CHAPTER ONE

The blot of ink stuck to her finger, tacky like drying blood. Leona scrubbed at it with her handkerchief as the clock chimed two hours after midnight. She capped the inkwell, and while the ink dried on her most recent entry, she organized the copies with ribbons. Blue for Daphne and red for Ruth. With shaking hands, she slipped the copies into stiff cardboard folios and tied them closed. Sighing, she set them on the desk in front of her.

The flames in the hearth beckoned. This wasn’t the first night she’d yearned for obliteration. It wouldn’t come if she gave in to the urge to throw her labor into the fire. Only paper and ink would vanish, leaving the memories behind.

Pen and ink or back to the laudanum.

A grim thought, the grimmest of all.

The words had clawed their way out tonight. She’d begun the memoir of her time as a Union soldier months ago with the hope her drowning spirits would revive once the words dropped to the page. Yet the foreboding crept through her and tightened around her throat as the little study filled with familiar shadows. This old terror had become a second skin, like the tattered and dirty uniform she’d once worn.

Over the monotonous chatter of the rain, the clock ticked away the seconds until her husband came home. Leona moved to the window, pushed aside the heavy velvet curtains, and looked out at night-shrouded Cranberry Street. A lamp glowed in a window across the street. Homesickness for Boston, for life before the war, for herself before the war, settled on her. The wind threw a heavy splash of rain against the window, and she jumped back, letting go of the curtain.

Pacing the study, her restless thoughts rushed on without fatigue. To keep the memories inside only fed the persistent mental return to the battlefield, and the outpouring of words somewhat tamed her tormented soul. She stopped and touched the folio. Work would save her: work, family, friendship, and love. Maybe she’d write a story about two clocks. A natural clock which kept good time and a mad clock that twisted time out of true.

The street door below opened and closed. At last Gil, home safe. She couldn’t even bring herself to scold him for being so late. Leona listened for his footsteps as she crossed the room to tuck the folios into her desk drawer and locked it. She closed the gaslight apertures in the study and turned up the flame on the wall sconces in the drafty hallway so he could find his way. In the bedroom, she shed her dressing gown, stepped out of her slippers, and kicked them under the bed. Gil made his clumsy climb up the stairs. When he stumbled into the room, she pulled the covers back. He fell into bed fully clothed beside her, mumbling and fretful, the sharp ripe scent of whiskey lacing his breath.

She laid her hand on his shoulder. Beneath the cloth of his shirt, his skin was cold and damp. “Rest now, go to sleep,” she whispered.

***

At first light, Leona had dressed in a blue and cream day gown and made her way downstairs for breakfast. The creeping dread of the night before had waned. She rubbed her gritty eyes and yawned again. Mrs. McCarthy poured coffee from the silver pot, the familiar, civilized table a welcome sight. The scent of bacon made her stomach growl.

“Are you well, m’um?”

Leona glanced into the broad face of their cook and housekeeper, a sturdy and mature woman with a comforting Irish burr. She wore her fading blonde hair in a crown around her head.

“I didn’t sleep much.” Leona yawned again behind her fingers.

Gil’s heavy tread on the stairs made them both jump, and Mrs. McCarthy squeaked.

“I’ll bring more breakfast in a jiffy.” She fled through the side door to the kitchen just as Gil ducked through the hall entrance.

Leona rose and smiled at her husband. He’d made a great effort to come down early after returning so late. She accepted his peck on the cheek, poured him coffee and set it between them, wifely mask in place. He glared with bloodshot eyes at the letter in his hand, and her stomach clenched.

“It’s not all bad news, Gil.” She’d read the contents of the letter before leaving it on his desk in his study, as Grandfather had addressed it to both.

He raised his hazel eyes to her. “You recall Henry has absconded with all our funds?” he asked in a sarcastic tone, squinting at the letter, then back at her.

She no longer knew what to say about Gil’s former business partner, Henry Caldwell-Jones. The police were still looking for him. It put the devil in Gil’s eyes to speak of it, so she tried to let it be, not wanting to distress him even more.

“Of course, I remember, Gil. I—”

“And now your grandfather won’t give me a second loan. I’ll have to go back to the bank and ask them again.”

“He only wants to speak with you face to face about our situation,” she said, in her grandfather’s defense. “He’ll help us, Gil. He did offer to speak at the lyceum on his return from Ohio, to help raise funds. It isn’t as if—” Or was it? “We won’t lose the house, will we?”

The muscles in his lean face twitched as Gil fought to hide his disappointment, and her heart broke a little more to witness it. “Your grandfather does not bring in the interest he once did.”

It was true Leona’s grandfather, poet, abolitionist, and Transcendentalist, didn’t bring in the money he used to at readings in New York and Brooklyn, but he didn’t suffer for it.

Gil raked his fingers through his thick, brown hair and opened his mouth. Mrs. McCarthy entered with his breakfast, apparently stopping what he meant to say next. He reached inside the pocket of his trousers and pulled out a small notebook and pencil. Laying them on the table, his frown deepened.

Once Mrs. McCarthy had bustled out again, Leona said, “I could write to Aunt Louisa.” Who was not truly an aunt, but a friend of her mother’s.

He opened the notebook and touched the tip of his tongue to the pencil. “We cannot afford to feed and house a man of Bronson Alcott’s caliber,” he replied with heaviness. He bent his head to the columns of numbers on the pages.

His confidence and spirits were usually high, and it hurt to see him laid so low. She did mean Louisa Alcott herself, not her father Bronson Alcott, as the speaker for the lyceum to draw a crowd. Her novel, Little Women, published two years before, had become hugely popular.

“I’ll sell the lyceum, that should help,” Gil murmured, eyes downcast.

Leona winced. It was where they’d met nearly a year before. At a loss again, she glanced down at her lapel watch—9 o’clock already. She stood and set cups and plates on the tray.

“Let Mrs. McCarthy do that.” His pencil went on calculating their precarious position.

“I don’t mind. I’m off to see Daphne this morning. I won’t be home until the late afternoon.” Taking a deep breath, she dared to ask, not expecting an answer. “How much do we owe?” She blew out her held breath, apprehension biting at her. “Why won’t you tell me how much Henry has stolen?”

“He’s made me a laughingstock.” His handsome lips formed a tight smile, but he didn’t look at her. “Don’t you worry, Leona, leave it to me. This will all be over by Christmas.”

