I met my husband, Linwood, I thought he was my knight in shining armor. He was handsome, intelligent, gallant, chivalrous, generous, and so much fun. After two years I made him my manager. As artist/girlfriend and manager/boyfriend, our relationship was great for two years that was followed by a not-so-terrific one.

In the midst of my trouble in paradise, I received a notice from my record company. For no apparent reason, they were not renewing my recording contract, which would expire at the end of the year.

One night, at one of my shows, I had an accident onstage and woke up the next morning paralyzed from the waist down. I ended up in the hospital for spinal surgery. People were going around the record company saying, “The Queen is dead.” Was I simply a one-hit wonder with “Never Can Say Goodbye”? During the three-month hospital stay that followed, God got my attention. Gripped with fear of abandonment, physical handicap, and showbiz obscurity, I reached out to Him for help.

True to form, the Lord didn’t fail me. Within a year I had a massive hit with “I Will Survive,” and Linwood and I were married. Like so many innocent women, I thought, now that we’re married, things will be different; our focus will be on building a happy family together. I wasn’t the perfect wife, but I was attentive, trusting, reassuring, supportive, affectionate, loving, caring, and faithful. Linwood wasn’t all that bad as a husband. He was supportive as far as my career was concerned—physically protective and affectionate. But he took disrespect and disregard to a whole new level. I think he became so self-absorbed that he didn’t care if he was being hurtful to me. He had no concept of commitment and thought a grown man should be free to do whatever he wanted, stay out all night as many nights as he liked—so he did. It’s enough to say, as I often do, that I stayed at that party way too long.

What Linwood didn’t count on was the impact of “I Will Survive” and how much it would do for me. When I recorded the song, I thought of it concerning the courage it produced in me regarding my career, my mom’s passing, and the surgery I’d just had, and how it would encourage and inspire other people as well.

Now it became my mantra. It guided me in holding on to my faith and trusting God to bring me victoriously through all my trials and tribulations. I learned that internal scars—like those caused by fatherlessness, my stepfather, my ex-boyfriend’s cousin, and Linwood—put holes in your soul. Those scars can be just as deep as physical ones. They are just as painful and damaging, and generally hurt longer and are more debilitating. It took a while, but I grew strong, and I truly learned how to get along. My courage grew, and I began to recognize my own strength and the power God had placed in me. I spent several more years trying to make my marriage successful. But, as I told my husband on several occasions, “The problem with pushing a person to her limit is that no one knows what her limit is until she reaches it, and then it’s too late.”

Indeed, it became too late. I had reached my limit and came to the conclusion I couldn’t make the marriage work on my own and it was time to end it. My husband had taken up permanent residence in the state of denial and it was time for me to make a move as well. When I told my pastor I was getting a divorce, he asked me how I felt about it. After a long pause, I said, “Free at last, free at last, thank God Almighty, I’m free at last!”

I never missed Linwood because, to tell the truth, he had left me years before the divorce. But it was great getting to know the new me, the me so many abusive men had caused to hide deep down inside. Well, she’s out now. I love her, and God loves her, and she’ll never go into hiding again.

Indeed, I will survive.

In the following pages, you will find compelling stories that will likely mirror the experiences of yourself, family members, friends, and acquaintances. They are real-life stories of real people who valiantly climbed mountains of seemingly insurmountable obstacles to reach the pinnacle of triumph.

This book came about in a special way. My team—Sue Carswell, Stephanie Gold (my manager), and I—put out the word across the world that we were looking for survival stories for this book. We eventually received stories from as far away as Africa—including one story of a woman who was encamped in Auschwitz, another from a 9/11 mother, and the story of an autistic boy ordering flowers for his mother for Mother’s Day. We contacted blogs and writing magazines and reached out to various organizations that had members’ stories depicting the true essence of the song. Several of these groups included healing resources for abused women and men. It seems we used every connection we could find. Some in this book are even our friends’ stories. In the end we narrowed it down to forty stories we felt best illuminated the lyrics of my song. They vary in dimension, but I am very proud of each and every contributor for making this book come true.

My sincere hope is that these stories will provide inspiration, encouragement, and empowerment to you—no matter what challenges you might be facing. If the remarkable people in these stories can survive as I did, I know you can too!

BOOK DETAILS:

Grand Harbor Press, December 1, 2013
Self-Help; 205 pages
Hardcover $19.95 US
ISBN-10: 1477848037 – ISBN-13: 978-1477848036
Paperback $14.95 US
ISBN-10: 1477849130 – ISBN-13: 978-1477849132
Kindle Edition $9.95 US
ASIN: B00DCX0X40
Audio Book $19.99 US
ISBN-10: 1480542849 – ISBN-13: 978-1480542846

PURCHASE LINKS:

           

THANKS TO JENNIFER FROM MUSICO MEDIA,
I
HAVE ONE (1) COPY TO GIVE AWAY.
OPEN TO US and CANADA RESIDENTS
FILL OUT RAFFLECOPTER ENTRY FORM BELOW
GIVEAWAY ENDS JANUARY 2nd AT 6PM EST

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ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

 

Guest Author DR. JOE WENKE showcase & giveaway ENDED

WELCOME BACK DR. JOE WENKE

DR. JOE WENKE

DR. JOE WENKE is an outspoken and articulate LGBTQ rights activist, social critic and observational satirist. He is the founder and publisher of Trans Über, a publishing company with a focus on promoting LGBTQ rights, free thought and equality for all people. In addition to PAPAL BULL: An Ex-Catholic Calls Out the Catholic Church, Wenke is the author of YOU GOT TO BE KIDDING! A Radical Satire of the Bible, THE TALK SHOW, a novel, and MAILER’S AMERICA. He also partners with Gisele Xtravaganza in Gisele New World, which produces events for the ballroom community. Wenke received a B.A. in English from the University of Notre Dame, an M.A. in English from Penn State and a Ph.D. in English from the University of Connecticut. He is a frequent contributor to the Huffington Post.
Connect with Joe at these sites:

WEBSITE        TWITTER   

 

ABOUT THE BOOK

Recovering Catholics, rejoice! Dr. Joe Wenke, who brought you the acerbically hilarious examination of the Bible, YOU GOT TO BE KIDDING! A Radical Satire of the Bible, draws upon his deep knowledge of the Catholic faith along with memories of his Catholic boyhood to produce PAPAL BULL: An Ex-Catholic Calls Out the Catholic Church (TransÜber; October 15, 2013; $9.99). The title, an unintentionally ironic term for a formal pronouncement by a pope, sets the tone for this scathing examination of the beliefs, practices and history of the
Catholic Church. Wenke leaves no holy Roman stone unturned in this satirical investigation of religious hypocrisy that manages to be simultaneously jaw dropping and hysterically funny.

“There are a whole lot of recovering Catholics walking around in a perpetual state of cosmic rehab. Those of us who are members of this club know that the Catholic Church can truly get to your brain, to the way you look at everything, the way you think and feel about yourself and the world,” says Wenke who shares his baby boomer journey from little angel ready for his first Holy Communion to critical thinker able to look at the church with an eye for the absurd.

In addition to the humor, Wenke, an expert on the use of language and an activist on issues of gender identity and sexual orientation, exposes how the Church has denigrated women and vilified members of the LGBTQ community. Finally he allows no absolution whatsoever for the Church’s most shameful sin—the sexual abuse of children and adolescents by Catholic priests, which for decades was systematically covered up and in essence condoned by the leadership of the Catholic Church.

BOOK DETAILS:

Paperback: 272 pages
Publisher: Trans Uber LLC
Publication Date: October 15, 2013
ISBN-10: 0985900253
ISBN-13: 978-0985900250

PURCHASE LINKS:

           

THANKS TO DEB AT MEDIA MUSCLE,
I
HAVE FIVE (5) COPIES TO GIVE AWAY.
OPEN TO U.S. RESIDENTS
FILL OUT RAFFLECOPTER ENTRY FORM BELOW
GIVEAWAY ENDS NOVEMBER 23rd AT 6PM EST
WINNER WILL BE CHOSEN BY RAFFLECOPTER AND NOTIFIED
VIA EMAIL AND WILL HAVE 48 HOURS TO RESPOND
OR ANOTHER NAME WILL BE CHOSEN

a Rafflecopter giveaway

YOUR JAVA SCRIPT MAY NEED TO BE UPDATED
IF YOU AR EXPERIENCING DIFFICULTY
USING THE RAFFLECOPTER ENTRY FORM

DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

 

Guest Author JUSTIN KRAMON

WELCOME JUSTIN KRAMON

JUSTIN KRAMON

Justin Kramon is the author of the novels Finny (Random House, 2010) and The Preservationist (Pegasus, 2013). A graduate of the Iowa Writers’ Workshop, he has received honors from the Michener-Copernicus Society of America, Best American Short Stories, the Hawthornden International Writers’ Fellowship, and the Bogliasco Foundation. He lives in Philadelphia.
Connect with Justin at these sites:

WEBSITE        

Q&A with Justin Kramon

Writing and Reading:
-Do you draw from personal experiences and/or current events?
More from personal experience.  Sometimes friends or family will ask where I get an idea for a character, then fix a hard stare on me, and my sense is that what they’re asking is whether they appear in the book, and if so, how angry they should be.  But I don’t usually write autobiographically, or base a character completely on a person in my life.  It’s more that I try to use my experiences of people and places in my life to suggest people and places in my work.  I tend to be really interested in why people do things, especially unlikely or extreme things, and what’s in their minds when they do them, which is a particularly fascinating question when violence is involved.

-Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
I like to start with some characters and a difficult problem they’re facing.  So in this novel I have a young woman with a dark past and an older man who falls for her and seems to understand her, though he has some serious eccentricities and mysterious gaps in his own past.  Someone is threatening them, and they don’t know why.  So then I’m interested to see how it develops.  How are they going to try to figure out where the threat comes from?  How is their relationship going to develop in these stormy conditions?  How will they avoid or not avoid danger?  Will they discover why they’re being targeted?  Then the characters and the problem help dictate the plot.  I try to get to know these people, to feel almost like I’m becoming them, so that I’d know how they’d react and what they’d do.

-Your routine when writing?  Any idiosyncrasies?
Aside from the chanting and the dolls’ heads I keep in my closet, I wouldn’t say I have any idiosyncrasies.  Just kidding.  I keep the dolls’ heads in my desk.

Seriously, though, the actual work of writing is pretty basic, which is probably why there aren’t many Hollywood movies about writers in the heat of the creative act, since it’s basically a person alone in a room typing.  I get up every day and try to go to work on new material.  I like cereal first.  I like tea and coffee.  I found Stephen King’s book On Writing very helpful in suggesting some different methods for working through multiple drafts of a book.

-Is writing your full time job?  If not, may I ask what you do by day?
I spend most days writing.  I also teach writing at some colleges and universities, and I do some freelance editing for writers submitting manuscripts.

