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INVISIBLE JUSTICE by Gary Brown #AuthorInterview

INVISIBLE JUSTICE by Gary Brown Banner

INVISIBLE JUSTICE

by Gary Brown, M.D.

September 7 – October 16, 2026 Virtual Book Tour

Synopsis:

INVISIBLE JUSTICE by Gary Brown

Dr. Kyle McMann became a physician to save lives. But when she watches violent criminals escape punishment again and again, she begins to question whether the system designed to protect the innocent actually protects the evilest of villains.

Haunted by the death of her younger brother—which she’s sure she could have prevented—Kyle is drawn into a clandestine cabal called The Tribunal. Its members include physicians, intelligence specialists, and former military operatives who secretly hunt down murderous criminals that have escaped the law.

They deliver surgically precise punishment that mirror the crimes committed by these vile homicidal maniacs, disguising them as natural medical events.

Transplant surgeon Dr. Graham Kurland, a decorated former Army Ranger struggling with the scars of war, finds himself pulled into Kyle’s life-and-death efforts to protect the defenseless and punish the guilty. As the two doctors grow closer, they must confront the moral and deadly consequences of the vengeance the Tribunal has inflicted.

Praise for Invisible Justice:

“rapid-fire action scenes … make the pages turn easily … a delicate balance between interior emotional examination and tough medical drama … the main players are subtly and fully developed.”
~ Kirkus Reviews

“A compelling, fast-paced read that combines suspense with meaningful explorations of grief, accountability, and moral responsibility. It is both an entertaining thriller and a powerful examination of what happens when ordinary people decide that the law is no longer enough.”
~ Mary Karnes, Author, Wedding Bride Doom

“Dr. Gary Brown has created a rip-roaring ‘Dexter with Doctors’ thriller, using his deep-dive knowledge of medical catastrophes, hard-earned as they were by one of America’s top eye surgeons, from slicing into eyeballs for decades. It’s so much fun to watch brilliant medical minds figure out how to murder, with as much pain as humanly possible, evil bastards who prey on the innocent. There’s a fantastic love story between two hot yet damaged doctors trying to find love in a world full of blood, guts, death, and the miraculous saving of lives. This is the kind of book you keep thinking about as you go through your day and can’t wait to get back to, just to see who dies next and in what excruciating way they bite the dust, knowing full well that the events are not natural.”
~ Henry Sterry, bestselling author of Chicken.

“Dr. Gary Brown blends his considerable medical acumen with gripping storytelling ability to take the medical thriller to new heights. Gary is an artistic master who entertains, educates, and tantalizes our intellect . . . I can’t wait for the next book.”
~ Timothy W. Olsen, M.D. Professor and Consultant of Ophthalmology, Mayo Clinic; Chair Emeritus, Emory University; Founder, iMacular Regeneration, LLC

“Gary, I found your book wonderful . . . I just kept turning the pages. I couldn’t stop. I wanted to know what happened next?. . .What happened next?. . . What happened next?. . . It unfolds in a really good way. I like that being a doctor, you have access to that kind of information. And your protagonist is a woman. She ends up joining this thing called the Tribunal, which is kind of like a – we talked about this earlier – Dexter on Steroids – as she gets the bad guys. I like reading thrillers, whether they’re legal or in this case medical. I think you’ve done a really great job. So, congratulations on your book.”
~ Jack Canfield, author of Success Principles and co-author of the Chicken Soup for the Soul Series with over 600 million sales

INVISIBLE JUSTICE Trailer:

Book Details:

Genre: Medical Thriller
Published by: Level Best Books
Publication Date: April 28, 2026
Number of Pages: 416
ISBN: 979-8898201494
Series: A Kyle McMann & Graham Kurland Medical Thriller, Book 1
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub | Level Best Books

Read an excerpt:

Chapter One

Outside the Surgical Emergency Room

Grady Memorial Hospital, Atlanta, Georgia

Kyle McMann groaned as she paced on the Grady Memorial Hospital Emergency Room ramp, her eyes tracking the incoming ambulance. She prayed this wasn’t another twenty-five-year-

old—her exact age—stiffened by rigor mortis, still cradling her crying infant son in her arms. She was haunted by the mother’s lifeless stare that sent shivers down her spine. Obviously, some evil bastard shot her close up as she held her baby.

Kyle had picked the short straw, as per usual. She was starting her career as an intern in the Surgical Emergency Room of Grady, the Mount Everest of U.S. shock-trauma centers.

Unlike most hospitals that had one ER, this godforsaken medical behe-moth had three: the Surgical ER, the Medical ER, and the Pediatric ER. Each had its own unique variants of traumatizing trauma.

It was dark by nine p.m. on Thursday, July 5th, and she shielded her eyes from the strobing reds and blues. It was her job to screen the incoming “clients.”

Though not specified in the hospital bylaws, inherent in the mission of the lowest of the low on the professional totem pole was ramp duty.

Aka processing the worst of the worst and pronouncing the dead bodies dead.

Didn’t get much grimmer than that.

Her mind flashed back to this morning’s thirty-one-year-old basketball phenom with bacterial meningitis. A day ago, a vibrant human being. Now approaching his maker with a devastated brain failing on a respirator despite the efforts of the best infectious disease minds on the planet.

She’d been there for five days, and already it was wearing her out. Facing the families.

The tears. The sobbing.

Parents collapsing.

It was like everyone fell from the tree of horrors and hit each branch on the way down.

Her fight or flight reflex kicked in, and she sprinted to the ambulance, sharp brown eyes focused, runner’s body whipping towards the EMS vehicle, coughing out the black exhaust that smacked her face-on and splayed her middle-parted chestnut brown hair in both directions. Staying on the driver’s side, she peered in as the BLS 911 Emergency Ambulance backed into the ramp.

“What is it?” she shouted as the driver rolled down his window.

“Bad one, doc. Bleeding like a stuck pig. A bunch of kids worked him over with bats and knives. You want to get in here fast.”

Kyle’s heart sank as she ran back and yanked open the rear door. She jumped in before the van came to a full stop.

Blood.

And more blood.

A vampire’s wet dream.

On the sheets. The floor. Smeared on the windows.

“Come on!” she shouted to the half-panicked tech staring at the abdomen. “Let’s get him inside.”

The two front EMTs ran around back and pulled the stretcher out. The group slammed through the steel and glass doors into the ER.

“WAIT A MINUTE!” Ellen Chu, the hard-as-a-rock head nurse, blocked their path and held up her hand. “What’s going on?”

Kyle spoke up from behind. “Let ’em through. We’re going to Trauma, stat.”

She pushed the stretcher, sweeping Ellen aside, then looked back over her shoulder. “And call Eli.”

The Trauma Room was halfway down the hall. It was larger than the rest, so more people could fit in to stabilize the endless stream of broken bodies in this war zone.

Kyle slipped in before the men and slapped the trauma room table. “Here. Let’s move him. One, two, three.”

They lifted the patient from the stretcher using the draw sheet underneath him.

He was light. Must be a kid, Kyle thought.

She peered into the open abdomen. The wound stretched all the way across the belly.

“Oh, man,” she cried as she catapulted back.

An arterial pumper squirted blood into the air, hitting her directly in the right eye.

Everything she learned drained from her mind. She went from flight/fight to freeze.

All she could see was that fountain of red shooting up from the patient’s pulsating bowel.

Where the hell was Eli?

Her stomach dropped from the sheer helplessness of it all.

Think, dammit. THINK!

Ellen poked her head around the corner.

Kyle looked up from the bowel, snapped out of her stupor, and wiped blood from her face with the arm of her white lab coat.

“Where’s Eli?”

“I told him to get his ass down here stat.” Ellen looked at the spurting blood, then back at Kyle and said, like it was the most obvious thing in the world: “Shouldn’t we start an IV?”

“Yeah, yeah, uh, good idea.” Kyle shook her head and mentally kicked herself. Four years of working her ass off, and she couldn’t even think of an IV? What kind of a moron was she?

“I’ll put in the IV,” Ellen said hard and fast, “but you’ve gotta get that bleeder, or he won’t last until Eli gets here.” The ambulance attendants backed off while Ellen tossed Kyle a large Kelly clamp, then ransacked the drawers for an IV.

“Kyle?!” she barked, “C’mon, let’s go.”

Kyle faced the patient, ready to save his life. Then she froze. Again.

Sure, she’d been through the surgical rotation, but only as a second or third assistant. She’d read all the books. But books didn’t shoot blood at you while you tried to stop them from dying.

It was her first week in the ER, for fuck’s sake.

She wasn’t even a real doctor yet. Real doctors knew what they were doing.

“Kyle, SNAP OUT OF IT!” Ellen shouted.

“Okay, sorry…” Kyle muttered as she sprang out of her stupor.

She pulled on a pair of surgical gloves and yanked the suction catheter from the wall. The long plastic tube slurped the liquid blood and dark clots from the open wound to expose a glistening bowel.

There it was.

The base of the bleeder.

She took the Kelly clamp and went for it. Blood splattered her face again.

Now it was in her left eye.

What if he had AIDS?

Or hepatitis?

“Damn!” She missed.

The blood was pooling.

And the bleeder was going down again.

In another second, it would disappear below the surface of a new red pond.

She went for it once more, holding her right wrist to steady her hand.

“Gotcha, you little bastard.” “What’s going on?”

Kyle squinted to keep more blood from rolling into her eyes as she growled at Eli, finally strolling in like the cool customer he was. “Nice of you to stop by.”

The second-year surgery resident leaned over to inspect the wound. “Looks to me like you’re doin’ a-okay to me, Newby.”

A clot dislodged from another severed vessel.

Blood spewed two feet and caught Eli in the cheek. “Okay, well, maybe you do need a little help from your friends.”

He wiped his face with a green towel and snapped on a pair of tan gloves. “Kyle, gimme the suction catheter. I’ll work here. You put a second IV in his other hand. Ellen, call the OR. Tell them we’re coming up stat.”

Kyle was happy to slide aside. She grabbed the patient’s right hand and smacked the back of it a half dozen times to raise a vein. It was no easy matter considering the scar tissue covering the vessels.

Strange. She’d given her little brother a scar like that once. Brian had been chasing her in the house, and she slammed the bathroom door on his hand as hard as she could.

The poor kid. She remembered it like it was yesterday. She’d cried for nights when she saw the skin torn back and the tears running down his little pink cheeks.

She stared at the patient’s face. Except there was no face.

No pink cheeks. Nothing close to normal human features. Only bloated purple lips, swollen shut eyes, and the disfigured pulp left by the vicious stomping. His facial bones had to be fractured beyond recognition.

Eli clenched his teeth, his casual nonchalance gone. “Son of a bitch!” “What? What’s the matter?” Kyle asked.

“Every time I grab a damn vessel, another pops up.” Even Eli, the king of chill, was sweating. Something he rarely did. “We’ve gotta get this bowel fixed, or we won’t have to worry about the rest of him.”

Ellen careened around the doorway corner on one hand. “They gave us the okay. Said to bring him right up.”

“Unlock this stretcher. LET’S GO!!!” Eli threw another clamp on the exposed gut.

The trio wheeled the stainless-steel stretcher as fast as they could into the main corridor of the ER, then down the dim hallway, with Kyle sprinting at the side.

She looked down at the abdomen. Blood was oozing everywhere. She ran ahead and punched the erratically blinking, red “UP” button. Twice. Three times. Four…Eli, Ellen, and the patient arrived in seconds.

Kyle’s foot tapped on the floor, and she bit her lower lip as she stared at the patient’s hand. Was she going to lose this one, too?

Her mind disassociated as she waited for the clanking elevator. She needed to stop after work to stock up on Fritos. Brian was visiting on Monday. Just out of tenth grade, this was his first solo trip by train. It was a wonder Mom let him come, especially for two days. She hated being alone since Dad died. But she’d finally relented when he expressed such a strong interest in Emory University. He so wanted to follow his big sister’s path, only on the veterinary side.

“No pulse,” Ellen said as she felt the patient’s neck and looked up from the head of the stretcher with wide eyes.

Eli reached for a confirming feel, then looked back toward the ER, hesitant for a moment.

“We gotta get him to the OR,” he decided. “Kyle, you pump. I’ll breathe him.”

Kyle jumped onto the stretcher and straddled the patient with her legs, half-standing, taking care not to put weight on the open abdomen.

Knees flexed, she pushed down on his chest with both palms, counting off one-per-second thrusts that forced blood through his oxygen-starved body.

One of the clamps slipped, and blood squirted, spraying the crotch of her white house officer’s pants over and over.

She kept going.

Unless they got this poor kid’s heart started again, he’d be a brainstem preparation in ten minutes.

Eli sighed deeply and shook his head. “Not good, guys. Where’s a phone to call a code?”

He glanced left, then right. “Not even a fucking phone?” Cells were useless down here.

Ellen scowled and ran back to the ER, mumbling something unintelligible, though her tone needed no explanation.

“I don’t think I’m pumping him well,” Kyle said between heavy breaths. “Why not?” Eli asked.

“There’s no support under his back.” “God DAMNIT!”

Eli dropped the breathing mask, pushed the stretcher against the wall for stabilization, and pulled a sideboard out from underneath. “Turn him so I can put this under.”

Kyle stopped her thrusts and, standing on the stretcher with her back against the wall, lifted the left side of the patient’s body while Eli tried to slip the flat board underneath. The awkward position set off horrific pounding in her head, but not before she had him halfway over.

“Almost. Just a little more.”

The patient’s shirt slipped up.

The birthmark!

The brown oval over his right kidney!

Kyle’s shocked mouth dropped open. Instead of pulling harder, she dropped him.

The patient fell back on Eli and the board with a thud.

Kyle’s head snapped back and slammed against the hard tile wall abutting the stretcher. She could hear a crack as her head bounced.

The birthmark. The mark on his back—Brian’s mark. And with the hand scars?

NOOOOO!!!

Eli yanked his right hand out from between the board and the stretcher and shook it.

“Kyle! What the hell are you doing? Why’d you let go?”