***

On the street, she began to walk, then turned to observe the window where Gil labored, smoke curling from the chimney. The image stayed with her as she made her way to the newsstand around the corner and waited patiently for her turn to buy a paper. The sunny day, though cold, had driven people outdoors, well wrapped in fur-collared coats and wool scarves. Woodsmoke and the sharp tang of the river mingling with the scent of baking bread drifted on the breeze. She chewed on the frustration that he wouldn’t share their financial details with her. It made her more fearful not to know. Though she kept the memoir and chapter stories a secret from him, this was hardly the same.

Passing the newsstand, an article about the new bridge caught her eye so she bought the latest Brooklyn Eagle. The previous summer, the four of them, Henry, his wife Helen, herself, and Gil, had stood at the end of Noble Street to watch the construction of the giant caissons in the naval yard. Though approval of the bridge was a long-foregone conclusion, the article was typical of the Eagle’s awful anti-consolidation fear mongering. The article repeated the claim linking the boroughs would only bring the dregs of Manhattan’s Lower East Side into Brooklyn’s pure white Heights. The wrongness of such an attitude churned her stomach.

Leona folded the paper and tucked it under her arm with the folio, sighing. Who would save the poor of this world from the hatred of the rich? Her spirits drooped lower.

She breathed deep the November air on familiar, tree-lined Remsen Street, where she’d lived for two years before marrying Gil in August. The red door of the brownstone opened, welcoming her in. Timothy, the butler, took her hat and coat. Before he disappeared with them, his eyes met hers with a familiar blue twinkle.

“I’ll tell her you’re here,” he said.

“Thank you.” She inhaled the sweet smell of hothouse roses set in vases along the long hallway and waited for word of her arrival to reach Daphne and her nurse Audrey.

Audrey approached from the depths of the house. Her eyes, though hooded, were a pure delphinium blue, blonde hair pinned tight to her head. She wore a plain uniform of dark gray with long cuffed sleeves and a white apron.

“Mrs. Van Wyn is in the Lavender Room.” With a curt nod, she turned away.

When they first met, Leona and Audrey had often shared tea and conversation, but of late Leona felt nothing but a wall of smothered animosity between them. They hadn’t argued, as such, though she had an idea where the strained relations came from.

“Is she well?” Leona asked.

For a moment, she didn’t think Audrey would answer, but the woman turned toward her again. “She passed a quiet night. The laudanum helps.”

Leona frowned. Audrey flicked a dismissive hand and went on her way.

The introduction of laudanum in Daphne’s life began not long after Leona moved to Cranberry Street with Gil that summer. The spas and cures Daphne’s grandson Benedict and his wife arranged didn’t seem to help anymore. The family hired Audrey, who administered the laudanum, a common enough panacea. Laudanum’s presence always disturbed Leona, and she had protested to the family, but no one listened. Audrey had become cold after this discussion. Leona believed some of Daphne’s pain came from her daily battle with grief. Leona often feared her own grief and the overuse of laudanum, prescribed by a respected doctor in Boston, had killed the child from her previous marriage to Jack Davenport. Poor dead Jack.

***

Excerpt from The Last Fatal Hour by Jan Matthews. Copyright 2026 by Jan Matthews. Reproduced with permission from Jan Matthews. All rights reserved.

At the western edge of Cape Cod, in the grandest bedroom in the sprawling residence known as Gray Gables, Frances Cleveland couldn’t stifle the rising sound of her own screams. Between pains, she rested. The late morning breeze drifted across the lawn from Buzzards Bay, fluttering the lace curtain and cooling the sweat on her forehead.

Even at this moment, Frances felt grateful that Grover chose to spend summers away from Washington’s heat, away from the prying public. Here, in this secluded haven, she needn’t fear strangers hovering near the windows of the Executive Mansion for a glimpse of their president—or, more likely, of his wife and daughters. She could concentrate her fears on her pains and pray for the safe birth of her third child, in the same way she had for her first and again for her second. Frances expected from experience that her suffering would soon recede, replaced by the joy of motherhood. She did not know that before the day was over, her bodily misery would end, yielding not to joy but to overwhelming terror.

The previous February, after sensing a flutter beneath her gown while greeting a crowd of visitors at a reception, Frances guessed the baby would be her third girl. Practiced at keeping confidences, she never mentioned her prediction to her preoccupied husband. When she gave birth to another girl, the blathering journalists would have their say. They would try out their jokes about the president’s little harem. Most days, Frances ignored the journalists. Most days, she trusted Grover to love each of his babies.

The image of a trio of girls was far from Frances’s mind now, as she suffered in bed. She cried out, too loudly. Dr. Bryant reminded her that she’d survived labor pains before. “Don’t you dare say that again,” she said, in a shrill tone that surprised her.

At last, Frances heard the newborn’s cry, faint but lovely. Dr. Bryant chuckled while he clamped and cut the cord. “Mrs. Cleveland, should I bring the president upstairs to see his new daughter? He’s pacing on the front porch. Once he sees this one—she’s beautiful—he won’t regret it’s not a son.”

“Yes,” Frances said, with the strongest voice she could muster. A girl, as she’d guessed. For an instant, with the last of her contractions, she’d ignored her prediction and hoped for a boy. Now, she didn’t linger on that momentary weakness of character. She let a surge of pride swell over her, above the exhaustion. She’d done it. Again.

Frances turned to the local midwife hired to assist. “Tell the steward, his name is Sinclair, to get Ruth and Esther. I want my daughters to see their new sister.”

Frances raised herself a few inches, enough to see the midwife slip into the hall. The woman returned and gave Frances a nod. The girls would come shortly. Frances sank back and watched the midwife wipe down the infant and swaddle her. She did look beautiful. “Here,” Frances said, crooking her arm to make room for Marion, the name Grover chose that would serve for a girl or a boy. The same name as a town across Buzzards Bay, where many of their friends lived. Frances appreciated Grover’s decision to buy an estate on the outskirts of a different but nearby town, Bourne. The family could escape Washington’s heat and busybodies.

And escape the threats.

Hours earlier, Frances gave thanks for the breeze blowing through the open window, reminding her that Gray Gables was perfectly located on a point overlooking the Bay’s east side. But now she blocked the sound of wind and waves. straining to make sense of other sounds, to hear what Grover would say about a third daughter. The doctor scurried downstairs. The midwife remained stationed over the bed, tending to Frances and crooning softly to the baby. Frances ignored the woman, mindful only of the voices wafting in through the window. First, low tones as the doctor talked to Grover. They were friends. Dr. Bryant saved Grover’s life two summers ago, removing the cancer eating away at his palate. Now, Frances imagined the doctor patting her thickset husband on his shoulder and shaking his hand. She hoped Grover would offer the doctor a contented smile. Seconds later, Grover clomped upstairs. The doctor followed behind, with lighter steps.

