Category: Misc

Guest Author PETER LEONARD showcase & giveaway ENDED

WELCOME BACK PETER LEONARD


PETER LEONARD

Peter Leonard lives in Birmingham, Michigan with his wife and four children.

Peter Leonard’s debut novel, QUIVER, was published to inter- national acclaim in 2008, and was followed by TRUST ME in 2009, and VOICES OF THE DEAD and ALL HE SAW WAS THE GIRL in 2012. BACK FROM THE DEAD is his fifth novel. (click titles above for my reviews)
Connect with Peter at these sites:

WEBSITE       

Q&A with Peter Leonard

In preparation for writing EYES CLOSED TIGHT, you spent a month with Detroit police detectives investigating murders. How did the experiences help you prepare and develop your characters?
I spent a lot of time taking to detectives, listening to their stories and the rhythms of their speech. I watched them in action at crime scenes. All of these experiences helped me develop characters who sound real.
 
How did your experiences with the Detroit detectives compare to your expectations before the research?
I thought it would be interesting. I had no idea how interesting.

Was there a particular case that you shadowed that inspired you for the book?
There wasn’t a particular case. It was the complete experience that helped with the background of my story, the procedural aspects of investigating a homicide, watching the Detroit detectives in action.

When you were growing up, how did watching your father Elmore Leonard inspire you to be a writer?
If I ever aspired to be a novelist, I gave up the notion when my father appeared on the cover of Newsweek magazine and became famous.

You spent much of your career in the advertising industry. What made you decide to become a full-time novelist a few years ago?
I was bored out of my mind. At age fifty-two I thought, if I’m ever going to do it I better get going. One evening on my way home from a client meeting at Volkswagen, I stopped at my father’s house. Elmore was writing The Hot Kid. He picked up a piece of paper and read a scene he had written that day. He was excited, enthusiastic about what he was doing and I wasn’t. That might have been my epiphany. A couple months later I started writing my first novel.

At the start of your writing career, you dabbled in scriptwriting. What made you decide to move to novels?
My father said, “If you want to write, write a novel. Writing scripts is like wanting to be a co-pilot.

Of all the characters you’ve created, which is your favorite?
I don’t have a favorite. I like O’Clair from Eyes Closed Tight, Harry Levin from Voices of the Dead, and McCabe from All He Saw was the Girl.

How has living most of your life in Detroit shaped your writing?
If you write crime fiction you couldn’t find a better city than Detroit.

ABOUT THE BOOK

All O’Clair wanted was a quiet life far from the frozen streets of Detroit. A former homicide investigator, he was spending his retirement as a motel owner in sunny Pompano Beach, Florida. He had it all, including his knockout girlfriend, Virginia, who can fix anything.

One morning, while he’s cleaning up after the previous night’s partiers, he sees a lovely young woman who appears to be stretched out asleep on a lounge chair. When he goes to awaken her he realizes she’s taken her last nap. The discovery triggers a rollercoaster chain of events that launches EYES CLOSED TIGHT.

When a second girl is murdered, O’Clair realizes someone is sending him a message. The murder pattern is eerily reminiscent of a case he investigated years earlier. Convinced the murders are related, O’Clair returns to his former stomping grounds at Detroit Police Homicide to review the murder file and try to figure out what he might have missed.

Then Virginia is kidnapped and the case becomes personal. Highly personal.

Read an excerpt

O’Clair got up, put on a pair of shorts and a T-shirt, glanced at Virginia’s cute face and naked shoulder sticking out from under the cover, and went outside. It was seven twenty-five, big orange sun coming up over the ocean, clear sky; looked like another perfect day. O’Clair had moved to Florida from Detroit three months earlier, bought an eighteen-unit motel on the beach called Pirate’s Cove; it had a friendly pirate on the sign surrounded by neon lights.

The Motel was at the corner of Briny Avenue and SE Fifth Street in Pompano Beach. Four-story condo to the north and public beach access immediately south, and next to that, a massive empty lot that a developer was going to build a twenty-five-story apartment building on.

The idea of living through two years of heavy construction had O’Clair concerned, but what could he do about it?

He’d brought a paper grocery bag with ihm and walked around the pool, picking up empties, a dozen or so lite beer cans left by a group of kids from Boston University who’d been staying at the motel the past three days. There were nine of them, three girls and six guys. They’d caravanned down from snowy Massachusetts a week after Christmas.

He fished a few more beer cans out of the pool with the skimmer, picked up cigarette butts that had been stamped out on the concrete patio and threw them in the bag with the empties. O’Clair straightened the lounge chairs in even rows, adjusted the back rests so they were all at the same angle, and noticed one of the chairs was missing. He scanned the pool area, didn’t see it, glanced over the short brick wall that separated the motel from the beach and there it was, twenty yards from where he was standing.

O’Clair kicked off his sandals, opened the gate and walked down three steps to the beach. As he got closer, he could see a girl asleep, stretched out on the lounge chair, one leg straight, the other slightly bent at the knee, arms at her sides. She was a knockout, long blonde hair, thin and stacked, wearing a white T-shirt and denim capris, early twenties. He didn’t recognize her, but figure she was with the group from Boston. She looked so peaceful he didn’t want to wake her. “You should go to your room,” O’Clair said, looking down at her.

The girl didn’t respond. He touched her shoulder, shook her gently. Either she was a heavy sleeper or something was wrong. He touched her neck, felt for a pulse, there wasn’t one. Her skin was cold, body starting to stiffen, definitely in the early stages of rigor. He looked at the sand around the lounge chair, surprised it was smooth, no footprints. Glanced toward the water at the joggers and walkers moving by. O’Clair went back up to the patio, wiped the sand off his feet, and slipped his sandals on.

Virginia was standing behind the registration counter, yawning, eyes not quite open all the way, holding a mug of coffee.

“What do you want for breakfast?”

“There’s a dead girl on the beach.” O’Clair said, picking up the phone and dialing 911.

Virginia’s face went from a half smile, thinking he was kidding, to deadpan, seeing he wasn’t. “What happened?”

The cruiser was white with gold and green stripes that ran along the side, light bar flashing. O’Clair watched it pull up in front, taking up three parking spaces. Two young-looking cops in tan uniforms got out and squared the caps on their heads. O’Clair went outside, met them and introduced himself.

“You the one found the body?” Officer Diaz, the dark-skinned cop said.

O’Clair nodded.

“You know her?” Diaz pulled the brim lower over his eyes to block the morning sun, the top of a crisp white T-shirt visible under the uniform.

“At first I thought she was with the group from BU. Now I don’t think so.”

“What’s BU?” the big, pale one, Officer Bush said, showing his weightlifter’s arms, uniform shirt bulging over his gut.

“Boston University. Nine kids staying with us, units seventeen and eighteen.” O’Clair didn’t know the sleeping arrangements and didn’t care. They were paying $720 a night for two rooms, staying for five days.

An EMS van pulled up and parked facing the police cruiser. Two paramedics got out, opened the rear door, slid the gurney out, and O’Clair led them through the breezeway, past the pool, to the beach. The paramedics set the gurney next to the lounge chair, examined the girl and pronounced her dead.

Officer Bush said, “What time did you find her?”

“Around twenty to eight.”

“How can you be sure?”

“I looked at my watch,” O’Clair said, like it was a big mystery.

Diaz grinned, showing straight white teeth, reminding O’Clair of Erik Estrada, his tan polyester uniform glinting in the morning sun. “Did you touch the body?”

“Her neck, felt for a pulse.” O’Clair saw Virginia wander down, standing at the seawall with her cup of coffee, watching them. Officer Bush went back to the cruiser and got stakes and tape, then set up a perimeter around the dead girl, protecting the crime scene. The paramedics picked up the gurney and left, leaving the body for the evidence tech.

Diaz took a spiral-bound notebook out of his shirt pocket, wrote something and looked up at O’Clair. “Ever see her before? Maybe lying in the sun, walking the beach?”

“I don’t think so,” O’Clair said. “Someone like that I would remember.”

Diaz said, “You see anyone else?”

“College kids out by the pool.” He almost said drinking beer, but caught himself, he doubted they were twenty-one and didn’t want to get them in trouble.

“What time was that?”

“Around eleven o’clock.”

“Then what happened?

“I went to bed.”

Diaz said, “Anything else you remember? Any noises?”

“No.”

The evidence tech arrived carrying a tool box, set it on the sand a few feet from the lounge chair, opened it, took out a camera, and shot the crime scene from various angles. Diaz searched the surrounding area for evidence and Bush questioned the morning joggers and walkers wandering up toward the scene. O’Clair watched from the patio, learning against the seawall. Virginia had gone back to the office.

A guy in a tan, lightweight suit walked by O’Clair and went down the steps to the beach. He had to be with homicide. The evidence tech, wearing white rubber gloves, was swabbing the dead girl’s fingernails. He glanced at the guy in the suit.

“What do you got?”

“Fatal.”

“I figured that unless you were doing her nails.”

“Not much here,” the evidence tech said, “couple hairs, maybe a latent, and something you’re not going to believe.” He whispered something to the suit that O’Clair couldn’t hear.

“Jesus, I’ve seen a lot, but I haven’t seen that.” The homicide investigator shook his head. “Where’s the blood?”

“That’s what I want to know.”

