Month: January 2026

Dying With A Secret by Tj O’Connor || #Interview

Dying With A Secret by Tj O'Connor Banner

DYING WITH A SECRET

by Tj O’Connor

January 12 – February 13, 2026 Virtual Book Tour

Synopsis:

Dying With A Secret by Tj O'Connor

THE DEAD DETECTIVE CASEFILES

Dying can bring out the best in people.
It can also bring out the worst of secrets.
If you want to know someone’s dirty secrets, kill them.
It works every time.

Oliver “Tuck” Tucker, the dead detective, is back—not just for another case, but from the dead—or vice versa. It all starts when a Federal Agent is killed by a mysterious force in front of dozens of witnesses—including Angel, his historian wife, and Tuck. Among the many suspects is a dark, clandestine Federal agency responsible for advanced research and weaponry, a university doctoral candidate who won’t stay dead, and the leader of a secret southern society bent on rekindling the Civil War. With the aid of a ten-year-old psychic and the spirit of Tuck’s Civil War grandmother—Sally Elizabeth Mosby—Tuck has to stay one step ahead of the Feds who are hellbent on capturing him—alive? But through all this, what’s a two-hundred-year-old lost fortune in gold got to do with dead agents, secret death rays, and rogue policemen?

DYING WITH A SECRET Trailer:

Book Details:

Genre: Paranormal Mystery, PI Cozy Mystery
Published by: Level Best Books
Publication Date: December 9, 2025
Number of Pages: 324
ISBN: 979-8898201111 (pbk)
Series: The Dead Detective Casefiles, Book 4
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub

The Dead Detective Casefiles

DYING TO KNOW by Tj O’Connor

DYING TO KNOW

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DYING FOR THE PAST by Tj O’Connor

DYING FOR THE PAST

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DYING TO TELL by Tj O’Connor

DYING TO TELL

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Q&A with Tj O’Connor

What inspired you to write this book?

Dying With A Secret is Book IV in The Dead Detective Casefiles. I penned it as part of the continuing saga of Oliver “Tuck” Tucker and his exploits. The plot(s) are part of my passion—Civil War history; secret government shenanigans; and the Beale Treasure. All of which are rooted in fact. Those facts inspired the plot.

What was the biggest challenge in writing this book?

As with the other Dead Detective Casefiles, the story melds different timelines. Dying With A Secret is present day and the Civil War. Keeping facts and dates straight, events in the characters past and when they could reasonably occur was a constant challenge. Even trying to stay true to real historical events such as Winchester, Virginia’s role in the Civil War and the history behind the Beale Treasure took spreadsheets and copious notes!

Give us a glimpse of the research that went into this book.

As a student of history and adventure, I spent considerable research on Winchester, Virginia’s role in the Civil War. I also researched John S. Mosby, of Mosby’s Ranger’s fame, and his exploits in Virginia. The use of beyond-state-of-the-art weapons is something I’ve followed for years so that played a tiny role in the story, too. And finally, the true history of the infamous Beale Treasure that began in the 1800’s and carries on to this day was important. All the historical elements of The Dead Detective Casefiles are based in facts and historical truisms. Sure, I take a few liberties here and there. But the research into the topics is critical.

How did you come up with the title?

Well, Dying something…. Is a series theme. Dying to Know, Book I, is literally that Tuck was dying to know who killed him. Dying for the Past, Book II, was focused on historical misadventures of key characters from past in the late 1930’s and early 1940’s. Dying to Tell, Book III, follows a famous World War II spy mission—Operation Salaam—and the characters need to tell that story to exonerate themselves. Finally, Dying With A Secret is about the cost of keeping the secret of the Beale Treasure hidden for so long.

Your routine in writing? Any idiosyncrasies?

