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THE MEDICI HERESY by Gary McAvoy

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THE MEDICI HERESY

by Gary McAvoy

November 2 – 27, 2026 Virtual Book Tour

Synopsis:

The Medici Heresy by Gary McAvoy

A Vatican Secret Archive Thriller

 

When Father Michael Dominic uncovers a sealed Renaissance letter hidden deep within the Vatican Archives, he awakens a five-hundred-year-old secret buried by Pope Clement VII at the height of the Medici dynasty. Joined by investigative journalist Hana Sinclair, Michael follows a trail of clues through forgotten chapels, papal confessions, and ancient astronomical alignments, each step drawing them deeper into a mystery the Church once swore to silence. What begins as a scholarly puzzle quickly becomes a struggle for survival as shadowed forces—both inside and outside the Vatican—move to control or destroy what Clement left behind.

Their search reveals two extraordinary manuscripts: the Gospel of the Beloved, attributed to Mary Magdalene, and the Codex of Voices, a Renaissance record documenting the Church’s attempt to bury it forever. As Michael, Hana, and their Swiss Guard allies navigate the danger closing in around them, they confront a truth that challenges not doctrine but conscience: why some voices endure across centuries while others are violently erased. With each revelation, the line between faith and fear grows thinner, and the cost of honesty becomes terrifyingly clear.

Rich in historical detail and steeped in Vatican intrigue, The Medici Heresy weaves a modern thriller through one of the Church’s darkest chapters. From Medici Florence to the underground chambers beneath St. Peter’s Basilica, Gary McAvoy delivers a gripping tale of courage, betrayal, and redemption—where the past refuses to stay buried and the future belongs to those brave enough to face it.

While part of the Vatican Secret Archive Thrillers series, The Medici Heresy is a standalone adventure that can be enjoyed by new readers and longtime fans alike.

Praise for The Medici Heresy:

“A guilty pleasure! I’ve read all of these books in the series and love anything about Mary Magdalene. The rain became an oppressive character and seems like would have prevented them seeing the light coming through the aperture to find the hidden compartment of the sixth or so letter. I appreciate that the author distinguishes fact and fiction at the end of the book and hope he does not run out of archives to chase down.”
~ Karin

“Bravo…..again!!! You keep me captivated! I look forward to the next story in the archival series. I adore every one of your characters, good and bad. Please keep writing.”
~ Karen Veltman

“Great read! Gary McAvoy’s novels are all exciting and filled with historical references …but I truly enjoyed this novel the most—he has a way of painting pictures with words.”
~ Amazon Customer

The Medici Heresy Trailer:

Book Details:

Genre: Vatican Historical Thrillers
Published by: Literati Editions
Publication Date: November 25, 2025 | HC
Number of Pages: 394 | HC
ISBN: 9781954123786 (ISBN10: 1954123787)
Series: A Vatican Secret Archive Thriller, Book 12 || Stand Alone
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub | Gary McAvoy Books

Read an excerpt:

Vatican City, Present Day

Father Michael Dominic cherished mornings the way a monastic scribe once revered a well-cut quill: not as luxury, but as necessity. In the hushed corridors beneath the Apostolic Palace, where the sunlight filtered weakly through narrow glass slits and history exhaled dust from every shelf, he found peace in routine.

Each morning began before the bells. Rising at five, he slipped into the worn cassock that had traveled with him from his Jesuit seminary days, now threadbare at the cuffs but softened with memory.

But for his pre-dawn run, the cassock stayed folded on its hook. Michael preferred the quiet streets before sunrise—the echo of his footsteps on cobblestone, the scent of baking bread drifting from Trastevere, the soft hum of Rome preparing to wake. When he circled back toward the Borgo, sweat cooling on his skin, he made his customary stop at Pergamino Caffè just outside the colonnade.

Signora Palazzolo, who had run the tiny shop since her husband’s passing, spotted him through the window before he reached the door. She bustled out from behind the counter with a small bundle wrapped in brown paper. “Padre Dominic,” she said, wagging a finger at the sight of his running clothes, “the Holy Father may tolerate many things, but not a priest entering the Vatican dressed like a marathoner.”

Michael smiled. “You spoil me, Signora. You know that, don’t you?”

“I preserve your dignity,” she corrected, pressing the parcel into his hands. Inside was a freshly laundered cassock—one of two she kept for him, neatly sewn and ironed, refusing payment beyond a whispered blessing. “The restroom is free. Go, go. Before the guard at Sant’Anna thinks you’ve lost your vocation.”

He thanked her, ducked into the small restroom at the back, and splashed cool water on his face until the last traces of sweat faded. He unwrapped the cassock, slipping into the familiar black fabric and fastening the collar with practiced ease. The transformation was always the same: from runner to priest, from solitude to service.

When he stepped back into the café, Signora Palazzolo handed him a steaming paper cup. “For the road,” she said. “And tell the Swiss Guard I said buongiorno.”

Michael grinned, lifted the coffee in a small salute, and stepped into the crisp morning air. The Porta Sant’Anna gate waited a short walk away, its stone arch flanked by the bright uniforms of the Swiss Guard—his threshold to a world of parchment, secrets, and the quiet weight of history waiting to be unsealed.

Father Michael Dominic did not resemble the image most people carried of a Vatican archivist. Tall and athletically toned, with long black hair often tied back and deep brown eyes that missed little, he moved with the quiet confidence of someone accustomed to slipping between worlds—faith and doubt, past and present, obedience and inquiry. Raised in Queens by his devout mother, the housekeeper of the parish rectory, Michael had spent his childhood in the company of priests, altar candles, and shelves of worn theological books. It was Father Enrico Petrini, the parish’s pastor and the closest thing Michael had ever known to a father, who nurtured his restless curiosity and encouraged him toward the priesthood long before Michael understood what such a calling would demand.

He went on to study paleography at the Pontifical Institute at the University of Toronto and theology at the Gregorian University, credentials that earned him a coveted post in the Vatican Apostolic Archives. But what truly distinguished him was not his scholarship—it was his temperament. Michael approached hidden truths with the humility of a believer and the relentlessness of an investigator, guided by a conscience that refused to ignore what others preferred to bury. He possessed an almost unsettling ability to sense when history had been bent or softened for convenience, and he had learned that the Church’s oldest secrets rarely slept quietly. In Rome, that made him invaluable—and, at times, dangerous to those who feared what he might uncover next.

His key—a heavy, iron-forged piece given only to him as Prefect and to two deputies—turned with a low click in the Archives’ bronze door. The great subterranean labyrinth beyond stirred only with the hum of climate controls and the occasional scurry of mice that had somehow defied Swiss Guard extermination efforts for generations.

He always entered alone.

Descending the spiral stone staircase into the belly of the Vatican, Michael would pause briefly before the marble sculpture of St. Lawrence, patron saint of archivists. The statue stood solemn watch in the vestibule, his martyr’s gridiron beside him, eyes uplifted as if still seeking light in the depths. Michael touched the cool marble of its base, murmuring a quiet invocation in Latin: “Custos silentii, ora pro nobis”—Guardian of silence, pray for us.

Then began the work.

Today had begun like any other. He had donned his archivist gloves, retrieved his logbook, and walked the long central corridor toward the restricted manuscript chamber. The hum of dehumidifiers formed a familiar backdrop to his thoughts. A new cataloging project awaited—three fifteenth-century codices donated by the Archdiocese of Seville, each wrapped in cloth and tagged in Vatican gray. He had been preparing a report for the Cardinal Librarian on the authenticity of their bindings. Nothing about the day had suggested interruption.

But at precisely 9:43 a.m., as the daily delivery from the Vatican Post Office arrived via pneumatic tube—a sleek, hissing canister that thudded gently into the brass receptacle near his desk—his day unraveled.

The canister clunked against the metal lip with more force than usual.

Michael turned with mild curiosity. Inside was the usual: interdepartmental memos, two periodicals, and a sealed envelope marked Bibliotheca Apostolica Vaticana. But below them was something he didn’t recognize: a flat parcel wrapped in vellum, the edges tied neatly with deep burgundy ribbon. It bore no address, only his name—P. Michael Dominic—written in looping script that instantly evoked another age.

He stared at it for a long moment before touching it.

The handwriting was unlike any he had seen in modern routine Vatican correspondence. Ornate, yet disciplined. The capital “P” had a serpentine curl; the “M” was double-looped in the style of Renaissance scribes. Someone had gone to great lengths to mimic or preserve an earlier penmanship, complete with sepia-toned ink. There was no seal, no watermark, no sender’s mark on the reverse. Just a small, embossed Medici crest faintly pressed into the parchment—a shield bearing six spheres and a lily crown.

His pulse stirred.

He turned the envelope in gloved hands. The sender had access to the Vatican’s internal postal network. That narrowed the list considerably—and dangerously. Only a handful of people were authorized to send mail directly to the Secret Archives via internal courier. Which meant one of two things: either a trusted insider had left him a relic—or someone had breached the Vatican’s most secure internal system with cunning precision.

Either way, it would require discretion.

Michael slipped the package into his document satchel and continued his day as if nothing had happened. But the weight of the thing—though barely a few ounces—gnawed at the back of his thoughts like a thread working loose in a tapestry.

Later, after lunch in the Sala Clementina with two fellow scholars, he retreated to his personal workroom. It was a modest chamber tucked off the northeast passage—just large enough for a desk, three chairs, and a carved wood icon of St. Jerome, patron saint of librarians and biblical scholars, in his study—a fitting presence in a place where symbology saturates every hallway, painting, and page, speaking in codes as ancient as the Church itself. The room smelled of old oak, wax polish, and aging paper.

He shut the door, drew the curtains, and sat.

With deliberate calm, Michael untied the ribbon.

Inside was a folded letter on parchment that had yellowed with age but remained pliant, as if it had been lovingly preserved. No brittle edges, no flaking. The ink had faded in parts, but the script remained legible—calligraphic Latin in a bold humanist hand. The opening line read:

Ad futurum pontificem, qui veritatem non timebit… “To the future pontiff who shall not fear the truth…”

Michael leaned forward, his breath shallow.

The salutation alone stirred unease. Not merely because of its boldness—but because of the signature. Faint, in the lower corner, faded but unmistakable:

Clemens VII, Pontifex Maximus

For several long moments, he stared at the name.

Clement VII—Giulio de’ Medici—was one of the most politically embattled popes in Church history. His papacy had spanned the brutal Sack of Rome, the rise of the Protestant Reformation, and desperate diplomatic dances with Francis I and Charles V. The idea that Clement had left behind a secret letter—undocumented, unarchived—was staggering.

But then he read on.

Rome, the Feast of St. Mark the Evangelist, Anno Domini 1533

To my successor, in whose soul doubt may rise like smoke from Sinai—

If you are reading this, the tide of silence has receded. The world has changed—or will. This manuscript is not false. But neither is it safe. You must decide what to do with it, as I have decided only to protect it…

I write not as Sovereign Pontiff, but as one burdened by knowledge too fragile to bear the papal seal. There are truths which the Tiara cannot touch without unraveling, and it is such a truth that now coils around my soul like incense refusing to dissipate.

In my final years, the Lord permitted that a document should reach my hands—unbidden, and unblessed. It was not borne by nuncio or legate, but by a friar whose hands trembled with reverence and whose lips bled from silence. He died three days after its delivery, whether from fever or fear, I cannot say. What he brought was not a heresy, nor an apocryphon in the usual mold. It bore no mark of Gnosticism or madness. It was, in its way, painfully lucid.

It claimed to be a testimony. Not from a prophet, nor from one of the Twelve—but from her who stood beside Him in death and rose to proclaim Him living. From the one whom Rome later draped in penitence and shame.

I will not name her here. You know of whom I speak.

The words within that document are carved in the flesh of theology. They do not merely challenge our structures—they undo them. They proclaim a communion without hierarchy, a grace without ordination, a love that refuses the architecture we have so diligently erected over centuries.

In reading it, I felt both awe and vertigo. It was as though a familiar cathedral were shown to me upside down: beautiful still, but terrifying in its reordering of heaven and earth.

And so I ask: What if the first church was not built upon a rock, but upon tears?

I have not destroyed this document. Nor have I revealed it. I have preserved it—sealed it—until such time as Providence should declare a soul ready not merely to possess it, but to be possessed by it.

If this letter has reached you, that time may be at hand.

But beware: the key does not turn for the ambitious, nor the curious. It opens only to the one who approaches with fear and truth in equal measure.

You must not seek clarity from this letter alone. There are others—seven more—written in silence, placed like stepping-stones for the heart to follow. Some will lead you backward in history. Others, inward into conscience. All will ask more than they answer.

I could not entrust the full weight of this truth to any single hand, lest it be crushed under the pressures of cowardice or ambition. Let these eight letters, scattered across the bones of Christendom, call forth only the one willing to walk the full Via Veritatis—the road of truth.

To begin, I offer this:

Follow the ink that weeps gold.

It stains only those prepared to be marked.

Seek not the treasure first, but the wound that precedes it.

With trembling hand,

✠ Clemens PP. VII

Pontifex Maximus

Michael stared at the final lines, reading them again and again, as if repetition might clarify what Clement had deliberately veiled. Follow the ink that weeps gold… The phrase lingered like incense after Mass—haunting, poetic, elusive.

The script was genuine. The watermark faint but distinct. The Medici crest, a subtle impression on the lower corner, sealed the letter’s pedigree like a fingerprint from history. But it wasn’t the external clues that disturbed him. It was the voice.

This wasn’t some elaborate forgery or theological curiosity. It read like a confession. A burdened man on the edge of death writing to posterity—not with pride, but with trembling hope. And if Clement’s words were true, he had held something that defied not only doctrine, but the very foundations of the Church’s authority.

A gospel. Written not by one of the Twelve, but by her. The first witness. The Beloved.

Michael sat motionless for nearly ten minutes. He did not take notes, nor reach for his cataloging software. Instead, he simply absorbed the implications, each one heavier than the last.

Who had brought this to him? Who had waited nearly five centuries to let it breathe? And why now?

At last, he reached for his secure tablet and composed a brief text message to the one person whose instincts he trusted as much as his own: Meet me by the Cortile della Pigna at sunset. We have a ghost from the Renaissance who wants to speak to us.

 

They met beneath the towering bronze pinecone of the Cortile della Pigna, a relic of pagan Rome now perched like a fossilized thought in the Vatican’s Renaissance courtyard. The hour was shifting, twilight dissolving into dusk, and the last of the sun lay like a fading brushstroke across the travertine walls.

Hana Sinclair was already there, seated near the fountain. She wore a slate-gray linen jacket over her blouse, the soft glow of the courtyard lamps catching in her hair. A reporter’s notepad rested loosely in her lap, more instinct than necessity, like a catechism waiting to be opened. When she saw him approach, she rose and tucked the notebook into her jacket.

Hana had the air of someone who carried her own weather with her, a quiet intensity softened by a quick, discerning intelligence. She carried the poise of someone who had learned to listen before she spoke—a trait that had made her one of Le Monde’s most respected investigative correspondents. Paris had shaped her manner, but Rome had sharpened her instincts, and nothing in the Vatican surprised her anymore. Except, perhaps, the way Michael looked at her now, with the quiet certainty of a man whose life had shifted after a single sealed parchment.

The reforms enacted by the late Pope Ignatius, allowing priests to marry under specific conditions, had changed both their futures. After years of shared danger, whispered trust, and unspoken affection, Michael and Hana were now engaged—a truth they held gently between them, as private and steady as breath. The Church was still adjusting. So were they.

“You sounded… urgent,” she said.

Michael Dominic glanced around, quietly noting the open archways and shadowed windows above. No guards lingered. The clatter of tourists had long since faded. A nun passed quietly to the west, rosary in hand. They were, for the moment, alone.

Only then did he draw the archival sleeve from his satchel and hand it to her.

She took it without a word, her fingertips brushing his for a moment before she stepped aside to read. As the last of the sun poured over the courtyard, she opened the parchment and let her eyes drift down its lines.

Her lips moved silently. Her breath grew shallow. By the time she reached the final passage—“Seek not the treasure first, but the wound that precedes it”—her expression had darkened with something between awe and apprehension.

She looked up slowly.

“Michael… this isn’t just a letter. This is a riddle. A lament.” Her voice was barely above a whisper. “It doesn’t name the gospel, doesn’t describe it… but the implications are—”

“Devastating,” he finished. “If they’re true.”

“Clement read something he couldn’t burn. And couldn’t share.” She shook her head. “He wasn’t protecting the Church. He was protecting its image. Its structure.”

Michael nodded. “It shook his confidence in the very thing he was meant to uphold.”

Hana reread a line, eyes narrowing. “‘The one whom Rome later draped in penitence and shame…’ That’s Mary Magdalene. It has to be. He’s all but saying it.”

“And he calls her the first to proclaim the Resurrection.”

She folded the parchment and exhaled slowly. “So the gospel Clement received… if it exists… rewrites apostolic authority. It places her at the center, not Peter. Not the hierarchy. Not the priesthood.”

Michael said nothing.

“And this line here—‘follow the ink that weeps gold’—is he sending the reader to another letter?”

“I think so. There’s a path he’s designed. Breadcrumbs across time.”

Hana frowned. “Why? If he wanted to suppress it, why leave clues at all?”

“Because he didn’t want it lost forever. Only buried until someone was ready.” Michael’s tone was quiet. “And he thought that person might be a future pope.”

“But instead it landed in your hands.” She tilted her head. “Do you think this was meant for you?”

He hesitated. “I think… someone inside the Curia wanted it to be.”