“How’d she die?”

“You want a guess? That’s about all I can give you right now. She was asphyxiated, been gone about four hours.”

“Who found her?”

The evidence tech turned and pointed at O’Clair above them on the patio. The detective came up the steps and stood facing him.

“I’m Holland, Pompano Beach Homicide.” He has a goatee and a crooked nose, early thirties. “What’s your name, sir?”

“O’Clair.”

“I understand you found her.”

“That’s right.”

“You down here for a vacation, or what?”

“I own the place, bought it three months ago.”

“Where you from, Cleveland, Buffalo, someplace like that?”

“Detroit,” O’Clair said.

“Even worse,” Holland said, breaking into a grin. Just kidding. I got nothing against the Motor City.”

“Well that’s a relief,” O’Clair said.

Holland wore his shield on his belt and a holstered Glock on his right hip.

“You married?”

“Living with a girl named Virgnia, helps me run the place.”

“The hot number in the office?”

O’Clair fixed a hard stare on him.

“How’d you arrange that?”

“I must have some hidden talents.”

“You must,” Holland said. “Tell me what you saw this morning.”

“Same thing you did—dead girl on a lounge chair,” O’Clair said. “Know who she is?”

“No ID. No idea. Have to check with missing persons. Was the chair left on the beach?”

“It shouldn’t have been. The lounge chairs are supposed to be kept in the pool enclosure. It’s one of our rules here at Pirate’s Cove.”

“Your guests break the rules very often?”

“Oh, you know how it is. Get in the Jacuzzi with a beer, without taking a shower, and you’ve broken two right there.” O’Clair paused, playing it straight. “The rules are from the previous owner, guy named Moran. I keep them posted ‘cause I think they’re funny. Someone sat down and wrote them in all seriousness.”

“What do you think happened? This girl was walking by and got tired, saw your place, went up, got a lounge chair, brought it to the beach, lay down, and died in her sleep?”

“I’d ask the medical examiner.”

The evidence tech was taking off the rubber gloves, closing the top of the tool box.

Holland said, “What else did you see?”

“You’re asking the wrong question,” O’Clair said. “It’s not what I saw, it’s what I didn’t see.”

“Okay. What didn’t you see?”

“There were no footprints in the sand. Like she was beamed there.”

“So the wind erased them,” Holland said.

“You really believe that?”

“It’s the only plausible explanation I can think of.”

“What else didn’t you see?”

“No obvious cause of death. No evidence of a struggle. In fact, no evidence at all.” O’Clair looked at Holland, caught something in his expression.

“You sound like you know the trade,” Holland said.

“What’s you do before you became an innkeeper?”

“Worked in homicide in Detroit.”

Holland grinned. “I had a feeling. Then you must’ve seen her eyes were missing right? Bulbs removed, empty sockets.”

“But no blood,” O’Clair said. “So it was done somewhere else. Find the primary crime scene, you’ll find the evidence.”

“You weren’t going to say anything?”

“It’s not my case,” O’Clair said. “I figured somebody was going to notice sooner or later, it wasn’t you or the evidence tech it would’ve been the ME.”

“Why do you think the girl ended up here?”

“I have no idea. Why don’t you roll her over, maybe you’ll find something.”

Occasionally there was a crucial piece of evidence under the body, a lead. IT could be a round that would be tested for ballistics comparison against other homicides. It could be money or drugs, suggesting a possible motive, or it could be a cell phone that would lead to the possible killer or killers.

But there was nothing under the dead girl. No ID. No cell phone. Her body was bagged and the remains taken to the Broward County Medical Examiner’s Office. They took O’Clair’s lounge chair too.

“It’s evidence,” Holland said. “You’ll get it back eventually.”

O’Clair doubted it. He knew what happened to evidence.

Bush and Diaz went upstairs, woke the BU students and brought them down to the pool, nine kids looking hung over, yawning. Eight twenty in the morning was the middle of the night for them. O’Clair had noticed they usually didn’t get up till after noon. Holland questioned them one by one, showed photos of the dead girl, took statements, and sent them back to their rooms. No one knew or had ever seen the girl before. No one had seen anything suspicious or heard anything during the night.

The MacGuidwins from Mt. Pearl, Newfoundland in unit two, who had complained about the students making too much noise, were questioned next by Holland. O’Clair watched the fair-skinned, red-haired couple shaking their heads.

As it got hotter, Holland commandeered unit seven for his makeshift interrogation room and brought the other renters in two-by-two for questioning. There were the Burnses, Susan and Randy, from Troy, Michigan; the Mitchells, Joe and Jean, from San Antonio, Texas; the Belmonts, John and Shannon, from Chicago, Illinois; and the Mayers, Steve and Julie, from Syracuse, New York. Steve Mayer woke up with four-alarm heartburn at three-thirty a.m., got up, took a Nexium, walked out by the pool and remembered seeing the lounge chair on the beach, but didn’t think anything of it. None of the other renters saw or heard anything.

O’Clair walked Holland out to his car at eleven twenty, glad to finally get rid of him.

“Miss the life?” Holland said.

“Are you kidding?”

“Some things about it I’ll bet.” He handed O’Clair a card. “Call me if you think of something.”

Watch for my review in the near future.

BOOK DETAILS:

Genre: Mystery, Thriller
Number of Pages: 300 pages
Publisher: The Story Plant
Publication Date: March 4, 2014
ISBN-10: 1611881145
ISBN-13: 978-1611881141

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
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Guest Author JOSHUA GRAHAM

WELCOME JOSHUA GRAHAM


JOSHUA GRAHAM

WINNER OF the INTERNATIONAL BOOK AWARDS (Beyond Justice), #1 bestselling author Joshua Graham’s award-winning novel DARKROOM hit 3 bestseller lists on Amazon the night of its release.

CBS NEWS described DARKROOM as a book with “action, political intrigue and well-rounded characters…a novel that thriller fans will devour.”

PUBLISHERS WEEKLY described BEYOND JUSTICE as: “A riveting legal thriller…breaking new ground with a vengeance…demonically entertaining and surprisingly inspiring.”

Suspense Magazine listed BEYOND JUSTICE in its BEST OF 2010, alongside titles by Scott Turrow, Ted Dekker, Steven James and Brad Thor.

His short story THE DOOR’S OPEN won the HarperCollins Authonomy Competition (Christmas 2010.)

Many of Graham’s readers blame him for sleepless nights, arriving to work late, neglected dishes and family members, and not allowing them to put the book down.

Josh grew up in Brooklyn, NY where he lived for the better part of 30 years. He holds a Bachelor and Master’s Degree and went on to earn his doctorate from Johns Hopkins University. During his time in Maryland, he taught as a professor at Shepherd College (WV), Western Maryland College, and Columbia Union College (MD).

Today he lives with his beautiful wife and children on the West Coast. Several of Graham’s short fiction works have been published under various pen names by Pocket Books and Dawn Treader Press. Writing under the pen name Ian Alexander, Graham debuted with his first Epic Fantasy novel ONCE WE WERE KINGS, an Amazon #1 Bestseller in multiple categories and Award-Winning Finalist in the SciFi/Fantasy category of The USA “Best Books 2011 Awards, as well as an Award-Winning Finalist in the Young Adult Fiction category of The USA “Best Books 2011 Awards, and an Award Winner in the 2011 Forward National Literature Awards in the Teen/Young Adult category. ONCE WE WERE KINGS is available in ebook and hardcover editions.
Connect with Joshua at these sites:

WEBSITE        TWITTER   

Q&A with Joshua Graham

Writing and Reading:
Do you draw from personal experiences and/or current events?
To some extent. In the case of Beyond Justice, when imagining and conjuring up the emotion of the opening scenes, I used my own home and neighborhood in my mind. It was very difficult, because these are things no one even wants to imagine. But for the sake of realism, I made myself go there. It’s not something I would chose to do lightly and certainly not something I enjoy. I also draw upon life events—job loss, loss of loved ones, etc., because it’s the only way I can be genuine in my depiction of my characters’ reactions and feelings during such times.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
I do either or both, depending on how the story tells itself to me. It does help to know the ending, or at least part of it, so you can set it up and drive at it with a clear direction. In fact, for mystery, knowing the ending helps me as a writer to be more tricky.

Your routine when writing? Any idiosyncrasies?
I typically write in the afternoon, after I’ve sent the kids to school, or have finished teaching homeschool lessons (we do both school and homeschool). As for idiosyncrasies, I try to clear my mind and pray before I begin. Besides the plot and characters, I try to remember my whole purpose for writing, and that is to entertain as well as bring about thought provoking ideas, and a sense of hope.

Is writing your full time job? If not, may I ask what you do by day?
My full time job is being a husband and a father. By day, I pose as a thriller author, but no one really knows my secret identity.

Oops.

Who are some of your favorite authors?
C.S. Lewis, Dean Koontz, Stephen King, John Grisham, James Rollins, Steve Berry… the list goes on.

What are you reading now?
DEADLINE, by Sandra Brown

Are you working on your next novel? Can you tell us a little about it?
I am always working on my next novel, and I could tell you, but… well, you know. 😉

I grant clearance and access to that information to my newsletter subscribers. If you want clearance, you can get it by subscribing here: www.joshua-graham.com/newsletter

Fun questions:
Your novel will be a movie. Who would you cast?
For Sam Hudson, I think there are a few choices, but you know what? I would love to see Will Smith portray him.

