Category: Partners In Crime Tours

Hi Love, You Just Dropped Your Glove by Paul Charles #AuthorInterview

Hi Love, You Just Dropped Your Glove by Paul Charles Banner

HI LOVE, YOU JUST DROPPED YOUR GLOVE

by Paul Charles

June 1 – July 10, 2026 Virtual Book Tour

Synopsis:

Hi Love, You Just Dropped Your Glove by Paul Charles

A McCusker Mystery

 

Thomas Barry, Lefty Kelly, and Brendy McCusker were all teenage boys who were roaming the streets of Portrush, County Antrim, in Northern Ireland in 1976 when Thomas Barry quite literally bumped into Isabella Scott, and he uttered the words of the title. In July 2019, the same Thomas Barry’s remains were discovered at the foot of the Pilgrim’s Steps in the Portrush Harbour. There were an extra 200,000 people visiting Portrush that week as The Royal Golf Club played host to Tiger Woods and Rory McIlroy and the UK Open Tournament.

McCusker and DI Lily O’Carroll are conscripted from the PSNI (Police Service of Northern Ireland) in Belfast to help the already stretched local police force work on the case. They discover McCusker’s childhood friends Barry and Isabella Scott had married and then…well then, everything became very complicated relationship-wise involving Isabella’s sister, Colette, lawyers, accountants, and showband singers. Thomas had become an ultra-successful property developer, sometimes in partnership with the Buckley Brothers, at least one of whom doesn’t mind the cowboy approach to work. Meanwhile, McCusker is pining over a recent relationship he had started back in Belfast with O’Carroll’s sister, Grace.

Set against the backdrop of the (actual) UK Golf Open taking place in a small seaside town, where absolutely everyone has an opinion, and their opinions they are keen to share.

Praise for Hi Love, You Just Dropped Your Glove:

“Paul Charles’ Hi Love, You Just Dropped Your Glove is a page turner par excellence. Written written with Charles’ customary verve. Another brilliantly compelling atmospheric effort from a master crime writer.”

“A welcome return for Brendy McCusker… Charles crafts with such a careful eye on the sparks that can fly—some of them charming, some witty, some downright menacing—between characters who don’t happen to see eye to eye, or sometimes even to be operating in the same galaxy. Once again, it’s hard to resist a hero who realizes, ‘He just had a habit of opening his mouth and not knowing what was going to come out.”
~ Kirkus Reviews

“Charles’s skillful depiction of the many sides of love and its strange bypaths lifts this clever novel well above the genre average.”
~ Publishers Weekly

“Paul Charles is an outstanding author of crime fiction novels. They are models of character development and powerful observations of people the detectives meet. I enjoy reading his books.”
~ Irish American News

“Charles’s skilful depiction of the many sides of love and its strange bypaths lifts this clever novel well above the genre average.”
~ Publishers Weekly

“Charles has a wealth of experience in the crime genre from his past Kennedy and Starrett novels and the McCusker series delivers the same blend of mystery and engaging protagonists. The characters have an authenticity that Charles has fine-tuned throughout his writing career. Charles ability to weave real-like details helps bring the story full to life. A Day in The Life of Louis Bloom is both a love letter to Belfast and a gripping thriller.”
~ Aoife Bradshaw, Hot Press

“Charles In Full Bloom With Novel… a thrilling page-turner.”
~ Sunday World

“Amusing light-hearted entertainment from Paul Charles.”
~ The Irish Independent

HI LOVE, YOU JUST DROPPED YOUR GLOVE Trailer:

Book Details:

Genre: Police Procedural, Crime Fiction
Published by: Level Best Books
Publication Date: March 31, 2026
Number of Pages: 382
ISBN: 9798898201050
Series: A McCusker Mystery, Book 3 | Stand Alone
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub | Level Best Books

Read an excerpt:

Chapter One

I was born here and I’ll die here, against my will.
—Dylan

‘Hi love, you just dropped your glove.’

When she turned to face him, he was amazed. He remained totally in shock to the extent he became a blabbering idiot.

‘Just now as it fell from your coat pocket…’ he continued, ‘I caught it before it hit the wet ground… Honestly it didn’t get wet. I mean it’s a little wet, but only from the rain and not the pavement…agh…’ and mid-sentence he reluctantly turned and chased after his two mates.

She was the most beautiful creature he’d ever set his eyes on during his seventeen years on this earth. When she’d passed him a few life-changing seconds beforehand, she was walking, arms interlinked in the midst of two friends with her head bowed to the pavement. Consequently, he’d missed her green eyes, hidden by her long black hair, and he’d missed her quiet demeanour, but, most of all, he’d also missed the chance to make a connection.

He insisted his two mates, Brendan and Lefty, continue walking around the streets of Portrush with him until darkness fell ninety minutes later. He was working on the theory they’d bump into the three girls again. They’d discovered, to his cost, the only thing more difficult than finding someone in Portrush in the peak holiday season was finding someone on the deserted streets of Portrush during the off-peak season, when Ulster’s number one tourist centre reverted to its more comfortable status of winter ghost town, aka Ghostrush.

Thomas Barry—Tommy to his acquaintances, Tom to his good friends—minus his two mates was back on the streets the following morning, just before eight o’clock. He walked the short distance from his parents’ house in the sedate Antrim Gardens to the nearly (but not quite) refurbished railway station in Eglinton Street, passing the moth-balled Barry’s (historic) Amusement Arcade on the way. It was a journey just like he’d done most days of his life. Most other days of his life. though, he’d just taken Barry’s (no relation) and every other local landmark, for granted. That Sunday morning in October 1976 though he’d studied every nook and cranny around the streets of the Port as if his life depended on it.

He felt it did.

When his friends met up with him just before lunch time, he admitted to them he’d already had tea and toast in Portrush’s Holiday Hostel, with its ultra-colourful rooms; the once elegant Adelphi Hoteland The Atlantic Hotel, with its spectacular views, in the vain hope the three girls were out-of-towners. The other hotels and guest houses were all closed for the winter, he claimed. Still, he’d tried them all, “just in case, you understand.” He also, for one who’d always gone to great trouble to keep the majority of his feelings inarticulately to himself, articulately explained he felt for the sake of his well-being, if not his life, he needed to find this girl. He also admitted that, not only did he not know what he was going to say to her when, and if, he met her, but if such an accidental, on purpose, meet happened he’d be so tongue-tied again, he might even need to walk on past her. He just knew he really needed to find her. He told them he’d been awake all-night thinking about her. Lefty put him out of his misery by offering to take him to some of the out-of-town hotels. The two of them hopped on Lefty’s trusted red Vespa 125 scooter and headed off out past Kelly’s trailer park and bar and on to Castle Rock, Portstewart, Portballintrae and even Bushmills.

They returned just over an hour later with the Vespa’s petrol tank empty and their four arms all the one length.

Thomas Barry admitted to his two best friends he’d never felt so convinced about anything before in his life. A real-life girl had never ever had such an effect on him before. Isabella Adjani on the silver screen yes, but a real live human, certainly not. He most certainly accepted the fact he was never ever going to meet the long-haired, green-eyed girl again in his life.

He admitted how weird this feeling was to him.

Nonetheless he continued his search.

He thought of all the things he could have done, should have done. Perhaps all of them were things capable of scaring her off for life. But what did it matter now? He’d most certainly lost her for life.

The lads wanted to go to the Old Harbour Bar. Even with the new glitzy restaurant extension, accessed by a half a flight of wooden stairs, it was still the cosiest bar in the winter and their favourite watering hole. He declined, suggesting he might join them later. Once again, he took to the streets of Portrush. The same familiar streets he had taken for granted all his life, but which now took on major importance due to the fact they may be keeping him from finding the green-eyed girl. He tried chastising himself for feeling sorry for himself. It didn’t work. How could it possibly work when someone, something, a God even, if such a spirit existed, had allowed him to experience this special creature and then not equip him properly about how to approach her? He chastised himself further for not considering what he’d say to her if, or when, he met her. He’d already let himself down once by blabbering away when he had the perfect excuse to greet her. Equally he felt if he had something rehearsed it would have sounded too false, stifled, insincere and a chat up line. He kicked himself over his rap about her glove being wet not because he had let it fall on the wet pavement but because it had gotten damp in the rain.

He’d never been one for the chat up lines. They’d left those to Lefty. Funny enough this approach hadn’t worked out for their lead wingman either. Thomas Barry had often wondered if they’d become mates, “blood brothers” just so they could hang out together and look for girls. Anyway, they had launched their little gang, the BLTs. They even had their own unique motto: May the Sauce be With You. It was funny at the time. They’d picked it over a meal together in Morelli’s as they simultaneously chased the food-saving flavouring known as HP. They’d also debated using: Life is a Beach and Then the Tide Goes Out,. Considering their endgame objective, they had unanimously voted against this option on the grounds it was too negative. As he wandered around the deserted streets, now it had gotten down to the nitty-gritty, he wasn’t so sure about their motto either, or even about their gang in the first place. Lefty was always complaining three wasn’t a good number to hang out in. If they met two girls and got through the even more complicated task of chatting them up, then the girls would surely feel sorry for the additional boy they would have to exclude due to the mathematical impossibilities. He reckoned maybe they could possibly have made the problematic maths work down in the more liberal Belfast. In the meantime, they had agreed they would figure out such a scenario as and when it arose. Lefty had claimed the girls would probably make their preference known and they, the boys, would just have to deal with it. They’d been happy to leave the tactics to Lefty. Even though Lefty’s tactics had, so far, been 100% unsuccessful, they still left him in charge. The alternate didn’t bear thinking about.

Tommy wondered if it would be any easier if, and when, one of them found a girlfriend and peeled off their gang as it were. He wondered who’d be the first to find a girl. He thought if you were a betting man and you followed the odds, then Lefty should be the first to find a girl. But then what would they do? They’d surely be lost without the tactics man. Or would they?

‘At least the rain has stopped,’ he said aloud, as he rounded the corner of the forsaken Mark Street Lane and into the desolate Atlantic Avenue.

‘Hi Love,’ he thought he heard a ghostly breathy voice say, not much above a whisper, ‘you haven’t found another glove, have you?’

There she was, there right in front of him on what would now become the hallowed, Atlantic Avenue. His green-eyed girl’s green eyes were smiling straight at him.

He was so intent on finding her he pretty much nearly walked straight into her. He knew if she hadn’t spoken first, he would have walked past her. Lucky enough before he’d a chance to figure out what he was going to say she spoke again.

‘What am I like?’ she started, ‘I’m forever losing a glove, thankfully never both at the same time, mind you, always just the one at a time. The one you picked up for me I…’

‘I’ve been looking for you all day,’ he admitted, his voice sounding a lot calmer than he felt.

‘Mmmm,’ she replied, studying his face and sounding like she knew, and accepted, such an admission wasn’t as weird as he feared, ‘you’d look good with a moustache.’

Of all the things he’d imagined her to reply, and most of them also included her rushing off as quickly as her shapely legs would carry her, this was not even in the top 1000. It wasn’t as though he had actually come up with more than three possible replies.

Before he knew it, they were involved in a natural freewheeling conversation.

She seemed inclined to linger rather than to walk away.

At a very brief lull in the conversation, they both silently acknowledged they didn’t want the conversation to be stifled, so they spurted out their next questions simultaneously.

‘Do you live here?’ Tommy asked.

‘Who were you talking to as you walked around the corner?’ she asked over the top of his question.

‘No, I’m at the University of Ulster in Coleraine and one of my course mates invited me and another friend over to her parents’ house for the weekend. Her parents own a wee guest house over by the West Strand,’ she said in response to his question.

‘I was talking to myself,’ he admitted, ‘what’s your friend’s name?’

‘Gilly Hutchinson.’

‘Oh,’ he said, without even meaning to.

‘You know her?’

‘Well I know of her,’ he replied, ‘I know her sister.’

‘Which one?

‘Gilly would have been a few years ahead of me,’ Tommy replied.

‘Right,’ she replied, without allowing him to finish, ‘so you’d know the youngest, Emmi Mae.’

‘Yeah we were really good friends when we were…oh 13 ish and then she outgrew me.’

‘Ah yes, it happens at 13 or even 13-ish.’

‘Tell me about it,’ he offered more to himself, ‘so was that Gilly the blonde-haired girl with you yesterday?’

‘No, Gilly was swotting, you saw the eldest sister, Adele, who’s just great craic altogether.’

‘Okay, figures, I don’t know her at all,’ he replied.

He looked at his green-eyed girl out of the corner of his eye. He couldn’t see her as well as he’d seen her yesterday when they’d met face to face. She still looked stunning even though her long dark hair covered the side of her face. He couldn’t see those amazing green eyes though. On the upside what he’d missed yesterday was her personal scents. She smelt of a blend of soap, shampoo, mixed with little hints of a heather based perfume. The combination was totally intoxicating. ‘I’m Tommy,’ he offered, extending his hand, and knowing it was an excuse to steal another glimpse of her stunning emerald eyes, ‘Tom Barry.’

‘I know,’ she said, offering her own hand in return.

‘You know?’ he said, surprised while noticing two of her top teeth protruded a wee bit to the extent it looked like her top lip was going to have trouble covering them.

‘Yes, Adele told me,’ she said, as she smiled, ‘she also said you weren’t part of the other Portrush Barry family.’

‘Yeah, sorry about that,’ he said, still holding her soft skinned hand and shaking it gently, determined to never let it go again if he could get away with it. ‘’Fraid it also means I’ll not be able to get you free rides on the dodgems.’

‘I’d be more of a Barry’s Big Dipper kind of girl, anyway.’

‘Ditto on the Big Dipper, although I can’t pull any strings there either,’ he offered regretfully, while thinking he didn’t see her as being a Big Dipper kind of girl. All that screaming seems so alien to one so reserved and private. ‘I could get you a pony ride on the beach though if you wanted?’

‘Accepted,’ she replied, seeming content to leave her hand where it was, she leaned towards him, her nostrils wriggling the more they bridged the gap to his ear, ‘but not being part of the amusements also means you won’t smell of petrol and grease and candyfloss.’

‘Or Daulse and Yellowman,’ he added, attempting to complete her list and praying it was a compliment, ‘oh look…’ he continued and pointed with his free hand to the cuff of her red duffle coat, ‘there’s your missing glove, stuck up the sleeve of your coat.’

Sadly, for Tommy, this gave her an excuse to break away from him.

‘I’m Isabella,’ she said, retrieving her glove, ‘Isabella Scott and the pleasure to meet you on this wintery weekend, is all mine. That’s twice you saved me, Tommy, which means I’ll never forget you.’

And that, was how Tommy Barry and Isabella Scott first met.

Neither Isabella, her two friends, Gilly Hutchinson and Jane Murray nor Tommy Barry’s two friends, Lefty Kelly and Brendan ‘Brendy’ McCusker, would ever forget Tommy Barry. This fact was even more definite now that forty-three years later (bar three months) on Wednesday July 17th, 2019, the very same Tommy Barry died a very unnatural death.

***

Excerpt from Hi Love, You Just Dropped Your Glove by Paul Charles. Copyright 2026 by Paul Charles. Reproduced with permission from Paul Charles. All rights reserved.

