Category: Interview

THE FIX by Robert Downs (Interview & Showcase)

The Fix

by Robert Downs

on Tour March 1 – April 30, 2018

Synopsis:

The Fix by Robert Downs

Professional gambler, Johnny Chapman, plays the hand he’s dealt, but when he’s dealt a series of losers, he decides to up the ante with more money than he can afford to lose. Just when he thinks his life can’t get any worse, it does. The loan shark he owes the money to demands that he pay up and sends his goons after him. The man offers Johnny one way out—fix a race by fatally injecting the dog most likely to win. A piece of cake, Johnny thinks, until he looks into the big brown eyes of the beautiful dog, and the price suddenly seems too great to pay. Now Johnny’s on the run and the goons are closing in…

 

**Read my review HERE and enter the giveaway**

 

Book Details:

Genre: Noir
Published by: Black Opal Books
Publication Date: December 2nd 2017
Number of Pages: 166
ISBN: 9781626948174
Grab your copy of The Fix on: Amazon, Barnes & Noble, & Goodreads!

 

Robert Downs

Author Bio:

Robert Downs aspired to be a writer before he realized how difficult the writing process was. Fortunately, he’d already fallen in love with the craft, otherwise his tales might never have seen print. Originally from West Virginia, he has lived in Virginia, Massachusetts, New Mexico, and now resides in California. When he’s not writing, Downs can be found reading, reviewing, blogging, or smiling.

 

**Q&A with Robert Downs**

Welcome!
Writing and Reading:

Do you draw from personal experiences and/or current events?
I draw from anything that’ll help me tell a good story. I’ve gotten inspiration from reading the news or novels, watching movies, personal experience, overhearing snippets of conversation, and writing prompts. Creative individuals make excellent thieves. I like taking an interesting concept and attempting to put my own spin on it. The process can be very cathartic.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
Most of the time I’ll start with the beginning, and have an ending in mind. Getting there is normally the fun part, and when it’s going well, it’s filled with twists and turns along the way. Most of my stories are told in a linear fashion, but I’ve also explored nonlinear storytelling. I like to challenge myself, and I wanted to see if I could make it work. My next novella, assuming my editor doesn’t change this particular concept, will be told in a nonlinear fashion.

Are any of your characters based on you or people that you know?
Absolutely. I like to think I am creative, and I believe I make an excellent thief. I’ll steal whatever I need to make my story work. Most of my characters aren’t based on one individual, but conglomerations of multiple individuals. There are exceptions to this, but I won’t say which ones to protect the innocent.

Your routine when writing? Any idiosyncrasies?
No real idiosyncrasies. I’ll write anywhere I can bring my laptop. I’ve written on airplanes, in coffeeshops, hotel rooms and lobbies, and I believe I’m on my fourth desk, and my third or fourth laptop. I do have a pen in a wooden box my brother gave me in 2016 as a groomsmen gift, and it sits on my desk. He’s one of the reasons I started writing. His retelling of his dreams at the breakfast table both intrigued and fascinated me.

I’ve written first thing in the morning, and I’ve written after coming home from work as well as weekends and days off. I’ve discovered that days that begin with writing are better than days that do not, and that because I have a full-time job, my writing time feels more precious because I have to carve it out of my schedule.

Tell us why we should read your book.
Honestly, I have no idea. There are plenty of books out there, and there are plenty of authors that are better than I am. But I do know there aren’t a lot of stories or movies on gambling, and Johnny is a fun anti-hero. My characters aren’t always likeable, at least that’s some of the feedback I’ve gotten, but I always like ’em. I like to think I write honest characters, flaws and all. I believe my stories will resonate with the right readers, and when I find ’em, I’ll do everything I can to keep ’em coming back for more.

Who are some of your favorite authors?
How much space do I have? I’ll read just about anything and everything I can get my hands on, and while I read primarily mysteries and thrillers, I’ve stepped outside these two genres on multiple occasions. I like Lee Child and Jeffery Deaver, Lawrence Sanders and Robert B. Parker, Patricia Cornwell and James Lee Burke, Lisa Jackson and Robert Crais, and John Grisham and Gary Phillips. There’re plenty more, but I’ll stop there.

What are you reading now?
I’m always reading multiple books at once, and I read ebooks as well as physical ones. Right now, I’m reading The Kite Runner, Blood Always Tells, Stone Cold Dead, Wrongful Death, The Body in the Birches, Dark Chocolate Demise, and The Big Fear.

Are you working on your next novel? Can you tell us a little about it?
Absolutely. My next book, another novella, tentatively titled The Bridal Chase will come out in April according to my publisher Black Opal Books. In it, I explored nonlinear storytelling, which was a lot of fun for me. It all started because of a writing prompt in either Writer’s Digest or The Writer. The prompt was something like pick two things that don’t normally go together and see where the idea takes you. Immediately, I had this image of a bride in a white wedding dress driving a pickup truck. I liked the image, and it begged a whole series of questions that allowed me to write the book.

Fun questions:
Your novel will be a movie. Who would you cast?

I know some writers have specific actors or actresses in mind, but as much as I like movies, I don’t think along those lines. I figure if Hollywood wants to option one of my books, they can cast whomever they want as long as the check clears. I would, however, think it’d be great to show up on set, and I’d probably geek out at whomever they decided to cast. I am a huge movie fan, after all.

Favorite leisure activity/hobby?
There is no way I can pick just one, unless I’m only gonna write for the rest of my life. It’s also not a fun answer, and it tells you absolutely nothing else about me. I like reading, watching movies, and traveling. I’ve even been known to dabble in extreme sports like bungee jumping and skydiving.

Favorite meal?
I am a huge fan of Italian food. Spaghetti is easy to make, and does not require much time in the kitchen, so I like it even more. I also believe leftovers are a wonderful invention, and any meal I don’t have to make gets bumped a bit higher on the list.

 

To find out more about his latest projects, or to reach out to him on the Internet, visit: robertdowns.net, Goodreads Page, & Facebook Page!

 

Read an excerpt:

CHAPTER 1

The taste of liquor still lingered on his lips. Six months without a drink, and he had the chip to prove it. His eyes were downcast, the table was green felt, and his wooden seat jammed the lower part of his back. The overhead light was dim, and he had his hat pulled down over his eyes. Johnny Chapman had lost three hands in a row, and he didn’t want to lose a fourth.

The Indian sat across from him with his hands folded across his chest, wearing dark sunglasses in a dark room, his hair shaved close to his head, and a tooth missing near his front. He cracked his knuckles between hands and even once during. The sound bounced off the walls in the closet of a room.

“Well, what’s it gonna be?” Thomas Kincaid asked. “I ain’t got all night.” His lips formed a sneer before he took a long pull on a dark drink. His eyes flicked in every direction except straight ahead.

“Don’t rush me.”

“If you move any slower, we’ll both be looking up at the daisies,” Thomas replied. He looked at his two cards for what must have been the third time.

Johnny sucked his lip between his teeth, flashed his eyes once toward the ceiling, and flipped a chip onto the deck. The roar in his ears nearly pulled him away from the hand, but the click of the ceiling fan managed to hold his attention. The darkness helped with his focus as well.

The girl sat across from him, dark hair drifting to-ward her shoulders and even a bit beyond. Teeth as white as a bowl of rice. A drop of moisture near her upper lip entered the equation. Her T-shirt bunched out at the front, and her eyes were as cold as Alaska. She played her cards close to her chest, and her bets were even. For the most part. She managed to toss in a few extra chips when she had a hand. But she was a straight shooter and hadn’t bluffed once. Johnny knew it was coming, though. He just didn’t know when. Even if he managed to run like hell, she’d probably still clip him at the ankles. Her chip stack sat more than a third higher than his own.

She had a good smile. That one. Not too much of the pearly whites, but just enough for a man to take notice. The words on her chest accentuated her assets. Tight, clean, and turquoise—the T-shirt, not her breasts.

Johnny’s eyes flicked to his watch, and his phone buzzed in his pocket. The alarm. His leg vibrated for a second more and then it stopped.

It was almost time. The medication. It took the edge off, and stopped his mind from racing off to infinity and beyond. The man with the dark rims and the white lab coat prescribed it in a room bigger than the one he was in now. If he didn’t take his meds in the next ten minutes, the headaches would start soon after.

The ceiling fan whirred again. The backroom was stale and damp, the casino out on the edge of the reservation with nothing but tumbleweed and small trees for over a mile. Diagonally opposite from the little shithole that he called home for the past several years. The run-down piece of trash with the broken Spanish shingles, cracked stucco, and clouded windows.

Seconds turned over, one after another, and still there was no movement from the Indian to his right. Lapu Sinquah flipped his sunglasses up, and dragged them back down, but not before his eyes looked around the table. The Indian made a face and flipped two chips onto the green felt.

The girl was next. She scratched her forehead. Her expression remained neutral. When Caroline Easton flipped her head, her hair remained out of her eyes. Her look resembled cold, hard steel. She followed the Indian with a two-chip flip.

Thomas tossed his cards away, and it was back to Johnny. He felt it: an all-consuming need to win this hand…and the next one…and the one after. Desire consumed him, after all. Or maybe it didn’t.

The hand that got away. The hand that consumed him, pushed him over the edge, and had him calling out in the middle of the night. One voice. One concentrated effort before the moment passed him by. He couldn’t imagine losing, ending up with nothing. Bankrupt.

This minute reasoning had him playing cards night after night, hand after hand, reading player after player. Moment after moment. Until the moments were sick and twisted and filled with jagged edges and punctured with pain. Or left him dead and buried on the side of the road in a ditch with half of his face missing.

The winning streak wouldn’t last. It’d be gone again. Like a sound carried away by the breeze in the middle of a forgotten forest. This time, he wouldn’t fold too soon. This time, he’d play it differently.

The one that got away. The pot in the middle that would have covered three month’s rent. But he tossed his cards aside, even though he’d been staring at the winning hand for damn near three minutes.

His eyes flicked to each of the three players before he once more peeled his cards back from the table and slid the two spades to the side.

The Indian glared at him through the darkness and his dark sunglasses. “Well?” Lapu asked. “What the fuck, man?”

Johnny tossed his shoulders up in the air. “I’m out.”

“Just like that?” Caroline’s long dark hair whipped around her head.

“Sure, why not?”

The Indian rubbed his shaved head. “You’re one crazy motherfucker.”

Johnny shrugged. “I never claimed to be sane.”

The ceiling fan whirred faster, clicking every five seconds. The air was heavy and suffocating, and he yanked on his collar with his index finger. Two drinks were drunk, and a glass clinked against a tooth. One chair slid back and another moved forward.

“There’s over two grand in the pot,” Lapu said.

Johnny gave a slight tilt of his head. “And I know when to walk away.”

The Indian jerked to his feet and extended a finger away from his chest. “It was your raise that started this shitstorm.”

“True,” Johnny said. “And now I’m going to end it.”

Caroline combed her hair with her fingers. “You haven’t ended anything.”

“I’d rather have that as my downfall than lose it all to you nitwits.”

Caroline smirked. Her white teeth glinted against the light overhead. “Who made you queen of the land?”

“I’d like to think it sort of came up on me,” Johnny said. “It sort of took me by surprise. Existence is futile.”

The Indian smirked. His stained teeth were nearly the color of his skin. “Futility won’t help you now.”

The hand was between the girl and the Indian. Her assets versus his. One smirk versus another. The sun-glasses were down, and both the movements and expressions were calculated. Chips were tossed, and the last card was flipped. Caroline took the pot, and her cold expression never wavered.

A ten-minute break ensued. Johnny used the bath-room, washed his hands, shoved two pills into his mouth, cupped his hands underneath the spout, sucked water from his palms, dunked his hands underneath the liquid once more, and splashed the water on his face. He grimaced at his own reflection, the dark, sunken eyes. He sucked in air and dried his hands. His shoes clicked on the broken tile on his way out the door.

His chips hadn’t moved, and neither had the table. The stack of chips was smaller than when he started this game. As the losses mounted, his amount of breathing room decreased. His longest losing streak was thirteen hands in a row.

The blinds were doubled, and his mind numbed. Compassion was a long forgotten equation, and sympathy wasn’t far behind.

The conversation picked up again, and the Indian perfected a new glare. “I never heard so much chatting over a game of cards.”

“It’s not just a game,” Thomas said. “Now, is it?” One dark drink was replaced with another, and the man’s eyes glazed over.

The girl tapped her wrist with two fingers and flipped her hair. “I think we’re already past the point of sanity.”

“If there was ever a point, it was lost—”

“I had a few points of my own that were somehow hammered home.” Johnny flipped three chips into the pot in one smooth motion. He had a hand, and he was determined to play it, even if he had to stare down the girl and the Indian at the same time.

“The game of life succeeds where you might have failed,” Lapu said.

Thomas knocked back the remainder of yet another drink. “I don’t accept failure.”

Johnny’s eyes flicked to his wrist. “You don’t accept success either.”

“Why do you keep looking at your watch?” Thomas asked. “Are you late for a date?”

The girl called and tossed three chips into the pot with only a slight hesitation. She had a hand, or she wanted to make it appear as such. Her lips moved less and less, and her eyes moved more and more. Her features were clearly defined.

Johnny kept his expression even.

“You’re not late for anything that I’ve seen,” Caro-line said.

Both the Indian and Thomas folded.

“I’d like to take you out back and shoot you.”

“Would that somehow solve the majority of your problems?” the Indian asked.

Johnny nodded. “It might solve a few.”

“Or,” she said, “then again, it might not.”

The last card was flipped, and bets were tossed into the center of the pot. Johnny raised, and Caroline countered with a raise of her own. He called, flipped his cards over, and his straight lost to her flush. Half of his stack disappeared in one hand. He ground his teeth and chewed his bottom lip.

“I don’t like you,” Johnny said.

Her expression was colder than Anchorage. “You never liked me.”

“There might have been mutual respect, but that ship sailed out into the great beyond and smacked an iceberg.”

“Passion—”

“Does not equal acceptance,” Johnny said.

“It will keep you up most nights,” the Indian said.

Determined not to lose again, Johnny kept his eyes on the prize and his dwindling stack of chips. The girl to his right had never flashed a smile, and now her stack of chips was nearly three times the size of his own. His eyes flicked to his wrist once more, and he grimaced.

For several moments, the ceiling fan took up all the sound in the room.

His breath hiccupped in his chest, and he swayed in his chair. The wood jammed against his lower back, and the angry green felt kept an even expression. His mouth moved, but no sound escaped from between his lips.

He fell out of his chair and cracked his head on the carpet. For the next few minutes, he drifted in and out of consciousness.

< <

“Did his heart just stop?” Lapu asked.

Thomas leaned across the table. “What the hell are we talking about now?”

Lapu stood up. “I think that fucker passed out.”

“Which fucker?” Caroline’s chest pressed hard enough against her shirt to slow down her blood flow. Her eyes narrowed, but her hand was steady.

“The one that was losing.”

“That’s all you fuckers.” She tapped her tongue against her upper lip. “You’re all losing.”

Lapu shoved his chair back. “I don’t like losing.”

“But you do it so well.”

Thomas’s body shifted in his chair. “Not on purpose.”

The ceiling fan stopped, and the walls trapped all remnants of sound. One beat of silence was followed by another.

Lapu moved first. He slapped two fingers to Johnny’s wrist and checked for a pulse. The heartbeat was low and weak and arrhythmic.

“What do we do now?” Caroline asked. “Have you got a plan?”

Thomas stood up and sat back down again.

“Cayenne pepper and apple cider vinegar,” Lapu said. “Both have the potential to reduce the effects of arrhythmia.”

She pointed. “Or maybe he has pills in his pocket.”

Lapu nodded. “That is also an option. Check his pockets while I prop up his head.”

“I need another drink,” Thomas said. “I’d rather not be sober if a man is going to die.”

Caroline rolled her eyes. “Don’t be so melodramatic.”

Lapu had watched his father die with a look on his face not that far from the one Johnny wore now: the lost eyes and the still body, with his spirit on the verge of leaving this world for the next. Lapu poked through his pockets in a methodical fashion and found a prescription bottle with a half-peeled label. He popped the top, poked his finger through the slot, and removed two pills. He peeled Johnny’s lips apart, shoved the pills inside his mouth, and forced him to swallow. Minutes later, his life force had altered considerably, and color had returned to Johnny’s cheeks.

Lapu nodded his head. “There’s a purpose to every-thing.”

Thomas leaned over and slapped Johnny on the cheek. “I believe in the possibilities of a situation. Those moments that lead from one into the next, filled with passion and compassion and equality, and some other shit.”

Caroline smirked. “Which is what exactly?”

“Not losing another hand.”

Johnny inched his way to a sitting position and slapped his forehead. “Fuck me—”

“Not likely,” Caroline said. “It neither looks enjoy-able nor promising, but that’s a nice try, though.”

“Your perspective has gotten skewed,” Thomas re-plied.

“That’s certainly possible,” she said, “but I wouldn’t be so sure.”

< <

More hands were played, and more hands were lost. Johnny’s stack of chips diminished faster until he was left with two red ones and half a drink. His even expression had vanished long ago, and his feet had started tap-ping during the last three hands. The Indian had six chips to Johnny’s two, and the rest were distributed between Thomas and Caroline, with the girl staring above a tower nearly level with her chin. Her expression hadn’t changed, and neither had her methodical approach to playing cards.

The barrel of a gun dug into Johnny’s lower back-side after he expunged the last two chips he had to his name. He didn’t have time to move or breathe, and he hadn’t even noticed Thomas shift his weight and remove the pistol from somewhere on his person. But the digging did further enhance Johnny’s focus and destroy his moral support. “Cuff him.”

“What the fuck?” Johnny replied.

“It’s time you realized the full extent of your losing.”

Johnny couldn’t see Caroline’s expression, but her voice was filled with menace and hate and exhibited more force than a battering ram.

“Stand up, you piece of trash.”

The gun shifted, and Johnny rose. The room spun, and he considered passing out all over again, but he pulled himself back and inched his way toward the metal door that was a lifetime away.

The barrel against his back never moved or wavered.

< <

She hated cards. Had hated the act and aggression of gambling most of her life. The thrill of winning and the heartbreak of defeat neither moved nor motivated her. Tossing chips into a pot, calculating the odds in her head, reading players around the table, and playing the hands of the other players instead of playing her own made her head throb from the weight of the proposition. But she did it, over and over again. If she thought about it long enough and hard enough, Caroline might have called herself a professional gambler, but that was a term she hated even more than the act of taking money from unsuspecting souls who had a penchant for losing. But if her two choices were paying the rent, or living on the street, she would choose rent every time and worry about the consequences later.

She couldn’t change her fate, or her odds. All she could do was play the hand she was dealt, match it up against what the other guys and gals had around the table, and study the ticks and idiosyncrasies that made each player unique. Over-confidence and euphoria were concepts she knew well, and she could smell it coming like a New Mexican thunderstorm. Even though she understood what she needed to do, she hated her hands even more than she hated long division. With each passing second, her trepidation grew, and the calm she exuded on the surface was a thunderstorm underneath the shallow exterior. It had gotten to the point that it was totally out of control, and probably would be for the rest of her life. It wasn’t satisfying, or even mesmerizing, and yet here she was week after week, going through the motions. The same types of players sat around the table with the same types of expressions painted on their uneven faces. The voice in her mind echoed in time, and she did her best to keep the whispers at bay. But the plan backfired, just as all good plans did that were built on a foundation of lies.

“What the fuck do you think you’re doing?” Caroline asked.

“Trying to win,” Johnny said. “What does it look like I’m doing?”

“Losing,” she said. “And not even admirably. You really are one stupid bastard.”

She had been called to test him, to see if he would break and crumble beneath the weight of a bad hand or two or ten, and he had folded faster than a crumpled handbag smashed against a mugger’s face. She had chipped away steadily at his chips, until two red ones were all he had left, and a tower of multicolored circles stood in front of her.