Manuscript/Notes: hand written or keyboard?
Both, lots on my mobile phone too.

Favorite leisure activity/hobby?
Hanging out with friends, laughing and playing Texas Holdem

Favorite meal?
Probably a nice Italian combination of pasta, chicken and salad. Not sure what it’s called but it usually has sun dried tomatoes included.

How do people get in touch with you?
My website has information on me and my books www.joshgraham.net
And I’m on twitter www.twitter.com/J0shuagraham
And facebook www.facebook.com/j0shgraham
I blog occasionally too: www.joshua-graham.com/blog

Check out the trailer for my most recent book TERMINUS: www.joshua-graham.com/terminustrailer

 

ABOUT THE BOOK

THE DESCENT INTO HELL IS NOT ALWAYS VERTICAL…

Sam Hudson, a reputable San Diego attorney, learns this when the authorities wrongfully convict him of the brutal rape and murder of his wife and daughter, and sends him to death row. There he awaits execution by lethal injection.

If he survives that long.

In prison, Sam fights for his life while his attorney works frantically on his appeal. It is then that he embraces the faith of his departed wife and begins to manifest supernatural abilities. Abilities which help him save lives- his own, those of his unlikely allies-and uncover the true killer’s identity, unlocking the door to his exoneration.

Now a free man, Sam’s newfound faith confronts him with the most insurmountable challenge yet. A challenge beyond vengeance, beyond rage, beyond anything Sam believes himself capable of: to forgive the very man who murdered his family, according to his faith. But this endeavor reveals darker secrets than either Sam or the killer could ever have imagined. Secrets that hurtle them into a fateful collision course.

BEYOND JUSTICE, a tale of loss, redemption, and the power of faith.

“…A riveting legal thriller…. breaking new ground with a vengeance… demonically entertaining and surprisingly inspiring.”

READ AN EXCERPT

The descent into Hell is not always vertical.

Bishop Frank Morgan

PART I

Chapter One

THE QUESTION MOST PEOPLE ASK when they first meet me is: How does an attorney from a reputable law firm in La Jolla end up on death row? When they hear my story, it becomes clear that the greater question is not how, but why.

I have found it difficult at times to forgive myself for what happened. But a significant part of the answer involves forgiveness, something I never truly understood until I could see in hindsight.

Orpheus went through hell and back to rescue his wife Euridice from death in the underworld. Through his music, he moved the hearts of Hades and Persephone and they agreed to allow Euridice to return with him to Earth on one condition: He must walk before her and not look back until they reached the upper world. On seeing the Sun, Orpheus turned to share his delight with Euridice, and she disappeared. He had broken his promise and she was gone forever. This failure and guilt was a hell far worse than the original.

My own personal hell began one night almost four years ago. Like images carved into flesh, the memories of that night would forever be etched into my mind. The work day had been tense enough”my position at the firm was in jeopardy because of the inexplicable appearance of lewd internet images in my folder on the main file server.

Later that night, as I scrambled to get out the door on time for a critical meeting with a high profile client, my son Aaron began throwing a screaming fit. Hell hath no fury like a boy who has lost his Thomas Train toy. In my own frenzied state, I lost my temper with him.

Amazing how much guilt a four-year-old can pile on you with puppy-dog eyes while clinging to his mother’s legs. His sister Bethie, in all her seventh grade sagacity, proclaimed that I had issues, then marched up to her room, slammed the door and took out her frustration with me by tearing though a Paganini Caprice on her violin. All this apocalypse just minutes before leaving for my meeting, which was to be held over a posh dinner at George’s At The Cove, which I would consequently have no stomach for.

I couldn’t wait to get home. The clock’s amber LED read 11:28 when I pulled my Lexus into the cul-de-sac. Pale beams from a pregnant moon cut through the palm trees that lined our street. The October breeze rushed into the open window and through my hair, a cool comfort after a miserable evening.

If I was lucky, Jenn would be up and at the computer, working on her latest novel. She’d shooed me out the door lest I ran late for the meeting, before I could make any more of a domestic mess for her to clean up.

The garage door came down. I walked over to the security system control box and found it unarmed. On more than one occasion, I had asked Jenn to arm it whenever I was out. She agreed, but complained that the instructions were too complicated. It came with a pretty lame manual, I had to admit.

The system beeped as I entered the house, greeted by the sweet scent of Lilac”her favorite candles for those special occasions. So much more than I deserved, but that was my Jenn. Never judging, never condemning, she understood how much stress I’d been under and always prescribed the best remedy for such situations.

From the foot of the stairs I saw dimmed light leaking out of the bedroom. It wasn’t even date night, but I had a pretty good idea what she was thinking. So before going up, I stopped by the kitchen, filled a pair of glasses with Merlot and set out a little box of chocolates on a breakfast tray”my secret weapon.

As I climbed the stairs I smiled. The closer I got, the more I could smell the fragrant candles. From the crack in the door classical music flowed out: Pie Jesu from Faure’s Requiem. Must’ve been writing a love scene. She always used my classical CDs to set her in the right mood.
A beam of amber light reached through the crack in the doorway into the hallway. The alarm system beeped. She must have shut a window. It had just started to rain and Jenn hated when the curtains got wet.
Kathleen Battle’s angelic voice soared.

Pie Jesu Domine,
Dona eis requiem,
Requiem sempiternam.
Jenn didn’t know a word of Latin. She just liked the pretty tunes.

I nudged the door open with my foot.

“Honey?” Caught a glimpse of a silky leg on the bed. Oh, yes. I pushed the door open.

Shock ignited every nerve ending in my body like napalm. The tray fell from my hands. Crashed to the ground. Glasses shattered and the red wine bled darkly onto the carpet.

Jenn lay partially naked, face-down, the sheets around her soaked crimson. Stab wounds scored her entire body. Blood. Blood everywhere!

“Jenn!”

I ran to her, turned her over.

She gasped, trying to speak. Coughed. Red spittle dripped from the corner of her mouth. “The kids…”

I took her into my arms. But her eyes begged me to go check on them.

“You hang on, honey. With all you’ve got, hang on!” I reached for my cell phone but it fell out of my belt clip and bounced under the bed.
On my knees now, I groped wildly until I found the cell phone. Dialed 9-1-1. Barely remembered what I said, but they were sending someone right away.

Jenn groaned. Her breaths grew shorter and shorter.

“Bethie… Aaron.”

Her eyes rolled back.

“I’m going. Hang on, baby. Please! You gotta hang on!” I started for the door. Felt her hand squeeze mine twice: Love-you.

No.

Tears streamed down my face. As I began to pull away, she gripped my hand urgently. For that split second, I knew. This was the end. I stumbled back to her. Gathered her ragdoll body in to my arms.
“Jenn, oh God, Jenn. Please don’t!”

“Whatever it takes,” she said. Again, she squeezed my hand twice.

“Mercy, not…sacrifice. One last gasp. She sighed and then fell limp in my arms, her eyes still open.

Holding her tight to my chest, I let out an anguished cry.

All time stopped. Who would do this? Why? Her blood stained my shirt. Her dying words resonated in my mind. Then I remembered. The kids. I bolted up and ran straight to Bethie’s room.
Bethie’s door was ajar. If my horror hadn’t been complete, it was now. I found her exactly like Jenn”face down, blood and gashes covering her body.

Though I tried to cry out, nothing escaped the vice-grip on my throat. When I turned her over, I felt her arm. Still warm, but only slightly. Her eyes were shut, her face wet with blood.
“Bethie! Oh, sweetie, no!” I whispered, as I wrapped the blanket around her.

I kissed her head. Held her hand. Rocked her back and forth. “Come on, baby girl. Help’s on its way, you hold on,” I said, voice and hands trembling. She lay there unconscious but breathing.

Aaron.

Gently, I lay Bethie back down then got up and flew across the hall. To Aaron’s door. His night light was still on and I saw his outline in the bed.
Oh God, please.

I flipped the switch.

Nothing.

I dashed over to the lamp on his nightstand, nearly slipping on one of his Thomas Train toys on the carpet. Broken glass crackled under my shoes.

I switched on the lamp on his nightstand. When I looked down to his bed, my legs nearly gave out. Aaron was still under his covers, but blood drenched his pillow. His aluminum baseball bat lay on the floor, dented and bloodied.

Dropping to my knees, I called his name. Over and over, I called, but he didn’t stir. This can’t be happening. It’s got to be a nightmare. I put my face down into Aaron’s blue Thomas Train blanket and gently rested my ear on his chest.

I felt movement under the blanket. Breathing. But slowly”irregular and shallow.

Don’t move his body. Dammit, where are the paramedics?

I heard something from Bethie’s room and dashed out the door. Stopping in the middle of the hallway, I clutched the handrail over the stairs. Thought I heard Aaron crying now. Or maybe it was the wind.
My eyes darted from one side of the hallway to the other. Which room?
Faure’s Requiem continued to play, now the In Paradisum movement.
Aeternam habeas requiem.

Something out in front of the house caught my attention. The police, the paramedics! Propelled by adrenaline, I crashed through the front door and ran out into the middle my lawn which was slick with rain. I slipped and fell on my side.