 

 

Author Bio:

Paul Charles

Paul Charles began his career in music at fifteen years old, managing his first band, The Blues by Five, in his hometown of Magherafelt in Northern Ireland. He moved to London in 1967 intending to study civil engineering but was quickly drawn back into the music world. In the 1970s he worked in multiple roles for the Belfast prog rock band FRUUPP, who signed to Dawn Records and toured widely across the UK and Europe. Charles lyrics for Sheba’s Song were later sampled and used as Soon The New Day by Talib Kweli featuring Norah Jones on the album Ear Drum which debuted at #2 on the Billboard Top 200 chart in 2007. After FRUUPP disbanded Charles co funded the Asgard Agency and has represented major artists including Crosby Stills & Nash, Jackson Browne, Tom Waits, The Kinks, Van Morrison, Robert Plant, Ani DiFranco, Gordon Lightfoot, Nick Lowe, Elvis Costello, Loudon Wainwright III, John Lee Hooker, and Ry Cooder. He has programmed the Acoustic Stage at the Glastonbury Festival for the last 38 years. A life long writer he published his first Christy Kennedy mystery in 1997 Level Best Book have just published his 22nd mystery – Hi Love, You Just Dropped Your Glove.

Catch Up With Paul Charles:

PaulCharlesBooks.com
Amazon Author Profile
Goodreads
Instagram – @paulcharlesbooks

 

Q&A with PAUL CHARLES

Can you tell us a little about yourself and your background?
My name is Paul Charles. I was born and raised in Northern Ireland. I’ve always been a fan of both music and books. I’ve been so lucky to be allowed to follow both those passions in my career as an agent in the music business and author of some 26 books. Mostly murder mysteries but also some non-fiction about the Beatles and the music business.

How did you come up with the title?
In 1968 Van Morrison released Astral Weeks, one of the best albums ever released. The album included the classic track Madam George. Part of the lyrics went along the lines of: He jumps up and shouts, hey love you forgot your glove. I remember like it was yesterday being stopped in my tracks by the imagery. I imagined this young Ulster exile in London at a party but longing for home. He spots a young lady and is immediately overcome by her natural beauty and aura. He silently chastises himself for being so painfully shy he is unable to approach her. She even gifts him an opening by leaving her glove on the seat she’d just vacated. He jumps up and shouts, “hey love you forgot your glove.” and she walks out of the party and his life. In my attempts to keep the books real I used my interpretation of Van lyrics as the way for the two main characters in Hi Love, You Just Dropped Your Glove, Thomas Barry and Isabella Scott, to meet each other. I changed the location from a party in 1968 to them bumping into each other on the late-night streets of Portrush in 1970s.

Excluding the main character, who is your favorite character from the book, and why?
My favorite character in Hi Love, You Just Dropped Your Glove would have to be DI Lily O’Carroll, McCusker’s side kick. This is the third in this series and over the course of the three books O’Carroll has developed from a walk-on part in the first to the point she really has become McCusker’s equal. I also love the way their relationship has developed to the extent it has become the foundation of the series.

Tell us why readers should pick up your book—what makes it stand out?
Although it is clearly the work of fiction, I always endeavor to make the books read as a true crime book would read. I was inspired by The Executioners Song by Norman Mailer and In Cold Blood by Normal Mailer, where both authors who very successfully took a true crime story and wrote them as though they were novels. I reversed their process.

What does your typical writing routine look like? Any idiosyncrasies or rituals?
While writing the first draft I work religiously from 6.00 am to 09.30 am every day. When I start the story, I do not know who committed the crime. I endeavor for the detective, the writer and the author to discover the relevant facts simultaneously.

Are you currently working on your next novel? If so, can you share a little about it?
Yes, it’s called The Return of The James Gang, the 12th DI Christy Kennedy Mystery. The James Gang, if we are to believe their own publicity, were the 2nd biggest band in Liverpool to the Beatles. As a power trio they were ahead of their time. They split up back in the day due to the drummer, who was also their manager, triple dipping. They reformed in modern day Camden Town to play at the drummer’s daughter’s wedding. Come the time for their big comeback performance the drummer is found in his dressing room with a drumstick through his heart…

Do you have a message or anything specific you’d like to say to your readers?
I’ve always felt that a big part of the success of a book is the reader’s imagination.

 

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Wildwood Exit by Joel E. Turner #AuthorInterview

Wildwood Exit by Joel E. Turner Banner

WILDWOOD EXIT

by Joel E. Turner

May 25 – June 19, 2026 Virtual Book Tour

Synopsis:

Wildwood Exit by Joel E. Turner

A deadly family vendetta at a Jersey Shore restaurant finds John McGinty (aka Ginty) tailing his boss’s lying wife and junkie son into a dark world of embezzlement, drug dealing and murder.

Ginty has just stepped in as the manager of a Wildwood restaurant owned by his friend, Lou Scolletta, after Lou fires the old manager for dipping in the till.

Ginty starts out ordering rolls of salami and bottles of Galliano, but quickly becomes Lou’s consigliere, picking up questionable packages from sketchy associates; tailing Lou’s wife Concetta on her furtive trips to Cape May; scouring the Jersey Shore for Lou’s son, Davy, a junkie on the lam; and wondering why a possibly bent State Trooper keeps showing up everywhere he goes.

Things in Ginty’s world don’t improve when a drug shipment goes wrong, a blackmail note appears…and a body is found floating in Delaware Bay.

Ginty is now the unwilling-yet trusted-confidante of all the Scollettas, and realizes that everyone in this twisted family circle is in danger-including himself.

WILDWOOD EXIT is as sordid as it is comic, and should be on every beach towel from Asbury Park to Cape May.

Praise for WILDWOOD EXIT:

“A quirky sand-in-your-shoes crime novel with a romantic heart”
~ Amy Rosenberg, Philadelphia Inquirer

“Funny, thrilling . . . a captivating crime story with a vivid Jersey Shore setting.”
~ Kirkus Reviews

Book Details:

Genre: Amateur Sleuth, Noir/Hard Boiled, Crime fiction, Noir Fiction, Jersey Shore Noir, Literary Noir
Published by: Level Best Books
Publication Date: May 6, 2025
Number of Pages: 329
ISBN: 9781685129729 (ISBN10: 1685129722)
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub | Level Best Books | Main Point Books | ​​Wildwood Historical Society (Signed)

Read an excerpt:

Chapter 1

The car bumped hard, the undercarriage hitting the edge of the shoulder, as it careened off the Garden State Parkway, heading for a stand of trees. The bump woke me up, and I jammed on the brakes and fought the steering wheel, cutting it hard left, but it was too late. The car fishtailed as the front smashed into a tree, the rear swinging right as the brakes took hold and crashing into another tree. I was flung forward, my hands coming off the wheel and banging against the console.

My hands were cut and bleeding as I sat staring at the road, the car twisted at a forty-five-degree angle. Pain throbbed from my right temple, and I realized I must have hit the windshield or the roof. A heaviness pressed down inside my head above my eyes, and I felt an urge to close them and go to sleep.

I forced myself to stay awake and get out of the car. I knew I was still technically drunk, but the crash had pumped enough adrenaline into my veins that I was hyper-aware, despite the likely concussion. I tried to open the trunk, but it was stuck shut, the right fender crunched in and bent on the top where it met the hatch.

A car passed going north on the other side of the Parkway. I looked back up the south-bound lane and saw no traffic. I stepped onto the road and half-jogged across, stepping over the median and across the north-bound lane. I glanced back at the car, slanted cock-eyed in the grass just past the Exit 6 sign for North Wildwood, then hurried through the grassy stretch alongside the road and into the woods that bordered it.

My only thought now was to avoid getting a DUI. I could deal with the car later. What a disaster. I had just bought the damn thing yesterday afternoon from a guy in Buena with a badly running nose and a burning desire to take my cash and go meet someone to make him well. That’s what I got for taking a lead on a cheap car from a guy holding up the end of the bar at a beer-and-a-shot place down the street from my house. I could have asked Lou to hook me up, but the price was right, and I just wanted something to get me through the summer. So I hitched a ride to Buena from a buddy who was headed to Margate, where I met Drew, the guy with the dripping nose. Drew had that pressing business to attend to, so he was fine with giving me the uncompleted paperwork.

Drew said, “Just see Mitch at the title place here next week, he’ll handle it.”

I trudged through the patch of woods, distancing myself from the Parkway. I came to a two-lane road and ran across that into deeper woods on the other side. I was about ready to just sleep under a tree there, when through a gap in the branches I saw an open field.

I pushed forward to the perimeter of the woods and stopped, trying to make out where I was. If it was somebody’s back yard, I would have to be careful. But there were no lights, just a dark field spreading out before me. I looked to my left and saw a brighter patch on the ground and a hundred yards beyond that a low building, maybe a garage?

I walked through tall grass to shorter grass, and as I got closer to the bright patch, I realized what it was: a sand trap.

I was on a fairway of Wildwood Country Club, the home course of my friend Lou Scolletta, whose house I was supposed to have been at four hours ago. There was probably a caddie shack I could hide out in, but I opted for a makeshift bed in the grass of a hollow a few fairways over. I lay down and, in the brief period before I passed out, wondered if this was the best way to prepare for the first day on my new job.

* * *

There was no way I wanted a full-time job working for Lou. I knew just enough about Lou to know not knowing anything more was the prudent path. The fact that he had just fired the prior manager for dipping in the till did not make the opportunity more appealing.

But there was a crazy part of me that thought running a place—a restaurant, not McNabb’s Tavern, the decrepit neighborhood tappie in Southwest Philly where until last year I humped kegs, mopped up fluids, breathed a lot of smoke and told myself I was the “manager”—might be something I could do. Because I was nowhere right now. No degree, no trade—just fifteen years of bartending that had ended when the last McNabb standing decided—wisely—that this was no way to make a living. The new owners didn’t need a mug like me in the fern bar that McNabb’s was to become.

I knew The Seabreeze, the quintessential Jersey Shore restaurant. When Lou bought it six years ago, I helped out a few weekends bartending when some of the corner boys he had hired just disappeared on him. It wasn’t hard finding someone to cover for me at McNabb’s. Our weekends were slower in the summer anyway, with a lot of folks going to the shore.

Lou and I hung out more back then. He bought the place in 1977 when I was thirty and Lou maybe thirty-seven. It was sort of a vanity project for him; his main business was a Cadillac dealership in South Philly. The following summer, he showed up at my bar with his son Davy—guess the kid was sixteen. He wanted Davy to get a summer job. Could we take him on, washing dishes, whatever? I wondered why he didn’t hire him at the dealership, but I guess he wanted him to work for someone else.

So I hired him, and he was okay, typical teenager, hardly said a word. There really wasn’t that much to do—we had a kitchen and did some sandwiches, but it wasn’t much to keep a dishwasher busy.

I guess that was the first favor I did for Lou. And I did owe him big, seeing as how his dad got me out of the draft back in 1967. Plus, Lou got me my first restaurant job, which was really a pretty good gig at a nice South Philly restaurant. But with Lou, you never felt like he was looking for payback. He just came off as a great guy, not like he was some connected dude that you had to say yes to. I’m sure he sold a lot of cars seeming like a great guy.

I used to give Davy a ride home sometimes, which often led to Concetta—Lou’s wife—asking me in to eat. There was always food, loads of food. She’d give me a plate of pasta, red wine out of a jug—might be ten o’clock in the evening, but so what? Then Lou would show up, and he wouldn’t bat an eyelash that I was there. Then he had me down to a little mom-and-pop restaurant near his dealership for dinner, and I met some of his friends. They were mostly older and had gone to Bishop Neumann or Southern, but a few knew guys from Kingsessing, my old neighborhood in Southwest Philly.

I thought about that pasta and how a mick like me was going to run a real restaurant, and, as I passed out in the wet grass at 3:30 AM, whether Davy was still having the same nose-dripping problems as Drew from Buena, a path I saw him starting down two and a half years ago.

* * *

The sound of a mower woke me up. The guy running it looked like he had seen worse. He pointed me to the caddy shack and gave me some coins for the payphone. Thank God Lou picked up, but then that’s Lou, he’s not surprised if some fuckup calls him at dawn. I washed up as best I could with cold water and no soap in the filthy sink in the shack’s bathroom, then waited outside the locker room, not wanting to meet up with anyone, until Lou arrived.

What a night. Blitzed out of my mind, drinking stingers like I was twenty in Somers Point, dancing with those crazy chicks, trying to teach me to moonwalk like Michael Jackson on that Motown show a couple of months ago. It was the Friday after a Monday Fourth of July, and it felt like the bar itself was stumbling under the strain of a week-long bender.

I had just stopped in for something to eat, then met these girls, three of them, late teens, which led to my dancing lesson. As it got late and the stingers took their toll, I figured maybe I’d just crash in the back seat for a couple of hours, then get breakfast somewhere, rather than roll in drunk at four in the morning and freak out Concetta.

Then two of the girls disappeared and the last one, Sharon, became glued to a chair at my table—that is, her butt was glued to the chair, but her face ended up stuck to the table itself, her long brown hair straggling out into the sticky remains of many ungodly drinks. At closing time, I struggled her to her feet and managed to get her to moan out where she was staying in Sea Isle City, a couple of towns south. After she vomited in the parking lot, I got her into the back seat and drove as carefully as I could, taking Route 9 to avoid the faster traffic.

I got the girl out of the car at her shabby rental duplex, leaving her sprawled on a chaise lounge in the screened porch. I banged on the door until one of her roommates appeared in a long t-shirt. We got her into bed and I talked the roommate through how to make sure Sharon didn’t choke on her own vomit.

I sat in my car, worrying about the girl. I was old enough to be her father, but being plastered in a Somers Point bar at closing time didn’t exactly qualify me to be in loco parentis. I was just a more experienced wastrel, a thirty-six-year-old failed bartender who would have been a disappointment to someone, if there was anyone left to fill that role.

When I left the girl’s rental, I figured it wasn’t much farther to Wildwood, and what the hell, why not take the Parkway? But of course, that’s what impaired judgment is all about. So fatigue and drunkenness once more exacted their toll on a stupid Irishman, and here I was creeping around at dawn like an escaped convict.

***

Excerpt from Wildwood Exit by Joel E. Turner. Copyright 2025 by Joel E. Turner. Reproduced with permission from Joel E. Turner. All rights reserved.

 

 

Author Bio:

Joel E. Turner

Joel E. Turner’s first novel, WILDWOOD EXIT, a noir tale set at the Jersey Shore, was published by Level Best Books in 2025. Amy Rosenberg of the Philadelphia Inquirer called it “a quirky sand-in-your-shoes crime novel with a romantic heart”.

His second novel, BRENDA’S GREEN NOTE, forthcoming from Cynren Press in 2027, is a coming-of-age story about a young woman with synesthesia who harnesses her ability to see sounds as colors to become a key player in the vibrant music scene of the 1960s in Philadelphia.

His fiction has appeared in many US and UK journals. His website joeleturnerauthor.com, has samples/links to his work and posts about books, film and music. Articles he has written about Soul music have been featured on the UK-based Soul Source website, a major platform for news on the Northern Soul scene.

Mr. Turner splits his time between Philadelphia and White Cloud, Michigan.

