Book two in the epic Third Chance Enterprises series, Dear Durwood is a standalone mystery pitting uncompromising principle against big city greed.
Durwood Oak Jones is a man of few indulgences. One he does allow is a standing ad in Soldier of Fortune magazine soliciting “injustices in need of attention.”
This month’s bundle of letters includes one from Carol Bridges, mayor of the dusty, blue-collar town of Chickasaw, Texas. For nearly a century, Chickasaw has relied on the jobs and goodwill of Hogan Consolidated, a family-run manufacturer of industrial parts. Now East Coast lawyers and investment bankers have taken aim at the company. The citizens of Chickasaw fear it may be acquired or bankrupted, leading to massive layoffs — effectively destroying the town.
Durwood and his trusty bluetick coonhound, Sue-Ann, fly to Texas to see what can be done. They find a young CEO born with a silver spoon in his mouth. Factory workers with hammers. A good woman, Carol Bridges, who knows her town is being cheated but can’t get to the bottom of how. And lawyers.
Dirty, good-for-nothing lawyers.
Genre: Action-Adventure / Western Romance
Published by: Jeff Bond Books
Publication Date: June 15, 2020
Number of Pages: 215
ISBN: 1732255296 (ISBN13: 9781732255296)
Series: Third Chance Enterprises
Purchase Links: Amazon | Third Chance Stories | Goodreads
Jeff Bond is an American author of popular fiction. His books have been featured in The New York Review of Books, and his 2020 release, The Pinebox Vendetta, received the gold medal (top prize) in the 2020 Independent Publisher Book Awards. A Kansas native and Yale graduate, he now lives in Michigan with his wife and two daughters.
Writing in Different Genres
A common piece of advice given to aspiring authors is to write what you enjoy reading. If you’ve logged hundreds of hours reading time-travel romance, you’re going to have an intrinsic feel for how to portray the magic, how early to start the love story, what sorts of complications readers expect from the genre.
(I’ve only read Outlander myself so I’m clueless about all these.)
The advice never helped me because I loved reading everything. Margaret Truman’s Murder At series and Clive Cussler, but also The Corrections and Big Little Lies, and classics like Deliverance and War and Peace. I loved the potboilers’ adrenaline rush, but the literary titles introduced me to characters so real it felt like the authors were reaching across oceans or centuries and plucking thoughts straight from my own head, then turning them around and showing me.
When I first began writing my own stories, I had the thought to do both — tell a breakneck story with perfectly true-to-life characters. It took me several years and many rotten attempts to craft a book that I believed came close: The Winner Maker. I released the book in 2018 and it’s been well-received, but its appeal is somewhat bifurcated. Some love the character setup at the start and wish the twisty-turny second half had more depth; others feel they have to slog through the first hundred pages before the going gets good.
For my second book, Blackquest 40, I had a very specific plot idea for a Die Hard-like story. The idea happened to involve technology, so I found myself in the position of writing a technothriller. My third book, The Pinebox Vendetta, also stemmed from a particular idea — dueling political clans who fight at an Ivy League reunion. This would need to be a political thriller, but as I fleshed out the characters, I found myself weaving in a love story and cold-case murder mystery, too, the end result being a sort of genre mishmash.
There was no grand plan for these books. I just followed whichever story was calling out the loudest to me at the time. For my next two, Anarchy of the Mice and Dear Durwood — books one and two in the Third Chance Enterprises series — I had a more defined strategy. I’d been feeling that readers, particularly readers of indie titles, didn’t quite know how to think about books like The Winner Maker and The Pinebox Vendetta. I wanted to distill the action elements of my previous work into some stories that would be big, thrilling, unabashedly plot-driven.
And what’ll come next? Not surprisingly, something different. I’m kicking around a middle-grade space opera, possibly the result of being locked in a house with my elementary-age daughters for five months. I’ve gotten a taste for romance in writing Pinebox and the Third Chance books, which both feature a side of happily-ever-after, and have been working on more of a pure romance title called Two Teachers. I enjoy the challenge of teaching myself “the rules” for a new genre — a fun process that, for me, just involves binge-reading the biggest names in the genre: Nora Roberts, Diana Gabaldon, Debbie Macomber. Some of their styles I love and can imagine myself writing in. Others not so much, but it’s still a blast taking a tour of other writers’ toolsets.
Over the long run, I have aspirations of writing some large ensemble books in my Franklin series (more literary/slice-of-life than Third Chance Enterprises) that would give readers a bit of everything: maybe a central crime mystery paired with a love story to root for, plus a thread centered around an issue like parenting or ambition or finding happiness. Books like this without a dominant genre can be hard for readers to discover on their own — hopefully by the time I write them, I’ll have a large enough built-in readership for them to succeed. I should definitely have enough experience with different genres to pull it off.
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This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Jeff Bond. There will be 2 winners of one (1) Amazon.com Gift Card each. The giveaway begins on August 1, 2020 and runs through October 2, 2020. Void where prohibited.