Nobody. Where were they!

Like a madman, I began screaming at the top of my lungs. My words echoed emptily into the night.

“Help! Somebody, please!”

A dog started barking.

“Please, ANYBODY! HELP!”

Lights flickered on in the surrounding houses.
Eyes peeked through miniblinds.

No one came out.

I don’t know if I was intelligible at this point. I was just screaming, collapsed onto the ground, on my hands and knees getting drenched in the oily rain.

Just as the crimson beacons of an ambulance flashed around the corner, I buried my face into the grass. All sound, light, and consciousness imploded into my mind as if it were a black hole.

BOOK DETAILS:

Genre: Mystery
Published by: Dawn Treader Press
Publication Date: July 2010
Number of Pages: 430
ISBN:978-0-9844526-0-6

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
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Launch Day Blitz: JESSICA SCOTT

JESSICA SCOTT

USA Today bestselling author Jessica Scott is a career army officer; mother of two daughters, three cats and three dogs; wife to a career NCO and wrangler of all things stuffed and fluffy. She is a terrible cook and even worse housekeeper, but she’s a pretty good shot with her assigned weapon and someone liked some of the stuff she wrote. Somehow, her children are pretty well-adjusted and her husband still loves her, despite burned water and a messy house.

She’s written for the New York Times At War Blog, PBS Point of View: Regarding War Blog, and Iraq and Afghanistan Veterans of America. She deployed to Iraq in 2009 as part of Operation Iraqi Freedom/New Dawn and has served as a company commander at Fort Hood, Texas.

She’s pursuing a PhD in Sociology in her spare time and most recently, she’s been featured as one of Esquire Magazine’s Americans of the Year for 2012.
Connect with Jessica at these sites:

WEBSITE        TWITTER    

ABOUT THE BOOK

All Sergeant First Class Reza Iaconelli cares about is staying sober and leading his platoon. He wants everyone to stay out of his way; what he gets is Captain Emily Lindberg. Fort Hood’s newest shrink is smart as a whip, sexy as hell, and full of questions. Emily has devoted her life to giving soldiers the care they deserve, so when Reza agrees to help her understand what makes a soldier tick, she’s thrilled. It helps that the sexy warrior touches a part of her she thought long dead. He’s the man who thinks combat is the only escape from the demons that haunt him. The man who need sher most of all.

Read an excerpt

         Emily watched her friend weave through the crowd of broad-shouldered Cavalrymen and toward the captain. Alone at the bar, Emily twirled her wine in the glass, staring into the swirling pale golden liquid.

She sipped her wine and glanced around the wide open space, feeling the warmth. She was comfortable in this place. A drink after work. A good friend. This was a good life. It was simple. It had purpose. So much better than the complicated mess she’d left behind.

She lifted her glass, savoring the freedom of her rebellion. She might not fit into her uniform just right but she fit here among these soldiers better than she’d ever fit back home.

She saw Olivia gyrating slowly with the captain across the dance floor. Her friend’s movements were slow and sensual, a sultry undulation that spoke of power and of sex. She smiled at her friend’s pleasure. It was enough that Emily could enjoy another’s happiness. She’d come here tonight to relax, to help Olivia celebrate.

“You don’t come here often, do you?”

Emily glanced at the man who’d appeared at her shoulder. He’d been standing with the group of captains that Olivia had just infiltrated.

“Not really,” she said, sipping her drink. She thought about easing away, putting space between where their upper arms touched.

Personal space much? she thought.

“Are you here with friends?” he asked. She caught a heavy scent of beer from his direction, beer mixed with cigar smoke. It was not unpleasant.

She glanced over at Olivia. “Yeah.”

“Not up for company?”

She smiled and finally glanced back at him. “Not really. Thank you though.”

He brushed the tip of his hat with two fingers. “My pleasure, ma’am.”

He swaggered off, leaving her alone at the bar. That had been nice. Too bad she wasn’t interested. Once upon a time, she might have danced but there was something missing from the way he’d carried himself.

He was missing that power that Sergeant Iaconelli wore like it was second nature.

She shook her head and took a long sip of her wine. She’d done nothing but argue with the man but now she was thinking about him in a way that was purely unprofessional.

The heavy iron door swung open at that moment and Emily’s breath caught in her throat.

“Speak of the devil,” she muttered.

Reza Iaconelli stood in the doorway, his gaze scanning the room as though he was taking a headcount. What was it about the man that he was always walking through doors at the wrong time? And this time, his gaze swept the bar and landed directly on her.

His eyes lit up, his mouth flattened. Just a faint flicker, but it was enough to tell her he’d recognized her.

And the familiar hostility was gone.

Her mouth went dry and she took another sip. He wasn’t going to come over. It was going to be fine.

They would keep the rampant hostility and no lines would be blurred.

It would be fine, right?

Except that he was now coming over. Weaving through the crowd, his Stetson adding to his height.

What the hell was she supposed to do about that? The closer he got, the more her stomach flipped beneath her ribs.

She was too tired to fight. And the alcohol would probably allow her to say something that she’d regret come Monday.

His clean white shirt accented his shoulders and made his skin look darker, more appealing. His face was shadowed by the brim of the Stetson.

He was there. A short space separated them. He radiated something—a power.

A rawness.

She was doomed.

BOOK DETAILS:

Print Length: 307 pages
Publisher: Forever
Publication Date: February 4, 2014
Sold by: Hachette Book Group
ASIN: B00EHMFCPK

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
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Guest Author GLORIA GAYNOR showcase & giveaway ENDED

WELCOME GLORIA GAYNOR

GLORIA GAYNOR

Grammy Award-winning singer GLORIA GAYNOR took the music world by storm in the 1970s, striking platinum with her disco hit “I Will Survive.” “I Will Survive” was the only song to earn a Grammy for Best Disco Recording and was one of only 25 songs inducted into the Grammy Hall of Fame in 2012. Gaynor has appeared on countless television and radio shows, received numerous national and international music and humanitarian awards, and continues to perform around the world for legions of fans. Her most requested song is, of course, “I Will Survive.”

 

Coauthor SUE CARSWELL, author of Faded Pictures from My Backyard (Ballantine), is a reporter-researcher at Vanity Fair and has ghostwritten numerous books. She is a former executive and senior editor at Random House Inc. and Simon and Schuster, a former story producer for Good Morning America, and correspondent for People magazine.
Connect with Ms. Gaynor at these sites:

WEBSITE        TWITTER    

*A portion of the author’s proceeds will donated to the NY Chapter of the American Diabetes Association (http://www.diabetes.org/in-my-community/local-offices/new-york-new-york/) and Danny and Ron’s Rescue (http://dannyandronsrescue.com/).

 

ABOUT THE BOOK

— For millions of music lovers around the world Gloria Gaynor’s name is synonymous with pop music. An undisputed disco sensation, she was enjoying tremendous success in the 1970’s, performing to sold-out audiences across the country and riding the top of the Billboard chart with her hit single, “I Never Can Say Goodbye”.  Little did she know that fate would soon strike in both tragic and triumphant ways. While performing a concert in New York City, Gaynor fell from the stage. She got back up and continued the performance, but the next morning she woke up unable to move. The singer required back surgery and a lengthy, painful recovery, and she nearly lost her recording contract. At the request of the label she went back into the studio (in a back brace) to record a cover version of a Righteous Brothers song called “Substitute”. The hastily selected B-side chosen for the single…a little tune you may have heard of called “I Will Survive”.

Over the last 35-years, “I Will Survive” has transcended from a surprise hit to a pop culture anthem.  From its instantly recognizable opening riff to its final chorus, the song has become an international inspiration for people everywhere struggling to find the courage and strength to survive and thrive against life’s challenges and setbacks. Gloria Gaynor and the song have both become legends, and the legend lives on!

Gaynor will celebrate the 35th anniversary of the Grammy Award winning tune with a new book and a new CD. WE WILL SURVIVE: True Stories of Encouragement, Inspiration and the Power of Song (December 2013, Grand Harbor Press), written with Vanity Fair reporter Sue Carswell, shares personal stories from fans across the country who have triumphed over incredible adversity, and for whom the song “I Will Survive” has become a mantra for perseverance and success.  The book recounts real-life experiences from people from all walks of life – from an Oklahoma Bombing rescuer to a 9/11mother to a Holocaust survivor. Gloria also opens up for the first time about her own personal life struggles including the murder of her sister and the break-up of her marriage.

WE WILL SURVIVE is both heart-wrenching and uplifting – a book that illustrates the unifying and healing powers of music. It also eloquently expresses Gloria Gaynor’s unique style – her fierce love of life, her devotion to faith and her enduring love for the song that has become the soundtrack of a million lives.  “I still love singing it in concert, and on tour I save it for last,” says Gaynor. “I sing the song to myself every time I face a problem. It always works.”

Read an excerpt

INTRODUCTION

Behind the Song

I grew up in a single-parent home with a single mother and six siblings—therein lay the crux of my problems. Too few people know the devastating long-term effects that can ravage the life of a child raised without a father—or at least a good father figure. I had no uncles—my mother was an only child—and my father had two sisters but no brothers.

When I was five years old, we moved from an apartment building to a two-family house. There was a young, childless couple, John and Mary, who lived on the second floor. I often visited them, and they played with me every day.