-Who are some of your favorite authors?
That changes with every book I’m working on.  A lot of the stories and both of the novels I’ve written have grown out of a love or even obsession with a particular author or genre.  So for The Preservationist, I was reading a lot of psychological thrillers, but particularly ones that got deep into the heads of the criminals, as well as the victims.  So I read Stephen King, Ruth Rendell, Patricia Highsmith, Henning Mankell, Edna O’Brien, Thomas Harris’s Hannibal Lecter novels, and a number of other writers who are interested in the psychology of crime, but also in all the usual stuff I like in novels about people and relationships and time passing.

-What are you reading now?
The Savage Detectives by Roberto Bolaño.

-Are you working on your next novel?  Can you tell us a little about it?
I’m working, but I can’t say too much about the new project, except that it has suspense.

Fun questions:
-Your novel will be a movie.  Who would you cast?
I would play the role of Julia.  I look very good in long hair, and my voice can get surprisingly high.  If that doesn’t work out, though, maybe I could cast Therese Barbato, who played Julia in the book trailer.  (Watch the trailer below)

-Would you rather read or watch TV/movie?
Generally reading, but it really depends on what I’d be reading and what I’d be watching.  I’d be pretty happy to watch The Wire, Curb Your Enthusiasm, The Dave Chappelle Show, or the British version of The Office almost anytime.

-Favorite food?
Very difficult question.  Eating is a big hobby of mine, and I think that my wife and I travel mostly to be able to taste dishes we’ve heard about that we can’t get where we live.  In Shanghai, we were obsessed with soup dumplings, which are these delicious little noodle pouches that have both meat and broth inside, and you eat them with black vinegar and ginger.  Right now, sitting in my basement in Philadelphia, I would say that would be the food I’d most like to eat.

-Favorite beverage?
Vietnamese iced coffee.  But the downside is that they have so much caffeine that if I drink more than one, I tend to resemble Robin Williams after a cocaine binge.

Thank you for stopping by CMash Reads and spending time with us.

ABOUT THE BOOK

To Sam Blount, meeting Julia is the best thing that has ever happened to him. Working at the local college and unsuccessful in his previous relationships, he’d been feeling troubled about his approaching fortieth birthday, “a great beast of a birthday,” as he sees it, but being with Julia makes him feel young and hopeful. Julia Stilwell, a freshman trying to come to terms with a recent tragedy that has stripped her of her greatest talent, is flattered by Sam’s attention. But their relationship is tested by a shy young man with a secret, Marcus Broley, who is also infatuated with Julia.

Told in alternating points of view, The Preservationist is the riveting tale of Julia and Sam’s relationship, which begins to unravel as the threat of violence approaches—and Julia becomes less and less sure whom to trust.

READ AN EXCERPT

Chapter 1

Julia

Of all the places Julia Stilwell thought she might be on a September afternoon, less than a year after the accident, this was the last she would have imagined. College. A freshman headed out on a first date. It was too normal. She felt like she’d snuck into the wrong movie, like any minute a guy in a little hat would come running up the aisle, shine a flashlight in her eyes, and ask to see her ticket.

But here she was, ten minutes to two, fixing her hair, getting her shoes on, smiling at her reflection so she could paint blush on her cheeks, going back and forth in her mind about whether to bring a backpack or a purse. It was all the usual stuff girls do before dates, but to Julia it felt like a test, a set of pictures she had to line up in the right order. Wrong answer sends you back to go. It was a blessing her roommate Leanette was in class and not around to witness the chaos of these final preparations. Leanette had dates every weekend and went to all the parties, and Julia was sure this fussing would have seemed amateur to her, like a kid playing with an adult’s makeup kit.

In the end, she decided on a messenger bag. She slung it over her shoulder, flipped the lights off, and left the room.

Outside, it was gorgeous. Cloudless and warm, the air felt like a shirt just out of the dryer. Julia lived in an off-campus dorm, and though the building was musty, with cinder block walls and a dull gray carpet that gave off a smell like boiled milk, there was a pretty courtyard out here, a cement bench, a trellis wrapped with vines and bright flowers. She took a long breath, enjoying the weather and her anticipation, perched for a moment on the fragile edge of happiness.

Julia was headed to campus, and she decided to take the path through the woods. She could have gone through town, but didn’t know whom she’d run into, and whether they’d ask what she was up to. The date with Marcus didn’t have to be a secret, but for some reason she wanted to keep it to herself, like a note in her pocket.

Before the accident, it would have been different. Julia would have had to tell Danny and Shana about how Marcus had asked her out, making little jokes to play it down. They wouldn’t have let her get away with the secrecy. In high school, when she wasn’t practicing the trumpet, Julia had spent most of her free time with these friends. She knew everything about them, from what they’d gotten on their last history tests to what their boyfriends had whispered in their ears the first times they’d had sex.

Julia had always been a bit of an oddball, with her quirky sense of humor, the flat way she delivered jokes that caught people off guard and sometimes made them smile, sometimes give her confused looks. She was never a star in the classroom, and didn’t go in for all the primping and social striving most of the girls did. She didn’t need it; her music and her plans for the future had been enough. They’d given her distance, kept her insulated from the storms of teenage social life. When her friends were worked up over a boy or a conflict with parents, Julia was always the first to jump in with a silly line to relieve the tension. She wore thrift store T-shirts and frayed corduroys and didn’t try to be the prettiest or the smartest or the most popular, just didn’t care that much about it.

But all of that was gone, that old life. She didn’t talk to any of those people anymore. She’d gotten rid of her cell phone, tossed it into a lake, actually. Burial at sea.

