Category: Partners In Crime Tours

Guest Author PRESTON LANG

WELCOME PRESTON LANG

PRESTON LANG

Preston Lang is a freelance writer, living and working in New York City. The Carrier is his debut novel.
Connect with Preston at these sites:

WEBSITE        TWITTER

Q&A with Preston Lang

Writing and Reading:
Do you draw from personal experiences and/or current events?
Definitely. Anything curious that’s happened to me is going to find its way into the work eventually. And for crime fiction writers, the news is like a faucet for ideas—just turn it on and see what kind of foul, sediment-flecked liquid pours out.

Once I read something in the news that was nearly identical to what I was writing at the time—scams involving parrots. I had to change some details around so it wouldn’t seem so obviously pilfered. It ended up not making sense and I junked the whole thing.


Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?

Sometimes the conclusion is clear from the start, but it doesn’t always work out that way. It’s much easier when it does.

Your routine when writing? Any idiosyncrasies?
My room is very cold in winter and very hot in summer. So either I’m wearing a fleece or my bathing costume.

Is writing your full time job? If not, may I ask what you do by day?
At this point I consider all of the various writings my fulltime job, but I do supplement my income with other work. I’ve taught math and symbolic logic, moved furniture, and played lounge piano. Feel free to contact me if any of those services are needed.

Who are some of your favorite authors?
I answer this question differently every time someone asks. There are so many right answers: James Cain, Herman Melville, George Eliot, Mindy Hung, Richard Stark.

What are you reading now?
Clean Break by Lionel White.

Are you working on your next novel? Can you tell us a little about it?
I’m working on a few things right now. I’ve got an idea for a book about a man who fakes his own drowning. He’s pursued to Brazil by a suave but sketchy detective working for an insurance company, and by an even shadier Quebecoise working for a drug cartel.

Fun questions:
Your novel will be a movie. Who would you cast?
Maybe I’d go old-timey with it: Barbara Stanwyck for Willow and Robert Donat for Cyril. I’m sure he could have pulled off the American accent.

Manuscript/Notes: hand written or keyboard?
Mostly keyboard, but if I’m out of the house I bring pen and paper.

Favorite leisure activity/hobby?
Music. Pretty soon I’ll have a book about musicians who are up to no good.

Favorite meal?
Melon

ABOUT THE BOOK

A Debut Novel in the vein of Tim Dorsey, Carl Hiaasen and Laurence Shames

It’s a bad idea for a drug courier to pick up strange women in roadside bars. Cyril learns this lesson when the girl he brings back to his motel room points a gun at him.

But Willow isn’t the only one after the goods that Cyril’s been hired to pick up. A fast talking sex-offender and his oversized neighbor are also on the trail, as is Cyril’s sinister brother, Duane.

Willow and Cyril soon form an uneasy alliance based on necessity, lust, and the desire for a quick payday. But with so many dangerous players giving chase, will they nab their package?

READ AN EXCERPT

Cyril hadn’t given another thought to the boy in the baseball hat. He assumed the kid had gone back to play pool with his friends or drink beer directly from the pitcher. Cyril turned to the bar and tried to read the scrambled captioning for Monday Night Football. The players hit each other too hard, so he decided to go back to his motel room. He was halfway to the door when the girl stopped him.

“Do you have a second?” she asked.

She was dark-haired with quick, vital eyes, and she had a voice—low and tangy.

“What’s on your mind?” asked Cyril.

“That frat boy and two of his brothers are waiting for you outside.”

“The frat boy?”

“I just thought you should know.”

“Thank you.”

They stood for a moment together, neither one ready to end the conversation.

“Why did you call him a fuck monkey?” the girl asked.

“He was acting… like a fuck monkey.”

“I’m sure you’re right, but what do you gain from pointing it out?”

“It may have been a mistake,” he said.

The frat boy had banged on the bar with a spoon and made two loud yips at a shampoo commercial on the TV screen. Cyril hadn’t raised his voice; he’d politely told the boy to stop acting like a fuck monkey. He thought the boy had taken his suggestion and that all was well.

“So what do you think I should do?” Cyril asked the girl.

“Well, if you really want to impress me, you’ll go out the front and kick all three of their asses with a really cool expression on your face. But if I were you I would probably go out the back way.”

“Where’s the back way?”

“You have to go through the kitchen. Just walk straight through. The dishwashers will probably yell at you; by that time you’ll be out the back door.”

“I’ve got a third option.”

“What’s that?”

“We could sit down and you could tell me your life’s story. By the time you’re done, the boys will probably have called it an evening.”

“Don’t you have somewhere to go?” she asked.

“Not really.”

“You were leaving.”

“I was just going to go back to my motel room, maybe watch TV, maybe steal some soap.”

“You shouldn’t do that.”

“Why not?”

“They find you and they make you pay.”

“Tell me more about this,” Cyril said, motioning to a table.

The girl sat facing the bar, and Cyril sat across from her. He had a view of the door in case angry frat boys charged in, tired of waiting out in the chilly Iowa night. She told him her name was Willow and that she wasn’t with anybody.

“Is there a college nearby?” asked Cyril.

“Graham College. It’s not exactly Princeton. If you can pay tuition, they’ll probably let you in… I go there.”

“What do you study?”

“I’m undeclared,” she said, “You know, I could have told you that Graham College is the best school in the country. Then you would have thought that I was a genius.”

“Well, I have met some of your classmates,” he said, gesturing out towards the open room.

“That’s true. Did you go to college?”

“I’ve taken a few pottery courses.”

Students drank with young energy and bounced around the room; townies sat at the bar and corner tables. Willow and Cyril drank slowly and talked about themselves for an hour.

“It’s getting late,” she said.

“You have an early class tomorrow?”

“You have a motel room?”

“Yes.”

“I think that I would like to see it.”

“It’s about a 15 minute walk.”

“You didn’t bring a car?”

“I don’t drink and drive.”

“You’re a really good example.”

They had been walking almost a minute when they saw the Fuck Monkey approach with two of his frat brothers.

“Hey, you. Asshole, you,” he slurred his words, but he seemed reasonably steady on his feet. His brothers were bigger than he was. Cyril was average-sized and a few years older than an undergraduate.

“Go home,” said Willow to the boys.

“Okay, darlem. You just step back. I’m going to tear up your boyfriend here.”

“What’s darlem?” asked Cyril.

“I think he meant darling,” said Willow.

“I don’t need you to get hurt,” the boy said, still to Willow.

He stepped closer to Cyril. His brothers moved in a bit, but it looked like they were going to let the Monkey do what he could on his own before they stepped in. Cyril did a quick check of the two big guys, and the Monkey shoved him backwards.

“Come on, Les,” said one of the brothers, “Don’t play. Bring the warrior to him.”

“Warrior,” said the other brother in his deepest bass. It wasn’t clear that he respected Les.

Les came at Cyril with a big wild punch. Cyril stepped aside, and Les cursed and spun. Cyril grabbed a hold of Willow and tried to hurry her away, but the brothers blocked their path.

“Fight me,” cried Les.

“Look guys,” said Cyril, “This doesn’t make any sense. You’re all going to get thrown out of school. Think of—“ Suddenly the brothers began to edge away, holding up their hands and stepping backwards. Cyril watched, puzzled, and then he turned to see that Willow had drawn a gun.

“Go home,” she said.

“Bitch is crazy,” said a brother, but they had now turned and were leaving at a jog.

That left Les.

“Go home, Les,” said Willow.

Cyril was not without sympathy for Les’s evening: the unavenged insult, the traitorous brothers. Les’s eyes were drunk and scheming. He hadn’t given up yet.

“If he rushes you, don’t shoot him,” said Cyril.

“I might shoot him,” said Willow.

“Please, go home,” said Cyril.

“You don’t know who you’re messing with,” said Les.

“Do you understand that right now, she can shoot you and not go to jail for it?”

Les said nothing. The insane idea that had careened through his head seemed to have moved on.

“We’re going to walk away now. Please, don’t follow,” said Cyril.

And that’s what they did. Les slumped against the side of a building.

“Is it normal at your school for a coed to walk around with a handgun?” Cyril asked about five minutes later.

“A coed? What is that?

“A female college student?”

“Why is that a coed?”

“I guess when female college students were not all that common, the girls at coeducational schools were called coeds.”

“Well, that’s stupid. These days there’s a lot more girls than boys in school. They should call the boys coeds. Seriously, this place is like 70/30 girls. It’s horrible. And dicks like those guys can get women left and right, because what choice do we have?”

“And that’s why you carry a gun?”

“I’ve got a gun. I mean, aren’t you glad?”

“I suppose.”

“What were you going to do, make a little speech to the fraternity—You’re going to get in soooo much trouble.”

“There might have been more to my plan than that.”

“Well, I didn’t want to risk your pretty face.”

They kept walking, past the main business district and into the darker residential streets. Cyril’s motel was off a side road somewhere close by. He hoped he could find it in the dark, but everything looked very much alike. First he led Willow down the wrong street that ended at an empty lot.

“This is where you’re staying?” she asked.

“I think I’m on the next street.”

“If I didn’t know better, I’d think you were leading me down a dark alley on purpose.”

“Why, so you could shoot me?”

Willow smiled. They found his motel, a cheap little two-story chain: the Firstway Inn. He led her to his door, and she watched calmly while he opened it and turned on the light. The room smelled flat and dusty, and only one of the three overhead light bulbs worked.

Willow jumped on Cyril, wrapping her legs around him, toppling him onto the bed. She kissed his face and his neck then worked inside his mouth, biting his inner lip. They tore off their clothes quickly and tumbled off the bed, fucking like they were the only humans left in a world full of zombies. It was a fantasy Willow had sometimes—there’s nothing else out there except mindless death, and we are probably infecting each other. Cyril seemed to get it.

She felt a little lost afterwards—a base note of pleasure under a single shot of panic. Jesus, she thought, I could fall for a guy like this. And then she put on her clothes. When she got to her shoes, Cyril sat up.

“Where are you going?”

“Nowhere.”

Cyril started to get dressed.