One day Mary went to the hospital to deliver their first child. I had come to think of them as an aunt and uncle, so it was not strange to me when John invited me up to their apartment to have cookies and milk. I innocently allowed him to lead me into the bedroom, where he proceeded to lift me onto the bed and remove my panties. As he began to molest me, I looked up at him and said, “My mommy’s not gonna like this!”

He responded angrily: “Your mother’s not gonna know!”

“Yes, she will, cuz I’ll tell her,” I timidly said.

At that he hurriedly replaced my panties, snatched me from the bed, and dragged me to the front door of the apartment, where he shoved me out with a growl: “Git on back downstairs. You make me sick.” Looking back on it now, I think he probably meant, “You make me scared.”

My mother was a no-nonsense, take-no-crap-from-anyone kind of person, and John knew it. Because of that, I never told her what happened that day. I believed she would probably have hurt him seriously, which would have meant jail time and that I would be left without a mother as well as a father. I had no way of realizing then that John had stolen my innocence that afternoon and had reinforced the low self-esteem and abandonment issues I already suffered, born of fatherlessness.

Fatherlessness, coupled with this incident, set the stage for my behavior in male relationships from then on. I grew up feeling that every rejection or maltreatment from any man for any reason was because I wasn’t worthy of better treatment. When I was twelve, my mother had a relationship with a man she grew to love. For two years she kept him away from my siblings and me, so as not to have someone around who might, in some way, harm her daughters. Eventually he came to live with us, and we grew to like him a lot. He was a father figure—until one day he sexually molested me while I was asleep in my bedroom and my mother was asleep in hers.

“Why are you doing this?” I asked as I awoke.

“I was just trying to see if you were messing with those little boys,” he answered.

“You could have asked me that,” I snapped back.

I stopped him before he had gone too far, but the damage to my psyche had already been done. Again I didn’t tell my mom, even though her greatest fear had come to pass. I had seen her alone and lonely for years, and I didn’t want to get in the way of her happiness with the man she loved. I also didn’t want her to get into trouble for trying to seek retribution against him.

The incidents with my stepfather and John, as well as my reactions to them, set the tone for my future relationships with men and became par for the course. I ended up being rejected, disrespected, and neglected in every relationship, from puberty up to and including my marriage. When I was eighteen, I was naïve enough to trust the cousin of an ex-boyfriend. I allowed him to take me to visit his girlfriend—only to find that not only was she not home, there was no one there at all. He raped me. “Don’t even think of screaming,” he threatened. “No one else is here, no one will hear you, and you will only piss me off. So, act like you like it!”

When I got home that night, I went straight to the bathroom and tried to scrub away the guilt and shame I felt. It did not work. I never told anyone about it because, again, I didn’t want anyone to get in trouble for trying to defend me. Legal recourse never crossed my mind. Again, I just considered it all par for the course.

When I met my husband, Linwood, I thought he was my knight in shining armor. He was handsome, intelligent, gallant, chivalrous, generous, and so much fun. After two years I made him my manager. As artist/girlfriend and manager/boyfriend, our relationship was great for two years that was followed by a not-so-terrific one.

In the midst of my trouble in paradise, I received a notice from my record company. For no apparent reason, they were not renewing my recording contract, which would expire at the end of the year.

One night, at one of my shows, I had an accident onstage and woke up the next morning paralyzed from the waist down. I ended up in the hospital for spinal surgery. People were going around the record company saying, “The Queen is dead.” Was I simply a one-hit wonder with “Never Can Say Goodbye”? During the three-month hospital stay that followed, God got my attention. Gripped with fear of abandonment, physical handicap, and showbiz obscurity, I reached out to Him for help.

True to form, the Lord didn’t fail me. Within a year I had a massive hit with “I Will Survive,” and Linwood and I were married. Like so many innocent women, I thought, now that we’re married, things will be different; our focus will be on building a happy family together. I wasn’t the perfect wife, but I was attentive, trusting, reassuring, supportive, affectionate, loving, caring, and faithful. Linwood wasn’t all that bad as a husband. He was supportive as far as my career was concerned—physically protective and affectionate. But he took disrespect and disregard to a whole new level. I think he became so self-absorbed that he didn’t care if he was being hurtful to me. He had no concept of commitment and thought a grown man should be free to do whatever he wanted, stay out all night as many nights as he liked—so he did. It’s enough to say, as I often do, that I stayed at that party way too long.

What Linwood didn’t count on was the impact of “I Will Survive” and how much it would do for me. When I recorded the song, I thought of it concerning the courage it produced in me regarding my career, my mom’s passing, and the surgery I’d just had, and how it would encourage and inspire other people as well.

Now it became my mantra. It guided me in holding on to my faith and trusting God to bring me victoriously through all my trials and tribulations. I learned that internal scars—like those caused by fatherlessness, my stepfather, my ex-boyfriend’s cousin, and Linwood—put holes in your soul. Those scars can be just as deep as physical ones. They are just as painful and damaging, and generally hurt longer and are more debilitating. It took a while, but I grew strong, and I truly learned how to get along. My courage grew, and I began to recognize my own strength and the power God had placed in me. I spent several more years trying to make my marriage successful. But, as I told my husband on several occasions, “The problem with pushing a person to her limit is that no one knows what her limit is until she reaches it, and then it’s too late.”

Indeed, it became too late. I had reached my limit and came to the conclusion I couldn’t make the marriage work on my own and it was time to end it. My husband had taken up permanent residence in the state of denial and it was time for me to make a move as well. When I told my pastor I was getting a divorce, he asked me how I felt about it. After a long pause, I said, “Free at last, free at last, thank God Almighty, I’m free at last!”

I never missed Linwood because, to tell the truth, he had left me years before the divorce. But it was great getting to know the new me, the me so many abusive men had caused to hide deep down inside. Well, she’s out now. I love her, and God loves her, and she’ll never go into hiding again.

Indeed, I will survive.

In the following pages, you will find compelling stories that will likely mirror the experiences of yourself, family members, friends, and acquaintances. They are real-life stories of real people who valiantly climbed mountains of seemingly insurmountable obstacles to reach the pinnacle of triumph.

This book came about in a special way. My team—Sue Carswell, Stephanie Gold (my manager), and I—put out the word across the world that we were looking for survival stories for this book. We eventually received stories from as far away as Africa—including one story of a woman who was encamped in Auschwitz, another from a 9/11 mother, and the story of an autistic boy ordering flowers for his mother for Mother’s Day. We contacted blogs and writing magazines and reached out to various organizations that had members’ stories depicting the true essence of the song. Several of these groups included healing resources for abused women and men. It seems we used every connection we could find. Some in this book are even our friends’ stories. In the end we narrowed it down to forty stories we felt best illuminated the lyrics of my song. They vary in dimension, but I am very proud of each and every contributor for making this book come true.

My sincere hope is that these stories will provide inspiration, encouragement, and empowerment to you—no matter what challenges you might be facing. If the remarkable people in these stories can survive as I did, I know you can too!

BOOK DETAILS:

Grand Harbor Press, December 1, 2013
Self-Help; 205 pages
Hardcover $19.95 US
ISBN-10: 1477848037 – ISBN-13: 978-1477848036
Paperback $14.95 US
ISBN-10: 1477849130 – ISBN-13: 978-1477849132
Kindle Edition $9.95 US
ASIN: B00DCX0X40
Audio Book $19.99 US
ISBN-10: 1480542849 – ISBN-13: 978-1480542846

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Guest Author DR. JOE WENKE showcase & giveaway ENDED

WELCOME BACK DR. JOE WENKE

DR. JOE WENKE

DR. JOE WENKE is an outspoken and articulate LGBTQ rights activist, social critic and observational satirist. He is the founder and publisher of Trans Über, a publishing company with a focus on promoting LGBTQ rights, free thought and equality for all people. In addition to PAPAL BULL: An Ex-Catholic Calls Out the Catholic Church, Wenke is the author of YOU GOT TO BE KIDDING! A Radical Satire of the Bible, THE TALK SHOW, a novel, and MAILER’S AMERICA. He also partners with Gisele Xtravaganza in Gisele New World, which produces events for the ballroom community. Wenke received a B.A. in English from the University of Notre Dame, an M.A. in English from Penn State and a Ph.D. in English from the University of Connecticut. He is a frequent contributor to the Huffington Post.
Connect with Joe at these sites:

WEBSITE        TWITTER   

 

ABOUT THE BOOK

Recovering Catholics, rejoice! Dr. Joe Wenke, who brought you the acerbically hilarious examination of the Bible, YOU GOT TO BE KIDDING! A Radical Satire of the Bible, draws upon his deep knowledge of the Catholic faith along with memories of his Catholic boyhood to produce PAPAL BULL: An Ex-Catholic Calls Out the Catholic Church (TransÜber; October 15, 2013; $9.99). The title, an unintentionally ironic term for a formal pronouncement by a pope, sets the tone for this scathing examination of the beliefs, practices and history of the
Catholic Church. Wenke leaves no holy Roman stone unturned in this satirical investigation of religious hypocrisy that manages to be simultaneously jaw dropping and hysterically funny.