“So happy, Frankie.” Her husband used one of her nicknames. After their wedding, she asked Grover to call her by her more dignified name, Frances. He still used Frankie or Frank in private moments. She let him—the nicknames added tenderness to his gruff voice. “The doctor tells me you’re fine. You managed without chloroform this time, too. And the baby’s healthy. Marion, right? Three girls. They will enjoy each other’s company.”

He said the right thing. She didn’t need to feel anxious about another girl. He was a good man, kind to her, whatever others thought. He wouldn’t hold the baby, rarely did. But he wiped his chubby hand on a cloth, then touched Marion’s forehead. He stood there for a few minutes, cherishing their third child. For him, it was a fourth, but no matter. His eyes shifted to gaze at her. He wouldn’t see the tall, slender belle he married nine years ago, the one the reporters called lovely. He’d see a tired, sweat-drenched woman who looked every day of her thirty years.

“Ruth and Esther?” Frances asked again, eyeing the midwife. “Did you send Sinclair for them?”

“Yes, ma’am. The steward went a minute ago.” The midwife spoke quietly, carefully. She’d feel nervous in the presence of the president.

Still almost flat in bed, Frances clutched Marion, admiring the infant. Perfect features. Ten fingers and ten toes. Another blessing from God.

A familiar sound at the door. Sinclair knocked softly. His usual pattern—soft, loud, soft—keeping to the household code. Another sound, when the midwife opened the door. Next, Frances would hear four little feet rushing toward the newest baby.

No feet. Only hushed words.

“Sinclair found Annie,” the midwife said. “She’s your older daughter’s nursemaid, right? He tells me she needs another minute to bring Ruth and to tell your younger daughter’s nursemaid to bring Esther.” The midwife stood far from Frances’s bed, speaking almost in a whisper.

Grover didn’t look concerned. His rough mustache skimmed Frances’s cheek as he kissed her lightly on her damp forehead. She was too tired to return the kiss. She heard him drop into the nearby rocking chair.

“Joseph,” he said, addressing the doctor, “you’re certain Frankie is fine? No complications?”

“Just fine, Grover. Ready for the next one before long.”

Four years earlier, when Ruth was born, Dr. Joseph Bryant told Frances how to manage her family. “Breastfeed for six months.” He looked straight at her, with no awkwardness. “You’ll not get in the family way, and the baby will stay healthy. After six months, well, you and Grover can proceed to another.” And so they had. Esther after Ruth. Marion after Esther. A daughter every two years.

Frances closed her eyes, relying on her ears. Dr. Bryant thanked the midwife for her assistance. The woman tidied up, gathering soiled sheets and opening a chest, hunting for fresh linens. The room went silent, except for the soft, repetitious squeak of the rocking chair. Grover leaned up, then back, up then back. Frances sensed herself drifting off.

Another soft knock, barely a sound, followed by a pause, and two more soft knocks. Not Sinclair. One of the nursemaids. Annie? The midwife opened the door. “Ma’am.” Annie’s voice came out as a croak. “I can’t find Ruth.”

***

Excerpt from FIRST DAUGHTER by Marlie Parker Wasserman. Copyright 2026 by Marlie Parker Wasserman. Reproduced with permission from Marlie Parker Wasserman. All rights reserved.

Introduction

I’ve always been a fan of Agatha Christie, but not an obsessive one. I didn’t read and reread the novels. I didn’t go looking for obscure short stories. I didn’t read (and still haven’t) her Mary Westmacott novels. I treated her like most people did: She wrote good mysteries, and if they were handy, I read them.

Then Bill began the Complete, Annotated project by publishing Dorothy L. Sayers’ Whose Body?, followed by Agatha’s The Mysterious Affair at Styles. Over the years, as he annotated the next five of Agatha’s early novels, I read them carefully for possible footnotes. As I did, I paid more attention to her writing, her deft plotting, her sly sense of humor, and her ability to describe a character with a few sentences.

As I became more familiar with her novels, I realized that she’s underrated, probably because she was categorized as a genre writer. Some even consider her works cozies. Clearly, they never read Appointment with Death (1938), And Then There Were None (1939), or Endless Night (1967). I suspect that her Mary Westmacotts — which are described as romances — are anything but.

The publishing world applies labels to make it easier for bookshops to shelve their books in the store, not because they’re accurate.

In July 2020, as the world began opening up from the Covid-19 shutdowns, I was at the library, looking for a DVD to borrow. I spotted Crooked House (2017). I liked the novel, so I thought, “Why not?”

Crooked House was the second Agatha Christie film adaptation I had seen. Sir Kenneth Branagh’s Murder on the Orient Express (2017) was the first.

We needed fodder for the website (peschelpress.com) and I’d already been reviewing books, so I wrote a review of Crooked House. This reminded me that Bill was working on an annotated edition of The Secret of Chimneys. Was there a movie version? A review for the book would be nice. There was. It was an episode in a box set from ITV’s Marple.

Oookaaaay.

Having become overly familiar with Chimneys, I knew Agatha wrote it years before Miss Marple was a twinkle in her eye. But we watched it anyway. It was terrible. Bill wrote his review for The Complete, Annotated Secret of Chimneys, and I wrote mine for the website.

Since the library’s Marple DVD set included three more episodes, we watched them and I reviewed them for the website.

That’s when Bill said the fateful words that brought us here: “Let’s watch more Agatha films. You write the reviews. I’ll post them on the website, and we’ll publish them as a book.”

So here we are nearly three years later. We had no idea how big the Agatha project would become or how many films have been made for cinema and TV. Bill and I have watched more than 200 adaptations. This includes all the English-language ones we could find beginning with Adventures, Inc. (a 1929 silent movie), and many of the foreign versions too. For those, we were limited by availability and whether or not they had English subtitles. It’s criminal neglect that some of the finest Agatha Christie film adaptations in the world are from Japan, yet they’re unavailable in the West.

To my knowledge, we are the only people who’ve watched all the films. I’m definitely the only person who’s written and posted reviews for all those forgotten TV shows and kinescopes.

Along the way, I became much, much more familiar with Agatha’s writing as I had to read the novels and short stories to compare them to the films. She was cutting edge from the beginning. She invented what we call The Poirot, the practice of bringing together the suspects, explaining the clues, and fingering the criminal. It was a trope born of necessity, when her first attempt — Poirot testifying at the trial — didn’t fly with her publisher.