< <

Johnny had a hand that was planted in his lap by the gods, or maybe it was Julius Caesar himself. He couldn’t remember the number of times he’d lost in a row. Six or maybe it was seven. The torment and punishment continued unabated, and he licked his lips more with each passing second. The hands played out one after another against him, and the gates of Hell had opened before him. The girl to his right was methodical, and the jabs kept on coming, one right after another.

Her hands were probably her best feature. The way her fingers slid across the table, shoving chips and poking at her cards, and prodding the weaknesses of those around her, only made him long for her even more.

But this was it. His moment. And he wasn’t about to let it pass him by. Two minutes later, though, the moment passed, his chips were gone, a gun was shoved against his backside, and he was escorted out of the building.

***

Excerpt from The Fix by Robert Downs. Copyright © 2017 by Robert Downs. Reproduced with permission from Robert Downs. All rights reserved.

 

Tour Participants:

Visit the other great hosts on this tour for more great reviews, interviews, guest posts, and giveaways!

Get More Great Reads at Partners In Crime Virtual Book Tours

JINXED by Thommy Hutson (Interview, Showcase & Giveaway)

Jinxed

by Thommy Hutson

on Tour March 12 – May 11, 2018

 

Synopsis:

Jinxed by Thommy Hutson

“Thommy Hutson is the ultimate authority in nostalgia-driven storytelling.”
~ Clive Barker, Bestselling Author of Books of Blood and The Thief of Always

High School Can Be a Real Killer

Break a mirror
Walk under a ladder
Step on a crack

Innocent childhood superstitions …

But someone at the secluded Trask Academy of Performing Arts is taking things one deadly step further when the campus is rocked with the deaths of some of its star students.

Layna Curtis, a talented, popular senior, soon realizes that the seemingly random, accidental deaths of her friends aren’t random—or accidents—at all. Someone has taken the childhood games too far, using the idea of superstitions to dispose of their classmates. As Layna tries to convince people of her theory, she uncovers the terrifying notion that each escalating, gruesome murder leads closer to its final victim: her.

Will Layna’s opening night also be her final bow?

 

Book Details:

Genre: YA HORROR/THRILLER
Published by: Vesuvian Books
Publication Date: March 13th 2018
Number of Pages: 244
ISBN: 978-1944109127
Series: This is the first in a new trilogy, each is a stand alone but with a teaser for the upcoming book you won’t want to miss!!
Get Your Copy from: Amazon & Barnes & Noble! Plus add it on Goodreads!

 

 

Author Bio:

Thommy Hutson

Born and raised in Upstate New York, Thommy graduated from UCLA and launched his career co-writing the story for the Warner Bros. animated hit SCOOBY-DOO IN WHERE’S MY MUMMY? He followed that with co-writing the concept and additional material for CHILL OUT, SCOOBY-DOO!

His career then took a thrilling turn when he wrote and produced several definitive genre film retrospectives for television and home entertainment: SCREAM: THE INSIDE STORY, NEVER SLEEP AGAIN: THE ELM STREET LEGACY, MORE BRAINS! A RETURN TO THE LIVING DEAD and HIS NAME WAS JASON: 30 YEARS OF FRIDAY THE 13th.

He was also a staff writer on Hulu’s daily web series “The Morning After,” a smart, witty, pop culture program aimed at getting viewers up-to-date on the latest entertainment news and celebrity interviews.

Thommy also produced the critically acclaimed feature THE TROUBLE WITH THE TRUTH, an insightful relationship drama starring Lea Thompson and John Shea. He also produced DREAMWORLD, a quirky, romantic dramedy.

He co-wrote and produced ANIMAL for Chiller Films and Drew Barrymore’s Flower Films. The project debuted in iTunes’ top ten horror films (reaching #1) and became the network’s highest-rated original movie.

Continuing his passion for uncovering the stories behind the story, he went on to produce CRYSTAL LAKE MEMORIES: THE COMPLETE HISTORY OF FRIDAY THE 13th, which is the most comprehensive look at the popular film franchise.

As an author Thommy crafted a limited-edition coffee table book detailing the making and legacy of Wes Craven’s 1984 classic A NIGHTMARE ON ELM STREET. A trade version distributed by Simon & Schuster reached number one in Amazon.com’s Movie History & Criticism category. He also has a deal with Vesuvian Media to write a YA thriller trilogy with the first book due out spring 2017.

He produced and made his feature directorial debut with THE ID, an independent psychological drama/thriller. Filmmaker Magazine stated it was “a deeply unsettling thriller that’s as moving as it is frightening…with skillful, provocative direction that has echoes of early Polanski.”

Most recently, Thommy wrote the screenplay for CineTel Films’ supernatural horror film TRUTH OR DARE. He is also directing, writing and producing a documentary with Clive Barker’s Seraphim Films in addition to developing other film and television properties with the company.

As an author, he is currently writing another book that definitively details the history, making and legacy of another fan-favorite genre film from the 1980s.

A member of the Producers Guild of America, Thommy continues to develop unique, compelling and provocative projects across multiple genres for film, television, publishing, and home entertainment through his company Hutson Ranch Media.

 

Q&A with Thommy Hutson

Welcome!
Writing and Reading:

Do you draw from personal experiences and/or current events?

Absolutely. In fact, Jinxed was borne out of my love of 80s/90s horror movies, teen dramas and my having attended a performing arts school. I couldn’t get so many of the things that I did, saw or heard from those times out of my mind when writing the book. The past and the present of my own experiences informed who the characters were, as well as what they did and said. In terms of current events, I think it’s always wise to keep my finger on the pulse of what is happening around me. It’s not that it will always overtly come into play, but it can play a part in the way the story takes certain twists and turns, how people react to things and, sometimes, be a part of the general feeling of a story if even in a subliminal way.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?

A lot of times in my writing I do know the ending and work backward from there. Especially in horror and thrillers, where the “unmasking” or “big reveal” is a major moment, it’s good to know who or what is perpetrating the horror and how it gets resolved. Then, I know what I need to do to lead up to that moment.

Are any of your characters based on you or people that you know?

While each of the characters are definitely doing or saying some things that I have either heard from young people I know or overheard from those around me, it’s not like any one character is based specifically on someone in my life. It’s like a construct of different things from different people, wrapped up in the fictitious being I have created. It’s very Frankenstein’s monster. A lot of the dialogue, for instance, is real and innate to these characters, even if it might not seem to be something we hear every day in the real world. What the kids in the book are doing and saying is real for them, in the context of the world in which they exist. It’s real for their space. Especially in the heightened world of a performing arts school where things tend to lean toward the dramatic. Throw in a masked killer and a secluded island and it’s a recipe for something that is going to be larger than life. And, I think, fun.

Your routine when writing? Any idiosyncrasies?

I keep a pretty standard “9 to 5” writing workflow as I also write screenplays, so I have to be diligent about scheduling and getting things done and delivered on time. I envy writers that can wake up super early and work, or work super late; I’ve tried it and I realized it wasn’t letting me put out my best. In terms of idiosyncrasies, I’m really into talking out/acting out a lot of the dialogue and such. I like to hear how it sounds and see if and how something can be physically done. It’s probably quite entertaining to watch. And when I’m writing I must have chocolate covered raisins. I love them!

Tell us why we should read this book.

It’ a fun, thrilling and creepy whodunit that harkens back to the horror movies of the 80s and 90s. It’s scary, snarky and will keep you guessing who will make it and who won’t.

Who are some of your favorite authors?

So many! Stephen King, Wes Craven, Shirley Jackson, Agatha Christie, S.E. Hinton, Mark Twain, Jack London, John Green, Harper Lee, David Levithan, Ray Bradbury…the list could go on and on. I love coming-of-age books, horror and mystery.

What are you reading now?

I’m actually re-reading “Something Wicked This Way Comes.” I’m also reading “The Coalwood Way” by Homer Hickam and “A Killer Life” by Christine Vachon.

Are you working on your next novel? Can you tell us a little about it?

I’m starting the second book of the “Jinxed” trilogy. It’s fun because I get to follow the characters and action from one point to the next in their lives. How what happened in book one affects them and changes them, not to mention how things will ultimately all tie together. And to see who will live and who will die! I’m also writing another non-fiction book on the making of a really fun 80s movie. I can’t reveal the title of the film just yet, but like my previous non-fiction book, “Never Sleep Again: The Elm Street Legacy: The Making of Wes Craven’s A Nightmare on Elm Street,” it will be an in-depth exploration of the film and its legacy.

Fun questions:
Your novel will be a movie. Who would you cast?

That’s a tough one. There are so many fantastic people out there who I would love to see bring these roles to life. But, in the interest in not jinxing it (see what I did there?), I’ll keep them to myself!

Favorite leisure activity/hobby?

It’s probably too expected to say reading or going to the movies, but it would be true. I’m also a Disneyland fanatic. I could go every day!

Favorite meal?

Pizza and wings!

Thank you for stopping by CMash Reads and spending time with us.

 

Read an excerpt from Jinxed by Thommy Hutson:

Prologue

The small private island was a mystery.

This, even when so many knew, or thought they knew, what was going on twenty-two miles off the coast of Seattle, on the strip of land named after the very rich and very dead Cadogan Trask. Protected like so much of the Pacific Northwest by Douglas firs, red alders, and bigleaf maples, Trask Island, a blister in the water, seemed mythical. Very little was known about the reclusive man who bought the uninhabited plot in the 19th century, later developing it to suit his tastes. His personal life and his purpose, just like his eponymous island, were ensconced in a thick, white mist. One day there, the next not.

Over the years, worry about Trask the place and Trask the man ebbed and flowed. No one dared argue that business on the island brought money and a small amount of prestige to the area, but there was something about it.

The same people who sang its praises also gawked and wondered and preached about whether its gifts matched its detractions. All of those armchair whatchamacallits peeked out the windows of their glass houses into their neighbors’ glass houses and threw not stones, but boulders.

Always, always, they asked the same question: Why must a high school be so private?

The institution was nestled behind a wall of nature so beautiful that an equal number wondered how anything about it could be bad. A school for the gifted and talented. A place where children with an affinity for dance, voice, drama, art, and communications would be nurtured. A place where stars were born to shine.

But bad is a relative word.

And stars fall from the sky.

Still, the answer to the question on so many minds of what was really going on with those who were lucky enough, and rich enough, to find themselves hidden within its sacred I hope I get in please God let me get in walls?

Well, the answer was simple.

Secrets.

And not so simple.

Lies.

***

Spring, 1998

Trask Academy of Performing Arts was, indeed, very private.

The campus lay upon acre after acre of rolling green hills. Tall, age-old trees swarmed the landscape. Sturdy, dark red-bricked buildings were scattered about. Cobblestone sidewalks—concrete wouldn’t do, and asphalt was far too unsightly—snaked their way through and around the campus. Surrounding all of this flora, not to mention brick-and-mortar money, was a thick-ledged stone fence complete with wrought iron. The ornamental finials topping each spire had three-edged spear points. The borders weren’t sharp enough to cut, but the tips were fine enough to puncture. And at only one point along the entire perimeter was there a gate.

One way in. One way out.

Down one of those lamp-lit walkways, in its own enclave, was Williams Hall, a beautiful sandstone and cerulean tiled theater fashioned in a Romanesque style. A bell tower, now long out of use, still kept watch over the surroundings. The only modern accoutrement, though some would say eyesore, was the building’s large, white marquee, added during the 1980s when, presumably, a faculty member, or perhaps a wealthy donor, convinced the school’s administration flashing lights were all the rage. Its large black letters read:

52nd Annual Trask Academy of Performing Arts Showcase

Inside, rehearsal ran late.

The long fluorescent-lit hallway was filled with leg-warmered young dancers packing their bags. Actors filed away their scripts. Singers stopped their warbling. All seniors. Almost all rich. Wrapping up a rehearsal in the school’s premier venue for the school’s premier event.

Begun in 1946, the Trask Academy of Performing Arts Annual Showcase saw the best and brightest of the graduating class perform for a lucky invited audience. The theater’s fifteen hundred seats filled with relatives, talent scouts, agents, bookers, managers. Hollywood and Broadway knew that those fortunate enough to study at Trask were groomed to be unsurpassed in their field, and what better way to find the stars of tomorrow than to watch the hopefuls of today. Rich daddies and mommies prayed the exorbitant tuition fees had paid off. Rumors swirled the cost to attend the school was as high as one hundred thousand dollars a year, which would make it one of the most expensive private schools in the world. For those prices, check writers expected nothing but the best.

And Hell hath no fury if they didn’t get it.

Amanda Kincaid was working to be the best. She sat on the stage alone, dressed casually in dark jeans and a top that showed just this side of too much. She was a pretty girl and, at nineteen, a year older than most of the other seniors. Her age made her more serious, and more guarded. Her dark hair, normally wavy, was pulled back tight. She wasn’t a dancer, not really, but she felt the hairstyle made her look the part of a performer. Whatever part that was.

When she heard the last door of the night slam, she knew she was finally alone. She could now work without the worry of being judged by everyone around her. She was a good actress, she knew that. But that wasn’t enough, and she also knew that.

Standing up, she grabbed her script. She promised herself that tonight was the night she would not peek at her lines. She knew them. She had to. It wasn’t going to be like Showcase 1995—

Karen Reasmith stopped in the middle of her piece, mouth agape, spotlight burning down on her as if she were caught trying to escape prison.

She had forgotten her lines.

The adults in the audience, who could cut deeper than any razor, sat in irritated silence, while the other students lovingly absorbed the crash and burn before their eyes. A train wreck of epic schadenfreude. Karen looked around, helpless, hoping she could be saved from herself. But all that came were tears as she tore off the stage.

Amanda thought of the joke around campus for those new kids who didn’t understand how serious Trask pupils took their performing arts studies. They’d ask, “Did you ever hear of Karen Reasmith?” When incoming students answered in the negative, the upperclassman would respond, “Exactly.” Testosterone high-fives and estrogen giggles followed as they walked away from newbies who rolled their eyes.

But Amanda understood what the newcomers didn’t. Couldn’t, at least not so quickly. Karen had blown it. She would never even get a chorus audition in a touring show. Casting agents loved to talk. And what they loved to do more than talk was gossip. By the time Karen had packed her bags and left the compound, her talent was already colder than the iceberg that had sunk the Titanic.

Except that the Titanic had survivors.

Amanda shook off the memory of Karen Reasmith and focused. Her tongue darted around her red-lipped mouth, preparing to utter chilling words as she channeled Euripides’ Medea.

“In vain, my children, have I brought you up, Borne all the cares and pangs of motherhood, And the sharp pains of childbirth undergone. In you, alas, was treasured—”

Suddenly every light went out, leaving Amanda alone in blackness.

Even the ghost light’s exposed incandescent bulb had gone out, which made her anxious. Amanda knew the ghost light was a big deal, if only a superstition. She was aware of the firmly held belief that every theater had a ghost. And not Phantom of the Opera ghosts who taught beautiful, young women to become chanteuses. No, these were simply the spirits, perhaps of performers long dead, who remained in the place they once loved. Perhaps the ghost light allowed them to perform their own works when no one was around. Or maybe they just liked to watch performances.

Nonsense, Amanda thought. The light is there so we don’t fall into the orchestra pit. Or something.

Still, she didn’t like it being out. Just in case. Of whatever frightening case might be out there.

And then the noise came. Softly at first, but building in volume. It seemed to emanate from the back right of the auditorium. It sounded like the moan of a dead person who most decidedly did not want to be dead. Like a zombie upon its victim, ready to sink yellow and black teeth into the soft flesh of a neck, tearing out tendons, arteries, a larynx.

Amanda’s breathing grew faster, shallower. She felt as if she were standing in the cold, black reaches of space. Tiny hairs on the back of her neck tingled. Her mouth opened, ready to scream.

Amanda knew she should have been alone. And she knew she was not. But she stopped herself short of screaming. Instead, she cocked her head as the ghastly voice grew louder, transforming into something else, like something off one of those cheap Halloween sound effects tapes. Her split-second shudder of fear gave way to the crack of an embarrassed smile, then annoyance.

“Seriously? Not funny!” Amanda yelled out, her voice coming back at her with the faintest echo. Her words stopped the not-so-sound-effect sound effect. “I’m trying to work here,” she added matter-of-factly. She smirked. She waited. I’m ready when you are, idiots. When nothing happened, she took a step to her left.

“Dare you try to cross without the guidance of the ghost light?” a voice boomed. Amanda let out a small yelp. “Who can know what evils from the past lurk within these hallowed walls?”

Wait a minute, she realized. I know that voice. Despite the darkness, she moved in circles, calling out.

“If anything evil does linger, it’s probably from your pathetic performance, Marcus.”

She carefully shifted closer to the stage’s left wing. As her eyes adjusted to the darkness, she saw she was inches away from one of the thick, black curtains that prevented audiences from seeing backstage. The material was moving, ever so slightly. Who is that? What dashed away behind the barrier? She had to know, needed to. She slowly reached for the fabric and started to tug on it—

A reverberating audio feedback filled the auditorium. Amanda reeled, falling on her tailbone. Then, silence.

The bulb inside the cage of the ghost light came to life.

Someone had been right there. Not anymore.

“Oh, come on. Did I bruise your fragile ego?” she asked cynically. She got no response and decided she was over this game. She really did need to practice.

“Fine, whatever. Can you please turn the stage lights—”

They came back on before she could finish.

Jerks, she thought.

She looked back down at her script. Mumbling the words to get back to her place, she heard a rustling deep backstage. Hushed voices talking fast. Getting more strident. Urgent.

Inconsiderate jerks. Looking up, she projected to the back of the auditorium.

“In you, alas, was treasured many a hope of loving sustentation in my age, of tender laying out when I was dead—”

“Do something!” a voice said harshly backstage.

A female voice that Amanda couldn’t make out responded, “Just go, just go!” It sounded like she might have been crying.

Amanda stopped worrying about her performance. She stopped wondering who was scuttling around. She was concerned that something was wrong. These people had laughed at first, but now they sounded worried. And very frightened.

So was Amanda. She stepped toward the left wing once again, this time with purpose. Something slammed backstage. Amanda screamed, threw her hands to her mouth, and let script pages flutter to the ground in a jumbled mess she would normally have cared about, but not now. Something was happening. Her expression turned to sour terror when she saw it.

Smoke.

Thick dark billows wafting up from backstage.

“Oh my God.” She instinctively reached forward for the curtain, calling out. “Are you guys all—”

As she drew the curtain back, Amanda watched ravenous flames grow with a fresh gust of delicious, necessary oxygen. She was thrown as the heat slapped her body.

Crawling backward, she stumbled to her feet, turned to run, and screamed again, this time louder. She barely missed falling into the orchestra pit ten feet below.

“Help me!” she cried, looking around frantically, noticing the pages of her script dancing in a small vortex of flame, smoke, and heat. Flames licked the ceiling and rained dripping bits of burning material down. An ember from a set piece dropped to her arm, searing her flesh. She whimpered, hot tears flowing down her face. Another ember, another burn.

Desperate, Amanda tried to use her hands to wave away the smoke, but it was too thick. Coughing, she pushed toward a set of exit doors off the left wing of the stage. She imagined the fresh evening air outside, but her arms almost snapped when she slammed into the door that would not open.

For a moment Amanda wasn’t sure what was going on, but another ember landed on her hair and began smoldering, bringing her back. She swatted at it, screaming. She got up and tried the door again. It wouldn’t budge. She pounded on it.

“Help me! Somebo—”

Amanda violently coughed. She looked around, water in her eyes from fear and fire. The conflagration had engulfed the auditorium and Amanda, rushing to the stage again, realized she was at the center of it all.

A twisted, groaning came from above and, realizing just in time what it was, she scurried as a lighting rig swung right past her.

