Book Review, Giveaway, Partners In Crime Tours, Showcase

WILDCAT: V. I. Warshawski’s First Case by Sara Paretsky (Review, Showcase & Giveaway)

CMash March 10, 2017 2 Comments

WILDCAT: V. I. Warshawski’s First Case

by Sara Paretsky

on Tour March 7 – April 7, 2017

Synopsis:

WILDCAT: V. I.Warshawski's First Case by Sara Paretsky

Sara Paretsky, one of the most legendary crime writers of all time, presents an exclusive and thrilling short story featuring beloved investigator V.I. Warshawski as a ten-year-old girl on her first investigation.

V.I. Warshawski developed her strength and sense of justice at a very early age. It’s 1966 and on the south side of Chicago racial tensions are at an all-time high. Dr. Martin Luther King is leading marches at Marquette Park and many in the neighborhood are very angry.

With nothing but a bicycle, eighty-two cents in her pocket, and her Brownie camera hanging from her wrist, Victoria sneaks off to Marquette Park alone to protect her father Tony, a police officer who is patrolling the crowds.

What begins as a small adventure and a quest to find her father and make sure he is safe turns into something far more dangerous. As the day goes on and the conflict at the park reaches a fever pitch Victoria realizes she must use her courage and ingenuity if she wants to keep herself and her family members out of harm’s way.

MY REVIEW

4 stars

I can’t believe that this is the first book that I have read by Sara Paretsky. I surely have been missing out!

This novella is the start of it all. Victoria Warshawski’s introduction to crime and justice began when she overheard “the adults” talking, especially when her Uncle says he is going after her father.

Wanting to warn her father, she takes her bike in search of her father, who is a policeman on duty during the racial riots in Chicago, Illinois. She finds herself precariously in a car’s trunk, and even as a young child, escapes.

Reading how it all began, I need to do a lot of catching up with this series. A novella that will leave the reading wanting more!

Book Details:

Genre: Mystery, Thriller
Published by: Witness Impulse
Publication Date: March 7, 2017
Number of Pages: 45
ISBN: 0062689509 (ISBN13: 9780062689504)
Series: V.I. Warshawski
Purchase Links: Amazon 🔗 | Barnes & Noble 🔗 | Goodreads 🔗

Author Bio:

Sara Paretsky

Hailed by P.D. James as “the most remarkable” of modern crime writers, SARA PARETSKY is the New York Times-bestselling author of nineteen previous novels, including the renowned V.I. Warshawski series. She is one of only four living writers – alongside John Le Carré, Sue Grafton, and Lawrence Block – to have received both the Grand Master Award from the Mystery Writers of America and the Cartier Diamond Dagger from the Crime Writers’ Association of Great Britain. She lives in Chicago with her husband.

Before there was Lisbeth Salander, before there was Stephanie Plum, there was V.I. WARSHAWSKI. She took the mystery world by storm in 1982 with her first appearance in Indemnity Only. A gifted private eye with the grit and smarts to tackle the mean streets, V.I. transformed a genre in which women were typically either vamps or victims. As a “courageous, sexually liberated female investigator,” she “has a humility, a humanity, and a need for human relationships which the male hard-boilers lack” (P.D. James). She lives in Chicago with her dog.

Catch Up With Our Author On:
Website 🔗, Goodreads 🔗, Twitter 🔗, & Facebook 🔗!

Tour Participants:

Visit these other great tour hosts for review & more great giveaways!

Giveaway:

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Sara Paretsky and Witness Impulse. There will be 5 winners of one (1) eBook copy of WILDCAT: V. I. Warshawski’s First Case by Sara Paretsky. The giveaway begins on March 4th and runs through April 10th, 2017. The giveaway is open to residents in the US & Canada only.

a Rafflecopter giveaway

Get More Great Reads at Partners In Crime Virtual Book Tours

REVIEW DISCLAIMER
This blog was founded on the premise to write honest reviews, to the best of my ability, no matter who from, where from and/or how the book was obtained, and will continue to do so, even if it is through PICT or PBP.
DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review.
No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Book Review

Review ~ THE FIFTH LETTER by Nicola Moriarty

CMash March 9, 2017 Leave a Comment

THE FIFTH LETTER by Nicola Moriarity
Published by William Morrow
Publication Date: January 24, 2017
ISBN-10: 0062413562
ISBN-13: 978-0062413567
Pages: 288
Review Copy From: Publisher
Edition: HC
My Rating: 5

Synopsis via GR:

A fun vacation game turns destructive, exposing dark secrets, deeply buried grudges, and a shocking betrayal in Nicola Moriarity’s intriguing debut.