No true idiosyncrasies. But my writing time is plagued with disruption. First, I work long hours as an anti-terrorism consultant. Writing means early mornings, lunchtime (and sometimes with an extended lunch), evenings and weekends—or combinations of these. I am also dad to three rescue dogs and two cats who demand time. I have a brood of grandchildren and three that are with me a lot—I love this!—and demand my utmost attention off the keyboard. Oh, yeah, there are my wife and adult children somewhere, too! So I write as often as I can. I have to reread a lot when I sit down to write anew. Too often, I end up off track after a short stint away and have to rewrite and readjust my story to regain momentum. Truly, though, that often gives me a better story outcome. And then there’s the characters—Tuck and Angel, Lowe Curran… they are demanding of me, too!

Tell us why we should read your book?

Writing is my escape. I believe most people read fiction for that reason—to escape the world and have an adventure on their own terms. My books offer that. They are based on my life’s travels and passions (with a whole lot of freelancing). I’ll give you a murder mystery with a dead detective that you’ll swear is real and could actually happen. All my characters are real-as-life—they are fallible, have quirks, have believable backstories, and above all, stick to plausible plots (well, except the being dead part in Tuck’s Dead Detective Casefiles). They deliver fun, exciting, and fast-paced stories.

Are you working on your next novel? If so, can you tell us a little bit about it?

Two, actually! I am finishing the first draft of The Dead Detective Casefile #5, Dying For the Truth now. Tuck and Angel witness a close friend murder a former CIA operative in their hometown. What lies ahead comes from Tuck’s past—his first homicide fifteen years ago and still unsolved—the appearance of his most mysterious long-lost relative, and the collision of Eastern and Western spies that make him question his own family heritage.

The second work is Book III in The Pappa Legacy series (title unconfirmed). That one is still in its infancy but will be ready to roll out after Tuck’s next casefile is done.

The question remains—when will I ever sleep?

Your novel will be a movie. You would you cast?

Easy!
Detective Oliver Tucker: Colin Ferguson. A brilliant, funny, and creative actor.
Professor Angela “Angel” Hill Tucker: The brilliant and glamorous Angie Everhart or Connie Britton.
Bear Braddock: No doubt, David Harbour. Big guy with a big “bearish” personality. Perfect.
Poor Nic Bartalotta: Has to be the late Abe Vigoda.
Doc Gilley: My former mentor, Wally F.
Colonel Smith: Ed Harris who plays a gruff, duplicitous and conniving character so well.
Sally Elizabeth Mosby: Renee Zellweger because of her role in Cold Mountain.
Bradley M. White: Tommy Lee Jones.
Young Kerrie Garcia: The young actress, Niki Garcia (in her pre-teen roles).

Favorite leisure activities/hobbies?

I love to cook and I’m a Harley Davidson pilot. I love hanging with my grands and dogs and playing games, sports, and bikes. I love putting on murder mystery cocktail parties for the family and travelling to book events to meet fans and talk books!

Favorite foods?

I love to cook so there are many: Greek: anything lamb, souvlaki (beef or lamb on a stick) and kotopoulo (Greek chicken on rotisserie), horiatiki, tiropita, and spanokopita. Italian: chicken cacciatori and cioppino; French: Coq au vin; American eclectic: steak chili, fried chicken, oysters, bacon wrapped scallops or cheddar scallops… shall I go on?

Read an excerpt:

Chapter One

Dying can bring out the best in people. It can also bring out the worst of secrets. Oh, not only about the dead—sure, that’s when everyone starts whispering about the dearly departed. No, I’m talking about the secrets of the living who are left behind. Sometimes, those people get brazen about their dastardly deeds when someone involved in those deeds dies. They don’t always keep them well hidden. Often, too, a death sheds too much light on too many people. Light others would rather not be in—like Wyle E. Coyote’s oncoming train in the tunnel. It can be too revealing for some. Blinding for others. One secret often leads to another. Another death. And by another death, I mean murder.

So, if you want to know who your friends are, or what they’re truly up to, kill one.

It works every time.

What makes me so sure? Murder is my thing. I’m a homicide cop in the historic Virginia city of Winchester. Winchester has a hell of a murder rate that most don’t know about. I know because I’ve solved more than twenty murders in the last few years alone. Well, seventeen to be precise. Three deaths were accidents and suicides—not something I tell stories about. But the other seventeen—phew, what a rush. As you can see, I’m an expert on the dead.

More about that later.