The board crashed to the ground.

Kyle climbed down and grabbed the side of the stretcher, her head exploding with the worst pain she’d ever felt.

Eli held his hand and grimaced. “What’s wrong with you? Get moving, or he’s gonna die.”

“I—I can’t. I just can’t, I’m not, I don’t… I just can’t…”

“Why not?”

“I-I can’t.”

“Jesus Christ!” Eli uttered.

Then he shouted, “HELP, STAT!!! WE NEED HELP DOWN HERE!!!”

He hit a red wall alarm and climbed onto the stretcher. He pumped with his good hand while Kyle hugged the wall for support.

Brian.

Dear God, NOOOOO!

What was he doing here four days early? He never showed up anywhere early in his entire life.

Personnel poured from the stairways and into the hallway.

Eli jumped off and ran down the corridor, waving at the people pushing the stretcher back to the ER.

“Come on, move it, MOVE IT!”

Kyle stumbled after them in a daze. The seat of her pants dripped blood that splattered down to her green and white Nikes. Normally, the wetness would’ve driven her crazy. Now she watched and felt a cold nothingness.

While her head throbbed with an excruciating ache. As if it were on fire.

People ran past.

Someone was shouting in the distance. Bodies crowded the main ER.

Their faces were blurs.

She stopped outside the door to Trauma. Inside, it was alive with a flurry of activity, but the noises were far away.

Kyle stood alone, the Ghost of Christmas Past, looking in on people illuminated by the powerful overhead beams.

As she stood there wobbling, the noise stopped. Suddenly, the frenzied motion ceased.

White coats and pants came out singly and in pairs, silent, their heads hanging low.

Eli came last, biting his lower lip.

Only the solitary monotone of the cardiac monitor echoed through the door.

Kyle dropped back against a wall and slid to the ground, a hand pressing into each temple to try and hold in the jackhammer pounding inside her head.

Her mental and physical pains faded as she passed out into a black void.

Chapter Two

Seven Years Later

Pennsylvania Hospital, Eighth Street, Philadelphia, Pennsylvania

Graham Kurland, 6’ 5”, 230 pounds of sinew and muscle, strolled in the Pennsylvania Hospital parking lot like the former Purple Heart winner he was, a world-class warrior who’d traded his

weapons for a scalpel and become a rising star surgeon of the medical world, as well as a renowned transplant researcher. If you looked closely, you could see his assurance and graceful gait almost concealed the limp he’d had after a grenade’s shrapnel shredded his leg.

He was greeted by the occasional nurse who flirted, or a doctor who was in awe and/or jealous of the famous Dr. Kurland. But no matter how much attention he got—professional or personal—none of it ever went to his head. He either didn’t know or care how brilliant and easy on the eyes he was.

He was excited about the surgery he was scheduled to perform. A double renal artery in a recipient kidney. Much more difficult to implant than a single renal artery. So his XXL brain was working out each detail, making contingencies for everything that could go wrong. The donor kidney had two arteries supplying it, rather than the typical one. This anomaly made it more difficult to connect the donor kidney into the kidney recipient. Couldn’t be done without a great team. They were very good. But were they great? He thought so.

This was his last year of internal medicine residency. He had already finished his surgical residency and would be one of the select few in the country with Boards in Surgery and Medicine. He couldn’t have done it without his photographic memory. And his years as a kill-or-be-killed warrior. And a CEO who turned his dead father’s business into a cash cow. While raising his teenage brother.

BAM!

A car backfired loudly, like a shot being fired just outside the hospital.

Suddenly, Graham was in the middle of a raging battle in the desert outside Kandahar, missiles and bullets flying. Eddie Severs, his ride-or-die best friend, was by his side. Eddie took one step towards him, and the whole world exploded as he stepped on an IED.

Graham was thrown back, even as he saw Eddie blow up, blood and flesh flying as he screamed in agony and horror.

Graham felt a hand on his shoulder, and he whipped around, fists clenched, fire in his eyes, face full of rage, in full fight mode.

He snapped back to reality when he saw he was face-to-face with Nurse Beth Kelly, a fifty-something veteran of twenty-five years at Penn, the sweetest, kindest soul here. She was looking horrified at Graham’s hard, furious face, his body spring-loaded and ready to kill.

The look of terror on Nurse Kelly’s face jolted Graham back to sanity. He saw what he was doing and was overcome with shame and embarrassment. He forced his face into a disarming, charming grin.

“Sorry, Beth, oh my God, you scared the bejesus outta me. My apologies, I get a little wonky sometimes. I didn’t mean to scare you. I’m really sorry.” Beth’s face changed from scared to neutral to thoughtful to understanding to kind. She nodded and smiled her sweet smile. “PTSD,” she said with an understanding nod. “My husband served in Desert Storm. Gee willikers, I

know trauma’s a killer. I hope to heck you’re getting help.”

“Oh yeah, I went through the program, I just get a little sketchy when I hear, uh…”

“Loud noises? Like a gunshot. Or a car backfiring?” she gave him a wry little smile. “I get it.”

“Thanks, Beth, I really appreciate that. Maybe we could keep this, uh, you know…”

She made a funny little locking-her-lips-with-a-key gesture and did a slightly silly mock whisper. “What happens at Penn stays at Penn.”

Graham laughed. Beth laughed.

“Shall we?” Beth nodded and gestured towards the hospital.

“Yes, we shall,” Graham said with his trademark aw-shucks animal magnetism as they walked through the parking lot and into the rest of their lives.

***

Excerpt from Invisible Justice by Gary Brown, M.D. Copyright 2026 by Gary Brown, M.D. Reproduced with permission from Gary Brown, M.D. All rights reserved.

 

 

Author Bio:

Gary Brown, M.D.

Dr. Brown is a retired professor and vitreoretinal (eyeball for civilians) surgeon. He performed over 40,000 operations in his award-winning career. Among his honors are inclusion in Marquis Who’s Who in the World and The Leading Physicians of the World. He served as the editor of three medical journals and has 650 publications and 12 medical/economic book authorships. This is his debut novel.

Catch Up With Gary Brown, M.D.:

GaryBrownBooks.com
Goodreads
Facebook – @GaryBrownMD

 

Q&A with GARY BROWN, M.D.

Can you tell us a little about yourself and your background?
I am a debut novelist at age 77. I had a prior 40-year career as a retinal surgeon. But ever since I was young I wanted to be a writer, too.

What was the inspiration for this book?
My career in medicine inspired this book in two ways: First, I wanted to write about what I knew, and so the book is filled with interesting medical and biological details. You might say that only a doctor could write this. But second, I witnessed a lot of violence and trauma in my career and that left a mark on me. In many ways, writing was a way of coping with the sad things I saw, including the way people hurt one another and how many crimes go unpunished.

How did you come up with the title?
The title, Invisible Justice, reflects the plot of the story, which is about a secret cabal of doctors and former military people who take it upon themselves to inflict justice on psychopathic murderers who have evaded the law. Each punishment fits the crime (murder) but is ingeniously disguised to look like a natural medical event.

Excluding the main character, who is your favorite character from the book, and why?
Definitely Graham. He is the doctor who is a straight arrow. He served in the military and suffers from PTSD from battle. He has a strong moral compass, but that compass gets compromised because he is human–and because he loves Dr. Kyle McMann, our lead character, who is obsessed with justice.

What’s an interesting or fun fact about the book that readers might not know?
It takes place in Philadelphia at a hospital much like Wills Eye Hospital where I spent decades working. Philadelphia is a character in the story.

Tell us why readers should pick up your book—what makes it stand out?
It is a page-turner. I wrote it so that the story would fly, but the book also features important moral questions about crime and punishment that readers might not find elsewhere. And there are all kinds of medical phenomena in the book, which I hope people will find fascinating.

What do you absolutely need around you while writing?
My two dogs, lying next to me. And pink lemonade.

Are you currently working on your next novel? If so, can you share a little about it?
I’m on the last revisions of the second book in my trilogy, An Eye for Justice. When it opens, Kyle and Graham are trying to put their dangerous past behind them, living quietly overseas. But the past is not through with them.
Against their will, they are pressured into joining a covert black ops mission to wipe out a sadistic Colombian drug lord, El Lobo. Using a cutting-edge medical technology, Kyle and Graham (with the help of a special forces friend) devise an ingenious plan. They will infiltrate El Lobo’s inner circle by replacing his infected eye with an artificial eyeball that’s actually a camera. You can imagine what happens when El Lobo realizes what has happened. He unleashes a ruthless campaign of retaliation. Kyle and Graham are suddenly staring death—in the form of El Lobo—square in its one good eye.

If your novel were made into a movie, who would you cast in the main roles?
I can see Emma Stone or Kristen Stewart as Dr. Kyle McMann—both are great at playing strong female protagonists with an antihero edge. For Graham it has to be David Corenswet (after all, he played Superman), or Alexander Skarsgård, who is magnetic and powerful like Graham.

What’s next for you—what can readers look forward to?
I’m thrilled to tell you there are two more novels featuring Kyle and Graham coming out: An Eye for Justice (which I described above) in 2027. The final book in the trilogy, Fountain of Youth, will be published in 2028.

What are a few of your favorite foods?
Brownies and hamburgers. In that order.

 

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MAIN STREET FRINGE by Matthew Lavoie #AuthorInterview

MAIN STREET FRINGE by Matthew Lavoie Banner

MAIN STREET FRINGE

by Matthew Lavoie

August 31 – September 25, 2026 Virtual Book Tour

Synopsis:

Main Street Fringe by Matthew Lavoie

Detective Theo Barnes thinks he has the world figured out, though he knows it’s a fixed game. Do your job well. Protect your family. Steer clear of the system.

Until his sting operation brings down a powerful state Senator. Doing the right thing thrusts him over a line that can’t be crossed, and the system bites back, hard.

His career… over. Reputation… obliterated. The truth… beyond reach.

Amidst the rubble, a clandestine cabal of conspiracy fanatics hellbent on annihilating the “true power” behind America anoints Barnes as a symbol of their own plight. They think Barnes is one of them, abused by society and martyred by the Deep State.

The FBI is incapable of infiltrating these zealots and they turn to Barnes for help. Desperate for answers and redemption, he reluctantly agrees to go undercover, using the most dangerous identity possible… his own.

As real life and the investigation blur, Barnes’ impossible choices drag his family into the crosshairs. Every move, every word, contains unspeakable danger. As the cabal’s atrocities collide with the conspiracy that destroyed him, he must separate lies from truth, or he won’t survive.

His quest for salvation rests on one question. Is there enough of his soul left intact to save not only his family, but the country?

Praise for Main Street Fringe:

MAIN STREET FRINGE had me in its grip from the opening pages and never let go. A timely take on political culture in this country, Lavoie has used his D.C. background to write a twisty thriller that crackles with authenticity. Don’t miss this stellar debut.”
~ Joshua Moehling, USA TODAY bestselling author of AND THERE HE KEPT HER and A LONG TIME GONE

“Embroiled in conspiracy and betrayal, this sharp paced thriller climaxes when brotherhood reaches a bitter and fatal flashpoint and two worlds collide into one. Engrossing and timely.”
~ David Swinson, author of The Second Girl

MAIN STREET FRINGE is a deep and thrilling dive into the dark heart of the current political climate—made all the more terrifying by Matthew Lavoie’s experience in Washington. This guy knows what he’s talking about, he knows where the bodies are buried… and that makes this a must-read.”
~ Rob Hart, USA TODAY bestselling author of The Warehouse and the Assassins Anonymous series

MAIN STREET FRINGE serves up a sumptuous and scintillating smorgasbord of action and intrigue set against a conspiracy-fueled landscape populated by villains for whom reality is a relative term. Matthew Lavoie has crafted one of those rare thrillers that challenges our sensibilities and makes us think at the same time, shading his tapestry in gray tones in which even the good guys wade in and out of their own moral quagmires. A blistering, bracing bombshell of a tale and major debut in the thriller genre.”
~ Jon Land, New York Times and USA Today bestselling author

“One man’s patriot is another’s radical, and the line between the two blur in Matthew Lavoie’s crackling debut thriller. MAIN STREET FRINGE is an adrenaline-fueled joyride that won’t let you loose until the gut-check of a conclusion.”
~ James L’Etoile, award-winning author of RIVER OF LIES and the Detective Nathan Parker series

Book Details:

Genre: Political Thriller
Published by: Level Best Books
Publication Date: September 1, 2026
Number of Pages: 381
ISBN: 979-8898203351
Book Links: Amazon | Kindle | Goodreads | BookBub

Read an excerpt:

Chapter Two

Detective Theo Barnes lit a smoke, a rare allowance to tamp down the adrenaline. His brain buzzed as the nicotine hit all the right spots while watching a squad car containing Andrews drive away. He texted his wife, reminding her today would run long. A few cases ago he’d forgotten and caught hell for missing dinner. Rayna was sexy when she was angry, but it wasn’t worth missing sleep to stay up arguing.

Once he hit the filter, he’d oversee the bag and tag efforts at the scene and head to the Charlottesville county jail for the interrogation. Raids of Andrews’ home and Senate office were executed simultaneously. The limitations of being in one place at a time drove him nuts. He inherently trusted his team of Virginia State Troopers. Just not as much as himself.

He had always been this way. Those aware of his origins don’t blame him. His unyielding dedication compounded as he aged, particularly in the four years since he’d taken over the Internet Sex Crimes Division. Convictions hang on the smallest detail. Considering how far he’d stuck his neck out, he’d be hip deep in every aspect of the investigation until prison doors slammed shut on Senator Andrews.

“You ever think about the irony of a sex crimes investigator who needs a cigarette after every bust?” said the blonde as she approached. Among many contributions, Shannon Williamson served as Barnes’ lure for the stings.

“Funny. Here I was concerned about Rayna raking me over the coals and you gotta toss in some Freudian shit to boot.” Defiantly, Barnes took one last deep drag and flicked the butt into the motel parking lot.