She didn’t have much time. More and more fly ropes snapped in the heat. Scene flats crashed to the floor. The glass lamp of the ghost light exploded. Disoriented, Amanda stumbled across the stage as smoke stung her eyes and heat filled her lungs.

Colored lights above burst and shattered, sending glass shards raining upon her. She covered her head, not seeing the snapped cable heading toward her.

It belted her in the leg, drawing a deep, thick gash and sending her sailing over the front of the stage.

Into the orchestra pit.

Her head hit the wooden floor with a crack. Her leg twisted at an odd angle. She was not going anywhere.

It’s so much cooler down here, she thought sadly. The fire drew closer as debris rained down around her. She looked high above and saw fire crawl up the curtains, licking at the Trask Academy of Performing Arts crest. Its enamel sheen bubbled in the heat.

The fire upon her, Amanda felt her skin burn. She used her left hand to rub the fire from her right arm, but everything sloughed off the bone in large, bloody, sinewy chunks. The pain was excruciating. She had been sure, when talking with friends about terrible ways to die, that after a few seconds fire would have extinguished any sense of pain, or that her body would dull it enough to make it more manageable.

She thought how wrong she had been.

She felt every lick of flame as if a galaxy of the hottest stars were slowly stabbing through her. Her head lolled to one side. Her screams withered. She wanted to cry out, but instinct had its hold on her, and the heat she felt every time her lungs sucked in was too great.

The air itself had become a scorching hell.

She saw little blobs of dancing light as she held, held, held her breath. The world was just about black when another jolt of pain brought her back, as if a gleaming, hot needle had been shoved into her iris. While the blinding orange and yellow of one thousand degree flames ravaged her body, she saw nothing.

Her lack of vision was not due to the agonizing pain. Or the shock that racked her body. The heat was so great that her eyes exploded, like eggs bursting in a microwave.

The young girl with so much life ahead of her was as good as dead. A burning husk of a person. The unconscious fear of suffocating grew to be too much, and she sucked in a giant rush of heat that melted the delicate, paper-thin tissue of her lungs. It was a pain so much worse than breathing in water from the lake where she and her friends would go swimming. Long before she had come to this school.

As the little oxygen left in her bloodstream wended its way through her dying shell, strange fleeting thoughts crossed her mind. It wasn’t, as everyone said, a movie-like assemblage of her life playing at breakneck speed. It was, simply, random moments. The first time she sawThe Wizard of Oz and wanted to be Dorothy. Riding her pink bicycle in the grassy front yard of her house, yelling for anyone to watch her ring the tiny bell on the handlebars. Hitting her babysitter’s older brother in the face with a snowball, upset and confused that she could make a big boy cry. Screaming on a roller-coaster with her former best friend, Shelly, sure she was going to pee her pants from laughing.

Then it was over. Her human light faded, faded, faded with one last thought.

The baby.

CHAPTER 1

Present day

Silver moonlight cast a pall over the remains of the burnt, condemned theater that kept watch over the school campus. Even with a new, more open brick façade already complete as part of the school’s very expensive renovation, the scaffolding snaking around and up its walls read like the twisted bones of a skeleton deep inside a closet. But that fabled darkness, coupled with its offer of shadowed cover from faculty, made the theater a prime location for itchy students to scratch their desires, test their mettle, and relish in stories that brought back the dead.

“Some say you can still hear her screams in the still of the night.”

The voice of the storyteller belonged to Max Reynolds. He was standing in front of the building, staring up at it as he spoke. A senior with well-toned arms that stretched his tight, white T-shirt, he looked pleased with himself as he waited for a response. His structured, boyish face wasn’t always smiling, but when it did, it charmed everyone. This was one of those times.

“Lame, lame, lame,” said Layna Curtis. A sarcastic smile grew from her full, naturally red lips. “Let’s be real, not only has that story been told before about a jillion times, it’s been told way, way better.” She sighed and pushed long dark hair away from her pale, pretty face and over her shoulders, feigning boredom. Inside—though she would never admit it—she wasn’t sure she liked being there. That building, she thought, is staring at us. At me.

“Oh, really?” Max asked, goading her, snapping her from distracted thoughts.

“Totally,” Layna replied. Clever and confident, she would play the game. She nonchalantly picked at the pills of her cream-colored sweater. Max stared at her, his eyebrows raised. Without looking up, Layna said, “Guys, am I right?”

Layna looked first to Nancy Groves, a fantastic dancer who was stretching her legs as if a loop of Olivia Newton-John’s “Physical” played in her head. Holding her legs at seemingly impossible angles was par for the course for Nancy. She had a lithe body that shimmered when she performed. Layna knew it. Everybody knew it. And Nancy loved that. But Layna knew her friend’s Achilles’ heel was her short, bobbed hair, so naturally straight that even the strongest Ogilvy home perm would be hard-pressed to win the battle. Not that she hadn’t tried, often with a lot of help from Layna and shared fits of laughter. Layna appreciated Nancy knew what she had and how to use it.

When Nancy didn’t respond, Layna’s eyes went to Alice Reitman. Alice smacked her chewing gum. She was cute, but nowhere near Nancy-thin. Layna had always thought that Alice wasn’t fat. At least not fat, fat. And Layna knew that Alice despised in a gag me with a spoon way when people referred to her as “the bubbly one.” That usually meant fat.

Layna felt bad knowing most people openly said Alice was talkative and upbeat, but also worried Alice was thinking, Thanks, now hand over the ho-ho’s and you won’t get hurt. But what did it matter to Layna? Alice wasn’t an actor, singer, or dancer. She studied communications and was going to be “the next, not-quite-as-thin, but incredibly relatable television journalist.” Layna had told Alice that was a fine choice, but she preferred Savannah Guthrie, even though she looked much taller than her guests, and it often appeared she might just lurch over and devour them. They all have their flaws, Layna reminded herself.

At the end of the line was Trask’s “it” girl, Sydney Miller. Pretty, with blonde hair in perfectly placed waves, Sydney was popular and athletic. Layna admired her. At Trask, and in real life, Layna had to assume, guys wanted Sydney and girls wanted to be her. When she walked down the halls, the underclassmen all turned their heads to catch a glimpse of the Sydney Miller. If the singers were belting out a tune, they stopped as she strode by. Layna knew her friend Sydney was going to be famous. She had the talent to be a star, sure. But she also had a sheer force of will. Nothing was going to stop her from achieving her dreams. Nothing. And nobody. Layna admired that especially, even as she pushed down slight feelings of jealousy.

But like the others, Sydney just sat quiet.

Layna looked again at all of her girlfriends, incredulous. “Oh my God, backsies please. This is when my friends say they’re with me?”

But none did. They stood stoic, staring forward, or around, or down. Looking worried. It didn’t sit well with Layna.

“Layn, I mean, it is kind of a creepy story,” Alice offered.

Layna’s shoulders slumped. No backsies, apparently.

“Seriously, a girl died. Right in there,” added Nancy.

Sydney leaned her body in closer. Layna could practically feel the girl’s breath when she spoke. “It’s just not something we should, you know, make light of.”

Layna couldn’t believe it. Her unease was giving way to annoyance. “Because some chick supposedly died in this awful, mysterious, tragic way a million years ago—”

“It’s more like, only twenty years, but go on,” Max said.

Layna glared at him long enough to make a point, and then continued. “I’m just saying, we see this eyesore all the time, but tonight we’re supposed to all of a sudden be frightened because Max used his big boy voice to tell a campfire story we all knew? Sorry, it just isn’t work—”

Layna abruptly stopped. She had heard something. They had all heard something.

It was not the wind, Layna knew. Not the creaking of scaffolding. It was a low, hurting moan. A harsh, frightening whisper.

“Whooo—?” hissed the voice, from inside the building.

Layna’s brown eyes went wide. Max sidled next to her. “Okay, fine, it’s working now,” Layna said. Nancy, Alice, and Sydney huddled close, too.

Sydney, worried, looked directly at Layna. “Dude, what did you do?”

“Me?” Layna whispered, too loudly.

“Shhh!” Nancy harped.

The punitive voice came back. Angrier, more strident. “Who wantsss—?”

They waited, breaths held, to hear what came next, but the only sound was the flapping of a plastic tarp over a pile of bricks. Then someone jumped out from the shadowed entrance of the theater. Layna let out a high-pitched scream. Then the others screamed, too. Layna grabbed Max tightly, trying to shield herself from whatever was coming toward them.

The screams of the others went on and on. And on. Layna gathered that something wasn’t right when she peeked from Max’s chest and saw her friends staring at her, their formerly petrified faces now swathed in knowing smiles.

“Whooooo wantsssss … a drink?” the stranger in the entryway asked.

Layna opened her eyes fully and unscrunched her face. She knew that voice. She’d been had.

“Come out, come out, wherever you are,” Nancy joked, poking Layna.

Layna pursed her lips and nodded her head. “All right, fine, go ahead. Let’s hear it,” she said.

After a moment of silence, they burst out laughing. Layna put her hands over her face, embarrassed that she had fallen for such a cheap trick. Max pulled her close and kissed the top of her head.

“We totally had you,” he said, then grabbed her chin so he could look her in the eyes. “And I’ll always have you,” he added, leaning in for a kiss. Layna greedily accepted.

“Get a room already!” Nancy playfully snapped. “And, Crosby, get your ass out here.”

Crosby Williams’ broad, white smile, and a glint from his hazel eyes, emerged from the darkness. Layna stared at the writer and part-time less-than-stellar illusionist, also a member of the senior class. She should have known—he could never pass up the element of surprise. He may have been lacking in the prestidigitation department, but he made up for it with a bohemian style and perfectly unkempt hair.

“I’d love to, but the spirits are insistent,” Crosby offered. “You must come inside and face your fears, if you are to partake of the beers.” He pushed his arm forward so it was struck by moonlight, waving a bottle that glistened with condensation. Then just as fast, he pulled it back and his smile, his eyes, and the beer disappeared all within the ruins of the old theater.

“You heard the man,” Max said. “Duty calls.”

Nancy, Alice, and Sydney moved first, with Nancy leading the pack. The girls laughed as they, too, vanished into the shadows, one by one. Max lurched forward, but Layna caught his hand and stopped him.

“Babe, come on,” he said.

Layna looked up at the building, gazing at its two, large Venetian windows that watched over everything. Watching me, I bet.

“What’s wrong? Let’s go,” Max said. “Or are you scared? Ooooh!” He waved his fingers in front of her face in a silly manner.

It broke Layna free from her worry. The small lie, one he’d never figure out, came forth. “Of course not,” she said. “Let’s go.”

After one last look deep into the shadows before her, she gave Max a kiss on the lips. Ready or not, she let him lead her into the darkness of the auditorium.

The building was a far cry from the grandeur of its glory days. Gone were most of the plush, red velvet-covered seats that once filled the theater, leaving only an empty, sad expanse of dirty concrete. Those seats that remained, mostly near the stage and scattered up makeshift aisles, were blackened and charred, having melted under the heat of the fire. Layna felt a chill, even though the seating wreckage could barely be seen under the cover of dusty translucent plastic. Construction materials, tools, wood boards, and sandbags were strewn about, giving credence to the rumor the schools’ deep-pocketed donors weren’t jonesing to bring this part of the campus back to life.

It was an open secret on campus that the coffers of Trask Academy of Performing Arts might be drier than anyone in the administration wanted to admit. There was money, of course, because Dean McKenna knew that keeping up appearances was paramount, but there was an equally strong, although silent, opinion that the building was nothing more than a part of the school’s dark past and, just maybe, it should stay there. Layna certainly felt that way right now. Neither she, nor her friends and fellow students, had any idea that in at least one of the more heated board meetings—old-boys club affairs always held privately with little fanfare—more than one donor had agreed: why rebuild a nightmare when you can construct a brand-new dream?

Layna and her friends meandered through the maze of equipment toward the stage.

“All right, Crosby, come out, come out, wherever you are,” Alice said, loud enough to cause an echo, but there was no answer from Crosby.

Layna and Max made their way to the front of the group. As they walked, they stared up through scaffolding and more plastic tarps, the former creaking and the latter flapping in the stiff breeze whisking through the empty structure.

Moonlight shone down on Max, who climbed up onto the stage from a set of rotting steps. “Watch the third one, it’s a doozy,” he said as Layna grabbed his hand for help up. Then Max, always the gentlemen, reached for the other girls, grabbing Nancy’s arm a bit harder when she failed to heed his warning and her foot almost broke through the soft, pulpy wood of the stair.

Layna gasped, but Nancy just uttered an embarrassed “Whoopsie.”

From the stage, the friends paused to take in their surroundings, illuminated not only by the natural evening light, but also by the lone ghost light in the center of the stage.

“Spooky. Maybe this was, you know, the light,” Alice wondered aloud. The thought caused a hint of unease in Layna.

“Yes, most definitely,” Sydney said with a smile. “Now let’s steal the bulb and call GE so we can make a billion dollars on the light that lasts an eternity.” The response put Layna at ease, but Alice rolled her eyes, blew a large, pink bubble, and sucked it back into her mouth with a loud pop!

Layna found that the light did not offer her any warmth, or security, so she just stood quietly with her hands in her pockets. Max sidled next to her and wrapped his arm around her shoulder.

“Hey, look,” Layna said, moving a few feet past the light to where a picnic blanket was spread out on the stage.

Nancy went to it and stood with her back toward the darkness of the stage’s left wing. “Fancy,” she said. “Maybe next time we can have a picnic, I don’t know, at the scene of a car accid—”

A hand suddenly reached from the shadows and whisked its way over Nancy’s mouth. Unable to say anything, her eyes filled with fear and worry.

“Nan, how much longer do we wait?” Sydney asked. She turned and let out a scream when she saw Nancy.

Layna and Alice yelped as well. “Max!” Layna screamed, with the unspoken order of Do something! Max practically leapt across the stage. Then he stopped, and he and the others watched as the stranger’s hand wended its way from Nancy’s mouth, down over her shoulder, and to her jacket’s zipper.

It started to pull down.

Nancy’s wide eyes shrank to a disbelieving squint. She yanked hard on the offending arm and pulled a stumbling Crosby from the shadows onto the stage.

“Wow, way to be romantic, Cros,” Nancy said. “I’ve always dreamed of doing it here. Literally, right here.”

“Me too, babe. Me, too,” Crosby joked, raising his eyebrows in quick succession before planting a kiss on her lips.

The others made their way over.

“Crosby, such a lovable jerk,” Sydney offered, giving him a peck on the cheek.

“That’s funny, I thought he was just being a jerk,” Layna added with a little more annoyance than she had meant to.

Max crossed in front of her. “Me-ow.” Now it was Layna who rolled her eyes. It hadn’t been her idea to hang out in a burnt-out building, tell ghost stories, and do God only knows what. She would have been fine if they had never come here.

“Come on,” Crosby said. “I couldn’t let the ambiance go to waste. We’re all entitled to a good scare, right? So, welcome children. And now, watch.”

They all did as Crosby stood in front of them, arms outstretched. He tugged on each sleeve. Nothing there. Suddenly, with a few slick gestures and a turn, he produced beer bottle after beer bottle.

“Well kiss my ass and call me abracadabra,” Max laughed, happily grabbing two bottles and offering one to Layna. She shook her head. Max ambled off, saying something under his breath like, “More for me.”

Alice brushed past Layna, smacked her gum, and grabbed a beer. “The party has so officially started.”

Crosby saved the last drink for Nancy, sheepishly gesturing like it was a peace offering. “Forgive me, but in all honesty, I just had to set the mood.”

“Oh, it’s gonna take more than janky beer,” Nancy retorted with a smile.

Crosby shrugged his shoulders, opened his jacket, and showed her the flask he had been hiding. Nancy’s smile grew. Layna watched, enjoying their playful back-and-forth.

“You know me so well,” Nancy admitted. She put her arms inside Crosby’s jacket, moving her face close to his.

“And you me, my dear,” responded Crosby. Somehow, they seemed to smile even as they kissed deeply.

Layna cleared her throat and sat down on the blanket. “Tongue-wrestlers, your much-needed, very private room is now ready. Please check in, stat.”

Nancy pulled back from Crosby, laughing. “Duly noted.” She and the others joined Layna on the blanket.

Crosby remained standing by himself, still pretending to kiss Nancy. The others laughed, which he took as his cue to stop and take a seat. The teens kicked back, looking up at the star-studded sky through a gaping hole in the roof of the condemned theater.

“See, it’s not so scary in here,” Max said.

Layna thought, but would never dare say, that it was still just as creepy as she had imagined. Maybe more.

***

“Let’s discuss break. Please tell me you’re staying,” Sydney pleaded, breaking the silence. Secretly she had also hoped to head off talk about the building, the legend, or how frightening it was. And is.

“Oh, we’re staying the week,” Layna said, adding emphatically, “All of us, right?”

Nods all around. Sydney let out a Thank God sigh.

“Rumor has it only D’Arcangelo and McKenna are gonna be here,” Alice said. “And there’s gonna be a party tomorrow night to kick things off.”

“A freshman party, ugh.” Nancy groaned and took a swig from the flask.

“I’ll pass, thank you very much,” Sydney said.

Layna looked like she was holding in a secret she couldn’t keep in. “Max wants to go!” she revealed.

The group stared at him as if he were mad.

“What?” Max asked. “It could be fun.”

Layna threw a You’ve gotta be kidding me stare at him. “Oh, totes,” she said, “if the fifteen-year-olds can plot out how to sneak anything stronger than hard lemonade into the dorms.”

Sydney shook her head. “Barfing kids and tragic pop music outside my door, all night long. Sign. Me. Up!”

“Oh, let me call the wahmbulance,” Nancy laughed. “It’s your fault. You could have lived with us big kids in Campbell Hall.”

“Oh, no, no, no,” Sydney replied. “I am not giving up my primo view for snot-nosers.”

And it was true, she thought. Her view was fantastic, overlooking the conservatory filled with exotic plants, from rare orchids to ingeniously sculpted bonsai trees. Aside from the supposed eco-friendly gratification, the school’s motivation for the garden was a mystery to Sydney, her friends, and most other students, too. Most of the kids at school, Sydney among them if she stopped lying to herself, had the mindset that if you’ve seen one flower, you’ve seen them all.

The beauty of the building, Sydney had to admit, could not be overstated: a dome of striking brass-capped cames that held together shimmering glass plates of blue and gold, the colors of the school. Sydney often found herself staring at the top of the structure, mesmerized as it reflected the setting sun. Beyond the dome, the rolling green hills that the school had so meticulously taken care of led to the thick forest just beyond the gates of the campus.

It was that view that kept Sydney in the underclassmen’s dorm. She had lucked out with her room. The school used the stunning views and state-of-the-art facilities to lure new students, but after the main academic coursework was finished in year one, students started their majors and moved to one of two dorms on campus closer to the buildings where they would train. Still, Sydney accepted that the spectacular view, and the slightly longer daily walk to her classes, was worth putting up with the kids who were just finding their way. When she had asked to stay in her room, the housing committee decided she could. Sure, there were moments when she thought it might be more fun to be in a building with all of her friends, seniors who had paid their dues and were ready to graduate and make their mark with the talents that Trask had nurtured within them. But when the committee said yes if she agreed to stay at the school for her entire academic career, she had made her choice.

Sydney was shaken from her thoughts of pretty stained glass and obnoxious newbies when Crosby said, “They’ll be in dreamland before you know it. The last ferry leaves Saturday morning and they’ll wanna be bright-eyed for mommy and daddy at the docks.”

“Speaking of morning, like, what’s with the ratchet, military-style early rehearsal, Syd?” Alice asked. “It’s just us, and you’re the only one in the showcase.”

“Oh, don’t be silly,” Layna said, smiling. “The star here needs someone to shine the spotlight on her the minute day breaks, didn’t you know?” Sydney wondered, for just a second, whether something more wicked lurked behind the comment and smile.