She began experimenting with narrative structure in 1924 with The Man in the Brown Suit. That novel has two narrators, one of them unreliable. Brown Suit is also a romantic thriller disguised as a mystery. Read the passage where Anne Beddingfeld administers to a mysterious, half-naked, sexy stranger’s wounds. This scene could be ripped from any romance novel of today (the sweet kind, not the spicy which would include far more detail). As a side note, the 1989 TV movie is very true to the text despite being turned into a contemporary.

Agatha was an innovative writer throughout her career. Her The Seven Dials Mystery (1929) is a mash-up of P. G. Wodehouse and John Buchan thrillers. Partners in Crime (1929) is a loose cycle of 16 short stories starring Tommy and Tuppence. Each short story is also a parody of a famous mystery writer, including herself! And unlike Miss Marple and Hercule Poirot, Tommy and Tuppence aged in real time, from the young, eager lovers in The Secret Adversary (1922) to retired grandparents in Postern of Fate (1973).

And what’s And Then There Were None (1939), in which 10 characters are dispatched in an entertaining manner for their sins, but a PG-rated slasher flick? As a sign of its influence, the basic plot has been lifted, the serial numbers filed off, and rewritten in dozens more novels and movies. The A.B.C. Murders (1936) is a prototypical serial killer novel.

Agatha’s innovations could fill a book and go a long way to explaining why she’s still read today.

The other reason is more subtle.

Whatever you can say about the quality of the adaptations (like The Secret of Chimneys, bleah), they keep Agatha in the public eye. Never underestimate the importance of TV shows and movies on an author’s reputation. For each person who reads, 100 people go to the movies, and a 1,000 people watch TV. Every time an Agatha Christie film is shown, people who’ve never heard of her learn she exists. Some of them search out her books and discover how good her writing is.

When a writer dies, they can vanish under the constant tsunami of books being written and published daily. Dorothy L. Sayers is a prime example. Sayers wrote at the same time as Agatha. She’s highly regarded and her books are great. But her estate, unlike Agatha’s, shows no interest in licensing her stories and novels for TV or movies. Say the phrase: “Murder at Downton Abbey,” then ask why her literary estate isn’t capitalizing on Lord Peter Wimsey, detective in the peerage and a duke’s brother.

The Agatha Christie estate does not want her writing to suffer that fate, so they license her short stories and novels. Some adaptations are excellent; some are dreadful. For a few, the only commonality between novel and film is the name. Most range in between but all have something to offer, even if it’s only great period clothes, quality acting, or English Country House Porn. Linenfold paneling! Crenelated ceilings! Parquet floors as elaborate as the finest Persian carpet!

Excuse me while I stop and fan myself.

Watching 200+ Agatha adaptations also taught me plenty about filmmaking, pacing, and soundtracks. I can now, sometimes, recognize an actor from another adaptation. I’ve enjoyed seeing how one novel can be interpreted multiple ways, resulting in wildly different films. The Pale Horse (1961) is a good example. The three films (including Miss Marple in one!) are recognizably the same story, yet they’ve nothing to do with each other. The emphasis is different, the characters different, the tone is different.

I’ve watched 13 different Poirots (including an anime version). Seven different Marples (including an anime version). Multiple Tommy and Tuppences. Each actor or actress brings something new to the character.

The foreign films demonstrate how universal she is. She wrote about dysfunctional families, mapped the class divide, noticed the lengths we go to for status and security, and found reasons for murder ranging from money to passion to safety.

Ironically, foreign filmmakers respect Agatha more than she is at home. Appointment with Death (1938) has been filmed three times, but the Japanese version is the only one that captures the novel’s cruelty and horror. The two English language versions fail, one moderately and one spectacularly. Of the four versions of The Mirror Crack’d From Side to Side (1962), only the Japanese version gives a voice to Margo Bence, one of Agatha’s most abused secondary characters. The other three versions ignore her because to face Margo Bence’s pain would mean admitting that the film business cares nothing for children unless they can be sold to make money.

We did not watch every single foreign TV episode even when they were readily available. There just wasn’t enough time. The best we could do was see enough to convey the flavor of a given series. If you want to see them, enjoy yourself! They provide very different views of Agatha and can be rewarding.

The novel that’s been adapted the most is And Then There Were None (1939). We saw ten versions, ranging from a blurry kinescope to slick studio productions with an all-star cast, so it merits its own chapter. Some versions hew to the stage play with its radically rewritten ending. Others stick to the novel, nihilism intact. Some combine the stage play and the novel, so Vera Claythorne learns who the puppet master was, begs for her life, and receives rough justice.

One final warning before you go: spoilers abound, so beware! Unlike Agatha, I don’t play fair with my reviews and hide whodunnit. Where I play fair is in telling you what I thought of them. I liked films that critics panned, and I disliked films others loved. I say why. I go down sidetracks. I enjoyed myself and I hope you will too.

So won’t you join me for an Agatha Christie Movie Marathon? You’ve got hundreds of hours of viewing pleasure ahead of you. Just remember to never accept a cup of tea you didn’t make, or take trips to lonely islands (or châteaus, or country houses) with strangers.

How to use this book

The films are organized by the starring detective. Miss Marple comes first, followed by Poirot, and Tommy and Tuppence. Next, a chapter is devoted exclusively to And Then There Were None, followed by the rest of the adaptations, and the final chapter is movies in which Agatha herself is the star.

Each chapter opens with a photo gallery showing the actors and actresses who played her detectives and characters.

There’s also an index, which is more important than it appears.

Seems logical, yes? Except that some adaptations removed Agatha’s chosen detective, turning the novel into a police procedural. When that happens, the movie is not included in the detective’s chapter. It’s included in “The Rest of the Christies”. Many of the foreign adaptations fall into this category.

Other adaptations (cough, ITV’s Marple, cough) insert a detective who didn’t exist in the novel. That’s why many standalone novels appear in the Miss Marple chapter. She’s now the star of The Sittaford Mystery, Murder Is Easy, The Pale Horse, and others. She also appears in a Tommy and Tuppence novel, By the Pricking of My Thumbs. Similarly, Margaret Rutherford snatched two Poirot novels and made them her own, so they appear in the Miss Marple chapter.