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Q&A with JOEL E. TURNER

Can you tell us a little about yourself and your background?
I grew up in the Philadelphia suburbs, went to Catholic grade school and a Jesuit high school, then a small co-ed liberal arts college—no more single-sex, Catholic education, please! My degree was in English Lit and I wrote my first fiction then, lost (thankfully) in one purge or another. I considered academia but based on what I observed with teachers I admired being denied tenure, I decided it was not for me. I spent a few years working for the SSA and became interested in systems analysis, which led to me getting an MBA from University of Michigan—a truly brutal course of study, at least for me. That led to 30+ years as a consultant/data analyst/software developer in the banking industry.
I wrote fiction throughout that period and had my first story published by Ambit, a pretty avante-garde, or at least non-academic, literary magazine published in London UK. The fiction editor at that time was J. G. Ballard, and I still have the very nice response he sent to me when recommending the story to the mag’s publisher, Martin Bax.
My first published novel, Wildwood Exit, in 2025, was the third novel I wrote. The other two— maybe they’ll come out of the drawer some day, with pretty significant rewrites. My second novel publication, Brenda’s Green Note, is due out in October 2027. I am also working on a sequel to Wildwood Exit.
I also blog about books, music and films at joeleturnerauthor.com. I am a big fan of 50’s/60’s R&B/Soul. A couple of my pieces in that vein were published at Soulsource.uk.com, a major venue focused on the Northern Soul scene (a whole other story, as they say).
I am married with three grown children. I am a basketball fan and played until my knees gave out, then turned to golf.

Tell us why readers should pick up your book—what makes it stand out?
Wildwood Exit is a noir tale, but also a family drama. Ginty, the bartender-become-restaurant-manager-and-unwilling-consigliere is a bit of an everyman. He does things for Lou Scolletta, the restaurant owner who hired him, because Lou, through his dad (a doctor) helped him evade the draft, and got him jobs in the restaurant business. Ginty, in turn, hired Lou’s son, Davy—the addict on the run who is at the center of the story. Ginty has a sense of moral duty, to all of the Scolletta’s, which causes conflict and danger for him.
The book has a comedic aspect, particularly with the introduction of Pinto, a super-annuated South Philly corner boy, who becomes Ginty’s partner in sketchy assignments from Lou. Pinto is a wise guy who attracts trouble in a carefree manner. And there’s a bit of romance, as Ginty meets Pauline, a vacationing paralegal from a small town in Quebec, who charms and befuddles him with her unlikely attraction to him and her French-Canadian take on his activities, delivered with a Gallic (or more properly, Québécois) panache.

Are you currently working on your next novel? If so, can you share a little about it?
I’m in the editing process for my next novel, Brenda’s Green Note, due out from Cynren Press in October 2027. It is the story of a girl with synesthesia—she sees sounds as colors—who is also a talented musician and leverages these capabilities to become a sound engineer in the lively music scene in Philadelphia in the mid-1960s. She begins her journey under the guidance of an avante-garde composer/musician, who introduces her to his electronic soundscapes/installations and then becomes a protégé of a rock and roll promoter. Brenda undergoes a trauma that changes her life and leads her on a search for fulfillment. It’s a coming of age story. Contrary to the advice of several folks in the publishing industry, I haven’t “stayed in my lane” by sticking to crime or literary fiction.

What are some of your favorite leisure activities or hobbies when you’re not writing?
I play golf, collect records (esp. R&B/Soul 45s) and enjoy the company of my wife, kids and their families. I especially like spending time at our place in the North Woods of Michigan, and at my wife’s family’s cottage on Lake Michigan—that’s taken the place of the Jersey Shore for me!

What are a few of your favorite foods?
Soft pretzels, hoagies, tomato pie, pasta— hey, I’m from Philly.

 

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MAYBE YOU LIED by Jennifer Sadera #CoverReveal

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MAYBE YOU LIED

by Jennifer Sadera

June 9 – 12, 2026 Cover Reveal

Synopsis:

MAYBE YOU LIED by Jennifer Sadera

Everything he knows about his life is. . . a lie.

Blindsided by the sudden death of his mother, 21-year-old Will Lockhart can no longer afford the rent or bear the haunting memories of their shared Massachusetts apartment. While packing up his mother’s belongings, he discovers his long-dead father’s deed to a house in upstate New York. With nowhere else to go, he settles there, intent on making a fresh start. But odd things happen as soon as Will moves in. He’s unnerved by evidence of fire damage in the cottage, and alarmed by the seizure his elderly next-door neighbor suffers upon meeting him. Most shocking of all are the rumors of a long-ago murder in his house. Now, trapped in a town full of strangers, unsure of whether local murmurings are true or simply small-town gossip, he’s determined to discover what really happened all those years ago, and how he’s connected to the chaos. The truth will set him free. Or get him killed.

Book Details:

Genre: Psychological Suspense, Domestic Suspense
Published by: Creative James Media
Publication Date: September 22, 2026
Number of Pages: 344
ISBN: 9781965648919 (ISBN10: 1965648916)
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads

 

Author Bio:

Jennifer Sadera

Jennifer Sadera first worked in the publishing industry as a junior copywriter for NAL/Penguin. She has written and edited for newspapers and magazines as a freelancer and on the staffs of major women’s publications, Woman’s World and Redbook.

Catch Up With Jennifer Sadera:

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The Truth Might Be Deadly… This Giveaway Isn’t

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The Haunting of Emily Grace by Elena Taylor #AuthorInterview

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THE HAUNTING OF EMILY GRACE

by Elena Taylor

May 25 – June 19, 2026 Virtual Book Tour

Synopsis:

The Haunting of Emily Grace by Elena Taylor

An eerie suspense novel, in which a grieving woman takes a job at an isolated mansion only to become wrapped up in the curse that seems to have befallen its eccentric owner.

Emily Grace has endured the worst loss imaginable. But can she survive a remote manor haunted by more than just memories . . .?

Drowning in grief, Emily Grace has lost everything: her home, her friends, her career. Only one lifeline remains—a job working for an eccentric millionaire. Along with his wife, he’s been building a mansion on a secluded island surrounded by a harsh and unforgiving sea. But when she disappears under mysterious circumstances, Emily Grace is hired to finish the project.

Locals believe the house is cursed, but their warnings go unheeded as Emily Grace works to rebuild her life. After what she’s been through, nothing can scare her—except perhaps the attention of a handsome man offering more than friendship. And yet, there’s something strange about this solitary fortress. Accidents. Mishaps. Ghostly whispers through the surrounding forest, footsteps when she’s completely alone . . .

Is there truly a curse or is the ethereal specter in the window an omen of something more sinister?

This spooky standalone from phenomenal crime author Elena Taylor will have readers sleeping with the light on for weeks! With vibes of Rebecca by Daphne du Maurier, fans of Riley Sager and thrillers with light horror elements will love The Haunting of Emily Grace!

NOW IN PAPERBACK!

Praise for The Haunting of Emily Grace:

“Taylor doesn’t just conjure suspense—she dissects it, peeling back the fragile layers of identity, memory, and trust until nothing feels safe. The Haunting of Emily Grace is deeply unsettling in all the best ways.”
~ Carter Wilson, bestselling author of Tell Me What You Did

“Beautifully evocative and atmospheric, The Haunting of Emily Grace is a one-sitting read. I couldn’t put it down.”
~ Lisa Hall, bestselling author of suspense

“gut-tightening suspense”
~ Edward J Leahy, author of the Dan Brady and Kim Brady mysteries

The Haunting of Emily Grace Trailer:

Book Details:

Genre: Suspense with a touch of light paranormal/horror
Published by: Severn House
Publication Date: May 21, 2026
Number of Pages: 288 pages
ISBN: 9781448318889 (ISBN10: 1448318882), Paperback
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub | Severn House

Read an excerpt:

ONE

Over the Water

Grief is a scab that I can’t stop picking at, no matter how hard I try. It pokes at me now as I sit in my truck on the deserted ferry dock, surrounded by dense morning fog and waiting for the boat to take me across an expanse of dark water to a house rumored to be cursed.

My fingers trace a photograph taped to my dashboard. My hand trembles, likely from an empty stomach or sleeplessness, as both are constant companions. But I outline the beloved face, forever frozen, like a precious object in amber. Lost to me in the real world, calling to me from the next.

The ferry slides into the dock in front of me with a bump against the pilings. A lone figure moves across the empty deck, while an old, grizzled seaman stays inside the tiny wheelhouse. One captain and one first mate.

Tying the ferry off with ropes thicker than my arm, the mate’s actions are practiced and steady. He lowers a ramp and waves me forward. Ever so slowly, I roll across the water, fighting against holding my breath—the superstition I’ve clung to my entire life every time I cross a bridge. The thirty-minute sail to Salish Island, and tiny Monk’s Rock where my new job awaits, won’t allow me the indulgence, so I might as well continue to breathe despite my need to cling to anything, even a silly belief, to keep me safe.

After parking the truck as the mate directs, I wait as he shoves bright orange chock blocks around all four wheels, as if, without a barrier, my vehicle might drive itself into the sea.

I open my door a crack; our eyes meet. “Can I get out?”

“Of course.”

The first mate is rugged, with an air of confidence like he’d be good in a crisis. Smooth skin on his cheeks. Bright, inquisitive eyes. Broad shoulders visible under the bulky uniform of dark green waterproof overalls and a yellow slicker.

He holds out his hand as I step out. “Careful. Parts of the deck can be slippery when it’s this wet.”

Electricity flies between our fingers, and I pull away as if he poses a threat. I don’t want to feel desire. Intimacy is dangerous. But what does it mean that I’m looking at men again?

He gives me an odd look. “We’ll be underway in a few minutes.” He walks back to the ramp, where two men unload a battered white cargo van. The three of them quickly stack boxes to one side, lashing them in place. No doubt provisions for an island that’s home to five hundred hearty souls—and me. At least for the time it takes to complete the finish carpentry in one enormous house.

I’d once been a very good carpenter. Before my life exploded into hospitals and medical visits, overwhelming helplessness and all the endless paperwork connected to dying. Since then, I’ve done a poor job of putting myself back together. The rough pieces of grownup life refusing to fit a new pattern now that I’m alone.

My mentor Bill Thomlinson had started this project less than a week ago but fell and broke his leg in multiple places. After he came through the surgery, metal pins in place, he convinced the homeowner to take a chance on me.

“You need this,” he said to me over the phone, his voice surprisingly strong for someone coming out of anesthesia. “I’m done watching you flail. This job can save you. Don’t let me down.”

Now I stand on the deck of a private ferry while the engines roar out a steady vibration under my feet, and wonder if I’ve made a terrible, terrible mistake.

Crossing to the rail, I pin my eyes where the horizon must lie out beyond the mist. Clouds above and waves below. Indistinguishable from each other because of the heavy air, thick like smoke. My stomach lurches at the thought of everything that swims underneath my feet and the unknown depth of the sea.

Breathe in . . . breathe out . . . focus on the future. Focus on the work.

All I know about the job ahead of me is that the original carpenter vanished, forcing the owner, Cameron Lang, to bring in someone else, but then Bill ended up with pins in his leg. Given that I haven’t slept in so long that I shouldn’t be trusted with power tools, I hope that whatever the curse is, it doesn’t come in threes.

When I feel like I’m losing my mind, it helps to ground myself with something physical, so I grip the hard, cold rail in my hands. No matter how much ending my life is a viable choice, some small part of me refuses to let death win again.

The fog brightens, and we cross a physical line in space, plunging into a blue so pure it hurts my eyes. I gasp and grip even tighter as the sky separates from the water, which now spreads out below me in an endless black void.

“Not quite got your sea legs?” The first mate watches me with barely disguised curiosity.

Salt spray traces tears down my cheeks. I must look like I’m crying. “I didn’t expect to come out of the fog so abruptly.”

“It does that sometimes. Now you see it, now you don’t. No matter how often we sail through a bank, it always feels like magic.”

“I can imagine.”

He lingers nearby. Maybe there’s little to do once the ferry is underway. Although small talk is beyond my ability, part of me longs to hear his voice again, even if I say things that sound insane.

The temperature drops as we head further out to sea.

We’re soon dodging between uninhabited land masses. “Some of these islands are so low they disappear in high tide.” He gestures to the slopes of land. Rocky outcroppings just under the surface. Dangerous, like unexploded mines in the sand.

Panic rises. The water below us taunts me—my troubles will be over if I simply fall into a watery grave. The voice becomes louder and more insistent that I should do something I can’t take back. To keep my mind off the words in my head, my eyes search for the defiant piece of US rock thrusting out of Canadian waters. If I can make it back to dry land, I can get through another day.

“That’s what you’re looking for.” The first mate’s breath tickles my ear as he comes closer, speaking over the hum of the engines, the slap of water on the hull, and the cry of seagulls. My gaze follows his arm to the far-off outline of Salish Island, where Monk’s Rock perches off the northern-most end, tethered to each other by the narrowest of bridges.

“Take this.” He presses a business card into my hand. “Just in case.” Under his name is a single word, handyman, and a phone number.

“Adrian Han?” I look up, his eyes capturing mine. “I thought you were the first mate.”

“I’m a lot of things.” His words are casual, but something reflects in his expression, an emotion I can’t put my finger on.

“You might realize at some point there’s a project you need help with. Nothing against your skills. Everyone needs another set of hands once in a while.”

“I have a helper.”

“Chuck, yeah. I’ve worked with him before.” His tone is carefully neutral.

My new boss made the arrangements for Chuck to help me with anything that requires two people. Am I going to regret his choice?

“How do you know why I’m here?”

Adrian’s carefree expression returns. “Emily Grace Turner. Carpenter. Here to finish the End of the World.”

It’s a jolt that he knows anything about me when I’ve worked so hard to become invisible. He reads me again, and his tone turns reassuring. “It’s a small town—people talk.” He gestures toward the wood rack that fits over my camper shell and the bumper sticker: Proud Member of the Carpenter’s Union. “Plus, your name was on your ferry registration.”

I chuckle for thinking his words are sinister until a darker emotion, one that looks like fear, crosses his face. “That house—” His lips purse as if he holds something back. “Just call if you need help. Anytime.”

The island takes clearer shape, and Adrian returns to the wheelhouse, his absence palpable, as if a physical hole remains in the air after he’s gone.

He’s taken his fear with him, except for the small part he’s left behind with me.

***

Excerpt from The Haunting of Emily Grace by Elena Taylor. Copyright 2025 by Elena Taylor. Reproduced with permission from Elena Taylor. All rights reserved.

 

 

Author Bio:

Elena Taylor

Elena Taylor spent several years working in theater as a playwright, director, designer, and educator before turning her storytelling skills to novels. Her first series, the Eddie Shoes Mysteries, written under Elena Hartwell, introduced a quirky mother/daughter crime fighting duo.

With the Sheriff Bet Rivers Mysteries, Elena returned to her dramatic roots to bring readers more serious and atmospheric novels. Located in her beloved Washington State, Elena uses her connection to the environment to produce tense and suspenseful investigations for a lone sheriff in an isolated community. The third in the series, Kill to Keep, launches summer 2026.

The Haunting of Emily Grace is Elena’s first standalone suspense novel.