“You don’t have to get dressed,” she said, “I just like to have clothes on.”

“That’s too bad.”

“Thank you.”

Willow put on her jacket, and then she pointed her gun at Cyril.

“I’m going to need all the money,” she said.

BOOK DETAILS:

Genre: Crime Fiction
Published by: 280 Steps
Publication Date: March 2014
Number of Pages: 250
ISBN: 978-82-93326-18-2
Purchase Links: Coming Soon

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Guest Author JOHN MANOS showcase & giveaway

WELCOME JOHN MANOS


JOHN MANOS

John K. Manos was a magazine editor in Chicago for 20 years. Since 2001 he has earned his living as a writer, editor, and occasional musician. He is a graduate of Knox College. Dialogues of a Crime is his first novel.
Connect with John at these sites:

WEBSITE        TWITTER   

Q&A with John Manos

Writing and Reading:
Do you draw from personal experiences and/or current events?
I tend to start with personal experience and then expand from there. I’ve found that with very few exceptions, truly autobiographical writing—my own included—is simply not very interesting. It’s like hearing about someone else’s dream—intriguing to the individual, but not to the audience. However, everything I write sparks from a personal experience or an event I happen to notice, perhaps in the news.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
It’s often a combination of both approaches. But most often, I know where the story is going to end and on occasion have even written the last line almost at the outset. However, even though I also know where the story begins, it unfolds according to its own reality as much as it unfolds according to an plot outline I have on paper or in my mind.

Your routine when writing?  Any idiosyncrasies?
I treat writing as a job, albeit a job that can consume seven days a week. So I start writing once the dogs have been walked and I have a cup of coffee at hand. I take breaks but will work into the evening when I’m accomplishing something. But there’s nothing particularly idiosyncratic about my usual routine.

Is writing your full time job?  If not, may I ask what you do by day?
If I can include editing other people’s work, then yes, I have done almost nothing other than writing to earn a living since 2001. Prior to then I was a magazine editor.

Who are some of your favorite authors?
This list is almost too long. The prose writers who immediately spring to mind are Gabriel Garcia Marquez, Thomas Pynchon, J.M. Coetzee, Pete Dexter, Cormac McCarthy, Kurt Vonnegut, Ann Patchett, Joseph Conrad, Flannery O’Connor, Saul Bellow, and Toni Morrison, but a recitation of my favorite authors could go on and on. I love many different authors and many different writing styles.

What are you reading now?
I read multiple books simultaneously. The ones that are underway at the moment are Bad Reputation by Matt Hader; House of Meetings by Martin Amis; Bird Sense by Tim Birkhead; TransAtlantic by Colum McCann; The Long Home by William Gay; Seeing by Jose Saramago; Bleeding Edge by Thomas Pynchon; and Life by Richard Fortey.

Are you working on your next novel?  Can you tell us a little about it?
Yes. It’s the story of a 35-year-old woman in 1960 who is in no way prepared to raise four children by herself. The novel follows the twists and turns of her efforts to make her way under what, for her, are nearly impossible circumstances.

Fun questions:
Your novel will be a movie.  Who would you cast?
Ryan Gosling as Michael Pollitz; Kevin Dunn as Detective Klinger.

Manuscript/Notes: hand written or keyboard?
Both, but mostly keyboard.

Favorite leisure activity/hobby?
Playing guitar.

Favorite meal?
There are far too many to list—it would take dozens of pages just to compile the finalists. So here’s just one out of at least a thousand: A souvlaki dinner with Greek fries, slathered in white wine sauce and tzatziki, at The Athenian Room restaurant on Chicago’s north side.

 

ABOUT THE BOOK

(from Kirkus Reviews)

In Dialogues of a Crime, Michael Pollitz must decide whether to protect the mobster who has protected him.

When Mike, a college student in 1972 Illinois, is arrested on drug charges, his father insists he use a public defender. His childhood friend’s father, Dom Calabria, head of the Outfit in Chicago, wants to help Mike by providing a first-rate lawyer, but Mike goes with his father’s wishes. The outcome is a plea bargain for a short stay in Astoria Adult Correctional Facility—but after he’s brutally beaten and raped by three inmates, Mike spends most of his sentence in the infirmary. He doesn’t give up his assailants’ names but threatens their lives right before he’s set to be released. When Mike is picked up by the head of the mob, people notice.

Flash forward to 1994, when Detective Larry Klinger begins investigating the murders of two former Astoria inmates who were violently killed shortly after being released. An informant—the third man who beat Mike—tells Klinger that the murders were committed by Calabria, the kingpin whom Klinger would like to see taken down. Klinger investigates, coming in contact with Mike, and the two form a friendship. When Klinger realizes that Mike will never give up Calabria, he begins to wonder whether it’s even worth investigating the murders of such evil men.

READ AN EXCERPT

From the top of the empty building the river cannot be seen, but its presence seeps through the air like a sense of winter on the northern wind. Blood swells around the wire binding the muscular man’s wrists, and his long blond hair is matted with more blood, just now coagulating in streaks across the duct tape sealing his mouth and muffling his periodic cries. Able to see little more than a red mist through his swollen eye sockets, he flinches away as something round and hard, a thick dowel perhaps, leaves stinging stripes across his back and thighs. Thick hands clutch at his shredded clothing. Not yet in shock and with his lungs straining to somehow split the tape he senses a void at the edge of his consciousness, pebbles on the brittle tar spraying and clattering as in agony he is forced to shuffle forward, shoeless but not feeling the frozen roof.

A pounding on the thin panels of the dormroom door invaded the young man’s sleep. He dreamt briefly of the caissons being driven for the Hancock Center construction when he and his father and older brother visited the site in Chicago in 1968, but the banging woke him in time to hear the door opening. What he saw first against the weak early-spring light from the windows was a tall, disheveled middle-aged man with short salt-and-pepper hair wearing an inexpensive suit. Cop? was his first thought. The man glanced around the messy room, then stared down at the student as another heavier officer moved through the entranceway, holding aside a burlap screen the young man’s roommate had hung between the room and the closets. Finally a remotely familiar short bald man with a beard entered quickly, looked down at the young man and said, “That’s him.” The bald man pivoted and disappeared. The young man thought he recognized the beard, but not the bald head or the tie.

“What?” the young man breathed as the heavier cop twitched away his blanket and with an air of perfunctory finality clutched his upper arm, pulled him upright, turned him toward the windows and clipped handcuffs around his wrists. Salt-and-pepper rummaged through the top drawer of his desk and pulled out his checkbook. The young man sat naked on the bed with his hands cuffed behind his hips.

The heavier cop stared down at him, then seemed to relent and said, “You’re under arrest.” An inane idea entered the young man’s mind—he thought it was an April Fool’s joke. The door to his room stood open, and he could hear activity down the hall, more pounding on doors.

Salt-and-pepper opened the checkbook and said, “Michael J. Pollitz. That you?”

“You don’t know who I am?” Michael felt a rush of sleepy terror. His narrow face reddened.

“We know,” said the heavy cop. Both men moved around the room, opening drawers in the desks and small dressers. They walked across his clothing. The heavy cop kicked aside some junk-food wrappers on the floor and used his foot to rearrange a pile of papers and books. Salt-and-pepper opened one of the closets, looked down at the pile of clothing, luggage, books and trash, and shut the door again. It occurred to Michael that they weren’t searching for anything, their indifferent examination a matter of going through the motions. Both seemed bored.

“Can I put on some clothes?” Michael asked. He was well muscled in a way that echoed high school athletics, but he was small and felt shriveled and unbearably vulnerable, nude and handcuffed. His nineteen-year-old mind flashed a brief homophobic panic, even though he knew he was dealing with police. The freeze-dried fantasy included a grisly murder. The heavy cop exchanged a look with salt-and-pepper, then nodded. Michael stood and turned, and the detective removed the cuffs. Michael self-consciously shifted his body as he grabbed a pair of threadbare blue and white striped bell bottom pants from the floor and pulled them on. He picked up a wrinkled blue work shirt and buttoned it, and he tied his tennis shoes without sitting. He combed his long hair away from his face with his fingers before he detective replaced the handcuffs, and Michael sat again.

“Feel better?” salt-and-pepper asked with an ironic smile. Then he left the room. The heavy cop positioned himself in the entrance, in front of the flimsy curtain, and stared impassively. Michael looked at the windows, brighter now as dawn filled the sky. Almost to himself, he said, “What is this?”

“You’re under arrest,” the detective repeated.

“Why?”

The detective didn’t answer, and Michael wasn’t able to endure his stare. He looked through the windows again. His room was at the end of a long hall on the top floor in one of the older dormitories on the small campus, a three-story building with just two floors of rooms, the building shaped like a T with a central staircase that led down to the Student Union. The noises from the hall had died down, but he could hear voices. Still bleary, he couldn’t sort out his thoughts. Why was he being arrested? He hadn’t done anything. It was something with the bald guy, but he couldn’t fill in the blanks.

His friend John Calabria’s father came into his mind. He was suddenly overcome with a desire to be sitting in the office at Dominick Calabria’s farm northwest of Chicago, untouchable, waiting for the man’s sharp smile to fade as he offered a serious solution. What would Dominick Calabria do? Nothing. He would say nothing at all and wait for his lawyer. Lawyers. An army of lawyers.

“Can’t you tell me what’s going on?” Michael asked, overcome by confusion and anxiety. The heavy detective’s expression didn’t change even as salt-and-pepper returned.

“Set?” the heavy detective asked.

“Yeah. Let’s go.” Both cops stepped to the bed and raised the young man by his arms.

As they walked down the hall, Michael said, “I need to piss,” nodding toward the common bathroom. Both cops followed him to the urinals, and the heavy detective removed the handcuffs. When Michael finished, they didn’t replace the restraint. The young man felt a childish flush of relief that was almost pride for the miniscule favor: He was trustworthy, they could see that. And this added an absurd hope that the arrest was a mistake that would soon be clarified.

