Amelia lay still. Mike was next to her, snoring slightly.

Amelia wondered how much time had passed since she and Mike had vanished. She wondered how Dr. Carroll had covered up their disappearance but she was sure his story was airtight. She wondered if anybody was worried about them and looking for them. She hoped Ethel was out of hospital and she tried to send messages to Nana with her mind, telling her to look for them.

Amelia’s eyes were wide open and she was trying to make little growling noises in her throat and eventually she was able to make a sound.

She graduated to trying to form words. Ma….. Ma….. Mak….. Mak!

Mak? The word was hardly decipherable but she was grateful for the utterance.

Mike? She growled the guttural utterance as quietly as she could but there was no reply.

Amelia lay on her back and she closed her eyes and concentrated very hard on trying to roll over. It seemed impossible to do in one big motion and she broke it down, first just trying to move her right arm across her chest. When she achieved this gigantic feat, she was drenched in sweat and she felt exhausted.

She wasn’t sure why but the sedative was metabolizing in her system in a different way to the others, it seemed to be leaving her bloodstream much faster. She was worried that Dr. Carroll would notice and administer the next dose before the current one had worn off.

She was about to roll over onto her stomach when she heard a noise. Alarmed that Dr. Carroll had returned, she flopped over onto her back, and adjusted herself into the same position as he had left her.

No sooner had she done this, than the doctor pushed his way into the room.

He sat down on the floor and heaved a great sigh.

You two have caused me an inordinate problem, he said. Really and truly you have. Why did you have to come here? Why?

He sat cross-legged and put his head into his hands.

I don’t know what to do with you, he said, his voice muffled. I have to get rid of you but I don’t know how to do it. I’m not a violent man, I’m not. I never thought it would come to this.

He rubbed his face. I could kill you very easily, that part is not the problem. It’s the disposing of the bodies. Hmm…

He fell into deep silence. If your bodies were ever found, the drugs in your system would lead you right back to me. But it’s very tough to dispose of bodies. Much harder than you would think. They make it look so easy in the movies but I wouldn’t even know where to start. Although, that said, I could drive north for a few hours, find a couple of side roads and dump you in the swamps. But I’d have to wade into them, carrying you, and you are both so heavy and there are snakes in those waters and frogs and god knows what, so no… that won’t work.

Oh, this is such a problem. I wonder if I should disappear instead. But why should I have to give up everything I have worked so hard to achieve? Why should I be the one to lose everything just because two nosy parkers poked their nosy noses where they shouldn’t have?

What about fire… I could try to burn you both, but bodies don’t burn entirely in fire and how and why and where would you have set yourselves alight? I don’t think I would be able to create a scenario in such a way that it would be believable to anyone.

There’s dismemberment of course. I could dismember you in the bathtub but the blood, ugh, blood. And I would have to buy saws and knives and plastic and containers and from what I’ve read, the evidence of blood is very hard to rid of. And how would I get rid of the body parts? I am back to square one. Disposal.

A lover’s pact? Suicide? Yes… but I’d need to get you both into a motel which would be a logistical nightmare. Slitting your wrists would be easy but I’d also have to make sure enough time passed for all the drugs to clear out of your system. And how am I supposed to carry you two lugs into a motel without being seen?

He gave a great sigh. I have to prepare dinner for my family. I don’t care about you two. You can starve to death for all I care.

He got up. I’m one of the top two percentile of brilliant geniuses, he said. I will think of something.

CHAPTER ONE

“Be kind to your web-footed friends, for a duck could be somebody’s mooo-ther,” Sunil Kapany sang under his breath to the tune of “The Stars and Stripes Forever.”

“Shhh!” Isobel Spice elbowed him. “There’s a rehearsal going on, in case you hadn’t noticed.”

“You have to admit, it’s better than the lame words we’re being forced to sing,” Sunil grumbled. He sank further into his cushioned seat in Livingston Stage Company’s darkened theater, drawing up his knees against the scratched donor nameplate on the seatback in front of him. “Seriously, who thought it was a good idea to write lyrics to Sousa marches?”

“I don’t see how you can have a musical about the March King without using his music,” Isobel said. She shifted the bustle of her pale-blue and white muslin gown, her act one costume for Sousacal: The Life and Times of John Philip Sousa.

“Easy,” Sunil replied. “You hire a composer with a sense of the period to write the book songs, and use Sousa’s marches for the gazintas and gazoutas.”