Her favorite place to be is at Paradise, the property she lives on south of Spokane, Washington, with her equines, dogs, cats, and hubby.

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Q&A with ELENA TAYLOR

Can you tell us a little about yourself and your background?
I worked in theatre for the better part of twenty years. During that time, I was a playwright, director, designer, occasional actor, and technician. I also taught theatre at the college/university level and have a PhD in Dramatic Theory and Criticism, so a lot of my storytelling skills were created out of those experiences. I started writing my first novel in 2007 and got my first publishing deal in 2015.
I miss theater sometimes, but then I remember the long hours for little pay and I don’t miss it quite so much!

How did you come up with the title?
My agent, editor, and I spent so much time on this title! We went around and around and nothing really landed. Originally, I only thought of this as a suspense novel. But my editor wisely pointed out that it has supernatural elements. Once I realized that it was going out as suspense with light paranormal/horror elements, The Haunting of Emily Grace just popped into my head. I love it because she is haunted by so many things.

What’s next for you—what can readers look forward to?
The third book in my Sheriff Bet Rivers mysteries comes out July 7. It’s called Kill to Keep, and it’s a cross between the slow burn of book one, All We Buried, and the more thriller-esque ending of the second book, A Cold, Cold World. While it does focus on some of the relationships that have developed over the series, it can absolutely be read as a standalone. Then, I hope to be announcing my next project soon! Readers who would like to be the first to hear should follow me on social media or sign up for my newsletter. I’m very excited about the next one.

What are some of your favorite leisure activities or hobbies when you’re not writing?
As some of you know, I’m an equine girl. I used to say horse girl, but I now own two horses and a giant mule named Boone. My equines live on my property, so a lot of my “riding time” is actually care time. They get fed, turned out to pasture, brought in, fed again … in between there is clean up (the average equine poops about 20 pounds a day!). Then there is property care, fixing fence, moving sprinklers, cleaning water troughs, mowing & fertilizing … there’s always something to do, but I love it all. I love to groom and hang out with my horse, ride, and do groundwork, but I also love just seeing them out the window.
Noble is an almost five-year-old three-quarter draft, one-quarter Morgan, Jasper is a seventeen-year-old American Paint Horse (Palomino in color, overo markings), and Boone is a nine-year-old mule who stands 5’9” at the shoulder. I can stand upright under his head. I also have dogs and cats, so my animals keep me very, very busy.

Boone & Jasper in Fly Masks
Noble in Winter

 

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Enter Where Secrets Whisper and Shadows Linger…

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The Vivaldi Cipher by Gary McAvoy #AuthorInterview

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THE VIVALDI CIPHER

by Gary McAvoy

May 4 – 29, 2026 Virtual Book Tour

Synopsis:

The Vivaldi Cipher by Gary McAvoy

VATICAN SECRET ARCHIVE THRILLER SERIES

 

During the election of a new Pope in the mid-18th century, famed violinist Antonio Vivaldi learns of a ring of art forgers who are replacing the Vatican’s priceless treasures with expertly-painted fakes. Desperate, the composer hides a message in a special melody, hoping someone, someday, will take down the culprits . . .

Nearly three hundred years later, the confession of a dying Mafia Don alerts a Venetian priest to a wealth of forged paintings in the Vatican Museum, and the key to their identities lies hidden in a puzzling piece of music. Father Michael Dominic, prefect of the Secret Archives, investigates, and is mystified when he finds a cipher in an old composition from Vivaldi. Desperate to stop this centuries-long conspiracy, he calls on fellow sleuth Hana Sinclair and Dr. Livia Gallo, a music cryptologist, to help him crack the code and learn the truth.

But the Camorra, a centuries-old Italian Mafia clan, won’t stand by while some interfering priest ruins their most lucrative operation. Along with a French commando and two valiant Swiss Guards, Dominic explores the dark canals and grand palazzos of Venice to uncover the evidence he needs to stop the sinister plot. Can he unearth it in time, or will the Church’s most valuable artworks fall prey to this massive conspiracy?

Praise for The Vivaldi Cipher:

“McAvoy’s plot melds art, music, and ciphers into a century-spanning, edge-of-your-seat heist. Historic and modern clues meld together perfectly, and the complex workings of church and mob hierarchies combined with character relationships elevate the story. McAvoy’s prose is both clear and direct, serving the story well. Clever dialogue and unique character voices make the novel shine even brighter.”
~ The BookLife Prize

“…[The Vivaldi Cipher] is gripping and hugely interesting, and the intrigue lies in the intelligent mystery of the cipher hidden in an unusual musical composition by former priest Antonio Vivaldi.”
~ MJV Literary UK

“McAvoy concocts a wonderful thriller with a powerful narrative push that is like few books I have seen before. Short chapters and clipped dialogue keep the reader pushing ahead, fueled by a plot that is full of twists at every turn. I could not stop reading and found myself bingeing just to get through this book, more out of addiction to the story than anything else.”
~ Matt Pechey, Reedsy Discovery

The Vivaldi Cipher Trailer:

Book Details:

Genre: Suspense, Suspense Thrillers, Historical Thriller
Published by: Literati Editions
Publication Date: August 16, 2021
Number of Pages: 400
ISBN: 9781954123076 (ISBN10: 1954123078)
Series: Vatican Secret Archive Thrillers, Book 1 | Learn More: Amazon | Goodreads
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub | Audible

Read an excerpt from The Vivaldi Cipher:

Prologue

Vatican City, Rome – February 1740

The first symptom of the poisoning began as a fever.

Sitting at one of two long, white-silk-draped tables in the Sistine Chapel, along with sixty-seven of his fellow cardinal-electors, Pietro Ottoboni cast his vote for pope on the eighth day of the conclave to replace the late Pope Clement XII.

Enfeebled by fever, the seventy-three-year-old Ottoboni made his way toward the front of the chapel to a small altar below Michelangelo’s majestic fresco The Last Judgment, dropped his ballot onto a brass saucer, then tipped the saucer, letting the ballot fall into the large brass urn beneath it.

A few moments later, having returned to his seat, the cardinal collapsed onto the table, the high temperature having sapped his energy. Shocked, the other cardinals stood to better see what was happening to their colleague. The master of papal liturgical celebrations suspended the conclave while they moved Ottoboni to his apartment under the care of a Vatican physician.

Long considered favorite among the papabili to succeed Pope Clement, Pietro Ottoboni was born in the Most Serene Republic of Venice to a rich and noble family, whose most distinguished member was his grand-uncle, Pope Alexander VIII. Ottoboni had held every important post in the Vatican during an illustrious career and, as cardinal-bishop to several churches in Italy, his annual salary exceeded fifty thousand gold scudi—the present-day equivalent of six million dollars per year.

Cardinal Ottoboni had been a prolific paramour with a countless number of lovers, many of whom were married to the great patricians of Venice. In fact, the famous masks unique to Venetians were introduced not to ward off the plague, as many later believed, but to officially disguise the wearer’s identity—thus permitting anyone, noble or peasant, to do or say whatever one pleased. With this ingenious permissiveness, affari di cuore—affairs of the heart—were as common as the fleet of gondolas plying the canals of the celebrated city, without legal recourse. Having taken full advantage of this liberal device, Cardinal Ottoboni was known to have produced up to seventy children in his lifetime among his various mistresses.

Though he lived well in Rome’s grand Palazzo della Cancelleria, Ottoboni’s greatest passions were music and art, and he was a generous patron to some of the most renowned masters in both fields: Arcangelo Corelli, Alessandro Scarlatti, Giuseppe Crespi, Tintoretto, Paolo Veronese—and most of all, to his close friend and protégé, the prodigious maestro di violino of Venice, Antonio Vivaldi.

As he lay on his deathbed, Ottoboni summoned Vivaldi to his side. In a low, rasping voice, the cardinal confided to his friend a tale of great importance, a scandalous operation run by the notoriously corrupt Cardinal Niccolò Coscia in league with the feared secret Mafia organization known as the Camorra.

In fact, he added with struggling breath, he was convinced it was Coscia, acting on orders from the Camorra, who had poisoned him to keep him from acting on what he knew. With information gleaned from one of his many spies, Ottoboni had discovered the ongoing scandal days earlier and approached Cardinal Coscia with a warning that he and his Camorra would soon be out of business, at least as far as the Vatican was concerned. Were it not for his required attendance in the papal conclave, he would have put a stop to it sooner, especially if he was elected pope, an elevation to supreme power that was expected by everyone.

The following day, however, Cardinal Ottoboni succumbed to the poison, killed for a secret now known only to Antonio Vivaldi.

Like most Italians, Vivaldi survived cautiously within the Camorra’s Venetian sphere of influence. The secret society’s tentacles reached into everyone’s life, and their strict enforcement of the seal of omertà—the sacred code of silence—ensured clan activities remained discreet and wholly within la familia. The family.

Since the late seventeenth century, the Camorra had carved out its territories, starting in Naples and moving northward into the Lombardy and Veneto regions of Italy, encompassing its most lucrative prizes, Milan and Venice. Competing with La Cosa Nostra in Sicily and the ‘Ndrangheta of Calabria, the Camorra’s criminal enterprises included prostitution, gambling, smuggling, kidnapping, and art theft—but also the unusual niche of producing and selling fine art forgeries of the highest order.

During the earlier reign of Pope Benedict XIII, who cared little for managing his vast realm of Papal States, Cardinal Niccolò Coscia oversaw all Vatican government operations, taking advantage of his authority to carry out substantial financial abuses, virtually draining the papal treasury. But his ongoing misdeeds eventually caught up with him. In 1731, he was charged with corruption, tried and convicted to ten years’ imprisonment, and excommunicated from the Church.

However, still not without influence, he managed to get his heavy sentence commuted to a mere fine. He was also mysteriously reinstated as a cardinal, allowing him to take part in the papal conclave of 1740—the one during which Cardinal Ottoboni had died.

* * *

With Ottoboni out of the way, Cardinal Niccolò Coscia could now carry out his master plan without hindrance. In his not-so-secret role as capo of the Roman Camorra, Coscia led development of the Veneto branch of the Mafia clan, based in Venice and headquartered in his own newly acquired Palazzo Feudatario on the Grand Canal. Purchased with funds he had discreetly absconded from the Vatican treasury, Feudatario would be a most fitting place to carry out his planned forgery operation of the Vatican’s most profound works of art.

Niccolò Coscia was a meticulous diarist and, owing to all the business he conducted outside the Church, he had created the first book to record the activities of his new organization, naming it Il Giornale Coscia della Camorra Veneta—The Coscia Journal of the Veneto Camorra. In it he would secretly record careful notations of all paintings by artist and title, including each work’s provenance and to whom the forgeries or originals were sold, depending on which he chose to return to the Vatican—for many were prominently displayed in public, while most were simply returned to the Vatican’s vast art storage vaults, unseen by anyone.

The Coscia Journal would be passed down to each capintesta, head of the Veneto Camorra, for generations.

Unfortunately for Coscia, Cardinal Ottoboni’s spies had discovered not only the Camorra’s abhorrent plan for art forgeries, but the very existence of the Coscia Journal for recording such transactions. At that point Ottoboni’s death was preordained, for no one could ever know such proof existed.

* * *

Antonio Vivaldi, who at age twenty-five was ordained a Roman Catholic priest, was now at a crossroads. He feared possessing knowledge of the treacherous secret passed on to him by his esteemed patron in his dying moments. Putting himself at odds with the Camorra was not just an unappealing prospect; it could end up costing him his life, depending on what he did with what he knew.

But Cardinal Ottoboni had one last request of his protégé.

Intent on stopping the sinful and unlawful activities of Cardinal Coscia, Ottoboni had pleaded with Vivaldi to see that Coscia was brought to justice, to pay for his felonious actions. Distressed by letting his friend and mentor die without the satisfaction of such a promise, Vivaldi agreed to do what he could. He would ensure that the authorities were informed, the Coscia Journal would be found, and the matter would be settled.

After the cardinal’s stately funeral, Vivaldi waited for the right moment to fulfill his promise. But as he waited, he became more apprehensive. He was just a lowly priest, after all, and not a very good one at that. The violin was his life, and teaching it was his life’s work. Besides, who would believe him? Where was the proof? And what would the Camorra do to him if he were to expose its business? He had seen the results of their retribution—those who crossed the Mafia were dealt with harshly. Beheadings were not uncommon, and those who weren’t beheaded were drawn and quartered—alive. No, he must find a way to honor his pledge without exposing himself to such horrible consequences.

An idea came to him: he would hide the messages in plain sight, in his musical compositions.

Picking up a sheet of staff lined manuscript paper, Vivaldi began to assemble the first of many, his Scherzo Tiaseno in Sol.

* * *

Venice, Italy—Present Day

Venice, Italy—Present Day

An enormous flight of pigeons, hundreds of them, flocked overhead, diving for potato chips and bits of bread sticks tourists had enthusiastically tossed out for them, as Father Michael Dominic and Hana Sinclair made their way across the Piazza San Marco.

Despite the ban on pigeon-feeding in St. Mark’s Square, little children were oblivious to the law and more amused by the flapping gray-and-white spectacle than frightened by the few gendarmerie patrolling the square, whose policing efforts to stop the feeding were futile. Venetian health experts estimate over 130,000 pigeons had roosted in the historic center—well over optimal concentrations for such a small public space—and efforts to rid the city of the determined birds had failed miserably. The damage to the marble buildings and statuary was considerable, not to mention possible pathogenic health hazards.

Locals knew it was often prudent to cover one’s head with a newspaper or magazine when crossing the vast piazza, lest strollers subject themselves to the inevitable bombardment of bird droppings from above.

An old hand at the practice, Father Dominic had kept pages of the newspaper he had read at breakfast for that very purpose, knowing he and Hana had to cross the piazza in order to get to Venice’s Biblioteca Marciana, the Library of Saint Mark.

The director of the library had requested the Vatican’s help with a planned exhibition of manuscripts held in its stacks, and as Prefect of the Vatican Secret Archives, Michael Dominic had accepted the invitation, while also taking a week’s vacation time in the fabled city. At only thirty-one years old, his access to the Vatican’s vast number of historical manuscripts still humbled him. The Biblioteca Marciana was yet one more repository of ancient wonders that fascinated him.

Lovingly named La Serenissima by Italians devoted to its “most serene” natural and historical wonders, Venice was also Michael Dominic’s favorite city in the world. He loved its vibrancy, its rich history as a major world trading port up to and through the Renaissance period and, of course, the inherent romantic nature of the people and their ancient ways.

“I’m so glad you could join me, Hana,” Dominic said as they walked through the piazza. “Have you ever experienced Carnivale before?”

Holding the newspaper awkwardly over her stylish wide brim straw hat, Hana replied with a contented sigh. “I was here once, years ago, but Carnivale had just ended. I’ve been meaning to be here for the real festivities for some time now, and since my editors wanted a piece on the celebration for Le Monde’s Weekend Section, I volunteered for the assignment.”

She looked up at the priest and smiled. “Thanks for letting me tag along with you, Michael. I don’t mind that you have a little business to attend to. I need some time off myself and can always float around in a gondola and take notes while you’re occupied.”