Outside, a friend from the sophomore class, Pat Kinnealy, whose room was down the hall from Michael’s, stood in handcuffs near an unmarked car in the small parking area next to the dorm. It was brightening into a lovely day. Michael glanced up at the sky, then back toward the parking spaces. Behind the unmarked car were one local squad car and three state cruisers. State troopers stood near their cars. Strangers were seated in the backseats of two of the state vehicles. He could see another acquaintance, a man two years older who lived in an apartment in town, with another stranger in the backseat of the local car. Both sat with the awkward tilt of handcuffed prisoners. Two freshmen from the floor below Michael’s stood in the parking area, also with their hands manacled behind their backs, and a small comprehension formed: The two roommates sold reefer, LSD, mescaline and amphetamines in small quantities from their room—he had purchased from them. Michael suddenly felt conspicuous without handcuffs, caught somewhere in the hostile twilight between Us and Them.

He and Pat were ushered into the backseat of the unmarked car. The two freshmen were placed in one of the state cruisers. “Why aren’t you handcuffed?” Pat asked. Beneath a taut strain of somnolent shock, his pallid face was a mixture of relief and accusation.

“They took them off when I peed,” Michael said. “They didn’t put them back on.” The cops were talking outside the cars.

“Did you recognize the bald guy?” Pat asked.

“Not really.”

“I think I sold him some white cross last fall,” Pat said mournfully. “Dan brought him over with another guy,” nodding toward their friend in the local squad car. “I think he was wearing a stocking cap, but I recognize the beard.” Pat seemed on the verge of tears, the skin pale around his eyes.

“I never sold him anything,” the young man mused, feeling relieved and silently reassuring himself that a mistake was being made. His roommate had from time to time sold an ounce or two of excess grass; they must have intended to arrest him instead. A straw to grasp. He didn’t know about the strangers in the state cars, but even though the two freshmen usually had hallucinogens or speed to sell, they weren’t serious dealers, and he, Pat and Dan weren’t dealers at all. Not in the sense of buying quantities and selling again for a profit or even for a supply of free drugs. But he had an uneasy feeling. He thought he recognized the bearded bald man as well, and Pat confirmed it. He thought he had met him once, when Dan brought him to his room in search of drugs. Michael had shown him to the freshmen’s room several months earlier, before Thanksgiving. Could that be it? It seemed too inconsequential to be real.

BOOK DETAILS:

Genre: Crime Fiction
Published by: Amika Press
Publication Date: July 26, 2013
Number of Pages: 300
ISBN: July 26, 2013
NOTE: Excessive strong language & Graphic violence

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Guest Author LANDON PARHAM

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LANDON PARHAM

LANDON PARHAM is a bestselling author who lives in the suburbs of Dallas, Texas. His goal as a writer is to raise awareness on everyday issues through fiction, and expose taboo realities that the masses give precious little attention to. The wild, majestic expanses of America inspire his visions and will continue to show up as integral parts of his work. Parham’s debut novel, First Night of Summer, became a bestseller in August 2013 when it hit #21 on Amazon’s Top 100 overall paid chart, and #2 on Barnes & Noble. It has garnered attention from FOX News, NBC, numerous law enforcement personnel, social workers, child-care advocates, and parents around the globe, as an emotional and true-to-life story. ”If we choose not to recognize the evil in our world, we will never stand up to it.” He is currently working on his next suspense novel following his debut. It will tackle a different, but no less suspenseful issue. Award-winning 2013 Readers’ Favorite International Award Finalist- Suspense/ Fiction Sony e-reader and #1 NYT Bestselling Author, Sandra Brown’s Debut Author Pick 2013 Become a fan and “like” my author page on Facebook to find out more. Get social with me on Facebook, Twitter, Pinterest, and Goodreads.
Connect with Landon at these sites:

WEBSITE       TWITTER    

Q&A with Landon Parham

Writing and Reading: 
Do you draw from personal experiences and/or current events?
Both. The fingers can only write what the mind can comprehend. My current projects take place in the here and now, so I have to make sure the details reflect today’s reality. The number one question I am asked as a thriller writer is this: “How can you write about such horrible things?” If you read my debut novel, First Night of Summer, you don’t have to go far before realizing that I am going to confront an exceedingly taboo subject. Having said that, you don’t have to read much further to understand that the deplorable subject matter is balanced by the deep love of family, the indelible gumption of the human spirit, and the profound power of forgiveness that has the ability to soothe the evilest of wrongdoings. All the raw human emotion is created by real human experiences.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
Neither. All of my plots begin with a single snapshot that is conjured in my imagination. Sometimes it comes in a dream. Sometimes it just pops into my head. Once I have a picture in full imaginative color, I start asking questions and running down rabbit holes. Kind of weird, but that way the story becomes what it is, not what I try and make it.

Your routine when writing?  Any idiosyncrasies?
Tough question. I am not really a routine kind of guy. I suppose the main cause of my success – the success of completing projects – is that I just keep plugging away. Each day requires something different. If there’s a day that I feel particularly melancholy, I’ll skip to a scene that calls for sorrow or hardship. If I’m pumped up, I’ll work on action sequences. And if someone has ticked me off…well, you get the point.

As far as ticks or habits…my wife would probably have a better response than I. I’m not a great multi-tasker. Let me correct; I’m a terrible multi-tasker. Nope, still not right. Actually, I’m flat-out incapable of multitasking. The affect is that when I get in my head, I may be there for days and otherwise completely useless for anything other than writing. God bless her for it. She’s very patient with me. I guess it’s because I’m pretty handy the other half of the time.

Is writing your full time job?  If not, may I ask what you do by day?
Unfortunately, no. First Night of Summer is my debut novel. Although it’s doing well, I still gotta pay them bills. My wife and I own and operate an e-retail business. That is the day job.

Who are some of your favorite authors?
Dean Koontz. Vince Flynn. James Patterson. J.K. Rowling. Christopher Paolini. Laura Hillenbrand. Lots of others, but those are my top few. The first three are also big influences in my style and motivation. Vince played a huge part in my writing career before he died of cancer. If not for him, I would not be writing this. R.I.P.

What are you reading now?
Odd Interlude by Dean Koontz. A Feast for Crows by George R.R. Martin.

Are you working on your next novel?  Can you tell us a little about it?
My next release will confront another prominent, but slightly less controversial, domestic issue. The storyline follows a mother and father as they struggle to raise their children through bouts of poverty, issues with alcohol, and domestic violence. Lines between antagonist and protagonist are blurred, the affects of a poor home life reach beyond the home, and the almost certain cause and effect that hurt people hurt people is undeniable. Humans are infinitely complex and I never get tired of exploring our capacity for construction—and destruction.

Fun questions:
Your novel will be a movie.  Who would you cast?
Isaac: Josh Duhamel. I’d love to see him play a serious, kind of rugged role.

Sarah: Hmmm. Need a good-looking, youngish blonde mom. Classic, but someone who can play a damaged past. Someone who has overcome hardship once, and can do it again. Michelle Williams, perhaps.

Ricky: Jim Caviezel. He would probably hate the role, but I’ve pictured him since I created Ricky. I think he’s a dynamic enough actor to pull it off. Plus he has those piercing light eyes.

ABOUT THE BOOK

WHEN TRAGEDY STRIKES, a father discovers that a journey of misfortune is sometimes the path to deliverance. The quaint mountain town of Ruidoso, New Mexico, is the perfect place for Isaac Snow to raise his family. But when eight-year-old daughters, Caroline and Josie, commit an innocent act of heroism, media coverage attracts the wrong kind of attention. Soon, their life unravels, leading them to the crossroads of love and hate, forgiveness and retribution.

In the dark hours of a drizzly morning, Isaac, an ex-air force pilot, wakes to find a masked intruder cradling one of the twins in his arms. Before he can react, the man in black leaps through the nearest window, plummeting in a tangle of body parts and glass. Isaac charges in pursuit, but is suddenly faced with a new dilemma. Caroline is unconscious, lying facedown in the lawn, cuts from the shattered window saturating her pajamas. If he gives chase, his little girl will surely bleed to death.

From a secretive loner with a pension for unrestrained violence to the pristine granite peaks of the Rocky Mountains–from laughter filled family dinners to a string of cross-country abductions, LANDON PARHAM’S debut novel relentlessly explores the horrific realities of unnatural lust and obsession. Taken well beyond the investigation and law-enforcement tactics, you’ll find yourself steeped in journey of evil and torment, and the power of family that overcomes it all. Suspenseful, bold and meticulously researched; a true psychological thriller that captures the heart.

READ AN EXCERPT

“Thoroughly engaging from start to finish…Overwhelming love, fear, self-doubt, and rage…emotions any parent could relate to. A foe that readers will want to see defeated, abolished, ground to dust.”
–Sandra Brown, #1 New York Times bestselling author of LETHAL

“FIRST NIGHT OF SUMMER is a wonderfully written tale of secrets, subterfuge and their effects on one family. Landon Parham’s debut thriller is a smooth mix of C.J. Box with Harlan Coben in an angst-riddled novel staged in the murky half-light of moral complexity. The book’s simple, ironic title belies its fully realized characterizations and multi-layered plot, serving up a superb cat-and-mouse game where very little is what it first appears to be.”
–Jon Land, bestselling author of STRONG RAIN FALLING

“First Night of Summer” Excerpt- Chapter Six

There was calm before the storm. Like fire and water, the inferno in Isaac’s eyes reached across the room and lit the violent waves dwelling in Ricky’s baby blues.

Not a split second lapsed between realization and reaction. There was never fear or hesitation, only a primal urge to protect his family. A threat cannot be posed if it does not exist, and he fully intended to eliminate the threat completely.

He raced to the window and noticed that both beds were empty. That was what training at speeds well beyond the sound barrier did. It honed an ability to think and work at the same time, in the blink of an eye, blending thoughts and actions into instinct.

The man in black must have known what was going to happen. He dropped the girl from his arms and simultaneously sprang in the opposite direction. The window was open, but not enough to accommodate the violent exit.

The child’s body hit the floor, followed by a crashing of glass. Like it was nothing more than a soap bubble, the window shattered, taking half the frame with it. The masked man fell to the lawn in a storm of debris.