Marcus had suggested they meet at two-thirty, since the snack bar would be less crowded then, between lunch and dinner. As usual, Julia was early. She couldn’t help it. She’d always been the type to arrive ten minutes before a meeting, and none of the tricks she pulled to delay herself ever seemed to work. If she were ever sentenced to execution, she’d probably arrive ten minutes early for that, just to get a good seat.

She tried to slow down, scraping her shoe soles on the dirt and rocks in the woods.

As a way to distract herself, she started thinking about how the date had come about. “You have this way about you,” Marcus had said that night in the library, when they were working on the counterpoint project. “It’s like you live in your own self-contained world. I’ve been wanting to know what’s going on in there since the first time I saw you.” After he said it, he smiled in a teasing way, and she wasn’t sure if he was being genuine. She almost made a quick joke back, her habit. Nothing going on in here. My world’s in a budget crisis. But then she noticed he was blushing, all the way from his ears down to the base of his neck. There was something reassuring about his discomfort. Seeing it, she’d felt a protective tenderness for him, the way you might watching a child pedal a bike up a steep hill.

“You want to get lunch on Thursday in the snack bar?” he’d said after that, so casually anyone listening would have thought he’d just tossed out the offer, not even caring what her answer would be. But he’d given a specific day. He’d mentioned the snack bar, as if an off-campus date would have been too much to ask.

“I’d love to,” Julia had said. “But are you going to be there?”

And Marcus had smiled.

When she got near the top of the hill, where the woods let out, Julia heard a train clacking away from the station at the base of campus. She checked her watch: ten minutes early. Of course. She walked onto the train platform, into the warm bright sunshine.

That was when it happened, suddenly, in the midst of all that sparkling weather. It was as if someone had pulled the plug on the day, and all the excitement just drained out, like water from a tub.

She knew what it was, this feeling. She’d told El Doctor about it, these aftershocks, as she thought of them, reminders of events she couldn’t change, events she would have preferred to snip out of the cloth of her memory. She closed her eyes, and there it was again, her brother’s face, pale with shock at what he was witnessing, his lips opening and closing, making no sound, until finally he’d asked, “Is that mine?”

But she couldn’t do this now, couldn’t let herself get dragged under. If you want to move forward, you have to stop looking back. Positive thinking, positive results. She stood straight, pushed her shoulders back, breathed, fixed the strap of the messenger bag like a seatbelt across her chest, and continued across the tracks, up the tree-lined path to campus.

Inside the snack bar, Julia couldn’t spot Marcus. She looked around at all the tables and booths. Most were empty. At one table, two women in suits were smiling over something one of them had said, then they got up to leave, carrying stacks of paper. Inside a booth, three muscular-looking boys sat talking over empty plates and balled napkins.

They made Julia nervous, these people. The way they moved and talked and smiled seemed foreign, like they were all doing a dance she’d never learned. The thought surfaced again that maybe she wasn’t fit to be here, at a college, so soon, no matter what El Doctor said.

But it’s best not to overthink things. That’s how you get yourself into trouble. When you stop and think about how vulnerable you are, or how strange the world is, it’s easy to end up feeling confused and lonely.

In the corner, next to the doors where people walked in to order their sandwiches, a man in a red shirt and white apron was standing beside a trashcan. Julia recognized him as the guy who usually made her sandwiches. She remembered thinking more than once that he was cute. He had shaggy brown hair, and could have passed for a student if he were a couple years younger. He always smiled when he saw Julia, and offered her an extra handful of chips or a second spear of pickle with her order. She didn’t know if he did that for other girls, but it was such a simple and plainly sweet gesture that it charmed her. A pickle for your thoughts, my dear.

When she looked at him, though, smiling, ready to wave, he looked down, like he was embarrassed. She wasn’t sure if maybe he didn’t recognize her, or was surprised at meeting her without the lunch counter between them, or if he was just socially awkward, but whatever it was, she felt disappointed. She wanted to give him a signal that it was okay to be friendly, wave to her when she came in. I won’t bite.

She didn’t have a chance to do anything, though, because just as she was considering it, Marcus walked in.

BOOK DETAILS:

Genre: Thriller / Psychological Thriller / Women’s Fiction
Published by: Pegasus/Norton
Publication Date: 10/15/13
Number of Pages: 288
ISBN: 978-1-60598-480-3

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Guest Author KATHLEEN DELANEY

WELCOME KATHLEEN DELANEY

KATHLEEN DELANEY

Kathleen Delaney has written four previous Ellen McKenzie Real Estate mysteries, but has never before transported her characters out of California. A number of years ago she visited Colonial Williamsburg and fell in love. Long fascinated with our country’s history, especially the formation years, she knew she wanted to set a story there. Another trip with her brother and sister-in-law solidified the idea that had been rolling around in her head but she needed more information. A phone call to the nice people at Colonial Williamsburg provided her with appointments to visit the kitchen at the Payton Randolph house, where she got her first lesson in hearth cooking and a meeting with the people who manage the almost extinct animal breeds the foundation is working to preserve. A number of books purchased at the wonderful bookstore at the visitor’s center gave her the additional information she needed and the story that was to become Murder by Syllabub came into being. Kathleen lived most of her life in California but now resides in Georgia. She is close to many historical sites, which she has eagerly visited, not only as research for this book but because the east is rich in monuments to the history of our country. Luckily, her grandchildren are more than willing to accompany her on their tours of exploration. You can find Kathleen on the Web at delaney.camelpress.com.
Connect with Ms. Delaney at these sites:

Q&A with Kathleen Delaney

Thank you for inviting me to stop by and tell you all a little about my life as a writer. My initial thought was my approach is not much different than any other writer, but on second thought, that is probably not correct. We are all pretty different people, write different kinds of books, and probably set up our writing agendas differently as well. In writing, as in so many things, there is no right or wrong way to do things, just the way it works for each individual. Having said that…