“Oh, the shade!” Nancy said.

“Guys, I was joking. Seriously,” Layna offered. She took Sydney’s hand. “Hey, when have I not been the overachieving understudy to the world’s soon-to-be most famous talent?”

The words didn’t make Sydney feel much better. Sydney knew how badly Layna wanted to perform. “Layn, you’ll get your chance. Trust me, it’ll happen.”

“You’re right,” agreed Layna, “the minute you pull a Peg Entwistle and take a leap off the Hollywood sign.”

“Layna!” Nancy laughed, half-heartedly.

Sydney chuckled slightly, then looked away. She didn’t want to keep up the contest with Layna, didn’t want to see something in her friend’s eyes that might betray their friendship.

Max took a long swig from his beer and gestured at their surroundings with the bottle. “There’s always hope for a mysterious fire during one of Syd’s rehearsals.”

“Okay, seriously, starting to feel uncomfortable here,” Sydney admitted. She looked at Layna, waiting for the break. It finally came. They locked eyes, and Layna’s big grin forced one from Sydney.

“Babe, friends to the end,” Layna said, moving to wrap her arms around Sydney. “The very end,” she added, her tone both playful and menacing.

Everyone relaxed as Sydney lightheartedly pushed Layna away. “Girl, bye!”

The wind picked up, whistling through the theater. The scaffolding creaked and groaned. A light flurry of plaster dust sprinkled down, looking, Sydney thought, perhaps too much like ash from a fire.

“The universe likes the idea, Syd,” Crosby said. “Maybe your number is up.”

“And I like the idea of you shutting up,” Sydney replied sharply. She had reached her limit on the subject of past deaths as well as jokes about her own.

Layna grabbed Sydney’s hand and gave it a squeeze. “Sorry. I didn’t mean to—”

Alice yelped as floorboards creaked in the darkness of the stage wings. “That was so not the wind,” she muttered.

Max stood tall, taut, alert. “Who’s there?” he asked.

No response. Layna grabbed his arm. He motioned for her and everyone else to be quiet as he stepped toward the edge of the light thrown out from the ghost lamp.

“Ooh, tough guy,” Crosby mumbled, snickering. Nancy slapped his arm. Max glared at him and then disappeared into the shadows.

Sydney was worried. And that meant they all must be worried, she thought. Was that an animal? Was it a teacher? Or had something they mentioned too many times that night come back?

As soon as she heard the crash, Sydney stopped wondering and let out a scream.

“Max!” Layna screamed, darting to her feet out of instinct. The others rose up behind her. Nancy pushed Crosby forward. He cocked his head and opened his eyes wide. Sydney imagined him thinking exactly what she was thinking, Just what am I supposed to do?

“Do something, idiot,” Nancy ordered.

Crosby inched toward the darkness, stopping at another noise, a scuffling, this time closer.

“Not necessary,” Max’s voice came from the shadows. Sydney was relieved as she watched somebody being forced from the wing and onto the ground. The other girls screamed, as did Crosby. Sydney took note that his scream was more high-pitched and went on a hair longer than the girls’, which she knew he’d regret.

Max appeared again.

“What the hell are you doing here, you stalker douchebag?” Max asked whoever was skulking backstage.

Sydney focused on Layna. She knew what was going to happen next. Her eyes met Max’s judging gaze. She took a sharp breath in and forgot the drama and worry from before. Max was obviously not happy with the person lying on the floor in front of them all.

***

Layna knew she could not hide what Sydney, what Max, what everyone saw as she looked at the heap on the ground.

Dillon Reeves. A loner and, some have said, a rebel.

He was also a senior, though the rumor on campus was that the musical prodigy might have been older than everyone else after being held back in grade school. It wasn’t for lack of intelligence, apparently, on which everyone agreed. Depending on whom you asked, though, the true reason changed. Imaginations ran wild. And the stories got bigger.

I heard Dillon would just sit in the corner of his kindergarten classroom and hum after he got yelled at for eating cookies another kid brought, so they held him back.

I heard Dillon took a broken paintbrush and stabbed another student in eighth grade for making fun of his still-life art project, so they held him back.

I heard Dillon got blamed for pushing his high school shop teacher into a table saw blade and then ran through the halls screaming the teacher was jumping around like fleas on a hot brick, so they held him back.

There was also one about embezzlement, and some even whispered about a true murder. Layna hated that one and knew it was not, could not be, true. Still, on and on it went. The lightning speed of Trask’s gossip train left some wondering if, after putting the pieces together, Dillon wasn’t in fact responsible for the Lindbergh kidnapping. Stranger things have totally happened!

Layna believed none of it. Dillon was just special. Quiet, smart, very cute. Dillon’s looks and charm and bad boyishness did not go unnoticed. Almost every girl on campus noticed, and some boys, of course. But it was all of him—the things she knew, the things she learned, and yes, even the things she did not know but hoped to one day—that had attracted Layna during junior year when Dillon had transferred in. This was before Max, of course, a time her friends ridiculously referred to as Proto-Max.

“Are you all right?” Layna asked, looking Dillon over and brushing off his dark leather jacket.

“I’m fine,” he answered, standing up. He was tall. Taller than the others. Layna tried to hide the fact that she did not mind him looking into her dark eyes with his blues.

“I hope I didn’t hurt his man bun,” Max scoffed. Layna eyed him with a not now look. Max rolled his eyes. She knew he was sick of this. Sick of Dillon.

The others looked on with fascination at the love triangle. Layna was keenly aware that her friends knew she used to love Dillon, who was always slightly aloof in his love for her, who eventually fell out of love with him and into love with Max. Thankfully, Max loved her back more fully than Dillon ever did.

Max backed away, saying, “Fine, then the party’s over. At least for me.”

Layna stepped toward Max. “Max, stop.”

He did. But he didn’t turn around. She hated when he talked to her with his back. “If you want El Creepo to make it through senior year, you’re gonna have to make a choice.”

Layna just stared at him. The others stared at her. Alice whispered, “She must be answering him with her mind!”

Crosby laughed. Layna frowned, but she took some comfort when Nancy rolled her eyes and elbowed her boyfriend in the rib. No laughing. Check.

Everyone watched intently, not sure what was going to happen next.

No one expected it when Dillon grabbed Layna’s hand.

“Dude! Not. Cool,” Crosby offered.

Max turned around with enough time to see Dillon’s hand slink away from Layna’s. “What are you doing?” she snapped at Dillon. She ran to Max and put a hand on his shoulder. Slinking around to his front, she faced him.

“Him or me, Layna. I can’t play this game forever,” Max said.

“He’s just trying to get a rise out of you. And it’s working.” Layna knew it was a lie the moment it rolled off her tongue, so she wasn’t surprised when Max called her on it.

“No, Layn, you were helping him get a rise,” Max said.

Layna grimaced, wanting to scold Max for being so gauche in front of her—their—friends, especially Dillon. But she wasn’t fast enough.

Max sighed. “Him or me.” He kissed Layna on the forehead then stepped past her into the shadows, down the stairs, and toward the entrance doors. All she could do was watch him. She turned to the rest of the group. No one said a word.

“I didn’t ask him to do any of this,” Layna said. She looked at Dillon. “And you didn’t have to do that.”

“You didn’t have to let me,” Dillon answered quietly.

“It’s getting late,” Sydney offered, moving past Dillon without a glance. She grabbed Layna’s hand, and the two started toward the doors.

Crosby and Nancy followed. “Oops,” he said sarcastically, bumping into Dillon’s shoulder.

Alice rushed up behind Nancy. “Wait up!”

Alone on the stage, Dillon watched the group make its way toward the entrance. “See you tomorrow,” he yelled out. “And I’m sorry.”

Crosby, Nancy, and Alice exited as Sydney tried to coax Layna to leave. Layna didn’t budge. She wasn’t sure if Sydney understood, even as her friend walked away.

Layna knew Dillon could now see her only as a silhouette awash in moonlight. She watched him watch her. Her hair blew in a gust of wind that came through the open door. Fine dust particles rained down on Dillon. Were they anywhere else, Layna might have thought he looked angelic. Dillon shook his head, put it down, and then rubbed his eyes. Layna knew her time had come, that when he looked back to her, she would be gone.

She needed to be gone.

So she left. As the door closed behind her, she did not turn back. She wandered slowly toward Max, who waited for her. He always waited for her. That’s what he did. She grabbed his hand, and they followed the others back to the dorms.

But Layna knew Dillon was still on stage. She imagined him standing there, all alone, licking his wounds and staring with red, watery eyes at the ghost light.

***

Excerpt from Jinxed by Thommy Hutson. Copyright © 2018 by Thommy Hutson. Reproduced with permission from Vesuvian Books. All rights reserved.

 

Catch Up With Thommy Hutson On thommyhutson.com, Goodreads, Twitter, & Facebook!

 

Tour Participants:

Visit these other great hosts on this tour for more great reviews, interviews, guest posts, and giveaways!

 

Giveaway:

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Thommy Hutson. There will be 1 winner of one (1) Amazon.com Gift Card. The giveaway begins on March 12, 2018 and runs through May 14, 2018. Void where prohibited.

a Rafflecopter giveaway

Get More Great Reads at Partners In Crime Virtual Book Tours

THE SHEPHERD’S CALCULUS by C.S. Farrelly (Showcase & Interview)

The Shepherd’s Calculus

by C.S. Farrelly

on Tour February 1 – March 31, 2018

Synopsis:

The Shepherd's Calculus by C.S. Farrelly

When journalist Peter Merrick is asked to write a eulogy for his mentor, Jesuit priest James Ingram, his biggest concern is doing right by the man. But when his routine research reveals disturbing ties to sexual abuse and clues to a shadowy deal trading justice for power, everything he believed about his friend is called into question. With the US presidential election looming, incumbent Arthur Wyncott is quickly losing ground among religious voters. Meanwhile, Owen Feeney, head of the US Conference of Catholic Bishops, is facing nearly a billion dollars in payments to victims of sex abuse. When Feeney hits on a solution to both men’s problems, it seems the stars have aligned. That is until Ally Larkin—Wyncott’s brilliant campaign aide—starts to piece together the shocking details. As the election draws closer and the stakes get higher, each choice becomes a calculation: Your faith, or your church? Your principles, or your candidate? The person you most respect, or the truth that could destroy their legacy?

When the line between right and wrong is blurred, how do you act, and whom do you save?

 

**Read my review HERE and enter the giveaway**


 

Book Details:

Genre: Mystery/Thriller
Published by: Cavan Bridge Press
Publication Date: October 3, 2017
Number of Pages: 272
ISBN: 0998749303 (ISBN13: 9780998749303)
Purchase Links: Amazon 🔗 | Barnes & Noble 🔗 | Goodreads 🔗

Q&A with C.S. Farrelly

Welcome!

Writing and Reading:

Do you draw from personal experiences and/or current events?

The initial action in the plot is usually inspired by current events or actual events that have occurred in the past, but then I try to think of creative plot twists that are more elaborate (and usually more sinister) than the real life inspiration. In the case of The Shepherd’s Calculus, several elements of the plot were inspired by things that have happened in past presidential elections along with current events around foreign intervention into elections, political scandals, investigations into priest abuse cases, etc. In the case of a play I wrote, Relief, the plot was inspired by the disappearance of an American professor off the coast of Ireland in the 1930s. No one knows happened to that professor (a man named Arthur Kingsley Porter). My play is set in the 1950s and opens with the main character’s murder, so you know what happened from the start, but not why. While my characters aren’t typically based on personal experience, I’ll often use personal experiences from my travels or past jobs to help add detail to descriptions.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the storyline brings you?

A bit of a combination of the two. I’ve generally outlined what the main plot progressions are in advance, so I know what needs to happen and how, but the details that string those moments together are a little more open to where the characters take me as I flesh them out more. With The Shepherd’s Calculus, I wrote the first 5 chapters first, then wrote the last chapter and worked back from there because I felt I knew James Ingram and Owen Feeney the most as characters. Because of that, working back from the final moments of their friendship gave me a good roadmap.

Are any of your characters based on you or people that you know?

I think there are probably traits some of the characters have that are similar to those of people I’ve met. For example, I had a professor in college who was a Jesuit priest and quite a character, so he was a bit of an inspiration for Fr. Ingram, but the full character of Fr. Ingram isn’t based on him. During my time working for different government agencies, I’ve also come across people in leadership positions who abused their power for personal gain so some of those traits in other are based on some of the unethical behavior I’ve witnessed.

Your routine when writing? Any idiosyncrasies?

I’m usually at my most productive in the morning and late afternoon into the evening. I need to take a break, typically for a walk or mini-hike around lunchtime. And I must have background music playing. The film scores for The Shawshank Redemption, The Cider House Rules and Glory are what I listen to most often while I’m writing.

Tell us why we should read this book.

It’s a unique take on the political scandal trope and does so by exploring degrees of culpability. It’s not the first political thriller to explore a presidential election scandal or the first piece of fiction to look at priest abuse, but I do think it’s the first of its kind to look at these topics through a financial lens and the way the business of politics and religion are just that: businesses. At the end of the day, once any entity grows beyond a certain size, it does (and kind of has to) run itself like a business and that comes with certain moral pitfalls. So I think the novel is unique in that it explores the similarities between religious and political power while also exploring how and why faith is important to individual characters. It’s not a one-sided, angry view. Reviews have pointed out that it’s a compelling plot that doesn’t stomp on politics and religion. It shows the good, bad, and in-between of both.

Who are some of your favorite authors?

Jodi Picoult’s early work is great. I really admire the way she spins current events into compelling stories with compelling characters. The Alienist by Caleb Carr remains one of the best mystery novels I’ve ever read. I also enjoy a lot of works by Joyce Carol Oates and Margaret Atwood.

What are you reading now?

The Goldfinch by Donna Tartt.

Are you working on your next novel? Can you tell us a little about it?

I am. One of the themes in The Shepherd’s Calculus is a sin of omission versus commission, the difference between turning a blind eye to sin taking place or actively committing the sin. It explores the idea that you could share blame for a wrong even if you weren’t the person taking the direct action–that if you knew and didn’t act, you’re almost as much to blame. Along a similar vein, the second novel — a murder mystery set in an economically depressed town where everyone knows everyone else and everything going on — is going to explore the idea of collective responsibility. The second novel opens with the discovery of the body of a local ne’er do well in a small, damaged town and looks at why and how people might look the other way when they know something evil is going on and what their personal stake is in it. It’s a continuation of The Shepherd’s Calculus of sorts, in that Peter Merrick will make a very brief appearance as a someone the main character knows and reaches out to for advice.

Fun questions:
Your novel will be a movie. Who would you cast?

Ooh. This is a tough one. I’m Irish Catholic so we’re sort of culturally conditioned to not be presumptuous about success. But, I’ll take a stab:

James Ingram: Jeff Bridges
Owen Feeney: Ed Harris
Peter Ingram: Christian Bale or Sam Rockwell
Ally Larkin: Brie Larson or Saoirse Ronan

Favorite leisure activity/hobby?

Kayaking.

Favorite meal?

Thanksgiving Dinner.

Thank you for stopping by CMash Reads and spending time with us.

Author Bio:

C.S. Farrelly

C.S. Farrelly was raised in Wyoming and Pennsylvania. A graduate of Fordham University (BA, English), her eclectic career has spanned a Manhattan investment bank, the NYC Department of Education and, most recently, the British Government’s Foreign and Commonwealth Office. She was a 2015 Presidential Leadership Scholar and obtained a master’s degree from Trinity College Dublin, where she was a George J. Mitchell scholar.

She has lived in New York City, Washington, D.C., Ireland, and England. An avid hiker, she camped her way through East Africa, from Victoria Falls to Nairobi. She currently lives in Pennsylvania with her family.

The Shepherd’s Calculus is her first novel.

Catch Up With Our Author On:
Website 🔗, Goodreads 🔗, Twitter 🔗, & Facebook 🔗!

Read an excerpt:

When Peter Merrick’s cell phone rang around ten on a Monday morning, his first instinct was to ignore it. Anyone who knew him well enough to call that number would know he had a deadline for the last of a three-part series he was working on for the Economist. It was his first foray into magazine writing in some time, and he’d made it clear to his wife, his editors, and even the family dog that he wasn’t to be disturbed until after the last piece was done and delivered.

Several months had passed since his return from an extended and harrowing assignment tracking UN peacekeeping operations on the Kashmiri border with Pakistan, where violent protests had erupted following the death of a local Hizbul Mujahideen military commander. The assignment had left him with what his wife, Emma, solemnly declared to be post-traumatic stress disorder. It was, in his opinion, a dubious diagnosis she’d made based on nothing more than an Internet search, and he felt those covering the front lines in Iraq and Afghanistan deserved greater sympathy. He’d been a bystander to tragedy, he told anyone who asked, not a victim.

One morning as he’d stood drinking strong Turkish coffee on the terrace of his apartment in Jammu, he watched as a car bomb detonated in front of the school across the road. No children were killed. It was a Saturday, and teachers had gathered there to meet with members of a French NGO dedicated to training staff at schools in developing nations. The arm landed on his terrace with a loud thud before Peter realized what it was. Pinned to the shoulder of what remained of its shirt was a name tag identifying Sheeraza Akhtar, presumably one of the teachers. At the time, he marveled at his complete lack of reaction to the torn limb, at the way his response was to read the letters on the tag, grab a pen, and start writing down details of the event—a description of jewelry on the woman’s hand, the streak of half-cauterized flesh running from where it tore from the arm socket to the bottom of her palm, the way smoke curled from the remains of the school’s front entrance, and the pitiful two-ambulance response that limped its way to the scene nearly twenty minutes after the explosion.

Even now as he recalled the moment, he wouldn’t describe what he felt as horror or disgust, just a complete separation from everything around him, an encompassing numbness. His wife kept telling him he needed to talk to someone about what he was feeling. But that was just the point, he thought, even if he couldn’t say it to her. He couldn’t quite articulate what he was feeling, beyond paralysis. Making the most rudimentary decisions had been excruciating since his return. It required shaking off the dull fog he’d come to prefer, the one that rescued him from having to connect to anything. The pangs of anxiety constricting his chest as he glanced from the screen of the laptop to his jangling cell phone were the most palpable emotional response he’d had in recent memory. The interruption required a decision of some kind. He wasn’t certain he could comply.

But in keeping with the career he had chosen, curiosity got the better of him. He looked at the incoming number. The area code matched that of his hometown in central Connecticut, less than an hour from where he and Emma now lived in Tarrytown, but his parents had long since retired to South Carolina. He made his decision to answer just as the call went to voice mail, which infuriated him even more than the interruption. For Peter, missing something by mere minutes or seconds was the sign of a journalist who didn’t do his job, who failed to act in time. Worse, he’d allowed a good number of calls to go to voice mail while under his deadline, and the thought of having to sift through them all made him weary. The phone buzzed to announce a new message. He looked again from his screen to the phone, paralyzed by the uncertainty and all-consuming indecision he’d begun exhibiting upon his return from Kashmir. After several minutes of failed progress on his article, the right words refusing to come to him, he committed to the message.

He grabbed the phone and dialed, browsing online news sites as inconsequential voices droned on. His editor. His sister. His roommate from college asking if he’d heard the news and to call him back. Finally, a message from Patricia Roedlin in the Office of Public Affairs at his alma mater, Ignatius University in Greenwich, Connecticut. Father Ingram, the president of the university, had passed away unexpectedly, and the university
would be delighted if one of their most successful graduates would be willing to write a piece celebrating his life for the Hartford Courant.