Four friends . . .

Joni, Deb, Eden, and Trina have been best friends since high school, sharing a bond that has seen them through their teenage years and into adulthood. But now, time and circumstance is starting to pull them apart as careers, husbands, and babies get in the way. As their yearly vacation becomes less of a priority—at least for three of the women—how can Joni find a way to draw the four of them back together?

Four secrets . . .

During a laughter and wine-filled night, the women dare one another to write anonymous letters, spilling their deepest, darkest secrets. But the fun game turns devastating, exposing cracks in their lives and the friendships they share. Each letter is a dark confession revealing shocking information. A troubled marriage? A substance abuse problem? A secret pregnancy? A heartbreaking diagnosis?

Five letters . . .

Late on one of their last nights together, after the other three have gone to bed, Joni notices something in the fireplace—a burnt, crumpled, nearly destroyed, sheet of paper that holds the most shattering revelation of all. It is a fifth letter—a hate-filled rant that exposes a vicious, deeply hidden grudge that has festered for decades. But who wrote it? Which one of them has seethed with resentment all these years? What should Joni do?

Best friends are supposed to keep your darkest secrets. But the revelations Joni, Deb, Eden and Trina have shared will ripple through their lives with unforeseen consequences . . . and things will never be the same.

My Thoughts and Opinion:

I absolutely loved this book!

The saying goes…You can pick your friends but not your relatives, and since these 4 young women have been best friends since they were 12 years old, they thought they knew everything about each other….until a little game they played while on their annual getaway.

The characters were very well developed that this reader felt like I personally knew them. Knew their strengths, weaknesses, loves, desires, wants and hopes. That was until they decided to anonymously write their biggest secrets and each night read and discuss one of the letters and maybe even guess who was behind the letter. Until a fifth letter was found with a very violent dark secret, but who wrote it?

I read this book in 2 sittings, being unable to put it down. From the first page, I was hooked. An emotional, mysterious read that I highly recommend. I hope to read more by this author.

REVIEW DISCLAIMER
This blog was founded on the premise to write honest reviews, to the best of my ability, no matter who from, where from and/or how the book was obtained, and will continue to do so, even if it is through PICT or PBP.
DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review.
No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Author Of The Month, Interview, Partners In Crime Tours

LISA BRUNETTE ~ Author Of The Month (Interview & Giveaway Extravaganza)

CMash March 8, 2017 2 Comments

Lisa Brunette

Hi, Cheryl! Thanks for hosting me on your blog, and hello to your readers! It’s an honor to be chosen as your Author of the Month. I also want to thank you for all you do for writers. So many of us depend on the time and talent of book bloggers like you, and we know you do this out of a love for the written word.

Here’s my official bio, by way of formal introduction to your readers:

Lisa Brunette is a novelist, game writer, and journalist. She holds a Master of Fine Arts in Creative Writing from University of Miami, where she was a Michener Fellow. Her short stories and poetry have appeared in Bellingham Review, The Comstock Review, Icarus International, and elsewhere. She’s also received a major grant from the Tacoma Arts Commission, the William Stafford Award, and the Associated Writing Programs Intro Journals Project Award. Her Dreamslippers Series has been praised by Kirkus Reviews, Midwest Book Review, Readers Lane, BestThrillers.com, and others, and the first two books won the indieBRAG medallion. Framed and Burning was also a finalist for the Nancy Pearl Book Award and a nominee for the RONE Award.

Brunette’s journalistic work has appeared in major daily newspapers and magazines, including the Seattle Post-Intelligencer, Seattle Woman, and Poets & Writers. She’s interviewed a Pulitzer Prize-winning author, a sex expert, homeless women, and the designer of the Batmobile, among others.

She also has story design credits in hundreds of bestselling mystery-themed video games. A seasoned educator and public speaker, she’s won several teaching excellence awards, and her 2012 headlining talk at the Game Developers Conference was covered by Gamasutra.com. Brunette is a member of Mystery Writers of America, the Pacific Northwest Writers Association, and the Lewis County Writers Guild.

Now on to your excellent questions.

Writing:
Do you draw from personal experiences and/or current events?
Yes, all of the above. But I wouldn’t call my books autobiographical. It’s surprising to me that I have to explain this, but I don’t actually have the ability to psychically pick up other people’s dreams. Still, this question comes up often when I read my work publicly!