At the moment, it was a beautiful August afternoon in Winchester, Virginia. As always on these beautiful August days in Winchester, it was hot as, er, … it was hot. Luckily, instead of being in the dog days of summer, I sat in the air conditioning atop a stack of wooden crates in our local library, ogling the beautiful woman working across the room from me. Her auburn hair flowed around her shoulders like a silk veil, and her green eyes sparkled even in the dark. At thirty-eight, she had the hourglass figure a twenty-year-old would die for—and today it was wrapped in jeans and a denim shirt with her sleeves rolled up to her elbows. This lady’s charm and intelligence radiated an allure that stole my heart the moment I pulled her over for an undeserved speeding ticket back in the day. Sure, sure, it was unethical. Hey, I didn’t give her the ticket after securing a date.

Fortunately, the statute of limitations on cheesy pickup ploys expired years ago.

This lady was doing her best to ignore me—difficult as it was—though she wanted nothing more than to get lost in my affections. No, really, it’s true.

Full disclosure. This angel was formally Dr. Angela Hill Tucker, Assistant Dean and Chairwoman of History at the Mosby Center for American Studies, University of the Shenandoah Valley. Yep, my wife. Today, she was researching a new historical find in the Lower-Level Research Room at the Handley Library, a local historical landmark. The Lower Level is actually the library’s finished basement. Since it’s a classy place, they call it the Lower Level.

Angel sat at a cluttered wooden desk beside crates of documents discovered in a formerly undiscovered sub-basement at the Winchester Courthouse—another historic building. Yeah, I know, we have a lot of historic buildings in town. That’s because Winchester dates back to George Washington’s day, and we’ve played a big part in American history ever since. Anyway, she had just opened one of the six large, wooden crates to begin work. The first few items she took out were more of the same as many of the other crates—folded files tied with leather straps. There were a few land maps and surveyors’ drawings, and an old silver-plate photograph of a family standing around a horse carriage with grim, pasty faces.

Angel was in heaven—pardon the pun. She spent much of her life in rooms just like this one, doing what she was now doing—researching old stuff. Okay, it’s historically significant old stuff. The other part of her life she spent in pursuit of her real passion—trying to be a crack detective like me. Oh, I’m her real passion, too. But don’t tell her I said that. It’s our secret.

All day, I’d sat with my feet propped up on a crate, bored. I had on the same clothes as usual—blue jeans, running shoes, a blue Oxford button-down shirt, and a blue blazer. Angel once called my ensemble, ‘old guy sexy.’ I don’t know about the old guy—I’m only forty-one—but I’ll take the sexy part.

“Hey, Angel,” I said, stretching. “How about we go grab takeout?”

She ignored me. Not unusual. Not that she was so focused on her work, but because working at a small table across the room was her research assistant, Andy-somebody. She didn’t want to fluster him, so she just made believe I wasn’t around. We have this thing, you see.

“Hey, it’s a beautiful summer day. Maybe steaks on the grill and wine?”

She glanced up and gave me one of those “God, I want you” looks. Okay, maybe it was a “quiet, I’m working” look.

“Angela?” The thin, shaggy-haired assistant, Andrew Pellman, walked to the stack of crates beside her. He lifted one of the crates, grunted a little from the unexpected weight, and set it on the corner of her desk. “I’m done computerizing the inventory from crates one and two. Shall I get a head start on crate four while you finish crate three?”

“No, Andrew. We’ll keep to our process.” She saw his face melt into a pout. Me, I would have let him cry, but she was the kind soul in the family. “Oh, all right. Go ahead and begin. Follow our guidelines closely. One document at a time. Identify, inventory, and scan what you can. Photograph any that won’t stand up to the scanning process. Andrew, be careful—very careful.”

His face lit up. “Sure, Angela, I’ll be careful.”

Pellman was a meek kid in his mid-twenties. He was working on his doctoral thesis at the university, and Angel was his dissertation advisor. I didn’t like him. Not one bit. I have a sixth sense about people. When he was around, my BS meter pings like it does with politicians and faux car warranty stalkers. Andy was a new class of “some people” that I hadn’t labeled yet.