Isaac was in hot pursuit, about to jump out the mangled opening. But the body, which he recognized as Josie’s, was in the way. Where is Caroline? He put his palms on the windowsill, broken glass lacerating them, and looked out. Not three feet away was the intruder. As quickly as he had flown through the window, he got to his feet and ran. And there, lying motionless on the rain-soaked lawn, Isaac found the answer to his question.

Shards of glass covered Caroline’s body. The bastard had landed right on top of her, smashing jagged pieces between their bodies.

Isaac was prepared to hurl himself out the window and give chase. Backing down was not in his nature. He had killed before and knew he was capable of doing it again. And this time, he really wanted to. He was about to do so when the bedroom lights turned on.

“What’s going on in here?” Sarah demanded. She stood in the doorway, wearing a pair of his boxers and a baggy shirt. “I heard glass—”

“Call nine one one!” he barked.

“Josie!” Her face was stricken with horror as she rushed forward. “What the hell happened?”

“Call the police. Now! Someone tried to kidnap them. She’s fine,” he said, meaning Josie.

In fact, he didn’t know for certain that she was fine. He had, however, noticed the strip of tape over her mouth. Dead people didn’t scream, so he assumed the best. She was alive but knocked out or drugged. There was no time to stop and see.

Sarah was frantic. Her eyes searched the room for Caroline. “Where’s Caroline? Where is she?”

“She’s out the window.” He watched the masked man run away. “Now please, honey. Get the phone, call nine one one, and come back.”

With his hands still on the windowsill, disregarding the little cuts and stabs, he vaulted through the open space. He landed over Caroline with one foot planted on either side of her. The blades of grass were soft. The fragments of glass, however, were not. They drove into his feet like nails, but he put the pain aside. His focus was too solitary to allow interference.

The bedroom lights lit the small patch of lawn where she laid, and he knelt. Outside of their island, the night consumed everything. He was about to run after the son of a bitch who had just disappeared behind the Howard’s home, but he stopped short. Caroline’s white sleeping shirt was stained crimson all around the neckline and chest. Had Sarah not flipped on the lights, he never would have seen it. She was hurt badly.

He heard Sarah’s feet pound down the hall and into the kitchen. In a few seconds, she was giving the operator an address and explaining the situation.

In the back of his mind, Isaac thought, I should go after him. But he couldn’t force himself to leave his little girl. Even if I catch him, what good would it do if Caroline bleeds to death? His world had shrunk to a tiny space in the great big mountain night. Outside of that, nothing mattered. Everything else was diminished. He could faintly hear Sarah asking Josie to wake up and the distant sound of an engine revving to life.

Caroline wore a pair of cotton pajama pants with different-colored hearts. The fabric was pulled up around her knees and exposed several scratches. A bead of blood ran down one calf. It was nothing compared to the stain growing around the collar of her shirt.

Moving someone who had just suffered a trauma injury was the last thing you were supposed to do. But Isaac had no choice. The way she was laying, he couldn’t see where all the blood was coming from. He gingerly rolled her flat and almost vomited at what he saw.

The side of her neck was completely sliced open. Blood literally poured from the flesh. The flow was constant and unrelenting. The gruesomeness of the laceration was not the cause for Isaac’s sickness. He had seen much worse. The gut-wrenching heave came from a sobering realization that she might be broken beyond repair. The cut was too deep, too wide, and in the wrong spot. A pool of red was already spread beneath her. The essence of her life slowly covered the green grass. He clenched his teeth and shut off emotions. His baby was dying. He had to do something.

BOOK DETAILS:

Genre: Suspense / Crime
Published by: Valiant Books
Publication Date: 02/15/2013
Number of Pages: 315
ISBN:
0988802503 ebook
978-0988802506 hardcover
978-0988802513 paperback

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

 

Guest Author FRANCES FYFIELD

WELCOME BACK FRANCES FYFIELD

Let’s Dance

by Frances Fyfield

on Tour March 3-31, 2013

Book Details:

Genre: Mystery & Thriller
Published by: Witness Impulse
Publication Date: March 4, 2014
Number of Pages: 280
ISBN: 9780062301390

Purchase Links:

Synopsis:

When Isabel Burley returns home to care for her mother who is suffering from Alzheimer’s, she finds a bemused, angry old woman, prey to the threats of failing memory, the inability to run her household – and the local villains who are eyeing her isolated home. But as the villains close in, Isabel finds herself struggling with her own emotions. She thinks she has come home to do some good, but is she really looking for the love she lacked as a child? Alienated by her mother’s growing eccentricity, the two women become locked in a relationship of love, conflict and simmering violence, with roots that go deep into the past.

Read an excerpt:

He had a torch, ever well-equipped, lay on the ground and pulled himself under the car without a word of protest. She could hear his breathing, a grunt that turned to humming as the light played. The humming stilled her conscience that he should be so willing, but she was still pleased when he emerged, stood and dusted himself off. George never seemed to feel the cold and nothing was ever too much trouble.

“Nothing,” he said. She doubted if he knew anything more about cars than she did, but allowed herself to be reassured.

She moved within three feet of him, never going closer. The sky was clear as water, dark while luminous. They pivoted together, noticed of one accord. A flickering light from the house half a mile away, nothing more than an unnatural glow.

“George,” said Janice, querulously, “what’s that?”

“She’s on fire,” George said, almost admiringly. “That silly old love is on fire.”

Author Bio:

“I grew up in rural Derbyshire, but my adult life has been spent mostly in London, with long intervals in Norfolk and Deal, all inspiring places. I was educated mostly in convent schools; then studied English and went on to qualify as a solicitor, working for what is now the Crown Prosecution Service, thus learning a bit about murder at second hand. Years later, writing became the real vocation, although the law and its ramifications still haunt me and inform many of my novels.

I’m a novelist, short story writer for magazines and radio, sometime Radio 4 contributor, (Front Row, Quote Unquote, Night Waves,) and presenter of Tales from the Stave. When I’m not working (which is as often as possible), I can be found in the nearest junk/charity shop or auction, looking for the kind of paintings which enhance my life. Otherwise, with a bit of luck, I’m relaxing by the sea with a bottle of wine and a friend or two.”-Frances Fyfield

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Guest Author ALINE TEMPLETON

WELCOME ALINE TEMPLETON

ALINE TEMPLETON

Aline Templeton grew up in the fishing village of Anstruther, in the East Neuk of Fife. She has worked in education and broadcasting and was a Justice of the Peace for ten years. Married, with two grown-up children and three grandchildren, she now lives in a house with a view of Edinburgh Castle. When not writing, she enjoys cooking, choral singing, and traveling the back roads of France.
Connect with Aline at these sites:

WEBSITE    

Q&A with Aline Templeton

 
Writing and Reading:
Do you draw from personal experiences and/or current events?
Both, I suppose, though only in a general way. I never put people I know in my books, though I might see someone who suggests a character. For instance, I once passed a very old lady standing hunched over, smoking, her face wrinkled as a walnut, very shabby, wearing what looked a man’s old tweed jacket and trousers. But she was wearing a bright purple crocheted hat with a bunch of pink, white and purple flowers on it. I didn’t know anything about her but she made a great character in Lamb to the Slaughter.

I don’t write directly about current events but sometimes a news story prompts an idea. The case of Louise Woodward, the nanny convicted of killing her charge, prompted a ‘what-if’ story that was the starting point for Cradle to Grave.

Do you start with the conclusion and plot in reverse or start from the
beginning and see where the story line brings you?

Somewhere between the two. When I start I usually think I know what the ending will be and I set off towards it. But I could well be wrong – I’m a great believer in letting the story develop. I write because I’m telling myself a story and I want to see what happens. If I knew it all too definitely, I would get bored. In fact, in one of my early books, Past Praying For, I reached the second last chapter and realized I’d got the murderer wrong! I thought, ‘Of course! That’s who did it,’ and went back to change the story to fit – then found that it was all there. It’s amazing what the subconscious can do without you noticing.

Your routine when writing? Any idiosyncrasies?
Very boring, I’m afraid. I go to my desk at 9.30 and write until just after 1.00. No coffee break – I just make a mug and take it back to my study. In the afternoon I revise and do all the housekeeping related to emails and posts – and a bit of housework as well!

Is writing your full time job? If not, may I ask what you do by day?
Yes, it has been for many years.

Who are some of your favorite authors?
In crime, Louise Penny, PD James, Andrea Camilleri. In the classics Jane Austen, of course, and Henry James and Emily Bronte; poets Browning, Kipling, TS Eliot, Robert Frost – and dozens of others. Modern fiction; Tracy Chevalier, Elizabeth Jane Howard, Barbara Kingsolver, Jane Smiley

What are you reading now?
Sashenka by Simon Sebag-Montefiori. It’s a compelling, moving and impressively-researched story about Russia under Stalin.

Are you working on your next novel? Can you tell us a little about it?
It’s the next in the DI Marjory Fleming series. It begins with a group of hedonistic young people whose excesses end in tragedy when one dies of a drugs overdose and one leaves a suicide note at the edge of a cliff. But two years later a car is found stranded on a mudflat in the Solway Firth after a high tide and the murdered body found in it is that of the man believed to be dead.

Fun questions:
Your novel will be a movie. Who would you cast?
DI Fleming would have to be an actress with a Scottish accent – there’s nothing I hate more than a fake attempt at one – so that rather limits the field. Emma Thomson is English but she spends a lot of time in Scotland so she would probably do it quite well and she’d make a good Big Marge.

Manuscript/Notes: hand written or keyboard?
Notes hand-written every time. If I’m starting a book, or if I hit a sticky patch, I always seize one of my trusty Bic fine-point pens and write in longhand – I feel it gets me closer to my characters sometimes.

Favorite leisure activity/hobby?
I love to cook – mainly French influenced, I suppose. Cookery books are my favorite indulgent reading.

Favorite meal?
A light, elegant cappuccino soup like artichoke, roasted roe deer venison, a dessert of three or four minute ‘themed’ puddings – like lemon tart, lemon mousse, lemon sorbet and limoncello jelly. You can tell I take a lot of holidays in France!