Do I use current events or personal experience to draw from? I write murder mysteries. Cozies, to be sure, but even in cozies we manage to litter the landscape with dead bodies. I’ve never murdered anyone in real life, and my experience with dead bodies is no more extensive, so really neither. It’s all imaginary. Leaves one to wonder about the imagination of mystery writers, I’ll admit, but maybe it’s therapeutic. I’m not sure. However, I’ve left a battered corpse in an upstairs closet, another pinned to a bale of straw by a pitchfork. Another time I pushed a very disagreeable chef into a wine fermenting tank, and killed off an old man with the marble arm of a cemetery angel. In the most recent book, Murder by Syllabub I did just that. Murdered the man with a glass of a sweet, colonial drink called Syllabub that I liberally laced with poison. But not to worry. He had it coming. Things that have happened to me, usually small things like forgetting to take the plastic wrap off the casserole before putting it in the oven to heat, have made their way into my books, I must admit, but I try not to get too many current events included as I don’t want to tie them to tightly to any particular month or year.

Do I start my books with the conclusion or start at the beginning and see where it all ends up? Since I’m never sure just what the conclusion is, and sometimes who did it, I start at the beginning. I find myself saying “and then what happened” a lot. Some people outline the whole book before writing it,  some write character sketches of everyone who appears, including the paper boy who only appears once and for just one ride by, but I find I can’t do that. My first draft serves as an outline and that’s where I develop my characters. My second drafts really get chopped up and stuff gets either deleted or moved around a lot, but by then I’m confident in my story and it’s just a matter of telling it the best way I can.  By the time we get to the third draft, it’s almost starting to make sense. This requires a lot of rewriting, it’s true, but it seems to be the way I do things best.

Do I have a routine: You bet. Absolutely. Sort of. I get up in the morning, stagger out to the kitchen, let the dogs out and push the button on the coffee maker. After that, well, I try to keep to a loose schedule. Marketing, first thing. I read my email and answer any that require it, post on facebook, twitter, other on line groups, do the basic housework, and then start writing. Of course, if I’m in the middle of an idea and words are pouring out every which way, nothing else gets done. Doctors, hair appointments (very important), Silver Sneakers gym class, grandkids, all that kind of thing, interrupt a perfectly good schedule on a regular basis. For years I fit my writing in and around a day job. I was a real estate broker in a small town on California’s central coast , raised and showed Arabian horses as well as kids, but no  more. I have retired from all that and write full time. As much full time as all those other things will let me.

Authors I admire. The estimable Elizabeth Peters, who died recently, has long been someone I admired and whose work I spent many delighted hours reading. We will miss her. There have been so many over the years that if I started I wouldn’t know where to stop. I read lots of mysteries, always have, but my reading is by no means limited to them. I am currently reading And The Mountains Echoed by Khaled Hosseini. I loved his other two and so far think this is terrific.

Am I writing another book? Yes. I am almost finished with the first draft. It is the first book in a new series and it features dogs. And dog people. Also murder. Please don’t ask me how it ends. I’m not there, yet.

Another question asked was about TV vrs reading. There are very few things on TV that get me away from my latest book. Among them is Downton Abbey. The next episodes start in January, I think. I can hardly wait.

Now, about food and drink. I like to do both, and it really depends on a lot of things, weather, what I’m doing and where I am, as what might be my favorite at any one time. You can’t beat a glass of ice cold sun tea on a hot afternoon in the south. No sugar for me, please. Or the smell of fresh brewed coffee on a cold morning. Actually, any morning. But I’ll tell you about one meal that was special in several ways. A small waterfront restaurant in the south of France, in the middle of the fishing fleet. The boats were tied up for the night, the restaurant supposedly closed, but I was to leave for home the next day and I wanted paella. The people at the hotel where we were staying said that restaurant made the best there was to be had. Naturally, I was disappointed, but not for long. A phone call was made, they would be happy to open for our party of ten. The hotel people were right, the food was wonderful, so was the wine, and the restaurant owner serenaded us with songs he used to sing as a cabaret singer in Paris. Lots of things besides food and drink go into a favorite meal.

WEBSITE        TWITTER    

ABOUT THE BOOK

A ghost in Colonial dress has been wreaking havoc at an old plantation house in Virginia. The house is owned by Elizabeth Smithwood, the best friend of Ellen McKenzie’s Aunt Mary. Mary is determined to fly to the rescue, and Ellen has no choice but to leave her real estate business and new husband to accompany her. Who else will keep the old girl out of trouble? When Ellen and Aunt Mary arrive, they find that Elizabeth’s “house” comprises three sprawling buildings containing all manner of secret entrances and passages, not to mention slave cabins. But who owns what and who owned whom? After Monty—the so-called ghost and stepson of Elizabeth’s dead husband—turns up dead in Elizabeth’s house, suspicion falls on her. Especially when the cause of death is a poisoned glass of syllabub taken from a batch of the sweet, creamy after-dinner drink sitting in Elizabeth’s refrigerator. Monty had enemies to spare. Why was he roaming the old house? What was he searching for? To find the truth, Ellen and her Aunt Mary will have to do much more than rummage through stacks of old crates; they will have to expose two hundred years of grudges and vendettas. The spirits they disturb are far deadlier than the one who brought them to Virginia. Murder by Syllabub is the fifth book of the Ellen McKenzie Mystery series.

READ AN EXCERPT

Mildred leaned back against the drain board, as if she needed it to prop her up. “Do you think he’ll be back?”