The news failed to register. Again, a somewhat common experience since his return. He tapped his fingers on the desk and spotted the newspaper on the floor where Emma had slipped it under the door. In the course of their ten-year marriage, Peter had almost never closed his office door. “If I can write an article with mortar shells falling around me, I think I can handle the sound of a food processor,” he had joked. But lately that had changed, and Emma had responded without comment, politely leaving him alone when the door was shut and sliding pieces of the outside world in to him with silent cooperation. He picked up the newspaper, scanned the front page, and moved on to the local news. There it was, in a small blurb on page three. “Pedestrian Killed in Aftermath of Ice Storm.” The aging president of a local university was the victim of an accident after leaving a diner in Bronxville. His body was found near the car he’d parked on a side street. Wounds to the back of his head were consistent with a fall on the ice, and hypothermia was believed to be the cause of death.

To Peter’s eye the name of the victim, James Ingram, stuck out in bold print. An optical illusion, he knew, but it felt real. He reached for the second drawer on the right side of his desk and opened it. A pile of envelopes rested within. He rooted around and grasped one. The stamp was American but the destination was Peter’s address in Jammu. The script was at once shaky and assured, flourishes on the ending consonants with trembling hesitation in the middle. Folded linen paper fell from the opened envelope with little prompting. He scanned the contents of the letter, front and back, until his eyes landed on the closing lines.

“Well, Peter my boy, it’s time for me to close this missive. You may well be on your way to Kabul or Beirut by the time this reaches you, but I have no small belief that the comfort it is meant to bring will find its way to you regardless of borders.
You do God’s work, Peter. Remember, the point of faith isn’t to explain away all the evil in this world. It’s
meant to help you live here in spite of it.
Benedictum Nomen Iesu,
Ingram, SJ

Peter dialed Patricia Roedlin’s number. She was so happy to hear from him it made him uncomfortable. “I’d be honored to write a piece,” he spoke into the phone. “He talked about you to anyone who would listen, you know,” she said. “I think he would be pleased. Really proud.” He heard her breath catch in her throat, the stifled sobs that had likely stricken her since she’d heard the news.

“It’s okay,” he found himself saying to this complete stranger, an effort to head off her tears. “I can’t imagine what I’d be doing now if it weren’t for him.” He hoped it would give her time to recover. “He was an extraordinary man and an outstanding teacher.”

Patricia’s breathing slowed as she regained control. “I hope to do him justice,” Peter finished. It was only when he hung up the phone that he noticed them, the drops of liquid that had accumulated on the desk where he’d been leaning forward as he talked. He lifted a hand to his face and felt the moisture line from his eye to his chin. After several long months at home, the tears had finally come.

***

Excerpt from The Shepherd’s Calculus by C.S. Farrelly. Copyright © 2017 by C.S. Farrelly. Reproduced with permission from C.S. Farrelly. All rights reserved.

Tour Participants:

Visit the other great hosts on this tour for more great reviews, interviews, guest posts, and giveaways!


Join In:

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for C.S. Farrelly. There will be 1 winner of one (1) Amazon.com Giftcard. The giveaway begins on February 1, 2018 and runs through April 2, 2018. Void where prohibited.

a Rafflecopter giveaway

Get More Great Reads at Partners In Crime Virtual Book Tours

REVIEW DISCLAIMER

This blog was founded on the premise to write honest reviews, to the best of my ability, no matter who from, where from and/or how the book was obtained, and will continue to do so, even if it is through PICT or PBP.
DISCLAIMER

I received a copy of this book, at no charge to me, in exchange for my honest review.
No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM

I do not have any affiliation with Amazon.com or Barnes & Noble. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

SHADOW CRIMES by E.J. Moran (Interview & Showcase)

Shadow Crimes

by E. J. Moran

on Tour February 1 – March 3, 2018

Synopsis:

Shadow Crimes by E. J. Moran

The year is 1978, and the New York fashion industry is an orgy of glitz, glamour, and decadence. New models—especially those as beautiful as eighteen-year- old Anna McKenna—are prime targets for all kinds of predators.

Anna is already aware of the men who enjoy preying on models. She knows a woman represented by her modeling agent was found raped and murdered—but she tells herself that, tragic though it was, this is New York. Such things happen. Mickey Gallo is less sanguine about the killing, but he’s both a police detective and Anna’s protective uncle. In Anna’s mind, she doesn’t need his protection. Or so she thinks.

When one murder becomes two, Anna’s confidence is shaken, but she’s determined to accept an offer to model in Italy. There, surrounded by beauty, Anna will confront the darkest side of the fashion industry. It’s an encounter she may not survive.

Check out my Review here and enter the giveaway!

Book Details:

Genre: International Mystery & Crime, Mystery & Detective
Published by: TreeLane Press
Publication Date: December 2017
Number of Pages: 250
ISBN: 0999523503 (ISBN 13: 9780999523506)
Purchase Links: Amazon 🔗 | Barnes & Noble 🔗 | Goodreads 🔗

Q&A with E.J. Moran

Welcome!

Do you draw from personal experiences and/or current events?
I draw from personal experience.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
When I write, I start from the beginning and see where the story line brings me.

Are any of your characters based on you or people that you know?
Many of my characters are based on people I’ve known, or a combination of such.

Your routine when writing? Any idiosyncrasies?
I write most mornings when I first wake up. No idiosyncrasies other than I demand absolute silence! 🙂

Tell us why we should read this book.
You should read this novel because it will take you along on a thrilling and terrifying journey through life as a fashion model in the late 70’s with a rapist/ killer on the loose.

Who are some of your favorite authors?
My favorite author is Erik Larson. I love the way he combines history and crime, as demonstrated in Devil in the White City and Thunderstruck, two of my favorite books of all time.

What are you reading now?
I’ve just finished ‘Pillars of the Earth’ and am about to pick up ‘The Swans of Fifth Avenue.’

Are you working on your next novel? Can you tell us a little about it?
I’m working on a sequel at the moment. It takes place between New York City and Tokyo, Japan and encompasses many of the characters from Shadow Crimes.

Fun questions:
Your novel will be a movie. Who would you cast?

If my book were to be made into a movie, maybe I would cast Bradley Cooper as Mickey. We’d have to darken his hair and rough him up a bit, but he already has beautiful light eyes, he’s the right age, and he’s half Italian. I’d cast the gorgeous Jessica Green as Anna. She has striking eyes, but we’d have to change her hair color.

Thank you for stopping by!

Author Bio:

E. J. Moran

Born and educated in the United States, E. J. Moran began a career as an international fashion model at the age of eighteen when she was scouted by a top modeling agency based in Milan, Italy.

Moran’s move to Italy set in motion the rest of her career. She signed with top agents and modeled for famous fashion designers and photographers. Her work took her to Milan, Tokyo, New York, and Paris.

After marrying and starting a family, she retired as a fashion model and continued life as an expatriate in the United Kingdom, Switzerland, Singapore, and Italy, where she divided her free time between teaching English and volunteering for multiple international organizations.

Recently, she decided to put pen to paper and make fictional use of the plethora of experiences she gained during her globetrotting life. Moran and her husband currently divide their time between Europe and the United States.

Catch Up With E. J. Moran On ejmoranauthor.com & on Facebook!

Read an excerpt:

Part 1

New York City, 1978

April Night

The buzz of the intercom surprised Rhonda. It was 11:00 p.m. and she was about to go to sleep.

“Hello?” she said.

“Hello, Rhonda?”

The man identified himself and she recognized his name immediately. “What are you doing here?”

“Sorry. I know it’s late. I wanted to speak to you earlier but couldn’t because there were too many other models around. I may have a potential opportunity just for you.”

“Oh?” She was dead tired and the last thing she wanted was unexpected company. Nevertheless, she didn’t feel she could say no to any possible break that presented itself. She was desperate to make it in the modeling world.

“OK. Let me buzz you up.” She opened the front door and waited for the rickety vintage elevator at the far end of the hall to set in motion. It was completely black, so she turned on the hall lights. She thought about how crazy she had been to rent an apartment in a building that was mostly for commercial use. The building was totally empty at night, as was the surrounding area. It was the meatpacking district after all. No one ever showed up until around 6:00 a.m. Yes, the rent was dirt cheap, but in hindsight it was a huge mistake. How could she know any better though? She was only eighteen—a complete babe in the woods. Not only that, no one taught her anything. Growing up, her mom worked every day, and most nights, to support her and her younger sisters. Her father was nowhere in sight, never had been, so with no money and no father she knew very little about how to make decisions; she just had pure ambition. That’s what lead her to NYC, hardly a penny in her pocket, to become a model.

The clattering elevator came to a halt. Its passenger opened the scissor gate, then the double door, and exited. “Thank you for letting me up,” he said as he walked toward Rhonda.

“Hi,” she said sweetly. “Come on in.” Rhonda motioned him through the door. “I’m really sorry but I’m already in my nightgown. I was about to go to sleep.”

“Of course, it’s late.” He glanced around the miniscule studio. It was neat and barren, apart from a tiny, decrepit kitchenette, a single bed, and a small side table lined with a few of Rhonda’s modeling photos. “So, this is the apartment you were talking about?” he said, shaking his head in dismay. “You can do better than this. It’s horrible here.”

“It is, isn’t it?” Rhonda said, putting her head down with embarrassment. “Unfortunately though, I couldn’t afford more.” Regaining her composure, she smiled softly. “Anyway, the good news is I pay month-to-month, and as soon as I make some decent money modeling I’m going to move out.”

“That’s what I wanted to speak to you about.”

“Well, have a seat,” she said, laughing as she motioned to a corner at the far end of the bed. “Can I get you something to drink first?” she asked as he sat down.

“No, nothing, thank you.” He looked at her intently, following her every gesture as she perched herself down near the head of the bed.

“So you want to be a famous model?”

She nodded in agreement.

“Let’s talk about what I can do for you.”

“Terrific” she said, overjoyed by his interest in helping her.

“I think you have a lot of potential. I really do.”

Rhonda smiled eagerly and took in a big breath of air, emphasizing her svelte, perfect figure.

“It’s not easy though to make it as a model. Beautiful girls are a dime a dozen,” he said.

“I know. It’s true. I see so many beautiful models every day.”

“Exactly. That’s why you need someone with connections, someone with power, to help you.”

“You’re right,” Rhonda said. She could hardly believe she may be about to get her lucky break, one that could launch her to stardom in the modeling world.

Suddenly, he reached for her arm and pulled her toward him.

“Hey, what are you doing?” Rhonda’s eager smile faded. Confused, she tried to pull away.

“You know what I’m doing, Rhonda.”

“No I don’t. You said you wanted to speak with me.”

“You want help? You want to make it big?”

“Yes, but not this way.” She struggled to get away, but her resistance made him angry.

“You know you want this. I could see it in your eyes earlier.”

“No I don’t,” she said, still trying to pull away as his fingers dug into her arms.

He didn’t loosen his grip. “You are so sexy, don’t you know that?”

“Stop. I don’t want to do this. I’m still a virgin.”

“A virgin?” He pushed her back and held onto her tightly with outstretched arms, his piercing stare locking onto her terrified eyes. “I don’t believe you.”

“I am, I swear!” She tried to loosen his grip and get up from the bed. “You got the wrong impression.”

“Then why are you such a cockteaser?” His large almond-shaped eyes began to shrink as he held her firm and squinted at her with the most evil look she had ever seen.

“I’m not. I don’t know what you’re talking about.”

Pulling her closer, he kissed her hard as she desperately made futile attempts to get away.

“You slut!”

Rhonda squirmed and dodged his attempts to kiss her, shrieking in terror. He wrestled her down on the bed, straddling her hips and pushing her down against the pillow. He smothered her face with one of his large hands, both to shut her up and hold her still. Terrified she froze.

“Cockteaser! You’re like all the others,” he hissed.

Using his free hand, he undid his trousers and forced himself inside her. Rhonda could only whimper, too paralyzed with fear to do anything else. He grew more and more excited with each thrust, mumbling incoherent words of disgust and hatred until he reached his climax.

Rhonda bled to death in her own bed, her throat sliced with a seven-inch combat knife.

***

“Looks like she’s been dead a few days,” Detective Tansey said as he stared at Rhonda’s decomposing body. The ruggedly handsome man held his cool demeanor while the two officers from the crime lab covered their noses—the room was beginning to have a foul smell.

“Do you think she was a model?” Officer Kasinski asked.

“Maybe.” Tansey glanced over at the professional-looking photos of Rhonda on the nightstand. “Definitely not a famous one though if she was living in a place like this.”

“Unless she was a druggie. Could have spent all her money on cocaine or something,” Officer Smith added.

“True, seen that before.”

Kasinski checked out the bathroom and returned. “No signs of drug paraphernalia.”

Tansey searched Rhonda’s outstretched arms. “No signs of track marks either. She must have been living in this shithole because it was cheap.”

The men shook their heads in disgust at the level of violence.

“Killer didn’t just cut her throat, he damn near took her head off,” Smith said.

“Looks like she’s been raped too, judging by the bruising,” Tansey added.

“My guess is that she let him up here,” Kasinski continued. “The intercom works, and there are no apparent signs of forced entry. That is, unless he was already in the building and snuck into her apartment while she slept. The lock is a joke.”

“Or maybe she brought him home with her,” Smith countered.

“Possibly. OK, let’s get to work. We don’t need to stare at her anymore.” Tansey glanced away from the dead girl and began assessing the room for more evidence.

A few hours later, he picked up Rhonda’s telephone and called the coroner’s office. The men had collected everything that could be useful; now it was time to have the poor girl removed from the putrid, blood-soaked bed and taken to the morgue.

***

Excerpt from Shadow Crimes by E. J. Moran. Copyright © 2017 by E. J. Moran. Reproduced with permission from E. J. Moran. All rights reserved.

Tour Participants:

Visit the other great hosts on this tour for more great reviews, interviews, guest posts, and giveaways!


Get More Great Reads at Partners In Crime Virtual Book Tours

REVIEW DISCLAIMER

This blog was founded on the premise to write honest reviews, to the best of my ability, no matter who from, where from and/or how the book was obtained, and will continue to do so, even if it is through PICT or PBP.
DISCLAIMER

I received a copy of this book, at no charge to me, in exchange for my honest review.
No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM

I do not have any affiliation with Amazon.com or Barnes & Noble. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

FRAMED by Leslie Jones (Showcase, Interview & Giveaway)

Framed

by Leslie Jones

on Tour February 1 – March 3, 2018

Synopsis:

Framed by Leslie Jones

The next action-packed thriller from the author of Night Hush, Bait, and Deep Cover

When former hacker turned FBI cybersecurity specialist Hadley “Lark” Larkspur is asked to analyze a piece of malware, she never imagines the simple task will put her on the radar of underworld criminals. After armed gunmen try to abduct her outside a nightclub, though, it’s suddenly clear she’s in way over her head.

Delta Force operator Thomas “Mace” Beckett is in Boston awaiting his next assignment when he witnesses an attempted kidnapping. His training forces him to intervene, but then the woman pulls a gun on him. Mace isn’t sure what to make of the spitfire holding him hostage, but he quickly discovers that Lark is an innocent pawn in a dangerous game. Someone has framed her for the theft of millions from the mafia, and they want her to pay… in blood, if necessary.

With only days to find the funds, Lark and Mace scramble to track the real culprit. But their investigation unexpectedly leads straight to the heart of a terrible plot, one that could mean death for thousands. The criminals have stolen something far worse than money… and it’s about to be auctioned off to the highest bidder.

Book Details:

Genre: Mystery
Published by: Witness Impulse
Publication Date: January 30th 2018
Number of Pages: 384
ISBN: 0062499475 (ISBN13: 9780062499479)
Series: Duty & Honor #4 | Each is a Stand-Alone Mystery
Purchase Links: Amazon 🔗 | Barnes & Noble 🔗 | Goodreads 🔗

Q&A with Leslie Jones

Welcome!

Thank you Cheryl! I’m thrilled to be here.

Writing and Reading:
Do you draw from personal experiences and/or current events?

I do use my personal experiences in my writing. Eleven years in the Army exposed me to a plethora of sticky situations and entertaining characters. Great grist for the mill! I’m always on the lookout for current events that will inspire a plot twist, but I generally don’t write from the headlines. By the time the book comes out, the events are already dated. I’d rather create my own unique plots.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?

I’m a plotter by nature. I always start a book by developing my heroes and villains. Then I brainstorm different scenarios, accept or reject plot ideas, and try to go beyond the obvious to something unique and exciting. While my books aren’t inspired by real-world events, I strive to create believable scenarios that will make readers say, “Boy, I hope that never really happens!”

Are any of your characters based on you or people that you know?

Lark, the female protagonist in Framed, was inspired by my best friend. Lark has a vibrant personality all her own, with quirks and mannerisms that are unique and entertaining. I enjoyed writing her the most of any of my characters. My BFF says I nailed it!

Your routine when writing? Any idiosyncrasies?

Now that I’m an empty-nester, I sleep in until 8:00, then stumble to the coffeepot for my caffeine. I check email and Facebook, then play a couple rounds of Candy Crush while I eat breakfast. Eventually I schlep myself through the shower. I write from 10 till 6 weekdays. Sometimes I remember to eat lunch.

Tell us why we should read this book.

Framed has a complex plot that was very challenging to write. It follows the story of Hadley “Lark” Larkspur, who is framed by an unknown entity for the theft of millions of dollars of mafia money. That’s just the beginning, though. With only days to find the funds and return them, Lark and Delta Force special operator Mace Beckett scramble to track the real culprit. But their investigation unexpectedly leads straight to the heart of a terrible plot, one that could mean death for thousands. The criminals have stolen something far worse than money…and it’s about to be auctioned off to the highest bidder.

Who are some of your favorite authors?

I love Suzanne Brockmann, Janet Evanovich, Robert B. Parker, and Laurell K. Hamilton’s Merry Gentry series. I also love Dean Koontz’s Odd Thomas books. When I want something a little darker, I head for Andrew Vachss.

What are you reading now?

I’m currently reading One Shot by Lee Child.

Are you working on your next novel? Can you tell us a little about it?

I’m excited to be starting a brand-new series, tentatively called the Hard Chargers. The 1st book, Kill Zone, is about a joint Delta Force/85th Military Police Battalion training mission that takes a deadly turn when convicts bound for the United States Disciplinary Barracks overrun a Fort Huachuca, Arizona prisoner transfer facility. I’m thoroughly enjoying figuring out how to torment my heroes!

Fun questions:
Your novel will be a movie. Who would you cast?

I would be so thrilled to have any of my books made into a movie, I’d love anyone they cast.

Favorite leisure activity/hobby?

I love reading and painting. I’m also heavily involved with my local writing chapter.

Favorite meal?

Pizza, without a doubt – ham and pineapple with black olives. And double chocolate fudge ice cream for dessert. Yum.

Thank you for stopping by CMash Reads and spending time with us.

Thanks so much for having me!

Leslie Jones

Author Bio:

Leslie Jones was an Army Intelligence officer for many years and she brings her first-hand experience to the pages of her work. She resides in Scottsdale, Arizona, and is currently hard at work on her next book.

Catch Up With Our Author On:
Website 🔗, Goodreads 🔗, Twitter 🔗, & Facebook 🔗!

Read an excerpt:

Lark came even with an idling taxi, unaware of the danger as the two men stopped on either side of her. She half-turned, surprise and then alarm filling her face as she finally noticed them. A puff of white escaped her open mouth. She wrenched open the door of the taxi to escape, but one of the men yanked her away, pulling a Colt M1911 and pressing it into her stomach.

Mace came in fast and low, catching the second gunman around the waist and riding him down hard. The man’s head smacked against the pavement. Mace tore the semiautomatic from his hand, already rising and turning to the man holding Lark. The taxi driver yelled something Mace couldn’t hear and burned rubber as he raced away from the violence. Fucking coward.

He forced himself to ignore the blind panic on her face, instead focusing on the threat.

“What the fuck?” said the gunman. “Who the hell are you?”