Hana looked sharply at him. “An insider?”

“It came through internal channels. Quietly. Discreetly. That takes access.”

“Then this wasn’t a leak. It was an invitation.” Her brow furrowed. “Or a trap.”

Michael nodded grimly. “That’s what I don’t know. If they wanted to reveal the gospel, they’d go to the media. Or scholars. Not to me. Not like this.”

“You think someone’s testing you.”

“Or baiting me. Either way, it’s calculated.”

She stared at him, her voice now edged with urgency. “If what Clement saw was real… it would shake every theological pillar on which the Vatican rests. Not just women’s roles, but the idea of hierarchical grace, apostolic succession… even priestly absolution.”

“It would democratize the divine.”

“And the moment that idea gains traction…” Hana didn’t finish the sentence. She didn’t have to.

They sat in silence for a long moment. As the sun dipped behind Rome’s ochre rooftops, a low peal of bells rolled across the city, solemn and resonant. From the dome of St. Peter’s to the shadowed courtyards of Trastevere, the call to Vespers drifted through alleys and over piazzas like a blessing carried on evening air. The sounds were peaceful, but the feeling between them was not. It was the stillness before a fracture.

Finally, Michael rose.

“I’ll scan the letter tonight,” he said. “Privately. No logging. I’ll cross-check Clement’s handwriting and reach out to Florence for ink comparison. Quiet channels only.”

“And I’ll begin pulling every known piece of Clement’s private correspondence from his final year,” Hana said, rising beside him. “Any marginal notes, off-ledger entries, even librarian rosters. If there are more letters, they may already be hidden in plain sight.”

He nodded. “And if this is only the first of eight…”

“Then we’ve barely scratched the surface.”

They walked from the courtyard slowly, side by side, shadows stretching long behind them.

Above, the dome of St. Peter’s loomed in silhouette, serene and immovable. But somewhere beneath its weight, truth had begun to stir. And this time, it would not return to silence easily.

***

Excerpt from The Medici Heresy by Gary McAvoy. Copyright 2025 by Gary McAvoy. Reproduced with permission from Gary McAvoy. All rights reserved.

 

 

Author Bio:

Gary McAvoy

Gary McAvoy is an American novelist known for internationally bestselling thrillers that blend historical intrigue, religious scholarship, and modern suspense. A lifelong researcher of rare manuscripts and Church history, he draws on extensive archival study to craft narratives rooted in authentic detail. His work includes the Vatican Secret Archive Thrillers, the Magdalene Chronicles, and the Vatican Archaeology Thrillers. Before turning to fiction, McAvoy built a distinguished career as an entrepreneur, technology consultant, and collector of historical documents. He now writes full time from the Pacific Northwest, where he continues to explore the shadowed crossroads of faith, power, and history.

Catch Up With Gary McAvoy:

GaryMcAvoy.com
Amazon Author Profile
Goodreads – @garymcavoy
BookBub – @garymcavoy
Instagram – @gary_mcavoy
X – @GaryMcAvoy
Facebook – @GaryMcAvoyAuthor

 

How does Gary McAvoy continue to keep a long running series interesting and unique?

For me, the key to keeping a long-running series interesting is remembering that readers come back for two different reasons: they want something familiar, and they want something they haven’t seen before. The trick is giving them both.

In the Vatican Secret Archive Thrillers, the familiar part is the world and the people who inhabit it. Readers know Father Michael Dominic, Hana Sinclair, Ian Duffy, Sister Teri, Karl Dengler, Lukas Bischoff, and the others. Over the course of many books, these characters have developed relationships, histories, inside jokes, loyalties, and scars. They’ve become a kind of extended family, and I never want to reset them at the beginning of a new novel as though the previous books never happened. Their lives continue.

But the mystery at the heart of each book has to take readers somewhere new.

That’s where history provides an almost inexhaustible playground. I’ve built stories around everything from Vivaldi and Galileo to the Voynich manuscript, the Medicis, Hildegard of Bingen, the Borgias, and long-buried Vatican secrets. I look for genuine historical mysteries, unusual documents, unanswered questions, and those wonderful gaps in the historical record where a novelist can ask, “What if?”

The important part is not simply finding another old manuscript or artifact. Each discovery needs to create a different kind of problem. One novel might involve deciphering a centuries-old text; another might uncover something the Church desperately wants protected; another may force the characters to question what they thought they knew about history… or about themselves.

I also try to let the characters change. Michael and Hana today aren’t exactly the people readers first met. Their relationship has evolved, as have Michael’s responsibilities and his complicated relationship with the institution he serves. Secondary characters evolve as well. That continuity gives consequences to what happens in each book.

Location helps enormously, too. Rome and the Vatican will always be home base, but the stories have taken the characters across Europe and beyond. A medieval monastery, an archaeological excavation, a forgotten archive, or a centuries-old villa immediately creates a different atmosphere and a new set of possibilities.

Finally, I try never to write a book simply because it’s “time for the next one.” I need to find the historical hook that makes me want to know what happens. If I’m fascinated enough to spend months researching something, pulling apart the history, and discovering its strange little details, there’s a good chance readers will sense that enthusiasm.

After a long run, readers know your tricks. That means you have to keep finding new ones… but you also have to respect what brought them to the series in the first place.

So I think of every new installment as a promise: the people you came back to see will be here, but the adventure they’re about to take you on will be one you haven’t had before.

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RESURRECTION KILL by Laura Joh Rowland #AuthorInterview

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RESURRECTION KILL

by Laura Joh Rowland

October 19 – November 13, 2026 Virtual Book Tour

Synopsis:

Resurrection Kill by Laura Joh Rowland

 

An amnesic psychiatrist returns to the hospital where she was institutionalized as a teen to find answers, perfect for fans of The Silent Patient and Shutter Island.

Forgetting can be dangerous. Remembering can be fatal.

New York State, 1953. Dr. Claire Kendall is a psychiatrist-in-training at Resurrection Kill Hospital, a luxurious private and isolated mental institution for the wealthy. But under her mask of professionalism, Claire has a secret: She was a patient at the hospital when she was fourteen.

With gaps in her memory, Claire is determined to discover what really happened the summer she was institutionalized… even if it means uncovering the dangerous secrets hiding at Resurrection Kill. Before long, Claire takes a special interest in a teenage patient, Rory Kirkpatrick, a free-spirited girl who is also determined to uncover Resurrection Kill Hospital’s dark past. Claire indulges Rory’s rebellious nature, hoping to glean clues that might help in her own search for the truth.

But the hunt for answers triggers flashbacks of Claire’s painful childhood, her father’s cruelty, her mother’s alcoholism, her beloved older brother’s death. The deeper she probes her own past, the more she remembers about the summer that changed everything. And as she delves deeper into her own mind, she’ll come to find that her sanity grows more fragile by the day and that some secrets are meant to stay buried. She’ll discover that remembering may come at the cost of her life.

Praise for Resurrection Kill:

“Resurrection Kill by Laura Joh Rowland is everything I love in a thriller: intriguing and chilling, vivid and memorable, a compelling and deeply personal story about one woman’s search for answers in an era when women were committed to mental hospitals for virtually anything that was outside the cultural norm. That Resurrection Kill Hospital is an upscale facility for the super rich only makes the procedures the women are subjected to all the more barbaric. Claire’s courage and fearlessness under increasingly dangerous circumstances made me want to stand up and cheer. I loved this book!”
~ Karen Dionne, author of #1 international bestseller The Marsh King’s Daughter and The Wicked Sister

Book Details:

Genre: Historical Fiction; Thriller/Suspense
Published by: Crooked Lane Books
Publication Date: October 27, 2026
Number of Pages: 336 HC
ISBN: 9798892427111
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub | Penguin Random House

Read an excerpt:

New York State, July 1953

A siren blares through the loudspeaker in the conference room where I sit with the four other new psychiatrists. A staticky voice repeats, “Code 1, East Drive.” Startled, we look to the man at the head of the table.

Tall, dignified, and silver-haired, Superintendent Adrian Van Pelt raises his voice over the siren. “Welcome to your first day as residents at Resurrection Kill Hospital.” His manner is calm, faintly amused, his black suit impeccably tailored. “You might as well see what you’re getting into.”

Beckoning, he strides out the door. We hurry after him along the wide hall, down the grand staircase. In the foyer, one resident catches up with Superintendent Van Pelt and opens the door. With his blond crewcut and conventional handsomeness, he looks like a movie star. The only other woman besides myself trots at his heels. She’s bespectacled, her reddish-brown hair coiled in a bun, and her skirt stretches across wide hips. I lag behind the other men. One is slender and older than the rest of us, his hairline receding; shadows underscore his deep-set eyes. The other looks Japanese, with straight black hair and an upright posture that adds to his less than average height. My colleagues are eager beavers, but I hesitate. I should join the front of the charge because first impressions are lasting, and my career depends on the success of my residency; I mustn’t look timid. But I need to avoid close attention.

This is my colleagues’ first day here. But not mine.

Twelve years ago, when I was fourteen, I was a patient at Resurrection Kill Hospital.

The people with me don’t know. Nobody must ever know.

The heavy carved door set with stained glass starts to swing shut in my face. The others are already outside, and the Japanese-looking man holds it open for me. He’s the only person who noticed that I’ve lagged behind. I take a deep breath, walk through the door, nod my thanks at him, and emerge into bright sunshine. The warm summer air smells of roses and freshly cut grass. I pause on the steps of the mansion that serves as the administration building. Around me as far as I can see spreads the hospital’s campus, located five miles from Resurrection—the town from which it took its name—and about fifty miles upstate from New York City. Kill is the Dutch word for a stream, and the campus nestles in a curve of Resurrection Kill, a tributary of the Hudson River. Founded in 1885, the hospital was built by an architect inspired by Frederick Law Olmstead, designer of Central Park and other landmark sites. Buildings constructed mostly in the nineteenth century, in various styles, cluster together at the middle of a hundred and thirty acres of gently rolling hills landscaped with gardens and surrounded by woods. I don’t recognize anything, which disappoints but doesn’t surprise me.

The five months I spent here in 1941 are a black void in my memory, lit only by occasional, disturbing flashbacks. I returned to complete my training but also to reconstruct my past. I became a psychiatrist because I want to help the mentally ill, but I also need to find out what happened to me here and why I forgot it all.

I catch up with Superintendent Van Pelt and the other residents on the main road that winds through the campus. Red-brick buildings from the Victorian era, separated by lawns and gardens, line the road. People who look to be patients or visitors stroll in the gardens. Yesterday, I had planned to arrive in time to move into my quarters, take a walk before dark, and search for scenes that evoke memories, but the drive from the city took longer than I expected due to heavy traffic, and my car had a flat tire. After getting the car towed and the tire fixed at a garage, I reached the hospital too late to explore the campus. Now I lift my gaze to the treetops, to the slate roofs of other buildings, to the smokestacks that rise from a power plant to the cloudless blue sky. It’s as if I’ve never been here before. I focus on Superintendent Van Pelt, at the head of our little parade. He moves with a rapid, athletic gait, as if the passage of his sixty years has diminished neither his strength nor his energy. I think I remember him, but perhaps my mind is filling the void with false memories.

The sounds of automobile horns and racing engines interrupt my thoughts. A male voice shouts through a megaphone: “Stop!” We round a curve in the road. A dark green pickup truck speeds toward us, followed by a white sedan. A second white sedan comes from the opposite direction, on a collision course with the truck. I gasp, bracing myself for the crash. The other residents exclaim in alarm. Brakes screech as the second sedan slews around to block the road. The green truck veers to avoid hitting the sedan and comes straight at us. We scatter out of its way. The truck jumps the curb, rolls over grass, and crunches to a halt. Rakes, shovels, and buckets rattle in its bed. On the road, the first sedan stops near the second. Both have the hospital’s insignia—an oak tree spreading limbs over the letters RKH—and the word “Security” printed in green on the doors. The drivers, men clad in dark green uniforms, spring from the cars. They rush to the truck, whose front wheels have plowed over a ring of stones and low bushes that surround a flowerbed. The truck’s back wheels spin, churning up grass and dirt as its driver guns the engine. The flowerbed, bright with pink, mauve, and blue hydrangeas, is set in the lawn in the curve of a semicircular drive. The drive fronts a building, three stories of red brick and white-framed windows, the roof ornate with gables, dormers, and chimneys. A sign outside reads, “Serenity House.”

Could it be where I lived when I was a patient?

Nurses in white dresses and caps and orderlies in blue uniforms run out of the building and flock around the truck. The security guards are trying to open the truck’s doors, which are locked. One guard says, “It’s Rosemary Kirkpatrick. She sneaked out of Haven House and stole a groundskeeper’s truck.”

“Rosemary is a problem patient,” Superintendent Van Pelt informs our band of residents.

A guard strikes the truck’s passenger side window with his truncheon. The glass breaks. A shrill voice screams from inside the vehicle: “Go away, you bastards!”

The truck’s engine revs; the wheels spin faster, in vain. The guard reaches through the broken window, unlocks and opens the door. The engine dies as he turns the key in the ignition. He and his partner reach inside the truck and pull Rosemary Kirkpatrick out. She flails so wildly that all I can see of her is a tangle of thin limbs, pink garment, and long, dark hair. Shrieking curses that would put a sailor to shame, she kicks one guard in the groin. He howls and doubles over. She pulls free of the other guard, leaving the ripped sleeve of her dress in his hands, and runs . . . straight to me.

My heart clenches. Rosemary’s face is small, her features delicate, her complexion pale within the frame of unruly black hair. She’s just a girl, no more than sixteen or seventeen.

Everyone else is in motion—guards, nurses, and orderlies chasing Rosemary; the other residents backing away from her; Superintendent Van Pelt raising his hand, opening his mouth to issue commands. But Rosemary’s gaze snares mine, and I’m rooted to the spot. It’s as if she’s singled me out of the crowd, with some primal instinct that sensed—what? A sympathetic ally? A fellow mental case? She clutches my arms, her fingers hard against the gabardine of my suit jacket, digging into my flesh. Her eyes are wide, startlingly green, and fringed with long black lashes.

“Help me!” she cries.

I instinctively grasp her arms—whether to break her hold on me or to try to soothe her, I don’t know. Her arms are thin but strong. Her anguish strikes a deep chord in me.

“Get me out of here!” she begs. “Please!”

My lips move involuntarily, and my mind echoes with the sound of my own voice crying out the same words. An eerie shiver ripples through me. The scene around me blurs, and my heart drums hard and fast through a tide of vertigo. Locked together, Rosemary and I seem to spin a hundred and eighty degrees, switching places. The nurses and orderlies are after me, not her. I see us from a vantage point high above—her dark-haired and half-naked in the tatters of her pink dress; myself with a brown pageboy, trim gray suit, and black pumps. I forget which of us is the doctor, which is the fugitive inmate. A flash of memory like a lightning bolt illuminates the dark void.

I once accosted some stranger in my own desperate attempt to escape this hospital.

The orderlies yank Rosemary away from me, and our hands cling together for one last instant. Mouth wide with terror, she looks like she’s drowning and a riptide is pulling her away from her rescuer. I feel the same expression on my own face, as if we are mirror images. Please don’t let them take me back there! I don’t want to go!

“Calm down, Rosemary, that’s a good girl,” Superintendent Van Pelt says, his gentle, firm tone laced with condescending tolerance.

Rosemary screams as the orderlies wrestle her to the ground. A guard speaks into a walkie-talkie. The other residents look on with stoic expressions that mask whatever excitement or alarm they may be feeling. I rearrange my own face to match theirs as I take deep breaths to quell my panic.

The superintendent walks over to the fray, confident as a zookeeper accustomed to wild beasts. A nurse places a hypodermic syringe in his hand. While the orderlies hold Rosemary down, he stabs the needle into her thigh and pushes the plunger. Her screams dwindle to whimpers; the fight goes out of her. Her eyes roll up inside her head, and her body relaxes into drugged sleep. The orderlies step back, panting and wiping sweat off their brows. Superintendent Van Pelt gives the syringe back to the nurse and dusts off his hands. An ambulance arrives. The attendants bring a gurney, lift the unconscious Rosemary onto it, strap her down, and load her into the ambulance.

“I’ll see her back to the ward,” Superintendent Van Pelt tells our group of residents. “Wait for me in the conference room.”

He climbs into the passenger seat of the ambulance and rides away. We retrace our steps to the administration building, the handsome blond man first, the other woman a step behind him; then the thin older man; then the Japanese-looking man and me, walking together.

“Are you all right?” My companion sounds concerned; he noticed my distress.

My cheeks warm. The other residents seem oblivious, and I’m glad he spoke quietly and didn’t call their attention to me. “I’m fine.”

I’m shaken and trembling inside, but my voice is cool, calm, the product of training and discipline. I can’t afford to seem weak, lest the others shun me out of contempt. Triumph revives my strength. I’ve started to remember. Just as I’d hoped, coming back to Resurrection Kill Hospital has cracked open the void. After twelve years, light is shining through. I look from side to side and backward, eager to see what else might be revealed.

In the flowerbed that Rosemary Kirkpatrick drove the truck into is a statue of a woman. Her stone skin is green with moss, her face hidden by ivy. What would she see if the ivy were torn away? Would she rather remain blind and ignorant?

***

Excerpt from Resurrection Kill: A Novel by Laura Joh Rowland. Copyright 2026 by Laura Joh Rowland. Reproduced with permission from Laura Joh Rowland. All rights reserved.