I set the dish on the drain board along with the other rinsed dishes. “You mean the murderer?”

Mildred nodded.

I’d wondered the same thing. “I think it was Monty prowling around upstairs, looking for something. Why he was dressed like that, I can’t imagine, but I don’t think he found whatever it was he was looking for. The only reason I can think of for both Monty and whoever slipped him the poison to be here is they were looking for the same thing. I don’t think they found it. So, yes, I think whoever it is will be back.”

Mildred nodded. “I think so, too. That crate was no accident.” She paused before going on, her voice filled with apprehension. “You know, McMann isn’t going to buy the mysterious prowler story. He’s going to take the easy way out. Elizabeth fed Monty the poison before she left for the airport and we’re protecting her.” She sighed deeply and turned to the dishwasher. “Might as well load this. Can you hand me that bowl?”

She opened the door, pulled out the top rack and froze. “How did that get in here?”

“What’s the matter? Oh no.”

We stood, frozen, staring at the immaculately clean crystal glass, sitting on the top rack in solitary splendor.

“That’s one of the old syllabub glasses.” Mildred turned around to look at the glasses on the hutch and returned her gaze to the dishwasher. She pulled the rack out all the way but the dishwasher was empty, except for the one glass.

I’d had a close enough look at the glass next to Monty to know this was from the same set. “It’s the missing syllabub glass.”

“Missing?” Mildred’s hand went out to touch it, but she quickly withdrew. “Where are the others? Cora Lee and I packed these away years ago. There were eight of them. How did this one get in here?”

“Noah didn’t tell you?”

“That boy only tells me what he wants me to know. What was it he should have told me?”

“The set of these glasses were on the sideboard in the dining room where Monty was killed. Six of them. One was beside Monty with the remains of a sticky drink in it. That made seven. One was missing. The one the murderer used.”

We stared at each other then back into the dishwasher. “That’s got to be the missing one, right there.” Mildred took a better look. “It’s clean. Someone’s trying to frame Elizabeth.”

BOOK DETAILS:

Genre: Cozy Mystery
Published by: Camel Press
Publication Date: July 1, 2013
Number of Pages: 298
ISBN: 978-1-60381-957-2

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Guest Author JULIE TETEL ANDRESEN ENDED

WELCOME JULIE TETEL ANDRESEN

JULIE TETEL ANDRESEN

Julie Tetel Andresen’s seemingly disparate writing activities – fiction, non-fiction and essays in foreign languages – all arise from a unified sense of her writing self.

As a professional linguist, she loves language, while as a romance writer she loves the language of love; and when learning a foreign language, she loves nothing more than exploring the limits of her ability to express herself in that language on paper.

In her academic writing, she has long been devoted to exploring the history of linguistics, and this disciplinary exploration parallels her devotion to writing historical novels. In her most recent academic work “Linguistics and Evolution” (Cambridge 2014), she shows the ways that the history of linguistic theory and practice informs the current state of the discipline, and this sense of the past pressing on the present informs her time-slip series.

Her writing activities have always been entwined temporally. She wrote her first historical “My Lord Roland” while writing her PhD dissertation “Linguistic Crossroads of the Eighteenth Century,” and all her early academic articles were written mostly in French. Twenty novels and dozens of journal articles later, she wrote her Regency novella “French Lessons” while waiting for the 2012 autumn meeting of the Cambridge Press Syndicate to decide to issue her a contract for “Linguistics and Evolution.” At the same time, she happened to be in Ho Chi Minh City learning Vietnamese and happily writing her Vietnamese essays.

She firmly believes that one type of writing strengthens the others. Her historical novels have honed her craft of plotting and sub-plotting, while her time-slip series has given her the Kraft (in the German sense of the word ‘power’) to handle the long historical arc and multiple characters involved in “Linguistics and Evolution.” Her professional study of language, in turn, makes her sensitive to the vocabulary and rhythms of speech in other places and time periods; while writing in a foreign language– be it French, German, Romanian, or Vietnamese – is to her like the pianist warming up with scales and arpeggios or the yogini trying out a new asana. Can she get her leg behind her head in Romanian?

No? Well, then how about triangle pose? Can she get into full lotus in Vietnamese? Again, no? Let’s see about half-lotus.

Andresen grew up in Glenview, Ill. She holds a bachelor of arts degree from Duke University and a doctorate from the University of North Carolina, Chapel Hill. She has taught at Duke University for the past 20 years where she specializes in linguistics.
Connect with Julie at these sites:

WEBSITE         

Julie has also uploaded a short story entitled The Wedding Night onto her website (http://www.julietetelandresen.com) that readers can download for free.

Q&A with Julie Tetel Andresen

When did you develop a passion for linguistics?
Ever since I was about five years old. I remember lying in bed at night in the room I shared with my
older sister, making up new words that I would teach her. When I discovered there were other
languages in the world, with the words already made up, I couldn’t get enough. I didn’t know,
however, that there was such a thing as a discipline of linguistics until I was working on my Masters in French.   After that I was hooked.

How do you bridge your career as a romance writer with your life as a professional linguist and
academic?
The two activities wrap around another almost every day in my life, and this has been the case for the last twenty years or more. Today I’m at a resort on the Black Sea in Bulgaria. My friends are on the beach. I can’t tan, since I have redhead skin and was told by a dermatologist years ago to stay out of the sun. I’m happy enough, however, because I’m on the balcony of my room overlooking the sea, and working on the some of the early chapters of the forthcoming Wiley-Blackwell book, Languages of the World, skyping with my co-author, Phillip Carter. When I take a break from this, I’ll probably download a werewolf story or a panther shape-shifting story. I got into these subgenres in the past few months. At the moment, I can’t get enough of them.