Isobel frowned. “The what?”

“The underscoring that goes into one scene and goes out of another. Gazintas and gazoutas.” He looked askance at her. “Have you never done a musical before?”

“Plenty.” She bristled. “And I’ve never heard anyone use those words. You are totally making that up.”

“I am not,” Sunil said, affronted. “Hey, Kelly!”

Several rows in front of them, Kelly Jonas, the stage manager, held court behind a large wooden plank balanced across the seats, which served as a makeshift control center for tech rehearsals. She looked up from her prompt book, a three-inch binder stuffed with script pages and scenic renderings, fastidiously divided by brightly colored tabs. Pushing aside a long strand of graying hair, Kelly squinted at Sunil through her wire-rimmed glasses.

“Yeah?”

“What are gazintas and gazoutas?” Sunil asked.

“The playons and playoffs before or after a scene,” she answered distractedly. A movement onstage caught her attention. “Are we ready to move on?”

Sunil turned triumphantly to Isobel. “See?”

Isobel sighed. “This is going to be a long day.”

“They don’t call it a ten-out-of-twelve for nothing.”

“Is there anything more tedious than spending ten hours waiting around while they set lighting and sound cues?” Isobel whined.

“Um, yes. Doing the actual show.”

As much as Isobel hated to admit it, Sunil was right. From day one, it had been clear that Sousacal was a dog. There had been a buzz of anticipatory excitement in the air when the company assembled for the first read-through in the third-floor rehearsal studio of the sleek, state-of-the-art performing arts complex in downtown Albany. In addition to hosting the century-old Livingston Stage Company, relocated from its charmingly dilapidated (some said haunted) prior home in an old vaudeville house, the building had a black box theater and a café that served light meals before and after performances. Everything about her surroundings made Isobel feel like a working theater professional.

Everything, that is, except the material. Sunil had politely informed her after the read-through that his shin was black and blue from her kicking it under the table. But having taken out her frustration on his tibia, she resolved to relish her first regional theater job rather than let the disappointing quality of the show get her down. Since moving to New York a year and a half ago, when she’d met Sunil at her very first audition, Isobel had learned that most acting work was to be found in summer stock or regional theaters. Isobel had resigned herself to the conundrum of living in New York in order to get work out of town, which was the best way for a young performer who was not yet a member of Actors’ Equity Association to build her resume. Despite Sunil’s increasingly steady stream of snarky comments, she had thrown herself enthusiastically into her small role as John Philip Sousa’s first love, Emma Swallow, while assiduously preparing the larger role she was understudying: Jennie Sousa, the composer’s wife.

Isobel sighed again and flipped open her script to a scene between Jennie and Sousa, running her finger down the neon pink highlights. “I may as well use my downtime to memorize lines.”

Sunil jerked a thumb at the stage. “You really think Arden is going to miss a performance?”
Isobel followed his gaze. Arden Claire was stalking the proscenium like a tiger that hadn’t had its morning coffee. A statuesque, auburn-haired beauty, Arden had once represented New York in the Miss America pageant and was hailed as a minor celebrity, even though she hadn’t made it past the swimsuit competition. So far, her portrayal of Jennie Sousa was not living up to expectations. Throughout the three-week rehearsal period, Ezra Bernard, the director, had pushed Arden to suppress her natural hauteur and find Jennie’s quiet strength and self-deprecating humor. Their struggles swallowed up rehearsal hours, and the more Ezra tried to mold Arden’s characterization, the more fiercely she clung to the glamour that had guaranteed her past successes, which didn’t exactly endear her to the rest of the company.

Chris Marshall, the charismatic, square-jawed actor playing Sousa, found her completely intolerable. All Arden’s scenes were with him, which meant her epic ego flashes impacted him more than anyone else. Initially, Chris had struck Isobel as the sort of galvanizing personality who stepped up to lead the company, but after three weeks of Arden, he had withdrawn into sullen, stormy silence. Lately he had stopped addressing his leading lady directly and had taken to routing all his communication through Ezra, a gently bearish man who was growing increasingly frazzled as opening night approached. Isobel was surprised now to see Chris saunter onstage and whisper something in Arden’s ear, prompting her to glower at him and retreat to the wings.

“Even divas get sick,” Isobel remarked. “Better safe than sorry.”

Sunil gave Isobel an appraising look. “If I didn’t know you as well as I do, I’d warn that girl to watch her back.”