The chapters dedicated to And Then There Were None and the movies not part of a detective series are self- evident. “Agatha the Star,” however, deserves an explanation. In addition to her stories, Agatha’s life has become fodder for Hollywood. This includes the dreadful Vanessa Redgrave/Dustin Hoffman biopic Agatha (1979), a documentary that quotes from her and her work, a Doctor Who episode, and three movies that show Agatha’s exciting life investigating mysteries in a parallel universe. It focuses on Agatha, not her writing. Any relationship to Agatha’s real life should be considered coincidental. Even the documentary in this chapter is not entirely reliable.

Within each chapter, the films are organized chronologically. As you move forward in time, you’ll see changes in how a character was depicted and movie-making styles. Adventures, Inc. (1929) sets the stage. It’s the earliest Agatha film and the scriptwriter, Jane Bess, played fast and loose with the text. She led the way for hack screenwriters everywhere to rewrite Agatha’s prose.

Each review gets two pages. We chose a banner image and six photos of important cast members. I rate films by fidelity to text (or life in “Agatha the Star,” and either the play or the novel in And Then There Were None) and by the quality of the movie overall. The two ratings are separate, but they complement each other and give you a clearer understanding of what to expect.

The cast lists place detectives and police at the top. Everyone else follows in rough order of importance. We group families together to make it easier to work out relationships. Our cast lists are not comprehensive but the main characters are there.

Also note that for those foreign films which don’t name their characters from the novel, we provide that information. This was omitted when they rewrote them so much (such as Unknown (1965), the Indian version of And Then There Were None) that it would not be helpful.

At the end of the list come the film locations, or (in a couple episodes) a song list. Internet Movie Database and Agatha Christie Wiki provided most of the locations, but Bill added to that from other sources (see the bibliography). Knowing the film locations means you, dear reader, can visit the same castle as Poirot or Miss Marple.

Subtitles matter to me. We always looked for versions with subtitles as so many actors mumble or the sound quality is bad. If I can’t understand the dialog, I miss important points. Not every DVD was released with subtitles.

Fortunately, some of the older films like the Joan Hickson Miss Marples are being cleaned up for streaming. They get subtitles. But they aren’t being released as new DVDs so, no subtitles. If you can watch a streamed version, no problem. If you must use your TV and DVD player, you’re out of luck.

We had to have subtitles for the foreign films. We couldn’t see some films we wanted to (we especially regret passing up the Japanese Murder on the Orient Express) because they either weren’t available with subtitles or they weren’t available at all.

The index will help you find a specific film. This isn’t just because some novels got Miss Marple inserted, putting them into the Miss Marple chapter. Agatha’s novels were often released under different names. For example, the novel Lord Edgware Dies (1933) was released in the U.S. as Thirteen At Dinner. It’s been filmed three times, twice as Lord Edgware Dies and once as Thirteen At Dinner. But they’re all based on the same novel and the index connects them.

I list all the names, with a note as to which film it applies to. Or, as with Margaret Rutherford, the film’s name doesn’t correspond to any edition of the novel but I tell you what to look for.

The bibliography provides further reading and shows where some of my information came from.

Enjoy the book. We enjoyed watching the movies, podcasting about many of them, and writing the reviews. We want it to be used, encouraging you to watch Agatha Christie on the screen, always different but always her.

How the movies are rated

Each movie is given two ratings. Fidelity of text is exactly what it sounds. How close is the film to the original text? Sometimes, only the names match. Other films are so faithful, they’re lifeless.

Quality of movie is about the movie itself. Did everything together work as a film? Often, a very good movie isn’t faithful to the text at all (see Miss Marple in Ordeal By Innocence (2007)). If something jars about the movie, I’ll indicate it here.

The rating icons demonstrate Agatha’s many, many ways of killing. Blunt objects, poisoned cocktails, garrotes, knives, guns, stranglers, being pushed down a flight of stairs. They usually reflect the first murder in the film.

A few films, such as And Then There Were None, get five different symbols to reflect all the ways those nasty people got iced.

How to find the movies

We watched the vast majority of the films on DVD on our TV set, the one our neighbors were throwing away. You’re correct that we count our pennies.

That’s why we use our public library. If yours is like ours, it contains a surprisingly large collection of Agatha Christie films. All you have to do is get a library card to borrow them.

You may, like us, have access to more than one library. It’s worth learning what’s available in your area. We belong to our local library (the Hershey Public Library) and to our county library (the much larger Dauphin County Public Library). They often carry different titles so I always check both before moving on to the next step.

Your library is bigger than your municipality, your county, or even your state. Ask for the interlibrary loan librarian. For us, it’s Denise Philips. Denise got us all kinds of DVDs from libraries across the country. This service is usually free, as libraries are tax-supported. Ask and you may be very pleased. The interlibrary loan may take a few weeks for the requested movie to arrive, but it nearly always will.

If Denise could not get us a title, Bill would search eBay and Amazon. We bought a universal DVD player so we could play DVDs from Europe.

There were obscure kinescopes that were on YouTube, so we watched them on the computer.

There are streaming services, including Amazon which gave us access to Britbox. Dailymotion let us watch the Japanese films.

We don’t recommend skeevy pirate sites. They’re illegal, don’t pay royalties to the creators, and whatever you get will be loaded with viruses and malware and the film may be incomplete or damaged.

*** A review ***

The Sittaford Mystery (2006)

Epic expansion of Trevelyan’s life
leaves little room for a coherent
mystery for Miss Marple to sort out

Fidelity to text: 1 pharaoh’s curse

The novel was eviscerated. The murder, séance, escaped prisoner, and a few names remain. Everything else, including the murderer, were altered beyond recognition. Miss Marple resented being shoved in; she stayed defiantly offstage for long stretches.

Quality of movie: 1½ pharaoh’s curses

The scriptwriter shoved ten pounds of plot into a five-pound running length and the result is incoherence with snow.

The Review

Queue up Sir Mix-a-Lot and “Baby Got Back” and recite along with me:

Oh. My. God.
Look at that plot!

You’ll have to sit through this episode twice (at least) to understand what’s going on. This film is 93 minutes long, not long enough for all the disparate plot threads to be woven in a cohesive fashion. The film needed a minimum of another twenty minutes running time to do it justice.

But since ITV didn’t do that, you, dear viewer, will be left asking what just happened? Rewind, dammit! That’s what we did. Repeatedly. Yet there were many moments when I still can’t tell you what was going on.

The trouble starts with forcing Miss Marple into a property that was never written for her. This can work: see ITV’s By the Pricking of My Thumbs, a Tommy and Tuppence novel.