How do your two writing careers strengthen each other?
All good writing is story telling, and this applies to academic writing, as well. I love reading about
language, and the question is always, “What story is this linguist telling me?” I am currently reading
The Last Speakers by David K. Harrison, and it’s a wonderful world tour of the stories of speakers of
endangered languages. My favorite linguist may well be Stephen Levinson. Although it might not seem like his Space in Language and Cognition would make for a gripping story, I read the book (several times, actually), enthralled by the world Levinson was opening to me. Following a good (academic) argument is like reading a well-plotted novel.
I think it was Fred Astaire who said: “If I don’t dance for one day, I feel it. If I don’t dance two days in a row, the audience will feel it. If I don’t dance three days in a row, I should find another job.” Having two writing careers keeps me in writing shape. It’s cross training. Yoga and Pilates.

You have lived and traveled all over the world – to France, Germany, Vietnam, Romania,
Greece, and Brazil just to name a few places. How did this influence your writing?
I’ve always loved historical romances, but I began my time-slip series when I realized I wanted to write about the places I’m visiting in the here and now. I love it when a place is a kind of character in a novel, ever-present and shaping events. I also happen to love botanical gardens and the tropics, so I find myself gravitating toward southern latitudes and the equator, where everything is lush. When I write a story and find I need to check out the details of a place I’m using as a setting, I can easily persuade myself I need to revisit the location in order to make sure I have the details right. While writing The Emerald Hour, I made sure to revisit the spectacular Jardim Botânico in Rio. In fact, it would have been irresponsible of me not to revisit the location.

Your collection of books explores so many points in history. Is there one era that has a special
place in your heart?
This is a choosing-among-children question, only slightly less difficult to answer than, “What’s the
favorite book you’ve written?” All historical periods are fascinating. Especially the present one, since I’m living in it.

ABOUT THE BOOK

The lovely Anne Chisholm is tricked into a handfast—the custom of marriage for a year and a day when a couple plights their troth—with Alexander Sutherland only to discover that her new husband is wanted for treason by the English authorities, in particular, by her father.

BOOK DETAILS:

Publisher: Julie Tetel Andresen; 1.01 edition
Publication Date: August 3, 2011
Number of Pages: 92
ASIN: B005FY0WYU

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Guest Author SUSAN MALLERY showcase & giveaway ENDED

WELCOME BACK SUSAN MALLERY

SUSAN MALLERY

With more than 25 million books sold worldwide, New York Times bestselling author Susan Mallery is known for creating characters who feel as real as the folks next door, and for putting them into emotional, often funny situations readers recognize from their own lives. Susan’s books have made Booklist’s Top 10 Romances list in four out of five consecutive years. RT Book Reviews says, “When it comes to heartfelt contemporary romance, Mallery is in a class by herself.” Susan grew up in southern California and currently lives in Seattle with her husband and the most delightfully spoiled little dog who ever lived.
Connect with Susan at these sites:

WEBSITE          TWITTER    

 

ABOUT THE BOOK

New York Times bestselling author Susan Mallery invites you to taste the local cuisine of her beloved fictional town and share in a year’s worth of deliciously seasonal recipes.

Fool’s Gold is known as the Land of Happy Endings, but it’s also the land of hearty appetites. Throughout the series, the residents of Fool’s Gold have found joy, comfort and good times through food. Now two local Fool’s Gold chefs will also find love through food! Join them as they flirt, fight and fall in love, one season at a time.

You’ll also find favorite recipes from popular characters in the series, such as:

Heidi’s Arugula, Corn and Cherry Tomato Salad with Goat Cheese.

Liz’s Spaghetti for the Girls.

Denise’s Summer Berry Pie.

With chapters for summer, spring, fall and winter, you can find the perfect recipe for everything from holiday get-togethers to cozy date nights, always using the freshest ingredients. And the heartwarming love story that is woven throughout is Susan Mallery at her finest.

The more than 150 recipes and dozens of gorgeous photographs in this book will inspire you to find perfection in the simple and the seasonal. And with all of Fool’s Gold with you in the kitchen, your every celebration will have a happy ending!

Watch the video for Susan’s recipe:   
Flank Steak and Balsalmic Spinach Salad

BOOK DETAILS:

Genre: romance, cookbook
Publisher: Harlequin
Publication date: 8/27/2013
ISBN-13: 9780373892815

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Guest Author SUSAN MALLERY showcase & giveaway ENDED

WELCOME BACK SUSAN MALLERY

SUSAN MALLERY

New York Times and USA Today bestselling author SUSAN MALLERY is known for emotionally complex stories told with charm and wit. With a keen eye for human nature, she breathes life into characters on the page and was recently honored with a prestigious National Readers’ Choice Award. Susan has lived all over the United States, including a childhood in the suburbs of Los Angeles, graduate school in the hills of Pennsylvania and several years in Texas. These days, she makes her home in Seattle, Washington. She’s there for the coffee, not the weather.
Connect with Susan at these sites:

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ABOUT THE BOOK

After years of pining for her teenage crush, Isabel Beebe has finally moved on. But the commitment-phobic guy who has been the object of her affection can’t take his eyes or heart off the grown-up girl who used to worship him. USA Today bestselling author Susan Mallery returns to the land of happy endings with THREE LITTLE WORDS (Harlequin HQN, August 2013, $7.99 U.S./$9.99 CAN.), the third title in the new Fool’s Gold trilogy featuring three brave bodyguards—and the women who  love them.