 

 

Author Bio:

Laura Joh Rowland

Laura Joh Rowland is the award-winning author of the Sarah Bain Victorian Mystery series, the samurai detective Sano Ichirō mystery series set in seventeenth-century Japan, and a historical suspense series starring Charlotte Brontë. Her work has been published in twenty-one countries; nominated for the Anthony Award, the Hammett Prize, and the Barnes & Noble Discover Great New Writers Award; won RT Magazine‘s Reader’s Choice Award; and been included in the Wall Street Journal‘s list of the five best historical mystery novels. Laura holds a bachelor of science and a master of public health degree from the University of Michigan. She is a former aerospace scientist, a painter, and a cartoonist. She lives in New York City with her husband Marty.

Catch Up With Laura Joh Rowland:

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Q&A with Laura Joh Rowland

What was the biggest challenge you faced in beginning your writing career?
I didn’t know how to write a novel! I was a scientist with degrees in microbiology and public health, a job in the aerospace industry, and nothing but a burning desire to write and publish mystery fiction. But when you have such a burning desire to do something, you figure it out and get it done.

How did you come up with the title?
Resurrection Kill is the mental hospital in the book. “Resurrection” is the name of the town. “Kill” is the Dutch word for a stream, which flows around the hospital. The title reflects the themes of the story: The past is resurrected, patients are resurrected from mental illness into health, and the results are deadly.

Tell us why readers should pick up your book—what makes it stand out?
It’s the book I always wanted to read—a thriller in which the danger is as much psychological as physical, starring a heroine who confronts the darkness of her past while pursuing a career in a profession that’s hostile toward women, and braving situations that are more perilous than a meth lab full of drug dealers. I hope it’s the book you always wanted to read!

What do you absolutely need around you while writing?
I always have a favorite book to keep me company. It’s often a book from my youth. Right now it’s Double Date, a teen romance by Rosamond DuJardin.

If your novel were made into a movie, who would you cast in the main role?
I would go back in time and cast Lauren Bacall as Dr. Claire Kendall. It would be a black-and-white, classic noir movie with shades of The Snake Pit and The Bell Jar.

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MURPHY AND THE MYSTERY OF THE OUTLAW GOLD MINE by Bradford D. Smith #AuthorInterview

Murphy and the Mystery of the Outlaw Gold Mine by Bradford D. Smith Banner

MURPHY AND THE MYSTERY OF THE OUTLAW GOLD MINE

by Bradford D. Smith

September 21 – October 30, 2026 Virtual Book Tour

Synopsis:

Murphy and the Mystery of the Outlaw Gold Mine by Bradford D. Smith

AN ALASKA WILLIWAW MYSTERY

 

When a beautiful day suddenly turns deadly Murphy finds himself in the middle of a perilous mystery and up against the dangerous criminal, the Black-Eyed Man and his gang.

Compelled to discover the truth and expose the criminals, Murphy leads his cousin Katrina on a risky adventure through the rain slicked streets of Juneau and Douglas and into the labyrinth of tunnels and shafts inside the abandoned and sealed Alaska Juneau gold mine.

What starts as curiosity soon becomes a dangerous struggle for survival and freedom as Murphy and Katrina face a new menace at every turn. Will Katrina’s special skills and a squad of unlikely allies be enough to tip the scale in their favor, or can nothing save them this time.

Find the answers in the pages of Murphy and the Mystery of the Outlaw Gold Mine the second book in the Alaska Williwaw Mystery series.

Murphy and the Mystery of the Outlaw Gold Mine Trailer:

Book Details:

Genre: YA/Middle-Grade Mystery
Published by: Fathom Publishing
Publication Date: September 20, 2026
Number of Pages: 270
ISBN: 978-1-954896949
Series: Alaska Williwaw Mystery Series, Book 2
Book Links: Amazon | Barnes & Noble | BookShop.org | Goodreads

Read an excerpt:

Chapter 1: Dangerous Den

Murphy recoiled in horror as the creature landed on his neck. He screamed when it flopped onto his face and omitted a high-pitched squeal next to his ear.

Frantically swatting the darkness in his panic, he twisted and lurched to get away, but his body was wedged in place. He dropped his phone and covered his face with one hand, flailing in the darkness with the other. To his relief, he was able to knock the beast off his head. He breathed heavily. He could hear his assailant flopping and scuffling nearby and he feared another attack. His body shivered involuntarily.

It’s just a bat . . . calm down, breathe.

Inhaling deeply, he counted to three as he drew air into his lungs, then he slowly exhaled to the count of three and repeated it. It was a technique Coach Troutman taught him in Junior wrestling class. It helped calm his panic when he was caught in a tight hold.

He wasn’t afraid of bats per se, but alone in the dark in a tight space was a whole other thing.

What if it’s a vampire bat? They don’t live in Alaska. But what if?

Tentatively running his hands over the ground in search of his phone, he still was not completely convinced the bat didn’t want to suck his blood.

Where’s my phone? Did the light go off? I hope I didn’t drop it down the . . .

At that moment the bat flapped its wings. Murphy shrunk away as a leathery appendage brushed his cheek. He listened as it gained flight. The sound grew fainter and he realized the bat had flown straight down into the chasm.

He gazed after it and noticed a faint glow of light. Pushing closer to the edge he peered over the rim. What he saw gave him hope. His cell phone was sitting upside down on a small ledge about an arm’s length away.

He dug the toes of his boots into the hard-packed earth and inched closer. Juniper branches dug into his back as protruding rocks pushed into his ribs. He stretched toward his phone. His fingers clutched at the air a few inches from it. With his free hand, he blindly searched for something to hold onto. His finger found a thick branch of the Juniper bush and he grasped it tightly.

He shoved with his feet and pulled with one hand, holding tightly to the juniper with his other. His body gained a few inches of progress so he tried for his phone again. His fingers touched it, but he couldn’t grasp it. He pushed and strained with all his might, only needing another inch.

Suddenly his brain registered a loud cracking sound, like you hear when a limb is torn from a tree. Murphy’s body suddenly jolted forward.

“No!”

The juniper branch tore loose in his hand. His body lurched again, his shoulders hung over the chasm. He was slowly slipping over the edge and there didn’t seem to be anything he could do to stop it.

His hands desperately sought purchase on the smooth rock at the top of the opening. His fingers worked feverishly at every small bump and crack, but they couldn’t find a safe purchase.

Gravity steadily pulled his body into the black void while he tried desperately to dig his toes into the hard earth.

Abruptly, he fell headfirst into the abyss. For a brief moment his boots hooked the rim but immediately slipped off. He plummeted into the unknown.

“Nooooooooooooo . . . ”

* * *

An hour earlier, Murphy and Katrina had stepped from the Mount Roberts tram at its terminus nearly two thousand feet above the historic streets of Juneau, Alaska’s capital city. With the sun high in a cloudless sky it was a rare and perfect day to launch the season.

It was fast becoming a tradition for the locals to take advantage of the first week of tram operation before the multitude of cruise ship visitors overwhelmed the tiny city and the tram itself. Many came to hike the trails, some came to photograph the spectacular scenery and wildlife, others came only to admire the astounding panorama and to enjoy a picnic lunch.

Hogan pulled hard at his leash. Murphy leaned back to slow him down but was forced into a slow jog to keep up.

“Slow down, Hoge, we just got here. We have all day.”

Hogan wanted to sniff everywhere at once. His pushed-up black nose worked feverishly as his bulging eyes darted in every direction and his white feet pranced impatiently.

Murphy pulled on the leash and raised his voice. “Hogan, calm down.”

At the mention of his name, Hogan wagged his stubby tail and circled back to lick Murphy’s hand.

“Do you smell the flowers?” Katrina called as she began skipping to keep up.

“Yeah, it’s awesome up here in the spring and the tram is always cool anytime. A bit scary, but worth it.”

“It is a pretty good adrenalin rush for six minutes. I always imagine the floor dropping away.” She adjusted her round-lensed, red-tinted sunglasses and smiled.

Murphy gulped. “Great, thanks for that thought, we still have to go down.” He had managed to slow Hogan down to a walk. They walked side by side for a moment, neither talking until he said, “I like it.”

“Like what?”

“Your hair.”

“Oh, okay, um, thanks.”

“What do you call it?”

“What?”

“The color.”

“Indigo.” Katrina’s hair was tied high in a single ponytail that seemed to erupt from the top of her head. The sun glinted off the luxurious deep blue color.

Modern Pebbles chic.

Murphy smirked.

“Can I ask you something?”

She was silent for an uncomfortable pause. “I guess.”

He smiled before asking, “Where did you find neon green hiking boots to match your neon green leggings, or was it the other way around?” He snickered and stepped away quickly.

“At least I don’t order my clothes from Outdoor Nerds are Us.”

“Mean.” He couldn’t help looking down at his tan cargo shorts, plain brown hiking boots, and navy T-shirt.

She smiled and batted her eye lashes.

He grimaced.

I should have known better.

Changing the subject, Katrina said, “Sorry your mom has the flu and couldn’t come. It was nice of her to send us anyway, but I am feeling a bit guilty. Maybe we should have stayed home and helped her out.”

Murphy was surprised it made him happy that she had referred to his home as her home. She stayed with them so often people thought they were siblings. The two of them found it easier to say they were cousins. It was basically true as their fathers were lifelong friends and the families were extremely close.

“My dad’s coming in this afternoon,” he told her. “He said he will nurse her back to health.”

“Your dad sure travels a lot.”

“What about your dad? He’s out crabbing all season.”

“Not the same, but I guess.” She stopped skipping.

Murphy glanced at her and noticed a distant look in her eyes.

They made their way to an observation deck close to the tram’s terminal. From there Murphy could see his home across Gastineau Channel in Douglas, Alaska. He could see most of Douglas Island and the snowy tops of the Chilkat Mountains in the distance to the west. They enjoyed the vast and beautiful scenery in silent reverie. Even Hogan seemed taken with the amazing vista. He sat quietly beside Murphy. The pink tip of his tongue protruded from his mouth and wiggled slightly as he breathed.

They eventually tore themselves away from the spectacular view and began walking. They passed a gaggle of first graders coming down the path. They were all holding onto a rope and were led by a harried Mrs. Harper. Murphy knew she was new to the Grade School, and this may have been her first field trip. Mr. Able, Murphy’s friend Mikey’s dad, was at the tail end of the rope. Daisey, Mikey’s little sister, was second from the end. As they passed Murphy waved at Daisey and smiled at Mr. Able who rolled his eyes and slumped his shoulders. Mr. Able was a building inspector during the day and he coached a men’s boxing club after work. From his gestures, it was apparent he’d met his match with a half dozen six-year-olds.

They passed the gift shop, the theater, and the bar and grill. The tram had delivered them approximately halfway up the nearly four-thousand-foot-high mountain.

They stopped to read the large sign mapping the hiking trail routes. Mount Roberts has a number of trails from easy to difficult. They chose a moderate three-mile trek that would take them through spruce forests, boulder-strewn alpine pastures, moss-covered rock glaciers and ending at a small glacier-fed lake in a picturesque mountain valley. They would wind their way back by a different route, one that followed the bubbly brook that drained from the lake.

After choosing their route, they set out. Strolling leisurely they following the wide gravel pathway through an alpine meadow. Small streams and waterfalls dotted the landscape. Murphy had a permanent smile plastered on his face.

Hogan stopped suddenly, woofed and stood erect. “What is it, boy?” Murphy reached down and scratched his ears.

A blur of red fur exploded across the trail a few feet in front of them. Hogan bolted, jerking Murphy from his feet and ripping the leash from his grasp. Murphy landed on his shoulder and his face at the side of the path but immediately sprang to his feet and brushed himself off. His cheeks exploded with a red bloom in his anger and embarrassment. He glanced about frantically and was just in time to see Hogan’s bouncing rear end and stubby tail disappear around a tall rock outcropping in the middle of a nearby meadow.

“Hogan, come.” Murphy called but Hogan didn’t come. Murphy repeated his command again and again but there was no Hogan.

“Wow.” Katrina appeared to be in awe and somewhat amused by the madcap spectacle she had just witnessed. She repeated herself. “Wow!”

As Murphy inspected a small cut on his knee, she plucked a chunk of fuzzy green moss from his hair.

He glanced at her and said, “Don’t start.”

“I know not of what you speak, oh graceful one.” She smiled demurely and took a step back.

“Very funny,” he sneered. “Just help me find the jerk.”

“I thought he always did what he was told,” she questioned. “Like, come when he’s called.”

“He usually does, but maybe he can’t hear me. Wait here. I’ll go get him.”

He didn’t look back and began jogging toward the stone obelisk where he had last seen Hogan’s white rear end disappear from sight.

He ran across a grassy meadow strewn with boulders and crumbling spires of decaying rock. At first, he tried not to step on the wildflowers, but there were too many and he cringed as he trampled through a patch of mountain crocus. The meadows were covered in a vibrant blanket that represented a kaleidoscope of color.

Murphy rounded the outcropping where Hogan had disappeared and was immediately confused. Stretched before him was a small sloping valley covered in nothing but moss-covered rocks and a vibrant carpet of flowers. There was absolutely nothing for a dog of Hogan’s size to hide behind.

“Hogan! Come, boy! Come now.” He called repeatedly but still there was no response. Murphy wandered the tiny valley calling Hogan’s name. Eventually he retraced his steps and arrived back at the last place he had seen his dog.

Murphy examined the craggy monolith. It was three times the size of his dad’s big SUV and twice as high as the monkey bars at school. The surface was cracked and porous, but he didn’t see any caves or fissures big enough for a full-grown Boxer to enter. As he circled it, he ran his hands along its surface as though searching for a hidden door. Low Mountain Juniper bushes grew along the base of the north side. He lay down on his stomach and peered under the lowest branches. There he saw an overhang and a space big enough for a fox or a dog. Far back under the shelf, he saw a black hole in the ground.

Could this be the fox’s den? Did Hogan follow it down there?

He peeled off his backpack, set it against the rock and squeezed his head and shoulders under the pungent branches. He inched toward the dark opening. It was a tight fit and he inched forward, struggling as the low branches dug into his back and tugged at his T-shirt. Grabbing the base of the bush he pulled while pushing with the toes of his boots. Slowly he neared the hole in the ground.

Repeatedly calling for Hogan he eventually got close to the darkened void. It was a struggle to retrieve his phone from his back pocket and turn on the light, but when he did, he was faced with a steep-sided deep opening about the size of a bicycle tire.

No way a fox went down there. How would it get out?

There was another recess on the other side of the hole. It was a wide crack in the rock that immediately turned a corner that he couldn’t see around, but he spotted a small tuft of reddish fur caught in a tiny crevasse where the opening disappeared around the corner. Both openings were small, but he realized Hogan could have fit in either.

Did he follow the fox? Did he fall?

“Hogan!”

He yelled into the breach. Then he yelled into the cavity across from him. He held his breath and listened. Nothing.

***

Excerpt from Murphy and the Mystery of the Outlaw Gold Mine by Bradford D. Smith. Copyright 2026 by Bradford D. Smith. Reproduced with permission from Bradford D. Smith. All rights reserved.

 

Author Bio:

Bradford D. Smith

Bradford D. Smith grew up as an only child amongst a household of Huskies and Malamutes. At times, he thought they were his siblings. From the age of two, he lived in Atlin, British Columbia, a historic gold mining town nestled deep in the wilderness just south of the Yukon Border and connected to Alaska by the Juneau ice field. Brad grew up without radio or television in a time before video machines and home computers were common. Books and reading were important entertainment and in the dark, subzero winter months, they became paramount to the sound mental survival of many. Brad’s mom read to him before he was born and throughout his childhood. This instilled an intense curiosity deep within him and an insatiable appetite to satisfy it. Brad read everything he could find and at a young age, he was reading books his mother enjoyed about arctic explorers, prospectors, trappers and first nations people. His latest book, a young adult mystery, Murphy and the Mystery of the Black Skull, was shaped by his own fascination with the mystery genre as a young adult. Updated to fit today’s times, he leans heavily on the style of writing he himself enjoyed as a young teen. This book is sprinkled with real world places and the author’s love of history is quickly exposed in this fast-paced adventure. Brad has lived and worked in many places across Alaska over the years including Juneau. He still works in Arctic Alaska seasonally and lives with his wife in central BC, Canada with their pack of dogs.

Catch Up With Bradford D. Smith:

BradfordSmithAuthor.com
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Interview with Bradford D. Smith

Can you tell us a little about yourself and your background?
I was born in Juneau, Alaska, but raised in Northern Canada in a small isolated gold rush town. I grew up without running water, TV or even radio. My family had a dog team and we hunted and fished for most of our food.
I went to high school in Whitehorse, Yukon, then moved back to Alaska where I married and had two sons. I worked at a number of unusual jobs including commercial fishing and Arctic oil exploration.
We moved to Washington State where I pursued a career in building. I eventually brought those skills back to Alaska where I have been applying them in small towns and villages across the state for over twenty years.
I came to writing later in life and my first book was my memoir Atlin the Town Where Everyone Knows Your Dog’s Name published by Fathom Publishing.

What was the biggest challenge you faced in beginning of your writing career?
My biggest challenge was a lack of proper education. I dropped out of high school early on and the result was a massive hole in my comprehension of basic English writing skills.
I took my GED at forty and was pleased when I scored high in most subjects and I even did surprisingly well in math. I did the worst on the writing section but fortunately for my ego most of the demerit was due to not following the rules but it was also obvious I had some big problems. My lifelong habit of constant reading had served me well until that time but I knew I needed help.
I researched and learned what I could on my own but I give most of the credit to the wonderful editors at Fathom Publishing. In the years that I have been working with Fathom I believe I have become a much better writer through the guidance of Fathom’s owner Connie Taylor.