Barnes knew he’d hit the jackpot having her on the squad. A rising star at the FBI out of college, promoted early and often, she’d made it as a profiler. Then came her father’s stroke. Her mom passed on when she was in elementary school. With no caregiver, she came home to Charlottesville, signing on with the Troopers once he’d recovered.

“Deep psychological analysis of your soul is why you pay me so large.” She glanced up at him. “No matter how many times we do this, I’m always surprised at how much they cry. Between you and me, it’s my favorite part with these scumbags.”

“He thought you were fourteen and he got me instead. Your pigtails in those pictures sold it. Sorry you’re always the worm on the hook for these, but, well—” He shrugged.

“I’m thirty-five but look like jailbait. I don’t mind. I like the field action. But you’ll need to recruit a new carrot for these sickos. I won’t fit what they’re looking for much longer.”

Her hand rested on her stomach as she exaggerated a baby bump.

“Really? That’s great! You and Rick must be over the moon.”

“It’s a seesaw between thrilled and freaking out. Need you to keep me

level since you’re the parenting expert. I do wonder about the world I’m bringing the kid into.”

“One with another predator off the street. And as far as parenting goes, Rayna does the heavy lifting with the boys. I come off the bench to give her a breather. When are you due?”

“Thanksgiving. You’ve got me six more months, but don’t go giving my job away. I’m coming back.”

“Don’t know what I’d do without you anyways. Let’s make sure everything is tight as a drum. I can’t wait to sit across the table from this asshole.”

* * *

Barnes, having shed motel customer garb for a shave, suit, and tie, watched the shackled State Senator Andrews shuffle into interrogation. Of all the post-sting grillings, he can’t recall a suspect this calm. Andrews’ light, self-satisfied smile suggested a guy up for a promotion inside The tears he’d shed were a distant memory.

“You’re wasting your time. I’m not talking without my lawyer,” Andrews said.

Barnes reflexively clenched his fist. He paused before plowing ahead with the time-tested approach. “I understand why you’d want your lawyer. This is the worst day of your life. We’ve got you dead to rights. I’ll even allow that you’re sorry. I know you’re scared. We have chat transcripts of your conversations with the girl, the way you groomed her. All of it directly traceable to you.”

Despite his previous statement, Andrews can’t allow the challenge. “Maybe I don’t even need a lawyer. This is a set-up. It’s fake news. Nothing happened. In fact, she’s the one who led me on.”

Barnes shook his head and smiled. This revelation was his favorite part. “Actually, Senator, I was the one leading you on. But we both know you did the grooming.”

The initial review of Andrew’s home and office computers had returned zilch. Andrews couldn’t possibly know this. His slimy bullshit sourced elsewhere.

“I can prove that you thought she was fourteen and intended to have sex with her. When we parade the things you brought to the motel in front of a jury, the sex toys, the lube, and most damning, your secret video camera, they won’t buy your excuses. You know, people like you tend to have a rough go in prison.”

Andrews’ breathing hitched. Some of his cocky attitude faded. His head shook involuntarily. Barnes stood and put a hand on his shoulder. “Calm down, you’ll be ok. Can we get him something to drink here?” The guard brought a bottle of water.

Andrews drank and tried breathing deep. Barnes returned to his seat. “There’s no turning back the clock here. But if you help me, you’ll make things easier for yourself when you go before judge and jury. I can be a friend.”

Andrews snorted. “How kind. That was my first thought, this guy is my friend. Trust me, I’ve already got the right friends.”

Maintaining the good cop persona grew increasingly harder. “You’ve got one chance to help yourself and you’re blowing it. Confess, save us the trouble of a trial. How’d you locate those sites and chatrooms? They don’t pop up in a Google search. Come clean. Maybe we can close a loophole. You throw us that info and I’ll see that it earns points with the judge and the

District Attorney.”

“I have something to offer people much higher on the food chain than the local D.A. Prison isn’t in my future.” Andrews leaned back in his chair. “Lawyer, now.”

Now Andrews got the uncompromising Barnes, who’d walked through fire to get here. “Fine, lawyer up, but let me tell you this. There are a few ironclads in this life. Don’t mess with the church’s money, don’t piss off people who handle your food, and don’t ever, and I mean ever, threaten children. Even if you think prison’s not in your future, jail most definitely is.

You’re spending tonight in County’s general population and I swear every last inmate will know why. Sleep tight.”

Barnes trusted Andrews’ the worst visions were his best ally. He’d turned

the doorknob when he heard a sigh of resignation.

“Wait. I might know a few things. Maybe a couple of names. But then I want my lawyer. You swear to keep the animals away?”

“For the next few days,” Barnes pushed a pen and paper across the table.

* * *

Captain Butch Holland, Barnes’ commanding officer, stewed behind the two-way mirror. His bushy mustache resembled a walrus, matching his bulk. His police hat covered up his hair’s disappearing act. Vanity wasn’t quite enough to get him on a treadmill though. As Barnes entered the room, Holland’s face flushed, and he opened at peak volume.

“Happy? I ordered you, very clearly, not to pursue this. But you know better than everyone and look where we are. No confession, half a case, and a big pile of shit.”

Barnes eyed Holland with disdain. “I know better than you. We’ve got him because I do my job. You worry about kissing ass upstairs. I don’t give a shit if it’s a state Senator, an ambassador, or the goddamn President. He’s garbage and he’s going down.”

Holland had tabled his retirement, desperately hanging on to walk with a Major’s pension. He bristled at the accurate insinuation that he played the political game.

“You’ve got the Governor’s office breathing fire and I’m not taking heat for you.”

Sure, Barnes thought. The only thing you take is credit. He’d spent a lifetime internalizing beatings, verbal or otherwise, and spinning them out as motivation. It usually worked, as long as nobody undercut his integrity.

He balled his fist over and over. “You don’t have to take anything. We’re on our way. Sometimes it takes a minute, but they always break in the end.”

“Explain that to Colonel Prescott tomorrow. He’s coming down and bringing the Attorney General. Let’s see how Saint Barnes handles that.”

“Fine, Captain.” Barnes poured tabasco on the big man’s title. “I’ll promise you something. Nobody walks on my watch. See what happens to anyone standing in my way when I’m dragging someone to hell.”

Holland’s mustache twitched with the hint of a smile. “So, you say. Before the day’s out, I want the originals on all your paperwork and a full tick-tock. It’s going straight to the Colonel.”

The Captain’s smirk irritated him but frustration over the request took precedent. “Christ, let me do my job. I’ve got to get out to reinspect the house and office. Bureaucracy doesn’t close cases.”

The Captain pointed a pudgy finger. “Prescott demanded it. When the head of the State Police barks, you do it before he fucking bites.”

Holland stormed from the room, almost steamrolling Shannon. An agile spin kept her from becoming roadkill. She leaned against a filing cabinet, the only furniture in the spartan room beyond two steel folding chairs.

“Congrats on another successful interaction with the brass. Never thought I’d see a detective with the best closure rate universally hated by the higher ups.”

Barnes seethed. “Fuck him and fuck the rest of them too. I’m not playing their games, I’m doing the job.” He kicked a chair and it slammed into the wall with a satisfying bang.

“Easy, I’m not the enemy. The martyr act won’t get you anywhere. You might consider playing nice.”

Occasionally, Shannon glimpsed behind Barnes’ carefully constructed wall. While he was certain it unnerved her, she still spoke her mind. “Sorry. Someone’s always gunning for me. Being the best doesn’t allow time for anyone else’s agenda. I’m not about to change.”

“Fine,” passing on a losing battle. “What’s our next move? I only heard Holland’s side. You solid on what we did today?”

“Andrews is a pervert. We’ve got enough, but tonight’s a paper night. Prescott’s coming and we make sure it’s watertight.”

Shannon frowned and rubbed her temples. “Holland wants to show everyone he’s got his thumb on us. I don’t care that he takes credit sometimes, but this is taking away from the real work. Damn him.”

A sly smile materialized. “Now who needs to play nice?”

“Shut up. I’m not the one with four reprimands for insubordination. You think Andrews will spill? It’s a long time since you didn’t get the confession right away.”

“It’s not insubordination when I’m right. Andrews dropped a few names, but I think they’re bullshit. He’d stick his hand in a pit of rattlesnakes to draw a get out of jail free card.” He paused. “A night or two in a cell will do it.”

But Barnes didn’t believe that. Three cigarettes and creeping concerns consumed his trip to the Barracks. He couldn’t shake the idea there was something rotten about this case, and not just around the edges. Andrews’ arrogance held court in his mind. What’s up your sleeve, you sick son of a bitch? What do you know about what’s coming my way I don’t?

***

Excerpt from Main Street Fringe by Matthew Lavoie. Copyright 2026 by Matthew Lavoie. Reproduced with permission from Matthew Lavoie. All rights reserved.

 

 

Author Bio:

Matthew Lavoie

A policy expert and political operative for some of Washington’s most influential power brokers, Matthew Lavoie has spent his career evaluating the how and why of American political and cultural movements and observing some of the biggest shifts in American and geopolitical history. MAIN STREET FRINGE is his debut novel. He is a member of International Thriller Writers and Mystery Writers of America.

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Q&A with MATTHEW LAVOIE

Can you tell us a little about yourself and your background?
If there’s one thing I’m certain people know about me, I’m a Boston sports diehard. Virtually every birthday or Christmas gift I receive is some sort of Red Sox, Pats, or Celtics swag. But I’m much more than that! I grew up in Hopkinton, MA. with a book almost always in hand. I won multiple reading contests at the local library—which was far more impressive at age 11. My literacy today impresses fewer people. My mom imprinted a deep love of reading and learning. But as a child, I did not write.

I graduated from Ithaca College and moved to D.C. pursuing a career in politics. I loved (and majored) in history and wanted to be a part of it as it happened. I worked on Capitol Hill, for trade associations, and a handful of companies, taking part in some of the most consequential campaigns and policy debates in our time. But as my career developed, I began to get an itch to put pen to paper. And still, I did not write (for myself).

Then, as COVID hit and time became the only luxury many of us had, that urge grew stronger, until one day I sat down with a little idea and said, “What the hell. Nobody has to read it.” I intended to write a short story, but the words kept spilling out, and I failed into a novel. For the first time in my life, I found joy in the path, not the destination. And no matter what comes next, I know writing will forever be a tentpole in my life. Though now I sit down and say, “What the hell, I hope everyone reads it.”

Can you give us a glimpse into the research that went into writing this story?
The research began with my experience on the road, on the campaign trail, and in my broader political work. The people I met at rallies, in town halls, diners—I listened to them. I heard their complaints, their concerns, their fears. I saw the beginnings of where we stand now in our culture. It’s political, yes, but it extends to all walks of life.

So I took my experience and looked to the shift toward conspiracy, extremism, and the erosion of our institutions. I looked at social science studies, psychology research, and demographic reports, seeking information about the commonalities of people radicalized or close to it.

But most importantly, I wanted to tell the story of those people I met and represent the humanity, the frailties, that underline embracing things they otherwise wouldn’t.

What does your typical writing routine look like? Any idiosyncrasies or rituals?
I work a lot, usually well beyond fulltime, so writing is “catch as catch can.” I know many authors wake at 5 am to write. Not being a morning person, I’d rather have a hugging contest with a boa constrictor. So what’s left for me is late night. Once other business is closed out, I’ll sit down and punch the keys until the lights start to go out in my brain.

I listen to classic rock, loud, and I refuse to have a television anywhere near my writing set up. Also, I turn off the internet, only switching it on if I need to research something. I’ve proven I can’t be trusted with any distractions within arm’s length.

Are you currently working on your next novel? If so, can you share a little about it?
Sure, I’m always writing something. Right now I’m working on a couple projects, one focused on AI as a tool in the espionage space, and another about a half-reformed hustler who’s roped into a couple of different serial crimes. I like writing about the translation of simple, bone-deep human qualities on the grand scale and both reflect that concept.

What are some of your favorite leisure activities or hobbies when you’re not writing?
As I mentioned, sports, particularly Boston ones, eat up a lot of the space in my brain. Where are my keys? Dunno. Who led the Red Sox in home runs in 1998? Mo Vaughn. But I enjoy playing golf poorly, traveling (I try to have a new big destination every year), comedy shows, classic rock concerts.

And what probably brings me the most day-to-day joy, is my dog Sherlock. He’s nine, on the cusp of senior status, and he’s awesome. I chose the name before I had him, and he doesn’t always live up to his moniker (put a treat under a blanket, it’s an unsolvable mystery). But he’s a constant through everything and is sitting at my feet as I type this.

 

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AVALON MOON by Michael Amos Cody #AuthorInterview

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AVALON MOON

by Michael Amos Cody

August 24 – September 18, 2026 Virtual Book Tour

Synopsis:

AVALON MOON by Michael Amos Cody

In Avalon Moon, a local man has gone missing and then is soon found dead in a highland meadow, side-by-side with an unknown woman. When another man and woman go missing and a female deputy is found murdered, Gabriel Tanner, editor of Runion’s weekly newspaper, and Plumer Reeves, a reclusive local hawkshaw working for the niece of the first dead man, suspect a monster is hunting in their western North Carolina mountains. Two extraordinary young women, the Avalon community’s Ariel Anderson and Lonesome Mountain’s Livvy Goforth, join Tanner and Reeves to lead the attempt to discover and stop the killer.