Not here. In fact, Miss Marple disappeared for long stretches of the film, doing heaven only knows what in Sittaford House while sitting out the blizzard. Maybe she was questioning the staff (we only see one servant in the mansion but there must be more), knitting, and speed-reading Captain Trevelyan’s memoirs. She certainly wasn’t at the Three Crowns Inn, inspecting the body and questioning the guests, even though most of the action takes place there.

An entirely new plot is shoehorned in, vastly expanding Captain Trevelyan’s character and backstory. Suddenly, he’s a war hero (WWI), a suspected war profiteer (WWII), an Olympic skater in between (I think; the dialog was incomprehensible at many key points), a major candidate to be the next prime minister (Winston Churchill (!) has a scene with Captain Trevelyan), and he’s a noted archeologist having discovered a major tomb in Egypt back in 1927 that made his fortune! Compared with Capt. Trevelyan, Indiana Jones was a lazy amateur.

But all this rewriting was necessary to give Timothy Dalton scenery to chew to earn his paycheck. In the novel, Captain Trevelyan exists to be swiftly murdered. He doesn’t even get one line. In the movie — since he’s Timothy Dalton — when he’s not emoting in front of us, he’s the topic of conversation by the other characters.

Which I can understand. It’s Timothy Dalton, and my goodness does he look yummy. Some men age very well and he belongs to that lucky cohort. He’s also got to be expensive so the producers made sure to get their money’s worth. Pity they didn’t spend some of their money on a better script or more film stock.

But he didn’t age that well. I had a hard time believing that virginal, lovely, dewy, eighteen-year-old Violet Willets (Carey Mulligan) fell madly in love with a man old enough to be her grandfather. I know why he did, and it’s not just because Violet resembles the woman he callously abandoned twenty-five years prior in Egypt. Violet is delicious, naïve, and believes every word he says and what man doesn’t want that? As for Violet, she didn’t come across as a gold-digger, which is the usual reason sweet 18-year-olds marry men old enough to be their grandfather. Or maybe she was one and the tacked-on ending where Violet runs off to Argentina with Emily Trefusis proves it.

Violet certainly wasn’t broken up about her husband being murdered on their wedding night. If anything, she seemed relieved. She got it all. The Trevelyan name, the inheritance, two tickets to Buenos Aires, and she didn’t have to sacrifice her sweet toothsome body to some old man, even if he was Timothy Dalton.

The Egyptian subplot was of major importance yet it didn’t make any sense. There was the paranormal aspect too, with a ghostly maiden showing up in Captain Trevelyan’s visions. Was there a curse on the gold scorpion? Was he going crazy? We’re never told. The ghost follows a different movie’s script when it appears and vanishes.

This script also doesn’t tell us how an Egyptian servant can show up in isolated Sittaford in 1949 and get hired on, no questions asked. I understand that the servant problem was bad enough that the upper crust didn’t ask as many questions as they could. But here? Really?

We know Captain Trevelyan did potentially bad things in Egypt. Yet he wasn’t suspicious when this mysterious Egyptian showed up at his door? He’d been having weird dreams about his past. He’s got a burgeoning political career which means close scrutiny of his private life. He’s supposed to be a smart man.

Add in the even more incoherent subplot about the escaped prisoner from Dartmoor prison. None of that made sense; not the purchase of the inn a year prior to the events of the story, not the backstory of how the star-crossed lovers met, not how the prisoner escaped from Dartmoor prison and found his way across the moors to be reunited with his paramour and cousin and their eventual escape to freedom.

There’s also the American war profiteer who helped Captain Trevelyan make a fortune manufacturing substandard munitions that killed more American sailors than the enemy. The American war profiteer’s personal aide-de-camp and quack doctor made even less sense. Why did the war profiteer need him around, other than as a dogsbody? There was mumbled dialog that sounded like they were both in the mafia, but it was unclear.

We also meet the incompetent government clerk who’s looking into Captain Trevelyan’s background to ensure nothing questionable is revealed to the press, thus discrediting the party. He’s not doing a very good job if Captain Trevelyan was a known associate of American war profiteers and he doesn’t know.

Then there’s Charles Burnaby. In the novel, he’s boy-reporter Charles Enderby. The name change was the first step in his complete reworking of motives and backstory. Yet we get no foreshadowing of his dramatic personal life or of his connections to the Trevelyan family.

We get almost nothing of James Pearson’s connection to Captain Trevelyan either. We get even less of a reason for Emily Trefusis to be engaged to James Pearson, boy alcoholic, other than that old standby: He’ll inherit big when Captain Trevelyan dies. Maybe that’s why Emily runs off to Argentina with Violet. She gets the money and the girl and doesn’t have to marry the boy alcoholic.

I could rant on, but you get the picture: This movie was a mess, barely suitable for Timothy Dalton fans. ITV could have saved the cost of his salary and paid for a better script. Or, they could have capitalized on Timothy Dalton and added another twenty minutes of movie, explaining all the subplots and how they connected.

General Information

Based on: The Sittaford Mystery (U.S. title: The Murder at Hazelmoor; novel, 1931)

Run time: 1 hr., 40 min. Subtitles: No

Writer: Stephen Churchett

Director: Paul Unwin

Cast

Geraldine McEwan as Miss Marple

Timothy Dalton as Clive Trevelyan
Mel Smith as John Enderby
Jeffery Kissoon as Ahmed Ghali
Laurence Fox as James Pearson
Zoe Telford as Emily Trefusis
James Murray as Charles Burnaby
Rita Tushingham as Miss Elizabeth Percehouse
Michael Brandon as Martin Zimmerman
Paul Kaye as Dr. Ambrose Burt
Patricia Hodge as Mrs. Evadne Willett
Carey Mulligan as Violet Willett
Matthew Kelly as Donald Garfield
James Wilby as Stanley Kirkwood
Robert Hardy as Winston Churchill

Film Locations

The Flower Pot Pub, Henley-on-Thames, Oxfordshire (pub exterior)
Dorney Court, Dorney, Buckinghamshire (Sittaford House interiors)

***

Excerpt from Agatha Christie, She Watched by Teresa Peschel. Copyright 2023 by Teresa Peschel. Reproduced with permission from Teresa Peschel. All rights reserved.

From beginning of Chapter One…

Paradise isn’t always what it’s cracked up to be.

Sure, Valerie Corbin knew she and her wife Kristen were supremely fortunate to now reside in the quaint, still-stuck-in-the-1970s town of Hilo on the magnificent Big Island of Hawai‘i—home to lush jungles, fiery volcanoes, black sand beaches, and coral reefs teeming with eye-popping tropical fish.