ABOUT THE BOOK

This moody and arresting thriller is perfect for fans of Tana French.

On a beautiful, eerily quiet May morning, a girl is found brutally bludgeoned to death. When Detective Marjory Fleming arrives, the silence of the scene is broken only by the ringing of the girl’s cell phone. The nearby community is small and close-knit, but the veneer of contented prosperity conceals nasty secrets and deep betrayals. When another corpse is discovered, Fleming quickly realizes she must watch her own back while she searches for the link between the murders. As she uncovers layer upon layer of intrigue and deceit, it becomes apparent that, while the dead can’t tell lies, the living most certainly can.

READ AN EXCERPT

The wind had dropped with the sunrise. It was a beautiful May morning, with the soft, pearly light so typical of the south-west corner of Scotland, but it was cool still; vapour clung to the tops of the trees and there was a sweet, damp, earthy smell after a heavy dew. He got up to have a chilly shower – he must see if something couldn’t be done about the hot-water supply – then dressed in his working jeans and checked shirt and went down the rickety staircase and across the living room to open the door.

The wooden shack, his home since he was freed on licence six months ago, had walls weathered by time and the elements to a soft silvery grey. It stood in a clearing surrounded by rough grass studded with the stumps of felled trees, crumbling and mossy now. Beyond that, a tangle of undergrowth formed a natural enclosure: at this time of year the grass had feathery seed heads and thecreamy flowers of hawthorn and cow parsley gleamed against the lush dark green of nettles and docks. From a snarl of brambles, a robin was shouting a melodious challenge to all comers. Sitting down on the dilapidated bench outside the back door, he drank in the peace and freedom which remained a novelty still.

BOOK DETAILS:

Genre: Crime Fiction
Published by: Witness Impulse, an imprint of HarperCollins
Publication Date: 2/11/2014
Number of Pages: 513
ISBN: 9780062301758

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Guest Author CHRISTOPHER MEEKS

WELCOME CHRISTOPHER MEEKS

CHRISTOPHER MEEKS

Christopher Meeks was born in Minnesota, earned degrees from the University of Denver and USC, and has lived in Los Angeles since 1977. He’s teaches English and creative writing at Santa Monica College, and has taught creative writing at CalArts, UCLA Extension, Art Center College of Design, and USC. His fiction has appeared often in Rosebud magazine as well as other literary journals, and his books have won several awards. His short works have been collected into two volumes, “The Middle-Aged Man and the Sea” and “Months and Seasons,” the latter which appeared on the long list for the Frank O’Connor International Short Story Award. He’s had three plays produced, and “Who Lives?: A Drama” is published. His focus is now on longer fiction. His first novel is “The Brightest Moon of the Century,” and his second, “Love At Absolute Zero.”
Connect with Chris at these sites:

WEBSITE        TWITTER   

Q&A with Christopher Meeks

Do you draw from personal experiences and/or current events?
Truth springs from the personal. Other people’s stories that I’ve loved have felt naked and truthful, and their points thundered home. Perhaps I first saw that as a teenager reading the poetry of Richard Brautigan and then Kurt Vonnegut’s Slaughterhouse-Five. Even though both authors used humor, I felt their truths. As I writer, I needed to be the same. My short fiction was always based on personal experiences, and I aimed for emotional truth.

My first two novels, The Brightest Moon of the Century and Love at Absolute Zero revolved around situations I’d been in. One example is when I did everything I could to take my junior year abroad in Denmark to live with my Danish girlfriend. When I arrived, she was living with another guy. It seemed funny years later—just not at the time.

Once I ran out of major events in my life, I thought of things that could happen. Blood Drama is a “What if?” It came from my correcting student papers daily at a Starbucks in the lobby of a bank. The elegant and comfortable setting enveloped me, but then I thought, “This bank could be robbed. What if I were taken hostage?”

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
In writing short fiction, I never know where a story is going, but if I go off course, I’ve only lost ten or twenty pages at the most. A novel is different. You don’t want to write 300 pages of a novel and say, “Whoops. I took a wrong turn on page twenty,” and then throw out 280 pages. A novel takes planning.

What’s great is that thinking is far faster than writing. I see scenes in my mind in fast motion.

I start at the beginning but quickly consider what the arc of the story might be. Where will it go? Then I spend a lot of time considering all the possible steps. The great thing about this approach is an outline may be as little as a few pages. Once I have something down on paper in terms of structure, I can push things and consider other possibilities.

Plenty changes when I write, but an outline is not etched in copper. My outline changes as I write. When I take an interesting left turn, I return to the outline, imagining how this new event might change things down the line. If the change isn’t good, I don’t need to keep pursing it. If I like the new event, I change the outline so that I know where I’m now going.

Your routine when writing? Any idiosyncrasies?
My idiosyncrasies have changed. Do you know the short story “Harrison Bergeron” by Kurt Vonnegut? In a future world, everyone is equal. To make that happen, really great dancers have to dance with lead weights attached so that they lumber like regular people; smart people have a little beep go off in their heads about every twenty seconds. The beep makes them forget their train of thought. Now I feel I’m in that world. My cellphone will vibrate or ring, and it instantly knocks off my train of thought. In fact, it’s ringing now…

I’m back. Where was I? Oh, right. My routine now is to NOT look at email the first thing in the morning, to NOT answer the phone necessarily when it rings. Staying focused is a challenge today for most people. It is for me. It takes focus to write. Now, late night and early morning are my best times. I usually aim for the latter.

Is writing your full time job? If not, may I ask what you do by day?
I have a wonderful balance in my life. I teach creative writing and English, which helps force me to read. Each semester, I always teach new stories or books. I feel challenged and refreshed teaching new things. In my creative writing classes, I also offer new exercises in my continual search to find what inspires. The students’ writing and our discussions feed me.

In turn, as I write new stories, I can relate some of my challenges to their challenges. An interesting thing is my students are almost always nineteen or early twenties, while I keep aging. Yet, I get to stay current with our culture through my students. I couldn’t do that always holed up at home. Also, my teaching schedule makes me be efficient with my writing time.

Who are some of your favorite authors?
Margaret Atwood, Kurt Vonnegut, Tim O’Brien, Lorrie Moore, Raymond Carver, Mark Haskell Smith, Michael Connelly, Robert Crais, and, since last year, Stephen King. I always eschewed King’s novels as I don’t like horror, but then I read 11/22/63 and Joyland—great stuff.

What are you reading now?
Pete Townsend’s biography, Who I Am. I never liked memoirs until a friend recommended Patti Smith’s Just Kids, and now I’m hooked. I taught Smith’s book last semester along with David Sedaris’s Me Talk Pretty One Day.

Are you working on your next novel? Can you tell us a little about it?
I just finished my next novel, A Death in Vegas. It’s about a man who sells beneficial bugs such as ladybugs to organic gardeners, and when he wakes up one morning in his hotel at a convention, he finds a naked dead young woman in his room. He’s in trouble—and his wife isn’t happy either.

I’m about to start my third collection of short stories, which follows The Middle-Aged Man and the Sea and Months and Seasons.

Your novel will be a movie. Who would you cast?
Scarlett Johansen. She should be in every one of my novels. Anyone from the cast of American Hustle should, too. Man, that film offers stunning acting.

Manuscript/Notes: hand written or keyboard?
Ask my ghostwriter. Actually, I was once a ghostwriter. Keyboards.

Favorite leisure activity/hobby?
Drinking hard and shooting guns. (No. That’s my answer after my telephone rang again.)

I like skiing, watching mesmerizing movies, and taking and printing photographs. This was always a question for Playboy Playmates. I’m glad to see we’re all equal now.

Favorite meal?
If you haven’t learned it yet, as you age, your metabolism gets more efficient. At fifteen, I could drink chocolate malts and eat Oreos and never gain weight. I was incredibly thin. Now if I breathe the smell of baked beans, I gain a pound. Gaining weight is so much easier than losing weight, so I try to stay away from favorite foods all in one spot. Thus, favorite meals are more to be dreamed about than eaten.

I love a great steak, such as the filet mignon that Café Beaujolais makes with blue cheese. I love artichokes with hollandaise sauce. I soar with a great French Onion soup or Thai Tom Kah soup, the one with coconut milk.

ABOUT THE BOOK

“Blood Drama is wildly entertaining with fast-paced dialogue and plot twists caroming like a steel ball in a pinball machine.” -Linda Hitchcock, BookTrib

In the crossover thriller BLOOD DRAMA, graduate student Ian Nash, after losing his girlfriend, gets dropped from a Ph.D. program in theatre. When he stops at a local coffee shop in the lobby of a bank to apply for a job, the proverbial organic matter hits the fan. A gang of four robs the bank, and things get bloody. Ian is taken hostage by the robbers when the police show up. Now he has to save his life.

READ AN EXCERPT

Chapter One

“Coffee?” Ian said in the discomfort of Professor Cromley’s office. The place looked like a small book depository with a view and a Mr. Coffee machine.

“Ian… Ian… Look, Ian. I’m—”

“I just thought we were meeting with—”

“We met.”

“Without me? I don’t understand.”

“Coffee?” said the gray-bushy-haired man, pouring himself a cup. “Maybe some coffee would put you at ease.”

“But the committee—”

“So I’ll get to the point. We don’t think you’ve shown enough progress in your dissertation.”

“Two hundred pages?”

“You’re taking the wrong approach on Mamet.”

“It’s still a work in progress.”

“People are like gloves,” Cromley said. “And sometimes they don’t fit. It’s not just the dissertation. It’s your whole performance in the program.”

Ian felt a rage building, but that wouldn’t help. A better approach was needed. He calmed himself as best as he could, flattening the new blue silk tie he’d bought for the occasion against his blazer. “I’m sorry, sir,” he said. “Maybe we’ve miscommunicated in the last few meetings. You’d given me certain dates, and I’ve kept to those dates.”