Praise for Avalon Moon:

“With wolves across the river and murder in the high meadow, Avalon Moon knows exactly how to raise the hair on your neck. Move it to the top of your book queue.”
~ BestThrillers.com

“A deliciously gothic tale stitched into a brutal murder mystery. As a serial killer stalks the mountains of North Carolina, Cody’s precise language shifts effortlessly like light through the trees – from lush gothic poetry to gritty Appalachian realism. Facing ancient gods and hungry beasts in the deep woods, the reader can’t help but dread a darker truth: evil is only ever a breath away.”
~ Andrew K. Clark, author of Where Dark Things Grow

“A crime novel featuring a new entry to the list of Most Bone-Chilling Fictional Serial Killers ever committed to paper. Or to e-book. Whatever. The influence of Poe and Hawthorne, at their bone-chilling creepiest, can be felt egging on the unfolding of the story, one eerie development after another. A taut, skillfully crafted thriller.”
~ Whiskey Leavins, author of Low Angle Shot

Avalon Moon relies on vivid, inviting storytelling and precise language to lure you in, and once you’re caught in Cody’s prodigious literary talents, it’s hard to escape. . . . A book you’ll think about long after you’ve finished the story on the page.”
~ Bobby Mathews, author of Magic City Blues

“The Appalachian town of Runion is threatened by a serial killer, wolves, and ghosts—literal and figurative—in Michael Amos Cody’s propulsive new novel, Avalon Moon. The tension and constant sense of danger kept me turning the pages, but the heart of the book is the large cast of believable characters. All are rendered with insight, compassion, and humor, and they continued to linger in my thoughts long after the novel’s satisfying conclusion.”
~ Peter McDade, author of King Cal

Book Details:

Genre: Psychological Horror, Thriller
Published by: Madville Publishing
Publication Date: May 19, 2026
Number of Pages: 340
ISBN: 9781963695670 (ISBN10: 1963695674)
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub | Madville Publishing

Read an excerpt:

Tuesday, March 4, 2014

One

Gabriel Tanner

“Editor of and chief contributor to a country weekly” never made my top ten list of things I wanted to be when I grew up. For the longest time, I had only one item on that list—Rock Star! I toyed with adding a second item, maybe being just a hit-making songwriter, but the songwriting I did throughout the 1980s was so closely bound up with the Rock Star! idea that I couldn’t pull the two apart. If I didn’t become the next Bruce Springsteen, which I didn’t, I was unlikely to become the next Bob McDill—ditto on the didn’t.

So, with the Rock Star! phase of my life gone grumbling into my dreams, I left Nashville in the hot gut of August 1990, retreated, tail between legs, to Runion, my hometown in the North Carolina mountains, and the following January entered Runion State University, where I double-majored in English and Journalism. I took a part-time job as student reporter and all-around grunt for Sheldon Dean’s Runion Recorder. A couple years after I graduated, Sheldon decided he was tired of writing and offered me a full-time position as editor, keeping only the title of “General Manager” for himself. I accepted.

And so it came to pass that on a cold evening in early March, on the darker side of twilight, I drove toward the Lonesome Mountain end of Genesis Road, planning to swing around the back way into Runion. On regular mornings going to work, or any other time I was in a hurry, I drove down to the French Broad end of Genesis and took the river road up a short hill and onto Main Street, but I was dreading two hours minimum of sitting in a meeting at the Madison County Cooperative Extension Office complex, housed in the recently renovated Old Mill on Mill Street, and taking notes for a regular report to appear in next week’s paper. The room would be stuffy with heat and humanity, and to be honest, I was lollygagging.

This year’s March was looking like a lion-lamb version—in like a lion, out like a lamb. We expected to wake up the next morning to some serious snow and ice courtesy of Winter Storm Ulysses. The fields on my left and the woods on my right seemed to hold their breath in anticipation.

I rolled to a stop at the T-intersection where Genesis Road dead-ends at Jewel Hill Road, with Lonesome Mountain ahead and to my left, dark against the sky. My new Honda hybrid sat quietly, and still not used to its workings, I thought it might have died but relaxed when no warning lights appeared. Even though the temperature was in the upper thirties, I opened my windows and—with no other traveler sitting at my bumper and politely honking, as our mountain folk do—sat at the intersection with my eyes closed and my skin alive to the chilly air. I heard a few of last summer’s still-tethered leaves shivering in the boughs overhead and something scurrying through the underbrush in the woods off to my right. I think I could’ve engaged the emergency brake and gone to sleep, but I opened my eyes, suddenly uneasy and unsure why.

The headlights shown across Jewel Hill Road and lit the lower part of a hillside pasture beyond. A few head of cattle midway up the slope stood at the edge of the light and grazed on pale grass.

Not one to be unnerved by a bovine presence in the twilight, I strained my senses to catch and identify what raised hairs along my forearms and around the back of my neck.

To my left, a field rolled away in successive swells toward a wooded ridge standing blackly against the sky. Runion lay on the other side of that ridge, but somewhere between the town and me, yips and cries rose from the gathering dark. These joined together into an eerie howl of various voices that twisted around one another, broke apart, and swelled together again.

Coyotes.

When I was growing up in these mountains, coyotes existed only in old TV westerns. But they were voice-over actors only, strictly behind-the-scenes. They were soundtrack features. Technicians of ambiance. Nothing said a cowboy was alone in the darkening wilderness like the distant howl of a coyote. The cowboy would raise his eyes from the campfire and sit still and listen for a moment, alert to the wild. But it was never the coyote itself that frightened him. Maybe the coyote’s cry was a reminder of his loneliness and vulnerability—that if such a critter could be out there in the dark, then anything could be out there.

But in recent years, coyotes had loped out of the faded glory of Hollywood’s western and into our world, maybe crossing the Mississippi around Memphis and moving steadily east across Tennessee until they reached Appalachia and Runion. They were seen trotting along the edges of regional four-lanes or lying dead on twisting mountain highways. They stole cats and small dogs just beyond the lights of back porches. That evening at the stop sign, they yipped and yapped and cried somewhere out on the verge of a Runion farmer’s field.

Still, I thought, at least they aren’t wolves. Wolves, of course, were a different story. Send up the howl of a wolf into the night, and the cowboy would become focused on the beast, not on loneliness or vulnerability. The wolf’s howl menaced, threatened. Eyes might shine at the edge of the campfire’s light, followed by snarling close-ups. Then enter the legend of the wolf mixed with a man, and the beast achieved cinematic glory, jumping genres from westerns to horror, something coyotes could never quite pull off.

When I pressed the accelerator, the Honda whispered to life, and I turned left toward town. If I sat there much longer, I would be late for the extension meeting, during which one item on the agenda just happened to be related to the beasts of my T-intersection musing. . . .

***

Excerpt from Avalon Moon by Michael Amos Cody. Copyright 2026 by Michael Amos Cody. Reproduced with permission from Michael Amos Cody. All rights reserved.

 

 

Author Bio:

Michael Amos Cody

Michael Amos Cody is author of the 2017 novel GABRIEL’S SONGBOOK and the 2021 collection A TWILIGHT REEL, winner of the Short Story category in the Feathered Quill Book Awards 2022. His 2025 literary suspense novel STREETS OF NASHVILLE won the Thriller category in the 2026 Independent Press Awards. His new novel, released in May 2026, is the psychological thriller AVALON MOON. Cody lives with wife Leesa in Jonesborough, Tennessee, and teaches early American literature and creative writing in the Department of Literature and Language at East Tennessee State University.

Catch Up With Michael Amos Cody:

MichaelAmosCody.com
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Facebook – @michaelamoscody
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Q&A with MICHAEL AMOS CODY

Can you tell us a little about yourself and your background?
I was born in the Air Force hospital at Shaw Air Force Base in Sumter, South Carolina, and grew up in the village of Walnut, jewel of Madison County, North Carolina, not far from the ruins of Runion, a place I have reimagined for my fiction. I spent my high school days in bands—high school band by day, chicken coop rock band by night—and after a couple of years studying music (flute) at Mars Hill College, I left for Nashville and worked throughout the 1980s as a songwriter, eventually hearing my songs recorded by Glen Campbell, Gary Morris, and others, including myself. After reuniting with my seventh-grade sweetheart and marrying her in 1989, I returned to school, where I stayed throughout the 1990s, earning my BA at the University of North Carolina at Asheville (1993), my MA at Western Carolina University (1995), and my PhD at the University of South Carolina, Columbia (2000). I focused most of my energy during those years and the following decade and a half (2000-2014) on scholarship and academic publishing, which have been important for my career as a professor of literature. But after I achieved my final promotion, I returned my writing brain full time to fiction. Twenty-five years after it was begun at UNCA, I finished and published my first novel Gabriel’s Songbook in 2017. Then, twenty-five years after it was begun at WCU, I finished and published my short story collection A Twilight Reel in 2021. Since then, I’ve picked up the pace and published two more novels: Streets of Nashville in 2025 and Avalon Moon in 2026. At this point, I’ve been married to Leesa, that seventh-grade sweetheart, for thirty-seven years, and I’ve taught literature and writing at East Tennessee State University for twenty-five years. Leesa and I live in Jonesborough, a small town in the east Tennessee foothills of the Appalachian Mountains.

What was the inspiration for this book?
Avalon Moon came together through gathering threads of a variety of my interests and influences. We often hear the writing advice to “write what you know.” One piece of advice I’ve also run across a lot is “write what you want to read.” This novel grew from a combining of those wisdom pearls. Avalon Moon’s wild and small-town Appalachian settings are near and dear to me—the mystery of the place, its landscape and history, the people who live there, Appalachian life’s struggle to engage with the complexities of the global village, and so on. These are things I know. As for how the story grew from my desire not only to write it but also to read it, I’ve always had a fascination with the mysterious, with mysticism, with the Gothic. I’ve always been drawn to wolves and mountains and monsters (although I don’t claim to be a horror fan). My years of study in early American and U.S. literature (from Indigenous mythology through the nineteenth century) have given me a rich love of the language across those centuries and cultures. So, I wanted to read about a mystical Appalachian woman like Livvy Goforth and her strange powers. I wanted to read about a character like Ariel Anderson, and I wanted to hear her voice. I’ve dealt a lot in my academic work with old manuscripts, so I had a lot of fun including one of those in this story. One inciting image that could be identified as an inspiration for the novel was the apple orchard I passed every day on my commute to and from my MA studies at Western Carolina University; apple trees when dormant and naked in winter look creepy. Add to this the info-nugget I ran across at some point that one meaning of the word Avalon—that is, King Arthur’s Avalon—is “secret island of apples,” and I was off and running.

Can you give us a glimpse into the research that went into writing this story?
I researched a lot of things during the writing of Avalon Moon: the Pantisocratic society that Samuel Taylor Coleridge and Robert Southey (early English Romantics) imagined founding in the new U.S., but never followed through with; wolf sanctuaries; the business of running a small apple orchard; the business of running a weekly rural newspaper; contemporary worship of the Greek goddess Artemis. One of my favorite research projects for the novel has to do with the manuscript Ariel discovers in the attic of Avalon Cottage. It’s a two-hundred-year-old document (supposedly) written by Charles Brockden Brown (1770-1810), often cited as the U.S.’s first novelist. While Brown is relatively unknown today, his work influenced U.S. writers like Nathaniel Hawthorne and Edgar Allan Poe and English writers like Percy Shelley and Mary Wollstonecraft Shelley. During a significant portion of my career as a scholar, I studied Brown’s writing and worked with a group of Brown scholars to make all his work more widely available. That project is finished and available now in a searchable database (as an electronic archive at https://brockdenbrown.cah.ucf.edu/). When I was drafting what is supposed to be Brown’s short history of his time visiting the Avalon community during the autumn of 1800, I would think about what I wanted his narrative to say. I could write it out in my language (with already a fairly good feel for Brown’s voice), then go to the archive and research if Brown was more likely to use one word or another. For example, would Brown be more likely to use the word inappropriate or its synonym incongruous; a check of the archive revealed that Brown used incongruous twenty-three times in his writing and seems never to have used inappropriate even once.

What does your typical writing routine look like? Any idiosyncrasies or rituals?
I do my best to write most every day. When I’m in the heat of drafting a novel, I try to write around seven hundred fifty words a session. I can’t always do that, what with life and teaching responsibilities, but when I can, a story grows quickly. As much as I would like to be one of those writers who can silence the internal editor-critic, I’m not. I find it difficult to leave a sentence or paragraph that isn’t as good—or as close to good—as I can write it in that moment. This makes for slow drafting, which can be frustrating, but it also leads, usually, to first drafts that need little fixing and are ready for enriching revision. I can’t listen to music while I’m writing; I’ll listen to the music instead of writing. But I don’t like it quiet either (old rock-and-roll ears ring constantly), so I either have a fan running or a brown noise playlist going on Spotify. I often stand while I write; I’m standing now. As for idiosyncrasies, I guess the main one is that I write on a blue screen with white letters. When I first started writing fiction, I was using Word Perfect for DOS (if anybody is still familiar with that). When Microsoft Word became the word processor at work (and thus at home), I tried to create on the white page with black characters, but that didn’t feel right. So, whenever I start a novel or short story, I change the page color to “blueberry” and the font to white. Then I’m ready to write!

Are you currently working on your next novel? If so, can you share a little about it?
I just finished the fourth draft of my fourth novel, the working title of which is Jacob’s Limp. It’s a sequel to my second novel Streets of Nashville and the second in a planned three-novel series featuring songwriter Ezra MacRae. Jacob’s Limp takes place four years after the story of Streets. Ezra is no longer the struggling songwriter cleaning pools to pay the bills but a published (and paid) songwriter already achieving moderate success. While the specter of the killer who nearly ended Ezra’s life and dreams in Streets still haunts the story, a new figure with apparently malicious but known intentions has begun to stalk Ezra. Whereas in Streets, Ezra is a very social young man, often out with friends and coworkers, Ezra’s life in Jacob’s Limp, although professionally successful, seems much more isolated and claustrophobic, as he has lost—for various reasons—much of the social circle he had four years before.

 

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A Chilling Opportunity…

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RHINO HORN UNDERGROUND by Deven Greene #GuestPost

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RHINO HORN UNDERGROUND

by Deven Greene

August 10 – September 4, 2026 Virtual Book Tour

Synopsis:

Rhino Horn Underground by Deven Greene

Struggling journalist Paige Remington leaves San Francisco for South Africa, determined to revive her failing career with a hard-hitting exposé on rhino poaching.

Danger strikes almost immediately when poachers ambush Paige’s tour group. She survives only because she is rescued by Spencer, a man who claims to work for the FBI. He says he wants to save the rhinos and offers to help her with her story, but as he exposes her to a world she would never see on her own, she becomes embroiled in the brutal underworld of the rhino horn trade herself. Paige discovers that Spencer is not who he claims to be, and suspects he’s in the rhino poaching business himself.