“There are a whole lot of recovering Catholics walking around in a perpetual state of cosmic rehab. Those of us who are members of this club know that the Catholic Church can truly get to your brain, to the way you look at everything, the way you think and feel about yourself and the world,” says Wenke who shares his baby boomer journey from little angel ready for his first Holy Communion to critical thinker able to look at the church with an eye for the absurd.

In addition to the humor, Wenke, an expert on the use of language and an activist on issues of gender identity and sexual orientation, exposes how the Church has denigrated women and vilified members of the LGBTQ community. Finally he allows no absolution whatsoever for the Church’s most shameful sin—the sexual abuse of children and adolescents by Catholic priests, which for decades was systematically covered up and in essence condoned by the leadership of the Catholic Church.

BOOK DETAILS:

Paperback: 272 pages
Publisher: Trans Uber LLC
Publication Date: October 15, 2013
ISBN-10: 0985900253
ISBN-13: 978-0985900250

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Guest Author JUSTIN KRAMON

WELCOME JUSTIN KRAMON

JUSTIN KRAMON

Justin Kramon is the author of the novels Finny (Random House, 2010) and The Preservationist (Pegasus, 2013). A graduate of the Iowa Writers’ Workshop, he has received honors from the Michener-Copernicus Society of America, Best American Short Stories, the Hawthornden International Writers’ Fellowship, and the Bogliasco Foundation. He lives in Philadelphia.
Connect with Justin at these sites:

WEBSITE        

Q&A with Justin Kramon

Writing and Reading:
-Do you draw from personal experiences and/or current events?
More from personal experience.  Sometimes friends or family will ask where I get an idea for a character, then fix a hard stare on me, and my sense is that what they’re asking is whether they appear in the book, and if so, how angry they should be.  But I don’t usually write autobiographically, or base a character completely on a person in my life.  It’s more that I try to use my experiences of people and places in my life to suggest people and places in my work.  I tend to be really interested in why people do things, especially unlikely or extreme things, and what’s in their minds when they do them, which is a particularly fascinating question when violence is involved.

-Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
I like to start with some characters and a difficult problem they’re facing.  So in this novel I have a young woman with a dark past and an older man who falls for her and seems to understand her, though he has some serious eccentricities and mysterious gaps in his own past.  Someone is threatening them, and they don’t know why.  So then I’m interested to see how it develops.  How are they going to try to figure out where the threat comes from?  How is their relationship going to develop in these stormy conditions?  How will they avoid or not avoid danger?  Will they discover why they’re being targeted?  Then the characters and the problem help dictate the plot.  I try to get to know these people, to feel almost like I’m becoming them, so that I’d know how they’d react and what they’d do.

-Your routine when writing?  Any idiosyncrasies?
Aside from the chanting and the dolls’ heads I keep in my closet, I wouldn’t say I have any idiosyncrasies.  Just kidding.  I keep the dolls’ heads in my desk.

Seriously, though, the actual work of writing is pretty basic, which is probably why there aren’t many Hollywood movies about writers in the heat of the creative act, since it’s basically a person alone in a room typing.  I get up every day and try to go to work on new material.  I like cereal first.  I like tea and coffee.  I found Stephen King’s book On Writing very helpful in suggesting some different methods for working through multiple drafts of a book.

-Is writing your full time job?  If not, may I ask what you do by day?
I spend most days writing.  I also teach writing at some colleges and universities, and I do some freelance editing for writers submitting manuscripts.

-Who are some of your favorite authors?
That changes with every book I’m working on.  A lot of the stories and both of the novels I’ve written have grown out of a love or even obsession with a particular author or genre.  So for The Preservationist, I was reading a lot of psychological thrillers, but particularly ones that got deep into the heads of the criminals, as well as the victims.  So I read Stephen King, Ruth Rendell, Patricia Highsmith, Henning Mankell, Edna O’Brien, Thomas Harris’s Hannibal Lecter novels, and a number of other writers who are interested in the psychology of crime, but also in all the usual stuff I like in novels about people and relationships and time passing.

-What are you reading now?
The Savage Detectives by Roberto Bolaño.

-Are you working on your next novel?  Can you tell us a little about it?
I’m working, but I can’t say too much about the new project, except that it has suspense.

Fun questions:
-Your novel will be a movie.  Who would you cast?
I would play the role of Julia.  I look very good in long hair, and my voice can get surprisingly high.  If that doesn’t work out, though, maybe I could cast Therese Barbato, who played Julia in the book trailer.  (Watch the trailer below)

-Would you rather read or watch TV/movie?
Generally reading, but it really depends on what I’d be reading and what I’d be watching.  I’d be pretty happy to watch The Wire, Curb Your Enthusiasm, The Dave Chappelle Show, or the British version of The Office almost anytime.

-Favorite food?
Very difficult question.  Eating is a big hobby of mine, and I think that my wife and I travel mostly to be able to taste dishes we’ve heard about that we can’t get where we live.  In Shanghai, we were obsessed with soup dumplings, which are these delicious little noodle pouches that have both meat and broth inside, and you eat them with black vinegar and ginger.  Right now, sitting in my basement in Philadelphia, I would say that would be the food I’d most like to eat.

-Favorite beverage?
Vietnamese iced coffee.  But the downside is that they have so much caffeine that if I drink more than one, I tend to resemble Robin Williams after a cocaine binge.

Thank you for stopping by CMash Reads and spending time with us.

ABOUT THE BOOK

To Sam Blount, meeting Julia is the best thing that has ever happened to him. Working at the local college and unsuccessful in his previous relationships, he’d been feeling troubled about his approaching fortieth birthday, “a great beast of a birthday,” as he sees it, but being with Julia makes him feel young and hopeful. Julia Stilwell, a freshman trying to come to terms with a recent tragedy that has stripped her of her greatest talent, is flattered by Sam’s attention. But their relationship is tested by a shy young man with a secret, Marcus Broley, who is also infatuated with Julia.

Told in alternating points of view, The Preservationist is the riveting tale of Julia and Sam’s relationship, which begins to unravel as the threat of violence approaches—and Julia becomes less and less sure whom to trust.

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Chapter 1

Julia

Of all the places Julia Stilwell thought she might be on a September afternoon, less than a year after the accident, this was the last she would have imagined. College. A freshman headed out on a first date. It was too normal. She felt like she’d snuck into the wrong movie, like any minute a guy in a little hat would come running up the aisle, shine a flashlight in her eyes, and ask to see her ticket.

But here she was, ten minutes to two, fixing her hair, getting her shoes on, smiling at her reflection so she could paint blush on her cheeks, going back and forth in her mind about whether to bring a backpack or a purse. It was all the usual stuff girls do before dates, but to Julia it felt like a test, a set of pictures she had to line up in the right order. Wrong answer sends you back to go. It was a blessing her roommate Leanette was in class and not around to witness the chaos of these final preparations. Leanette had dates every weekend and went to all the parties, and Julia was sure this fussing would have seemed amateur to her, like a kid playing with an adult’s makeup kit.

In the end, she decided on a messenger bag. She slung it over her shoulder, flipped the lights off, and left the room.

Outside, it was gorgeous. Cloudless and warm, the air felt like a shirt just out of the dryer. Julia lived in an off-campus dorm, and though the building was musty, with cinder block walls and a dull gray carpet that gave off a smell like boiled milk, there was a pretty courtyard out here, a cement bench, a trellis wrapped with vines and bright flowers. She took a long breath, enjoying the weather and her anticipation, perched for a moment on the fragile edge of happiness.

Julia was headed to campus, and she decided to take the path through the woods. She could have gone through town, but didn’t know whom she’d run into, and whether they’d ask what she was up to. The date with Marcus didn’t have to be a secret, but for some reason she wanted to keep it to herself, like a note in her pocket.

Before the accident, it would have been different. Julia would have had to tell Danny and Shana about how Marcus had asked her out, making little jokes to play it down. They wouldn’t have let her get away with the secrecy. In high school, when she wasn’t practicing the trumpet, Julia had spent most of her free time with these friends. She knew everything about them, from what they’d gotten on their last history tests to what their boyfriends had whispered in their ears the first times they’d had sex.

Julia had always been a bit of an oddball, with her quirky sense of humor, the flat way she delivered jokes that caught people off guard and sometimes made them smile, sometimes give her confused looks. She was never a star in the classroom, and didn’t go in for all the primping and social striving most of the girls did. She didn’t need it; her music and her plans for the future had been enough. They’d given her distance, kept her insulated from the storms of teenage social life. When her friends were worked up over a boy or a conflict with parents, Julia was always the first to jump in with a silly line to relieve the tension. She wore thrift store T-shirts and frayed corduroys and didn’t try to be the prettiest or the smartest or the most popular, just didn’t care that much about it.

But all of that was gone, that old life. She didn’t talk to any of those people anymore. She’d gotten rid of her cell phone, tossed it into a lake, actually. Burial at sea.

Marcus had suggested they meet at two-thirty, since the snack bar would be less crowded then, between lunch and dinner. As usual, Julia was early. She couldn’t help it. She’d always been the type to arrive ten minutes before a meeting, and none of the tricks she pulled to delay herself ever seemed to work. If she were ever sentenced to execution, she’d probably arrive ten minutes early for that, just to get a good seat.

She tried to slow down, scraping her shoe soles on the dirt and rocks in the woods.