But at this moment, all she could focus on was the bull terrier-spaniel mix next door barking so loudly that it almost—though not quite—drowned out the whine of the pneumatic tools its owner was using on a jacked-up truck, the parts of which were currently scattered all across his driveway.

Letting loose a few choice words regarding both dog and man, Valerie slammed shut the window above the kitchen sink, then returned to the stove to poke at her potatoes simmering in a pot of water. At the sound of the back door opening, she looked up to see Kristen and her nephew, Sean, come inside from the lānai, Valerie and Kristen’s little white dog, Pua, trotting after them.

“We couldn’t take the racket anymore,” said Kristen, tossing her Outside magazine onto the counter. “Does he ever stop?”

“Who—Akoni or Larry?”

Kristen laughed. “Both, I guess. And yeah, I know the answer: rarely. Especially Akoni, with his constant yowling. Though I gotta say, it seems like Larry’s been working on his vehicles a hell of a lot more of late. And I don’t believe I’ve ever even seen that particular truck before. You think he’s started repairing other people’s vehicles, too?”

“Oh, God, I hope not. Though that would explain the increased frequency of the noise.” Valerie switched off the heat under her potatoes, then turned to Kristen. “I wonder if it’s legal to have a car repair business in this neighborhood. Maybe I should ask at tonight’s meeting if anyone knows.”

“Or maybe you could just talk to your neighbor about it,” put in Sean, who’d taken a seat at the kitchen table and was busy typing something into his phone.

Valerie and Kristen exchanged glances, after which Valerie replied, “Maybe later. But first we should figure out where we stand on the issue.”

Sean set down his phone with a shrug. “So what’s this thing you’re going to tonight, anyway?”

“It’s the monthly meeting for the neighborhood orchid society,” said Valerie, carrying the pot to the sink and dumping the steaming potatoes into a colander. “Shirley invited me—you know, the woman who lives at that house down the street with all those beautiful orchids in her tree ferns? I was admiring them the other day, and after we got talking, she invited me to come along tonight to see if I might be interested in joining. You wanna join me?”

Sean let loose his man bun, held in place by a wooden hair stick, and shook out his dirty-blond locks. “No can do; I’m working tonight at the hospital. It’s my first time in the ER, which should be interesting.”

Sean had come from Arkansas to do a three-month stint as a visiting nurse at the Hilo hospital and was now on his second week at the job—and at Valerie and Kristen’s house, where he’d be staying for the duration of his time on-island. “I didn’t know you were into orchids,” he said in a lazy drawl, pulling his hair back from his face and retying the bun.

“I wasn’t, not till we first got to Hilo. But they’re so amazing and, I dunno . . . other-worldly.”

Star Trek flowers, I call them,” said Kristen, and Valerie nodded.

“And they’re so easy to grow here, so I’m thinking it might be fun to try it myself. Plus, it’d be a great way to get to know some of the folks in the neighborhood a little better.”

“Like Larry?” asked Sean with a grin.

“Ha. I’m not so sure he’s really the orchid type . . .”

***

Excerpt from MURDER, LOCAL STYLE by Leslie Karst. Copyright 2026 by Leslie Karst. Reproduced with permission from Leslie Karst. All rights reserved.

May 1979

In 1979, I was living in a two-bedroom apartment in my hometown of Skokie, IL with my best friend Gary. I was 22 years old, a few months removed from my sophomore year at Illinois State University–and I say `removed’ literally, since the Dean of Students had strongly pointed out that school wasn’t the best choice for me. Gary and I both had “floater jobs” which basically covered our monthly rent, weed, beer, and food, in that order. The landlord would likely say the rent and weed could be in a reverse order. Basically, I seemed to be following a destiny first noted in my 8th-grade yearbook from Oakview Junior High, where I was dubbed “town clown.” My mom was horrified. Me? I took it as a badge of honor, one that kept wearing through high school and my short stint in college.

It was a typical September Sunday. Gary and I were laying around, recovering from hangovers and planning our next adventure. Around four o’clock, the phone rang. It was my Dad.

“Hey, Jeff, are you busy?”

“Well, a little. Hanging out.”

“I really need to speak with you. Can you come over?”

I was at that age when I didn’t really have anything against my parents. I’d see them for birthdays and holidays and when I wanted to conduct a secret withdrawal from the packed meat freezer they kept in their basement, but I didn’t see the need to spend any time with them. “Is it important?”

His answer was firm. “It’s important enough that I’m asking you to come over—now.”

That was good enough for me. I quickly jumped into the shower to wash off the after-aroma of the previous night’s parties. As the hot water rushed down, my mind began spinning with scenarios. What did he want to talk about? Abruptly it dawned on me that maybe he was going to tell me he was dying. My mind always moved at a mile a minute, and all of a sudden it came to a screeching halt.

Why else would he need to talk to me? My dad was an ordinary man–52-years old, husband, father of four, CEO of an Envelope Company, recovering alcoholic, and my hero. He really was my rock, and more than made up for my distracted mother. How would I survive without him? We always shared this unspoken bond of my inheriting his OCD gene. And while he never appreciated that I was that town clown and high school fuck-up, he admired my work ethic. When I did put my mind to something, I took it to completion, whether it was shoveling neighbor’s sidewalks in those Chicago winters or moving their lawns in the summer. Even as an eight-year-old. And if I had suddenly kicked the bucket at age 20, that would have been the story of my life—a human oxymoron who had a great work ethic yet couldn’t keep a job.

He hugged me when I came through the door and told my mom to let us be. We went upstairs to my parents’ bedroom, which was decorated with a complete Brady Bunch-era motif: matching avocado and orange bedspread and curtains, beige shag carpeting, large imitation Picasso paintings on the walls. We sat together on the bench seat at the bottom of the bed, connected at the hip. He started to put his arm around my shoulder, and almost instantly I began to cry. “Dad, please don’t die on me!” I began to sob.

Startled, he jumped to his feet, then put his hands on my shoulders. “Listen to me! That’s not what this is about. I’m not dying! But now that you mention it, you are killing me.” I started to say something, but he quickly interrupted, “Seriously, I need you to listen to me.”

He started speaking to me, but it was more of a sermon. The tone in his voice was unlike anything I had heard from him before. I had never heard him in such an authoritative voice. I could already tell that I had either upset or disappointed him, but just did not know how or why. I quickly learned. “You are wasting your life,” he said. “You have always had an outstanding work ethic, he told me, along with an incredible quick wit, which I was just throwing away by being a smart ass, just looking for the laugh. “If you were ever able to use that wit in a more “think on your feet” manner instead of just being a comedian, you could have great value to some company one day.” He looked at me directly in the eye. “I didn’t send you to college to be a fuck-up. You have a gift, and I cannot allow you to waste it. You need to get your collective shit together.”