Caught between her ambition and her survival, Paige must decide whether to continue learning about the world of rhino poaching from Spencer and risk becoming the next casualty, or leave for home while she still can.

Praise for Rhino Horn Underground:

“Well, that was one heck of a wild ride! . . . Readers who love international crime thrillers and wildlife fiction will adore this book. Very highly recommended.”
~ Readers’ Favorite

Rhino Horn Underground is a bristling, brainy thriller that asks whether doing the right thing still counts when the path to it runs through the shadows.”
~ Literary Titan

“A fascinating look at an ethically fraught topic, Rhino Horn Underground underscores the collision of traditional beliefs and modern realities…an action-packed thriller!”
~ Indies Today

Book Details:

Genre: Eco-Thriller
Published by: Panthera Publishing
Publication Date: August 25, 2026
Number of Pages: 307
ISBN: 9781964620107 (ISBN10: 1964620104)
Book Links: Amazon | Kindle | Goodreads | BookBub

Read an excerpt:

Chapter 1

With the hot sun blazing above, I strain my eyes as hard as I can to look downward, but the blade pressed against my throat remains out of sight. My pulse is racing, and my breathing is so fast I can only gasp. Is that a trickle of blood I sense slowly making its way down my neck, or is it my imagination? Below and to my right, a hand holds a well-worn machete handle. That hand is attached to the muscular forearm of the man standing behind me, ready to end my life any moment. I don’t know what he looks like—it all happened so quickly—but I know he’s a Black man with a thick African accent. He’s telling me to hold still. As if I would do anything other than that right now. I clutch the cell phone in my hand, wondering if I caught anything useful on the video I’d been shooting moments before. Is the camera still running? If my phone were found, the identity of the man holding me would be revealed to the authorities who were sure to investigate later—too late to save me.

Our guide and four others on the tour of the wildlife reserve lie dead on the bare earth ten feet away, each in a pool of their own blood. As I take in the scene, a second Black man holding a rifle shoots the veterinarian who had been speaking to us. Now with a large hole in his chest, the veterinarian, armed only with a vial containing an animal tranquilizer, staggers and falls.

I think of my husband, Quinn, thousands of miles away from this South African wildlife reserve—probably asleep, oblivious to the fact that he is about to become a widower.

The two attackers yell back and forth. They seem to be having a disagreement, but I don’t understand their language. The man with the rifle raises it. I wince and brace myself for impact, but instead of aiming at me, he fires at the rhinoceros in a nearby pen. Blood and tissue—hide, bone, and brain, I suppose—spray from the back of the animal’s head. I watch in shock as the massive creature emits a haunting wail and falls.

A fraction of a second later, another shot rings out, this one quieter. I freeze as the man standing behind me collapses. His machete nicks my arm before he hits the ground. A second shot is fired, and the man who just murdered the rhino falls.

Who did that? Am I safe? I’m shaking as I slowly turn, just as Ethan, the only other surviving member of our group, grabs my arm and yells, “Let’s go!”

With no time to think, I struggle to keep up as I let him drag me. I check my arm where the machete cut it—it’s only a superficial wound oozing a small amount of blood. Ethan tucks the large pistol he’s holding into his waistband while racing toward the dead rhino. My heart is already pounding when loud voices—African voices—approach from heavy brush close by.

Ethan stops and appears to think for a moment, as my heart revs so hard I feel my chest will burst. After the brief pause, he pulls me along again, but in a different direction, now heading towards the body of the dead man who shot the rhino. He drops my hand to search the killer’s pants pockets, pulls out a set of keys, then snatches the rifle lying in the dust nearby. Motioning me to follow, he dashes to the small parking lot and jumps into the driver’s seat of an open, doorless jeep that wasn’t there when we arrived. I don’t know this man, but I scramble into the passenger side as fast as I can.

Ethan guns the engine and heads out of the park. My mind is speeding as I struggle to fasten my seat belt, hoping I don’t fall out the side of the vehicle before I get it secured. Who is this guy I met this morning and know only as Ethan? All I know is what I can observe—he’s an average-looking middle-aged White man with a dark tan and thick black glasses, dressed in gray cargo pants. His belly is covered by a dull gray, loose-fitting, long-sleeve shirt with breast pockets and front snaps, hiding the paunch underneath. His gray bucket hat hides his hair, if he has any.

He told our group his name as we left Richards Bay that morning for the two-hour drive to the wildlife reserve in the eastern part of South Africa, where we would see several rhinos and witness the horns being sawed off of one. While the other travelers and our guide were lively conversationalists as we traveled the dusty roads, Ethan remained silent, seemingly uninterested in the scenery. I had written off this milquetoast of a man as someone who was there only because he wanted to take pictures to show people back home, hoping to convince them that he was an interesting person.

Now I’m wondering: Who carries a gun under his shirt when on vacation to view wildlife? And who would be able to fire it so accurately, so swiftly?

I finally snap my seat belt and study him. He stares ahead as he removes a device from his shirt pocket and places it on the dash.

“What’s that?” I ask.

“GPS device.” Moments later, he veers off the main road. Small trees and bushes snap under the jeep.

Not sure what to do, I ask, “What about those people? And the rhino?” Stupid, I know.

“They’re all dead. No time to waste. More were getting close to us.”

“More what?”

“More poachers.”

“How do you know?” I ask.

He glances at me as if I’m an idiot. “I just know.”

“Were you going to take the horns of that rhino?” I know it’s a crime, and I don’t want to sound accusatory, but I can’t imagine any other reason he would start to run toward the deceased animal.

His face tightens and his eyes narrow. “What if I was?”

Now I’ve gotten him mad. I need to change the subject. “Where are we going?”

“I’m getting us to a safe place.”

“I really appreciate what you’ve done, but wouldn’t it be best to head back to Richards Bay?”

“It’s not safe. There’s more where they came from.”

“How can you be so sure?”

Ethan reaches into his right breast pocket and pulls out a leather case a little larger than a credit card. He throws it my way, and it lands on my lap. I gasp as I lift the front flap and see his identification. His name isn’t Ethan, but his picture is on the plastic ID. The man sitting next to me is Spencer Crenshaw, and he’s an FBI special agent.

***

Excerpt from Rhino Horn Underground by Deven Greene. Copyright 2026 by Deven Greene. Reproduced with permission from Deven Greene. All rights reserved.

 

 

Deven Greene | Author Bio:

Deven Greene lives in Northern California near San Francisco. She has a PhD in biochemistry, a medical degree, and spent over twenty years practicing pathology. She uses her education and background to craft realistic novels, primarily thrillers, grounded in science and/or medicine. Many are high concept, and some can be considered hard science fiction. Her published novels include The Erica Rosen MD Trilogy (Unnatural, Unwitting, and Unforeseen), Ties That Kill, The Organ Broker, and Happy Sun Farm.

Catch Up With Deven Greene:

www.DevenGreene.com
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BookBub – @Deven_G1
Instagram – @devengreeneauthor
Facebook – @DevenGreeneFiction

 

Guest Post by Deven Greene on why she chose poaching as the subject of RHINO HORN UNDERGROUND

Most people are aware of the poaching problem and know it’s an ongoing challenge with no end in sight. For quite a while, I planned to write a book about either rhino or elephant poaching. Not only is the survival of these massive animals that evolved over millions of years being threatened, but they are often killed cruelly. Poachers are cold-hearted, ignoring the pain they cause to their targets. My intention in writing a book about it was to depict the horrors of poaching and describe some of the failing attempts to stop it. Then I would focus on a different approach to eliminating poaching, which could be applied to elephants or rhinos, albeit with some differences, depending on the animal.

After doing research (and I always do a lot of research for my books), I was surprised to learn that rhino horns are much more valuable than elephant tusks on the black market. That made the choice easy—I wrote about rhino poaching.

Rhino Horn Underground is my first eco-thriller. Before writing it, I had published six medical thrillers. I always learn a lot when I do research for my books. For Rhino Horn Underground, I was less familiar with the subject than with my other books, and found it more interesting than I had anticipated. My research led me to places I never expected to go, and it was truly a fascinating journey!

Some questions I had when I began my research were: What are the horns made of? How long does it take for a rhino to grow a horn? What is driving the poaching? How do they do it? What ideas to stop it have others come up with? Where do the poachers come from? What is their motivation? Who is buying the horns? How are the horns smuggled out of the country of origin? I learned the answers to all these questions and sprinkled them throughout the book.

Despite all the information integral to the book, Rhino Horn Underground is a fast-paced thriller which I hope people will enjoy reading as much as I enjoyed writing it.

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MERRY-GO-ROUND BROKE DOWN by David Woo & Margalit Shinar #AuthorInterview

Merry-Go-Round Broke Down by David Woo & Margalit Shinar Banner

MERRY-GO-ROUND BROKE DOWN

by David Woo & Margalit Shinar

July 20 – August 14, 2026 Virtual Book Tour

Synopsis:

Merry-Go-Round Broke Down by David Woo & Margalit Shinar

A novel of nine linked parables about globalization, ambition, hope, love, and greed spanning two decades and eight countries.

Fall 2008. The Waldorf Astoria New York. Two armed men storm the hotel’s famed bar and hold the occupants hostage: an American corporate raider, a Chinese tycoon, a British hedge fund manager, a Japanese housewife-turned-celebrity, a Mexican undocumented worker, a Wall Street bond salesman, and a Norwegian environmentalist.

Who are these terrorists? What do they want? And what ties them to their captives?

Merry-Go-Round Broke Down is a genre-breaking novel that explores globalization’s “butterfly effect”: how choices made in one corner of the world ignited an unstoppable chain of consequences that upended lives across continents.

Praise for Merry-Go-Round Broke Down:

“What a fantastic tapestry of wordsmithing and storytelling! It left me with a much better understanding of how the world was woven so tightly by globalization, all through the dramatic stories of fascinating cultures and characters that are relevant to this day.”
~ Paul Tudor Jones, Chief Investment Officer of Tudor Investment Corporation

“You might think that it would be impossible to write a novel that helps the reader put her arms around the complex issues raised by globalization. Yet, David Woo and Margalit Shinar have done precisely this. The result is most engaging and insightful. It is also one that even globalization experts such as myself can profit from.”
~ Jagdish Bhagwati, University Professor of economics and law at Columbia University, author of In Defense of Globalization

Merry-Go-Round Broke Down depicts the key socio-economic developments of the last quarter-century. It brings to life the people who put them into effect, as well as those who were affected by them. Few were untouched.”
~ Howard Marks, the co-founder and co-CEO of Oaktree Capital and international best-selling author of The Most Important Thing

“A timely portrait of a world bound together by the pursuit of profit.”
~ Kirkus Reviews

“An ambitious thriller with rich characterizations and a heart-pounding pace, Merry-Go-Round Broke Down also offers a stark, on-the-ground vision of globalization’s devastation.”
~ Booklife by Publishers Weekly

“David Woo and Margalit Shinar have perfectly illustrated how even a tenuous connection between individuals can have a profound, far-reaching effect across the world that could never have been predicted.”
~ Reader’s Favorite

Merry-Go-Round Broke Down is a contemporary fiction novel with the propulsion of a financial thriller. It’s fiction, but it wants to explain the world while it entertains you… If you want a story that makes you look up from the page and think, “Wait, is this how it really works?,” then it delivers.”
~ Literary Titan

Merry-Go-Round Broke Down Trailer:

Book Details:

Genre: Financial Thriller
Published by: Regalo Press
Publication Date: March 31, 2026
Number of Pages: 288
ISBN: 9798895655801
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub | Simon & Schuster

Read an excerpt:

Chapter 4

TOMOKO WATANABE
Tokyo, Japan, January–July 2005

“Low interest rates punish savers.” —Bill Gross

THE HOUSE IN KASHIWA, CHIBA Prefecture, southeast of Tokyo, was a two-storied box with aluminum windows and clad in white mosaics. It had a grey-tiled roof and a tiny front garden. The wind was howling outside as Tomoko struggled to get up from her bed. It was six o’clock in the morning and still dark, and everybody in the house was asleep. She was loath to abandon the warmth of the heavy duvet, but today was her husband Akihiro Watanabe’s birthday, and she wanted to surprise him with a special breakfast.

Tomoko shivered as her feet, encased in thick white socks, trod silently on the tatami mat covering the floor. It was cold, even for January, and this was one time she wished there was heating in the bedroom upstairs. She put on her slippers, pulled on a heavy cardigan over her fleece pajamas, and went down to the kitchen.

The kitchen, Tomoko’s kingdom, was small, but she ran it like a tight ship, every utensil and small appliance kept in its assigned place.

She began to prepare her husband’s favorite menu: clam miso soup and omelet rolls. There was smoked fish left over from the previous night, as well as cooked rice.

After turning on the small heater and quickly swallowing a cup of hot tea, she put on her old blue-checked apron and set to work.

Poor Aki, she was thinking, as she removed from the fridge the asari clams she had bought the previous afternoon; he really deserved some cheering up. Only eight months ago he had lost his lifelong employment, the first serious crisis in their marriage of twenty-two years. The electronics company he had given his all to for over thirty years had gone bankrupt after its main customer decided to outsource to China.

She rinsed the clams in cold water, rubbed them clean with a dishcloth, and set them aside to soak in salt water. She then filled a pot with water from the sink and blanched a leaf of kelp. When it had softened, she removed it with chopsticks and then put it back in the pot to boil for a minute or two before taking it out again.

Though Aki had found a new job quickly enough, Tomoko was worried. It not only paid a third less than his previous salary, it was a temporary job, with a contract that had to be renewed every six months. While Tomoko was, by nature, someone who took life’s setbacks with a pragmatic optimism, she felt helpless in the face of the loss of their financial security. As she added dried bonito flakes to the boiling water, she shook her head and pursed her lips at the injustice of it.

When the fish was cooked, she passed the broth through a fine sieve lined with a cloth. Discarding the scum, she sieved it again. And again. Inspecting the liquid for any telltale specks, she repeated the process until she was satisfied the broth was perfectly clear. She now reached out for the clams, soaking in their bath of brine.