“We debated long and hard, Ian,” said the professor, sitting. The man looked toward Ian but not at Ian, as if delivering sad news to a war vet’s spouse. “Your research isn’t breaking new ground, and the recent problem with the class you taught—”

“I can’t help low enrollment.”

“I’m talking about your blow-up with that student—”

“Her rant against men—”

“No matter.”

The rest of the meeting felt like a slow-motion crash. He was out of the program, as easy as lights out at the end of a play. He stared out Cromley’s window at the wide view of campus, at modern buildings tucked into the green landscape, at trees still lush in October, their leaves blowing like moving fingers. The view was as if from Mt. Olympus. Was Cromley a god?

As Ian Nash drove his twelve-year-old Corolla the fifty miles north on Interstate 5 from the University of California Irvine campus back to his South Pasadena rental, he kept replaying the conversation. He was a glove? He didn’t fit the program? If it don’t fit, you must acquit, he thought. Ian had paid the tuition and taught. He attended the classes. Just because one undergraduate student was out of line was no reason to be thrown out of the program.

“Don’t think of it as failing,” Cromley had said. “Think of it as an opportunity to do something else.”

That was outright snide. What would he do now for money? What would he do now for his life?

He was so consumed with these thoughts, he missed the Marmion Way turnoff on the Pasadena Freeway, which, if you weren’t looking for it, came up so fast around a bend, you’d zoom by it as he did. Ian exited at Orange Grove, and, again so caught up in his thoughts, he drove without paying attention. He would need a job. What would he do for work without his degree? And what was to be learned here? After all, as David Mamet wrote in his book, Three Uses of the Knife: On the Nature and Purpose of Drama, “We have our ability to learn a lesson, which is our survival mechanism.” The lesson was he needed money to live.

On Fair Oaks Boulevard in South Pasadena, moments after he decided he could use a coffee now, Ian noticed the logo of Carrie’s Coffee on the Landwest Bank Building. He wondered would Professor Cromley call that a “deus ex machina,” a coincidental ending? An ending to what? His morning? No, sometimes coincidences happened.

The gold-painted brick building stood out from its neighbor, the pharmacy. Carrie’s Coffee paid well, he remembered one of his students saying in a directing seminar he’d taught. The small franchise had a health program and offered flexible hours. Amber, his former undergraduate student, made manager in no time at a Carrie’s and loved the place. Perfect. He turned into the open lot. Ian would apply to Carrie’s. He wasn’t the kind of guy to mope around. He wouldn’t let Cromley get the best of him.

Inside, Ian was surprised to see that Carrie’s was part of the grand marble-floored bank lobby. Potted plants, mahogany wainscoting on the walls, and the same wood was used for the open teller area and the Carrie’s counter. It gave the place a friendly feel. Tables and chairs were for the coffee drinkers, and comfortable leather seats were placed near the inset fireplace with burning gas logs. This would be a great place to work.

Ten minutes later, a Carrie’s application before him, Ian sipped his coffee and shook his lucky Cross pen hard in a swift metronome motion to force all the blue to hit the tip. The pen hadn’t been lucky for him with Cromley. Ian made incessant circles on the back of the application. He knocked the pen against his wrist and made circles again. The pen came back to life.

He glanced around. Bank business was brisk. A long line stretched all the way back to Carrie’s tables. It was a Friday, after all. People were cashing paychecks or getting money for the weekend. There were more people working than he expected.

Ian returned his attention to his application and filled out most of it. “Salary desired” said one of the last spaces. As an undergraduate lecturer, he’d been making over forty dollars an hour, but he couldn’t get that here. What was minimum wage these days? He didn’t know. Was fifteen dollars an hour too much to ask for? He wrote it in, scratched it out and wrote in sixteen. Maybe it should be less, and he scratched out the whole space. Now it was too sloppy. He folded the application in half and put it in his blazer. He’d ask for another. He laid down the pen, took a sip of coffee, and looked around again. It was a great place to watch people as they came from all directions.

Ian spotted a woman with a white scarf come from the hallway and restrooms to the left of the teller area. She sashayed toward him like a model, wearing tight jeans and a killer push-up halter-top in green, and, despite her sunglasses, Ian knew their eyes connected because she smiled. He smiled. Definite connection. She then fiddled in her purse, standing at the end of the banking line near him. Today was working out after all. Another possibility: she could be Stella in A Streetcar Named Desire. She was gorgeous, had that sense of intelligence, and might be looking for kindness from strangers. Maybe she would be the one, his one, the one who’d make the last relationship fiasco with Pierra just a stumble on his path—not to mention the vitriol from his female student, the one who’d gotten him fired. How could he get her attention again? He cleared his throat. Nothing. Then he sneezed really hard. She and a few others in the line turned around. “Gesundheit,” she said. Their eyes connected again.

“Thanks,” he replied. She returned to her purse and pulled out a gun. She shouted, “This is a holdup. Everyone lie on the floor. Shut your eyes!”

The tellers and everyone dropped. So did the people at Carrie’s. So did Ian. Only the music playing in the background, Rod Stewart’s “Maggie May,” kept going. Stewart said, “Oh, Maggie.”

Ian’s blood pounded so loudly in his ears, and his breath came with such difficulty, that he thought he might pass out. He shouldn’t have come here. Coincidence again? He could hear Cromley quoting Mamet from Ian’s dissertation: “It is difficult, finally, not to see our lives as a play with ourselves as hero.” He didn’t feel heroic in the least. Was this determinism at work? If he hadn’t missed his exit, he would have been home and would have missed this. We are what we do.

Ian could hear footsteps near him, one set, then another. Accomplices? Ian didn’t see any of the action because his cheek lay against the marble floor and his eyes were closed. Best to do what they wanted. He could hear movement in the teller area, then sounds of bank drawers opening.

Ian opened one eye. People lay around him like fallen mannequins, unmoving. The hold-up woman’s legs were like denim saplings. She wore tight boots with sharp heels.
A shot rang out, then another, and Ian squeezed both eyes so hard he’d hope it’d keep all bullets away. A man screamed in agony.

“Why’d you do that?” shouted the woman.

“He had a gun,” her male accomplice yelled back.

Ian looked. Who got shot?

“Help… me,” groaned a male voice.

Ian lifted his head. The woman pressed hard on the guard’s shoulder to stop blood, which covered his shirt and her hand. She looked upset about it, ripping the guard’s shirt to make a tourniquet. Two men were behind the tellers’ counter bagging money. One of them, a tall burly guy with perspired underarms, had a ski mask on, but the other, a thinner man, had no mask, only a thin mustache, sunglasses, and a baseball cap. No one else moved.

Ian quickly lay back down, but he was breathing faster. If he died, would anyone know to call his parents in Winnipeg? Would they care if he died? Did anything in his wallet say Winnipeg?

At least he was in his good blazer and pants. His mother had told him as a kid to always wear clean underwear in case he was found dead that day. Today might be the day, and he had not only clean underwear, but also a new silk tie from Macy’s, one he bought for the committee. Maybe he shouldn’t have worn good clothes and clean underwear. Maybe the grim reaper would stay away if he’d worn yesterday’s boxers and a dolphin T-shirt from Tijuana.

“Zetta,” shouted the gunman. “Leave him be. We gotta go.”

He said her name? That wasn’t bright, thought Ian.

“Keep bagging,” Zetta said back. In a softer voice she added, “You shouldn’t have done this.” Ian again looked up. He had to see. There was blood on the marble. Zetta, however, was twisting a tourniquet on the guard’s upper arm. The guard was totally immobile, breathing hard, and his eyes stared toward the ceiling. The man looked to be in shock, perhaps even close to death.

A siren broke the silence. No—there were sirens, plural.

“It’s past two minutes,” said the man with the mustache in a high voice and sweaty face.

“To the car,” said the woman, jumping up, and the two men bounded over the counter.
“A hostage,” said the burly guy. “Which one?” Ian kept low, thinking to himself, please no, please no.

“I don’t know,” she said.

“How about one of the tellers?”

“No.”

“The woman by your feet?”

“No,” said Zetta.

“Who then?”

Not me, not me, not me, thought Ian.

The woman said, “Him!” and Ian’s heart leapt, hoping it was someone else, but he was prodded.

“You!” said the ski-masked man who yanked Ian up. “Go!” The man shoved what had to be a gun into Ian’s neck. Ian stumbled forward, his mind whirling, wondering if he’d live out the hour.

“Hurry,” said the man.

Two people lying on the floor, a young man in blue jeans and a white T-shirt near the front door and a young woman, perhaps his girlfriend, in a yellow short dress, sprang up panicked as if this were their only chance. Stupid! Ian thought, and the gun behind Ian exploded twice more. The young woman fell with just a thud, her head now showing brains, and the young man shouted, his white T-shirt starting to turn red on the side. Shit, shit, they’re dead, I’m dead thought Ian.

BOOK DETAILS:

Genre: Thriller/Suspense
Published by: White Whisker Books
Publication Date: June 1, 2013
Number of Pages: 240
ISBN: 9780983632962
NOTE: Graphic Violence

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Guest Author AILEEN G. BARON

WELCOME AILEEN G. BARON

AILEEN G. BARON

Aileen G. Baron has spent her life unearthing the treasures and secrets left behind by previous civilizations. Her pursuit of the ancient has taken her to distant countries—Israel, Turkey, Jordan, Greece, Britain, China and the Yucatan—and to some surprising California destinations, like Newport Beach, California and the Mojave Desert.

She taught for twenty years in the Department of Anthropology at California State University, Fullerton, and has conducted many years of fieldwork in the Middle East, including a year at the American School of Oriental Research in Jerusalem as an NEH scholar and director of the overseas campus of California State Universities at the Hebrew University. She holds degrees from several universities, including the University of Chicago and a Ph.D. in Anthropology from the University of California, Riverside.