Dominic laughed as he removed the newspaper from over his head, having passed the worst pigeon zone. He took Hana’s paper and tossed them both in a trash receptacle alongside the library façade. “I can just see you now, laid out on a shiny black gondola, that fetching hat drawing everyone’s eye as you cruise the canals. A fashion photographer’s dream. But let’s have some fun together while we’re here as well.”

“Agreed. I can get some writing done after dinner each night,” she said with a sly grin. “So, what’s in this library that you’ve been asked to weigh in on?”

“I’m meeting with Paolo Manetti, the curator of the Marciana’s Cardinal Bessarion Library, a special wing containing the original founder’s collection of books and precious manuscripts from 1468. The Vatican has an original translation of Homer’s Iliad, a companion version to his Odyssey, but the Marciana has the oldest actual texts of the Iliad. Manetti has asked me to consider lending ours to the Marciana for a temporary exhibition on Homer. They also have the only autograph copy of commentary on the Odyssey from the twelfth century, so it should be a fine showcase.”

Fascinated as she was by Dominic’s explanation, Hana’s eyes glazed as the warm sun took hold of her, her white cotton midi skirt fluttering in the light breeze. They had passed the tall brick Campanile and were now walking through the piazzetta between the Marciana Library and the Doge’s Palace, heading toward the entrance to the Grand Canal. It wasn’t quite noon yet, the appointed time for Dominic’s meeting, so they settled onto a stone bench near the traghetto, the gondola landing overlooking the Church of San Giorgio Maggiore on the island across the lagoon. Vaporetti, gondolas, and sleek mahogany water taxis plied the calm waters as they sat there, each in their own dreamy state of mind, an effect Venice had on every visitor.

As the tower bells of the Campanile struck twelve, Dominic leaned back for a deep stretch to rouse himself, then stood and reached out for Hana’s hand to help her up. With one last glance over the lagoon, they headed toward the library.

Chapter 1

Present Day

The entrance to the Marciana Library Palace—heavy wooden doors flanked by two larger-than-life Greek marble statues—opened into the opulent vestibule, where a two-flight staircase took visitors to the upper loggias.

Looking up as they walked the marble halls, Hana fixated on the ceiling, which featured twenty-one roundels, circular oil paintings by seven notable Renaissance artists commissioned in 1556. They looked as fresh today as at the time they were painted, Hana mused, overwhelmed by their unusual spherical beauty. Reaching one of the reading rooms, sunlight streamed in from the high glass ceiling, bathing the three-story room in a diffused natural light. Surrounding the reading tables on all sides were a series of Doric arches with a handsome frieze on one wall featuring rosy-faced cherubs and garlands of fruit and flowers.

A slim, well-dressed man with long, black hair who looked to be in his fifties was walking toward them, a welcoming smile on his face. Dominic smiled in response as the man approached.

“Padre Michael, welcome back to the Marciana!” he beamed as he extended his hand.

“Paolo! What a great pleasure to see you again. This is my friend and colleague, Hana Sinclair. Hana, this is Paolo Manetti, curator of the Bessarion Library here.”

The three exchanged handshakes and pleasantries. Then Manetti turned, gesturing for them to follow him.

“We’ll be using my private office to view the Iliad. Better to keep tourists from flocking around us. I already have it set up.”

He led them through the upper loggia and down a corridor leading to various offices, entering a corner room that overlooked the piazzetta and the lagoon.

“Not only do you have a stunning library here, Signor Manetti,” Hana remarked, “but you probably have the best office in the building!”

Manetti grinned shyly. “Please, call me Paolo, Miss Sinclair. And yes, I am very fortunate to have such a wondrous place to work. What you see around you is my life. Like our friend Michael here, my love for antiquities of the Old World has no bounds.”

Dominic nodded in agreement, then turned to his companion. “Hana, if you’d like to better explore the library while Paolo and I are working, please feel free. We should only be a half hour or so. Take it all in; it truly is a marvelous old building filled with treasures you won’t find anywhere else.”

“I’ll do that, thanks. Just come find me when you’re ready.” Hana turned and left the office, making her way back to the reading rooms and their glorious artworks and statuary.

A large table in the center of Manetti’s office held several reference books, various implements for examining documents—a digital microscope, magnifying glass, blacklight, leather sandbag weights—and several large parchment manuscripts which had been laid out on it. One in particular was the chief item of interest: the only copy of the commentary on Homer’s Odyssey written entirely by the hand of the author.

Putting on a pair of white gloves, Dominic handled the manuscript guardedly, gazing at the beautiful script by the hand of Eustathius of Thessalonica, the Byzantine scholar and rhetorician of the twelfth century.

“This is our finest treasure, Michael, and one of the oldest in the library,” Manetti said. “It will be one of the principal features of our exhibition. But now, look at this.”

With a gentle flourish, he reached across the table and pulled over two comparable manuscripts.

“These are Venetus A and Venetus B, the oldest texts of Homer’s Iliad, with centuries of Greek scholia written in the margins.”

As Dominic recalled, since the first century, ancient commentators known as scholiasts would insert grammatical or explanatory notations, even critical commentary, in the margins of the manuscripts of early authors. Over time, centuries in fact, successive copyists or those who owned a particular manuscript altered the scholia, and sometimes the practice expanded so much that there was no longer room for scholia in the margins, so it became necessary to produce them as separate works. No copy machines, just dedicated scribes working with Egyptian reed pens and feather quills to patiently reproduce one-of-a-kind originals.

“These are truly extraordinary, Paolo,” Dominic declared, his hands shaking slightly as he held the ancient parchments. “I can certainly see why you’d want to share these in your exhibition. I can confidently say the Vatican will cooperate in any way we can. I’ll make arrangements for the original translation of Homer’s Iliad to be couriered to you when I return to Rome. I assume you’ll have appropriate security arrangements in place?”

“Of course, Michael. Apart from our own security detail, the federal Carabinieri has offered to provide full protection for us. We are simply the custodians of these masterpieces, but they are part of Italy’s proud heritage and the government takes that responsibility quite seriously.

“And thank you for your generous contribution, Michael,” he continued. “Your Iliad will be in excellent hands, I can assure you.”

“When we spoke last week,” Dominic said, “you mentioned another piece you wanted to discuss?”

Manetti turned somber. “Yes, there is something else I need to show you, and I’d like to get your opinion on it. This came to us recently from a local donor who wishes to remain publicly anonymous, and while its value is undeniable and a welcomed donation to our collection, I am not quite sure what to make of its meaning.”

The curator rummaged about the other manuscripts on the table, his gloved hands repositioning each document carefully, until he found what appeared to be an autograph musical manuscript, with staff lines and bars of musical notations, placed inside a small Mylar protective sleeve. While it was in relatively good condition, given its apparent antiquity, its corners had been chipped and there were many creases across the paper, as if someone had folded it many times at some point. Its size was quite small, a half sheet of standard paper at most.

“Well, this looks interesting, though I must admit I know little about musical manuscripts. Who is it by?” Dominic asked.

As he peered closely at the manuscript, Hana returned from her brief tour of the library and walked up to stand silently next to the two men. She glanced at the object of their attention while Manetti continued.

“This, my friend, was penned by the hand of Venice’s own maestro di violino Antonio Vivaldi. He gave it the title Scherzo Tiaseno in Sol, and it appears to be a scherzo in the truest, most literal meaning of that word—a joke! It is a fair enough piece of music, but nowhere near the level one would expect from a Baroque master like Vivaldi. If it is a joke, then the question is, why? And for whom? There must be more than meets the ear.

“This is marked as page two, so there may still exist a page one somewhere. The donor was rather circumspect on the matter, but as Vivaldi was her sixth great-grand-uncle, the provenance is well established.” Manetti looked up at Dominic questioningly and shrugged.

As Hana read the notes, she weighed in. “You’re right, Paolo. This isn’t anything close to what Vivaldi was known to have composed. And scherzos are normally in three, like a waltz, but this has the bar lines in the wrong place. There must be some other meaning to it.”

“You read music?!” Dominic asked her, somewhat taken aback.

“Of course, I studied music for years at St. Stevens School, and I play both the piano and cello,” she replied, a shy smile playing across her face.

“Will wonders never cease with you?” Dominic asked, grinning mischievously.

“Oh, please,” she said modestly. “We all have our secret talents. And I can hardly travel around with a cello.”

Turning to the curator, she asked, “Paolo, may I have a closer look at this?”

“Of course, signorina,” he said encouragingly.

Hana accepted the Mylar sleeve from Dominic and took a seat by one of the windows. Reading the music, she hummed the notes, emitting a series of high, low, and mid-range sounds which produced no tune whatsoever.

“Okay, this is really strange. There is nothing here that might even imply that an artist with Vivaldi’s genius was creating anything good, much less great. But why would he do that? From what I know, he wrote beautiful music feverishly, wasting not a precious second on something like this. But there must be a reason.”

“I completely agree, signorina,” Manetti said, nodding. “But what are we to do with this? We must have some kind of explanation for such an artifact if we are to display it.”

Hana had a thought. “Paolo, can you make a copy of this for me? I have an old friend, Dr. Livia Gallo, my former music teacher at St. Stevens, who is an expert in Vivaldi and other Baroque masters. Maybe she has some idea of what this might represent?”

Manetti was delighted. “Yes! I would be happy to provide you with a copy if it helps to better understand this. You must assure me that you will not share it with anyone else except your colleague, yes? Until we understand it better, I wouldn’t want speculations to be awkward for our donor.”

“Yes, of course, only Dr. Gallo will see it. For that matter, it’s small enough that I can just take a photo of it with my iPhone. Would that be acceptable?”

“Better yet,” Manetti replied. “That way there are no loose copies to get lost. Oh, and please do not use the flash.”

Hana returned the manuscript to the table, removed her phone from her bag, then took a full frame shot of the piece under natural light.

“Paolo,” Dominic asked, “might we get an introduction to your donor, this Vivaldi descendant? Hana and I may be able to get more relevant information from her that can assist Dr. Gallo. Where does she live?”

“Here in Venice, in one of the great palazzos on the Grand Canal. I don’t think the contessa would mind at all, actually. She’s quite the conversationalist.”

“A contessa?!” Hana asked, surprised.

“Oh yes, she comes from a very old noble line herself and married well, besides. Contessa Donatella Vivaldi Durazzo. She must be in her eighties now, a delightful woman, very generous in her philanthropy. She is one of the jewels of Venice, a wonderful patron of the arts, adored by everyone. She lives in Palazzo Grimaldi in the Dorsoduro, not far from the Guggenheim Museum. I would be pleased to make an introduction.”

“Excellent! We’ll be here all week, Paolo, and it would be a treat to see one of the famed palazzos on the Grand Canal,” Dominic said excitedly. “Not to mention meeting Italian nobility.”

Manetti smiled assuringly at his old friend.

“We’re staying at the Ca’ Sagredo, Paolo,” Hana said. “You can reach us there, but here’s my mobile number if you need us at any time.” She wrote down her number on a slip of paper and handed it to Manetti.

Grazie, signorina. I will make the call this evening and let you know when she is available.”

“Where to now?” Hana asked Dominic as they left the building, having said their goodbyes to Manetti.

“I thought we’d have a bite of lunch at Quadri, then saunter over to St. Mark’s Basilica and say hello to a friend of mine from my seminary days. We’ve come all this way, and I’d hate to miss seeing him.”

“Lead the way,” Hana said breezily, placing her wide-brimmed straw hat back on her head. “I’m ready for some fresh seafood, aren’t you?”

“You bet. Just watch out for pigeons, though, as I’ve tossed the newspapers.”

Chapter 2

Among the many fine palazzos lining the Grand Canal is an understated, three-story ocher palace, somewhat more slender than its neighbors but nonetheless impressive. Its more observable features include a grand entrance off the gondola traghetto, with a black, scalloped awning over the brick staircase leading up from the water’s edge; several full-width balconies with ornamental balustrades at each end; heavily draped, arched picture windows overlooking the canal—and a cadre of armed security guards posted around the grounds of Palazzo Feudatario.

As a glossy mahogany water taxi approached the dock, two beefy men appeared from the palazzo’s entrance to greet the sole visitor on board, a priest called to administer last rites to the dying master of the house—a man known to all of Venice as Don Lucio Gambarini, the capintesta, or head-in-chief of the Veneto Camorra.

A stout man in his sixties, Don Gambarini had suffered a paralyzing stroke some weeks prior, and as his health had further declined, his death was not unexpected. In the meantime, the capintriti, heads of the twelve districts under Don Gambarini’s leadership, had assembled in the grand house, set to squabbling as to who would take over as leader of the clan when the great capintesta met his end.

But that was hardly on Gambarini’s mind when Father Carlo Rinaldo entered the formal master bedroom to hear the Don’s confession and administer extreme unction, the final anointing with last rites before death. Rinaldo had never met Gambarini before, though he was aware of the Don’s reputation, one deserving of a robust confession if he were truly repentant.

The large, well-appointed bedroom had many people standing around, vying for the boss’s attention should he wish to suddenly name one of them as his successor. But Gambarini would have none of it yet, demanding the bedroom be cleared except for the priest, who would hear his confession privately.

As everyone ambled out of the room, giving each other dark glances, the door was closed as Rinaldo placed a violet stole around his neck, then reached into his black leather bag and withdrew a small bottle of holy water, a crucifix, and his Bible.

“Don Gambarini, my name is Father Rinaldo, from St. Mark’s. Do you wish to make a confession?”

“Where is my regular priest, Father Viani?”

“I’m afraid he is on sabbatical, signore, and will not return for some time. He entrusted his duties to me in his absence.”

Gambarini looked wide-eyed at the priest for a long while, trembling, gauging his predicament. Rinaldo found terror in the man’s eyes. Not an uncommon occurrence for one so close to death, but there was something more. Some heavy burden the man was struggling with. All the priest could do was wait for his penitent to make the first move.

“Father, I do wish to make a confession,” Gambarini began, “but it is not one you are going to like.”

“I make no judgments at all, signore. I am but the Lord’s servant in this matter. He alone passes judgment. But that depends on how you wish to leave this life, carrying with you the dark burden of your transgressions, or absolved of sin in His light.” Rinaldo gestured upward as he said this.

Gambarini paused, glanced around the room, then looked deep into the priest’s eyes. “Before we begin, Father, I must ask of you an important favor, for my sins are so great, my penance must include some action on your part—but only after I am dead.

“What I am about to tell you involves a serious crime against the Vatican itself, an offense which has been ongoing for centuries, and still takes place to this very day. I fear I will not have God’s full absolution unless this matter is revealed once and for all. And you must be the one to tell it to others, so that it will stop. Is that agreeable?”

Such an unusual request completely mystified Rinaldo. Never had he been asked to play a part in a confessor’s penance. And to do so, he would have to break the sacred seal of the confessional; he was uncertain if having permission to do so by the penitent absolved him of that restraint. He would have to speak with someone about that later.

He walked across the room and picked up a chair. Placing it next to Gambarini’s bed, he took a seat. He paused a moment to consider the situation.

“Let me hear your confession, my son. If it is within my power, I will do my part as you ask.”

***

Excerpt from The Vivaldi Cipher by Gary McAvoy. Copyright 2021 by Gary McAvoy. Reproduced with permission from Gary McAvoy. All rights reserved.