Usually, Tomoko loved the ritual fuss of birthdays, especially her husband’s—the shopping for presents, the paper decorations and cards, the candles on the cake—but this year there wasn’t much cause for celebration.

She rinsed the clams and tipped them into the broth. Bringing the liquid to a boil, she skimmed it patiently. Once the clams had opened, she mixed in the miso paste, squeezing it through a small sieve with a spoon. The soup was ready.

Now for the omelets. What was more worrying, she thought, breaking eggs into a bowl with a deft flick of her wrist, was that his pension was gone. And the new job offered no pension at all. The bleakness of their future agitated her as she whisked the eggs with more vigor than necessary and poured them into the frying pan.

The omelets were done. When they had cooled a bit, she rolled them up into narrow, finger-shaped wraps and put them aside. Then she arranged the fillets of cold smoked fish in the middle of a long rectangular plate, which she decorated in one corner with a dollop of daikon radish infused with ponzu sauce. Finally, she heated up the rice and took out some nattō, fermented soybeans, everyone’s favorite.

She looked out the window above the sink. The heavy night darkness was lifting, and she could make out the falling snowflakes and the leafless branches of the cherry tree in their garden bending in the wind. A cold grey light was beginning to infiltrate the kitchen. She switched off the overhead lamp, figuring she could do without it now.

A brown Formica-top table with six chairs stood in a nook just off the kitchen. Poor Aki, she repeated to herself as she began to set it. At the age of fifty-three, there was little chance of his finding steady employment again. Although they never talked about it, she knew that, ashamed and frustrated, her husband was unraveling. His drinking binges had become more frequent, and he had taken to coming home at all hours. He was also becoming moody and short-tempered.

Only last week he had flown off the handle when she told him she was thinking about looking for a part-time job. He wouldn’t hear of it, he had responded angrily. Their son was still at school and needed her. Besides, what would their neighbors think? It was out of the question.

Though Tomoko knew his objections had more to do with his pride, she didn’t bring up the subject again. She vowed to herself she would find another way to help. But how?

Tomoko put down a small flower arrangement, teacups, bowls, and chopstick supports on the table. She had to find a way to help Aki. Whereas she could still take comfort in little things, he had just lost his entire world. She took a moment to align the chopsticks just so. Taking a step back from the table, she viewed the result with satisfaction.

Tomoko glanced at the kitchen clock squeezed between the toaster oven and a shelf. It was seven-thirty and all was ready. Plenty of time left for a leisurely meal before Aki left for the office and their son, Nishio, left for school. What a pity her daughter, Keiko, wasn’t there.

Tomoko brushed that regret away, together with a lock of her permed black hair that had strayed onto her forehead, and stood meekly at the entrance of the kitchen, waiting. She could hear her family coming down the narrow wooden stairs.

She bowed to her husband and her mother-in-law as they appeared, her face faintly flushed from her efforts, her shoulders hunched forward ever so slightly. “Ohayō gozaimasu,” she said, with the politest of greetings.

But Aki only grunted a barely discernible thank-you as he viewed the mini-feast she had prepared and sat down, noisily pushing back his chair.

Then he buried his face in the morning newspaper that Tomoko had laid, neatly folded, to the right of his chopsticks.

He was followed by Nishio. At fifteen, he was a tall and gawky youth, with a few wisps of dark downy hair on his upper lip and chin. He advanced towards the table and sat down in silence. He sat there sullenly, looking down under lowered eyelids, not once making eye contact with his mother. He consumed his soup in a few rapid gulps and hurriedly shoved some rice into his mouth. Then with a curt, barely mumbled good-bye, he got up and was gone.

“Don’t forget your bento box,” Tomoko’s voice rang out after him, “you must eat lunch!”

The third person at the table was Mishimo, Tomoko’s mother-in-law. It was she who owned the house, and after the death of Akihiro’s father some ten years before had given over most of the space to her son’s family, keeping only one room for herself. It was a situation not without friction. She had never liked Tomoko and was of the opinion that her handsome son could have found a better match than the daughter of a taxi driver. Or, at the very least, a prettier one. Though their exchanges were invariably on the right side of civil, Mishimo inevitably found fault with everything Tomoko did. But this morning was different. She spooned down the soup slowly, savoring every sip. “Excellent, Tomoko,” she remarked loudly. “Well done.” A compliment! Tomoko was touched to the bottom of her heart.

She then turned to her husband.

Anata,” he said, using a Japanese term of endearment. “I hope you’ll be home on time for dinner. I bought a cake for tonight. And there will be eel as a main course.”

Aki didn’t shift his eyes from the newspaper. “No. I’m eating out.

Client dinner. Don’t wait up for me. I’ll be back late.”

If Tomoko was disappointed, she showed no sign of it.

“Akihiro-san. I also bought you a small gift,” she announced timidly. She had bought it out of her personal savings and had hoped to give it to him at the evening meal. She would have to give it to him now instead.

She went to the living room where she had hidden it. Coming back, she bowed respectfully and held out the package in her two open palms like an offering, saying “Happy birthday” in English.

Aki finally deigned to lower the newspaper and stared at the box wrapped in delicately folded bright blue paper, tied with a slender red-and-gold string. He reached out to take it. But instead of opening it, he put it in the pocket of his suit jacket.

“Have to rush now,” he said dismissively.

“It’s the lighter you always wanted,” said Tomoko. But Aki responded with a dead gaze of bitterness at the wall behind her. Suddenly, he jumped up from his chair with such violence that it crashed to the floor.

Baka! You stupid woman! Kono ama, you bitch!” He exploded in an inexplicable fit of rage.

Tomoko shrank back.

“How many times do I have to tell you not to waste money?” he yelled. “Don’t you see the situation we’re in?”

Without warning, he grabbed the cast-iron teapot from the table. He seemed ready to hurl it straight at her. Tomoko raised her arm to defend herself. He had hit her before, and she thought she knew what to expect.

At the last moment, however, perhaps in response to a whispered word from Mishimo that never reached Tomoko’s ears, he changed the direction of his aim and the heavy pot went flying toward the kitchen. Spurting tea, it smashed loudly into one of the kitchen cabinets.

In the silence that followed, Tomoko couldn’t move. Her heart beat wildly in her chest. But she didn’t say a word. Out of the corner of her eye, she was just in time to catch the expression of icy disapproval on Mishimo’s face.

***

Excerpt from MERRY-GO-ROUND BROKE DOWN by David Woo & Margalit Shinar. Copyright 2026 by David Woo & Margalit Shinar. Reproduced with permission from David Woo & Margalit Shinar. All rights reserved.

 

 

David Woo & Margalit Shinar

David Woo:

David Woo is a renowned global macro strategist, widely recognized for his bold and prescient calls on some of the biggest economic, political, and geopolitical stories over the past quarter century. Bloomberg called him “one of the most outspoken voices on Wall Street,” while Business Insider named him among “the twelve smartest people on Wall Street.” His views have shaped debates across markets, policy circles, and the global media. David began his career at the International Monetary Fund before going on to hold senior positions at Bank of America, Barclays Capital, and Citigroup. He earned a PhD in economics from Columbia University and a bachelor of arts in mathematics from Tufts University. A true product of globalization, David was born in Pittsburgh, raised in Taiwan, and educated in the United States. His career has taken him from Washington DC to London and New York. He is fluent in English, Chinese, and French.

Catch Up With David Woo:

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Margalit Shinar:

Margalit Shinar is an architect. Margalit was born in New York, the daughter of French émigrés. She has a master’s degree in art history from Tufts University and a bachelor of arts in architecture from the Technion, Israel Institute of Technology. She has edited a history book on ancient Israel. She is fluent in English, French, Hebrew, and Italian.

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Q&A with DAVID WOO & MARGALIT SHINAR

Can you tell us a little about yourself and your background?
David: I am an economist by training. I spent most of my career on Wall Street, where I became known for my out-of-consensus calls on some of the biggest stories over the past 20 years. For what it’s worth, Bloomberg calls me as “one of the most outspoken voices on Wall Street.” Born in Pittsburgh, raised in Taiwan, and now living in Israel, I am a product of globalization, and that experience shapes the way I see the world. I’ve always been drawn to big, ambitious novels about sweeping societal change. It was only after 25 years of researching international finance and economics that I understood the world well enough to embark on my first novel. Giuseppe Tomasi di Lampedusa didn’t start working on The Leopard until he was fifty-eight. Some novels only arrive after you’ve lived them. That’s how I feel about Merry-Go-Round Broke Down. Margalit: I am an architect by training and a mother of two daughters. Instead of pursuing a career in architecture however, I pursued further study and graduated with an MA in Art History from Tufts University. That is where I met my second husband. I was born in New York to European émigré parents, both intellectuals. What I learned around the dinner table about Western culture was the equivalent of another university degree! French was the language spoken in my home. David and I have been married for 20 years and we live in the foothills of Jerusalem with our 2 standard poodles. I speak fluent English, Hebrew and French, and some Italian

What was the inspiration for this book?
David: Globalization has become one of the most divisive ideas of our time. In many circles, it has become a political scapegoat for rising inequality, economic insecurity, and the resurgence of protectionism. Yet behind these debates are the lives of millions of people whose stories are rarely told.
Merry-Go-Round Broke Down grew out of a desire to tell the story of globalization in a way that anyone could understand and, more importantly, relate to. We chose to write a novel because globalization is ultimately a web of human stories about ambition, hope, greed, luck, and fear. We wanted to show how individual lives, separated by continents and cultures, become bound by forces far beyond their control.
In The Plague, Camus examines how people respond when the world around them begins to break down. We wanted to ask a similar question in the context of globalization: how it shapes our lives, draws us together across borders, and, at times, pulls us apart. Ultimately, the novel is about how ordinary people, each pursuing a better life, unknowingly set in motion a chain reaction that transforms one another’s lives—and, ultimately, the world they share.

How did you come up with the title?
Merry-Go-Round Broke Down was the theme song of the Looney Tunes cartoon series. Written in 1937, during the Great Depression, it evokes a world that has spun out of control—a feeling that resonates strongly today.
When our daughter, Adi, suggested it as the title of our novel, we immediately knew it was the perfect fit. The phrase “Merry-Go-Round” also echoes the 1950 French film La Ronde, based on Arthur Schnitzler’s play, whose circular narrative structure inspired the architecture of our book.
Above all, the title reflects our deepest concern: the world we are leaving to our children and grandchildren. Through this novel, we wanted to explore how the forces that shaped globalization also created many of the challenges they will inherit. To navigate the future, they first need to understand how the world became what it is today.

Can you give us a glimpse into the research that went into writing this story?
There is a reason Merry-Go-Round Broke Down took ten years to write. We devoted the first five years to research, including traveling to every location where the story unfolds. The novel spans ten cities across eight countries, and we wanted each setting to feel as authentic as possible. From the very beginning, we knew we were attempting something ambitious. We also knew that readers would hold us to a high standard. Our goal was simple: to ensure that every character, every setting, and every moment felt real. We wanted readers to feel as though they were truly there—whether in a factory town in China, on a trading floor in London, or walking the streets of Havana.

Excluding the main character, who is your favorite character from the book, and why?
Margalit: my favorite character is Tyler. He represents the tragic outcome of globalization. I feel for him. He is a decent person who suffers misfortune after misfortune and is helplessly buffeted by huge forces that are beyond his control.

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Get Gribnitz by Howard Gimple #AuthorGuestPost

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GET GRIBNITZ

by Howard Gimple

June 29 – July 24, 2026 Virtual Book Tour

Synopsis:

Get Gribnitz by Howard Gimple

Howard Gimple, master of the comedy thriller, takes on the world of advertising in his funniest, snarkiest, most entertainingly irreverent book yet.

Stew Gribnitz is a brilliant advertising copywriter with impulse control issues, an utter disdain for authority, and an unresolved demi-Oedipal complex (he’d like to murder his father but has no sexual designs on his mother). When the first act of his new creative director is to dump our hero’s best work into a garbage bin, Stew’s immediate impulse (which, of course, he can’t control) is to do unspeakable things to his new boss’s necktie while he’s still wearing it.

The next day, when the necktie guy is found brutally murdered, Stew is brought in for questioning by the NYPD. He’s released thanks to an air-tight alibi, but not before his face is emblazoned on the cover of the New York tabloids, declaring him to be a cross between Son of Sam and Jack the Ripper. Stew becomes a Madison Avenue untouchable and a New York City pariah, except to his father who declares that seeing his son on the front page of his favorite paper is the first time that Stew has ever done anything to make him proud.

Stew gets a gig as a part-time advertising consultant to a billionaire publisher running for Governor of Connecticut who’s twenty points behind in the polls. When the publisher’s private plane does a nosedive into Long Island Sound, Stew is the only one who knows that his deceased client had been receiving death threats from his opponent, a former FBI agent whose brother is a mob enforcer.

Stew is convinced he’ll be the next victim and the authorities are convinced he’s a multiple murderer. The only way to clear his name is to find the real killer or killers, a task, well beyond his skill set, made even more difficult because the FBI, the NYPD, several suburban police jurisdictions and a homicidal hitwoman are all out to GET GRIBNITZ.

Praise for Get Gribnitz:

“…the perfect mystery novel”
~ Readers’ Favorite

“…a deliciously entertaining, fun, and exciting read from cover to cover.”
~ The Mystery Review Crew

Book Details:

Genre: Mystromedy
Published by: Mystromedy Books
Publication Date: July 1, 2024
Number of Pages: 348
ISBN: 9798990761575
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub

Read an excerpt:

On my way to the house I’m hoping Moish isn’t home. But as soon as I walk in there he is, standing in the living room, holding the Post in one hand and the News in the other.

I gird myself for what’s coming. “So I guess you read about me in the paper.”

His smile gets broader. “You bet I did.”

“It was all a huge misunderstanding. Believe it or not, you’re my alibi. I was here with you last night when it happened.”