What was the inspiration for this book?
This book was inspired in part by my rekindled love of genre fiction. Back in 2008, I interviewed top mystery writers for a Seattle Woman cover story. Reading their work reminded me of when I first fell in love with reading as a child, and that was genre fiction like Nancy Drew. Academia had beat this out of me, unfortunately, so it was wonderful to be drawn back to it as an adult. After all, being an adult means you’re allowed to read whatever you want! After the Seattle Woman cover story, by 2009, I’d joined the game industry as a writer full-time, and by 2011, I was working on the story design for primarily mystery games. That led to a pent-up need to create my own plot and characters, since a lot of game writing happens by committee.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
I plot the entire novel out in a very rough format, with questions and multiple possibilities noted, writing this in marker directly on my wall, which I’ve painted in whiteboard paint. Then I begin to write, and I give myself permission to explore questions, try different paths, and deviate when necessary. So I guess I’m a hybrid writer. Several times I didn’t know a character would appear and act that way in a scene until I was in the midst of writing it.

Your routine when writing? Any idiosyncrasies?
I don’t have a routine. I probably should, but I have to flex my novel-writing time around game-writing projects, and those have harder deadlines. The only thing I really need besides uninterrupted time and quiet is to make use of my laptop’s “wifi off” function, which is a lifesaver.

If you could co-author a book, who would that writer be?
Since so much of my game-writing work is collaborative, I don’t know that I’d co-author a novel. Perhaps something non-fiction, especially in the area of health and wellness. I’m a great generalist and a writing craft expert, so it would be wonderful to team up with a subject matter expert in a wellness field.

Characters:
Are any of your characters based on you or people that you know?
The character Amazing Grace is named after and inspired by my late mother-in-law. She wanted to legally change her name to just “Grace,” like Cher is known as Cher alone. But the authorities said she had to at least have another initial, so she picked “A.” When asked what the A stood for, she would answer, “Amazing.”

Your novel will be a movie. Who would you cast?
Meryl Streep as Amazing Grace. Jennifer Lawrence as Cat. Jeff Bridges as Mick. There’s also a character I love in book three, Bound to the Truth, who would be perfect for my friend Cammie Middleton-Helmsing to play. She’s an actress for whom there aren’t enough roles as an African-American woman, and she’d be a perfect Cecily Johnson.

What’s next:
Are you working on your next novel?
Right now I’m on deadline for a text-based game I’m both designing and writing for a Russian woman I’ve worked with before. She’s owner of a studio called Daily Magic and smart as a whip. I’m also writing and designing for another game studio, Magic Tavern, and collaborating with the creative director on that game, which will be really fun and casual.

Around those projects, I’m working on a standalone novel that really excites me, but I’m still in the beginning stages, working on the first third.

Can you tell us a bit about it? Title?
I don’t have a title yet; it’s too early. But it’s based on an actual news report for an alleged murder committed in a neighboring town. A woman called 911 to report that she shot her husband in self-defense. At first, it looked like the evidence supported her claim, since both spouses’ guns were out. But then things began to look fishy. The husband was shot in the back, and someone cleaned the crime scene, even going so far as to spackle over a bullet hole in the wall. I’m riveted by this. How does a woman with no priors or history of mental illness get to this point? That’s the question I’m attempting to answer in the novel.

When can we look for it? Approximate publication date?
It’s in the beginning stages, so this hasn’t been set yet. Since self-publishing the Dreamslippers Series over the last two years, I’ve had interest in my work from both Hollywood producers and literary agents. So rather than set a self-publishing date on this new manuscript, I’ll be exploring traditional options. But first I have to finish it!

Reading:
Tell us why we should read this book.
My goal with the entire Dreamslippers Series was to marry rich character development and an emphasis on human relationships to a brisk plot. I think on the whole I’ve accomplished that. Once the foundation for the psychic ability and the family tree is established in Cat in the Flock, readers say the books are real page-turners that keep them rapt and wondering whodunit to the very end.

Who are some of your favorite authors?
The best book I read in 2016 was Tana French’s Faithful Place. I liked it better than Girl on the Train, which I also enjoyed. I’ve read all of Gillian Flynn’s work and actually liked Dark Places the best, over Gone Girl. I’ve been influenced by cozy writer Mary Daheim and paranormal queen Jayne Ann Krentz, too, and I like my Jack Reacher novels. But having a BA in English and coming up through the MFA degree, I’ve been shaped by the academy, so a lot of my favorites tend to be literary writers like Elizabeth Strout and Colm Toibin. Then there are the classic writers I’ve both studied and taught, such as Shakespeare, the Romantic poets, the Harlem greats and those who arrived out of that tradition, like Toni Morrison and Gloria Naylor.