Isobel flicked her eyes toward him. “Are you being purposely obnoxious today?”

“I assure you, it’s completely accidental.”

“Ha ha.”

“Trust me, you’re better off playing Emma.”

“Jennie is the lead. She’s Sousa’s wife. Emma is a passing fancy. I’m only in act one,” Isobel griped.

Sunil raised an eyebrow. “Let me get this straight: you think the show is a piece of crap, but you’re complaining your part isn’t big enough?”

Isobel crossed her arms defiantly. “What if I am?”

He laughed. “You are so predictable! Look, Jennie is your typical ingénue. Emma has, if you’ll pardon the expression, spice.” Isobel glared at him, but he went on. “Plus, you get to come back at the end as the hotel maid who finds him dead.”

“I have two lines and a scream,” she said. “About what you have in act two as the Indian chief who makes Sousa an honorary chieftain.”

“I don’t scream—I chant.” Sunil twirled the walking stick that rested horizontally across his knee. “Isn’t it time someone told Felicity she hired the wrong kind of Indian? I’m pretty sure the Pawnee Nation doesn’t have a Delhi tribe.”

Isobel resisted the urge to look several rows behind her, where Felicity Hamilton, artistic director of Livingston Stage, was sitting. Felicity was in her late fifties, short and stocky with impeccably coiffed black hair, a deceptively warm smile, and a calculating gaze. She had never married, but despite an apparent absence of maternal warmth, she treated her nephew and godchild Jethro like a son. It was Jethro Hamilton, a self-described Sousa fanatic, who had written the book and lyrics to Sousacal. The musical was Jethro’s baby, and, in his way, Jethro was Felicity’s.

“She thinks she’s getting points for non-traditional casting,” Isobel said. “Don’t kill the dream.”

“Where she’s really getting them is casting a brown person to play Philadelphia gentleman and man of the church Benjamin Swallow, your…gulp…stepfather.”

Isobel knew that Sunil, an Indian Jew, was perennially frustrated at the inability of directors to see past his ethnicity and hire him for the glorious tenor voice he had inherited from his cantor father.

She patted his hand. “It’s utility casting. They had to give us small parts because we’re covering the leads.” She eyed him curiously. “You are looking over Sousa’s stuff, right?”

Sunil pulled his hand away. “I’ve glanced at it.”

“Glanced…?” Isobel’s jaw fell open. “It’s huge! Sousa carries the show.”

“Eh, it’s pretty much sunk in by osmosis. Besides, you know actors. They’ll drag themselves onstage coughing and hacking rather than turn their creation over to a scheming understudy. You know, I’m not even the—”

“What if something serious happened to Chris? And what if there was a Broadway producer in the audience and you had to go on?”

Sunil snorted. “As if Broadway cares a hoot about what happens in the boonies.”

“Last I checked, Albany was the state capital.”

“Like I said, the boonies. Theatrically and politically,” Sunil cracked.

“Plenty of Tony winners are launched in regional theaters like Livingston,” she reminded him.
Sunil unbent his long legs and stretched them out under the seat in front of him. “Let’s review all the reasons that’s never going to happen with Sousacal. Number one: the show sucks. Number two: the show sucks. And number three: it’s not very good.”

Isobel turned a page with a dainty finger. “Then you won’t be interested in what I heard from Thomas in the costume shop.”

“Probably not.” Sunil yawned ostentatiously and tipped his straw boater over his face.

“Arden, back onstage, please.” Kelly’s voice echoed over the God mic. “We’ll finish the duet and move on to the wedding without stopping. Ensemble, please be ready for your entrance.”

Isobel set her script on the seat next to her and nudged Sunil. “Come on. Time to make the donuts.”

He righted his hat with a groan and led her down the aisle. They skirted the orchestra pit via a set of narrow utility stairs and took their places offstage left.

“So, what did you hear in the costume shop?” Sunil asked casually.

“I thought you weren’t interested,” Isobel teased.

“I’m not. I’m bored.”

Isobel’s eyes darted around the wings. Three chorus women, locals whom Isobel didn’t know well, were fussing with their costumes, which everyone was wearing for the first time. One of the ensemble men was trying to draw out the shy little boy who played young Sousa, while two others were engaged in a quiet but intense conversation. Satisfied that nobody was listening, she returned her attention to Sunil.

“Someone from the Donnelly Group is coming opening night.”