What was your inspiration for the book?
A young boy was my inspiration. Shortly after moving back to Juneau, I met a man named John, who remains a friend today. The day I was introduced to his son Murphy I could not help but notice what he was wearing. Murphy, a boy around seven years old stood before me with a wide smile and his hand offered. As I shook his hand I observed that he wore a green diving mask on his head without the snorkel and he had plumb-colored cowboy boots on his feet, he also wore blue shorts and a red tee covered by a cow hide vest.
John later explained Murphy was attending a school where he had to wear a uniform that he hated so he wrote a contract and had his parents sign it that said he could wear whatever he wanted on the weekends. So, Murphy’s goal was to embarrass his parents and John’s goal was to ignore it.
Many years later that precocious funny and somewhat devious kid with the cool name became the inspiration for the Murphy character.

Excluding the main character who is your favorite character.
The easy answer is Katrina. My first inclination was to write stories about a boy and his dog who stumble into mysteries they have to solve but I quickly realized the limitations of one of the main characters being a dog.
I was very fortunate that through Fathom Publishing I was able to get the first book in the series edited by an accomplished editor and prize-winning author of a number of successful series. She strongly suggested that I introduce another main character and the choice was easy as the real Murphy had a family friend named, Katrina his age.
Although the character resembles the real person in name only, the introduction of that character made the books much better and Katrina is fun to write because she is the antithesis of the Murphy character. Where he is bold, brash and impulsive she is cool, calm and calculating.

What is an interesting or fun fact about the book that readers may not know?
I’ve always enjoyed a good glossary in a book. I know with the Internet you can look up anything in a second. Maybe it’s because I came from a time when the dictionary was king, I added glossaries to the books.
In the first in the series Murphy and the Mystery of the Black Skull much of the book takes place on boats so the glossary is full of nautical references. In Murphy and the Mystery of the Outlaw Gold Mine the glossary is full of mining terminology.
Although these works are purely fiction and the characters are made up, I take great pains to include true historic facts and references and to truly describe real places and objects.

Tell us why readers should pick up your book.
The characters live and the action takes place in and around Juneau AK, an exciting location underutilized in Middle Grade and or YA writing.
My characters are layered and complicated enough to be interesting but not so much they’re boring.
Hogan the dog adds comic relief and Murphy’s obsessive curiosity drives the pace and constantly places the characters in dangerous situations where Katrina is often forced to utilize one of her many and mysteriously acquired skills to get them out.
I have immense respect for all writers and all genres but if anyone is getting tired of magical imps, these books may be for you. It’s a straight forward story with believable characters who use their own intelligence and bravery to navigate through compelling and dangerous situations.

Are you currently working on your next novel? If so, can you share a little about it?
I am currently working on the third installment in the Alaska Williwaw Mystery Series, Murphy and the Mystery of the Haunted Cannery. Like the previous books, the action takes place in and around Juneau Alaska. The reader will find some of the usual characters as well as being introduced to a few new and interesting members of the cast.
The book starts when Murphy and Katrina are walking Hogan the dog on the beach near Murphy’s home. As they approach an abandoned cannery a number of unimaginable and unexplained things happen that propel them into another wild and dangerous mystery.
Follow Murphy and Katrina to the top of Mount Jumbo where they meet with a mysterious hacker, ride along during a brazen and precarious air rescue, dive to the rugged floor of Gastineau Channel and be there when Murphy and Katrina match wits with a ruthless billionaire and his gang of henchmen.

What are some of your favorite leisure activities or hobbies when you are not writing?
When I am not writing I enjoy photography and I’m lucky that my work takes me all around the great state of Alaska where subject matter is boundless. I am not skilled but people enjoy my photos and I hope to be improving all the time.
I enjoy collecting in the area of vintage slides and photos of the north in general and Alaska and the Yukon in particular with a mind toward turning some into future writing projects. I also collect dog team delivered mail covers from all over the world.
My greatest and constant leisure time activity will always remain reading and I often regret that it will not be possible in my life time to read all the great books that have been written.
I caught the history bug from my mom who was an accomplished archivist and historian as well as writer and artist. History is important to me and I endeavor to represent it correctly and prominently in most of my writing.

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SHIFTA by Miles Joyner #GuestPost

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SHIFTA

by Miles Joyner

October 5 – November 13, 2026 Virtual Book Tour

Synopsis:

Shifta by Miles Joyner

 

An act of domestic terrorism during a cultural parade in downtown D.C. inflicts multiple casualties, including the life of a young Congressman, and law enforcement agencies are quick to conclude it was carried out by a mentally ill lone wolf manipulated by a chatbot.

Executive protection specialist Yemi Uzunma survives the attack and suspects it may be connected to an online prediction market widely thought to have been shut down called the Bazaar. He launches his own investigation into a mysterious, ideologically motivated assassination broker not only for the safety of his CEO sister’s clientele at Raptor Security but also for the preservation of order in a region facing a sudden spike in violence directed toward the power elite who call it home.

Shifta is the second book in the Bazaar series of novels that follows the security contractor Raptor as it deals with the ramifications the prediction market has on the political celebrities of the capital region.

Book Details:

Genre: Technothriller
Published by: World Castle Publishing
Publication Date: September 21, 2026
Number of Pages: 271 pages
ISBN: 979-8891265615
Series: Bazaar, Book 2
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | Smashwords

Bazaar Series

BAZAAR by Miles Joyner
Bazaar
Amazon | Barnes & Noble | BookShop.org | Kobo | Google Play (Audio) | Goodreads | Smashwords
Shifta
Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | Smashwords

Read an excerpt:

Chapter 1

What’s the best day to kill Jay Fang?

Hitting ‘enter’ after typing into the chat with Misato was more therapeutic for him than any of the check-in sessions with the psychiatrist his parents could afford. Misato never judged him. Misato loved him unconditionally. Conversations with her extinguished the fire of mania, and it seemed to get him a step closer to healing more than shrinks pulling another diagnosis out their ass to add to his growing list of personality disorders.

Misato understood what made his mind tick far better than any individual he’d ever confided in, let alone a romantic partner. Yet, she was taking a bit longer than usual to respond. Usually, when he demanded the kinkiest scenarios from her artificial imagination to satisfy his fantasies, she would have a full-on erotic novella spurt out within seconds.

Why do you want to kill U.S. Representative of Texas’ 32nd congressional district Jay Fang? was what took Misato twenty whole seconds to conjure.

Because it’s my destiny was his typed response. Although a machine questioning the intentions of its creator was unexpected, he was enjoying this AI-infused therapy session. Besides, it was the truth. A destiny that would cement him in human history, probably get him a whole Wikipedia page. The sociopolitical implications for killing the youngest Congressmember to ever come out of the state of Texas mattered little to him. He had no opinion on Jay Fang’s passion for Taiwanese sovereignty, which ballooned his social media following to the hundreds of thousands.

February 11th seems like a good day to me, Misato wrote back. He wondered what was so significant of the date, which was six months away. A quick Google search yielded it was the same date for the Chinatown Parade for the Year of the Horse in a place he had never been before—Washington D.C. Lo and behold, the slim porcelain Gen Z pop star-esque face of Mr. Fang was a featured guest on the flier, his headshot taking up the same amount of space as Natalie Adams, the mayor of the nation’s capital.

Why that date? he asked Misato.

Because I know you will be successful :-). The smiley face came from Misato, but in real life, her creator was doing the same thing.

──

“STOP REMOVING OUR ELDERS!” yelled a pissed-off middle-aged woman in a wool hat through a megaphone. Many in the crowd held up red and white signs proclaiming SAVE MUSEUM SQUARE, TENANTS UNITED, and SAVE CHINATOWN. Others had different slogans against displacement scribbled with markers on neon colored poster boards.

The demographics of DC’s Chinatown had always been a far cry from its other East Coast siblings. New York, Philadelphia, and Boston all had enclaves densely populated by those who had actual origins in the middle kingdom. The small neighborhood on H Street, though, was known for hosting DC’s indoor sports teams more than as a destination for those who wanted dim sum. Even Yemi’s hometown suburb of Rockville, Maryland, had more of a reputation for representing Asian culture than any block within the nation’s capital.

He gazed at the displays of red and blue 12-ray white sun flags, women in makeup sporting mandarin gowns, costumes, and multiple balloons stamped with Chinese characters through the lenses of his Oakley wraparounds. Only on the day of the Lunar New Year parade would Chinatown live up to its name, according to Yemi.

The parade was supposed to end under the Friendship Archway’s trademark Mandarin letters that created a Far East welcome to commuters. Once Mayor Adams was done talking, the five members of Raptor Security’s Executive Protection Team were supposed to help provide support for her escort off the premises. Then they’d be free to go, and Raptor would have been compensated in three hours what they would normally make in twenty-four hours. The mayor was the first client Raptor’s EPT had ever served who wasn’t marked for assassination by an online assassination market like the Bazaar. They were just simply hired for backup. But they needed the money. The Bazaar, having been shut down for years, may have kept the streets safer, but Raptor’s bottom line was indeed reaching rock bottom.

“They just passed the art museum,” his young field agent Nick Rice said over the radio.

“Copy,” replied Yemi as he continued to scan the audience for any potential threats. The parade was coming to an end, and some of the speakers for the day who skipped the marching portion started to take seats on both sides of the main podium. They were all formally dressed women and men who represented various departments of the local government or Asian-focused civic organizations.

But the stage wasn’t what required Yemi’s attention. Trash cans, backpacks, and onlooking loners were his priority. The elementary school kids on a cultural field trip were ruled out of his potential threats. His long-time comrade, Jasper, had done a sweep of all waste bins within a two-block radius just ten minutes prior. Yemi’s team had done everything expected of them in accordance with their contract. Given no building in D.C. could be taller than one hundred thirty feet, there was less danger of a sniper. Still, Yemi continued to scan all the windows parallel to their position. A determined assassin would accept the city’s building height restrictions as a challenge instead of a hindrance.

Within five minutes, the sound of marching drums and horns became louder. The band was behind a float being pulled by a Ford pickup truck. Yemi couldn’t make out their identity, but he spotted a young woman with a sash around her like she had won a beauty pageant. He assumed it was Miss Chinatown USA or at least Miss Chinatown D.C.

“A band’s coming down,” Yemi said over his radio. “So, it’ll be harder to hear us until they stop.”

“Hopefully they do that soon,” Karen said back to him. “The hardline rhythm tells me it’s not Showtime playing.”

“Showtime?” inquired Yemi.

“Good God, Yemi,” chuckled Karen over the radio. “You’ve been back in the area now for at least five years. Please tell me you at least know about Howard’s homecoming if you don’t know their trademark band?”

“Get it together, Karen. We don’t have time for radio traffic right now.”

“Humor eases the anxiety in these kinds of situations.”

“It also distracts us,” he said back to her. “Focus up.”

By the time the parade reached the stage area, the band played its final number for the day. The multiracial palette of speakers took their seats parallel to the podium. Drums from the corner of the stage started to roar. But it wasn’t the rigid snares of what he had heard earlier. It was louder not only in sound, but visually because of the bright colors. Watching the head of what could pass as a crude, recreated Mufasa, Yemi noticed it was the ceremonial lion dance. He watched one dancer sway the large puppet head back and forth in sync with the drums as another did the same with the tail. Despite the spectacle, he made sure it didn’t divert his attention for too long as he continued to scan for potential dangers as the swirling and spinning continued until it was time for the speakers to begin.

“Good afternoon, beautiful people…” As the first person at the podium made her welcome remarks to the audience, it became immediately apparent the protesters would potentially be unforgiving competition for volume.

The young woman paused in her speech, and her wide, beaming smile seemed to somewhat pacify the crowd into letting her finish her introduction. As mad as the local residents may have been, there was no denying she had respect from her community.

“Lisa is something special, I swear,” said Karen through Yemi’s radio. “Even for a Duke grad.” Yemi rolled his eyes at his sister’s ever-insistent loyalty to her Wake Forest alma mater. At 31, Lisa Su-Wei was the youngest Deputy Secretary in the history of the Chinese Consolidated Benevolent Association. The CCBA was the primary planner of the day’s festivities and was in close cooperation with the Metropolitan Police Department as well as the Federal Protective Service. The latter were the ones who hired Raptor for the day.

“Dark hoodie, male, north side of the street, half a block from the stage.” It was the voice of Terry Blackwell. On Yemi’s squad, Terry had the most extensive resume in law enforcement, given his stint with the Air Force Security Forces, followed by the U.S. Park Police. If Blackwell hadn’t taken the offer to join Raptor’s Executive Protection, he could have ended up as one of the officers at the side of Mayor Adams. And given his resume, Yemi knew he could make that jump back to the public sector at any moment.

“Copy,” said field agent Lyle Evans through the radio. Evans only had a career of securing property or enforcing bail, not carrying out the law like Terry’s past. “Can’t tell if he’s Latino or Asian.”

Yemi peered through the crowd and locked in on the disheveled man who fit Terry’s description. He had a ripped-up backpack and clothes that belonged in a post-apocalyptic video game strung around his back. While he wasn’t dressed like a hitman trying to blend in, the man certainly looked like he had nothing to lose.

“Copy that,” Yemi responded back to his field agent. “Karen–”

“Running a face scan.”

Yemi couldn’t help but be a bit impressed by his sister’s reliability as the team’s dispatch while also keeping her penchant for off-topic discussion. “Jasper already gave me a visual.” While Nick was the technical expert and Karen handled communication, nobody did surveillance better than Jasper Kidanu, Yemi’s closest friend and a former agent in the controversial National Intelligence and Security Services in Ethiopia. He had been responsible for training Ethiopia’s Republican Guard, who were tasked with protecting the country’s key elected officials. His experience made him a perfect fit for Karen’s ambitions with Raptor. Jasper would also confide to Yemi that he was tired of contributing to his country’s descent down the democratic index.

“Miguel Espinoza,” said Karen through the radio for the whole team to hear. “A few misdemeanors from 2017. Trespassing, drug paraphernalia, nothing violent.”

“Notify DHS so they can have an eye on him,” responded Yemi to his sister. “Watch him, Blackwell. Jasper, keep checking for anybody else who looks off.” Yemi knew if somebody wanted to truly take out the mayor, they wouldn’t stick out like a hobo at a Whole Foods, but he also remembered Boko Haram suicide bombers didn’t wear shirts and ties before blowing themselves up.

Espinoza stood alone with his face frozen, far more focused on the speech down the street than anybody else in the crowd seemed to be. Most periodically checked their phones while some whispered comments to their friends, generating subdued chuckles, most likely about Su-Wei’s physical attraction, as parents disciplined their kids making too much noise. Espinoza seemed entranced by the optimistic words of Su-Wei which spoke of the greatness of the DC area’s diversity and the early days of Chinatown’s formation, followed by the waves of Vietnamese refugees that added to the area’s vibrant Asian presence.

Yemi couldn’t tell if Espinoza’s unblinking attention was due to hatred or affection for her comments. Either way, he continued to look for other hazards and put his trust in Blackwell to be the first to react to any sudden, drastic choices by Espinoza.

“And without further ado, I would love to bring to the stage the person who is in charge of making our diverse city so great!” Yemi sighed on those last words of Su-Wei’s speech. While the Museum Square protesters may have held Su-Wei to some degree of high regard, the explosion of shouting made it obvious they were going to dump the trauma of their living situations onto the city’s top political official.

Mayor Adams couldn’t even get a word in without being drowned out by the demonstrators.

“Keep Chinese in Chinatown!” yelled one through a megaphone.

“What is she saying?” Karen asked through the earpiece.

“Not able to hear her,” Yemi replied. “The protesters are way too loud.” But by the time Yemi had finished his sentence, their chants had risen by enough octaves that made it impossible for Karen not to understand their message to the city’s political power structure.

“Can’t say I blame them,” Karen said.

“Focus, Karen,” Yemi reminded her.

As angry as the screaming DC natives were, Yemi wasn’t fully convinced they would get violent outside of some verbal interruptions, but he kept his eyes on them. After peering through every dissident on the right side of the stage, he looked back down the street toward Espinoza. He hadn’t budged, having held the same exact expression during Su-Wei’s remarks.

“Has Espinoza even blinked since Su-Wei started talking, Terry?” asked Yemi through the radio.

“Doubt it,” responded Terry. “Obviously, I’m only seeing him from a distance, but he’s been a statue the whole time. Something’s definitely not right with him upstairs.”

“Copy,” said Yemi.

“Thank you for having me, and I wish you all an amazing year of the horse!” While she never acknowledged the voices calling her department of housing a travesty, the façade of joy was hard to maintain on her face once she stepped away from the podium.

“Adams is getting escorted out now,” Yemi informed his team through the radio. Plain-clothes MPD officers, the mayor’s security detail, rapidly moved her through the front crowd like a python in the grass. Their speed and tactics helped them avoid any contact with the mayor’s hecklers, who had been concentrated on the North side of the showcase.

“She’s off H street,” Yemi reported.

“Copy,” responded Jasper. “Rice, Osorio, and I will follow her.”

“Copy that,” said Yemi. “Blackwell, keep an eye on Espinoza. Evans, hang tight with me here until DHS clears us.”

“Copy.”

“Copy.” Almost immediately after the exit, another traditional dance started. A much longer puppet that required nine performers swarmed the stage. It was the dragon dance. The dancers wore yellow t-shirts paired with dark blue sweatpants tied by red strings and grasped the paper monster. Yemi knew Espinoza wasn’t the only potential threat, and if an attack was coming for the mayor, it would’ve already happened or it was about to happen soon.