What are you reading now?
Oddly enough, I’m slowly making my way through The 48 Laws of Power, because it was referenced in the Luke Cage Marvel series. And I’m about to raid my local library for more Tana French.

Fun Questions:
Favorite leisure activity/hobby?
I practice a holistic barefoot dance called Nia. It’s the perfect antidote to a vocation that involves way too much sitting and typing at a keyboard.

Favorite meal?
I’m on a diet of what one friend of mine who’s a chef calls “meat and leaves.” So my favorite meal these days is a good grass-fed, organic steak with loads of vegetables not as the side but taking up most of the plate. I haven’t met a vegetable I can’t love, but broccoli is my favorite. I eat it like it’s candy!

Thank you for stopping by and visiting us!

Lisa publishes a bimonthly newsletter. Sign up and receive a free book!

You can also visit Lisa on her Website 🔗, on Twitter 🔗, & at Facebook 🔗.

AUTHOR OF THE MONTH ~ GIVEAWAY EXTRAVAGANZA

Entry link is located on the sidebar.

THE DREAMSLIPPERS SERIES

Click on titles below for synopsis via GR:
CAT IN THE FLOCK (Dreamslippers #1) Check out my review here.
FRAMED AND BURNING (Dreamslippers #2)
BOUND TO THE TRUTH(Dreamslippers #3)

Lisa will be returning to CMash Reads March 15th….Mark your calendar. Hope to see you then!!!

Mailbox Monday

CMash March 6, 2017 Leave a Comment

Mailbox Monday

Mailbox Monday was created by Marcia of A girl and her books and is now hosted on its own blog.

According to Marcia, “Mailbox Monday is the gathering place for readers to share the books that came into their house last week. Warning: Mailbox Monday can lead to envy, toppling TBR piles and humongous wish lists.

Click on title for synopsis via GoodReads.

Sunday: THE EYES OF A WOLF by James LePore from Author
Monday: IN DEFIANCE by John W. Mefford from Author/Amazon Free
Tuesday: WHAT PRICE PROVIDENCE? by Gerard T. Ouimette Personal Purchase

Giveaway, Guest Post, Partners In Crime Tours, Showcase

ATONE FOR THE IVORY CLOUD by Geoffrey Wells (Guest Post, Showcase & Giveaway)

CMash March 3, 2017 Leave a Comment

Atone for the Ivory Cloud

by Geoffrey Wells

March 1-31, 2017 Tour

Synopsis:

Atone for the Ivory Cloud by Geoffrey Wells A brilliant composer and coder goes undercover to trap a cybercrime syndicate that has hijacked her website—to traffic blood ivory. She must survive impossible physical, virtual and cultural obstacles and choose between the opposing forces of privacy and responsibility.

Allison is stunned when the CIA leaves her no option but to go undercover to surreptitiously modify the code she wrote to protect her symphony. She is deployed from New York with a savvy street vendor to Tanzania, where he is from—and where the cybercrime trail goes dead. Their guarded love affair is sidelined when they are abducted by a trafficker who poaches elephants on a massive scale. To avoid betraying each other they abandon their CIA handlers and return to New York City. Allison must find a way to bring down the syndicate knowing that she might have to sacrifice her symphony, her loved ones and her privacy—for a greater good.

GUEST POST by Geoffrey Wells

On World Wildlife Day,
we honor diversity and tolerance.

To raise awareness of the world’s wild fauna and flora,
I am pleased to offer my ebook at no charge to anyone on
World Wildlife Day, March 3rd, 2017.

Here is the download link: http://dl.bookfunnel.com/ltn8rnj5pp

The United Nations has stated that endangered wildlife trafficking is the 4th largest illegal business in the world. Almost everyone agrees that this is not acceptable. This day will pass by millions of people who will think it’s “nice” to have a day for wildlife. And it is, but there’s more to it, and its success should be measured by what we homo sapiens do, and what we should stop doing.

The irony of this troubling statistic is that world tolerance is skewed—we blindly tolerate this illegal ivory supply chain, perhaps because it is so complex. Yet, conservationists are intolerant of societies and nations that are responsible for consuming wildlife parts, especially African elephant tusks, but the individual black market operators continue trading under the radar.

The United Nations General Assembly decided to proclaim March 3rd as the day of adoption of CITES (the Convention on International Trade in Endangered Species of Wild Fauna and Flora), which “reaffirmed the intrinsic value of wildlife and its various contributions, including ecological, genetic, social, economic, scientific, educational, cultural, recreational and aesthetic, to sustainable development and human well-being, and recognized the important role of CITES in ensuring that international trade does not threaten the species’ survival.”