“The Broadway producers?” Sunil waved her off. “I don’t believe it.”

“Thomas says all they have in the pipeline is revivals, and they’re scouting for something new,” Isobel insisted. “And you know as well as I do, if you want to know what’s going on, ask the costume shop.”

“Still don’t believe it.”

“And…continue,” Kelly called.

Chris and Arden picked up, rather mechanically, in the middle of act one, scene seven. Isobel watched them intently, mouthing Jennie’s lines while Sunil eyed her in amusement.

“You’re really taking this seriously,” he whispered.

She ignored him and continued, but stopped abruptly when Arden veered from the script.

“I can’t sit on the gazebo bench if that spotlight is right in my eyes,” Arden announced.

“We’ll adjust it on the break,” Kelly said. “If you stand on six, you should be in the clear.”

Arden shuffled over a few inches. “Now I’m in the dark.”

“Those are your choices right now. We’ll fix the cue later,” Kelly said.

Chris reached for Arden. “Oh, Jennie, you’ve made me the happiest man on earth. Please? Not just a tiny kiss?”

Arden stepped forward and shaded her eyes from the bright stage lights. “Ezra, I need a fan for this scene. It’s summer and she would have one.”

“Jesus Christ,” Chris muttered.

“We’ll get you a fan,” Ezra boomed from the back of the house. “Go on.”

Chris repeated his line. “Not just a tiny kiss?”

“Not until I have a fan,” Arden said.

“Something I’ll never be,” quipped Chris.

“Ooh, snap,” breathed Sunil.

Arden shot Chris a murderous look.

“I will get you one for tomorrow’s dress,” Ezra shouted. “Finish the goddamn scene!”

Arden turned to Chris and batted her eyelashes unconvincingly. “Not until we’re married,” she said with a tight-lipped smile.

From the orchestra pit, the piano launched into the intro to Sousa’s famous march, “The Washington Post.” Chris dropped to one knee, flung his arms wide, and sang in a lusty bari-tenor:

I’ll probably die if you don’t kiss me,
Yes, that’s what I most want you to do,
You simply have got to see it through!

As Chris pulled Arden onto his knee, Sunil continued the verse, singing his own lyrics into Isobel’s ear:

I’ll die if I ever have to sing that!
I’ll fall off the stage and land on my head,
And then I’ll be just as good as dead!

Isobel let out a squawk of laughter, which was topped by an even louder shriek from the stage, where Arden was jumping up and down, clutching the back of her thigh.

“Stop!” Kelly called out over the mic. “Are you okay?”

“There’s a wire sticking out on this stupid bustle!”

“Thomas? Are you in the house?” Kelly asked.

“Coming!” The lean, blond costume designer loped down the aisle and took the utility stairs by twos. “Okay, princess, let’s see what the problem is.”

He led Arden into the wings next to Isobel and Sunil. Arden spun around, allowing Thomas to hike up her skirts and examine the bustle, which was knotted around her waist under a candy-cane-striped dress.

“Yeah, I see it. Heather, do you have pliers or something?”

The mousy, wide-eyed assistant stage manager hopped down from her stool, rummaged in a box on the floor, and retrieved a slightly rusted pair of pliers. Arden turned around, hands on hips, facing Isobel, while Thomas adjusted the padded wire contraption.

“Those things are a pain in the ass,” Isobel said sympathetically. “Literally.”

Arden’s lip curled. “Oh, look, it’s my stalker. Probably wishing the wire had hit an artery.”

“I’m just doing my job,” Isobel said defensively.

Thomas released Arden’s skirts and let them fall to the floor. “You’re fixed.”

“We’re good,” Heather reported into her headset.

“Back onstage, please,” Kelly called over the mic.

With exaggerated courtesy, Isobel pulled aside the black masking curtain. But as Arden flounced toward the stage, the entire length of material came down from the ceiling, burying Sousacal’s leading lady under its heavy folds.

PROLOGUE

A thick layer of fog shrouded the capital. It wasn’t bad enough to keep people inside, but it was still vaguely unsettling. Teens on scooters, who usually slalomed with ease along the narrow streets, took their time, unsure of what lay ahead. The few high points of the city, including the dome of Sacré Coeur, had vanished altogether. Only the revolving light of the Eiffel Tower managed, more or less, to pierce the opaque surroundings.