“I think you should call me Professor Tucker,” Angel said with an easy tone. “Let’s keep this professional. Okay?”

“Yes, Professor Tucker.”

“It’s not personal, Andrew.”

He shrugged. “Okay.”

Angel flipped through a document and stopped. She retrieved another and did a comparison. Finally, she looked over at Pellman. “Have you seen any references to ‘M35W?’ Do you recognize it from anything you’ve done?”

“Why?” He walked to her worktable. “Is it important?”

She shrugged. “I don’t know. It seems out of place. Like some kind of acronym or citation. Can you check your new research engine tomorrow?”

“Sure, okay. It’ll give me a good test run on my changes to the algorithm.” His face beamed. “Thank you.”

Andrew’s doctoral studies used computers to perform detailed research traditionally done by historians and doctoral students. One day, that program he wrote would likely replace those researchers with keyboards and mice—the electronic kind, not the crumb snatchers. You know, like self-checkout machines at the grocery store. You do all the work, and they charge you the same price. Then, they’ll fire five clerks who the machines replaced. Great plan, Andy. I wonder how many historians you’ll replace with your gadgets.

“Thank you, Andrew.” Her cell rang, and she took the call. “Professor Tucker.” The caller had Angel’s complete attention. I knew that because she jotted some notes and checked her watch twice—all the while continuing to ignore me. So, it must have been really important, right? “Yes, of course. I’ll be right up.”

“Professor Tucker?” Andrew asked.

She glanced over at Andrew as she tapped off the call. “We’re done for the day, Andrew.”

“Is something wrong?” he asked. “I can help.”

“No, it’s fine. I have to meet someone up in the rotunda. We’ll start again in the morning.” She began straightening her papers and stuffing files into her worn, leather briefcase.

“Who?” he asked.

I said, “Never you mind, sonny-boy. You work for her, not the other way around.” I winked at Angel. “Millennials, right?”

She hefted her briefcase. “Something to do with our Apple Harvest research.”

“Okay.” He glanced at the crates of research. “Want me to gather up your research and get it to your car? There’s an awful lot here.”

“Actually, yes. If you don’t mind.” She gave him the keypad code for her Explorer. “Leave my briefcase and the files beside it here. The rest can go in my vehicle. Please make sure it’s locked when you’re done. Thank you.”

“Sure thing, Professor Tucker.” His face lit up. “See you in the morning.”

I followed Angel through the Stewart Bell Jr. Archive Room, into the Lower Lobby, and up the stairs toward the main library entrance.

“I don’t like him, Angel. He’s shifty.”

“Shifty, Tuck?” Finally, she acknowledged me. I wore her down. “No one says ‘shifty’ anymore.”

“It’s coming back in style.”

She grinned and whispered, “Is that your detective-senses talking or because he stares at me when he thinks I’m not looking?”

“He doesn’t stare. He ogles.”

“Yes, he ogles.”

“I can get Bear to check him—”

“No, Tuck. He’s fine. I don’t like it when you’re jealous.”

Me, jealous? No. It was purely a professional irritation I felt whenever Andy was around. Truly.

We reached the first-floor hall that led into the main library rooms. There, she made her way into the rotunda at the library entrance. She stopped beside a high-back wood bench where Library Lil—the bronze statue of a young girl reading a book—sat.

A tall, thin man about thirty stepped out of one of the meeting rooms along the west hallway. He glanced around before he headed our way. He wore dark slacks and a dark sport jacket over a white, button-down dress shirt that was untucked in that new-millennial style, and penny-loafers. He strode to us and looked around his entire trip.

“That must be Special Agent Kerns with the DOD,” Angel whispered. “He called just now.”

A fed? Interested in her research? I asked her that.

“I don’t know. He said it was about my Apple Harvest research and that it was classified. Go wait somewhere.”

“I am somewhere. I’m here.”

She gave me the evil eye, so I meandered to a bench nearby.

As Kerns approached, fingers began dancing up my spine—hot, pointy fingers. I didn’t like those fingers. Every time they did the mambo up my vertebrae, something bad happened in the next few beats.