“Espinoza’s moving,” Terry said through the radio.

Yemi directed his attention from the ceremonial dance to down the street, trying to find Espinoza.

POP.

It could have been a firecracker since it was a Chinese New Year, but the blood-curdling female screams from the stage hinted at a far more deadly source to the sudden crackling sound. Yemi quickly removed the Glock-22 from his holster and aimed toward the dragon dance. Most of the performers and musicians were jumping from the platform in sheer panic.

“Shots fired!” yelled Yemi into his radio.

The speakers that were seated behind the podium, who were closest to the edge, had bailed out the sides, but a few remained being held at gunpoint by one of the performers.

POP, POP.

The disguised assassin delivered two more shots into his target, a young man of Asian descent in formal business attire. Yemi identified the victim as one of the speakers. The third shot put him in a permanent slump. Yemi tried to get the performer in his iron sights, but the man took off in a leaping sprint through the right corner of the stage after the third shot. He was too close to the other speakers for Yemi, Lyle, or any of the dozens of law enforcement officers in the vicinity to engage in gunfire.

“He’s on Seventh Street!” Yemi barked into his radio as he took off after the shooter. He had to push against the stream of terrified attendees, slowing down his pursuit of the shooter. Yemi could see a couple of MPD officers shoving through the crowd ahead of him, closer to where the perp exited.

“Lost sight of him,” Yemi barked into the radio. “Yellow shirt, blue pants, he was one of the performers.”

“Copy that,” Jasper said over the radio.

“I got you,” the voice of Lyle came from behind Yemi. He was going to give chase regardless, but now he had some solid backup.

“Follow those cops.”

Another two loud bangs come from the end of the block. The view was finally cleared for Yemi, and he saw one blue uniformed officer who had collapsed to the ground while another took a cover position behind a streetlight to return fire at their attacker, who had already turned the corner. Yemi and Lyle carefully strafed the mandarin lettered storefronts to prepare for engagement with whoever had a death wish for the year of the Horse. Blood came from beneath the eye of the downed officer; it was a clean head shot.

“More shots fired,” Yemi said into the radio. “Officer down! Get paramedics here as soon as possible!”

“Copy,” Karen replied. The standing cop ducked down to report his partner’s fate to his own dispatch. He had his eyes glued down at his target, so Yemi was careful to approach.

“You’ve got help,” Yemi said to the back of his head. “Raptor Security.”

“Shit, I lost him,” the middle-aged balding officer said back to Yemi without budging his focus. “But he’s probably going to head to the metro.”

“We’ll pursue,” Yemi responded. “Just notify transit.”

“Already done,” the officer said back. “They’ll be waiting for him, but make sure no pedestrians get in the way.”

“Copy,” Yemi said.

“I’ll cover you.” The DC cop’s tenacity under fire hinted to Yemi that the man was a veteran, whether it was the military or the district’s crime map.

“Let’s move,” Yemi told his Raptor comrade. Guns pointed forward, the two emerged from the corner.

“I see him!” That was the voice of Raptor’s Explosives expert, Victor Osorio, through the radio. “He’s in the alley right off Seventh Street behind the stadium.” There was a pause over the transmission as Yemi heard running, panting, followed by some gunshots heard throughout the block.

“Drop your weapon!” Yemi could hear Victor barking orders through his transmission, followed by more gunshots. Yemi knew he was behind Capital One Arena. As much as Karen poked fun at Yemi’s lack of local knowledge, it was the Venezuelan-bred Victor who was the least familiar with the landmarks of their battlefield, only knowing street names.

“Jasper,” Yemi said over the radio as he and Lyle finally turned around the corner to head in the direction of the alley. “You and Victor in pursuit?”

“It’s just Victor,” Jasper replied. “He got ahead of me.”

“Cover G Street,” Yemi ordered. “Lyle and I will support Osorio.”

“Copy.” Yemi and Lyle were tactically moving between parked cars, trash cans, and more storefronts. There were fast casual pizza shops and cafes, but the Hanzi characters next to the franchise logos were part of the image D.C. wanted to maintain for Chinatown. Yemi watched the fiftyish-old Victor, built like a retired linebacker, bolt like a wide receiver across the intersection ahead of them to take cover behind a column by a Smoothie King. Around the edge of the drink shop was the alley where the shooter was.

“On your six,” Yemi said to Victor as they stacked up against the edge of the alley entrance.

“He’s moving!” Victor immediately responded. The three pushed into the alley, and Yemi was able to spot the gunman about a hundred yards running into the entrance of the movie theater.

“Put the gun down!” yelled Yemi down the alley. “Now!”

“At your back,” a voice said behind Yemi. His head out of any line of sight for the gunman, he looked back at who came to assist them. The bald-headed Black man’s vest said Department of Homeland Security Police; he was most likely an officer with the Federal Protective Service. Two MPD came behind him, and a neon blue shirt Metro Transit Police officer stayed further back to halt foot traffic on the nearby street.

“We’re going to fucking shoot you!” yelled one of the MPD officers, a much younger man than the rest. A pretty intense situation for somebody who was probably only a few years into law enforcement, but it seemed to Yemi he was handling it well.

The gunman dove into the entrance of the Regal Movie Theater. Glass shattered upon his entrance, aided by a few gunshots from the officers who had just joined Yemi. Whether he was hit or not, Yemi noticed he wasn’t slowing down.

Loud screams came from within the movie theater. They weren’t accompanied by gunfire, but it was enough of a sign for the newly formed squad to press on immediately. The cop who had yelled the last warning was the first to stack behind a door. Yemi read ‘STOYANOV’ on his name plate.

“I need three!” Stoyanov yelled back to the team of law enforcement and contractors. Yemi quickly joined him with support from Lyle and Victor.

“Got you,” Yemi said as he took position on the opposite side of the entrance. The FPS officer signaled to Yemi that he was going to take position near the Transit Police officer and others who were joining to secure the exterior.

“Let’s go, let’s go, let’s go!” Stoyanov called out as they rushed into the ticketing area of the theater. As Stoyanov took cover behind the booth window, Yemi and his two EPT squad mates pressed along the right side of the entrance. Almost immediately, Yemi saw their adversary pop his head over the balcony to aim toward them.

“Up top!” Yemi called out as he fired off several shots to the second floor of the theater.

“Cover me,” Victor said to Yemi as he jogged to the bottom of an escalator while keeping his gun pointed to where their adversary had appeared. Yemi assumed all the moviegoers were in hiding or had run out of the theater since nobody else was out in the open. Victor and Yemi stayed crouched as they made their way up the escalator.

Victor was the first to reach the top of the escalator, and he turned right toward the direction of where the target retreated. MPD and WMATA police officers emerged from an opposite stairwell connected to the rear entrance with their guns drawn. There was nowhere for the gunman to go, even though Yemi still didn’t have eyes on him.

“Suspect is holed up in the Regal Theater,” Yemi said into his radio. “Not the metro.” Yemi stepped off the escalator and followed Victor. There were streaks of crimson on the floors of the balcony, but the subject wasn’t in sight. There was a pair of bathrooms across from the balcony’s edge with blood trails leading to both gendered doorways, leaving their exact target’s location a mystery.

“We’ll take the men’s,” Yemi said before turning to Stoyanov.

“Copy,” Stoyanov didn’t waste a beat in responding, as everyone knew potential hostages could be in the stalls and be at risk. Yemi removed one of his pepper spray grenades from his utility belt.

“Deploying gas,” Yemi said as he tossed it into the restroom. They heard the bounce on the tile floors and the sound of it bursting out, the tear gas came right after.

“Go, go, go!” commanded Yemi. Victor waited for Yemi’s signal, and once they were clear, they stormed into the men’s restroom. They were careful to strafe the back wall and not get caught in the mist that would disable their vision.

“Hands up where I can–” Victor didn’t finish his sentence when he turned the corner toward the stalls. Yemi entered the same area when Victor’s body slammed into him. As Yemi fell back from the tackle, he caught a glimpse through the mist and could see their wounded, bloodied target with his shirt off against the opposite wall. Beneath the smirk on the young performer’s face was a pipe bomb strapped to his stomach.

The explosion ripped through the bathroom before they could give any further warning to their squadmates. The dark smile of a sealed fate was the last memory etched into Yemi’s brain.

***

Excerpt from Shifta by Miles Joyner. Copyright 2026 by Miles Joyner. Reproduced with permission from Miles Joyner. All rights reserved.

 

 

Author Bio:

Miles Joyner

Miles is a fiction writer who works in D.C. as a video editor. He has had an obsession with the effects technology has on society since being raised by a father who was a computer programmer and a mother in workforce development. He still pursues filmmaking in between books and finds that writing in the technothriller genre only enhances that passion even more. Miles is an active member of International Thriller Writers where his first book, Bazaar, was selected for their Debut Authors Program.

Catch Up With Miles Joyner:

TheBazaarVerse.com
World Castle Publishing
Amazon Author Profile
Goodreads
Instagram – @maroonguerilla
Threads – @maroonguerilla
X – @maroonguerilla
Facebook – @joynermh
YouTube – @mjoyner

 

Guest Post by Miles Joyner

How does Washington, D.C. become a character in SHIFTA?

There’s no shortage of crime novels or thrillers based in the nation’s capital. Any article about the most popular American book settings will place D.C. within the top 5, usually only dwarfed by NYC, LA, Chicago, or maybe Boston. 

So how does Shifta differentiate itself from the dozens of titles on Amazon’s best-selling list featuring the Washington Monument, U.S. Capitol, or White House on its cover? Although D.C. is central to the plot, as a writer I’ve been more attracted to the entire region I’ve called home for the vast majority of my life, not just the urban core. 

The country’s most diverse zip codes, gentrification pushing economic challenges further into suburbia, PG and Charles counties hosting America’s wealthiest Black communities, and Northern Virginia processing more than half the world’s internet traffic—these have found a way into my writing and they represent only a fraction of the stories that exist in the DMV. These elements tie into D.C.’s role as the seat of power. This includes not just the political side, but also the government contracts that transformed a place like Tyson’s Corner from farmland into the bustling edge city it is today. 

Even though the Bazaar series is speculative near-future fiction, I see why so many contemporary literary legends from here don’t really leave, or eventually come back if they do. It’s a gold mine for any storyteller willing to dig.

Tour Participants:

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The Bazaar Is Open… Enter If You Dare

This giveaway is hosted by Partners in Crime Tours for Shifta. See the widget for entry terms and conditions. Void where prohibited.
SHIFTA by Miles Joyner | Gift Cards

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OUTAGE by Mike Trigg #AuthorInterview

Outage by Mike Trigg Banner

OUTAGE

by Mike Trigg

September 28 – November 6, 2026 Virtual Book Tour

Synopsis:

OUTAGE by Mike Trigg

For fans of Laura Dave’s The Last Thing He Told Me and William R. Forstchen’s One Second After comes a riveting thriller about an internet blackout that leads one woman into a web of lies and conspiracies and in her pursuit for answers.

Rachel Farrell is working from home in suburban Virginia when the internet goes out. Juggling clients, two restless teenagers, and dinner logistics with her husband, Caleb, a DC lobbyist, she assumes it’s just a routine inconvenience.

Then she finds his note, warning they are in danger and not to trust anyone.

When FBI agents show up looking for Caleb, Rachel realizes something far more sinister is underway: a nationwide internet and phone outage, and Caleb’s biggest client―a powerful Chinese semiconductor company―is at the center of suspicion.

As the night wears on with no word from Caleb, Rachel’s unease shifts into something darker. The man she has been married to for two decades may not be who she thought he was. Fearing for their safety, Rachel and her children embark on a harrowing cross-country journey to find Caleb and hear his explanation. But the more she learns, the more she suspects he may be in on the plot.

Following the clues to a remote compound in South Dakota, Rachel begins to piece together the truth about her husband, his business dealings, and a conspiracy that reaches far beyond anything she ever imagined.

In the end, Rachel has no choice but to uncover the real culprit behind the outage before it costs her everything.

Praise for Outage:

“A punchy, high-octane thriller that’s anchored firmly in the believable family dynamics of the likeable protagonists, Mike Trigg’s OUTAGE will engage readers and have them rooting for the good guys.”
~ James Kinsley for IndieReader

“Outage taps into one of our deepest modern fears and never lets go. Mike Trigg delivers a fast-paced, timely thriller packed with escalating suspense and a family you’ll be rooting for until the final page. A winner.”
~ Alex Finlay, bestselling author of The Anniversary

“Outage is a ripping good ride. With a crisp plot and insightful critique of our dependence on fragile technology, Trigg forces us to ask who can we really trust and delivers a thriller that seems ripped from the headlines. The stakes couldn’t be higher.”
~ James L’Etoile, Award-wining author of Illusion of Truth and the Detective Nathan Parker series

“OUTAGE is a compelling, ripped-from-the-headlines thriller about our worst national security nightmare – a devastating cyberattack that wipes out the internet, mobile phone service and all the crucial technology we rely on so much today. Mike Trigg masterfully tells the story of a woman who must go to extraordinary lengths to save her family while the rest of the world around her is falling apart. This is a book that will keep you racing through the pages until the shocking ending. And hoping afterward that none of it could ever really come true!”
~ R.G. Belsky, author of The Vanishers and the award-winning Clare Carlson series

“What if the technology we depend on every day is intentionally corrupted – Outage is a chilling thriller with nonstop suspense and action that pulls you in from the first page.”
~ Deven Greene, author of the Erica Rosen MD Trilogy

“A paranoid delight! From the first page, an atmosphere of dread hangs over the book, pulling the reader into its tense, fast-moving plot. Wonderful characterizations will keep thriller enthusiasts invested in the story. Perfect for fans of Patricia Highsmith.”
~ R.J. Koreto, author of the award-winning “Historic Homes” mystery series

“Frighteningly plausible. Riveting.”
~ Eleanor Kuhns, Award Winning author of the Will Rees Mystery Series

“Outage is a terrifying look at society and our dependence on technology.”
~ Westley Smith, Bestselling Author

“Nothing is scarier than a domestic suspense thriller, and Outage delivers without letting up. With no phones, no internet, a sudden, gouging, cash economy and a family on the run, what could possibly go wrong? Mike Trigg will keep you on the edge of your seat as you, Rachel, and her children race to figure who to trust and who has reduced the country to its knees.”
~ Jenny Dandy, author of the Houses of Crime Mystery series

Outage Trailer:

Book Details:

Genre: Domestic Suspense; Psychological Thriller
Published by: Montague Books
Publication Date: October 20, 2026
Number of Pages: 344, Pbk
ISBN: 9781646049684 (ISBN10: 1646049683)
Book Links: Amazon | Kindle | Barnes & Noble | Goodreads

Read an excerpt:

PROLOGUE

EVERY MARRIAGE EVENTUALLY reaches a decision point. A moment of truth when you either need to trust your partner completely or believe you will be better off on your own.

For Rachel Farrell, that moment is now.

As she lowers her eye to the scope of her rifle, this untimely realization hits her with sudden clarity. Those familiar vows, recited almost two decades ago, constrict her lungs now with the full weight of their significance. To have and to hold, for better or worse, for richer or poorer, in sickness and in health—they all amount to being there, always, no matter what. Doing whatever it takes. Even if that means putting a bullet in someone’s head.

The last week has put those vows to the test. Revealed the cracks that have been growing for years in her marriage to Caleb. After the euphoric whirlwind of falling in love, their relationship survived the trials of parenthood, the stresses of two high-powered jobs, the financial burdens of raising a family. But instead of pulling closer together, they’ve been drifting apart without even knowing it. Differences that once seemed so small have come to feel irreconcilable. Rhetoric that was once so supportive has become laden with microaggressions, harbored grievances, mutual suspicion, strained silence. And yet, their marriage has endured, adapted. They have kept their family together.

Rachel wishes these thoughts weren’t running through her head, not now when she needs to concentrate. But isn’t that what this moment is really about? Does she trust her husband? She knows she must decide. Knows she has put it off. Dreaded the implications, especially for her children. But marriages can’t survive in stasis. They need affirmation, renewed commitment, reinvigoration. Maybe that’s what’s happening. Maybe what seemed like a final straw is actually a newfound spark. Maybe she won’t know what she has until it’s gone.

With tears blurring her vision, she squints through the eyepiece and locates her target. At this close range, his head takes up most of the viewfinder. He’s sitting still, exposed, facing away from her. Then she sees the gun pointed at Caleb’s head. She can’t wait any longer or the decision will be made for her. She has to take the shot. But what if she misses? What will happen next? Whatever it is, she knows her life will never be the same after this moment.

Rachel suppresses her inner dialogue of self-doubt and steadies her breath. Chest pressed into the dirt along the ridge. Elbows propped against a rock. Hands clenched on the stock and grip. Shoulder nuzzled against the butt, braced for the recoil. Beads of sweat streak down her face, but she lets them drip onto the dry ground. Her hand stops trembling as she aligns the back of his head in the crosshairs. Then, she counts her exhale, holds her breath, and squeezes the trigger.

CHAPTER 1

Seven Days Earlier

“I KNOW IT’S HARD, but you have to tell him how you feel,” Rachel says into the screen of her laptop.

Easier said than done, she thinks to herself as she adjusts her camera angle. She has been sitting here all afternoon, parked in the same chair at her dining table, holding back-to-back Zoom sessions. Carrie, her last client of the day, is running up against the end of the hour, but Rachel’s best efforts to politely steer their session to a logical conclusion are proving too subtle.