 

 

Author Bio:

Gary McAvoy

Gary McAvoy is an American novelist known for internationally bestselling thrillers that blend historical intrigue, religious scholarship, and modern suspense. A lifelong researcher of rare manuscripts and Church history, he draws on extensive archival study to craft narratives rooted in authentic detail. His work includes the Vatican Secret Archive Thrillers, the Magdalene Chronicles, and the Vatican Archaeology Thrillers. Before turning to fiction, McAvoy built a distinguished career as an entrepreneur, technology consultant, and collector of historical documents. He now writes full time from the Pacific Northwest, where he continues to explore the shadowed crossroads of faith, power, and history.

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Q&A with GARY MCAVOY

For readers meeting you for the first time, can you share a little about yourself and how you found your way into writing thrillers like The Vivaldi Cipher?
I’m a native Californian who landed in the Pacific Northwest and never looked back. Before fiction took over my life, I had a long career as an entrepreneur and technology executive, served in the U.S. Army in Germany, where a fascination with cryptology and intelligence took root that never quite left me, and I spent years as a collector of rare manuscripts and historical documents. That last pursuit turned out to be the most direct road to the novels. When you spend decades handling first editions and original letters, you develop an almost physical relationship with history. It stops being abstract.
Growing up in a large Catholic family, the Vatican was always present: its influence, its mysteries, its contradictions. Those two threads, the documents and the Church, eventually pulled tight around the same question: what might be hiding in plain sight? The Vivaldi Cipher grew out of exactly that impulse — a lost Vivaldi manuscript, a hidden code, and the realization that the line between musical genius and dangerous secret can be very thin indeed. I wanted to write the kind of book that kept me up at night as a reader, the kind Robert Ludlum and Michael Crichton wrote—intelligent, grounded, and genuinely surprising. Whether I’ve succeeded is for readers to decide.

This story takes readers into the Vatican Secret Archives, Venice, and the world of art and music. Can you give us a glimpse into the research that helped bring those details to life?
Venice is my favorite city in the world, and I’ve been fortunate to visit many times. There’s simply no substituting that — walking the calli, crossing the bridges, sitting in a bacaro with a glass of wine while the city does what only Venice does. When I write those streets, I’m writing from memory as much as from notes. The sensory details that readers respond to aren’t invented; they’re observed.
The Vatican Archives presented a different kind of research challenge. No writer gets unfettered access to those stacks, so I relied on scholarly accounts, published inventories, architectural records, and the testimony of researchers who have worked there. I wanted readers to feel the weight of that place — centuries of accumulated secrets in temperature-controlled silence — without romanticizing it beyond recognition.
Vivaldi was the most purely joyful part of the process. Immersing myself in his music, his biography, his complicated relationship with the Church that simultaneously employed and constrained him — it gave the book its emotional spine. The cipher itself emerged from that research organically. A man of Vivaldi’s genius, living under that kind of institutional scrutiny, would absolutely have found ways to say what he couldn’t say openly. That felt true, and when something feels true, the story tends to follow.

Excluding Father Michael Dominic, do you have a favorite character in The Vivaldi Cipher, and what makes them especially fun or meaningful for you to write?
That’s easy: Karl Dengler and Lukas Bischoff, the Swiss Guards. And I’d cheat and count them as one answer, because that’s how they exist in my mind — as a unit. You don’t fully appreciate one without the other.
What draws me to them is that their loyalty is absolute but never simple. These are men trained to protect at any cost, operating in a world of ancient institutional politics and very modern danger, and they do it with a kind of quiet competence that I find genuinely moving to write. There’s no grandstanding. When Karl or Lukas steps between the team and a threat, it’s not heroics — it’s just who they are. That fierce, almost wordless protectiveness is rarer in fiction than it should be, and I think readers feel it.
The relationship between the two of them also gives me room to breathe on the page. Brothers-in-arms of long standing develop a shorthand that’s almost its own language — a look, a half-sentence, a positioning of the body that says everything without saying anything. Writing that well is one of the quiet pleasures of a long-running series. By now I know exactly how Karl and Lukas move through a room together, and that knowledge makes every scene they’re in feel grounded in something real.

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Murder, Local Style by Leslie Karst #AuthorInterview

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MURDER, LOCAL STYLE

by Leslie Karst

April 13 – May 8, 2026 Virtual Book Tour

Synopsis:

Murder, Local Style by Leslie Karst

An Orchid Isle Mystery

 

Retired caterer Valerie Corbin investigates a suspicious poisoning in this Orchid Isle culinary mystery, featuring a feisty queer couple who swap surfing lessons for sleuthing sessions in tropical Hilo, Hawai‘i.

A dinner to die for!

It’s been an eventful transition, but retired caterer Valerie Corbin and her wife Kristen are finally settling into life on the Big Island of Hawai’i. Val’s even joined the neighborhood orchid society to make some new friends. So when she’s asked to step in to cater their latest social event, as the newbie of the group she can’t exactly say no.

But what should have been a straightforward gig is soon a dining disaster when the food from the event poisons and kills the society president. As Val herself becomes a suspect in the murder investigation, she’s determined to uncover the truth. Who would want to kill the mild-mannered president of the orchid society?

Turns out the list is longer than a celebrity chef’s tasting menu. Apparently some of the residents did not “love thy neighbor.” Can she reveal the killer’s identity before they strike again?

This mouthwatering cozy mystery is perfect for fans of Ellen Byron, Jennifer J Chow, Lucy Burdette, and Raquel V Reyes, and includes a selection of delicious Hawaiian recipes to cook at home.

Book Details:

Genre: Traditional Mystery, Snarky Cozy Mystery, Soft-Boiled Mystery
Published by: Severn House
Publication Date: April 7, 2026
Number of Pages: 240 pages, Hardcover
ISBN: 9781448316588 (ISBN10: 1448316588)
Series: An Orchid Isle Mystery, Book 3 || Amazon, Goodreads, & Severn House
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub | Severn House

Read an excerpt from MURDER, LOCAL STYLE:

From beginning of Chapter One…

Paradise isn’t always what it’s cracked up to be.

Sure, Valerie Corbin knew she and her wife Kristen were supremely fortunate to now reside in the quaint, still-stuck-in-the-1970s town of Hilo on the magnificent Big Island of Hawai‘i—home to lush jungles, fiery volcanoes, black sand beaches, and coral reefs teeming with eye-popping tropical fish.

But at this moment, all she could focus on was the bull terrier-spaniel mix next door barking so loudly that it almost—though not quite—drowned out the whine of the pneumatic tools its owner was using on a jacked-up truck, the parts of which were currently scattered all across his driveway.

Letting loose a few choice words regarding both dog and man, Valerie slammed shut the window above the kitchen sink, then returned to the stove to poke at her potatoes simmering in a pot of water. At the sound of the back door opening, she looked up to see Kristen and her nephew, Sean, come inside from the lānai, Valerie and Kristen’s little white dog, Pua, trotting after them.

“We couldn’t take the racket anymore,” said Kristen, tossing her Outside magazine onto the counter. “Does he ever stop?”

“Who—Akoni or Larry?”

Kristen laughed. “Both, I guess. And yeah, I know the answer: rarely. Especially Akoni, with his constant yowling. Though I gotta say, it seems like Larry’s been working on his vehicles a hell of a lot more of late. And I don’t believe I’ve ever even seen that particular truck before. You think he’s started repairing other people’s vehicles, too?”

“Oh, God, I hope not. Though that would explain the increased frequency of the noise.” Valerie switched off the heat under her potatoes, then turned to Kristen. “I wonder if it’s legal to have a car repair business in this neighborhood. Maybe I should ask at tonight’s meeting if anyone knows.”

“Or maybe you could just talk to your neighbor about it,” put in Sean, who’d taken a seat at the kitchen table and was busy typing something into his phone.

Valerie and Kristen exchanged glances, after which Valerie replied, “Maybe later. But first we should figure out where we stand on the issue.”

Sean set down his phone with a shrug. “So what’s this thing you’re going to tonight, anyway?”

“It’s the monthly meeting for the neighborhood orchid society,” said Valerie, carrying the pot to the sink and dumping the steaming potatoes into a colander. “Shirley invited me—you know, the woman who lives at that house down the street with all those beautiful orchids in her tree ferns? I was admiring them the other day, and after we got talking, she invited me to come along tonight to see if I might be interested in joining. You wanna join me?”

Sean let loose his man bun, held in place by a wooden hair stick, and shook out his dirty-blond locks. “No can do; I’m working tonight at the hospital. It’s my first time in the ER, which should be interesting.”

Sean had come from Arkansas to do a three-month stint as a visiting nurse at the Hilo hospital and was now on his second week at the job—and at Valerie and Kristen’s house, where he’d be staying for the duration of his time on-island. “I didn’t know you were into orchids,” he said in a lazy drawl, pulling his hair back from his face and retying the bun.

“I wasn’t, not till we first got to Hilo. But they’re so amazing and, I dunno . . . other-worldly.”

Star Trek flowers, I call them,” said Kristen, and Valerie nodded.

“And they’re so easy to grow here, so I’m thinking it might be fun to try it myself. Plus, it’d be a great way to get to know some of the folks in the neighborhood a little better.”

“Like Larry?” asked Sean with a grin.

“Ha. I’m not so sure he’s really the orchid type . . .”

***

Excerpt from MURDER, LOCAL STYLE by Leslie Karst. Copyright 2026 by Leslie Karst. Reproduced with permission from Leslie Karst. All rights reserved.

 

 

Author Bio:

Leslie Karst

Leslie Karst is the Agatha, Lefty, and Macavity Award-nominated author of the Orchid Isle Mysteries, the Sally Solari culinary mysteries; and the IBPA Benjamin Franklin and IPPY award silver medal-winning memoir Justice is Served: A Tale of Scallops, the Law, and Cooking for RBG. After years waiting tables and singing in a new wave rock band, she decided she was ready for a “real” job and ended up at Stanford Law School. It was during her career as an attorney that Leslie rediscovered her youthful passion for food and cooking and once more returned to school—this time to earn a degree in culinary arts. Now retired from the law, in addition to writing, Leslie spends her time cooking, cycling, gardening, and observing cocktail hour promptly at five o’clock. She and her wife and their Jack Russell mix split their time between Hilo, Hawai‘i and Santa Cruz, California.

Catch Up With Leslie Karst:

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Q&A with LESLIE KARST

Can you tell us a little about yourself and your background?
The daughter of a law professor and a potter, I learned early, during family dinner conversations, the value of both careful analysis and the arts—ideal ingredients for a mystery story.
After graduating from UCSC, I was able to parlay my humanities degree into employment waiting tables and singing in a new wave rock and roll band, but exciting as this life was, I eventually decided I was ready for a “real” job, and ended up at Stanford Law School. I then worked for twenty years as a research and appellate attorney, during which period I rediscovered a passion for food and cooking, and so once more returned to school—this time to earn a degree in culinary arts.
But it was only after retiring from the law that I took up my pen to write a mystery novel, which ended up being my first Sally Solari mystery, Dying for a Taste.

What was the inspiration for this book?
The concept for my Orchid Isle mystery series came to me one day as I recalled how very surprised I’d been on my first visit to the Big Island of Hawai‘i. For one, there’s the fact that Hawai‘i Island is home to eight of the thirteen total climate zones that exist on earth, from humid/tropical on the lush windward side of the island to polar/tundra atop the frigid slopes of Maunakea. And then there’s the unique geology of the land, with the presence of two active volcanoes.
This was not what I’d imagined from all those Hollywood movies and glossy tourist brochures I’d seen over the years. Sure, there were plenty of white sand beaches and tiki bars, but the unexpected aspects were what most captivated me, in an almost magical way. And I knew I needed to share this magnificent place with others by way of a mystery novel.

How did you come up with the title?
In setting a series on Hawai‘i Island, my biggest desire (in addition to crafting a compelling mystery story) was to bring to readers a picture of what the place is truly like—not for tourists, but for those who actually live here.
“Local style” is a phrase commonly heard in Hawai‘i, and means something that is typical of the way people do things in the islands. Kicking off your rubber slippahs and leaving them scattered about the front porch, eating Spam musubi for lunch, and throwing the “shaka” to say “thank you” or “hey!” are all examples of local style. The phrase signifies casual comfort, sharing food, and respecting local culture.
Since this new book is set in Valerie and Kristen’s small neighborhood in Hilo and concerns the relationships between (and disputes among) the people who live there, Murder, Local Style seemed the perfect title for the story.

What are a few of your favorite foods?
French fries and pork chops, and schnitzel with noodles…. (Sorry, couldn’t resist—apologies to Rogers and Hammerstein. Though I do in fact adore all three of those dishes.) But seriously, I love pretty much all food. The only things I don’t care for are kidneys and chitlins.
These days, however, since I’m writing books set on the Big Island of Hawai‘i (all of which require recipes), my focus is on foods eaten here in the islands. And that category happily covers a host of different cultures and cuisines: traditional Hawaiian (ahi tuna poke, kālua pork, lau lau), Chinese-Hawaiian (chow fun, char siu pork, manapua steamed buns), Japanese-Hawaiian (saimin noodle soup, Spam musubi), Filipino-Hawaiian (lumpia, halo-halo coconut dessert), and Portuguese (malasada donuts, bean soup, sweet bread).
It’s amazing I haven’t gained about a hundred pounds, what with all my delicious research.

 

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Orchids, Alibis, and Awesome Prizes

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Everyone Is Perfect Here by Jane Haseldine #AuthorInterview

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EVERYONE IS PERFECT HERE

by Jane Haseldine

April 6 – May 1, 2026 Virtual Book Tour

Synopsis:

Everyone Is Perfect Here by Jane Haseldine

There’s no such thing as perfect.

To the outside world, English professor Carly Bennett is a rising star…. poised, confident and on a fast-track to success. But behind her professional facade lies a childhood shattered by betrayal and her mother’s mysterious death.

Fifteen years earlier, Carly was shipped off to boarding school after being accused of threats she never made and exiled by her beloved mother and wealthy stepfamily. Throughout, Carly clung to her one ally, her stepbrother Julien…. until she discovered he masterminded her downfall.

Julien, now a psychiatrist, reappears in Carly’s life, apologetic and bearing news: before a fatal break-in, Carly’s mother planned to bring Carly home. Vindicated, Carly investigates her mother’s cold case. But doing so unearths memories that cause Carly to question her sanity and finally face the truth.

Was she responsible for her mother’s murder or is something more sinister at play in her former stepfamily’s still perfect world?

Praise for Everyone Is Perfect Here:

“This tense psychological thriller, where nothing is as it seems, will keep you on edge until the final reveal”
~ Kirkus Reviews

“This was a well-written and complex drama that immediately grabbed my attention, quickly becoming a page-turner as I had to know how this was going to end.”
~ Dru Ann Love, Agatha, Anthony & Macavity Award-Winning Author, Raven Award Recipient

Book Details:

Genre: Domestic Suspense
Published by: Severn House
Publication Date: April 7, 2026
Number of Pages: 301
ISBN: 9781448320127 (ISBN10: 1448320127)
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub | Severn House

Read an excerpt:

ONE

Present Day, Los Angeles
Carly Bennett

Light blue on dirty blonde.