The first book in the Lily Sampson series, A FLY HAS A HUNDRED EYES, about the murder of a British archaeologist in 1938 in British mandated Palestine, won first place in the mystery category at both the Pikes Peak Writers conference and the SouthWest Writers Conference. THE TORCH OF TANGIER, the second novel in the Lily Sampson series, takes place in Morocco during WW II, when Lily is recruited into the OSS to work on the preparations for the Allied invasion of North Africa, Operation Torch. In THE SCORPION’S BITE, Lily is doing an archaeological survey of Trans-Jordan for the OSS.
Connect with Ms. Baron at these sites:

WEBSITE    TWITTER   

Q&A with Aileen Baron

Do you draw from personal experiences and/or current events?
For A FLY HAS A HUNDRED EYES, I drew on my own experience as an archaeologist and on my passion for the mystique of Jerusalem. The story is based, in part, on an actual event. During the British Mandate of Palestine, in 1938, a famous British archaeologist, James Starkey, was murdered on his way to the opening of the Rockefeller Museum in Jerusalem. He was noted, incidentally, for his stinginess, his surly disposition, and lack of sympathy for his workers. The British police never bothered to find out who killed him, and the story going around was that he was so nasty that nobody cared. Eventually, failure to look into his murder became a standing joke among archaeologists. In the field, students working on sites in the Near East would sometimes say to their professors, “Don’t work us too hard, or we’ll pull a Starkey on you,” and start laughing. So for my first mystery, I had a ready-made murder to solve.

Jerusalem was in chaos in the summer of 1938. Terrorists roamed the countryside, the British were losing control of the Mandate of Palestine, and the atmosphere was fraught with conflict, as Europe prepared for World War II. With this backdrop of Palestinian and international tension, I changed the name of the murdered archaeologist, and let my imagination take off from there.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
I usually start by leading up to a critical incident, like Starkey’s murder, and try to find a satisfactory resolution, weaving in scenes, going back and forth in my mind until a story takes form.

Your routine when writing?  Any idiosyncrasies?
When I am into writing a book, wonderful words and phrases tumble into my head while I’m in the bathtub. Sometimes by the time I get out of the tub and dry off, the words and phrases are gone, or not as wonderful as I thought. On the other hand, I do my best thinking while on the freeway. I sort of zone out and drive automatically, just following the car in front of me.  Once I followed a car into someone’s driveway in Pasadena. I felt like a fool, looked around and said, “Where am I?” like someone coming out of a blackout.

Is writing your full time job?  If not, may I ask what you do by day?
I began writing mysteries after I retired from my full time job as an archaeology professor at Cal State Fullerton.

  Who are some of your favorite authors?
It’s hard to say. I like to read. If the book is well-written, I can get lost in it. I like Mark Twain, read everything he ever wrote. When I was a child, I adored Alice in Wonderland, and Through the Looking-glass and laughed and laughed when I read them. I still love them. The first book I read all by myself was The Last of the Mohicans, and said nothing but Ugh! for the next two weeks because I was Chingachgook. After that, I read all of Cooper’s Leather-Stocking tales. Natty Bumpo became my hero, although I sometimes conflated him with Robin Hood, because both were heroes, were extraordinary marksmen, and lived in the woods. I seem to be the exception to the rule about woman mystery writers. Nancy Drew mysteries were not my favorite reading. The mysteries I read were in the pulp magazines that my father read on his commute into the city. The Shadow knows!

My favorite mystery writers from the golden age of mystery are Raymond Chandler, for his skill with words, and of course, Agatha Christie, because she is the patron saint of archaeologists. Of current writers, I like Lawrence Bloch and Ken Follett and Daniel Silva and Rhys Bowen and others too numerous to mention.

What are you reading now?
I  just started reading Dark of the Moon, a Virgil Flowers book by John Sandford.

Are you working on your next novel?  Can you tell us a little about it?
I just finished working on Return of the Swallows, the next book in the Tamar Saticoy series, in which Tamar, part-time archaeological consultant for Interpol, becomes mired in the devious world of museums and the antiquities trade, ranging from Thailand to California. Tamar was first introduced and recruited by Interpol in the mystery, The Gold of Thrace, published by Poisoned Pen Press in 2010.

In Return of the Swallows, Tamar finds a burnt body while working on the salvage excavation of a burnt mud-brick wall at Mission San Juan Capistrano. Tests reveal that the body is that of a contemporary murder victim, probably a native of the Khorat Plateau in Thailand, where an archaeological site is being looted. Tamar becomes embroiled in a labyrinth of deception and danger in her attempts to identify the body of the victim at the Mission and, working with Interpol, his link to the looted Thai site.

The looting of archaeological sites can be lucrative, and has resulted in murders, as well as connections with international contraband activities. The plot of Return of the Swallows is based, in part, on a real occurrence. I was personally aware of all the details, and knew all the principals, from the archaeologist whose site had been looted to the curators in the museums that received the stolen goods.  A Red Notice by Interpol involving the tie-in between the looted Thai site and several museums in the Los Angeles and Orange County areas resulted in Federal indictments.

ABOUT THE BOOK

In the summer of 1938, Jerusalem is in chaos and the atmosphere teems with intrigue. Terrorists roam the countryside. The British are losing control of Palestine as Europe nervously teeters on the brink of World War II.

Against this backdrop of international tensions, Lily Sampson, an American graduate student, is involved in a dig—an important excavation directed by the eminent British archaeologist, Geoffrey Eastbourne, who is murdered on his way to the opening of the Rockefeller Museum. Artifacts from the dig are also missing, one of which is a beautiful blue glass amphoriskos (a vial about three and a half inches long) which Lily herself had excavated. Upset by this loss, she searches for the vial—enlisting the help of the military attaché of the American consulate.

But when she contacts the British police, they seem evasive and offputting—unable or unwilling either to find the murderer or to look into the theft of the amphoriskos. Lily realizes that she will get no help from them and sets out on her own to find the vial. When she finds the victim’s journal in her tent, she assumes he had left it for her because he feared for his life.

Lily’s adventurous search for information about the murder and the theft of the amphoriskos lead into a labyrinth of danger and intrigue.

This impressive historical mystery novel has already won first place in its category at both the Pikes Peak and Southwest Writers Conferences in 2000.

READ AN EXCERPT

CHAPTER ONE
Later, Lily would remember the early morning quiet, the shuttered shops in the narrow lanes of the Old City. She would remember that few people were in the streets — bearded Hassidim in fur-trimmed hats and prayer shawls over long black cloaks returning from morning prayer at the Wailing Wall; an occasional shopkeeper sweeping worn cobbles still damp with dew.

She would remember the empty bazaar, remember that the peddler who usually sold round Greek bread from his cart near Jaffa Gate was gone.

She would remember the crowd of young Arabs, their heads covered with checkered black and white kefiyas, waiting in the shade of the Grand New Hotel, leaning against the façade, sitting on window ledges near the entrance; remember them crowded under Jaffa Gate in a space barely wide enough to drive through with a cart, standing beneath the medieval arches and crenellated ramparts, faces glum, arms crossed against their chests, rifles slung across their backs, revolvers jammed into their belts. One wore a Bedouin knife, its tin scabbard encrusted with bright bits of broken glass. Only their eyes moved as they watched her pass. Lily remembered holding her breath, pushing her way through, feeling their body heat, snaking this way and that to avoid touching the damp sweat on their clothing. No one stepped out of her way.

She would remember the bright Jerusalem air, fresh with the smell of pines and coffee and the faint tang of sheep from the fields near the city wall; the empty fruit market, usually crowded with loaded camels and donkey carts and turbaned fellahin unloading produce, deserted and silent. Vendor’s stalls, looking like boarded shops on a forlorn winter boardwalk, shut; cabs and carriages gone from the taxi stand.

She would remember the pool at the YMCA, warm as tea and green with algae, and the ladies gliding slowly through the water, wearing shower caps and corsets under their bathing suits, scooping water onto their ample bosoms, gathering to gossip at the shallow end. She would remember swimming around them with steady strokes, her legs kicking rhythmically, and the terrible tempered Mrs. Klein, blowing like a whale, ordering Lily to stop splashing. A tiny lady holding onto the side of the pool and dunking herself up and down like a tea bag nodded in agreement; Elsa Stern, the little round pediatrician with curly gray hair, gave Lily a conspiratorial wink and kept swimming laps.

She would remember it all. Everything about that day would haunt her.

###

Lily Sampson was on her way to the new YMCA on Julian’s Way that morning, to catalogue pottery from the Clarke collection in the little museum being built in the Observation Tower.

She had stayed at the YMCA four years ago when it first opened in 1934 and reveled in its splendor, in its graceful proportions, in its arches and tiled decoration, its tennis courts and gardens, and the grand Moorish lobby paved with Spanish tiles. It had a restaurant, an auditorium where Toscanini played, and a swimming pool — the only one in Jerusalem. Tourists came to ooh and ah and told her this was the most beautiful YMCA in the world. They would climb the Observation Tower for a view of the city and look through telescopes into windows of apartments on Mamilla Street and Jaffa Road.

Lily went there to use the swimming pool three times a week when she was in Jerusalem, walking from the American School through the quiet lanes of the Musrara quarter, or cutting through the Old City.

At five minutes to nine, her hair still damp against her ears, her eyes stinging from chlorine, Lily climbed the six flights to where the little museum would be.

Sheets of glass and wooden shelving for cases were stacked against the wall in the corner of a large, bare room that held only an old table, two wooden chairs, pottery wrapped in newspapers and stowed on the floor in old grocery cartons, and a wall clock that said four minutes before nine.

Eastbourne had said he would be here around nine o’clock. Lily suspected that if Eastbourne agreed to help her today, he had reasons of his own. She was grateful that he recommended her for this job, grateful for the small windfall from cataloguing pottery during the short break in excavations at Tel el Kharub.

Lily stepped onto the balcony that opened off the museum, holding her breath at the sight of Jerusalem, creamy gold in the morning brightness. The great gilded cupola of the Dome of the Rock glinted in the sun. The Old City, its stone walls adorned with towers and battlements, steeples and minarets, loomed behind the King David Hotel.

She could see the crowd of grim-faced young Arabs she had passed this morning at Jaffa Gate, now grown to two hundred or more. The tops of their heads bobbled like so many black and white beach balls.