Kerns reached Angel, proffered a hand, and said something with a serious, tight expression on his face. Then, he hooked a thumb toward the main entrance doors.

Angel shook his hand and smiled faintly, a sure sign she was unsure of him.

Those fingers reached the base of my brain and squeezed

“Angel, get down!” I lunged forward and pulled her away from Kerns, down behind Library Lil’s bench.

Kerns stood there, frozen in an eerie mist. His arms shot out sideways, and he seemed to lift onto his toes. His face contorted into a stunned, painful grimace.

“Tuck?” Angel cried. “What’s happening to him?”

Hell if I knew.

Kerns’ entire body vibrated and shuddered. He staggered backward and collapsed onto the floor, writhing. The lights above us flickered wildly and went out. The original iron, brass, and blown-glass chandelier swayed dramatically two floors overhead. Its lights flickered and went dark.

When I glanced back at Kerns lying on the floor, I cringed.

Blood flowed from his ears, nose, and mouth. It seeped from his eye sockets, where his eyeballs looked like soft-boiled eggs stewing in their sockets. His hands and fingers were dark red and bony. His face and neck had oddly sunk, and his skin looked like it had been draped over his bones as though someone had sucked the tissue and muscle from beneath. He looked like he had melted inside.

The only thing left of him was his clothes and a spreading pool of goo.

Kerns was dead, sure enough. He’d been murdered, too, right in front of Angel and a dozen people. I knew no one had seen anything. No one heard anything. No one knew anything. Me included.

Well, that’s not true. I knew something. Special Agent Kerns didn’t die of a heart attack because of a poor diet. He wasn’t killed by a sniper with a silenced rifle, a knife-throwing ninja assassin, or by an Amazonian’s blow dart. He died of something else.

What killed him, I had no idea. But it scared the life out of me.

***

Excerpt from Dying With A Secret by Tj O’Connor. Copyright 2025 by Tj O’Connor. Reproduced with permission from Tj O’Connor. All rights reserved.

 

 

Author Bio:

author

Tj O’Connor is an award-winning author of mysteries and thrillers. He’s an international security consultant specializing in antiterrorism, investigations, and threat analysis—life experiences that drive his novels. With his former life as a government agent and years as a consultant, he has lived and worked around the world in places like Greece, Turkey, Italy, Germany, the United Kingdom, and throughout the Americas—among others. In his spare time, he’s a Harley Davidson pilot, a man-about-dogs (and now cats), and a lover of adventure, cooking, and good spirits (both kinds). He was raised in New York’s Hudson Valley and lives with his wife, Labs, and Maine Coon companions in Virginia where they raised five children who are supplying a growing tribe of grands.

Catch Up With Tj O’Connor:

tjoconnor.com
Amazon Author
Goodreads
BookBub – @tj37
Instagram – @tjoconnorauthor
Twitter/X – @Tjoconnorauthor
Facebook – @TjOConnor.Author
YouTube – @tjoconnorauthor3905

 

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The Missing Corpse by Yasin Kakande | #Interview

The Missing Corpse by Yasin Kakande Banner

THE MISSING CORPSE

by Yasin Kakande

January 12 – February 6, 2026 Virtual Book Tour

Synopsis:

The Missing Corpse by Yasin Kakande

THE GENERAL’S PROJECT

 

The president is dead. His son’s pretending he’s not. And the corpse? Well, that’s missing.

When the CIA sniffs out whispers that an African general—who also happens to be the president’s darling son—may have murdered dear old dad and stashed the body like last week’s leftovers, they send in their best bloodhound: Agent Shawn Wayles. He’s good at two things—digging up dirt and getting shot at in places the U.S. swears it’s not involved.

This time, Shawn’s not alone. He’s paired with an LGBTQ couple who have more secrets than the Vatican and fewer moral brakes.

Their mission? Retrieve the dead president’s body from the general’s paranoid, trigger-happy security team.

Because in this twisted power struggle, it’s not the living who rule—it’s the guy in the coffin. And whoever has the corpse… controls the country.