Mace felt his expression go cold. “I’m the man who’s goan kill you if you don’ let her go.”

The man’s eyes narrowed and his grip on Lark tightened. The two gunmen—Dumb and Dumber—wore clothing almost identical to his own. Black jackets over T-shirts, military pants and black boots.

Dumb frowned as he looked Mace up and down. “Did Palachka send you? We got this covered, man. Get lost.”

“Let her go. Now.”

Dumb shook his head, anger growing in the depths of his eyes. “I got my orders. Palachka wants to have a chat with her, so I ain’t going to hurt her none.”

Damned straight he wasn’t. These men were muscle, just following orders. Palachka’s orders.

Who the hell was Palachka?

He glanced at the crowd. A small group watched them, grinning and nudging one another. As long as they thought theirs was simply a drunken brawl, no one would bother to call the police.
Lark hadn’t so much as twitched a muscle, but the whites of her eyes showed and he could feel her terror. She, too, looked at the line outside the nightclub.

He took a risk with a bald-faced lie. “Palachka tol’ me to take over. He said to tell you to head back and leave her to me. I’m the one’s goan to chat with her.”

Dumber picked himself up off the pavement and staggered over to his partner. “Lying prick. He’d’ve called us. And I don’t know you.”

“Best you don’ know me. I’m who Palachka calls when fucks like you bungle it.” Mace snorted. “What, you think he don’t have nothing better to do than deal with the likes of you? He’s waiting for you, though. Don’t want him pissed, do you?”

Both blanched. Mace walked casually over and tugged on Lark’s arm. Dumb hesitated, looked into Mace’s icy eyes, and finally loosened his grip. Mace lifted the Colt he’d taken from Dumber, pointing the barrel at the sky.

“This registered anywhere?”

Dumber felt the back of his head for the lump that must be forming. His fingers came away red with blood. “Nah, man. It’s clean. Why’d you wallop me, man?”

“Get out of here. We’re attracting attention.” He stared pointedly at the line of people outside the Promenade. “I’ll check in with Palachka when I’m done with her.”

Mace settled the matter by tightening his grip on Lark and dragging her toward the parking lot. Dumb and Dumber followed, exchanging a look.

“I’d better check in with him,” Dumb called. “Make sure you’re on the level.”

Mace forced an uncaring shrug. “Your funeral.”

They reached the edge of the deserted lot. Mace paused, raising his eyes pointedly. The two men hesitated, then shrugged and started in the opposite direction.

Stupid fucks.

Lark wrenched her arm so abruptly he lost his grip, and she took off like a rabbit back toward the nightclub. How could she even run in those ridiculously high heels? He caught her in three strides. Sure, she’d be safe inside—for now. But what happened when the two gunmen realized Mace had clowned them? They’d be back, and they would be furious.

“Wait,” he said. He pulled her to a stop.

She swung her huge purse like a brick. He pulled back just in time to avoid being clocked in the head. She dug into her bag, scrabbling around inside. Maybe she really did have a brick in there.

“Come on. We have to get away from here. It won’t take those idiots long to figure out I’m not one of them.” He risked a glance behind.

When he turned back a second later, she had dropped her purse and now pointed a Smith & Wesson .38 Special at him, backing off several steps to gain distance. Her hands shook so badly he feared she’d drop it. He looked hard at it, then had to bite the inside of his cheek to stop the laughter that threatened.

The cylinders were empty; the revolver wasn’t even loaded.

Clearly, she was no criminal mastermind. So why were those men after her?

He needed to get her somewhere safe. Then he could get the answers he wanted. Pulling his cell phone from his pocket, he punched in the code to unlock it.

“Put it down!” she nearly shrieked. “Put down the goddamned phone. Drop it right now!”

Of course. He was the idiot. She now thought he worked for the same man who’d sent thugs after her. Interestingly enough, she’d demanded he drop the phone, but not the pistol he still carried. He bent down and set both on the muddy slush of the asphalt, stepping away from them and raising his arms from his sides to show her he meant her no harm.

“Look, that was just—”

“Shut up,” she snapped, narrowing her eyes. He guessed she was trying to cow him, but she seemed as threatening as a baby kitten. “If you don’t do what I say, I’ll…I’ll shoot you.”

********

Saturday, February 18. 12:35 a.m. The Promenade. Boston, Massachusetts.

Lark tightened her grip on the gun, her mind a blank. Her life had been threatened. Why? And what the hell was she supposed to do now?

“I’m calling the police.” She tried to reach her right front pocket with her left hand, but it shook so badly she couldn’t manage it.

“No.”

“What?” She stopped fumbling with her phone out and stared at him.

“No. I can’t allow you to call the police. Either I’ll have to vacate the area or they’ll arrest me. Either way, I can’t protect you.”

He seemed so calm. Did he know she wouldn’t shoot him? The gun Kaley had insisted she buy felt heavy in her hand. In fact, Kaley had all but dragged her to the gun store, explaining to the owner that Lark often worked late at night, when Chelsea was dark, deserted, and dangerous. The box of bullets in the bottom of her purse made it worse than useless, but she’d barely had time to register for a class in how to use the gun, let alone load it. Not that she’d admit such a thing to him.

His words finally penetrated her panicked mind. “You should be arrested. Attacking defenseless women on the street? Kidnapping? You should be in jail.”

“I did none of those things.” Mace nodded toward the nightclub. “This is too public. Someone is going come into the parking lot soon. Someone will have called the police by now. We need to get out of here.”

She snorted. “So you can protect me?”

“Yes.” He remained maddeningly calm.

“Bullshit.” Call the police, her rational mind told her. Let them handle it. It was their job, after all. But some buried instinct agreed with him. In her experience, the police were the enemy. You’re not a hacker any more. You’re legit. You work for the FBI. You have nothing to fear.

Except maybe being arrested for carrying a gun in her purse without a permit. She’d worry about that little detail later.

But old habits died hard. If Mace were arrested, the odds that the cops would share information with her were minimal, and she would still be in the dark. And it pissed her off that her big brain couldn’t find a logical solution to her current dilemma. “We’re going to walk to my car. If the police show up, so be it. You become their problem. Get your hands up higher, and walk in front of me.”

Common sense dictated she force him to leave. To get into her car and drive away. To call 911 and hope for the best. But she’d still know nothing. Mace was clearly working with those other men with guns, and she needed him to tell her what was going on. That meant keeping him with her. Not her smartest idea ever, since he’d been sent to kill her. But what choice did she have?

She’d make him spill the beans. Somehow.

Right now, she needed to get out of this neighborhood before any more black-clad thugs came within grabbing distance of her.

“Move,” she said, deepening her voice and snapping off the words. Hopefully he couldn’t see the tremors in her hands. Thankfully he obeyed, strolling down the line of cars as though she didn’t have a gun trained on him. She scooped up her purse and followed.

“Go to the left. Down this row. There…no, stop. The orange Jeep Liberty.”

He paused beside her car. “Good God. You actually drive this thing?”

It had been her first purchase after getting her Master’s degree, even before the FBI hired her. She’d been so relieved to ditch her junker and drive a new-ish car, and she’d gotten a smoking deal on it. Her hackles rose, and for a moment, she forgot to be terrified.

“It’s a sweet ride. What do you know?”

He grinned at her. “Whatever you say.”

For a moment, she wished she’d gone through agent training with the FBI, instead of as a computer scientist. She’d know, for instance, how to shoot her shiny new gun. Computer scientists received training at Quantico, sure. But in reverse engineering of malware, digital forensics, and intrusion detection. Administrative processes. She’d received no training in firearms, tactics, or taking smokin’ hot men prisoner.

Who else could she call for advice? Trevor’s mobile was number five on her phone’s favorites tab. It would be, what? Nine in the morning in London, assuming he wasn’t on assignment. She put a hand to her head. Her gun hand, she realized, as it thumped her temple. “God damn hairy ass wrinkly old man balls!”

Mace laughed. “You don’ mess around, do you? Dat was an impressive bit of cussing.”

“Gee, thanks.”

“Lark, I’m serious. It won’ take those yahoos long to come back. We need to be long gone by then. Please trust me.”

First thing first. Before her innards melted from his honeyed Cajun drawl, she switched the revolver to her left hand, keeping it trained on him as she fished her phone out.

“Please don’t call the cops,” he said again. “Say they show up. You tell them what happen’. I tell them what happen’. Maybe they take me down to the station, maybe they just put me in a squad car while they check me out. Either way, the cops will release me. But while all the fuss is going on, you might decide to just walk away. Bad people are gunning for you. Keep me with you.”

She shot him a warning glare and pressed Trevor’s number. It went straight to voice mail. Now what?

She swung her bag forward so she could scrabble inside for her keys. Damn it! She risked a quick look inside her purse and spotted them. Hooking the ring out with a finger, she tossed the whole thing to him. He caught it one handed.

“Get into the driver’s seat,” she commanded.

He obeyed, squashing his six-foot-three inch frame into the driver’s seat. “Gawd damn. This t’ing built for a child.”

He reached down and pulled the seat lever, sighing in relief as the seat moved back. He stretched his legs, reaching across to unlock the passenger door for her. She dropped her bag at her feet before easing inside, keeping the gun trained on him. He glanced at her and away. She could have sworn he hid a smile.

“Now what?” he asked.

She had no earthly clue. Putting a hand to her aching head, she made a sound of pure frustration. Only he could provide the information she needed.

She couldn’t take him to her home; that would be insane.

Would it?

It would have to be her room at the Hyatt Regency Cambridge. Kaley had insisted the entire wedding party stay at the hotel the night before the wedding.

“A hotel.”

“Good choice. I know one down by—”

“No,” she said. “I’m not going anywhere anyone knows you, or can find you.”

“All right. You’re calling the shots.”

Why did he seem so calm? She’d threatened to shoot him.

“Get on the freeway.”

He put the car into gear and drove on surface streets till he got to the highway, then took the entry ramp and merged with traffic. They headed northwest.

“Take this exit.”

“Why this one?”

“Just do it!” She couldn’t help the way her voice rose. “Turn left.”

Mace made a soothing motion with one hand, then returned it to the wheel. “Look, I know what I said back there. I played along to get them away from you. I’m not trying to hurt you.”

“Yeah, you’re just trying to kill me.” Anger replaced her fear. She lifted the gun and pressed it against his head. “Turn in here, asshole.”

Mace slowed and turned into the parking garage for the Hyatt Regency Cambridge. Lark cringed, already regretting her choice to bring him back here.

“What now?”

In for a penny, in for a pound. That sounded like something Trevor would have said. Remembering his cool competence steadied her. She squared her shoulders. “Park it.”

Mace did so. “Now what?”

Lark felt like tearing her hair out in frustration. How could she get him up to her room without him just walking away? “Now you tell me what’s going on. Now you tell me who the fuck Palachka is, and why he wants me dead.”

Surprise lifted his brows. “You don’t know?”

“Aagh!” She thunked her head against the headrest. “Fuck. Fuck fuck fuck. All right. This is what we’re going to do. You’re going to open your door and come out with your hands where I can see them. Is that clear?”

“Yes, ma’am.”

What would she do if he attacked her here, in the still, dark parking lot? He’d already caught her once because of her high heels. She could threaten all she liked, but, ultimately, she had no control over him.

“Stand by the hood and don’t move.”

When he’d complied, she dug frantically in her purse for the box of bullets. The store owner had shown her how to open the cylinder thingy so she could put the bullets into the holes, but hadn’t allowed her to load it inside his store. Pulling the box into her lap, she fumbled it open, spilling most of the bullets down her leg and onto the floor mat. Swearing and sneaking looks at Mace to ensure he hadn’t moved, she pressed the button to swing the cylinder open, and got it on the third try. Shoving some bullets into the holes, she pushed the cylinder closed again. According to the gun store owner, all she had to do now was pull the trigger. She reached down and scooped as many bullets as she could find back into her purse.

Time to face the music. Or the firing squad.

***

Excerpt from Framed by Leslie Jones. Copyright © 2017 by Leslie Jones. Reproduced with permission from Leslie Jones. All rights reserved.

Tour Participants:

Visit the other great hosts on this tour for more great reviews, interviews, guest posts, and giveaways!


Giveaway:

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Alex Gray and Witness Impulse. There will be 2 winner of one (1) eBook copy of FRAMED by Leslie Jones. The giveaway begins on February 1 and runs through March 4, 2018. Void where prohibited.

a Rafflecopter giveaway

Get More Great Reads at Partners In Crime Virtual Book Tours

REVIEW DISCLAIMER

This blog was founded on the premise to write honest reviews, to the best of my ability, no matter who from, where from and/or how the book was obtained, and will continue to do so, even if it is through PICT or PBP.
DISCLAIMER

I received a copy of this book, at no charge to me, in exchange for my honest review.
No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM

I do not have any affiliation with Amazon.com or Barnes & Noble. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

THE AMENDMENT KILLER by Ronald S. Barak (Showcase & Interview)

The Amendment Killer by Ronald S. Barak Tour Banner

The Amendment Killer

by Ronald S. Barak

on Tour February 1 – March 3, 2018

Synopsis:

The Amendment Killer by Ronald S. Barak

“WE HAVE YOUR GRANDDAUGHTER. HERE’S WHAT YOU NEED TO DO.”

That’s the text message Supreme Court Justice Arnold Hirschfeld receives as hearings commence in the U.S. Supreme Court to determine the fate of the 28th Amendment – enacted to criminalize abuse of power on the part of our political representatives.

In court to defend the amendment, retired U.S. District Court Judge Cyrus Brooks observes his old friend and law school classmate Hirschfeld acting strangely and dispatches veteran D.C. homicide detective Frank Lotello to find out why.

In the meantime, Hirschfeld’s precocious and feisty 11-year-old diabetic granddaughter Cassie, brutally kidnapped to control her grandfather’s swing vote upholding or invalidating the amendment, watches her insulin pump running dry and wonders which poses her greatest threat, the kidnappers or the clock. As Brooks is forced to choose between saving our nation or saving the girl.

**Read my review HERE and enter the giveaway**

 

Editorial Reviews

THE AMENDMENT KILLER is tense, timely, and terrific!”
-Lee Child, #1 New York Times Bestselling author of the Jack Reacher novels

“With an unparalleled sense of terror forewarned on the opening page, Ron Barak’s THE AMENDMENT KILLER is a high-speed, tense political thriller about one of today’s most fundamental issues, the integrity of our SupremeCourt.”
Andrew Gross, #1 New York Times bestselling author of The One Man

THE AMENDMENT KILLER is a high concept, hybrid blend of a political, psychological and action thriller all rolled into a smooth, savory, and suspenseful mix. Ron Barak manages to channel the best of John Grisham, David Baldacci and even Steve Berry in this amazingly timely tale cast with a SupremeCourt backdrop. As prescient as it is thought-provoking and as much fun as it is factual, this is reading entertainment of the highest order. I’d be shocked if this book doesn’t become a bestseller.”
Jon Land, USA Today bestselling author of Strong Light of Day

“From its electrifying opening line to its powerful conclusion, THE AMENDMENT KILLER is a ripped from tomorrow’s headlines story of law and politics set against the backdrop of the Supreme Court. But more so, it’s a story about the lengths we will go for the ones we love. Timely, fast-paced, and heartfelt, you’ll mourn the turning of the last page. Ron Barak is a writer to watch.”
Anthony Franze, author of The Outsider

“Ron Barak’s THE AMENDMENT KILLER is easily the best high stakes legal thriller we’ve read in 2017.”
Best Thriller Magazine

 

Book Details:

Genre: Political and Legal Thriller
Published by: Gander House Publishers
Publication Date: November 1st 2017
Number of Pages: 570
ISBN: 0982759096 (ISBN13: 9780982759097)
Series: Brooks/Lotello Thriller, Volume 1

 

**Q&A with Ronald S. Barak**

Welcome!
Writing and Reading:

Do you draw from personal experiences and/or current events?
I draw from personal experiences and current events. The idea for a 28th Amendment to the U.S. Constitution criminalizing abuse on the part of our political representatives came from my observation of current events, the political dysfunction in modern day Washington, D.C. But I combined my observation of those current events with my personal experiences as a courtroom lawyer, both how the Supreme Court battle takes place in The Amendment Killer and on the language of the 28th Amendment. The story is about that amendment. As you may know, I drafted that amendment in the real world and put it on my website even though it’s just fantasy in my novel.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
I start in the beginning and work toward the end. I know what happens in the opening scene of the novel and generally what I think will happen, but I don’t know the specifics or the details. I am not a plotter. I don’t make an outline first of how the story will go. I am a pantser. I write by the seat of my pants, making up the details as I go.

Are any of your characters based on you or people that you know?
Yes. First of all, Cyrus Brooks is patterned after me. I think his personality and his humor is very much like mine. Also Cyrus’ wife Eloise is very much like my wife Barbie. You will note that Cyrus and Eloise have a dog, named Ryder, and a cat, named Maccabee, or Maccs. Ryder and Maccs are based on a real dog and a real cat that Barbie and I have. Unfortunately, the real world Maccs recently had kidney failure and became very ill. We had to put him to sleep because he was suffering. That was of course very hard on Barbie and me. I wrote about losing Maccs on my website blog. There is one other character in The Amendment Killer that is based on real world people we know. Cyrus works with a detective by the name of Frank Lotello. Frank has a daughter who is named Madison. She is best friends in the novel with Cassie Webber, the young kidnapped diabetic granddaughter of the Supreme Court Justice who is kidnapped in the story to control her grandfather’s vote in the very important case concerning the 28th Amendment. Our granddaughter is named Madison. Frank’s daughter is patterned after our real-world granddaughter Madison.

Your routine when writing? Any idiosyncrasies?
My routine is not very routine. When I have lots of responsibilities to my law clients, I have to fit my writing in when I can, one or two hours at a time here or there, sometimes very early in the morning or late in the day. When I’m able to reduce my law practice commitments then I write as much every day as possible, at least four to six hours and sometimes twelve to fifteen hours. That’s not hard on me because I really like writing. The only idiosyncrasy that I have is I like to write sitting on the floor. I put my back against a sofa and my laptop computer keyboard and monitor on a coffee table in front of me. It sounds weird, but it’s actually very comfortable and works well for me. I listen to my music while I write and I have my cell phone within reach—unless I’m on deadline.

Tell us why we should read this book.
Because I wrote the book for people to read. I love engaging with my readers. I answer all of my emails personally. I think people should also read the book because it is very timely in terms of the political dysfunction in our country today. I try to write novels that are very timely, and cause people to think about what’s going on in the world. I also try to make my stories very exciting. Lee Child, NYT #1 bestselling author of the Jack Reacher novel called my book “Tense, timely, and terrific!” He gave me that for the cover of my novel. Best Thriller Magazine recently featured The Amendment Killer on the cover of its magazine and called it “Easily the best high stakes legal thriller of 2017. At the end of the day, the reason why people should read this book is because what all the readers who have posted five-star reviews on Amazon and Goodreads are saying about it. They are the judges, not me. Oh, and one other reason to read this book: To read it you need to buy it and my wife and I have pledged 50% of the proceeds of sales of the book to diabetes research. Like Cassie in the novel, 30 million people in the real-world U.S.—one in every ten Americans is diabetic. I am one of those 30 million.

Who are some of your favorite authors?
I read almost all of the novels of the present and past bestselling thriller and mystery writers.

What are you reading now?
Right now, I’m reading two novels, The Outsider by Anthony Franze, who writes great mysteries about the U.S. Supreme Court where he practices appellate law, and The Murder of Roger Ackroyd, by Agatha Christie, which many in England call the best English mystery of all time.