He sticks his thumb in the air. “Of course you were. I’ll back you up a hundred percent. Just tell me what time I was supposed to be here and I’ll swear on a pile of Bibles.” He winks at me. “Old Testament, of course.”

“No, really.”

He shakes his head. “This is better. We were here together all night, playing pinochle. Wait a minute, you never learned to play pinochle. How about gin rummy? You know how to play gin rummy. Of course you do. Any moron can play gin rummy.”

“Pop, listen to me. We don’t have to make up a story. If it ever comes up, just tell the truth.”

“Okay, son,” he says, still grinning. “Whatever you say. But I still think the gin rummy routine is the way to go.”

Son? He never calls me son. Putz, schmendrick or shmuck with earlaps, which for my father is the absolute worst thing you can be, are his usual terms of endearment for me, but son? Never.

Since my mother died, giving me a hard time has become my father’s favorite pastime. Even more than playing cards or going to the track. After forty-five years of arguing with her, he needed someone else to yell at. Not that he didn’t yell at me when she was alive, it’s just that she was his number-one target. She told me that he never means anything by it. She used to say, “When he gets quiet, that’s when you have to worry. As long as he’s yelling, everything’s fine.”

That’s why I’m so confused. Here’s the perfect chance for him to tell me what a shmuck I am for getting myself into this mess, instead he’s kvelling like I just won the Nobel Prize.

“You did see the paper, didn’t you?”

“Of course. I bought extra copies. I’m gonna hand them out to everyone at the track.”

“And you’re not upset?”

“Upset?” He puffs out his chest. “I’ve never been prouder.”

“But everyone thinks I’m a cold-blooded murderer.”

“I know.” There’s that grin again. “It’s terrific.”

“I don’t get it.”

“What’s to get? You finally made a name for yourself. Made it to the front page. The page that’s usually reserved for presidents, governors and generals. And now my boy is right up there with them.”

“They made me look like a homicidal maniac. It’s not the same.”

“You’re right. It’s better.”

At this point I don’t know what to say, so I just stand there with my mouth open.

“You know where I grew up, right?”

I nod. “Yeah. Brownsville. Chester Street, right?”

“You know my mother had a chicken market around the corner on Dumont Avenue?”

“Of course. You told me that story a hundred times. They called her the Chicken Lady. She made you get up at five in the morning to pluck chickens before you went to school. Made you come back before you went to bed to sweep up.”

“She was a hard woman, my mother. She had to be. After that goddamn flu killed my father, she had three babies to feed. But that doesn’t matter now.” His eyes start to twinkle. And Moish wasn’t usually a twinkler. “Do you know what was down the street from my mother’s store?”

I shrug.

“Rosie Gold’s candy store.”

“Okaaaaay?”

“You know who hung around Rosie’s?”

“Not a clue.”

He puffs out his chest. I’m thinking it’s gonna be some old-time Jewish sports hero like Kingfish Levinsky or Slapsie Maxie Rosenbloom.

“Murder, Incorporated. That’s who. The toughest SOBs in the country. And they were all Jews. Louis Lepke, Abe Reles, Buggsy Goldstein. Killers, every one of them. Everybody feared them. The Italians, the Irish, the coloreds. They had class too. Money, women, fancy cars, you name it. When I was a kid, twelve or thirteen, I’d sneak out of my mother’s shop and hang around outside Rosie’s. Those guys loved me. They treated me like I was their little mascot. Their good-luck charm. I’d run errands for them. Bring them cigarettes, drinks, the paper. Whatever they wanted. And they’d throw me a twenty-dollar tip like it was a nickel. You know what that’s worth today? Five hundred dollars. I was a snot-nosed pisher with more money in my pocket than most of the grown men in the neighborhood. In a couple of years I coulda been one of them.”

I don’t know whether to be impressed or aghast. “So what happened?”

He shrugs. “This and that. Reles turned rat. Then he fell out of a hotel window. Pretty soon they were all dead or in jail. The Depression hit. The war happened. I spent five years in the Philippines shooting Japs. And when I came home I married your mother.”

I’m a little taken aback that he puts marrying my mother in the same category as the Second World War and the Great Depression.

“Besides, when your grandmother found out what I was doing, she beat the living crap outta me. Told me if she ever caught me hanging around with those bums again she’d pluck me like one of her chickens.”

“Let me get this straight, your childhood dream was to be a gangster?”

“It was different then, not like the scum-bums you see now. Back then, if you were in the rackets you were somebody, a big shot, a mensch.”

“So seeing my commercials on TV and the awards I won, that all means nothing to you, but having everybody in New York think I’m the Jewish Dillinger, that you’re proud of?”

“It’s not like you’re a senator or governor, but it’s something.”

“I’m sorry to disappoint you but I really didn’t do it.”

“Whatever you say.” He pauses for a second. “Listen, do you know Shifty, the bookie from back in our old neighborhood?”

“Yeah, sure.”

“He’s been giving me a hard time. He says I owe him some money but he’s fulla shit.”

“How much money?”

“I dunno, two . . . three hundred.”

“Dollars?”

“No, kishkes. Of course dollars.”

“And you’re sure you don’t owe him the money?”

“Of course I’m sure. You think I wouldn’t remember something like that?”

I don’t say anything.

“He says he’s gonna come over here with some leg breakers and take it if I don’t give it to him. How about you pay him a little visit and convince him to lay off?” He holds up the paper and grins. “He’ll listen to you.”

“Listen, Pop. I’m not a thug. I don’t even play one on TV. There’s no way I’m gonna threaten your bookie or anybody else.”

He shoots me a scornful smirk. “I shoulda known you didn’t have the guts.” He walks to the bathroom. Before he shuts the door he looks at me with disgust and shouts, “Putz!”

***

Excerpt from GET GRIBNITZ by Howard Gimple. Copyright 2026 by Howard Gimple. Reproduced with permission from Howard Gimple. All rights reserved.

 

 

Author Bio:

Howard Gimple

I’ve been writing for my supper for most of my adult life. First as a copywriter and creative director for several ad agencies. After I aged out of the advertising business (you’re a dinosaur at 35), I wrote English dialogue for the American releases of Japanese anime cartoons, reviewed movies for a pay-per-view television network, and was the editor of a newsletter for the New York Giants football team. I wrote the lyrics for a song used in the soundtrack of the horror film THE REJUVENATOR as well as the fight song for Stony Brook University, where I was a writer and sports editor for their alumni magazine and taught two classes, Rock and Relevance, about the influence of classic rock on politics and Filthy Shakespeare about the sexy bits of the Bard’s plays and poems that they don’t usually teach. Several of my stories have been featured in Akashic Books’ Mondays are Murder online noir series. I recently finished work on The Garbageman, a documentary about a trash hauler who saved the lives of 50,000 children in underprivileged countries with congenital heart disease. And if you’ve gotten this far on the website, you know about my novels.

After living in Brooklyn, Manhattan, and Long Island, I headed west to Glendora, California, with my wife and Goldendoodle.

Catch Up With Howard Gimple:

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Facebook – @authorhowardgimple

 

GUEST POST by HOWARD GIMPLE

MYSTROMEDY…WAIT, WHAT??

Simply, a mystromedy is a comedy-mystery. It’s a genre that has been wildly popular on screens large and small. Shows like Columbo and Monk ran for many years atop the ratings. And funny mysteries have been dominating the silver screen forever. From William Powell’s Thin Man to Peter Sellers’ Inspector Clouseau to Daniel Craig’s Benoit Blanc, moviegoers can’t get enough daffy detectives. Why is it then, when it comes to the printed page or the pixilated ebook screen, mixing jokes and thrills is unkosher, undignified and unacceptable. A few outliers like Janet Evanovich’s Stephanie Plum books and Carl Hiassen’s quirky Florida capers are the exceptions that prove the rule that comedic mysteries are the Rodney Dangerfields of the mystery-thriller genre.

Even Donald E. Westlake, the dean of whodunit humor, said that his Dortmunder series, one of the all-time comedic mystery masterworks, was created by accident. He began writing another book in his Parker series, featuring a tough-as-nails criminal whose exploits wouldn’t come close to engendering a smirk, let alone a smile or, heaven forbid, a guffaw. Parker’s demeanor was so fierce and foreboding that the mere sight of him entering a room would give its occupants shivers.

Westlake said that when he started writing the book, no matter how hard he tried to stick to the usual ominous Parkeresque atmospherics, the story kept veering wackily off course. He decided to temporarily put Parker on the shelf and continue the comedic arc of the story with a new main character. And so John Dortmunder was born. After The Hot Rock, the first Dortmunder book, was finished Westlake considered it to be a one-off and intended to return to writing hard boiled mysteries. But the tremendous critical and commercial acclaim it received persuaded him to write another and another and another— fourteen novels and more than a dozen short stories in all.

So why is it that out of Amazon’s 60-odd categories for the Mystery, Thriller and Suspense genre, from amateur sleuths to witches and wizards, there isn’t a single category for comedy? Do they think that mystery readers have no sense of humor? Is there no room for both gasps and giggles in a 300 page novel? Of course there is. But it may take time for mysteries and comedies to cohabitate on amazon.

I encountered the same sort of anti-comedy bias when I was a young copywriter at an ad agency. I was assigned to write ads for an insurance company. Every time I submitted a humorous one it was summarily rejected. ‘Insurance is serious business, it’s not a laughing matter,’ I was sternly told. And for years, insurance ads were at best dry and at worse morose. Then Met Life started airing ads featuring Snoopy, Charlie Brown and the Peanuts gang. Not only was no one put off by this, their sales took off. And the trend continued. Geico uses a wise-cracking gecko with an Australian accent as its spokeslizard, Flo and her gang are doing shtick for Progressive and a kooky emu is the face of Liberty Mutual.

Let’s do the same for laugh-out-loud mysteries. C’mon amazon, give us a category. Maybe even two. It could be the start of the mystromedy revolution. Or at least get us mystromedians a little respect.

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Get In, Enter, Then GET GRIBNITZ

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Proxy Legal Thriller Series by Manning Wolfe #AuthorInterview

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PROXY LEGAL THRILLER SERIES

by Manning Wolfe

June 8 – July 17, 2026 Virtual Book Tour

 

DEAD BY PROXY

 

In this lawyer on the run action suspense, attorney Quinton Bell loses the trial of his career, and possibly his life.

Dead By Proxy takes you on a heart-pounding journey through the life of a criminal defense attorney, whose world is wiped out. When Quinton loses a career-defining case, he finds himself being hunted by the very client he tried to save.

As Quinton navigates the treacherous path of survival, he is running from a powerful and relentless adversary who will stop at nothing to see him silenced. Finally landing in Houston, he hides in plain sight while re-inventing his new life as a trial lawyer.

When he’s forced to take on a high-profile murder case, he exposes himself and those he loves to danger. With each passing moment, the noose tightens, and he must draw on every ounce of wit to outsmart those who still want him dead.

Will Quinton Bell find a way out, or will he forever be a target in a deadly game of cat and mouse?

 

HUNTED BY PROXY

 

In this lawyer on the run action suspense, can attorney Quinton Bell hang on to his new life as he hides in plain sight?

Hunted By Proxy takes you on a heart-pounding journey through the life of a criminal defense attorney, whose world, as he knew it, was wiped out by the very client he tried to save.

Quinton establishes a new life and law practice in Houston and thinks he’s outrun the dangerous adversaries who chased him there. Just as he begins to relax, he receives a mysterious note that proves to him that he’s still in danger and running from a powerful and relentless adversary. But who?

With each passing moment, the noose tightens, and he must draw on every ounce of wit to outsmart those who still want him exposed, or worse, dead.

Will Quinton Bell find a way out, or will he forever be a target in a deadly game of cat and mouse?

 

ALIVE BY PROXY

 

Can attorney Quinton Bell hang on to his new life, as he hides in plain sight, in this lawyer-on-the-run suspense thriller?

Alive By Proxy takes readers on a heart-pounding ride through the life of a criminal defense attorney whose world was wiped out by the very client he tried to save. After faking his own death and stepping into the life of his deceased best friend, Quinton walks a razor-thin line every day to keep his past buried and his future intact.

When Houston Wildcatters linebacker Marcus Hale is charged with the brutal murder of his agent, the case detonates into a media firestorm. As the defense digs deeper, the murder case opens into something darker with buried secrets, dangerous leverage, and hidden lives that refuse to stay in the shadows.

As the courtroom battle intensifies, so does the danger beyond it. Unseen eyes track Quinton’s every move. Old ghosts stir. The identity that has kept Quinton alive begins to feel more fragile than ever.

Every witness, every revelation, and every step closer to the truth threatens to expose both Quinton and his client. Will Quinton find a way out, or will he forever be a target in a deadly game of cat and mouse?

Praise for the Proxy Legal Thriller Series:

“A riveting read that expertly teams courtroom drama and legal maneuvering with imminent danger, spine-tingling suspense, a touch of romance, and non-stop action. Talk about an adrenaline rush!”
~ Reedsy

“Can a woman write a thriller book that leaves you going, ‘Wow, how did I ever miss this author before?’ Yes, she can. Fist bumps and high fives to author, Manning Wolfe on this fantabulous thriller!”
~ Forgotten Winds

“I love the whole book! From beginning to end, it was a roller coaster ride! From New York to Texas, With incredible character development, and plot twists from beginning to end! Looking back, there were subtle clues, but not until the very end was there a resolution. I would highly recommend this book!”
~ Susan Riley, Amazon Customer

“Manning Wolfe just put herself on my list of must-read authors!”
~ John Ellsworth

Book Details:

Genre: Legal Thriller
Published by: Starpath Books, LLC
Series: Proxy Legal Thriller Series

 

Author Bio:

MANNING WOLFE

MANNING WOLFE, an award-winning author and attorney residing in Austin, Texas, writes cinematic-style, smart, fast-paced thrillers and crime fiction. Manning was recently featured on Oxygen TV’s: Accident, Suicide, or Murder.