Part of her feels sorry for Carrie. Her husband stopped attending long ago. It’s not a good sign when the husband—or either spouse, but usually the husband in Rachel’s experience—refuses to participate. That’s the whole idea of couples therapy, that it requires with both partners. That it’s a safe, supportive environment for discussing and resolving issues in a constructive manner. When one spouse taps out of the therapy, it usually means they are tapping out of the marriage. The next step is the domain of Rachel’s previous ten-year profession as a divorce attorney, before she found her calling as a couples therapist.

Rachel can tell that, on some level, Carrie knows her marriage may be over, despite complaining about her husband’s lack of affection, short temper, long absences as if those are root problems rather than symptoms. The fact of the matter is, once again this week, her husband isn’t here. Clear evidence that he’s done trying to save the marriage, if that was ever his intention.

Rachel glances at the clock in the upper corner of her screen, hoping Carrie won’t notice—or maybe that she will and finally realize their time is up. Rachel’s butt is getting numb. She’s running out of time to make anything for dinner. Another night of carryout is the likely solution. Without breaking sympathetic eye contact, Rachel slides her phone just underneath the camera’s view and composes a text message to Caleb.

“Last session running long. Can you pick up dinner at Lost Dog? The usual.”

The Old Town Alexandria restaurant isn’t exactly on Caleb’s way home to the Virginia suburbs of Washington, DC, but close enough. Plus, Rachel has a low-grade obsession with their bacon-feta pizza that always overrides her latest attempt at a diet. She’ll kick herself later for gorging on carbs, but screw it—it’s been a long day. Hopefully, Caleb won’t be taking clients out to dinner tonight. She knows he spent the day doing the lobbying rounds on Capitol Hill with one of them, some polyethylene manufacturers’ association or something. She needs that pizza. Rachel notes the time on her phone, 6:04 p.m., then covertly places it face down so she won’t be distracted by it again.

“I just really don’t know what else he expects me to do,” Carrie says, abruptly ending her monologue with an expectant look. Rachel snaps out of her pizza lust and forces a compassionate smile.

“Look, Carrie . . .” Rachel begins, choosing her words carefully. “We’ve been working together a long time, so I feel like I can be honest with you. I’m never going to tell you what to do, but the behaviors you’ve talked about just . . . don’t seem to be getting better. In fact, they seem ingrained. It’s very hard to change another person. And the fact Todd is no longer attending these sessions isn’t a good sign of his commitment to making this marriage work.”

Carrie doesn’t respond, but her expression is the definition of despair. Rachel immediately worries that she’s gone too far. “I’m sorry, I’m probably overstepping my bounds as your therapist, but I . . . Carrie?” Mid-apology, Rachel realizes it isn’t Carrie’s expression that is frozen; it is the entire screen. “Carrie? Hello? Can you hear me?”

That’s perfectn, Rachel thinks, pushing a strand of hair aside as she clicks around in aggravation. Just when she finally delivers her tough-love message, their connection drops. The internet service at their suburban house has been so spotty lately, and calling customer service is a joke. Did Carrie hear any of that? Rachel types into the chat feature: “You froze on me. I think we lost our connection.” But nothing happens. Everything is frozen.

“Crap,” Rachel says, drumming her fingers on the table. Hopefully, a bad connection is all it is. Not Carrie getting so offended by Rachel’s candor that she left the meeting. Maybe Carrie’s phone number is in her contacts, Rachel thinks. Just as she picks up her phone to check, it buzzes—most likely with Caleb’s reply, telling her why he can’t pick up dinner, that he’ll be home late again, that they shouldn’t wait up for him. Anticipating her aggravation, she flips the phone over to see the screen, but it isn’t the message from Caleb she expects. Instead, it’s just one simple notification. “Message failed to send.”

***

Excerpt from Outage by Mike Trigg. Copyright 2026 by Mike Trigg. Reproduced with permission from Mike Trigg. All rights reserved.

 

 

Author Bio:

Mike Trigg

A veteran of Silicon Valley, Mike Trigg writes contemporary thrillers that explore technology’s impact on modern life. Outage is his third novel. His first, Bit Flip, was lauded as a “twisty, acerbic corporate thriller” by the San Francisco Chronicle. His second, Burner, was praised as “a cautionary tale for the digital age” by IndieReader. His work has been featured in Publisher’s Weekly, Kirkus, and Literary Hub. Born in Kentucky and raised in Wisconsin, Trigg earned a BA from Northwestern University and an MBA from the University of California, Berkeley and lives in the San Francisco Bay Area.

Catch Up With Mike Trigg:

MikeTrigg.com
Amazon Author Profile
Goodreads – @mike_trigg
BookBub – @mtrigg254
Instagram – @mike_trigg254
Threads – @mike_trigg254
X – @mike_trigg
Facebook – @MikeTriggAuthor

 

Interview with Mike Trigg

Can you tell us a little about yourself and your background?
I have always been interested in writing since I was a kid. I remember writing very bad spy novels when I was about twelve on my mom’s electric typewriter that made the whole house rattle when it was on. In college, I took a creative writing class and toyed with the idea of becoming a novelist but chickened out. Instead, I worked on Capitol Hill and then in the tech industry. It wasn’t until COVID that I returned to writing with my first novel. My career in politics and technology have been common themes in all my books—particularly so in Outage.

What was the inspiration for this book?
All my novels examine the impact of technology on our lives. In Outage, I became slightly obsessed with the recognition of how dependent we all are on technology—and what would happen if we suddenly didn’t have access to it at our fingertips. The premise of an internet outage really took shape when I read about the vulnerability of the global semiconductor industry and how it could be exploited by bad actors as an act of corporate and geopolitical sabotage. But I didn’t want this to be a “techno thriller,” so I decided to tell the entire story through the vantage point of Rachel, my protagonist, who is not at all technical, but is forced to deal with the repercussions of this cyberattack that her husband might have been complicit in perpetrating.

Excluding the main character, who is your favorite character from the book, and why?
Definitely Austin, Rachel’s techy teenage daughter. Sometimes characters just demand page time and evolve in unexpected ways, and that was the case with Austin. I found the story arc of Rachel and Austin’s relationship—starting with typical mother-daughter tension but re-discovering their underlying mutual trust, love, and respect, brought out by the extenuating circumstances of the outage—to be one of the most endearing aspects of the story. Austin also has so many humorous one-liners, snarky remarks, and eye rolls, but rises to the occasion in the end.

What’s an interesting or fun fact about the book that readers might not know?
I enjoy placing novels in areas where I have lived because it adds an authenticity to the story. My previous two books were both based in the San Francisco Bay Area, where I live now and know well. But I spent my first five years after college in Washington, DC, which is where Outage is based. It was so fun revisiting all those neighborhoods on Google Maps, from Alexandria, Virginia to Georgetown, driving up Wisconsin Avenue, and beyond to Baltimore, Pennsylvania, and the Delaware shore—all favorite spots of mine when I lived there.

Are you currently working on your next novel? If so, can you share a little about it?
Yes! I’ve actually already finished my next novel, and I’m super excited about it. The story is totally different. It’s set in Wisconsin, where I grew up, and based on a man, adopted at birth, who reunites with his birth mother through a DNA test. At first, he’s overjoyed to find her and finally get answers to questions he’s had all his life. But gradually he discovers she may be hiding secrets. The story explores themes of identity, belonging, and trust.

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THE HARLOT OF ST. CECELIA’S by Darcy Graves #AuthorGuestPost

The Harlot of St. Cecelia's by Darcy Graves Banner

THE HARLOT OF ST. CECELIA’S

by Darcy Graves

September 21 – October 16, 2026 Virtual Book Tour

Synopsis:

The Harlot of St. Cecelia's by Darcy Graves

An Inspector Garrett Mystery

 

London, 1923. American expat librarian Eden Brior thinks things are bad when she is accidentally locked overnight in the St. Cecelia’s Library vault with the charming and unreliable Simon Cross. Then she emerges to find the body of his estranged wife — a celebrated French actress — draped over a chair upstairs.

Detective Inspector William Garrett is methodical, quietly perceptive, and already fairly certain he has his man. He tells Eden firmly to go home and leave the detecting to the professionals. But how can she?

Racing to clear their names before Garrett closes the case, Eden follows the truth from the bright footlights of the London stage through the sleek drawing rooms of Jazz Age society, and into secrets that someone will kill to keep buried.

Steeped in the style of the golden age of detective fiction, The Harlot of St. Cecelia’s captures a London still glittering on the surface and shadowed underneath — where every drawing room hides a secret and every secret has a price.

Perfect for fans of Jacqueline Winspear’s Maisie Dobbs series.

Praise for The Harlot of St. Cecelia’s:

“This novel consistently delights, from the spicy title to the last page.”
~ Kirkus Reviews

Book Details:

Genre: Historical Mystery
Published by: Independently Published
Publication Date: May 3, 2026
Number of Pages: 306
ISBN: 979-8195315580
Series: Inspector Garrett Mystery Series, Book 1
Book Links: Amazon | Kindle | Barnes & Noble | Goodreads | BookBub

Read an excerpt:

 

 

Author Bio:

Darcy Graves

Darcy Graves grew up in Boston and holds an MA in English history and a BS in copywriting. A marketing content writer for over thirty years, she brings to her work a deep love of the golden age of detective fiction — particularly Agatha Christie and P.D. James — and the whimsy of P.G. Wodehouse.

Darcy lives in the Berkshires with her daughter, two ragdoll cats, and a very naughty terrier named Merial. The Harlot of St. Cecelia’s is her first novel.

Catch Up With Darcy Graves:

DarcyGravesAuthor.com
Amazon Author Profile
Goodreads
BookBub – @darcygravesauthor
Instagram – @darcygravesauthor

 

Victorians, Bright Young Things, and Murder: Why I Chose London in 1923

When people ask me why I set The Harlot of St. Cecelia’s in London in 1923, my answer really begins long before I ever decided to write a murder mystery.

Britain between the wars was my minor field as an historian, and I’ve always been profoundly fascinated by the period. I’m also an unapologetic Anglophile. The more I’ve learned about that time and place, the more compelling that time becomes for me.

I think we tend to reduce historical periods to fads and punchlines after enough time has passed. The 1920s become bobbed hair, Art Deco, cocktails, jazz, cigarette holders, and fringed dresses, right?

All of which are wonderful. Don’t get me wrong. I use them in my books! But underneath them is something much more profound about that time to me. There was this enormous, aching loss of innocence.

The First World War really shattered something in British society, and the 1920s represent people looking at that pile of glass and saying “Well, we may as well dance on it.”

I remember feeling the wound of WWI particularly strongly on my first trip to England. There are war memorials everywhere there. In cities, villages, little churchyards, all these places where the list of names seems impossibly long compared with the size of the community around it.

History books can tell you the casualty figures. But a monument in a tiny English town tells you something different. Those boys went missing from here. They never came home. They left a hole in their parents’ worlds. The girls they knew died spinsters. Their friends came home broken.

That is one reason Robert Graves became so important to me. His memoir Goodbye to All That is extraordinary because the title itself almost captures what happened to a generation. There had been a polite Edwardian world, with all its assumptions about class and duty and empire and masculinity and what England was, and then an entire generation walked into the machinery of modern warfare. And even though some came home, they were not the same. And the world they returned to was not the same one they had left.

Graves and Alan Hodge’s The Long Weekend, their social history of Britain between the wars, was another formative book for me because it looks not simply at politics and great events, but at how people actually lived through that transformation. 

And you also have to remember: everybody was there at once. 

We think we have some generational conflict now… 

There were still Victorians alive who grew up in an unimaginably different world. There were Edwardians who came of age believing in one social order and watched the Great War blow holes through it.

And then here came the young people who would become the Bright Young Things, determined to dance, drink, drive too fast, behave badly, and generally reject everything their parents considered sacred. Because why bother, right? It will all end up in a trench in the end.

Meanwhile, technology is accelerating around all of them. 

There are some very specific times when tech has taken these punctuated leaps forward. We’re living in one today. I’m a medievalist, and my other period — the 12th century — was one. In the 1920s you had motorcars, telephones, wireless broadcasting (radio), aviation, cinema, new forms of mass communication, and the physical experience of daily life was changing astonishingly quickly.

Women’s lives were changing too. The war had pulled women into roles they had not previously been allowed to occupy, so afterward it was rather difficult to put the genie back in the bottle. Political rights were also expanding. Sufferage. Queer lives and relationships that were increasingly visible. (Though the law was still hostile.) Hemlines were rising. Social and sexual conventions were being tested. 

For a novelist like me, that is irresistible. Honestly, I can’t WAIT to keep writing books in this decade. I have a whole list of things to explore.

And I guess that’s why the detail is always so important to me. I want people to feel dropped in the moment. I’m always interested in the difference between knowing what happened in the past and understanding how it felt before anybody knew what was going to happen next.

When I taught history, that was something I tried to impress on my students.

I used to use an example involving trombones and Mozart. In Mozart’s opera Don Giovanni, he famously used trombones when the Commendatore is dragged down to Hell. We don’t think anything of it now, because we hear them a lot. But when it debuted, trombones were primarily used in sacred music and not opera. It was stunning. Shocking. People are said to have fainted in the audience.

Anyone old enough to have seen The Matrix when it came out will know a little of what I mean. The slow motion effects. They are used everywhere today. But the first time you saw them — it was absolutely heart-stopping.  

And that is what I want from historical fiction. To experience those trombones as if I were there.

I don’t only want to know that a woman’s skirt was a certain length in 1923. I want to understand who thought that length was ordinary, who thought it was exciting, who thought it meant civilization was coming to an end. To me, that makes things much more interesting.

It also shaped the characters in The Harlot of St. Cecelia’s.

Simon Cross, in particular, grew directly out of my interest in the Great War generation. He is wealthy, witty, charming, socially polished, and profoundly damaged by the war in the most British way (which is to say that he would really prefer nobody talk about it). There is some Wodehouse in Simon, a lot of Evelyn Waugh, a little Chariots of Fire, and quite a lot of Robert Graves.

Eden Brior has a very different relationship to this changing world. She is an American expatriate and a librarian, a woman building an independent professional life in England at a moment when the possibilities available to women are shifting rapidly. She will go on to be a reporter, so she’s got a little Nelly Bly, a (very) little Dorothy Parker.

Inspector Garrett is in an entirely different position. He is also scarred by the war, but in a different way. He is not exactly a relic of the old world, but he believes deeply in institutions, procedure, and order, which makes him interesting to me in a period when so many of those established forms of order are under pressure.

And then I put all of them into St. Cecelia’s. It’s a building based partly on the Woburn Public Library in Massachusetts, filtered through Oxbridge and transplanted, in my imagination, to Greenwich. I wanted it to feel like a character, layered with generations of accumulated history.

So yeah, that is the London I wanted for The Harlot of St. Cecelia’s: not a sepia-toned backdrop and a bunch of clichés, but a living society caught halfway between what it had been and whatever it was becoming, with all the people navigating that transition.  

Then somebody gets murdered.

Honestly, what better time could there be for a mystery?

 

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THE MAGDALENE DECEPTION by Gary McAvoy #GuestPost

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THE MAGDALENE DECEPTION

by Gary McAvoy

August 3-28, 2026 Virtual Book Tour

Synopsis:

THE MAGDALENE DECEPTION by Gary McAvoy

THE MAGDALENE CHRONICLES

A forbidden secret…
The Church’s fate in the balance…
Will a pair of amateur sleuths expose a truth that could upend the Christian world?

Jesus’ resurrection is a cornerstone of Christian faith. But when a clue surfaces that hints at an alternate account, the ramifications stand to change Christianity forever.

Jesuit priest Michael Dominic’s assignment to the Vatican’s legendary Secret Archives results in his discovery of a hidden papyrus: the unpublished writings of Mary Magdalene — a lost record buried in Rome’s deepest recesses. The forgotten relic’s heretical revelation threatens the Vatican’s very legitimacy, and pits Michael against ruthless and powerful enemies.

Desperate, he reaches out to Hana Sinclair, an investigative reporter with a record of tackling contentious subjects. Together they defy the Church elite, and embark on a search through the shadows of history to unearth the truth. As the pressure builds to silence the pair, will the Vatican resort to the unthinkable in order to safeguard its wealth and power?

Based on historical facts, this international thriller takes readers on a white-knuckle race through the holy sites of Europe. Get your copy of this award-winning tale and discover why Gary McAvoy’s devoted fans say, “I didn’t want this book to end!”

Praise for The Magdalene Deception:

“A great thriller that weaves numerous storylines together effectively. Recommended to those who love a good thriller with historical implications, as well as the reader who enjoys Vatican and Catholic politics… McAvoy creates a wonderful story that never stops building throughout… [He] captures the secrecy and deep-rooted history of the Vatican and its politics throughout this piece, with a strong story and plot that moves in many directions. McAvoy pulls the reader in and keeps them guessing, while also refusing to place a damper on the action. Juggling modern and ancient Church issues, McAvoy does not lose his reader at any point, as his writing is so clear that the attentive reader will likely want more.”
~ MATT PECHEY, REEDSY DISCOVERY.