Are you working on your next novel? Can you tell us a little about it?
I am working on my next novel, The Puppet Master. It’s another in the Brooks/Lotello Thriller series and is the prequel to The Amendment Killer. It’s in final rewriting and editing and I expect it to be released before next summer. You can read the first five chapters of it at the end of The Amendment Killer. It’s about a vigilante serial killer in modern Washington, D.C. going around assassinating corrupt political leaders. It’s a real who-dunnit. Or maybe I should say why-dunnit? No spoilers here.

Fun questions:
Your novel will be a movie.

From you lips! Who would you cast? I’ll go you one better. Please go to my website, www.ronaldsbarak.com/meet-the-characters/the-amendment-killer and www.ronaldsbarak.com/meet-the-characters/the-puppet-master, and see the images of all of the characters in The Amendment Killer and The Puppet Master as I perceive them and you tell me who you’d cast to play them.

Favorite leisure activity/hobby?
Golf and reading.

Favorite meal?
Sushi and other Japanese food.

 

Author Bio:

Ronald S. Barak

Described by his readers as a cross between Agatha Christie, Lee Child, and John Lescroart, bestselling author Ron Barak keeps his readers flipping the pages into the wee hours of the night. While he mostly lets his characters tell his stories, he does manage to get his licks in too.

Barak derives great satisfaction in knowing that his books not only entertain but also stimulate others to think about how things might be, how people can actually resolve real-world problems. In particular, Barak tackles the country’s dysfunctional government representatives—not just back-seat driving criticism for the sake of being a back-seat driver, but truly framing practical remedies to the political abuse and corruption adversely affecting too many people’s lives today. Barak’s extensive legal background and insight allow him to cleverly cross-pollinatepollenate his fiction and today’s sad state of political reality.

In his latest novel, THE AMENDMENT KILLER, Barak calls upon his real world legal ingenuity and skill to craft a 28th Amendment to the U.S. Constitution criminalizingcriminalizng political abuse and corruption that Constitutional scholars across the country are heralding as a highly plausible answer to the political chaos destroying the very moral fiber of the country today. It’s difficult to read THE AMENDMENT KILLER and not imagine what could—and should—be expected and demanded of those political leaders who have forgotten they are there to serve and not be served.

Barak is also a committed and strident advocate of finding a cure for diabetes. One of the primary characters in THE AMENDMENT KILLER is the feisty and precocious 11-year-old diabetic granddaughter of the Supreme Court justice holding the swing vote in a case in which Congress is challenging the validity of Barak’s hypothetical 28th Amendment. It is no small coincidence that Barak is himself a diabetic. Or that he has committed 50% of the net proceeds of THE AMENDMENT KILLER to diabetes research and education.

Barak is singularly qualified to have authored THE AMENDMENT KILLER, which will appeal to political and legal thriller aficionados alike. Barak is a law school honors graduate and a former Olympic athlete. While still in law school, he authored a bill introduced in Congress that overnight forced the settlement of a decades long dispute between the NCAA and the AAU to control amateur athletics in the United States.

Present-day politicians would do well to read THE AMENDMENT KILLER and not underestimate the potential of Barak’s 28th Amendment. You can read his 28th Amendment at ronaldsbarak.com/28th-amendment-page-2. You can also read his occasional political blogs at ronaldsbarak.com/blog.

Ron and his wife, Barbie, and the four-legged members of their family reside in Pacific Palisades, California.

Catch Up With Our Author On:
Website 🔗, Goodreads 🔗, Twitter 🔗, & Facebook 🔗!

 

The Amendment Killer Trailer:

Read an excerpt:

Chapter 1

Tuesday, May 6, 6:30 am

We have your granddaughter. Here’s what you need to do.

Thomas T. Thomas III reviewed the language. Again. He closed the phone without hitting send. Yet.

He stared through high-powered binoculars from atop the wooded knoll. As always, the girl hit one perfect shot after another.

Cassie Webber. Age 11. He’d been tailing her for three months. It seemed longer.

She was chaperoned everywhere she went. Two-a-day practices before and after school. Her dad drove her in the morning. He watched her empty bucket after bucket and then dropped her off at school. Her mom picked her up after school, ferried her back to the practice range, and brought her home after daughter and coach finished. Mom and daughter sometimes ran errands on the way, but always together. Even on the occasional weekend outing to the mall or the movies, the girl was constantly in the company of family or friends. Having someone hovering over me all day would have driven me batshit.

His childhood had been different. When Thomas was her age, he walked to school on his own. And he lived a lot farther away than the girl. His daddy had never let his driver chauffeur him around. Wasn’t about to spoil him. Spare the rod, spoil the child. Didn’t spoil me that way either.

He kept telling himself patience was the key. But his confidence was waning. And then, suddenly, he’d caught a break. The girl’s routine had changed.

She started walking the few blocks between school and practice on her own. Dad dropped her off at morning practice and Mom met her at afternoon practice instead of school. Only a ten minute walk each way, but that was all the opening he needed.

Everything was finally in place. He would be able to make amends. He would not let them down.

This time.

She completed her morning regimen, unaware of Thomas’s eyes trained on her from his tree-lined vantage point. No doubt about it, he thought to himself. She was incredibly good. Driven. Determined.

And pretty.

Very pretty.

He relieved himself, thinking about her. A long time . . . coming. Haha! As the girl disappeared into the locker room, he trekked back down the hill, and climbed into the passenger side of the van. He returned the binoculars to their case. He removed the cell from his pocket, and checked the pending text one more time.

Moments later, the girl emerged from the locker room, golf bag exchanged for the backpack over her shoulders. She ambled down the winding pathway, waved to the uniformed watchman standing next to the guardhouse, and crossed through the buzzing security gate. She headed off to school.

Without taking his eyes off her, Thomas barked at the man sitting next to him. “Go.”

Chapter 2

Tuesday, May 6, 7:00 am

Eloise Brooks stared at Cyrus and shook her head. After more than 50 years of marriage, she understood everything about him there was to understand. Still: “I take the time to make you a nice breakfast. The least you could do is eat it while it’s hot.”

She held the warm cup of tea in both hands. “And can’t you talk to me, Cyrus? Why do you treat me like I’m not here? Like I’m some kind of a potted plant.”

Cyrus moved the eggs around on his plate. Speared a bite of fruit, swallowed it, but showed no visible pleasure in it. “I’m eating. What do you want to talk about? You think the couple cut from Dancing With The Stars last night deserved to be sent packing?”

“Should have got the hook weeks ago. You dance better than he does. Even with your two left feet.”

He didn’t answer. She knew why. “What’re you thinking about? Esposito? Whether 50,000 is enough? Your two left feet?”

“All of the above.”

She gazed at him but said nothing. Notwithstanding his apparent disinterest in the plate of food in front of him, his appetite—and his imagination—were never-ending. He loved upbeat music and dancing. And sports. He couldn’t carry a tune or dance a lick. Except for an occasional round of golf, his sports these days were mostly played out in front of the television. But that didn’t stop him from daydreaming. He danced like Fred Astaire. He sang and played guitar and harmonica like Bob Dylan. He moved around a tennis court like Roger Federer.

However, Eloise knew his real passion in life was the law. He had enjoyed a distinguished legal career, first as a trial lawyer and then as a U.S. District Court judge. Now retired from the bench, writing and teaching, and occasionally trying a case that got his hackles up, when it came to the law, those who knew Cyrus Brooks knew he was second to none. Amazing how sometimes he exuded that—with confidence bordering on arrogance—but at other times did not. More so since Frank Lotello had been shot, and barely survived.

Brooks sat there fidgeting restlessly with the newspaper. Eloise reached over and put her hand on his. “You’ll be great, Cyrus. I need to walk Ryder and get dressed, so we can drive into Court together. Please make sure Maccabee’s dishes have enough water and dry cat snacks.”

Arguments in the case were scheduled to commence in barely two hours. The chance to appear before the United States Supreme Court was rare, even for Brooks, but to do it in a landmark case that could permanently change the U.S. political landscape was unparalleled.

When they were first married, Eloise often attended Cyrus’s court appearances, both to show her support and because the judicial process was new to her. Now long accustomed to Cyrus’s legal adventures, Eloise was a less frequent visitor to the courtroom. Given the importance of this case, she told Cyrus the night before that she planned to attend.

He looked up absently with a gentle, distant smile, still fixed in some far-off place, no doubt grateful for her efforts to distract him, and bolster his confidence. “Macc’s snacks? Sure.”

Chapter 3

Tuesday, May 6, 7:20 am

Cassie left the practice range, looking momentarily at the clock on her phone. School began at eight. She had plenty of time.

She strolled along the familiar middle-class neighborhood route to school, sticking to the tree-hugged, concrete sidewalk. Well-kept houses on modest-sized manicured lots, one after another, adorned both sides of the paved street that divided the opposing sidewalks.

Mouthing the words to the song streaming through her earbuds, she made a mental note of a few questions from her morning practice to ask Coach Bob that afternoon.

Using her ever present designer sunglasses—a gift from her grandparents—to block the sun’s glare, Cassie texted her best friend Madison:

Hey, BFF, meet u in cafeteria in 10. Out after 1st period to watch ur mom & my poppy in S Ct—how dope is that? 2 excited 4 words!

As she hit “Send,” she was startled by the sound of screeching tires. She looked up from her phone and saw a van skid to the curb a few houses ahead of her. A man in a hoodie jumped out and charged straight at her.

She froze for an instant, but then spun and raced back in the direction of the clubhouse. “Help! Help!! Someone help me!!!”

As she ran, she looked all around. No one. She saw no one. The guard kiosk was in sight, but still over a block away. Does he want to hurt me? Why? Why me?

Hearing the man gaining on her, she tried to speed up. If I can just get close enough to the gatehouse for someone to help me. She glanced back, shrieking at the top of her lungs, just as the man lunged. He knocked her to the ground, shattering her glasses in the process. “What do you want?! Leave me alone! Get off me!!!”

She saw him grappling with a large syringe. “No!” She screamed even louder, clawing and kicking him savagely—until she felt the sharp stab in the back of her neck. Then nothing.

***

Excerpt from The Amendment Killer by Ronald S. Barak. Copyright © 2017 by Ronald S. Barak. Reproduced with permission from Ronald S. Barak. All rights reserved.

 

Grab Your Copy of The Amendment Killer:

Hardback, Paperback, & eBookAmazon 🔗, Barnes & Noble 🔗
AudioBookAudible 🔗, Libro.fm 🔗, Nook 🔗
Plus Add it to Your Goodreads 🔗 List!

Don’t miss your chance to grab a copy of The Amendment Killer during these two great sales!

The Nook AudioBook 🔗 will be $9.99 February 20-26, 2018
and
The Kindle eBook 🔗 will be $1.99 February 22-28, 2018.

 

Tour Participants:

Stop by these great hosts for guest posts, interviews, reviews, and giveaways!


Get More Great Reads at Partners In Crime Virtual Book Tours

ONE RED BASTARD by Ed Lin (Interview, Showcase & Giveaway)

One Red Bastard

by Ed Lin

on Tour November 20 – December 31, 2017

Synopsis:

One Red Bastard by Ed Lin

It’s the fall of 1976, and New York’s Chinatown is in turmoil over news that Mao’s daughter is seeking asylum in the U.S. Robert Chow is a detective in training, and he is thrilled when his girlfriend Lonnie scores an interview with the Chinese representative of Mao’s daughter. But hours after the interview, the man is found dead. Lonnie, the last person to see him alive, is the main suspect.

As Lonnie is subjected to increasing amounts of intimidation from his fellow policemen, who want to close the case, Robert is tempted to reach into his own bag of dirty tricks. Will he stay on the right side of the law, or will his loyalty to Lonnie get the better of him? Find out in this exciting and fast-paced mystery set in one of New York’s most fascinating neighborhoods.

Book Details:

Genre: Mystery
Published by: Witness Impulse
Publication Date: November 21st 2017
Number of Pages:
ISBN: 0062444204 (ISBN13: 9780062444202)
Series: Detective Robert Chow #3
Purchase Links: Amazon 🔗 | Barnes & Noble 🔗 | Goodreads 🔗

Ed Lin

Ed Lin:

Ed Lin, a native New Yorker of Taiwanese and Chinese descent, is the first author to win three Asian American Literary Awards and is an all-around standup kinda guy. His books include Waylaid and This Is a Bust, both published by Kaya Press in 2002 and 2007, respectively. Snakes Can’t Run and One Red Bastard, which both continue the story of Robert Chow set in This Is a Bust, were published by Minotaur Books. His latest book, Ghost Month, a Taipei-based mystery, was published by Soho Crime in July 2014. Lin lives in Brooklyn with his wife, actress Cindy Cheung, and son.

INTERVIEW

Welcome!
On Writing and Reading:

Do you draw from personal experiences and/or current events?

I would say both. Even though One Red Bastard is set in 1976, when I look back through the lens of today to the past, I like to find a way to comment on today’s issues by showing similar events back then. My own take on things is the filter I write through, so my personal experiences and opinions are embedded with the story.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?

I actually go from the beginning to the end, but as I near the end, I jump ahead to write the ending and then backtrack a bit. I’m just so anxious to get the ending right, I want to jump there and get a first crack at that last line as soon as I can!

Are any of your characters based on you or people that you know?

All of my characters are based on me. You know what they say about dreams, that every person you meet is really you. That’s what my books are like.

Your routine when writing? Any idiosyncrasies?

I don’t have a routine anymore–having a child will do that to you! Whenever I can clear an hour to work, I will. I made a point years ago to not have any “writing rituals” I needed to get out of the way because it was simply more procrastinating. I do, however, do my writing on vintage Macintosh laptops because I like the feel of the older keyboards, not the super-quiet newfangled ones.

Tell us why we should read this book.

This book will blow your mind with its surprising twists and turns. You will also never be able to look at Chinese people the same way.

Who are some of your favorite authors?

Some of my favorite dead writers are Charles Willeford, Dashiell Hammett, Dorothy Hughes, Shirley Jackson and Chester Himes.

What are you reading now?

I am reading The Butcher’s Wife, which features the title novella and a few short stories by Li Ang, a Taiwanese writer. It’s quite ugly and violent but acts as an indictment against misogyny.

Are you working on your next novel? Can you tell us a little about it?

I also write a mystery series set in Taipei for Soho Crime. I’m currently writing the third book, the follow-up to Ghost Month and Incensed.

Fun questions:

Your novel will be a movie. Who would you cast?

I can’t do this. My wife is an actress and so many of our friends are in the acting community, which is rather tight among Asian Americans–these are the people who would populate the film version of the book. Let’s just say that I would try to get all my friends into it!

Favorite leisure activity/hobby?

I really enjoy video games and reading, of course. I play bass, too, but I haven’t been able to round up people to be in a band for years.

Favorite meal?

Anything with decent fries, and by that, I mean real potatoey fries–none of that dry, mummy-meat sticks.
Thank you for stopping by CMash Reads and spending time with us.

Catch Up With Our Author On:
Website 🔗, Goodreads 🔗, Twitter 🔗, & Facebook 🔗!

Read an excerpt:

The woman was standing in a pool of wet ashes, her hands at her sides. She was about five seven but that was with heels on. Her thick black hair cascaded over her ears and shoulders, and she did something to it to make it shiny. A light brown coat stopped above a skirt that stopped midway down two taut thighs in stockings with a dull glow.

I smirked because I was sure that she had spent some time thinking about how she wanted to look from the rear. To men.

But this was no time for amusement. I came in close to her forehead and growled under my breath, “Barbara, what the hell are you doing here!”

When she turned around I saw my head and torso in her two black, sparkling eyes. Her face was long and not too narrow and came down to a chin that fairy princesses had. Her red lips, usually curved like a little blossom, were pulled taut into a wide smile.

She grabbed my arm and said, “Robert!”

“This is a crime scene! Now let’s get out of this thing!”

“I’m so sorry!”

She continued to hold on to me as we stepped over the tape together, matching leg for leg. I had lost part of my mind in Nam, but she had lost a lot more. Barbara used to be the prettiest girl in Chinatown. Now she was its prettiest widow.

“You know anything about the fire, Barbara?” I looked into her face. There was lightning behind her dark eyes.

“No. I don’t. Can we stop whispering now?”

“Well, I guess it doesn’t matter at this point,” I said in full voice.

“Look, I didn’t mean any harm. I just had to see the place up close. Artie Yee published my first story, back when I was in grade school.”

“I didn’t know about that.”

“I brought it into school to show everybody. Don’t you remember?”

“How am I supposed to remember that one thing? You always had something to show off in school. If it wasn’t a story you wrote, it’d be a story about you.”

She snorted.

“Did you stay in touch with Artie over the years?” I asked.

“I’d run into him from time to time.”

“Were the two of you friends?”

“Oh, no, no. I learned to keep my distance from that one. Did you know that he asked me to marry him when I turned eighteen?”

“He wasn’t much better looking back then, was he?”

“He looked like a younger walrus.”

“You’re not enemies with Artie, though, are you?”

“I’m not one of them, but he has many enemies,” she said. “You know that.”

“He did his part in pissing off all areas of Chinatown.”

“Artie doesn’t respect authority. That’s a good thing for a journalist.”

“Then how come you didn’t keep writing for him?”

“Artie doesn’t respect women.” She shivered and then slapped my arm. “I heard Paul got into that program at Columbia.”

“Thanks to you,” I said.

“Thanks in part to me, anyway.” She paused. “Doesn’t that mean you’ll take me to dinner?”

“Maybe Paul should.”

“Get serious. Actually, maybe Paul should come and meet my youngest sister. You know she’s up at Columbia because she got into Barnard early. Maybe she should stick to Chinatown boys, like I should have.”

“Hey, Barbara, let’s talk about this later. I have to get back to work here.”

“You’re going to call me?”

“I’ll get in touch.”

She walked off and I returned to my post.

Years ago, Barbara and her three younger sisters were the four little princesses of Chinatown. She liked to say that her parents never did get that son, but the truth was her parents learned to love all their daughters to death. They all had beauty and smarts, and because of that you knew they’d get out of Chinatown and never come back.

But Barbara did return after her husband was killed in Khe Sanh. The oldest, the prettiest, and the smartest of the sisters, she moved back alone into their old family home to find some comfort, I guess.

There was a brief period when I thought she was the love of my life, but it was a while ago and it ended embarrassingly enough. Thinking about it again put me in a bad mood.

“Hello Sunshine,” said Vandyne.

“It was Barbara,” I said.

“Oh! What the hell was she doing there?”

“She wanted to see the place up close. Artie published one of her stories back when she was a smart, little girl.”

“Seriously, though, could she have had anything at all to do with this?”

“Her? No way, man!”

“Do you know that for sure?”

“Yes,” I said. “I would bet my soul on it.”

***

Excerpt from One Red Bastard by Ed Lin. Copyright © 2017 by Ed Lin. Reproduced with permission from Witness Impulse. All rights reserved.

Tour Participants:

Giveaway:

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Ed Lin and Witness Impulse. There will be 5 winners of one (1) small incense box with a Chinese opera mask. The giveaway begins on November 20th and runs through December 30, 2017.

a Rafflecopter giveaway

Get More Great Reads at Partners In Crime Virtual Book Tours

STRONG TO THE BONE by Jon Land (Interview & Showcase)

Strong to the Bone by Jon Land Banner

Strong to the Bone

by Jon Land

on Tour December 4, 2017 – January 31, 2018

Synopsis:

STRONG TO THE BONE by Jon Land

1944: Texas Ranger Jim Strong investigates a triple murder inside a Nazi POW camp in Texas.

The Present: His daughter, fifth generation Texas Ranger Caitlin Strong, finds herself pursuing the killer her father never caught in the most personal case of her career a conspiracy stretching from that Nazi POW camp to a modern-day neo-Nazi gang.

A sinister movement has emerged from the shadows of history, determined to undermine the American way of life. Its leader, Armand Fisker, has an army at his disposal, a deadly bio-weapon, and a reputation for being unbeatable. But he s never taken on the likes of Caitlin Strong and her outlaw lover, Cort Wesley Masters.