Léo, an independent taxi driver in Paris for twenty years, dropped off his customer on the Avenue de La Bourdonnais. The damned pea soup was making it impossible to find another fare. Everyone was taking the metro. He parked his dark blue Mercedes on the Rue du Général Lambert and listened to the weather forecast. More precipitation. He grumbled and turned off the radio. Until today, the spring weather had been pleasant. Feeling sullen, Léo got out and stretched his legs. The damp cold hit him right away. He shivered, pulled up his collar, and headed toward the Eiffel Tower. The atmosphere, enchanting on any other night, was unreal and ghostly.

A second later, he heard a scream rise up from tourists gathered under the Iron Lady.

“Damned tourists,” Léo muttered. “Always getting pickpocketed.”

As he got closer he could see thirty or so Japanese sight- seers in red plastic ponchos staring up at the tower. Next to them, two young women in black T-shirts and ripped jeans were pointing at something. No, the commotion wasn’t about someone getting her purse nabbed.

Leo followed their fingers. Three meters above them, a dark figure was appearing and disappearing in the fog, like a string puppet, its head tied to a rope—a life-sized toy gracefully oscillating in the white cloud.

The tourists applauded.

“Nothing serious,” Leo said to himself, ready to turn away.

“Just another street artist.”

But as the sway of the rope began to slow, the figure’s face came into full view. The two young women were the first to realize the terrible error they had all made. They cried out in shock.

Léo felt bile rising in his throat.

The puppet was a man, red in the face, tongue hanging out, arms slack.

The crowd stepped back in unison and let out a wave of shrieks.

1

RUE LAFAYETTE, PARIS PRESENT DAY

Antoine Marcas was sipping a sweet brandy on the terrace of Le Régent café. The night before, he had celebrated his forty-second birthday. It was nothing like the shock of forty—a mere step away from a half a century. In the two years following that disaster, the affronts of time had been minor.

Sure, life had sucked after the breakup with Jade. The idyllic love had turned to vinegar after a few months of living together. She was too independent, too loud, too different—and yes, even too beautiful. Too much for Marcas. The relationship had gotten stuck in mounds of pettiness, and they were both saved at the last minute by separation. She accepted a position at the French embassy in Washington, leaving him alone one night in his vast apartment on the Rue Muller in Paris.

For a while, resentment and doubt ate away at him. His doctor, a Freemason brother, suggested some rest. Marcas thought he might try therapy. Would he have to choose a Freemason shrink? The question seemed both strange and meaningful. Only a brother could understand the personal development offered by regular temple attendance. If he had to explain the transformation of uncut stone into polished cubes to a profane, he’d never get better. Did Freemason-specific therapy even exist? He had considered asking his worshipful master. Then the need passed.

He examined himself in the mirror just inside the café. His hair was beginning to gray at the temples. His son, Pierre, had recommended the new style, which made him look younger and less serious. Or at least that’s what Marcas told himself. There were a few wrinkles around his brown eyes, but his natural expression was always pleasant. His smile became more pronounced when he was feeling sure of himself. Those who didn’t know him sometimes interpreted it as mockery.

Marcas straightened in his chair and checked his leather briefcase, making sure he had brought his master’s apron. The Masonic meeting was scheduled to begin in a half hour at the Grand Orient Masonic Hall. He’d never have time to go home and come back. He grinned. He hadn’t been forced to let out his belt by a single notch in the four years he’d been wearing the apron. He had maintained a steady seventy-seven kilos, the ideal weight for his size, according to his doctor. Not an easy task, considering the feasts that followed their meetings every second Thursday.

The hubbub in the café rose as new customers arrived for happy hour. Marcas gestured to the waiter. He want- ed to pay his tab. Just then, two thirtyish men in suits, their ties loosened, plopped down in chairs at the next table.The older one, who had carefully groomed blond hair, ordered two beers.

“Did you hear the news?”

The other one shook his head and grabbed a fistful of peanuts.

“ISIS is making something like eighty million euros a month on the oil wells it’s seized, and now it’s bragging that it can get its hands on nuclear weapons from Pakistan. We’ll never be able to get the better of these guys. They’ll be riding into Paris in the back of their pickups the same way the German troops came marching in.”

Marcas leaned in a little closer. He loved café talk, especially when it was laced with paranoia. Yeah, ISIS was a threat. But France had seen worse—the Gestapo and the storm troopers, for example. And France had prevailed.

The younger man, who had brown hair, nodded while giving the waitress a visual once-over.