This high-minded resolution will not change illegal trafficking unless the demand for animal parts is choked off by raising awareness that living wildlife is vastly more valuable than in its dead components.

And, while CITES can define the parameters of value in wildlife manifestos, consumers of animal parts define that value in their belief systems. But to protect wildlife, must traditional societies throw out generations of beliefs based on religion, traditional medicine, personal empowerment and fashion? The intrinsic value that CITES lists pales in comparison to symbolic value that these societies place on animal parts. And so we correctly assume those beliefs cannot be changed. And they won’t. But the representation of those beliefs must change.

In other words, if we want to respect the diversity of value in wildlife, we must respect and tolerate the human belief systems that rely on it, provided they do not use animal parts to symbolize those beliefs. For example, ivory could just as well be marble, jade or granite, and even be shaped into the form of elephant tusks. Rhino horns could just as well be replaced by less expensive ED (erectile dysfunction) drugs—and be more effective.

For me, World Wildlife Day is about the tolerance of diverse world cultures as much as it is about celebrating world wildlife.

I offer my eco/cyber thriller, Atone for the Ivory Cloud to honor World Wildlife Day because it shows the evolution of a character who becomes aware of her own belief systems about elephants.

This story is about Allison, a New York-based electronic composer and coder who must go undercover to trap a cybercrime syndicate that has hijacked her website—to traffic blood ivory. The CIA leaves her no option but to go undercover to set the trap. She must modify the code she wrote to protect her symphony, and is deployed with a savvy street vendor to Tanzania, where he is from—and where the cybercrime trail goes dead. Their guarded love affair is sidelined after being abducted by a trafficker who poaches elephants on a massive scale. To avoid betraying each other they abandon their handlers and return to New York City. Allison must bring down the syndicate or sacrifice her music, her loved ones and her privacy—for a greater good.

World Wildlife Day should be a reminder of how anyone—or, in the case of Allison in my thriller—can go from being unaware of the 30,000 plus elephants poached every year to asserting her conviction about the absolute necessity of bio-diversity and sustainability; because it matters—even in her introspective world of New York.

Book Details:

Genre: Thriller
Published by: Ice Wine Productions, Inc.
Publication Date: February 2017
Number of Pages: 309
ISBN: eBook: 978-0-9981666-0-5, Print: 978-0-9981666-1-2
Purchase Links: Amazon 🔗 | Goodreads 🔗

IVORY TRAFFICKING Trailer for the thriller, Atone for the Ivory Cloud:

Read an excerpt:

Voices. Unintelligible fragments. Words she didn’t recognize. Faint, distant—the sound of city traffic. A tone—plaintive, sung. The smell of cumin. And diesel. Incense. A flurried breath of diaphanous light across the white mosquito net. The awareness of being alive. The air, saturated. Four notes.

Allison stretched out her arm, her hand touching the cold steel pole that held the IV bag. A hissing clamp dug into her nostrils. In a hallway perhaps—nearby—a woman’s voice: elderly, clear, solidified into a black shape in the doorway, the same abaya shape that had stolen her away from the resort—that stole her from him. She shut her eyes and felt adrenaline surge through her. Regulate your breathing, she thought. Her limp arm was carefully lifted and placed inside the mosquito net. Try to ignore the gnawing anguish in your brain. They can’t know yet; they can’t know that you are conscious, that you are Allison Schwartz, that you have forgotten the name of that other person you are supposed to be.

Sleep. Later, the low sun having painted the walls of the room yellow and red, Allison heard the kalimba—her sipho, or was this Sipho himself, luring her from her unconscious mind? Again—four notes: three words and four consonants to go with them—the sum-mer wind. Impossible, yet it could only be him. She listened. Outside on the quiet street, again the four notes played, repeating, waltzing. She woke again. This time painfully, step by step, she detached from the IV and the oxygen tube clamped to her nose. She was able to sit up, to touch the cool ceramic tiled floor with her toes. With a pounding headache, she gingerly hobbled to the open window, taking deep breaths of the humid ocean breeze. How true, she thought, the line from their song about the wind being a fickle friend. Closer—those four notes again.

From her second-story window she peered down into the narrow street, now suffused with hues of blue and purple light, bare lightbulbs here and there spilling yellow across the cobbled road, turning the Muslim pedestrians into silhouetted abstractions that silently shuffled toward the minaret, thin and resolute at the intersection. There, lying on the windowsill, a mobile phone rang with the ringtone she heard. So, no Sipho on the street below, beckoning to her, like Romeo. Yet only he could have thought to create that ringtone, the significance of which only she and he would understand. When she swiped the glass on the phone, she saw her own wallpaper screen. The CALENDAR app date showed that two days had passed.