As a way to distract herself, she started thinking about how the date had come about. “You have this way about you,” Marcus had said that night in the library, when they were working on the counterpoint project. “It’s like you live in your own self-contained world. I’ve been wanting to know what’s going on in there since the first time I saw you.” After he said it, he smiled in a teasing way, and she wasn’t sure if he was being genuine. She almost made a quick joke back, her habit. Nothing going on in here. My world’s in a budget crisis. But then she noticed he was blushing, all the way from his ears down to the base of his neck. There was something reassuring about his discomfort. Seeing it, she’d felt a protective tenderness for him, the way you might watching a child pedal a bike up a steep hill.

“You want to get lunch on Thursday in the snack bar?” he’d said after that, so casually anyone listening would have thought he’d just tossed out the offer, not even caring what her answer would be. But he’d given a specific day. He’d mentioned the snack bar, as if an off-campus date would have been too much to ask.

“I’d love to,” Julia had said. “But are you going to be there?”

And Marcus had smiled.

When she got near the top of the hill, where the woods let out, Julia heard a train clacking away from the station at the base of campus. She checked her watch: ten minutes early. Of course. She walked onto the train platform, into the warm bright sunshine.

That was when it happened, suddenly, in the midst of all that sparkling weather. It was as if someone had pulled the plug on the day, and all the excitement just drained out, like water from a tub.

She knew what it was, this feeling. She’d told El Doctor about it, these aftershocks, as she thought of them, reminders of events she couldn’t change, events she would have preferred to snip out of the cloth of her memory. She closed her eyes, and there it was again, her brother’s face, pale with shock at what he was witnessing, his lips opening and closing, making no sound, until finally he’d asked, “Is that mine?”

But she couldn’t do this now, couldn’t let herself get dragged under. If you want to move forward, you have to stop looking back. Positive thinking, positive results. She stood straight, pushed her shoulders back, breathed, fixed the strap of the messenger bag like a seatbelt across her chest, and continued across the tracks, up the tree-lined path to campus.

Inside the snack bar, Julia couldn’t spot Marcus. She looked around at all the tables and booths. Most were empty. At one table, two women in suits were smiling over something one of them had said, then they got up to leave, carrying stacks of paper. Inside a booth, three muscular-looking boys sat talking over empty plates and balled napkins.

They made Julia nervous, these people. The way they moved and talked and smiled seemed foreign, like they were all doing a dance she’d never learned. The thought surfaced again that maybe she wasn’t fit to be here, at a college, so soon, no matter what El Doctor said.

But it’s best not to overthink things. That’s how you get yourself into trouble. When you stop and think about how vulnerable you are, or how strange the world is, it’s easy to end up feeling confused and lonely.

In the corner, next to the doors where people walked in to order their sandwiches, a man in a red shirt and white apron was standing beside a trashcan. Julia recognized him as the guy who usually made her sandwiches. She remembered thinking more than once that he was cute. He had shaggy brown hair, and could have passed for a student if he were a couple years younger. He always smiled when he saw Julia, and offered her an extra handful of chips or a second spear of pickle with her order. She didn’t know if he did that for other girls, but it was such a simple and plainly sweet gesture that it charmed her. A pickle for your thoughts, my dear.

When she looked at him, though, smiling, ready to wave, he looked down, like he was embarrassed. She wasn’t sure if maybe he didn’t recognize her, or was surprised at meeting her without the lunch counter between them, or if he was just socially awkward, but whatever it was, she felt disappointed. She wanted to give him a signal that it was okay to be friendly, wave to her when she came in. I won’t bite.

She didn’t have a chance to do anything, though, because just as she was considering it, Marcus walked in.

BOOK DETAILS:

Genre: Thriller / Psychological Thriller / Women’s Fiction
Published by: Pegasus/Norton
Publication Date: 10/15/13
Number of Pages: 288
ISBN: 978-1-60598-480-3

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
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Guest Author KATHLEEN DELANEY

WELCOME KATHLEEN DELANEY

KATHLEEN DELANEY

Kathleen Delaney has written four previous Ellen McKenzie Real Estate mysteries, but has never before transported her characters out of California. A number of years ago she visited Colonial Williamsburg and fell in love. Long fascinated with our country’s history, especially the formation years, she knew she wanted to set a story there. Another trip with her brother and sister-in-law solidified the idea that had been rolling around in her head but she needed more information. A phone call to the nice people at Colonial Williamsburg provided her with appointments to visit the kitchen at the Payton Randolph house, where she got her first lesson in hearth cooking and a meeting with the people who manage the almost extinct animal breeds the foundation is working to preserve. A number of books purchased at the wonderful bookstore at the visitor’s center gave her the additional information she needed and the story that was to become Murder by Syllabub came into being. Kathleen lived most of her life in California but now resides in Georgia. She is close to many historical sites, which she has eagerly visited, not only as research for this book but because the east is rich in monuments to the history of our country. Luckily, her grandchildren are more than willing to accompany her on their tours of exploration. You can find Kathleen on the Web at delaney.camelpress.com.
Connect with Ms. Delaney at these sites:

Q&A with Kathleen Delaney

Thank you for inviting me to stop by and tell you all a little about my life as a writer. My initial thought was my approach is not much different than any other writer, but on second thought, that is probably not correct. We are all pretty different people, write different kinds of books, and probably set up our writing agendas differently as well. In writing, as in so many things, there is no right or wrong way to do things, just the way it works for each individual. Having said that…

Do I use current events or personal experience to draw from? I write murder mysteries. Cozies, to be sure, but even in cozies we manage to litter the landscape with dead bodies. I’ve never murdered anyone in real life, and my experience with dead bodies is no more extensive, so really neither. It’s all imaginary. Leaves one to wonder about the imagination of mystery writers, I’ll admit, but maybe it’s therapeutic. I’m not sure. However, I’ve left a battered corpse in an upstairs closet, another pinned to a bale of straw by a pitchfork. Another time I pushed a very disagreeable chef into a wine fermenting tank, and killed off an old man with the marble arm of a cemetery angel. In the most recent book, Murder by Syllabub I did just that. Murdered the man with a glass of a sweet, colonial drink called Syllabub that I liberally laced with poison. But not to worry. He had it coming. Things that have happened to me, usually small things like forgetting to take the plastic wrap off the casserole before putting it in the oven to heat, have made their way into my books, I must admit, but I try not to get too many current events included as I don’t want to tie them to tightly to any particular month or year.

Do I start my books with the conclusion or start at the beginning and see where it all ends up? Since I’m never sure just what the conclusion is, and sometimes who did it, I start at the beginning. I find myself saying “and then what happened” a lot. Some people outline the whole book before writing it,  some write character sketches of everyone who appears, including the paper boy who only appears once and for just one ride by, but I find I can’t do that. My first draft serves as an outline and that’s where I develop my characters. My second drafts really get chopped up and stuff gets either deleted or moved around a lot, but by then I’m confident in my story and it’s just a matter of telling it the best way I can.  By the time we get to the third draft, it’s almost starting to make sense. This requires a lot of rewriting, it’s true, but it seems to be the way I do things best.

Do I have a routine: You bet. Absolutely. Sort of. I get up in the morning, stagger out to the kitchen, let the dogs out and push the button on the coffee maker. After that, well, I try to keep to a loose schedule. Marketing, first thing. I read my email and answer any that require it, post on facebook, twitter, other on line groups, do the basic housework, and then start writing. Of course, if I’m in the middle of an idea and words are pouring out every which way, nothing else gets done. Doctors, hair appointments (very important), Silver Sneakers gym class, grandkids, all that kind of thing, interrupt a perfectly good schedule on a regular basis. For years I fit my writing in and around a day job. I was a real estate broker in a small town on California’s central coast , raised and showed Arabian horses as well as kids, but no  more. I have retired from all that and write full time. As much full time as all those other things will let me.

Authors I admire. The estimable Elizabeth Peters, who died recently, has long been someone I admired and whose work I spent many delighted hours reading. We will miss her. There have been so many over the years that if I started I wouldn’t know where to stop. I read lots of mysteries, always have, but my reading is by no means limited to them. I am currently reading And The Mountains Echoed by Khaled Hosseini. I loved his other two and so far think this is terrific.

Am I writing another book? Yes. I am almost finished with the first draft. It is the first book in a new series and it features dogs. And dog people. Also murder. Please don’t ask me how it ends. I’m not there, yet.

Another question asked was about TV vrs reading. There are very few things on TV that get me away from my latest book. Among them is Downton Abbey. The next episodes start in January, I think. I can hardly wait.

Now, about food and drink. I like to do both, and it really depends on a lot of things, weather, what I’m doing and where I am, as what might be my favorite at any one time. You can’t beat a glass of ice cold sun tea on a hot afternoon in the south. No sugar for me, please. Or the smell of fresh brewed coffee on a cold morning. Actually, any morning. But I’ll tell you about one meal that was special in several ways. A small waterfront restaurant in the south of France, in the middle of the fishing fleet. The boats were tied up for the night, the restaurant supposedly closed, but I was to leave for home the next day and I wanted paella. The people at the hotel where we were staying said that restaurant made the best there was to be had. Naturally, I was disappointed, but not for long. A phone call was made, they would be happy to open for our party of ten. The hotel people were right, the food was wonderful, so was the wine, and the restaurant owner serenaded us with songs he used to sing as a cabaret singer in Paris. Lots of things besides food and drink go into a favorite meal.