“TV news is full of crap,” he said. “It’s all controlled by the establishment. If you want the truth, you’ve gotta go to the Internet and find the right sites. I’m following a great blog now that claims the Freemasons are behind a lot of the havoc we’re seeing now.”

“Come on. In with the terrorists? You’ve got to be kidding. I’m all for conspiracy theories, but that’s too much. Look around Paris, and you can see all the good work they’ve done.”

“Just go to the blog,” the blond-haired man said. “You’ll understand. The newspapers and TV stations are full of liars. But they’re all Freemasons anyway. What do you expect?”

Marcas sighed. So many assholes and so little time. When would everyone just drop the Masonic conspiracy thing? It was one conspiracy after another—for centuries now. Every year, he and some brothers from his Freemason lodge would get together over dinner to discuss the latest and craziest conspiracy theories. The brother who told the most off-the-wall story would win twelve bottles of Haut Brion. Last year, his friend Jean-Marc had taken the prize with a story that claimed the Freemasons were descendants of extra-terrestrials that had abducted Jesus in a flying saucer.

The blond-haired man continued. “Listen, those guys control the European Union and our French elections. You have no idea.”

Marcas couldn’t take it any longer. “Excuse me,” he said, leaning over. “I couldn’t help but overhear. And I have to say that I agree. The Antichrist is among us, and guess what. He’s a Freemason.”

Marcas smirked and stood up. The two men glared as he tossed a bill on the table, gathered his things, and walked away.

If only they knew that his oddly shaped briefcase held a ceremonial sword.

Marcas looked at his watch. It was nearly eight. The meeting would begin in exactly twenty minutes. He hurried up the Rue Lafayette and turned right on the Rue Cadet.

Delicious aromas wafted from the rôtisserie on the left, and the Detrad Bookstore next to the lodge headquarters was still open. He had just enough time to take a look. Three customers—brothers, he assumed—were leafing through books in the central aisle. He nodded to the affable-looking man and the smiling blonde behind the counter and glanced at the new releases. The huge number of books about Freemasonry published every year always impressed him. One would think that everything had been written already, but no, there were always new books.

And there it was. The book he was looking for: La Chevalerie Maçonnique by the French historian Pierre Mollier.

His brothers had spoken highly of it. He picked it up and headed to the back of the store, which had a showcase of Masonic objects, including aprons, canes, glasses, and plates. A rectangular box adorned with a mother-of-pearl eye in a triangle caught his attention. Another Masonic cigarette lighter for his collection. He had more than twenty of them now. His ex-wife, son, and friends teased him about this hob- by of his. Even after he quit smoking, he always carried one. They reminded him of his childhood, when he spent much of his time in his father’s woodworking shop on the Rue Saint Antoine.

The cashier rang up the sale and handed him his purchases in a plastic bag. They exchanged a few words about upcoming events at the lodge and said good-bye.

Marcas hurried over to the lodge headquarters, a Spartan and somewhat unsightly building that hid a fascinating secret. Behind its modernistic metal and glass façade, elaborate and mysterious ceremonies were routinely orchestrated in any number of magnificent Masonic temples.

2

RUE SAINT JACQUES DE LA BOUCHERIE,PARIS MARCH 13,1355

Nicolas Flamel heard the clamor rising from the banks of the Seine River and decided to shut his shop. People were already running toward the water. Shouts and the sound of horse hooves hitting cobblestones filled the air. The wind was picking up, too, carrying the acrid smell of resin. All of Paris seemed electrified.

As Flamel closed his shutters, he saw that other bourgeois were doing the same thing. One could never be too careful. The English were encamped a few leagues from the city and could attack at any time. And then there were the common people, the poor who lived in the faubourgs, whose fever of revolt, exacerbated by famine and taxes, always ended in pillages and blood baths.

Flamel took down the parchments displayed in front of his shop and put each fine work away. He had something for everyone: war chronicles, prayer books, and stories of chival- ry, all illustrated in fine gold powder. Every day, his workers plumbed their imaginations to create angelic Virgins, warriors with bloody weapons, and dragons spitting fire in the shadowy depths of caverns.

“Neighbor, do you fear for your paintings?”

Flamel turned around. Master Maillard, a furrier, was staring at him with mockery in his eyes.

“My kind neighbor, I don’t like the air we breathe tonight. And I certainly don’t like to take any risks. There are rumors of a riot.”