  • Manning’s legal thriller series features Austin attorney Merit Bridges, including Dollar Signs, Music Notes, Green Fees, Chinese Wall, and Killer Weed.
  • Manning’s new Proxy Legal Thriller Series features Houston attorney Quinton Bell and includes: Dead By Proxy, Hunted By Proxy, and Alive By Proxy.
  • Manning is co-author of Sinister Santa, and twelve additional Bullet Book Speed Reads.
  • As a graduate of Rice University and the University of Texas School of Law, Manning’s experience has given her a voyeur’s peek into some shady characters’ lives and a front-row seat to watch the good people who stand against them.

    Catch Up With Manning Wolfe:

    ManningWolfe.com
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    Goodreads – @manningwolfe
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    Instagram – @manningwolfe
    X – @ManningWolfe
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    YouTube – @starpathbooksllc1763
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    BlueSky – @manningwolfe.bsky.social
    TikTok – @manningwolfe

     

    Q&A with MANNING WOLFE

    Can you tell us a little about yourself and your background?
    I’m an attorney turned thriller writer living in Lockhart, Texas, which means I spend my days thinking about courtroom drama, suspicious characters, and whether brisket counts as a food group. Lockhart is known as the BBQ Capital of Texas, so I consider it less of a hometown and more of a delicious occupational hazard.
    I’ve always loved storytelling. Practicing law introduced me to all kinds of personalities and conflicts, and eventually I realized that some of the best fiction starts with people under pressure facing terrible decisions.

    What was the inspiration for this book?
    Most of my books start with a “what if” question. In this case, I became fascinated with the idea of how quickly an ordinary life can spiral into complete chaos. One bad decision, one wrong person, one secret exposed at the wrong time, and suddenly everything changes.
    I also love stories where the hero is smart but still vulnerable. I think readers connect more with characters who are trying to hold things together while the walls are slowly closing in around them. Plus, let’s face it, putting fictional people through misery is part of the job description for thriller writers.

    Can you give us a glimpse into the research that went into writing this story?
    One advantage of being an attorney is that I already understand legal procedure and courtroom strategy. The downside is that I also know how much paperwork real lawyers deal with, which is why my fictional attorneys are always much cooler and more efficient than reality.
    Beyond the legal side, I choose locations carefully. I’ve spent a good amount of time in the places I select as the main venue. I want readers to feel like they’re standing on a Houston street corner at midnight or sitting in a Galveston restaurant watching a storm roll in.
    I also tend to fall down strange internet rabbit holes while researching. At some point during every book, my search history begins to look highly suspicious. So far, the cops have not come calling.

    What does your typical writing routine look like? Any idiosyncrasies or rituals?
    I’m an early outliner and a late-in-the-day writer. I’ll spend days mapping out twists and scenes, then suddenly write for eight straight hours fueled by tea and the false belief that I’ll “just finish one more chapter.”
    I also tend to work out plot issues in my dreams. This has convinced my family that either I’m deeply creative or slowly losing my mind due to lack of REM sleep. The jury is still out.

    What are a few of your favorite foods?
    Living in Lockhart, Texas, it’s basically illegal not to love BBQ. Brisket here is practically a religion. If somebody says they know a “better” BBQ place somewhere else, people in Lockhart react like they’ve been personally insulted.
    But my second home is the Texas Coast, and that’s where my other food obsession takes over: shrimp. Fried shrimp, grilled shrimp, shrimp tacos, shrimp po’boys, shrimp boiled in enough Old Bay to clear your sinuses. I love those little crustaceans in just about any form imaginable.
    Writing this makes me think I should include a restaurant that serves both BBQ and shrimp in my next book. Maybe I’ll throw in a little salad too.

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    Reasonable Doubt You’ll Want To Miss This? None.

    This giveaway is hosted by Partners in Crime Tours for Manning Wolfe. See the widget for entry terms and conditions. Void where prohibited.
    Proxy Legal Thriller Series by Manning Wolfe | Gift Card

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    The Midas Touch by Gary Grossman, Oren Aviv, & Charles Segars #AuthorInterview

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    THE MIDAS TOUCH

    by Gary Grossman, Oren Aviv, & Charles Segars

    June 29 – July 24, 2026 Virtual Book Tour

    Synopsis:

    THE MIDAS TOUCH by Gary Grossman, Oren Aviv, & Charles Segars

    National Treasure meets Jack Ryan in THE MIDAS TOUCH

    July 19, 1799. Napoleon’s armies advance into Egypt. In the steaming desert sands, his explorers unearth an astounding discovery: The Rosetta Stone. The tablet, cracked and incomplete, will eventually answer mysteries about ancient Egyptian history, culture, and science. But in the years since its partial excavation, world leaders, historians, scientists, and adventurers have speculated that the missing fragments could answer another age-old mystery.

    THE MIDAS TOUCH is a globe-trotting adventure that follows CIA cryptologist/puzzle solver/savant Brady Donovan as he investigates the murder of his beloved mentor Dr. Hastings Kaufman, only to find that it leads to a search for the missing pieces of the famed Rosetta Stone and the secret it holds: The Alchemist Gold Theory – how to turn ordinary metals into gold.

    Protagonist Brady Donovan partners with British archeologist Teppy Flynn and conspiracy theorist Avery Prophet. Only a heartbeat away is a diabolical Silicon Valley tech giant, D’Arcy Lauren Granier, and her henchmen.

    The quest takes them through Napoleonic history and into a contemporary race through the streets of London, America’s backroads, the Caribbean, New Orleans’ French Quarter, Napoleon’s last island prison in the Atlantic, the Louisiana Bayou, and a massive, abandoned salt mine where pirate Jean Lafitte hid his treasures.

    History, told in vivid flashbacks, jumps back to 1799 Egypt, and forward through the hundreds of years since, with pirates and presidents on the search for better or worse. Now Brady Donovan fights against the fast- ticking clock, relentless bad guys, and a Category 5 hurricane to where past meets present and greed and betrayal become deadly partners.

    THE MIDAS TOUCH is written by international award-winning thriller writer Gary Grossman with Charles Segars and Oren Aviv, the creators of the billion-dollar National Treasure movie franchise.

    Praise for THE MIDAS TOUCH:

    “A perfect piece of entertainment with characters and a story that never disappoints. Poignant in places, nail-biting in others, the plot is accentuated by a take-no-prisoners attitude, similar to speeding down a slalom course with all its twists and turns. It’s quite a ride!”
    ~ Steve Berry New York Times best-selling author

    The Midas Touch is a thrilling ride through history and modern-day, tantalizing the reader with intrigue, action, and adventure across a labyrinth of archaeological secrets and danger.”
    ~ Raymond Benson, New York Times best-selling James Bond novelist

    “Fans of The DaVinci Code will love The Midas Touch. Grossman, Segars, and Aviv have created an iconic character in Brady Donovan, a CIA cryptologist who trades in his pen for tradecraft to protect the world from a devastating economic weapon. Gripping prose, unforgettable settings, and non-stop excitement. A real page turner!”
    ~ K.J. Howe, international bestselling author of Skyjack writes

    THE MIDAS TOUCH Trailer:

    Book Details:

    Genre: Suspense, Mystery, History Fiction, Globe-Hopping Intrigue
    Published by: Fayetteville Mafia Press
    Publication Date: June 2, 2026
    Number of Pages: 334
    ISBN: 9781949024999 (ISBN10: 1949024997)
    Book Links: Amazon | Kindle | Barnes & Noble | Goodreads | BookBub

     

    Gary Grossman:

    Gary Grossman

    THE MIDAS TOUCH is written by international award-winning thriller writer Gary Grossman (OLD EARTH, the EXECUTIVE ACTIONS and RED HOTEL series) with Charles Segars and Oren Aviv, the creators and executive producers of the exciting and popular Nicholas Cage NATIONAL TREASURE movie franchise.

    Catch Up With Gary Grossman:

    garygrossmanbooks.com
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    Charles Segars:

    Charles Segars

    CHARLES SEGARS has served as a senior executive at Viacom, CBS, The Walt Disney Company, DreamWorks Pictures, and DreamWorks Animation. Segars is also known as Creator and Executive Producer of the Walt Disney Studios Motion Pictures hit movie franchise, National Treasure and National Treasure: Book of Secrets.
    Currently, Segars enjoys a dual role as CEO of Ovation TV, the only multi-platform program service dedicated to the Arts and as President of Segars Media.
    Segars is a respected global safety and security analyst. He advises a number of national security-related technology startups and is actively involved in governmental affairs.He has served as a White House Associate as an Advance Team leader for the Office of the President and Vice President of the United States of America, leading a number of secretive domestic and international trips.

     

    Oren Aviv:

    Charles Segars

    OREN AVIV ran Disney Studios from 2006-2010, after heading Disney Marketing for eight years. He became Disney’s first Chief Content Officer, and after leaving Disney he became CMO for 20th Century Fox Studios. In addition to executive producing a dozen films, he also co-created and was Executive Producer of Disney’s National Treasure film franchise.
    Aviv was named “Marketer of the Year” three separate times by Advertising Age Magazine. He created breakthrough campaigns for the studio’s NARNIA, STEP UP, Pirates of the Caribbean, and the National Treasure franchises, and launched memorable campaigns for many of Pixar’s animated hits, including Finding Nemo, Monsters, Inc., The Incredibles and Cars. He also launched blockbusters such as The Sixth Sense; Pearl Harbor; Ransom; The Rock; Signs; The Waterboy; Armageddon; Unbreakable; 101 Dalmatians; Con Air; Crimson Tide; Freaky Friday; and Father of the Bride, as well as hundreds of other films under the Disney, Touchstone and Hollywood Pictures banners. As CMO at 20th Century Fox, Aviv created the campaigns for Rise of the Planet of the Apes; X-Men: First Class; Ridley Scott’s Prometheus; The Wolverine starring Hugh Jackman; and Ang Lee’s Oscar-winning Life of Pi.
    As head of production at Disney, Aviv was responsible for greenlighting such hits as THE PROPOSAL starring Sandra Bullock and Ryan Reynolds; Tim Burton’s billion-dollar-grossing Alice in Wonderland; Pirates of the Caribbean: At World’s End; National Treasure: Book of Secrets; and the Amy Adams musical-comedy Enchanted.

     

    Q&A with GARY GROSSMAN

    Can you tell us a little about yourselves and your backgrounds?
    I guess I’m a book with many chapters. Like Brady Donovan, our lead character in THE MIDAS TOUCH, I grew up in Hudson, New York. Unlike Brady, I have no amazing cognitive skills that would lead me to the CIA and a treasure hunt around the world. However, the world was out there for me. The first way, as a 12-year-old ham radio operator, tapping out Morse Code and communicating with other shortwave radio operators across the globe.
    The second way I reached beyond my one-square mile small town borders was as a local rock radio DJ. I started at 15 and at that point, I thought my career was set. Radio. Forever radio and rock and roll. Then came Boston and Emerson College where television and documentary film production lured me to expand my experience. Both mediums extended my reach and I became a story teller. The next leaps were into journalism, local and network news, documentary production, and books – both fiction and non-fiction. All as a storyteller, in one medium or another.
    That’s who I am now—through writing international mysteries and thrillers, memoirs, books on TV history, and yes, I’m still producing some TV and happily getting on live radio and podcasts to promote my books.
    It’s full circle experience, and word for word, it’s my story. I can even still spell it out in Morse Code!

    Can you give us a glimpse into the research that went into writing this story?
    Collaborating with Charles Segars and Oren Aviv has been truly creative and fulfilling. Together, we recognized that history was going to be a character in THE MIDAS TOUCH. That meant we’d have to hunker down and do thorough research on names, places, and dates. We had to create interlocking links between the real and the imagined, and have our cryptologist, Brady Donovan, and his cohorts, Egyptologist Teppy Flynn and conspiracy research Avery Prophet, figure them out.
    That meant there’s hardly a page that didn’t require research. Hopefully, our research will be the transportation for readers to follow the clues from 1799 Egypt with the discovery of the Rosetta Stone, to the British Museum, and onto America, while deep diving through centuries of history.
    The challenge and the goal was to cultivate the facts without getting too deep in the weeds. That gets back to my collaboration with the creators and executive producers of National Treasure and National Treasure: Book of Secrets. Charles Segars and Oren Aviv know how to strike the balance between authenticity and entertainment. They’ve done that in their movies and we feel we’ve succeeded in our wild, globe-hopping treasure hunt, THE MIDAS TOUCH.

    Tweaking this question to get to except I had working with Charles and Oren, who reinvented the treasure hunt genre. How did the three of you collaborate on THE MIDAS TOUCH? What did that process look like day to day?
    Collaboration can work many ways: Talking through the manuscript with one writer hitting the keys. Alternating chapters and passing them around. Or a combination of both. For the creation of THE MIDAS TOUCH, everyone contributed with story, characters, location, dialogue, through the five drafts, then the polish. In other words, we each brought our own best game to the process—as writers, film and television storytellers, and fans of the genre.
    Most of all, it’s really exciting when everyone has something important to contribute. A good idea gets better with help. Imagery becomes richer. Characters, more real. And for us, history jumps off the page.
    I got to work with real pros. It doesn’t get any better than that.

    What does your typical writing routine look like? Any idiosyncrasies or rituals?
    Process, process, process. Routine, routine, routine. I don’t believe in writer’s block. I have to lay something down every day, no matter how much I may rework it later. My goal is three pages a day. Sometimes more. Just do the math. If I keep it up, and I try to, that’s ninety pages a month, Less with a day or a weekend off every so often.
    Then there’s rewriting. Sometimes that’s even harder. Well, if not harder, certainly more tedious because that’s where I discover what needs to be strengthened, improved, eliminated, or reimagined. However, with something on the page, and the establishment of a creative direction, rewriting takes me one step closer to bringing the story together.
    And . . . then come the next drafts.
    As screenwriter Lawrence Kasdan (The Big Chill<, The Empire Strikes Back, Raiders of the Lost Ark, and so many more wonderful movies) says, “Being a writer is like having homework every night of your life for the rest of your life.”
    Totally true. And with that, I have another two pages to write today!

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