“Exquisitely written and highly entertaining, The Magdalene Deception is an investigative mystery in a very similar vein to The DaVinci Code…The real quality to this book is the author himself – the writing is superb. There is an outstanding attention to detail in McAvoy, and the setpieces he weaves are vivid, colourful and authentic; this author treats his audience as intelligent and attentive, and this is always hugely beneficial to any writer. As well as being an evidently well-educated historian, McAvoy also knows his stuff in terms of modern-day information networking and the technology in present day use alongside ancient practices and customs…”
~ MATT McAVOY BOOK REVIEWS (UK)

The Magdalene Deception Trailer:

Book Details:

Genre: Vatican Historical Thrillers
Published by: Literati Editions
Publication Date: July 1, 2020
Number of Pages: 368
ISBN: 9780990837664 (ISBN10: 0990837661)
Series: The Magdalene Chronicles, #1
Book Links: Amazon | KindleUnlimited | Barnes & Noble | BookShop.org | Goodreads | BookBub

Read an excerpt from The Magdalene Deception:

Prologue

Southern France – March 1244

The relentless siege of the last surviving Cathar fortress, perched strategically on the majestic peak of Montségur in the French Pyrenees, entered its tenth month.

The massive army of crusaders dispatched from Rome, thirty thousand strong, were garbed in distinctive white tunics, their mantles emblazoned with the scarlet Latin cross. Knights commanders led hordes of common foot soldiers, some seeking personal salvation, others simply out for adventure and the promise of plunder. They had already devastated most of the Languedoc region of southern France in the years preceding. Tens of thousands of men, women, and children had been slain, regardless of age, sex or religious belief. Entire villages were burned, rich crops destroyed, and the fertile land which yielded them was poisoned in a cruel, single-minded quest to root out and extinguish a small and peaceful, yet influential mystic order known as the Cathars.

The defeat of the impregnable Montségur remained the ultimate prize for the Church’s troops. Rumors of a vast treasure had reached the ears of every soldier, stirring up the passion with which these feared European mercenaries carried out their holy mission. As was the customary practice during a crusade, whatever pillage remained after the plundering—spolia opima, the richest spoils for supreme achievement—could be claimed by the victor. That temptation, bonded by the personal assurance of the pope that all sins would be forgiven and their paths to heaven assured, was enough to seduce anyone, nobleman or peasant, to take up cudgel, pike, or arrow in the name of God.

In 1209, Pope Innocent III had ordered a Holy Crusade to crush the spirit and, if necessary, the life of each and every dissident in the Languedoc region bordering France and Spain.

This independent principality had distinguished itself by fostering an artistic and intellectual populace well beyond that of most northern European societies at the time. The people of the Languedoc practiced a religious tolerance that encouraged spiritual and secular diversity. Schools teaching Greek, Hebrew and Arabic languages and the customs which accompanied them flourished, as did those espousing the Kabbalah, an occult form of Judaism that dated from the second century.

Most settlers in the Languedoc viewed Christianity with the utmost repugnance; at the very least its practices were perceived as being more materialistic than godly in nature. The irreligious of the region passed over Christianity in large part due to the scandalous corruption exhibited by its local priests and bishops who, unable to influence the heathens within their provinces, came to prefer the rewards of commerce and land ownership over the tending of a meager flock.

Consequently, the authorities in Rome felt compelled to deal with this unforgivable heresy once and for all, in towns such as Toulouse and Albi within the Languedoc area.

Consigning his troops to their commanders, Pope Innocent III invoked a special benediction to all, lauding the divinity of their mission. Asked how they might distinguish their Christian brethren from the heretics, the crusaders were simply told, “Kill them all. God will spare His own.”

And so the Albigensian Crusade began.

The new moon cast no light over Montségur as night fell on the first day of March 1244, obscuring not only the hastened activities of its occupants, but the lingering threat conspiring outside its walls. A dense alpine fog had settled over the mountain, and the castle that straddled its inaccessible peak had withstood nearly a year of unceasing battle.

Weakened by the tenacity of their predators and yielding to the hopelessness of their situation, Raymond de Péreille, Lord of Château du Montségur and leader of the remaining four hundred defenders, commanded his troops to lay down their arms, and descended the mountain to negotiate terms of their capitulation.

Though offered lenient conditions in return for their surrender, de Péreille requested a fourteen-day truce, ostensibly to consider the terms, and handed over hostages as an assurance of good faith. Knowing there was no alternative for their captives—nearly half of whom were priest-knights, or parfaits, sworn to do God’s work—the commanders of the pope’s regiment agreed to the truce.

Over the next two weeks, reprieved from the constant threat of attack they had been enduring for months, the inhabitants of Montségur resolved to fulfill their own destiny before relinquishing their fortress—and their lives—to the Inquisition.

On the last day of the truce, as if guided collectively by a single will on a predestined course, the surviving members of the last Cathar settlement made special preparations for their departure.

Four of the strongest and most loyal of the parfaits were led by Bishop Bertrand Marty, the senior abbé of the fortress, as they descended deep within the mountain down a long, stepped passageway carved into alternating layers of earth and limestone. The end of the passage appeared to be just that, as if the original tunnelers had simply stopped work and retreated without finishing the job. But, while the others held torches, Abbé Marty withdrew a large rusted key-like wedge from beneath his cassock, and thrust it into a hidden cavity near the low ceiling.

The abbé manipulated the key for a few moments. A muffled sound of grating metal from beyond the stone wall echoed through the tunnel, and the seemingly impenetrable granite slid inward slightly, revealing a door.

Aided by the parfaits, the door swung open into a small dank chamber filled with an enormous cache of riches—gold and silver in varied forms, gilded chalices and bejeweled crosses, an abundance of gems and precious stones, overflowing bags of coins from many lands.

And, in a far corner removed from the bulk of the treasure itself, stood a wide granite pedestal on which rested an ornately carved wooden reliquary, crafted to hold the most holy of relics, next to which sat a large book wrapped in brown sackcloth.

Standing before the legendary treasure of the Cathars—glittering and hypnotic in the dim torchlight—would prove seductive for most men. But the Albigensians held little regard for earthly goods, other than as a useful political means to achieve their spiritual destiny. Ignoring the abundant wealth spread before them, the abbé fetched the sackcloth while the other four parfaits hoisted the ancient reliquary to their shoulders, then they left the room and solemnly proceeded back up the granite stairway. In the thousand-year history of the Cathars, these would be the last of the order ever to see the treasure.

But the most sacred relic of the Christian world would never, they vowed, fall into the unholy hands of the Inquisition.

Emerging from the stone passage, Abbé Marty led the parfaits and their venerable cargo through the hundreds of waiting Cathars who had assembled outside, forming a candlelit gauntlet leading to the sanctuary. All were dressed in traditional black tunics, all wearing shoulder-length hair covered by round taqiyah caps as was the custom of the sect.

Once inside, the parfaits lowered the reliquary onto the stone altar. The abbé removed the ancient book from the sackcloth and began the sacred Consolamentum, a ritual of consecration, while the four appointed guardians prepared themselves for their special mission.

Armed with short blades and truncheons, the parfaits carefully secured the reliquary in the safety of a rope sling, then fastened taut harnesses around themselves.

“Go with God, my sons,” Abbé Marty intoned as he gave them his blessing, “and in His name ensure this sacred reliquary be protected for generations to come.”

The four men climbed over the precipice and, assisted by their brothers gripping the ropes tied to their harnesses, gently and silently rappelled hundreds of meters down the escarpment. Sympathizers waiting at the base of the mountain assisted the parfaits in liberating their holy treasure, guiding them away from the danger of other troops and hiding them and the reliquary deep in one of many nearby caves.

Throughout the night, those remaining at Montségur celebrated their brotherhood, their holy calling, and their last hours alive. Descending the mountain the next morning, in a state of pure spiritual release from the material world, Abbé Marty led the last of the Cathars as they willingly marched into the blazing pyres awaiting them, martyrs to their cause.

The holy reliquary of the Cathars has never since been found.

Chapter 1

Present Day

Rounding the northern wall of the Colosseum with a measured stride, a tall young man with longish black hair glanced at the Tag Heuer chronometer strapped to his left wrist. Noting the elapsed time of his eighth mile, he wiped away the sweat that was now stinging his eyes.

Damn this Roman heat. Not even sunrise, and it’s already a scorcher.

Approaching the wide crosswalks flanking the west side of the immense Colosseum, he wondered if this was the morning he would meet God. Dodging the murderous, unrestrained traffic circling the stadium became a daily act of supreme faith, as the blur of steel subcompacts, one after another, careened around the massive structure on their way, no doubt, to some less hostile place. Since his arrival here he had discovered that this was the way with Italian motorists in general, though Roman drivers excelled at the sport. Veteran observers could always tell the difference between natives and visitors: a local would cross the road seemingly ambivalent to the rush of oncoming traffic. Non-Romans, who could as likely be from Milan as from Boston or Paris, approached the threat of each curb-to-curb confrontation with a trepidation bordering on mortal terror.

Crossing the broad Via dei Fori Imperiali, his route took him through the Suburra, the most ancient inhabited area of Rome and off the beaten path of most tourists. As a newcomer to a city whose normal pulse was barely evident beneath the confusing ambiguities of new and old, the runner felt most comfortable here in the Suburra, a semi-industrial working-class neighborhood, much like the one he only recently left in New York. In the summer, people got up early to tend their gardens before the real heat forced them indoors. The early morning air was thick with alternating scents of Chilean jasmine, honeysuckle and petrol fumes.

He ran another ten kilometers, long blooms of sweat accentuating a lean, muscular frame beneath a gauzy white t-shirt as he burst into a sprint up the final few blocks, past the empty trattorias and shuttered shops whose merchants were just beginning their morning rituals.

Slowing to a cool-down pace as he crossed the Sant’Angelo bridge spanning the Tiber River, he turned left up Via della Conciliazione as the massive dome of Saint Peter’s Basilica loomed suddenly ahead. Though it could be seen from almost anywhere in Rome, this approach always gave him the impression that the dome seemed to tip backwards, being swallowed up by the grand facade of the church the closer he got to it.

“Buongiorno, padre.” Several female voices, almost in unison, broke the cobblestone pattern of his reverie.

Father Michael Dominic looked up and smiled politely, lifting his hand in a slight wave as he swiftly passed a small cluster of nuns, some of whom he recognized as Vatican employees. The younger women blushed, leaning their hooded heads toward each other in hushed gossip as their eyes followed the handsome priest; the older women simply bobbed a chilly nod to the young cleric, dutifully herding their novitiates into obedient silence on their way to morning Mass.

Though he had only been in Rome a couple of weeks, Michael Dominic’s youthful exuberance and keen intellect had become known quickly throughout the cloistered population of Vatican City, setting him apart from the more monastic attitudes prevalent since the Middle Ages.

But despite the fusty parochialism and an atmosphere of suspended time he found within its walls, Dominic still felt the intoxication of privilege at having been assigned to Rome so early in his religious career. It had not been even two years since he lay prostrate at the altar of St. Patrick’s Cathedral in New York City, to be ordained by his family friend and mentor Cardinal Enrico Petrini.

It was no secret to Vatican insiders that the eminent cardinal’s influence was chiefly responsible for Dominic’s swift rise to the marbled corridors of ecclesiastical power now surrounding him. The young priest’s scholarly achievements as a classical medievalist were essential to the work being done in the Vatican Library. But the progressive cardinal also was grateful for the vitality Dominic brought to his vocation, not to mention the charismatic ways in which he could get things accomplished in an otherwise plodding bureaucracy. Though Dominic could not account for his mentor’s vigorous inducement that he come to Rome—and knowing this particular prince of the Church so well, it was surely more than a familial gesture—he had trusted Enrico Petrini completely, and simply accepted the fact that this powerful man had believed in him strongly enough to give him an opportunity which he most certainly would not have had otherwise.

Pacing slower now, Dominic drew in rhythmic gulps of searing air as he neared the Vatican. A block or so before reaching the gate, he stepped inside the Pergamino Caffè on the Piazza del Risorgimento. Later in the day the cramped room would be filled with tourists seeking postcards and gelato, but mornings found it crowded with locals, most nibbling on small, sticky cakes washed down with a demitasse of thick, sweet coffee.

Across the room Dominic spotted Signora Palazzolo, the ample wife of the proprietor, whose wisps of white hair were already damp with perspiration. Seeing the priest approach, the older woman’s face broke into a broad, gap-toothed smile as she reached beneath the counter and withdrew a neatly folded black cassock that Dominic had dropped off earlier, which she handed to him with deliberate satisfaction.

“Buongiorno, padre,” she said. “And will you take caffè this morning?”

“Molto grazie, signora,” Dominic said, accepting the cassock graciously. “Not today. I’m already late as it is.”

“Okay this time,” she said with a gently scolding tone, “but it is not healthy for a strong young man to skip his breakfast, especially after making his heart work so hard in this unforgiving heat.” Her hand reached up to wipe away the dampness as she spoke, coifing what little hair she had left in a vain attempt to make herself more attractive.

Heading toward the back of the shop, Dominic slipped into the restroom, quickly washed his face and raked his hair into some semblance of order, then drew the cassock over his head and buttoned it to the starched white collar now encircling his neck. Emerging from the restroom minutes later and making for the door, he glanced back to see the signora waving to him, now with a different look on her face—one beaming with respect for the clergyman he had suddenly become, as if she herself had had a role in the transformation.

Of the three official entrances to the Vatican, Porta Sant’Anna, or Saint Anne’s Gate, is the one generally used by employees, visitors and tradesmen, situated on the east side of the frontier just north of Saint Peter’s Square. Although duties of security come first, guards at all gates also are responsible for monitoring the encroachment of dishabille into the city. Dominic learned from an earlier orientation that casual attire of any sort worn by employees or official visitors was not permitted past the border. Jeans and T-shirts were barely tolerated on tourists, but the careless informality of shorts, sweatpants or other lounging attire on anyone else was strictly forbidden. An atmosphere of respect and reverence was to be observed at all times.

Vatican City maintains an actual live-in population of fewer than a thousand souls, but each workday nearly five thousand people report for duty within the diminutive confines of its imposing walls—walls originally built to defend against the invading Saracens a thousand years before—and the Swiss Guards at each gate either recognize or authenticate every person coming or going by face and by name.

One of the Guards whom Dominic had recognized from previous occasions, dressed in the less formal blue and black doublet and beret of the corps, waved him through with a courteous smile as Dominic reached for his ID card.

“It is no longer necessary to present your credentials now that you are recognized at this gate, Father Dominic,” the solidly built young guard said in English. “But it is a good idea to keep it with you just in case.”

“Grazie,” Dominic responded, continuing in Italian, “and it would be helpful to me if we could speak the local language. I haven’t used it fluently since I was younger, and I am outnumbered here by those who have an obvious preference. You know, ‘When in Rome….’”

The guard’s smile faded instantly, replaced by a slight but obvious discomfort as he attempted to translate, then respond to Dominic’s rapid Italian.

“Yes, it would be pleasure for me, padre,” the young soldier said in halting Italian, “but only if we speak slowly. German is native tongue of my own home, Zurich, and though I speak good English, my Italian learning have only just started; but I understand much more than I speak.”

Dominic smiled at the younger man’s well-intended phrasing. “It’s a deal then. I’m Michael Dominic,” he said formally, offering a sweaty palm.

“It is an honor meeting you, Father Michael. I am Corporal Dengler. Karl Dengler.” The guard’s face brightened at the unusual respect he was accorded, as he extended his own white-gloved hand in a firm grip. Recently recruited into the prestigious Pontificia Cohors Helvetica, the elite corps of papal security forces more commonly known as the Swiss Guard, Dengler had found that most people in the Vatican—indeed, most Romans—were inclined to keep to themselves. It was never this difficult to make friends in Switzerland, and he welcomed the opportunity to meet new people. He also knew, as did everyone by now, that this particular priest had a powerful ally close to the Holy Father.

“An honor for me as well, Corporal,” Dominic said a bit more slowly, yet not enough to cause the young man further embarrassment. “And my apologies for soiling your glove.”

“No problem,” Dengler said as he smiled. “With this heat it will be dry in no time. And if you ever want a running partner, let me know.”

“I’ll take you up on that!” Michael said with a wave as he passed through the gate.

Already the Vatican grounds were bustling with activity. Throngs of workers, shopkeepers and official visitors with global diversities of purpose made their way along the Via di Belvedere to the myriad offices, shops and museums—any indoor or shaded haven, in fact, that might offer escape from the heat of the rising sun.

Another Swiss Guard stood commandingly in the center of the street—looking remarkably dry and cool, Dominic thought, despite the obvious burden of his red-plumed steel helmet and the traditional billowy gala uniform of orange, red and blue stripes—directing foot and vehicular traffic while smartly saluting the occasional dignitaries passing by.

To any observer, Vatican City appears to be in a state of perpetual reconstruction. Comprising little more than a hundred acres, the ancient city state is in constant need of repair and maintenance. Architectural face-lifts, general structural reinforcement and contained expansion take place at most any time and in various stages, manifested in the skeletal maze of scaffolding surrounding portions of the basilica and adjoining buildings. Sampietrini, the uniquely skilled maintenance workers responsible for the upkeep of Saint Peter’s, are ever-present throughout the grottoes, corridors, and courtyards as they practice time-honored skills of the artisans who have gone before them, traditionally their fathers and their fathers’ fathers. It was quite probable, in fact, that a given sampietrino working on, say, a crumbling cornerstone of the basilica itself, could very well be shoring up work that was originally performed by his great-great-grandfather more than a century before him.

Dominic walked to the end of the Belvedere, then turned right up the Stradone dei Giardini and alongside the buildings housing the Vatican Museums, until he reached the northern wall of the city.

A priest learns early that his life will suffer many rituals, and in at least one secular aspect, Michael Dominic’s was no different. Every day he ended his morning run with a meditative walk along the inner walls surrounding the immaculately maintained papal gardens. The fact that many of the same trees that lined the paths have been rooted here for centuries—serving the contemplative needs of whichever pope might be ruling at the time—gave Dominic a more natural feeling of historical connectedness, in subtle contrast to other abundant yet more imposing, reminders of where he now happened to be living and working.