“True, true. They lit the fires a little too early tonight,” the furrier answered. “But one must keep the people entertained even before the show begins.”

“My neighbor and friend, I fail to understand. Your language is as obscure as a tree in a pitch-black night.”

“What? You haven’t heard what’s happened? What world do you live in, with your nose always in your books? For that matter, you should…”

Master Maillard lowered his voice. “It’s not good to spend too much time with books these days. One doesn’t know what could be hidden in them. Our Holy Mother Church cannot check everything. Who knows? An apprentice could be copying one of the Devil’s gospels in your very own shop.”

“Master Maillard!”

“Lower your voice, my neighbor. I was just giving you some advice, that’s all. Books are under suspicion these days. Too many heretics are spreading their doctrines on parchment. Too many witches are writing down their accursed rites. You’ll see. Soon we’ll be burning books, along with their authors.”

“Yet, my dear Master Maillard, none of that explains what’s happening at the moment.”

The furrier looked at him with incomprehension written all over his face. “So you really don’t know?”

“No, I don’t. I spent all week with my aids recopying a volume of Aristotle’s Physics for the university. The illustrations were very costly, and not only in man hours. I had to import a special blue powder from the Orient. There—”

Master Maillard made the sign of the cross. “Don’t talk to me about those monsters. Those black-skinned Saracens are damned to hell. Don’t you know they worship a goat- headed god named Baphomet? The Templars, cursed as they are, adored that impious idol and paid for it with their lives.”

3

GRAND ORIENT MASONIC HALL, PARIS PRESENT DAY

Antoine Marcas smoothed his apron and made sure his double-edged sword was secure at his side.

Next to the elevator, a display system similar to the ones at airports informed him that the meeting would be in Lafayette Temple. The 9 p.m. initiation ceremony was the only gathering scheduled for the night. The seventeen other temples in the building were closed. Marcas checked his watch. Only five more minutes.

“Well, my brother, I see you’re a fan of modern technology. So what’s next? Skyped initiation ceremonies?”

Startled, Marcas turned around. A man in a wheelchair was smiling at him.

“Paul! I didn’t hear you.”

Paul de Lambre, a physician who had lost the use of his legs in a car accident, was a descendant of the illustrious Marquis de Lafayette and a high-ranking Freemason.

“You wouldn’t believe what they’re doing with wheelchairs these days,” Paul said, tapping one of the wheels. “This one’s made of carbon fiber: strong, flexible, and darned-near silent. Four detachable components, and the footrests even have LED lights. That means I can see you in the dark, but you can’t hear me coming.”

“As long as you’re being sarcastic, that’s a good sign, my brother.”

A shadow seemed to cross the man’s face, and his eyes became serious. “The signs are not very good right now. I have something on my mind, Antoine, and since you’re a police detective and a brother, I think you’re the person I should be talking with.”

Marcas studied the man. “Of course. The ceremony is about to begin. Why don’t we get together afterward? Right now it’s time to go to the temple of your glorious ancestor. That must be quite an experience for you.”

Paul de Lambre’s jaw stiffened. “You could put it that way,” he said as he spinning his wheelchair around.

***

The hooded man wearing the Masonic apron waited in the darkness of the closet. He fiddled nervously with the ceremonial sword as he ticked off the minutes. Finally, he took a deep breath, opened the closet door, and made sure the hallway was empty. He stepped out of the shadows.

“I am the Sword of Light. I march in the night,” he chanted in a low monotone.

He advanced noiselessly. Slipping through the dark corridors was child’s play. Tricking the security system had been a joke. It was even intoxicating. He’d been exploring this prodigious labyrinth for at least a dozen nights. Each time he’d stop just before reaching the chamber of reflection. Then he’d leave. Only one time had he crossed paths with a brother, and that hadn’t caused any problems. He knew the building’s strange topography by heart, and now he could make his way over it blindfolded. The tangle of hallways, the crooked floors, and the myriad temples in this vast structure made him feel like he was moving on a gigantic movie set.

But this would be the last night he’d go unnoticed. His quest would begin with sacrifices.

He could hear the voice again. Perhaps it was his. “I kill, and I die. I kill, and I am born again.”

He took the stairs two by two and reached the next floor in a matter of seconds. He smiled in the darkness.

“I am the chosen one.”

He was on pins and needles as he recited the ritual words.

The taste of blood filled his dry mouth.