She had an unread text message, respond.

Behind her, a noise. She scrambled back into the bed, her heart churning as she reattached the oxygen, leaving the IV dangling. She set the phone to mute and tucked it into her panties. She resumed her former comatose state. A burka and abaya-clad woman approached, re-inserted the IV needle, and took Allison’s pulse. Think of nothing, Allison; of Central Park at dawn, when the sleeping snow is left behind and the storm has moved on. Be calm. The woman called out abruptly and left. Allison reached frantically for the phone.

Passcode? She remembered keying it in at Amsterdam airport, the sea of faces coming and going, paying her no attention. How naive she was. She keyed her mother’s phone number, remembering that the agent had told her to swap the first and last numbers.

The reply came back immediately: Pay 50% in bitcoin asap. Use BOX. Have Ts delivered to fabric stall at Kariakoo market – north side of Tandamuti Street. Pay remaining 50% after we weigh/inspect and after they supply 1989 certs. I will get u soon—only text if u have issues. DELETE THIS MESSAGE THEN TURN OFF YOUR PHONE

k, she texted, now thankful for the ingrained system she had been using for years to memorize sheet music: Walking through the score in rehearsal, organizing the sequence of events, elaboration—the assignment of meaning by association, and mapping the score to a familiar location—in this case, Central Park, for which she now pined. As she read the text ten times and applied these principles, she found hope in the message. First, only Sipho and she referred to the device as “the box”, and second, she confirmed that the box was close enough to be discovered by her phone, all of which led her to hope that Sipho had found her. The rest was instructions on how the deal needed to go down—and this, too, meant that her usefulness on this mission had an end point.

She deleted the text.

Author Bio:

Impressions on a South African farm, boarding school, a father who read from the classics to his children, and a storytelling mother, sparked Geoffrey Wells with a writer’s imagination. Though the piano and drum kits and Mozambique led to his first thriller, A Fado for the River, his career as Art Director in advertising led him to the American Film Institute, and an awe of digital technology propelled him to VP/CIO at Disney, ABC-TV stations and Fox. Wells wrote an award-winning animated film, has visited elephant reserves, and climbed to the tip of Kilimanjaro. He lives on Long Island where he swims the open water and runs a video and design company. He writes thrillers about imperfect characters who, always with a diverse band of allies, fight villains that devastate our natural and virtual ecosystems.

“Atone for the Ivory Cloud is a compelling, fast-paced thriller with an exotic international flavor. Geoffrey Wells takes the reader on an enthralling ride, skillfully entwining cybercrime, music, and the fate of African elephants in a breathtaking tale of danger and romance.”
Pamela Burford, best-selling author of Undertaking Irene.

Catch Up with Geoffrey Wells on his Website 🔗, Twitter 🔗, & Facebook 🔗!

Tour Participants:

Stop by these other great hosts for to learn more about Geoffrey Wells and his book Atone for the Ivory Cloud with inteviews, guest posts, & reviews!

Giveaway:

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Geoffrey Wells. There will be 5 winners of one (1) eBook copy of Atone for the Ivory Cloud by Geoffrey Wells. The giveaway begins on February 28th and runs through April 2nd, 2017.

a Rafflecopter giveaway

Get More Great Reads at Partners In Crime Virtual Book Tours

Book Blast, Partners In Crime Tours

PISTOLS AND PETTICOATS by Erika Janik ~ Book Blast

CMash March 2, 2017 Leave a Comment

Pistols and Petticoats

175 Years of Lady Detectives in Fact and Fiction

by Erika Janik

March 2nd 2017 Book Blast

Synopsis:

Pistols and Petticoats by Erika Janik

A lively exploration of the struggles faced by women in law enforcement and mystery fiction for the past 175 years

In 1910, Alice Wells took the oath to join the all-male Los Angeles Police Department. She wore no uniform, carried no weapon, and kept her badge stuffed in her pocketbook. She wasn’t the first or only policewoman, but she became the movement’s most visible voice.

Police work from its very beginning was considered a male domain, far too dangerous and rough for a respectable woman to even contemplate doing, much less take on as a profession. A policewoman worked outside the home, walking dangerous city streets late at night to confront burglars, drunks, scam artists, and prostitutes. To solve crimes, she observed, collected evidence, and used reason and logic—traits typically associated with men. And most controversially of all, she had a purpose separate from her husband, children, and home. Women who donned the badge faced harassment and discrimination. It would take more than seventy years for women to enter the force as full-fledged officers.