To prevent an unspeakable cataclysm, Caitlin and Cort Wesley must win a war the world thought was over.

**Read my review HERE and enter the giveaway**

Strong to the Bone is another fine effort by Jon Land, who manages to mix character development with gripping, page-turning plots. This is his best novel yet.”
StrandMagazine

Book Details:

Genre: Thriller
Published by: Forge Books
Publication Date: December 5, 2017
Number of Pages: 368
ISBN: 0765384647 (ISBN13: 9780765384645)
Series: Caitlin Strong Novels (Volume 9)
Purchase Links: Amazon 🔗 | Barnes & Noble 🔗 | Goodreads 🔗| Macmillan 🔗

**Q&A with Jon Land**

Welcome!

Writing and Reading:
Do you draw from personal experiences and/or current events?

Definitely from current events. I call myself a sponge in that I’m not only always looking for obvious fodder for my thrillers, but also for the less than obvious. For example, STRONG TO THE BONE features, as a Maguffin, a groundbreaking discovery of a new anti-rejection drug that could change the lives of transplant patients. That sprang directly from an article in the New York Times about the developmental progress of such drugs. That’s the equivalent of the light bulb going on and then burning even brighter once I figure out how to weaponize this potentially life-changing discovery because, hey, I write high-stakes thrillers, right? Outside of setting scenes in places I’ve visited, I never draw on my own personal experiences because, truth be told, almost all of mine are mundane or boring.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?

I start at the beginning and let the story takes me where it needs to and let my characters do their share of the heavy lifting. Knowing too much of a book before you start lends the final product a formulaic feel, whereas spontaneity implies that if I don’t know what’s going to happen next, the reader can’t possibly know. I like to let my stories develop organically from the inside out. In STRONG TO THE BONE again, for instance, the villain doesn’t have a nefarious plot to wreak havoc on mankind when the book opens—that plot develops in the course of the story because of something that happens in the course of the story.

Are any of your characters based on you or people that you know?

I find inspiration in real people or situations, mostly to build villains more than good guys but almost never from those I know personally, because then it doesn’t feel like fiction anymore. In STRONG TO THE BONE, the evil Davey Skoll is a thinly disguised version of Martin Shkreli, the pharmaceutical tycoon prone to jacking up prices astronomically on commonly-used drugs. And the neo-Nazi villain Skoll hooks up with, Armand Fisker, is based on a story I once read of towns in California and elsewhere that are actually controlled and run by lawless biker gangs.

Your routine when writing? Any idiosyncrasies?

I write in two shifts, each 2-3 hours; say, from 12-3 in the afternoon and then in the evening maybe from 10-midnight. I’ve always been a late night person, so sometimes I work even later. The key is to always feel like the writing is fresh, kind of like when you’re a runner and want to push yourself just hard enough. I have two idiosyncrasies that have become kind of staples. The first is that I always try to leave off in the middle of something so I have a running start the next day when I pick up the work. The second is I’ll have some books set aside by my favorite authors to read to get into the proper mindset before I start writing. Nothing gets me in the right frame of mind better than that!

Tell us why we should read this book.

Oh, lots of reasons! It’s got all the hallmarks—action, suspense, a great puzzle, history—that all the Caitlin Strong books have. But it’s also the most personal of any title in the series. That’s because instead of just tracking a random bad guy, this time out Caitlin finds herself on the trail of the man who sexually assaulted her eighteen years before and has now resurfaced. So at long last she gets to finally slay the dragon. But that gives her cause for concern because she’s not sure she really wants to catch him. What if that costs Caitlin her edge? What if this horrible experience from her past is the primary driver of who she is, her very sensibility? So what happens after she slays the dragon.

Who are some of your favorite authors?

Lee Child, James Lee Burke, James Rollins, Steve Berry, David Morrell, Stephen King, James Hall, Brad Meltzer, Stephen Hunter, John Hart—the list goes on and on!

What are you reading now?

I’m finishing GONE DARK by James Hall, in the middle of G-MAN by Stephen Hunter, and have just started THE MIDNIGHT LINE by Lee Child.

Are you working on your next novel? Can you tell us a little about it?

I’m just starting STRONG AS STEEL, the next in the Caitlin Strong series which will be published in December of 2018. All I can tell you, because it’s all that I know, is that involves skeletal bones being uncovered in the Texas desert where something else was also dug up out of the ground. Something with the potential to be world changing, maybe in more ways than one. Check back with me in a couple months and I might be able to tell you more!

Fun questions:

Your novel will be a movie. Who would you cast?
Anyone who gets the movie made!

Favorite leisure activity/hobby?

I love working out at the gym and following Brown University football for which I serve as vice president of the Brown Football Association.

Favorite meal?

Nothing beat a great steak, although a great lobster comes close!

Thank you for stopping by CMash Reads and spending time with us.

Author Bio:

Jon Land

Jon Land is the USA Today bestselling author of 43 books, including eight titles in the critically acclaimed Caitlin Strong series: Strong Enough to Die, Strong Justice, Strong at the Break, Strong Vengeance, Strong Rain Falling (winner of the 2014 International Book Award and 2013 USA Best Book Award for Mystery-Suspense), Strong Darkness (winner of the 2014 USA Books Best Book Award and the 2015 International Book Award for Thriller, and Strong Light of Day which won the 2016 International Book Award for Best Thriller-Adventure, the 2015 Books and Author Award for Best Mystery Thriller, and the 2016 Beverly Hills Book Award for Best Mystery. Strong Cold Dead became the fourth title in the series in a row to win the International Book Award in 2017 and about which Booklist said, “Thrillers don’t get any better than this,” in a starred review. Land has also teamed with multiple New York Times bestselling author Heather Graham on a new sci-fi series, the first of which, The Rising, was published by Forge in January of 2017. He is a 1979 graduate of Brown University and lives in Providence, Rhode Island.

Catch Up With Our Author On:
Website 🔗, Goodreads 🔗, Twitter 🔗, & Facebook 🔗!

Read an excerpt:

CHAPTER 1

Austin, Texas

What the hell?

Caitlin Strong and Cort Wesley Masters had just emerged from Esther’s Follie’s on East 6th Steet, when they saw the stream of people hurrying down the road, gazes universally cocked back behind them. Sirens blared off in the distance and a steady chorus of honking horns seemed to be coming from an adjoining block just past the street affectionately known as “Dirty Sixth,” Austin’s version of Bourbon Street in New Orleans.

“Couldn’t tell you,” Cort Wesley said, even as he sized up the scene. “But I got a feeling we’re gonna know before much longer.”

* * *

Caitlin was in town to speak at a national law enforcement conference focusing on homegrown terrorism, and both her sessions at the Convention Center had been jam-packed. She felt kind of guilty her presentations had lacked the audio-visual touches many of the others had featured. But the audiences hadn’t seem to mind, filling a sectioned-off ballroom to the gills to hear of her direct experiences, in contrast to theoretical dissertations by experts. Audiences comprised of cops a lot like her, looking to bring something back home they could actually use. She’d focused to a great extent on her most recent battle with ISIS right here in Texas, and an al-Qaeda cell a few years before that, stressing how much things had changed in the interim and how much more they were likely to.

Cort Wesley had driven up from San Antonio to meet her for a rare night out that had begun with dinner at Ancho’s inside the Omni Hotel and then a stop at Antone’s nightclub to see the Rats, a band headed by a Texas Ranger tech expert known as Young Roger. From there, they’d walked to Esther’s Follies to take in the famed Texas-centric improve show there, a first for both of them that was every bit as funny and entertaining as advertised, even with a gun-toting woman both Caitlin and Cort Wesley realized was based on her.

Fortunately, no one else in the audience made that connection and they managed to slip out ahead of the rest of the crowd. Once outside, though, they were greeted by a flood of pedestrians pouring up the street from an area of congestion a few blocks down, just past 8th Street.

“What you figure, Ranger?”

“That maybe we better go have ourselves a look.”

CHAPTER 2

Austin, Texas

Caitlin practically collided with a young man holding a wad of napkins against his bleeding nose at the intersection with East 7th Street.

“What’s going on?” she asked him, pulling back her blazer to show her Texas Ranger badge.

The young man looked from it back to her, swallowing some blood and hacking it up onto the street. “University of Texas graduation party took over all of Stubb’s Barbecue,” he said, pointing in the restaurant’s direction. “Guess you could say it got out of hand. Bunch of fraternities going at it.” He looked at the badge pinned to her chest again. “Are you really a Texas Ranger?”

“You need to get to an emergency room,” Caitlin told him, and pressed on with Cort Wesley by her side.

“Kid was no older than Dylan,” he noted, mentioning his oldest son who was still on a yearlong leave from Brown University.

“How many fraternities does the University of Texas at Austin have anyway, Cort Wesley?”

“A whole bunch.”

“Yeah,” she nodded, continuing on toward the swell of bodies and flashing lights, “it sure looks that way.”

Stubb’s was well known for its barbecue offerings and, just as much, its status as a concert venue. The interior was modest in size, as Caitlin recalled, two floors with the bottom level normally reserved for private parties and the upstairs generally packed with patrons both old and new. The rear of the main building, and several adjoining ones, featured a flattened dirt lot fronted by several performance stages where upwards of two thousand people could enjoy live music in the company of three sprawling outdoor bars.

That meant this graduation party gone bad may have featured at least a comparable number of students and probably even more, many of whom remained in the street, milling about as altercations continued to flare, while first responders struggled futilely to disperse the crowd. Young men and women still swigging bottles of beer, while pushing and shoving each other. The sound of glass breaking rose over the loudening din of the approaching sirens, the whole scene glowing amid the colors splashed from the revolving lights of the Austin police cars already on the scene.

A fire engine leading a rescue wagon screeched to a halt just ahead of Cort Wesley and Caitlin, at the intersection with 7th Street, beyond which had become impassable.

“Dylan could even be here, for all I know,” Cort Wesley said, picking up his earlier train of thought.

“He doesn’t go to UT.”

“But there’s girls and trouble, two things he excels at the most.”

This as fights continued breaking out one after another, splinters of violence on the verge of erupting into an all-out brawl going on under the spill of the LED streetlights rising over Stubb’s.

Caitlin pictured swirling lines of already drunk patrons being refused admittance due to capacity issues. Standing in line full of alcohol on a steamy night, expectations of a celebratory evening dashed, was a recipe for just what she was viewing now. In her mind, she saw fights breaking out between rival UT fraternities mostly in the outdoor performance area, before spilling out into the street, fueled by simmering tempers now on high heat.

“You see any good we can be here?” Cort Wesley asked her.

Caitlin was about to say no, when she spotted an anxious Austin patrol cop doing his best to break up fights that had spread as far as 7th Street. She and Cort Wesley sifted through the crowd and made their way toward him, Caitlin advancing alone when they drew close.

“Anything I can do to help,” she said, reading the Austin policeman’s nametag, “Officer Hilton?”

Hilton leaned up against an ornate light pole that looked like gnarled wrought iron for support. He was breathing hard, his face scraped and bruised. He noted the Texas Ranger badge and seemed to match her face to whatever media reports he’d remembered her from.

“Not unless you got enough Moses in you to part the Red Sea out there, Ranger.”

“What brought you boys out here? Detail work?” Caitlin asked, trying to account for his presence on scene so quickly, ahead of the sirens screaming through the night.

Hilton shook his head. “An anonymous nine-one-one call about a sexual assault taking place inside the club, the downstairs lounge.”

“And you didn’t go inside?”

Hilton turned his gaze on the street, his breathing picking up again. “Through that? My partner tried and ended up getting his skull cracked open by a bottle. I damn near got killed fighting to reach him. Managed to get him in the back of our squad car and called for a rescue,” he said, casting his gaze toward the fire engine and ambulance that were going nowhere. “Think maybe I better carry him to the hospital myself.”

“What about the girl?”

“What girl?”

“Sexual assault victim inside the club.”

Hilton frowned. “Most of them turn out to be false alarms anyway.”

“Do they now?”

Caitlin’s tone left him sneering at her. “Look, Ranger, you want to shoot up the street to get inside that shithole, be my guest. I’m not leaving my partner.”

“Thanks for giving me permission,” she said, and steered back for Cort Wesley.

“That looked like it went well,” he noted, pushing a frat boy who’d ventured too close out of the way, after stripping the empty beer bottle he was holding by the neck from his grasp.

“Sexual assault victim might still be inside, Cort Wesley.”

“Shit.”

“Yeah.”

“Got any ideas, Ranger?”

Caitlin eyed the fire engine stranded where East 7th Street met Red River Avenue. “Just one.”

CHAPTER 3

Austin, Texas

Four firemen were gathered behind the truck in a tight cluster, speaking with the two paramedics from the rescue wagon.

“I’m a Texas Ranger,” Caitlin announced, approaching them with jacket peeled back to reveal her badge, “and I’m commandeering your truck.”

“You’re what?” one of the fireman managed. “No, absolutely not!”

The siren began blaring and lights started flashing, courtesy of Cort Wesley who’d climbed up behind the wheel.

“Sorry,” Caitlin said, raising her voice above the din, “can’t hear you!”

* * *

The crowd that filled the street in front of Stubb’s Barbecue saw and heard the fire truck coming and began pelting it with bottles, as it edged forward through the congested street that smelled of sweat and beer. What looked like steam hung in the stagnant air overhead, either an illusion or the actual product of so many superheated bodies congealed in such tight quarters. The sound of glass braking crackled through Caitlin’s ears, as bottle after bottle smashed against the truck’s frame.

The crowd clustered tighter around the fire engine, cutting off Cort Wesley’s way backward or on toward Stubb’s. The students, their fervor and aggression bred by alcohol, never noticed Caitlin’s presence atop the truck until she finally figured out the workings of the truck’s deck gun and squeezed the nozzle.

The force of the water bursting out of the barrel nearly knocked her backward off the truck. But she managed to right and then repositioned herself, as she doused the tight cluster of students between the truck and the restaurant entrance with the gun’s powerful stream.

A wave of people tried to fight the flow and ended up getting blown off their feet, thrown into other students who then scrambled to avoid the fire engine’s surge forward ahead of its deafening horn. Caitlin continued to clear a path for Cort Wesley, sweeping the deck gun in light motions from side to side, the five hundred gallon tank still plenty full when the club entrance drew within clear view.

She felt the fire engine’s front wheels mount the sidewalk and twist heavily to the right. The front fender grazed the building and took out a plate glass window the rioting had somehow spared. Caitlin saw a gap in the crowd open all the way to the entrance and leaped down from the truck to take advantage of it, before it closed up again.

She purposely didn’t draw her gun and entered Stubb’s to the sight of bloodied bouncers and staff herding the last of the patrons out of the restaurant. Outside, the steady blare of sirens told her the Austin police had arrived in force. Little they could do to disperse a crowd this large and unruly in rapid fashion, though, much less reach the entrance to lend their efforts to Caitlin’s in locating the sexual assault victim.

She threaded her way through the ground floor of Stubb’s to the stairs leading down to the private lounge area. The air felt like it was being blasted out of a steam oven, roiled with coagulated body heat untouched by the restaurant’s air conditioning that left Caitlin with the sense she was descending to hell.

Reaching the windowless sub-level floor, she swept her eyes about and thought she heard a whimpering come from a nest of couches, where a male figure hovered over the frame of a woman, lying half on and half off a sectional couch.

“Sir, put your hands in the air and turn around slowly!” Caitlin ordered, drawing her SIG-Sauer nine-millimeter pistol. “Don’t make me tell you twice!”

He started to turn, without raising his hands, and Caitlin fired when she glimpsed something shiny in his grasp. Impact to the shoulder twisted the man around and spilled him over the sectional couch, Caitlin holding her SIG at the ready as she approached his victim.

She heard the whimpering again, making her think more of the sound a dog makes, and followed it toward a tight cluster of connected couch sections, their cushions all stained wet and smelling thickly of beer. Drawing closer while still keeping a sharp eye on the man she’d shot, Caitlin spotted a big smart phone lying just out of his grasp, recognizing it as the object she’d wrongly taken for a gun. Then Caitlin spied a young woman of college age pinned between a pair of couch sections, covering her exposed breasts with her arms, her torn blouse hanging off her and jeans unbuttoned and unzipped just short of her hips.

Drawing closer, Caitlin saw the young woman’s assailant, the man she’d just shot in all likelihood, must’ve yanked them down so violently that he’d split the zipper and torn off the snap or button.

“Ma’am?” she called softly.

The young woman tightened herself into a ball and retreated deeper into the darkness between the couch sections, not seeming to hear her.

“Ma’am,” Caitlin said louder, hovering over the coed while continuing to check on the man she’d shot, his eyes drifting in and out of consciousness, his shirt wet with blood in the shoulder area from the gunshot wound.

Caitlin only wished it was her own attacker lying there, from all those years before when she’d been a coed herself at the Lone Star College campus in West Houston. Some memories suppressed easily, others were like a toothache that came and went. That one was more like a cavity that had been filled, forgotten until the filling broke off and raw nerve pain flared.

Caitlin pushed the couch sections aside and knelt by the young woman, pistol tucked low by her hip so as not to frighten her further.

“I’m a Texas Ranger, ma’am,” she said, in as soothing a voice as she could manage. “I need to get you out of here, and I need you to help me. I need to know if you can walk.”

The young woman finally looked at her, nodded. Her left cheek was swollen badly and one of her arms hung limply from its socket. Caitlin looked back at the downed form of the man she’d already shot once, half hoping he gave her a reason to shoot him again.

“What’s your name? Mine’s Caitlin.”

“Kelly Ann,” the young woman said, her voice dry and cracking.

Caitlin helped her to her feet. “Well, Kelly Ann, I know things feel real bad right now, but trust me when I tell you this is bad as they’re going to get.”

Kelly Ann’s features perked up slightly, her eyes flashing back to life. She tried to take a deep breath, but stopped halfway though.

Caitlin held her around the shoulders in one arm, SIG clutched in her free hand while her eyes stayed peeled on the downed man’s stirring form. “I’m going to stay with you the whole way until we get you some help,” she promised.

The building suddenly felt like a Fun House Hall of Mirrors. Everything distorted, perspective and sense of place lost. Even the stairs climbing back to the ground floor felt different, only the musty smell of sweat mixed with stale perfume and body spray telling her they were the same.

Caitlin wanted to tell Kelly Ann it would be all right, that it would get better, that it would all go away in time. But that would be a lie, so she said nothing at all. Almost to the door, she gazed toward a loose assemblages of frat boys wearing hoodies displaying their letters as they chugged from liquor bottles stripped from the shelves behind the main bar on the first floor. How different were they from the one who’d hurt her, hurt Kelly Ann?

Caitlin wanted to shoot the bottles out of their hands, but kept leading Kelly Ann on instead, out into the night and the vapor spray from the deck gun now being wielded by Cort Wesley to keep their route clear.

“’Bout time!” he shouted down, scampering across the truck’s top to retake his place behind the wheel.

Caitlin was already inside the cab, Kelly Ann clinging tight to her.

“Where to, Ranger?”

“Seton Medical Center, Cort Wesley.”

Before he got going, Caitlin noticed Officer Hilton and several other Austin cops pushing their way through the crowd toward the entrance to Stubb’s.

“Don’t worry, Officer, I got the victim out safe and sound,” she yelled down to him, only half-sarcastically. “But I left a man with a bullet in his shoulder down there for you to take care of.”

“Come again?”

“I’d hurry, if I were you. He’s losing blood.”

***

Excerpt from Strong to the Bone by Jon Land. Copyright © 2017 by Jon Land. Reproduced with permission from Jon Land. All rights reserved.

Tour Participants:

Visit the other great hosts on this tour for more great reviews, interviews, guest posts, and giveaways!

Get More Great Reads at Partners In Crime Virtual Book Tours