Smoke twisted from small fires in the Valley of Hinnom. Lily looked through the telescope toward Government House on the crest of the Hill of Evil Council. She could just make out the Union Jack, flopping limply from its tower.

In the street, a dapper American tourist in a Panama hat and seersucker suit came out of the King David across the way.

The ladies left the YMCA one by one — Mrs. Klein, still frowning, her hair pulled back tightly in a bun, marched down the street; Dr. Stern walked toward the corner.

Lily heard Eastbourne enter the museum. “Let’s get to work.” He looked at his watch. “I don’t have much time.”

Full of his usual charm this morning, she thought. “I was watching for you,” Lily told him. “I didn’t see you in the street.”

“I had breakfast downstairs.”

“You actually ate here?”

“I was hungry for some good English cooking and a real breakfast.”

Of course you were, Lily thought. Good British housewives get up early every morning to cool the toast and put lumps in the porridge.

“You don’t have a cook at the British School?”

“He’s an Arab. This morning I had ham and eggs.”

Lily noticed the newspaper under his arm and twisted her head to read the headlines. Eastbourne folded it into a small packet and put it in his pocket.

“I haven’t finished with the paper,” he said, looked out at the street, and checked his watch again.

On the wall clock, it was exactly 9:00 a.m.

The sound of an explosion from somewhere in West Jerusalem rocked the air.

After a tick of silence, a shout of “Allah Akbar” erupted in a fullthroated roar from the crowd gathered at Jaffa Gate.

Lily rushed to the balcony, with Eastbourne close behind her. A mob spewed out of the Old City, propelled by the rhythmic chant, onto Mamilla and around the King David Hotel, and spread in a torrent toward West Jerusalem.

Five or six men carrying rifles ran down Julian’s Way and encircled a truck, rocking it back and forth until it turned over. At first the impassioned madness and destruction seemed strangely distant to Lily, choreographed and rehearsed, like a slow-moving pageant. She watched three men rush from the gas station at the turn of the road with full jerry cans, spilling gasoline on the street as they ran.

Waving fists, brandishing rifles, kefiyas flying in the wind, the horde swarmed into the warren of back streets with old Jewish shops and houses, down Jaffa Road toward Zion Circus. The blare of sirens, scattered shouts and screams carried from the direction of West Jerusalem on wind heavy with smoke.

Lily heard the crash of shattering glass and looked toward Mamilla to see a man with a jerry can splash gasoline through a shop window. A rumble of flames erupted and danced in the currents of heat from the rush of the blaze.

“It’s that bloody Grand Mufti, el Husseini,” Eastbourne said. His nostrils dilated with anger, and he wiped his hand across his mouth. “You can’t trust him. He must be orchestrating this from Syria, with the backing of Hitler and his crowd.”

The tourist from the King David, his back arched in a posture of fear, stood in the middle of the street now, tilted this way and that by rioters who swirled around him as if he were a lamppost. Eastbourne watched from the doorway, looking toward the tourist in the Panama hat, and glanced at his watch again.

Mrs. Klein advanced on the rabble like a tank, shouting and flailing her arms. The mob surrounded her while she punched and kicked and screamed. They pressed against her, pushing her back onto the road. She floated to her knees, her skirt billowing around her, falling to the asphalt, her hair undone and sticky with blood that began to puddle on the pavement.

Dr. Stern turned back, hurrying toward her friend splayed on the sidewalk. A man careened to face Dr. Stern, stepping into her path, thrusting a fist in her direction as if to greet her. Her eyes widened, her mouth opened, and she staggered against him. He pushed her away and slowly, carefully, she plummeted straight down, silent, onto the sidewalk. Lily closed her eyes and turned away from the balcony back to the notebook on the table, back to the comfort of the past to count clay lamps, juglets, burnished bowls with turned-back rims. She picked up a lamp, the nozzle smudged with ancient soot, and put it down again, drawn back to the balcony with a horrified fascination.
The tourist in the seersucker suit, without his Panama hat, disappeared into the revolving door of the hotel.

“Get inside,” Eastbourne said. “This isn’t a peep show.” He looked at the street. “When this is over, they’ll cover the bodies, take them away, and hose down the streets.”

What will be left in two thousand years, Lily wondered? Just a thin layer of charcoal, without memory, without skeletons to mark the day, just one more level in the stratigraphy of Jerusalem?

People hung out the windows of the King David Hotel, one man with field glasses, others leaning against balcony railings, some aghast, some curious. A father led his small daughter inside, shut the door and pulled down the blinds.

The tourist in the seersucker suit was gone now.

Dr. Stern lay on her side in the street. Little rivulets of blood seeped from beneath her, flowing downhill and staining the pale blue cloth of her skirt. The little tea bag lady lay stretched out on the steps of the YMCA as if she were sleeping in the wrong place.

Mrs. Klein lay in a widening dark pool, her hair, beginning to mat with blood, loose and wild against the asphalt. She looked oddly peaceful, her frown gone, her jaw fallen open in death. False teeth lay beside her softened cheek. A man stopped, looked at the teeth on the sticky pavement, picked them up, wiped the blood on his sleeve, and put them in his pocket. He pulled a knife from his belt and, brandishing it, ran on toward Mamilla.

“The name Jerusalem means City of Peace, you know,” Eastbourne said. Shuddering, Lily edged back to the table. The haze of smoke from the fires, the blare of fire trucks, the sounds of sirens from ambulances, of sobs, of wounded and mourners, of shutters ringing down with a clatter, penetrated the room. Lily was drawn to the balcony, and back inside to the table, too mesmerized to stop, too terrified to watch, mourning for the ladies who would never again skim across the green water, for Canaanites and Jebusites, for Israelites and Judeans, for Crusaders and Mamelukes who fought in this city with its twisted streets, its strange mystique and power, its heritage of blood and vengeance.

“Go downstairs and get me a packet of Players,” Eastbourne said, reaching into his pocket. “Here are fifty mils. Bring me the change.”

Lily dropped the money when he held it out. Her fingers numb and shaking, she picked it up slowly. “Sorry. I wasn’t looking,” she said and turned toward the door.

In the lobby, the desk clerk looked at her dumbly, his eyes glazed, his face pale. A bushy mustache hid his mouth and quivered when he spoke.

“Rioting in the streets and you ask for cigarettes,” he said in a hushed monotone. “Cigarettes? Are you mad?”

“Players,” Lily repeated.

“I don’t sell them here. In the dining room.”

Lily went into the dining room. The desk clerk followed and placed himself behind the bar.

“Players,” Lily said again and put the money on the counter. He counted it and pushed back the change. “You cold-blooded English. You have no feelings. Here are your cigarettes.”

“I’m an American.”

“Crazy American. You’re all the same.”

Lily climbed the stairs, catching her breath at the landings, looking down empty halls at laundry carts stacked with fresh linens for unmade beds. She felt heat from hidden pipes radiate through the whitewashed walls, heard the elevator knock and clatter as it moved from floor to floor.

On the sixth floor, the museum was silent. The notebook was still open on the table; the clay lamp was where she had put it down. And Eastbourne was gone.

BOOK DETAILS:

Genre: Mystery
Published by: Aileen Baron
Publication Date: September, 2013
Number of Pages: 217
ISBN:
Mobi: 978-0-578-12887-0
epub: 978-0-578-12888-7
POD: 978-0-578-12956-3

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Guest Author FRANCES FYFIELD

WELCOME BACK FRANCES FYFIELD

FRANCES FYFIELD

“I grew up in rural Derbyshire, but my adult life has been spent mostly in London, with long intervals in Norfolk and Deal, all inspiring places. I was educated mostly in convent schools; then studied English and went on to qualify as a solicitor, working for what is now the Crown Prosecution Service, thus learning a bit about murder at second hand. Years later, writing became the real vocation, although the law and its ramifications still haunt me and inform many of my novels. I’m a novelist, short story writer for magazines and radio, sometime Radio 4 contributor, (Front Row, Quote Unquote, Night Waves,) and presenter of Tales from the Stave. When I’m not working (which is as often as possible), I can be found in the nearest junk/charity shop or auction, looking for the kind of paintings which enhance my life. Otherwise, with a bit of luck, I’m relaxing by the sea with a bottle of wine and a friend or two.”-Frances Fyfield
Connect with Frances at these sites:

WEBSITE       

ABOUT THE BOOK

Pip Carlton is a devoted husband and a highly respected pharmacist, cherished by his loyal customers. When his wife dies in her sleep, with no apparent cause, he is distraught. Comforted by his caring assistant, Pip ignores the rumors about Margaret’s death, relieved that the police seem to have moved on.

But Prosecutor Helen West refuses to believe that Margaret simply slipped into her final slumber. As she probes deeper into the affairs of the neighborhood, she uncovers a viper’s nest of twisted passion, jealous rage, and lethal addictions.

As a sudden act of violence erupts, shaking the community, one lone man, armed with strange love potions, prepares to murder again…

READ AN EXCERPT

Pip Carlton is a devoted husband and a highly respected pharmacist, cherished by his loyal customers. When his wife dies in her sleep, with no apparent cause, he is distraught. Comforted by his caring assistant, Pip ignores the rumors about Margaret’s death, relieved that the police seem to have moved on.

But Prosecutor Helen West refuses to believe that Margaret simply slipped into her final slumber. As she probes deeper into the affairs of the neighborhood, she uncovers a viper’s nest of twisted passion, jealous rage, and lethal addictions.

As a sudden act of violence erupts, shaking the community, one lone man, armed with strange love potions, prepares to murder again…

He checked the window, but the unbearable sobbing continued and suddenly the idea was fully formed, plucked out of cold storage into the stuffy heat. The window was shut. No ventilation, no moving air as he returned to bed and took her stiff little body in his arms.
‘Come on, sweetheart, there, there, there.’ She clutched him so hard he could feel her long nails digging into his shoulders. His sweating had stopped and his skin to her touch felt as cold as ice.

BOOK DETAILS:

Genre: Crime Fiction
Published by: Witness Impulse
Publication Date: 1/21/2014
Number of Pages: 276
ISBN: 9780062303967

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