Yet within the covers of popular fiction, women not only wrote mysteries but also created female characters that handily solved crimes. Smart, independent, and courageous, these nineteenth- and early twentieth-century female sleuths (including a healthy number created by male writers) set the stage for Agatha Christie’s Miss Marple, Sara Paretsky’s V. I. Warshawski, Patricia Cornwell’s Kay Scarpetta, and Sue Grafton’s Kinsey Millhone, as well as TV detectives such as Prime Suspect’s Jane Tennison and Law and Order’s Olivia Benson. The authors were not amateurs dabbling in detection but professional writers who helped define the genre and competed with men, often to greater success.

Pistols and Petticoats tells the story of women’s very early place in crime fiction and their public crusade to transform policing. Whether real or fictional, investigating women were nearly always at odds with society. Most women refused to let that stop them, paving the way to a modern professional life for women on the force and in popular culture.

Book Details:

Genre: Mystery, NonFiction, History
Published by: Beacon Press
Publication Date: February 28th 2017 (1st Published April 26th 2016)
Number of Pages: 248
ISBN: 0807039381 (ISBN13: 9780807039380)
Purchase Links: Amazon 🔗 | Barnes & Noble 🔗 | Goodreads 🔗

Read an excerpt:

With high heels clicking across the hardwood floors, the diminutive woman from Chicago strode into the headquarters of the New York City police. It was 1922. Few respectable women would enter such a place alone, let alone one wearing a fashionable Paris gown, a feathered hat atop her brown bob, glistening pearls, and lace stockings.

But Alice Clement was no ordinary woman.

Unaware of—or simply not caring about—the commotion her presence caused, Clement walked straight into the office of Commissioner Carleton Simon and announced, “I’ve come to take Stella Myers back to Chicago.”

The commissioner gasped, “She’s desperate!”

Stella Myers was no ordinary crook. The dark-haired thief had outwitted policemen and eluded capture in several states.

Unfazed by Simon’s shocked expression, the well-dressed woman withdrew a set of handcuffs, ankle bracelets, and a “wicked looking gun” from her handbag.

“I’ve come prepared.”

Holding up her handcuffs, Clement stated calmly, “These go on her and we don’t sleep until I’ve locked her up in Chicago.” True to her word, Clement delivered Myers to her Chicago cell.

Alice Clement was hailed as Chicago’s “female Sherlock Holmes,” known for her skills in detection as well as for clearing the city of fortune-tellers, capturing shoplifters, foiling pickpockets, and rescuing girls from the clutches of prostitution. Her uncanny ability to remember faces and her flair for masquerade—“a different disguise every day”—allowed her to rack up one thousand arrests in a single year. She was bold and sassy, unafraid to take on any masher, con artist, or scalawag from the city’s underworld.

Her headline-grabbing arrests and head-turning wardrobe made Clement seem like a character straight from Central Casting. But Alice Clement was not only real; she was also a detective sergeant first grade of the Chicago Police Department.

Clement entered the police force in 1913, riding the wave of media sensation that greeted the hiring of ten policewomen in Chicago. Born in Milwaukee to German immigrant parents in 1878, Clement was unafraid to stand up for herself. She advocated for women’s rights and the repeal of Prohibition. She sued her first husband, Leonard Clement, for divorce on the grounds of desertion and intemperance at a time when women rarely initiated—or won—such dissolutions. Four years later, she married barber Albert L. Faubel in a secret ceremony performed by a female pastor.

It’s not clear why the then thirty-five-year-old, five-foot-three Clement decided to join the force, but she relished the job. She made dramatic arrests—made all the more so by her flamboyant dress— and became the darling of reporters seeking sensational tales of corruption and vice for the morning papers. Dark-haired and attractive, Clement seemed to confound reporters, who couldn’t believe she was old enough to have a daughter much less, a few years later, a granddaughter. “Grandmother Good Detective” read one headline.

She burnished her reputation in a high-profile crusade to root out fortune-tellers preying on the naive. Donning a different disguise every day, Clement had her fortune told more than five hundred times as she gathered evidence to shut down the trade. “Hats are the most important,” she explained, describing her method. “Large and small, light and dark and of vivid hue, floppy brimmed and tailored, there is nothing that alters a woman’s appearance more than a change in headgear.”

