The Vincent Zandri Vox: Mommy Blogs More Powerful than The New York Times

  Coming of age in the 1950s, Roiphe, the granddaughter of Jewish immigrants, grew up on Park Avenue and had an adolescence defined by privilege, petticoats, and social rules. At Smith College her classmates wore fraternity pins on their cashmere sweaters and knit argyle socks for their boyfriends during lectures. Young women were expected to give up personal freedom for devotion to home and children. Instead, Roiphe chose Beckett, Proust, Sartre, and Mann as her heroes and sought out the chaos of New York’s White Horse Tavern and West End Bar.
  She was unmoored and uncertain, “waiting for a wisp of truth, a feather’s brush of beauty, a moment of insight.” Salvation came in the form of a brilliant playwright whom she married and worked to support, even after he left her alone on their honeymoon and later pawned her family silver, china, and pearls. Her near-religious belief in the power of art induced her to overlook his infidelity and alcoholism, and to dutifully type his manuscripts in place of writing her own.
  During an era that idolized its male writers, she became, sometimes with her young child in tow, one of the girls draped across the sofa at parties with George Plimpton, Terry Southern, Doc Humes, Norman Mailer, Peter Matthiessen, and William Styron. In the Hamptons she socialized with Larry Rivers, Jack Gelber and other painters and sculptors. “Moderation for most of us is a most unnatural condition . . . . I preferred to burn out like a brilliant firecracker.” But while she was playing the muse reality beckoned, forcing her to confront the notion that any sacrifice was worth making for art.
  Art and Madness recounts the fascinating evolution of a time when art and alcohol and rebellion caused collateral damage and sometimes produced extraordinary work. In clear-sighted, perceptive, and unabashed prose, Roiphe shares with astonishing honesty the tumultuous adventure of self-discovery that finally led to her redemption.

*LEAVE SEPARATE COMMENT IF YOU PUBLICLY FOLLOW THIS
  BLOG (IF NOT, GOOGLE FRIEND CONNECT ON RIGHT SIDE).

*LEAVE SEPARATE COMMENT IF YOU FOLLOW ME ON FACEBOOK.

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*LEAVE SEPARATE COMMENT TO LET ME KNOW THAT YOU THAT
  YOU RETWEETED THIS GIVEAWAY (LEAVE LINK).

*REMEMBER TO INCLUDE EMAIL ADDRESS FOR ALL ENTRIES.

Giveaway copies are supplied and shipped to winners via publisher,
agent and/or author. This blog hosts the giveaway on behalf of the
above. I received a copy of this book, at no charge to me, in
exchange for my honest review. No items that I receive are
ever sold…they are kept by me, or given to family and/or friends.
I am not responsible for lost or damaged books that are shipped
from agents. I reserve the right to disqualify/delete any entries
if rules of giveaway are not followed

First I would like to thank Amy for hosting this month and doing such a wonderful job.  Thank you Amy!!
                                                                    Saturday  04/23

  Coming of age in the 1950s, Roiphe, the granddaughter of Jewish immigrants, grew up on Park Avenue and had an adolescence defined by privilege, petticoats, and social rules. At Smith College her classmates wore fraternity pins on their cashmere sweaters and knit argyle socks for their boyfriends during lectures. Young women were expected to give up personal freedom for devotion to home and children. Instead, Roiphe chose Beckett, Proust, Sartre, and Mann as her heroes and sought out the chaos of New York’s White Horse Tavern and West End Bar.
  She was unmoored and uncertain, “waiting for a wisp of truth, a feather’s brush of beauty, a moment of insight.” Salvation came in the form of a brilliant playwright whom she married and worked to support, even after he left her alone on their honeymoon and later pawned her family silver, china, and pearls. Her near-religious belief in the power of art induced her to overlook his infidelity and alcoholism, and to dutifully type his manuscripts in place of writing her own.
  During an era that idolized its male writers, she became, sometimes with her young child in tow, one of the girls draped across the sofa at parties with George Plimpton, Terry Southern, Doc Humes, Norman Mailer, Peter Matthiessen, and William Styron. In the Hamptons she socialized with Larry Rivers, Jack Gelber and other painters and sculptors. “Moderation for most of us is a most unnatural condition . . . . I preferred to burn out like a brilliant firecracker.” But while she was playing the muse reality beckoned, forcing her to confront the notion that any sacrifice was worth making for art.
  Art and Madness recounts the fascinating evolution of a time when art and alcohol and rebellion caused collateral damage and sometimes produced extraordinary work. In clear-sighted, perceptive, and unabashed prose, Roiphe shares with astonishing honesty the tumultuous adventure of self-discovery that finally led to her redemption.

*LEAVE SEPARATE COMMENT IF YOU PUBLICLY FOLLOW THIS
  BLOG (IF NOT, GOOGLE FRIEND CONNECT ON RIGHT SIDE).

*LEAVE SEPARATE COMMENT IF YOU FOLLOW ME ON FACEBOOK.

*LEAVE SEPARATE COMMENT IF YOU FOLLOW ME ON TWITTER.

*LEAVE SEPARATE COMMENT TO LET ME KNOW THAT YOU THAT
  YOU RETWEETED THIS GIVEAWAY (LEAVE LINK).

*REMEMBER TO INCLUDE EMAIL ADDRESS FOR ALL ENTRIES.

Giveaway copies are supplied and shipped to winners via publisher,
agent and/or author. This blog hosts the giveaway on behalf of the
above. I received a copy of this book, at no charge to me, in
exchange for my honest review. No items that I receive are
ever sold…they are kept by me, or given to family and/or friends.
I am not responsible for lost or damaged books that are shipped
from agents. I reserve the right to disqualify/delete any entries
if rules of giveaway are not followed

First I would like to thank Amy for hosting this month and doing such a wonderful job.  Thank you Amy!!
                                                                    Saturday  04/23