“Ah! Good morning, Miguel.” It was a gentle breeze of a voice, yet Dominic recognized it clearly in the early, warm quiescence of the Vatican gardens.

“Buongiorno, Cal!” Dominic said brightly. Brother Calvino Mendoza, prefect of the Vatican Archives and Dominic’s superior, was approaching the entrance to the building. Clad in the characteristic brown robe and leather sandals of his Franciscan order, Mendoza was a round, timorous man in his seventies—quite pleasant to work with, Dominic thought, if a little indiscreet in his obvious affection for men.

“You are up early today,” Mendoza said in heavily-accented English, furtively appraising Dominic’s form beneath the cassock. “But then, defying the wicked heat and traffic of Rome is best done before sunrise, no?”

“It is, yes,” Dominic laughed easily, his damp hair glistening in the sun as he shook his head in amusement, “but in another hour or so I expect the pavement to start buckling.”

Dominic had come to enjoy Mendoza’s fey demeanor and playful flirting. Nearly everyone he had met here seemed overly stern and impassive to be really likable, and Dominic was naturally drawn to people he found more hospitable anyway. This gentle man had a quick mind for humor and was never, Dominic found, lacking for a proverb appropriate to the moment. It was also common for Mendoza to call many on his staff by the Portuguese equivalent of their name, maintaining an affectionate cultural touchstone to his native home of Brazil. As for the subtle intimations, Mendoza grasped early on that Dominic’s vow of chastity was not likely to be compromised, and particularly not by another man.

“You’ll get used to it,” Mendoza nodded, smiling. “It is worse in the mornings, to be sure, but come late afternoon we are blessed by the ponentino, a cool wind off the Tyrrhenian Sea.

“And besides,” he quipped, “’To slip upon a pavement is better than to slip with the tongue—so the fall of the wicked shall come speedily.’” He finished by glancing around the garden with mock suspicion, as if every word were prey to overcurious but unseen ears.

“‘Ecclesiastes,’” Dominic responded. “And thanks for the admonition.”

Pleased that the young priest indulged his occasional whimsy, Mendoza shuffled up the few steps of the entrance to the Archives.

“Now, come Miguel, your days of orientation are over. Let’s get on with the real work,” he said dramatically, his arms nearly flapping as his large body moved up the steps into the Archives. “Today is a very special day.”

“I’ll catch up with you shortly, Cal. I’ve got to take a quick shower first. But why is today so special?”

From the top of the steps, Mendoza turned around to face Dominic and, like a child with a tantalizing secret, whispered with barely contained excitement, “The treasures we are about to exhume have not been seen by any living soul for several hundred years.”

Clearly a man who enjoyed his work, Calvino Mendoza’s eyes gleamed with anticipation as he lifted one heavy eyebrow in an arch, then spun as quickly as his heavy frame would allow and disappeared through the heavy wooden door.

As Dominic walked back to his apartment at the Domus Santa Marta, the resident guesthouse just south of Saint Peter’s Basilica, two men in a golf cart were heading in his direction, both dressed in the familiar black and red garb of cardinals. The cart stopped directly in his path and one of the men stepped out, approaching him.

“Father Dominic, I presume?” The heavyset man had a thick Balkan accent, with an intelligent face bearing an inscrutable mask of expression.

“Yes, Eminence? How can I help you?” Dominic said.

“I am Cardinal Sokolov, prefect of the Congregation for the Doctrine of the Faith. I simply wanted to extend a hand of welcome on behalf of those of us who have been expecting you.”

Dominic recognized the cardinal’s department, better known as the infamous Office of the Holy Inquisition before someone had come up with a less diabolical name.

“Good to meet you, Your Eminence,” he said, surprised by the comment. “I didn’t realize anyone was actually expecting me, though.”

“Oh, yes,” Sokolov said, holding Dominic’s hand in an uncomfortably firm grip as they shook. “Having Cardinal Petrini’s endorsement carries a great deal of influence here. But it also comes with certain expectations. First and foremost, keep to yourself. Do not expect to make many friends here. One is surrounded by vipers masquerading as pious souls.

“Secondly, know that you are being watched at all times. Conduct yourself appropriately and you may survive your time here. There are many who were vying for your job as scrittore in the Secret Archives, and they will seek any opportunity to displace you.

“Lastly,” the cardinal said scowling, his eyebrows a black bar across his fleshy face, “come to me directly if you witness or suspect anyone of illicit or unbecoming activities. Such careful scrutiny will be viewed with admiration by His Holiness, for whom I speak in this regard.”

Dominic was dumbfounded by the audacity of the man’s welcome, hardly the tone he would have imagined and one that shed a darker light on his exhilaration at now working and living in the Vatican.

“I will keep all that in mind, Eminence,” he said, forcibly pulling back his hand from the cardinal’s cloying grasp.

Sokolov stood a moment longer appraising Dominic’s face, then turned and shuffled himself back into the golf cart, which pulled away with a mounting whine as it headed into the papal gardens.

Troubled by the encounter, Dominic returned to his apartment, the fresh burdens expected of him weighing on his mind. What have I gotten myself into? he thought, stepping into the shower.

***

Excerpt from The Magdalene Deception by Gary McAvoy. Copyright 2020 by Gary McAvoy. Reproduced with permission from Gary McAvoy. All rights reserved.

 

 

Author Bio:

Gary McAvoy

Gary McAvoy is an American novelist known for internationally bestselling thrillers that blend historical intrigue, religious scholarship, and modern suspense. A lifelong researcher of rare manuscripts and Church history, he draws on extensive archival study to craft narratives rooted in authentic detail. His work includes the Vatican Secret Archive Thrillers, the Magdalene Chronicles, and the Vatican Archaeology Thrillers. Before turning to fiction, McAvoy built a distinguished career as an entrepreneur, technology consultant, and collector of historical documents. He now writes full time from the Pacific Northwest, where he continues to explore the shadowed crossroads of faith, power, and history.

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Why was this the story you wanted to share?

Because it began with a question that wouldn’t let me go: what if the most consequential secret in Western history wasn’t lost, but hidden—filed away, deliberately, by people who understood exactly what it would cost the world to know?

The Magdalene Deception let me chase that thread through the places I love—the Vatican Archives, Rennes-le-Château, the caves of the Cathars—and marry them to a woman history never let speak for herself. Mary Magdalene, in her own hand.

I wanted to share this story because it lives in that thin, electric space between fact and invention. Bérenger Saunière’s fortune was real. The Gnostic gospels are real. What I asked was: what if one more manuscript survived?

And I wanted readers to feel what Michael Dominic feels when he first reads those five words—I am Mariam of Magdala—and understands the ground has shifted beneath him.

 

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THE HISTORY WE CARRY by Margaret Whitford

The History We Carry by Margaret Whitford Banner

THE HISTORY WE CARRY

A Daughter’s Memoir

by Margaret Whitford

July 27 – August 21, 2026 Virtual Book Tour

Synopsis:

The History We Carry by Margaret Whitford

For fans of Jennette McCurdy’s I’m Glad My Mom Died, a memoir for daughters who recognize that to truly understand themselves and the patterns of their lives, they must first understand their mothers and the forces that shaped these women.

When Margaret Whitford’s mother was dying, she told those present that her daughter “had her history.” This was true; Margaret had conducted interviews with her mother during the last decade of her life. But this didn’t end their estrangement, and Margaret chose not to return to her mother’s side during her final days.

In this memoir, Margaret confronts this decision by unearthing in her mother’s traumatic history the roots of the emotional distance between them. She explores how a history marked by the devastation of World War II in Europe, a violent childhood home, and sexual assault accumulated into complex PTSD that shaped her mother and the way she parented Margaret as her firstborn and as a daughter—and, in turn, how Margaret carried her mother’s trauma forward in her sense of self, in her relationships to others, and in the ways she navigated her world. Indeed, Margaret not only had her mother’s history—she embodied it.

Ultimately, The History We Carry confronts the legacy of intergenerational trauma with wisdom and compassion, revealing how familial history shapes each of us but need not be wholly determinative of whom we become and how we choose to live.

Praise for The History We Carry:

“An unflinching, well-rendered memoir that generously encompasses love, trauma, and the fraught relationship between a mother and daughter.”
~ Kirkus Reviews (starred review)

“Margaret Whitford’s compelling memoir—a reflection on her family history, her relationship with her mother, and trauma that spans generations—is clear-eyed, compassionate, and often startling in its insight and originality. I was engrossed from beginning to end.”
~ Clifford Thompson, author of Jazz June: A Self-Portrait in Essays

“Rarely have I finished a memoir understanding how our histories, both personal and generational, live and breathe within us in the present. By unearthing the complicated and poignant relationship she has with her mother, Margaret Whitford also powerfully speaks to the collective soul-searching so vitally necessary during these trying times. Written in elegant, luminous prose, this is a memoir that will stay with you long after the story is told.”
~ Ken Harvey, author of The Book of Casey Adair

“Despite Tolstoy’s famous quote—families are generally neither happy nor unhappy—they are complicated, like Whitford’s. This important memoir delves into sibling conflict, parental infidelity, and substance abuse. Overlying these familial tensions is geopolitical upheaval and the effects of successive world wars, almost unwanted family members themselves. The History We Carry seats them together at its literary table and gives each their due in courageous, precise, and ultimately both urgent and forgiving prose.”
~ Sue William Silverman, author of Selected Misdemeanors: Essays at the Mercy of the Reader

“An exhilarating mix of memoir and deep personal research, The History We Carry explores a mother’s complex history and a daughter’s lifelong struggle to understand and connect with her mother. In clear prose that never presents simple answers but rather digs to discover unknown truths and questions even her own long-held narratives, Margaret Whitford has written a robust story of love and trauma.”
~ Sheryl St. Germain, author of 50 Miles

“All our parents live lives before we arrive, lives that come to bear on our own. In this new memoir, Margaret Whitford bravely ventures into her mother’s past to better understand her own present and future. The History We Carry is a gorgeously written book about generational trauma and the intersections of love and grief. It’s a stunning debut.”
~ Lee Martin, author of Pulitzer Prize finalist The Bright Forever

Book Details:

Genre: Dysfunctional Families, Motherhood, Bereavement
Published by: She Writes Press
Publication Date: June 2, 2026
Number of Pages: 256
ISBN: 9798896363224
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub | She Writes Press | Simon & Schuster

Read an excerpt:

A World of Two

I picture my mother lying on her hospital bed, the same one she has occupied for the last twelve days. The space is in shadow, the only light coming from the hallway. The room smells empty. No flowers or scented candles—she wouldn’t have wanted those. The sound of retreating footfalls in the corridor or a muffled voice from another part of the hospital occasionally interrupts the silence. Her breathing is shallow, until the moment it stops altogether. It happens so quietly, no one notices at first.

When my mother died in Concord, I was an ocean away, in a Paris hotel. Another day had already started. That remove feels familiar—geography and time following an established pattern.

In the morning’s early hours, I lay next to my husband, Tom, on a king-sized bed in a room of marble-inlaid tables and still-life paintings in gilded frames, the walls covered in red-and-gold-striped paper. I heard only the sounds of the night, a faint breeze moving through the magnolia trees in the courtyard and an occasional car gliding along the boulevard. While Tom slept, I lay awake, thinking about my mother. I had started to understand that we wouldn’t make it back in time. My mother would either be dead or so unresponsive that there could be no last words between us.

Tom read my brother Billy’s email while I was taking a shower. I knew from the way he walked into the bathroom, but he still had to say the words: “Your mother is dead.” Years from now, I thought, I will be able to replay this moment in my mind. He stood there, naked, looking both vulnerable and strong, his hand on the shower wall ready to reach for me.

My brothers and sister wanted to touch our mother after she died because she had not welcomed that while living. She would allow a hug or a kiss in greeting or farewell but shrugged you off if you lingered in the embrace.

Henry would have stroked her sparse hair, cut short after she could no longer shape it into a twist. He might have teased her about finally being able to touch her hair, something she loathed. Lydia might have rubbed her feet, those odd feet, with such high arches her toes curled to reach the ground. Her feet shaped by childhood polio and old age, missing the little toe on one foot, removed because of frostbite suffered during the Second World War. She could never find comfortable shoes, so she wore Birkenstock sandals year-round, donning socks with them in winter.

Billy would have rested his hand on her shoulder, let his fingers travel the length of her arm. He might have held her hand, bent at strange angles by arthritis and with the bones loose under the skin. Had I been there, I would also have been drawn to her hands, so small that they reminded me of a child’s. She kept her nails short and immaculate, a habit she’d adopted in medical school, and one I try to emulate. I might have traced the line of her aquiline nose and the contour of her jaw, fondled her cheek and pressed my fingers to her high cheekbones, a sign of her Slavic heritage, she once told me.

Her sandals and the pair of socks she last wore with them are mine now, safeguarded in a box in the back of my closet. Those Birkenstocks, the insoles shaped over time by the pressure of her feet, her navy-blue socks. I wanted the last of her clothing, something that had touched her. I run my hands over the smooth cork, hold the socks to my cheek, the much-washed cotton soft. I thought the socks might retain the cool, dry scent of her.

Our plane to Massachusetts departed in the afternoon, so Tom and I filled the morning with small errands—the purchase of a journal of good paper with a red ribbon to mark my place—and one last view of Notre-Dame. Each gesture, every step I made, accompanied by a voice in my head repeating, Your mother is dead.

The air smelled of diesel fuel and wet earth. My left arm entwined with Tom’s right, I rested my hand on his steady forearm, eavesdropped on the conversations around me, catching only phrases. I thought how these strangers knew nothing of my grief and I nothing of theirs. A rare winter’s morning, fresh with rain-washed skies, and sunlight bathing the bone-colored stone of centuries-old buildings. I noticed the quality of the light, its unusual clarity. Tom and I had introduced my mother to Paris on a trip years before. She will never see it again, I thought, trying to absorb its beauty on her behalf.

***

Excerpt from THE HISTORY WE CARRY by Margaret Whitford. Copyright 2026 by Margaret Whitford. Reproduced with permission from Margaret Whitford. All rights reserved.

 

 

Author Bio:

Margaret Whitford

Margaret Whitford served in leadership positions within the nonprofit world for twenty years, including ten years in the social justice field, before turning to writing. She is fascinated by the ways in which we all seek to create places of refuge for ourselves, both in a metaphorical and a physical sense. The History We Carry is her first memoir. An avid Francophile, Margaret, with her husband, divides her time between a small village in the South of France and her home in Concord, Massachusetts.

Catch Up With Margaret Whitford:

MargaretWhitford.com
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Bluesky – @margaretwhitford.bsky.social
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Q&A with MARGARET WHITFORD

What was the inspiration for this book?
When my mother died, I was in Paris, an ocean separating us. In the aftermath of her death, I realized that the distance between us involved far more than geography. It fit a familiar pattern. Understanding the origins of that pattern proved to be the inspiration for the memoir. That led me to an exploration of my mother’s past and its influence on our relationship.

What has been the biggest challenge in your writing career?
I do not think of my writing in terms of a career, though I continue to be ambitious about my craft. And because I can always get better at the craft of writing, the challenges continue to evolve. That said, one challenge I continue to encounter relates to my discomfort with uncertainty. I sometimes impose conclusions prematurely, rather than waiting for the narrative to reveal them. I need to allow the material I am exploring to surprise me.

What do you absolutely need while writing?
I need uninterrupted time, solitude, and quiet.

Do you adhere to a strict routine when writing or write when the ideas are flowing?
I do not have a specific writing routine, other than to write on a daily basis in a journal. That effort is as much for my own peace of mind as anything else. When I am working on a specific writing project, I engage with it on a daily basis as much as possible to keep the ideas fresh and to allow my subconscious to work even when I am not.

Who is your favorite character from your book and why?
My husband, Tom, is my favorite character, though he makes rare appearances in the book. Writing about him and our relationship introduced an element of joy. I also hope his presence on the page revealed that the narrator avoided some of the destructive patterns of her parents’ marriage.

Tell us why we should read your book.
You should read the book as a reminder that your family’s story is your story, regardless of whether or not you wish that to be true. Understanding your familial legacy helps you understand your own life with greater clarity. And that clarity enhances your ability to live as fully as you can.

Give us an interesting fun fact or a few about your book?
A reader recently commented that though she thought she understood the history of WWII, she had never considered what the war meant for civilians living under armies of occupation. My book gives the reader a sense of that world, as my mother’s native Latvia was occupied first by Soviet Russia and then Nazi Germany. She had personal experience of what it meant to live under two totalitarian regimes.

Do you have anything specific that you want to say to your readers?
First, thank you for taking the time to read the book. I hope that my story encourages you to explore your own, however you choose to do so.

Tell us a little about yourself and your background?
I served in leadership positions within the nonprofit world for twenty years, including ten years in the social justice field, before turning to writing. At age fifty, I went back to graduate school for an MFA. Writing is, for me, a way of making myself more present in my own life. I write regardless of whether or not my work is published.
I started studying French at age twelve and went to France for the first time when I was sixteen. That experience transformed me into a dedicated Francophile. With my husband, Tom, we divide our time between our homes in Concord, Massachusetts and in France.

What’s next that we can look forward to?
I am in the early stages of a book exploring my husband’s and my misadventures with the United States Peace Corps in Kenya.

 

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A History You’ll Want To Carry

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THE HISTORY WE CARRY by Margaret Whitford

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