Clement also had no truck with flirts. When a man attempted to seduce her at a movie theater, she threatened to arrest him. He thought she was joking and continued his flirtations, but hers was no idle threat. Clement pulled out her blackjack and clubbed him over the head before yanking him out of the theater and dragging him down the street to the station house. When he appeared in court a few days later, the man confessed that he had been cured of flirting. Not every case went Clement’s way, though. The jury acquitted the man, winning the applause of the judge who was no great fan of Clement or her theatrics.

One person who did manage to outwit Clement was her own daughter, Ruth. Preventing hasty marriages fell under Clement’s duties, and she tracked down lovelorn young couples before they could reach the minister. The Chicago Daily Tribune called her the “Nemesis of elopers” for her success and familiarity with everyone involved in the business of matrimony in Chicago. None of this deterred twenty-year-old Ruth Clement, however, who hoped to marry Navy man Charles C. Marrow, even though her mother insisted they couldn’t be married until Marrow finished his time in service in Florida. Ruth did not want to wait, and when Marrow came to visit, the two tied the knot at a minister’s home without telling Clement. When Clement discovered a Mr. and Mrs. Charles C. Marrow registered at the Chicago hotel supposedly housing Marrow alone, she was furious and threatened to arrest her new son-in-law for flouting her wishes. Her anger cooled, however, and Clement soon welcomed the newlyweds into her home.

Between arrests and undercover operations, Clement wrote, produced, and starred in a movie called Dregs of the City, in 1920. She hoped her movie would “deliver a moral message to the world” and “warn young girls of the pitfalls of a great city.” In the film, Clement portrayed herself as a master detective charged with finding a young rural girl who, at the urging of a Chicago huckster, had fled the farm for the city lights and gotten lost in “one of the more unhallowed of the south side cabarets.” The girl’s father came to Clement anegged her to rescue his innocent daughter from the “dregs” of the film’s title. Clement wasn’t the only officer-turned-actor in the film. Chicago police chiefs James L. Mooney and John J. Garrity also had starring roles. Together, the threesome battered “down doors with axes and interrupt[ed] the cogitations of countless devotees of hashish, bhang and opium.” The Chicago Daily Tribune praised Garrity’s acting and his onscreen uniform for its “faultless cut.”

The film created a sensation, particularly after Chicago’s movie censor board, which fell under the oversight of the police department, condemned the movie as immoral. “The picture shall never be shown in Chicago. It’s not even interesting,” read the ruling. “Many of the actors are hams and it doesn’t get anywhere.” Despite several appeals, Clement was unable to convince the censors to allow Dregs of the City to be shown within city limits. She remained undeterred by the decision. “They think they’ve given me a black eye, but they haven’t. I’ll show it anyway,” she declared as she left the hearing, tossing the bouquet of roses she’d been given against the window.

When the cruise ship Eastland rolled over in the Chicago River on July 24, 1915, Clement splashed into the water to assist in the rescue of the pleasure boaters, presumably, given her record, wearing heels and a designer gown. More than eight hundred people would die that day, the greatest maritime disaster in Great Lakes history. For her services in the Eastland disaster, Clement received a gold “coroner’s star” from the Cook County coroner in a quiet ceremony in January of 1916.

Clement’s exploits and personality certainly drew attention, but any woman would: a female crime fighter made for good copy and eye-catching photos. Unaccustomed to seeing women wielding any kind of authority, the public found female officers an entertaining—and sometimes ridiculous—curiosity.

Excerpt from Pistols and Petticoats: 175 Years of Lady Detectives in Fact and Fiction by Erika Janik. Copyright © 2016 & 2017 by Beacon Press. Reproduced with permission from Beacon Press. All rights reserved.

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“Erika Janik does a fine job tracing the history of women in police work while at the same time describing the role of females in crime fiction. The outcome, with a memorable gallery of characters, is a rich look at the ways in which fact and fiction overlap, reflecting the society surrounding them. A treat for fans of the mystery—and who isn’t?” ~ Katherine Hall Page, Agatha Award–winning author of The Body in the Belfry and The Body in the Snowdrift

“A fascinating mix of the history of early policewomen and their role in crime fiction—positions that were then, and, to some extent even now, in conflict with societal expectations.” ~ Library Journal

“An entertaining history of women’s daring, defiant life choices.” ~ Kirkus Reviews

Author Bio:

author Erika Janik is an award-winning writer, historian, and the executive producer of Wisconsin Life on Wisconsin Public Radio. She’s the author of five previous books, including Marketplace of the Marvelous: The Strange Origins of Modern Medicine. She lives in Madison, Wisconsin.