When she was fourteen, Isabel vowed she would love military-bound Ford Hendrix forever. But after endless unanswered letters to her former crush, and one disastrous marriage to a man who turned out to be gay, Isabel is finished with romance for good—at least until she fulfills her dream of moving to New York and taking the fashion world by storm. But when the former.

Navy Seal returns to town, more charming and sexy than ever, Isabel can’t help feeling like a crazy love-struck teenager all over again. Ford joined the Navy 14 years ago, suffering from a broken heart and determined to avoid all future emotional attachments. Now a bodyguard trainer and home for good, Ford has to deal with his persevering mother, who is just as determined to marry her bachelor son off as he is to stay single.

To keep his mother off his back, Ford convinces Isabel to pretend to be his girlfriend until she leaves for New York. Even though it’s hard for him to keep his hands off the formerly scrawny kid who’s grown up in all the right ways, Ford is determined to protect the emotionally fragile girl whose treasured letters kept him sane during his service.

Every kiss and touch, however, has Ford and Isabel wondering how pretend this fake relationship actually is. She’s stirring up emotions in Ford that no one ever has before, while Ford is making Isabel think twice about her plans to leave town. Despite their doubts, Ford and Isabel believe nothing can sway them—not even three little words….

BOOK DETAILS:

Published by: Harlequin
Publication Date: August 2013
Number of Pages: 384 pages
ISBN-13: 978-0-373-77778-5

PURCHASE LINKS:

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I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

 

Partners In Crime Tours Presents: Guest Author MERRY JONES Book Blast & giveaway

Book Blast

WELCOME MERRY JONES


MERRY JONES

Merry Jones is the author of the Harper Jennings thrillers (SUMMER SESSION, WINTER BREAK, BEHIND THE WALLS, OUTSIDE EDEN), the Elle Harrison suspense novel THE TROUBLE WITH CHARLIE, the Zoe Hayes mysteries (THE NANNY MURDER, THE RIVER KILLINGS, DEADLY NEIGHBORS, THE BORROWED AND BLUE MURDERS). She has also written humor (including I LOVE HIM, BUT…) and non-fiction (including BIRTHMOTHERS: Women who relinquished babies for adoption tell their stories.) Jones’ work has been translated into eight languages and she has been published in GLAMOUR, LADIES HOME JOURNAL, CHILD, NEW WOMAN and PHILADELPHIA MAGAZINE. A teacher of writing at Temple University for twelve years, Jones has promoted her work on local and national radio and television. She is a member of The Authors Guild, Mystery Writers of America, International Thriller Writers, and The Philadelphia Liars Club. An avid sculler, Jones lives with her family outside Philadelphia.
Connect with Merry at these sites:

http://merryjones.com/      https://www.facebook.com/merry.d.jones      https://twitter.com/MerryDDJones

ABOUT THE BOOK

“Evil can dig in its roots anywhere and can take on many forms. Smart people know that. Kenahara.”

July. Israel. Iraq War vet and graduate archeologist Harper Jennings doesn’t believe in the Evil Eye. So when Hagit—the woman assigned to show her and her fourteen-month-old baby around Jerusalem—drags the pair of them into a market to buy charms to ward off evil, it isn’t the bad luck Harper fears but the market itself. Close, dark and crowded, the place worries Harper, and when an American mand seems to be in trouble, it is only the presence of the baby that stops Harper from wading in to help.

Later, to Harper’s dismay, she leans that the man she’d seen has been murdered. So when she’s invited to take part in a dig fifty miles away, while her geologist husband Hank takes part in the international symposium on water shortages that has brought them to Israel, she accepts. It will be safer away from the city and the market, she thinks. But Hagit, who’s coming along to look after the baby, disagrees. She is convinced that the Evil Eye has caught sight of Harper, and that it will follow her wherever she goes…

READ AN EXCERPT

All around her, women prayed, their heads bowed and covered. Some stuffed pieces of paper into small cracks and crevices between rocks. Harper Jennings stood at the Western Wall of the Old City in Jerusalem, holding her hand flat against a stone block in the structure. It felt rough, sturdy, solid. Ancient. It had kept its place for over two thousand years, outlasting invaders, empires, cultures, gods. Harper pressed her fingers against it, less interested in the bustling women around her than in the inanimate wall, its past. Who had cut the stone, hauled it, placed it there? And what had it seen—worshipers, warriors, centuries of change? How many other hands had touched it? Millions? Her hand on the stone, Harper felt connected to all of them, a chain of hands and shadows of hands, linked by a rock through ages.

But Harper couldn’t linger; Hagit had the baby, and she didn’t know Hagit very well. Following the practice of the other women, she moved away from the wall without turning her back to it, a sign of respect. When she was sufficiently distant, she looked around and saw Hagit and Chloe, holding hands, waiting for her.

Harper went to them, swept Chloe up, got a joyous squeal.

“Did you put in a prayer?” Hagit nodded at the wall.

“A prayer?”

“In the cracks. Didn’t you see? People put prayers on paper and leave them in the wall.”

“I saw them,” Harper tussled Chloe’s curls. Kissed her warm round cheek.

“I’ll wait.” Hagit held out a pen and scrap of paper. “Go—Put it between the stones. Write down a prayer and leave it there. It’s supposed to be like a—a what do you call it? A mailbox? No–Like Fedex for God.”

Harper laughed.

“Even if you’re not religious, it wouldn’t hurt–”

BOOK DETAILS:

Genre: Suspense
Published by: Severn House
Publication Date: July 1, 2013
Number of Pages: 216
ISBN: 9780727882646

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