Creative writing professor Carly Bennett did a quick scan of her face from its reflection in the window that overlooked the University of Southern California quad and smoothed a crease in her pencil skirt.

If Carly had known that the dean of the English department would schedule a last-minute meeting with her, she would’ve picked a better outfit than one that screamed, “I had no time to take this to the cleaner, so I ran a fast iron over it. But thank God the skirt is black so no one can see the stain from when my coffee cup lid jimmied its way free this morning.”

Nothing like near first-degree burns on your thigh from an errant Starbucks Pike to jolt a person awake during LA’s slog of a commute.

No matter. Here she was.

And she’d be ready. Even though she needed to master her prep on the fly.

Carly turned the corner to the English department’s Office of the Dean and forged through her speaking points that she’d deliver to her boss, Bert Scanlon.

“Making the LA Times’s ‘Thirty-Under-Thirty’ list was a complete surprise, but I’m so happy that the article will shine a spotlight on the great work our team is doing under your leadership.”

Ack. Too mealy-mouthed. Plus, it made her sound like a big-headed brown-noser. And nobody likes that person.

“Thank you for the kind words. Please know how much I appreciate that you believe in me, and I swear, I won’t let you down.”

Better, and that sentiment was from the heart.

Carly pictured her face, front and center on the page when she’d pulled up the LA Times story that morning and hoped that the people she used to know from her early Malibu days saw it too.

Elitist jerks.

As for herself, Carly had read the write-up, over and over, until she could now recite it in perpetuity.

Carly passed by the USC English department’s wall of fame, which showcased its students’ esteemed awards through the years. She paused when she saw her name, capturing a moment in time from freshman year. Her: scared to near speechlessness amongst the far cooler co-eds but finding strength behind her pen.

Winner of the 2018 Undergraduate Writing Prize—First Place: Carly Bennett

Had she really come this far? Most would’ve marked her a losing bet at age twelve, her personal line of demarcation, but sometimes, even dark horses can come from behind and win the whole damn thing.

Four. Three. Two. One.

“You got this,” Carly whispered.

She reached for the security of her inhaler in her briefcase and entered Scanlon’s office.

Gretchyn Olson, a middle-aged woman with salt-and-pepper hair was working the phone with precision. She held up a single finger when she saw Carly.

While she waited, Carly continued to clutch her briefcase in one hand and placed the other behind her back, where she dug a fingernail into a stray cuticle.

After a beat, Scanlon’s assistant put the call on hold.

“They’re waiting for you,” Gretchyn said. “Hang in there, kid. Sometimes, you need to play the game.”

They? And what game was she talking about?

Carly’s neck felt hot, but she made certain she was smiling when she entered the office, where she locked eyes with Scanlon, who rose to greet her. Scanlon had a Mr. Clean, shiny bald head, and his stomach struggled to stay behind the confines of the clasped gold buttons of his tweed coat.

Seated across from the dean of the English department was an unfamiliar male, who was well dressed, neatly manicured, and appeared to be in his early fifties.

Carly shot the stranger an equally polite smile. Who was this guy?

“Miss Bennett, thank you for taking time to swing by under such short notice,” Scanlon said.

“Of course, sir.”

Maybe the man was another reporter from the paper who covered the education beat and was writing a follow-up article on the English department.

“I don’t believe you’ve met Franklin Yeager. You taught Frank’s son, Landon, last semester.”

In that moment, Carly felt like someone had jabbed an ice pick into her high-flying helium balloon.

The room became very still as Carly struggled to find the appropriate response.

“In all due respect, if this is about my former student, I think any further discussion should be held in private and between the administration, but I was under the impression the incident and disciplinary action had been decided,” Carly said.

A robotic delivery, but at least she got the words out.

“There’ve been some developments that have been brought to my attention. I asked Frank to come in so we could clear the air, so to speak,” Scanlon said. “Please, sit, Miss Bennett.”

Carly kept her place, arms folded, standing above the men, but when Scanlon cleared his throat, she acquiesced and found a seat next to her former student’s father.

“Landon didn’t plagiarize the paper,” Yeager said.

Yes, he did! Carly wanted to scream. Instead, she slipped her hands underneath her legs, in case her palms started to sweat.

“If my son did cheat, I’d be the first to request that USC boot him out the door on his fanny,” Yeager continued. “But I know my kid, and I also know a liar, and Landon is beside himself over this false accusation. I’ll be honest with you, when Landon first told me about the whole mess, I was ready to call my lawyer, but since Bert is an old friend, I thought, why not try and hash things out man-to-man first.”

She had to respond. The words were there, ready to make her point, if only she could find the ability and the guts to say them.

“But he did ch-ch-cheat,” Carly said, despising the catch in her voice.

When was the last time she’d stuttered? Probably a year ago, during her annual review with Scanlon. She wondered if the universe would grant her a reprieve, and somehow the two men hadn’t picked up on her residual speech impediment, which still ambushed her in the worst possible moments, rising like an unkillable weed despite all her years of work to get rid of it.

She shot a glance at Yeager, whose mouth had turned up into a bow that resembled a smirk or, worse, pity.

If she were going down, at least she had to throw a punch.

“I want all my students to excel, and if they need extra time on an assignment, they know I’ll give it to them, and my door is always open if they need additional help. But the paper Landon wrote was a complete replica of one I received from a different student last year. We’re talking down to the semicolon.”

Carly looked to Scanlon, hoping for some back-up, but the dean kept his focus on Yeager.

“Then it wasn’t a case of cheating but purely accidental on Landon’s part,” Yeager said. “Or is the word coincidental? You’re the English whizzes in here, and I’m a businessman who wouldn’t know a semicolon from a hyphen, but I do know mistakes can be made, even by well-meaning young professors. How long have you been a teacher? You look more like a co-ed than a professor, and I mean that in the most complimentary of ways.”

Yeager chuckled, sounding to Carly like the laugh was cover so he wouldn’t sound like a creep.

Too late.

Carly fought to speak up and defend herself. But she remained still and silent, stuck between two powerful, rich males who were doing a very fine job of reeling in the young, errant female who didn’t know her place.

“This is my second year at USC.”

“Miss Bennett is still relatively new to our school as a professor, but she’s a rising star in our English department and did quite well as a student here before joining our professional fold.”

The heat that Carly had felt in her neck earlier had now exploded into a full-blown, five-alarm inferno, despite Scanlon throwing her a pseudo-bone.

Carly had crossed her legs and put a hand to her throat to try and cover her growing rash when she noticed Yeager was staring at something on the bottom of her black high heel. Whatever it was seemed to give him great satisfaction.

“Mr. Scanlon . . .” Carly pleaded, but the dean interrupted.

“I appreciate that you hold your students to the highest of standards, as you should, but since Frank is a trusted friend to the school, this time, we’ll expunge the previous disciplinary action and wipe the slate clean. Landon can resubmit the assignment and finish up the course through independent study, so he won’t lose credit. I have your word that Landon will be more careful in his work going forward, Frank?”

“You bet. My kid is a good boy, and I knew we could wrangle this problem to the ground. You have my word on my kid and on my continued support. Generations of Yeagers have supported this school, and we’ll continue the tradition. “Fight on for ol’ SC, our men fight on to victory!” Yeager warbled, hitting the notes of the USC fight song slightly off-key but with great confidence in his delivery.

When Yeager stood to shake the dean’s hand, Carly looked to the bottom of her high heel and saw a Macy’s close-out sale sticker still affixed to its outsole.

Her previous high-flying balloon was now bits of spent plastic that an entitled rich boy and his adult minions had tossed into the dumpster.

“No hard feelings, OK? New teachers can make mistakes with the best of them,” Yeager said.

He extended his hand to Carly.

You sold your integrity for a buck, and to a total cheese bag when you know I’m right! Carly wanted to scream to Scanlon.

Instead, Carly remained quiet and stared at Yeager’s outstretched hand.

Scanlon cleared his throat again.

“Miss Bennett, the matter has been settled,” Scanlon answered.

The dean’s eyes narrowed, and Carly followed his cue.

She reached for Yeager’s hand, gave it a quick shake, and regretted it the second her skin touched Yeager’s.

“That will be all, Miss Bennett.”

This was so unfair. She had to stand her ground.

“Is there something else you wanted to say?” Scanlon pressed.

Carly paused, searching for the words. They were right there, but when she jumped from the platform to catch the brass ring, she missed and spiraled into freefall.

“Miss Bennett?” Scanlon asked.

“Th–th–th–thank you, sir.”

She couldn’t remember leaving the office, but there she was, back in the lobby. Carly hurried past Gretchyn, and by the time she reached the corridor, she was certain that she heard the two men laughing from behind the office door.

“HA! HA! HA! HA! HA!”

*

After escaping the humiliation-fest in Scanlon’s office, Carly lowered her head so she wouldn’t have to make eye contact, or worse, engage in fake, idle chitchat after her fall, and continued her fast walk to the USC faculty bathroom. She had ten minutes until her advanced creative writing class started, which was threading the needle a bit, but the familiar vice was constricting her chest, and if she didn’t take a pull from her inhaler soon, she’d be in the throes of a full-fledged, not to mention very public, asthma attack.

She struggled for air and rushed into an open stall. Once inside, she slammed the door, snatched her inhaler from her briefcase, and gave it a quick shake. She heard the familiar whistling sound coming from her throat and shoved her rescue inhaler into her mouth.

Feeling like a five-hundred-pound man was now sitting on her chest, Carly fought to stay calm. She closed her eyes, forced herself to hold her breath for the requisite ten seconds between puffs and prayed for the corticosteroid to kick in.

When the tightness in her lungs loosened, she could see, plain as day, her old practice phrase, the one she’d started reciting at boarding school to help conquer her stutter.

When her breathing steadied to a normal inhale-in, exhale-out, she whispered the words aloud to find her center.

“The girl wore her hair in two braids, tied with two blue bows.”

Not bad. Her voice was clear and strong this time, unlike her herky-jerky performance earlier.

How had she let herself choke, and on such an epic scale?

Feeling like she was no longer dry-drowning from her asthma attack, Carly took one more hit of her inhaler. She squeezed the metal canister and pictured Scanlon’s and Yeager’s mugs, having a big old chuckle at her expense.

“Never again,” Carly whispered, not quite believing it, but at least it was a start.

She rose from crouching position in the stall, straightened her shoulders, and then shot her middle finger in the air.

“That’s bravery right there, giving the bird to a restroom door instead of standing up for yourself. Next time will be different.”

Carly exited the stall and was relieved to see the faculty bathroom was still empty.

She splashed cold water from the sink onto her face, then patted her sticky armpits with a wad of paper towels from the dispenser on the wall. A poor girl’s spa day.

Having no idea how much time had passed since the start of her asthma attack, Carly worried that she was late for her next class. She grabbed her phone from her briefcase to check the time and gasped.

On the home screen was a photo memory, which captured a hoped-for promise never to come.

Carly ran her finger over the image of her mother and studied her twelve-year-old self. The photo had been taken by her then soon-to-be stepbrother Julien, on the day she’d met him and the rest of the Whites.

A pang of melancholy cut through her. Everybody would’ve believed her if she were a rich boy.

***

Excerpt from Everyone Is Perfect Here by Jane Haseldine. Copyright 2026 by Jane Haseldine. Reproduced with permission from Jane Haseldine. All rights reserved.

 

Author Bio:

Jane Haseldine

Jane Haseldine is a journalist, former crime reporter, columnist, and newspaper editor, and has also worked in politics as the deputy director of communications for a governor. Jane is the author of the Julia Gooden mystery series from Kensington Publishing and her upcoming domestic suspense novel, Everyone is Perfect Here, from Severn House.

Catch Up With Our Author:

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X – @janeeyre77
Facebook – @janehaseldinebooks

 

Q&A with JANE HASELDINE

What was the biggest challenge you faced in beginning your writing career?
I think I barely made three hundred dollars a week at my first journalism job. I loved being a newspaper reporter, but those early paychecks often meant having to choose between paying my car insurance bill or eating something other than a can of soup for dinner. And if my very old Volvo that had over 200,000 miles on it wound up with a leaky radiator or flat tire, I’d need to scramble to come up with the means to fix it. I’d never give up those early experiences at newspapers though. A big shout out to my fellow reporters, including the political beat reporter who I married. The comradery in the newsroom made those early journalism days some of the most memorable in my life.

What was the inspiration for this book?
I think sometimes in life, different things that might seem disjointed come together to create a unique and perfect “aha” moment. I started writing EVERYONE IS PERFECT HERE right before COVID. During lockdown, the story started to take shape. I reread Patricia Highsmith’s THE TALENTED MR. RIPLEY, which is so, so good. Old movies were a mainstay in my house growing up, and out of nostalgia, I rewatched the movie Gaslight with Ingrid Bergman. Throwing another element into the COVID-mix, I started binge reading Liane Moriarty, including BIG LITTLE LIES (at this point, you can probably tell that instead of baking bread during lockdown, I was fixated on reading and watching movies). The themes of charming and manipulative psychopaths, gaslighting, female friendships and deceit fused together to create the basis for EVERYONE IS PERFECT HERE. After several years and a few rewrites, the story cemented and it became the book it is today.

Are you currently working on your next novel? If so, can you share a little about it?
I just finished my next novel, IMPRINT. This story is fiction but inspired by an actual murder mystery in my family. I discovered on Ancestry.com that my great, great, great aunt, an incredibly gifted artist, was murdered at the turn of the century. She was only twenty-one at the time. I’ve always been intrigued with the scientific premise that instinct can be encoded into a person’s DNA via evolution, which could possibly pass down ancestral experiences across generations.
Here’s the elevator pitch for the book: In IMPRINT, a documentary filmmaker researching the murder of her great, great aunt, a supremely gifted artist killed at the turn of the century, uncovers dark secrets about her relative’s short life, and in doing so, must determine whether sudden feelings of déjà vu are merely coincidence, or a warning imprinted in her DNA to save her from the same tragic fate as her ancestor. And here’s a picture of the article that ran in the Buffalo Evening News after my real-life ancestor’s body was found.

What are some of your favorite leisure activities or hobbies when you’re not writing?
I love podcasts! I’m hooked on anything dark and scary. My husband cracks up every time he sees the titles of what I’m listening to, but these podcasts are so, so good. I love “Spooked,” “Let’s Not Meet,” “Rattled and Shook,” “Radio Rental,” “Disturbed,” “Heart Starts Pounding,” “This is Actually Happening” and more. “Wisecrack” is my favorite new podcast from last year. It’s true genius storytelling told by a comedian who recounts how he returned to his hometown for a standup gig, and how that night, his childhood bully murdered his neighbor and then banged on his door. If you haven’t listened to any of these podcasts, you’ve got to give them a try!

Do you have a message or anything specific you’d like to say to your readers?
I am eternally grateful for readers. There are so many brilliant books out there for them to read. When someone takes the time out of their busy schedules to read one of my books, I am humbled and thankful.