Praise for The Missing Corpse:

“A work of fiction told with the force of truth.”
~ The Niche

“Right off the bat, I could tell this was going to be a dark read. There is a real sense of menace and threat from the get go… Thoroughly enjoyed this and will definitely be up for reading any future books.”
~ Donna Morfett, Goodreads Review

“I thought the plot was a fantastic idea and brilliantly written.”
~ Claire Ball, Goodreads Review

Q&A with Yasin Kakande:

What was the inspiration for this book?
The Missing Corpse is the second book in a trilogy where I try to imagine something rare in my part of the world: a peaceful transfer of power. I use fiction like an X-ray machine. It looks through shiny speeches and friendly handshakes and shows the damp, rotten halls of power running from Africa straight into Washington.

I wanted to imagine peace in my homeland, even though it now sounds like a fairy tale. The dictator has ruled for forty years—long enough to outlive most refrigerators and several generations of hope. His friends think he’ll rule forever. Biology disagrees. So instead of crying about dictatorship—which we’ve done for decades with no results—I chose to laugh. Not because it’s funny, but because dark humor is sometimes the only weapon left.


What was the biggest challenge in beginning your writing career?
Finding the right home for my voice. I come from journalism. I’ve done investigations in the U.S., the Middle East, and Africa, and I’ve written nonfiction books about immigration and geopolitics. But fiction turned out to be my true hiding place. It lets me tell real stories without naming sources, defending footnotes, or knocking on doors that don’t want to open. In fiction, truth can finally breathe.


What do you absolutely need while writing?
Peace and quiet. I write best when the world isn’t screaming at me.


Do you follow a strict writing routine?
Not really. I write when ideas show up, which is often at inconvenient times. I carry a notebook so ideas don’t escape before I can catch them. When I sit down, I polish those ideas on my computer. I try to read and write something every day, but I don’t force it. I have another job that pays the bills. Writing is love, not rent.


Who is your favorite character and why?
Joanne. No contest. She begins as a sex worker and somehow becomes a lover, a mother, a lesbian, a hero, and finally a liberator. She collects identities the way some people collect fridge magnets. By the end, she’s wearing more crowns than the General, the CIA, and the entire government combined.


Why should people read your book?
A Nigerian news site, The Niche, called my work “fiction told with the force of truth.” That’s exactly it. The book is set in the present, and many of its stories will feel uncomfortably familiar. I want readers to pause and ask themselves: What if this isn’t fiction at all? And then look around the world a little differently.


Share a fun or interesting fact about the book.

I lost a literary agent because of it. She loved the manuscript—until she asked me to soften my portrayal of the CIA in Africa. She said no publisher would touch it as it was. I said no. We politely parted ways.


Is there anything you’d like to say to your readers?
Yes. Especially to readers dreaming of an Africa free from imperialism and dictator puppets. The ghosts in power want us to believe hope is dead and resistance is pointless. My novel disagrees. In its small way, it imagines ordinary people—like Joanne—standing up, breaking chains, and dragging dictators into the light. Hope is still alive. It’s just been hiding.


Tell us a little about yourself.
I’m a troubled investigative journalist who ran into fiction like it was a safe house. I’ve written for outlets like The New York Times, Thomson Reuters, and The Boston Globe. I’ve spoken on platforms like TED. One of my nonfiction books, The Ambitious Struggle, upset authorities in Dubai so much they fired me and deported me. These days, as I inch toward retirement, fiction gives me freedom—no editors flinching, no doors slammed shut. Just the truth, dressed as a story.


What’s next for you?
The third book in the trilogy, The President’s Funeral. It’s already teased at the end of The Missing Corpse, and things get much worse—global war worse. Superpowers rush into Africa, not out of love, but hunger for resources.

At the center is a ghost: President Joel Katila Muaji. He was drunk on power in life and even drunker in death. His ghost is haunting Washington, trying to stop his own burial.

Why?

Because he wants his job back.