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ABOUT THE BOOK

A ghost in Colonial dress has been wreaking havoc at an old plantation house in Virginia. The house is owned by Elizabeth Smithwood, the best friend of Ellen McKenzie’s Aunt Mary. Mary is determined to fly to the rescue, and Ellen has no choice but to leave her real estate business and new husband to accompany her. Who else will keep the old girl out of trouble? When Ellen and Aunt Mary arrive, they find that Elizabeth’s “house” comprises three sprawling buildings containing all manner of secret entrances and passages, not to mention slave cabins. But who owns what and who owned whom? After Monty—the so-called ghost and stepson of Elizabeth’s dead husband—turns up dead in Elizabeth’s house, suspicion falls on her. Especially when the cause of death is a poisoned glass of syllabub taken from a batch of the sweet, creamy after-dinner drink sitting in Elizabeth’s refrigerator. Monty had enemies to spare. Why was he roaming the old house? What was he searching for? To find the truth, Ellen and her Aunt Mary will have to do much more than rummage through stacks of old crates; they will have to expose two hundred years of grudges and vendettas. The spirits they disturb are far deadlier than the one who brought them to Virginia. Murder by Syllabub is the fifth book of the Ellen McKenzie Mystery series.

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Mildred leaned back against the drain board, as if she needed it to prop her up. “Do you think he’ll be back?”

I set the dish on the drain board along with the other rinsed dishes. “You mean the murderer?”

Mildred nodded.

I’d wondered the same thing. “I think it was Monty prowling around upstairs, looking for something. Why he was dressed like that, I can’t imagine, but I don’t think he found whatever it was he was looking for. The only reason I can think of for both Monty and whoever slipped him the poison to be here is they were looking for the same thing. I don’t think they found it. So, yes, I think whoever it is will be back.”

Mildred nodded. “I think so, too. That crate was no accident.” She paused before going on, her voice filled with apprehension. “You know, McMann isn’t going to buy the mysterious prowler story. He’s going to take the easy way out. Elizabeth fed Monty the poison before she left for the airport and we’re protecting her.” She sighed deeply and turned to the dishwasher. “Might as well load this. Can you hand me that bowl?”

She opened the door, pulled out the top rack and froze. “How did that get in here?”

“What’s the matter? Oh no.”

We stood, frozen, staring at the immaculately clean crystal glass, sitting on the top rack in solitary splendor.

“That’s one of the old syllabub glasses.” Mildred turned around to look at the glasses on the hutch and returned her gaze to the dishwasher. She pulled the rack out all the way but the dishwasher was empty, except for the one glass.

I’d had a close enough look at the glass next to Monty to know this was from the same set. “It’s the missing syllabub glass.”

“Missing?” Mildred’s hand went out to touch it, but she quickly withdrew. “Where are the others? Cora Lee and I packed these away years ago. There were eight of them. How did this one get in here?”

“Noah didn’t tell you?”

“That boy only tells me what he wants me to know. What was it he should have told me?”

“The set of these glasses were on the sideboard in the dining room where Monty was killed. Six of them. One was beside Monty with the remains of a sticky drink in it. That made seven. One was missing. The one the murderer used.”

We stared at each other then back into the dishwasher. “That’s got to be the missing one, right there.” Mildred took a better look. “It’s clean. Someone’s trying to frame Elizabeth.”

BOOK DETAILS:

Genre: Cozy Mystery
Published by: Camel Press
Publication Date: July 1, 2013
Number of Pages: 298
ISBN: 978-1-60381-957-2

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Guest Author JULIE TETEL ANDRESEN ENDED

WELCOME JULIE TETEL ANDRESEN

JULIE TETEL ANDRESEN

Julie Tetel Andresen’s seemingly disparate writing activities – fiction, non-fiction and essays in foreign languages – all arise from a unified sense of her writing self.

As a professional linguist, she loves language, while as a romance writer she loves the language of love; and when learning a foreign language, she loves nothing more than exploring the limits of her ability to express herself in that language on paper.

In her academic writing, she has long been devoted to exploring the history of linguistics, and this disciplinary exploration parallels her devotion to writing historical novels. In her most recent academic work “Linguistics and Evolution” (Cambridge 2014), she shows the ways that the history of linguistic theory and practice informs the current state of the discipline, and this sense of the past pressing on the present informs her time-slip series.

Her writing activities have always been entwined temporally. She wrote her first historical “My Lord Roland” while writing her PhD dissertation “Linguistic Crossroads of the Eighteenth Century,” and all her early academic articles were written mostly in French. Twenty novels and dozens of journal articles later, she wrote her Regency novella “French Lessons” while waiting for the 2012 autumn meeting of the Cambridge Press Syndicate to decide to issue her a contract for “Linguistics and Evolution.” At the same time, she happened to be in Ho Chi Minh City learning Vietnamese and happily writing her Vietnamese essays.

She firmly believes that one type of writing strengthens the others. Her historical novels have honed her craft of plotting and sub-plotting, while her time-slip series has given her the Kraft (in the German sense of the word ‘power’) to handle the long historical arc and multiple characters involved in “Linguistics and Evolution.” Her professional study of language, in turn, makes her sensitive to the vocabulary and rhythms of speech in other places and time periods; while writing in a foreign language– be it French, German, Romanian, or Vietnamese – is to her like the pianist warming up with scales and arpeggios or the yogini trying out a new asana. Can she get her leg behind her head in Romanian?

No? Well, then how about triangle pose? Can she get into full lotus in Vietnamese? Again, no? Let’s see about half-lotus.

Andresen grew up in Glenview, Ill. She holds a bachelor of arts degree from Duke University and a doctorate from the University of North Carolina, Chapel Hill. She has taught at Duke University for the past 20 years where she specializes in linguistics.
Connect with Julie at these sites:

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Julie has also uploaded a short story entitled The Wedding Night onto her website (http://www.julietetelandresen.com) that readers can download for free.

Q&A with Julie Tetel Andresen

When did you develop a passion for linguistics?
Ever since I was about five years old. I remember lying in bed at night in the room I shared with my
older sister, making up new words that I would teach her. When I discovered there were other
languages in the world, with the words already made up, I couldn’t get enough. I didn’t know,
however, that there was such a thing as a discipline of linguistics until I was working on my Masters in French.   After that I was hooked.

How do you bridge your career as a romance writer with your life as a professional linguist and
academic?
The two activities wrap around another almost every day in my life, and this has been the case for the last twenty years or more. Today I’m at a resort on the Black Sea in Bulgaria. My friends are on the beach. I can’t tan, since I have redhead skin and was told by a dermatologist years ago to stay out of the sun. I’m happy enough, however, because I’m on the balcony of my room overlooking the sea, and working on the some of the early chapters of the forthcoming Wiley-Blackwell book, Languages of the World, skyping with my co-author, Phillip Carter. When I take a break from this, I’ll probably download a werewolf story or a panther shape-shifting story. I got into these subgenres in the past few months. At the moment, I can’t get enough of them.

How do your two writing careers strengthen each other?
All good writing is story telling, and this applies to academic writing, as well. I love reading about
language, and the question is always, “What story is this linguist telling me?” I am currently reading
The Last Speakers by David K. Harrison, and it’s a wonderful world tour of the stories of speakers of
endangered languages. My favorite linguist may well be Stephen Levinson. Although it might not seem like his Space in Language and Cognition would make for a gripping story, I read the book (several times, actually), enthralled by the world Levinson was opening to me. Following a good (academic) argument is like reading a well-plotted novel.
I think it was Fred Astaire who said: “If I don’t dance for one day, I feel it. If I don’t dance two days in a row, the audience will feel it. If I don’t dance three days in a row, I should find another job.” Having two writing careers keeps me in writing shape. It’s cross training. Yoga and Pilates.

You have lived and traveled all over the world – to France, Germany, Vietnam, Romania,
Greece, and Brazil just to name a few places. How did this influence your writing?
I’ve always loved historical romances, but I began my time-slip series when I realized I wanted to write about the places I’m visiting in the here and now. I love it when a place is a kind of character in a novel, ever-present and shaping events. I also happen to love botanical gardens and the tropics, so I find myself gravitating toward southern latitudes and the equator, where everything is lush. When I write a story and find I need to check out the details of a place I’m using as a setting, I can easily persuade myself I need to revisit the location in order to make sure I have the details right. While writing The Emerald Hour, I made sure to revisit the spectacular Jardim Botânico in Rio. In fact, it would have been irresponsible of me not to revisit the location.

Your collection of books explores so many points in history. Is there one era that has a special
place in your heart?
This is a choosing-among-children question, only slightly less difficult to answer than, “What’s the
favorite book you’ve written?” All historical periods are fascinating. Especially the present one, since I’m living in it.

ABOUT THE BOOK

The lovely Anne Chisholm is tricked into a handfast—the custom of marriage for a year and a day when a couple plights their troth—with Alexander Sutherland only to discover that her new husband is wanted for treason by the English authorities, in particular, by her father.

BOOK DETAILS:

Publisher: Julie Tetel Andresen; 1.01 edition
Publication Date: August 3, 2011
Number of Pages: 92
ASIN: B005FY0WYU

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.