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Where Not‑So‑Perfect Secrets = Perfect Prizes

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Deadly Vision by T.D. Severin | #AuthorInterview

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a

DEADLY VISION

by T.D. Severin

March 23 – May 1, 2026 Virtual Book Tour

Synopsis:

Deadly Vision by T.D. Severin

A revolutionary medical breakthrough. A technology, so advanced, people will kill to prevent its discovery. Dr. Taylor Abrahms, rising above his troubled past, is an expert in the burgeoning field of Medical Virtual Reality. A gifted researcher, he’s created an experimental fusion of virtual reality, artificial intelligence, and microsurgery that will revolutionize the way surgery is performed. With the Virtual Heart Project (VHP), Taylor can enter a virtual recreation of his patient’s beating heart and perform critical, life-saving surgery entirely within the realm of virtual reality. But in the political war zone of San Francisco University Medical Center, not everyone is thrilled.

With a health care crisis threatening to bankrupt the nation, advanced biotechnology is a flashpoint in health care reform. Taylor’s research is scapegoated and he finds himself caught between warring factions in medicine and politics that will do anything to shut his project down, a battle that rages all the way to an upcoming Presidential election. Soon, Taylor finds himself the target of nonstop attacks: the destruction of his career, scientific sabotage, and murder, as those associated with the Virtual Heart Project are killed, one by one.

Fighting for his medical career and eventually his life, Deadly Vision tells the tale of Taylor’s battle against overwhelming odds, political machinations, sabotage and murder, to bring this modern technology to reality and save the life of someone he loves.

Praise for Deadly Vision:

“Severin’s debut novel follows a doctor whose cutting-edge research gets him entangled in a conspiracy involving artificial intelligence, an upcoming presidential election, and the use of virtual reality… the greatest strength of the book is in the author’s deep character development. Abrahms isn’t merely a cardboard hero with unbreakable ideals—his traumatic childhood, during which he dealt with his mother’s death from heart disease, an alcoholic and abusive father, and his younger brother’s suicide, make him a character that readers will understand, identify with, and root for. The book’s subtle political commentary as it tackles timely issues is a clear plus, as well.
An up-to-the-minute thriller that entertains and enlightens.”
~ Kirkus Reviews

Deadly Vision is a gripping novel of suspense ingeniously plotted. Dr. Severin writes with an expert’s hand in virtual reality and medicine, creating a unique, intriguing and intelligent medical/techno thriller that blew me away from its opening page.”
~ Robert Dugoni, New York Times Bestselling Author of The Jury Master and The Tracy Crosswhite Series.

Deadly Vision is a unique and fast-paced read where political intrigue combines with compelling family drama, techno-thriller vibes, and a smattering of medical fiction. This is an unparalleled reading experience.”
~ Independent Book Review

“If you have the Michael Crichton itch, T. D. Severin is your new favorite author.”
~ Terrance Layhew, author and host of the Suit Up! Podcast

“Half fast-paced action adventure, half thoughtful look at the world we live in, Deadly Vision reviews the complex ethical, financial, and political considerations that impact the medical community and the advancement of medicine through the lens of a taut thriller. The focus of the novel remains clear throughout, despite taking the reader down many different paths. A highly recommended read for any fan of a good thriller with plenty of added bonuses for those with interests in medicine, technology, and political intrigue.”
~ Best Sellers World

DEADLY VISION Trailer:

Book Details:

Genre: Medical Thriller, Cyber Thriller, Psychological Thriller
Published by: Penmore Press LLC
Publication Date: March 6, 2025
Number of Pages: 466 pbk
ISBN: 9781957851945 (ISBN10: 1957851945)
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub | Penmore Press

Read an excerpt:

Prologue

Thursday, October 12
4:59 p.m.

Robert Chan froze in place, staring at the shadows in his hallway.

From the bedroom where he stood, Chan couldn’t see the shadows’ origin, just the elliptical darkness, spreading across the walls, creeping down the hall. As the sun descended beyond the distant Golden Gate Bridge, a chill seized the air, but Chan didn’t feel it. His eyes were fixed on the hallway, studying the growing shadows, searching for signs of movement, or a flicker.

A sign they came from something alive.

Shadows had always terrified Chan. As a child, long after his parents had gone to sleep, he’d lie motionless in bed, his face half-hidden by the blankets, staring at the ceiling. Moonlight, filtering through the branches scratching outside his window, cast a dance of light and darkness above him. Lurking within this specter of shadows, he’d see the spirits of his grandmother’s tales, the kuei-shen — the phantoms of the deceased trapped between the world of the living and the dead. Too frightened to move, he’d lay immobilized, watching as the shape-shifting kuei transformed, taking the forms of lions and dragons. He’d see the kuei-shen as they descended upon him, feel them as they entered his flesh, melting into his soul. The chill of their deathly presence within.

He’d carried those visions throughout his adult life.

Still, no number of childhood nightmares could prepare him for what he faced now.

Chan’s eyes shot from the hallway to the suitcase lying upon his bed, lid propped half-open, socks and underwear dangling over the edge. He rushed to the case, stuffed in two pairs of grey slacks, then dashed back to the closet. Glancing at the rows of cotton shirts, he shoved the stripes aside and grabbed the white Oxfords. Less eye catching, he thought, more anonymous.

Anonymity had never been one of Chan’s concerns before. As a young and hungry engineer in the Medical Applications Division of CyberTech Systems, he’d done everything in his power to avoid it. In the cutthroat world of Silicon Valley, anonymity in the corporate workplace was the high-tech kiss of death. In order to advance to the high-paying executive levels, Chan had to stand out, be noticed. And he did. Clocking in a string of over fifty consecutive 80-hour weeks, his work habits routinely drew the notice of the upper levels of CTS management. His ascent through the ranks of engineers was unprecedented.

But that was before he found the files.

Now, all he hoped for was to get out alive.

Shoving the Oxfords into the suitcase, Chan glared at the manila envelope on his bed. His stomach tightened. The envelope looked so mundane, so ordinary, like it contained any number of IKEA catalogs or Publisher’s Clearing House winner entries. There were no outward clues as to what it contained. The deception. The hidden discovery that was causing his once carved-in-granite life to crumble around his ears.

He wanted to grab that envelope and rip it to pieces, shred it; pretend he’d never found the files; get back to his life of deadlines and coding assignments, his twice daily visit to Starbucks with Elizabeth, his routine afternoon stop at the Porsche dealer where he’d been eyeing the new Boxster, dreaming of himself behind the wheel.

But it was too late for that. He’d been working on AI programing for a team of researchers at San Francisco University Medical Center, a special project assigned to him by the CEO himself, Reginald Erickson. All the engineers knew he was working on this assignment. His cyber-trail through the CTS database easily traceable. Every keystroke monitored and replicated. Each step readily apparent to someone who knew where to look.

The ringing of the phone snapped Chan to attention. He jerked from the bed, his eyes darting to the receiver then beyond to the digital clock on the far wall.

It was 5:00 P.M.

Panic seized him. No one should be trying to reach him at this hour. Not here. Normally, he’d still be at CyberTech logging in another eighteen-hour day pounding out code. No one should know he was home.

The phone rang again. Chan winced. His eyes shot to the envelope. He had to get out of there. Get the files to the Federal Building; get the evidence into the hands of the Justice Department or the FBI or whoever, get filtered into the witness protection program and hope to start a new life as an elementary school teacher in Wichita or Amarillo or someplace else he’d never heard of. Let the Attorney General, the world, see what he’d discovered before it was too late. Maybe they could put a stop to this.

But how do you stop a Presidential election?

The phone rang a third time. Chan ignored it, shoved the folder deep into the suitcase, covered it with a sweatshirt and slammed the lid closed. Yanking the suitcase off the bed, he rushed to the front door.

At the doorway, he paused, for just a second, turning to take one last glance at his apartment, his home for the last six years. The delicate Chinese watercolors, the bonsai he’d trimmed each morning, the wooden crucifix above his bed for his daily prayer. It all seemed like such a waste of time now. His plans to become a chief engineer, create his own start-up, propose to Elizabeth next Valentine’s Day were worthless. Vanished like rain drops that never reached the ground.

He swallowed hard and ran into the hall.

He didn’t get more than two steps before the first shot rocked him. The force of the gunfire lifted him off the ground and sent him hurling backwards through the open doorway. He collapsed onto his back, his vision dimming, descending into a miasma of swirling reds and greys. Pain, like fire, ripped across his belly. A metallic smell filled his nostrils followed by the coppery taste of his own blood.

Chan tried to swallow the blood bubbling into his mouth, but couldn’t. He became vaguely aware of the gaping hole that now occupied his lower abdomen. Warmth flooded down his flank, collecting at the small of his back. Pools of blood gathered on the white carpet. His eyes half-focused, Chan watched, as each crimson pool began to morph into vague shapes, like clouds taking patterns. In the blood, he saw the faces of his mother and his father, both dead for years. He saw the face of a long-lost uncle, and his childhood friend, Wong, who’d died in a car accident. He saw Elizabeth.

The pain sank deeper into his belly. He fought for breath. With the last of his strength, he craned his head towards the door where he could just make out the silhouette of a lone figure, a bald man, standing over him. He concentrated hard, trying to cement the image, and slowly, a vision came into form. His eyes locked on the muzzle of the silenced 40 caliber H&K pistol now aimed at his chest.

Chan sighed and allowed his head to fall back. Around him, the bloody pools gathered into new shapes, like the shadows of his youth, forming lions and dragons.

Despite himself, Chan smiled. He closed his eyes and allowed the darkness to seep into his veins, bringing with it a quiet peace, the realization that he wouldn’t have to run anymore.

The kuei-shen had arrived.

***

Excerpt from Deadly Vision by T.D. Severin. Copyright 2025 by T.D. Severin. Reproduced with permission from T.D. Severin. All rights reserved.

 

 

Author Bio:

T.D. Severin

T.D. SEVERIN. MD., is a physician/surgeon and the author of the award-winning medical thriller, DEADLY VISON.

T.D. Severin, is an internationally renowned professor of medicine, who has been publishing both fiction and non-fiction since 1994. His writing has appeared in national and regional magazines/journals around the world, while his first novel, Deadly Vision, was the winner of the 2025 American Fiction Award, and The 2025 International Impact Book Award, and is a Finalist for the Clive Cussler Adventure Writers Award, the 2025 Global Book Award for Fiction, and was an award winner at the SEAK National Medical Fiction Writing Competition.

T.D. Severin has been named one of the Nation’s Best Ophthalmologists by Newsweek Magazine, and has been honored to receive the prestigious Telly Award, the Oscars of public access television, for his work on medical television programming.

T.D. has trekked across Tibet, scaled Mt. Everest, scuba dove the Great Barrier reef, white water rafted through the Australian Rain Forest, and delved into the mysterious ancient history of Malta, Istanbul, and the lost kingdom of Siam, all of which makes it’s way into his writing.

T.D. lives with his wife and two pups in the San Francisco Bay Area and Florida, where he is currently at work on his next medical thriller. A former radio disc jockey, he also runs the heavy rock record label Ripple Music: www.ripple-music.com.

Catch Up With T.D. Severin:

www.TDSeverin.com
Goodreads
BookBub – @tseverin
Instagram – @tdseverin
TikTok – @t.d.severin.auth
Facebook – @T.D. Severin – Author

Q&A with T.D. SEVERIN

Can you give us a glimpse into the research that went into writing this story? Essentially, everything in the book has been researched from modern Advanced Cardiac Life Support protocols, to computer hacking, to poisons. Guns, gunshots, political history, constitutional amendments, virtual reality. Everything. I’m terrified to think what my google search history looks like, and pray I’m not being monitored.
Probably the wildest thing I researched is also the coolest. In the novel, our hero has created a system where a laser moves independently within the blood vessels of the heart, to align with his movements inside the virtual heart he is exploring. This positions the laser at the proper place in the coronary artery so the obstructing plaque can be obliterated. Sounds cool, ok. I got it.
But then, I was thinking, well, how does thing move inside the blood vessel to get into position? I probably could have just “macguffined” it just said it does, but scientifically, I wanted to figure it out. And I expect other readers would want to know also.
So I did a deep dive into the world of medical robotics, and DARPA research, and the Leg Lab at MIT to devise a system that should work. It was pretty fascinating, and it led me to create an entire Biomicrorobotics Laboratory at my fictional Medical Center, and an amazing biomechanical engineer, named Helen Yang. Her character then changed the whole trajectory of the book. So, one thing led to another which led to another. In the end, I think it works well. You can be the judge if that was successful or not.

Tell us why readers should pick up your book—what makes it stand out?
That’s a great question. First and foremost, as you may have gathered, I like to ask the question “what if.” I’ve always been fascinated with science and medicine and new technologies are coming at us fast and furiously every day. I have a long, strong background in medicine, so I have an insight that perhaps others don’t have (and they say, “write what you know”) so it makes sense to explore those avenues. And the drama created when you’re dealing with medical technology and ask “what if” is pretty high-stakes.
Add to that the great writing of those who came before me like Michael Crichton, Tess Gerristsen, Preston and Child, etc, which are the kind of books I like to read, and my path was pretty clear. Take a scientific principle, twist it, picture the worst case scenario and the why, and we’re off and running.
Then there’s the incendiary intersection of politics, ethics, and corruption, which is a neverending realm for drama and exploration. An area I don’t think most readers are aware of, and few writers dare to go.
But in the end, the science isn’t the star of the story, it’s the characters: from the incredibly flawed and damaged lead character needing redemption, to the chocolate-addicted computer genius, the driven-at-all-cost politician, the ethically-centered hospital Chief of Staff, the not-so-ethically-centered Chief of Cardio-thoracic surgery, the book is populate with characters, each of which grows under their own arc.

What are some of your favorite leisure activities or hobbies when you’re not writing?
I’m passionate about certain things and have a rather endless amount of energy to explore that which I’m passionate about. I’m pretty good with time management, keep very detailed lists everywhere of what I need to do and when, and like to stay busy. I like to think that there are many aspects of the brain and personality, and each one of these has appealed to a certain aspect of what makes me me, if that makes any sense at all?
Without a doubt, my biggest “leisure” activity is Ripple Music, the record label I started 15 years to release killer underground heavy rock music and lost heavy psychedelic from days gone by. We’ve been at it for 15 years now, and have become recognized as one of the world leaders in our tiny underground niche of music. Which is awesome. We run rock festivals around the world, have a big 4-day festival each year in Texas, and this year I’m planning one for Norway and one for Italy.
When the book came out, I wanted to integrate Ripple Music (the record label) into the novel and vice versa. So, I got the idea of creating a “reading soundtrack” to simultaneously release with the book. Not a movie soundtrack, as I have no idea if the book will ever be made into a movie, and even if it is, I’ll most likely not have any control over the film’s music. But a reading soundtrack. Essentially, 10 songs that from start to finish seem to tell the story of the book, from the opening heartbeat/drum pattern of the Deadly Vision Theme, to the final relief of Sweet Relief.
I wanted to bring my family of Ripple artists in on what I was doing, have them be a part of it all. Some of the artists created new songs just for this project, based off a synopsis of the book, others had songs that just seemed to fit, and I pulled one song “Miracle” off an older album we’d released many years ago, as it seemed to really sum up the dissolving relationship between our hero and his wife.
From start to finish, I’m amazed at how it all came together. It will be available as a free stream or download at http://www.ripplemusic.bandcamp.com

 

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