Book Details:

Genre: Crime Thriller
Published by: Black Writers Ink LLC
Publication Date: September 11, 2025
Number of Pages: 379
ISBN: 979-8990984448
Series: The General’s Project, Book 2
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub | Audible

Read an excerpt:

The General knew—like a rotting tooth you can’t stop tonguing—just how hard his old man had worked to hammer him into something resembling a real man, using boot camps, backdoor deals, and enough disappointment to fill a graveyard.

Before the president found Twitter—sorry, X—for him, he mostly just found disappointment. And not the subtle, quiet kind. No, this was loud, public, teeth-grinding failure. The kind that makes a father grip his whiskey glass hard enough to shatter it. The boy was dull. A wet match in a thunderstorm. The people ignored him like a pothole they’d grown used to swerving around.

The president, who fancied himself a blend of warlord and wise grandfather, had done all the right things—by dictator standards. He’d oiled the machinery, laid the bricks. He’d shipped the lad off to Sandhurst, the British womb for future coup-makers and ceremonial dictators. But the academy spat him out like a bad oyster after just one year. Reason? “Intellectual capacity insufficient for command responsibilities.” That’s British for “the boy was dumb as soup.”

Panic set in. The president, no stranger to coups or cover-ups, scrambled for another boot camp that would accept his undercooked progeny. And God bless Africa—it never disappoints. Egypt, under old mummy Hosni Mubarak, opened its arms. The president’s warning was clear as day and sharp as a bayonet: “If you fail here, don’t ever mention my name again.” The boy emerged months later with a piece of paper that said he could command a battalion. No one bothered to ask if it was his own handwriting.

Still not satisfied, Daddy rang his buddies in Langley. Mr. Taylor—CIA spook with a neck like a tree stump—hooked him up with a slot at Fort Leavenworth, Kansas. That’s where the U.S. trained its foreign military friends—the ones that smiled for cameras by day and broke skulls by night. The General graduated. Barely. His grades so low they had to be excavated.

Back home, the president, desperate to turn the boy into something—anything—decided to mold him into a public figure. He hired speech coaches, media whisperers, ex-BBC anchors, even a former Miss Uganda who once read the weather on WBS Television. Still, every time the General opened his mouth in public, it was a horror show. His hands trembled like a leaf in a blender. He couldn’t pronounce words. Once, he called “sovereignty” soup-ver-nanny and the room went so silent you could hear careers dying.

But then came the miracle: Twitter. Well, X. Rebranded like a shady funeral home. The president’s advisors—witchdoctors in suits—pitched a bold idea: give the boy a Twitter account. Hire a comedian ghostwriter. Make him sound dangerous. Sexy. Unhinged. Like Idi Amin with a smartphone.

Enter the ghostwriter—a washed-up tabloid journalist who once faked an alien sighting in Karamoja and got sued by a Catholic bishop. The guy was perfect. He knew how to stir the pot with one tweet and have the country boiling by lunch.

The General gave him ideas—half-mumbled thoughts between sips of imported whiskey—and the ghostwriter turned them into gold. Tweets like: Kenya has two weeks left. Consider this your final warning. #WeMarchAtDawn

The country gasped. The president “fired” the General. He even sent an apology to Kenya. A public scandal. Oh no, Daddy can’t control his baby boy! The media gobbled it up like pigs at a buffet.

But behind the curtain, the ghostwriter kept churning out wild, headline-drenched tweets. The General was now lusting after Beyoncé and Ayra Starr like a horny war god in fatigues. He made bizarre threats about airstrikes on Tanzanian Bongo Flava concerts. People were horrified. People were entertained.

***

Excerpt from chapter 24 of The Missing Corpse by Yasin Kakande. Copyright 2025 by Yasin Kakande. Reproduced with permission from Yasin Kakande. All rights reserved.

 

 

Author Bio:

Yasin Kakande

Yasin Kakande is an international journalist, TED Global Fellow, and author of several critically praised non-fiction books, including “Why We Are Coming” and “Slave States,” which offer fresh perspectives on immigration and geopolitics. His journalism career includes contributions to outlets such as The New York Times, Thomson Reuters, Al Jazeera, The National, and The Boston Globe. Yasin holds an MFA in Creative Writing from Emerson College and resides outside Boston.

Catch Up With Yasin Kakande:

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