I was stunned, and very upset. Not so much about what he said, but because I knew it was dead-on.

My mind jumped back to a moment two summers before, when I was working in his company warehouse. The combination of my 17-year-old male hormones and the highly Latina warehouse staff were just too much for me to overcome, and I devoted far more time to chasing skirts than my responsibilities. He sat me down then, too, but instead of giving me a sermon, he fired me. I know that conversation was painful for both him to say and me to hear as well. It wasn’t so much that I embarrassed him as the boss’s son getting canned, but what hurt me most was that I had let him down. Here I was, letting him down again. What most upset me was knowing that he was not proud of me.

I drove back to the apartment. The aroma of cannabis greeted my arrival. Gary passed me the loaded a pipe as I entered, saying something to the extent of “you look like you need one.” But what I needed is what I had just received. My dad was my hero, and I had been confronted with the fact that I was failing him. And really, I had also been confronted with the fact that I was failing myself. “No thanks,” I said to Gary, echoing the words my dad had just said to me, “I really need to start getting my shit together.”

The very next day, I started searching the Help Wanted section in the Chicago Tribune. Some company called Tek Aids two towns over was looking for a warehouse worker. I had never heard of them, but I knew I wanted that job. I’m not sure why, but the ad called out to me. Maybe I just wanted a job quickly so I could get back into my dad’s good favor. For the interview, I put my best foot forward, wearing the blue blazer my mother bought me for high school graduation and borrowing a paisley tie I had bought Dad for Father’s Day.

They were a family business about five years old that had set themselves up as a computer peripherals distributor. They sold printers, monitors, and bins full of internal parts. Jud, the founder and CEO, gave me a tour of the 15,000sf facility. I could tell he had great pride in his operation, and I was impressed that he knew every employee on a first-name basis.

The warehouse was sloppy and seemed a little disorganized. I knew I could fix that. What surprised me is that they also had a tech area in the warehouse, run by a guy wearing thick lenses a lab coast – he looked like mad scientist. They were building student tech systems for community colleges, based upon Ohio Scientific’s Challenger 1P single-processor computer systems. “A warehouse and tech?” I said to Jud, without reply.

I did find it interesting that he was already introducing me, and after the tour, we went into his wife Lorrayne’s office and they both told be the job responsibilities. I was trying not to jump the gun, but it sure seemed like I was already hired. And I was really hoping they would, and I knew I was looking into a crystal ball and seeing my future. Perhaps I was willing it to happen by confidently adding “I look forward to hearing from you sometime tomorrow.” She gave me a strange look, perhaps due to my presumptuousness. “The blazer and tie won’t be necessary when you come back,” she said. At that point, I knew the job would be mine. I was already reorganizing the sloppy warehouse in my head.

I started two days later. Two years later, I was promoted to Vice President of Sales. Twenty years and three days after my Dad’s sermon, I founded my own IT server-building company, morphing into the video surveillance recording market in 2009. By the time of my retirement on my 66th birthday on July 21, 2023, I had built a company that is the world’s largest supplier of purpose-built surveillance video recording appliances, with over a quarter-million devices recording the video surveillance from over four million cameras in 91 countries around the globe. And all at the most secure sites or coolest companies in the world.

Here’s the story of how that happened.

***

Excerpt from It Worked For Me by Jeff Burgess. Copyright 2026 by Jeff Burgess. Reproduced with permission from Jeff Burgess. All rights reserved.

Tania moved fast, her shoes clicked sharply on the floor. She fished a five-dollar bill from her clutch and approached a housekeeper in the hallway.

“A roll of toilet paper, and in a discreet bag, please.”

The woman hesitated, but Tania’s eyes were steady, unblinking. She slid the bill into the woman’s shoulder strap with practiced ease.

“Take it,” Tania said softly. “In case someone accuses you of theft.”

The woman nodded.

Ruth led the way. Tania followed, her mind already ahead, calculating the next move. In the bathroom, she locked the door and leaned against the wall. She heard Judith’s groans.

“It’s me, Judy.”

“Tania?” Her voice was barely a whisper.

The air was thick with sweat and nausea, sharp like unchanged hospital linens. Tania handed Ruth the roll of paper and a small perfume atomizer.

“Tell her it’s from London. She’ll like it.”

Ruth nodded and slipped into the stall.

Tania stepped back into the hallway, then stopped. A girl sick and humiliated in a stall behind her. She caught her reflection in a wall sconce—lipstick fine, hair in place, eyes clear.

Decide now.

This wasn’t strategy. She wasn’t gaining leverage. And still, her feet moved.

When she returned, Judith was pale, shaken, but upright. Tania offered her the drink.

“Peppermint helps nausea,” she said.

Judith studied her. “I don’t know what kind of game you’re playing.”

“There’s no game,” Tania said. “You have to believe me.”

Judith hesitated. “You and your uncle seem awfully interested in my father.”

Tania unwrapped a mint. “It’s a secret,” she said. “Just not the kind you think.”

She leaned in. “The government wants something your father owns or controls. Sheldon’s the go-between.”

Judith stared at her. “That sounds shady.”

“It might be.”

Judith exhaled. “They spiked my drink. Esther and those girls. Laxatives.”

Tania nodded. “Brutal.”

Silence settled between them.

Tania met her eyes.

“Want revenge?”

Judith smiled.

And didn’t say no.

***

Excerpt from Eyes to Deceit: The Company Files by Gabriel Valjan. Copyright 2025 by Gabriel Valjan. Reproduced with permission from Gabriel Valjan. All rights reserved.

Chapter One

JULIE

The woman slid three photos to me across the table, her manicured nails immaculate. “I know you don’t want to believe me. But you need to look at these.”

I was already on my feet, having told her—Frances Boyle, she said her name was—that we had nothing further to discuss. She had no business coming to me with this preposterous story, and certainly not here at the library where I worked. Her manner suggested she wasn’t used to people saying “no” to her, but I wanted her gone.

Yet I couldn’t help glancing at the faded snapshots she’d spread in front of me. All showed the same grouping: a couple, seemingly in their forties, and two teenagers, a boy and a girl.

“That’s my family,” she said, a rasp deepening her voice. “My parents with my brother and me. That was the year before Papa died.”

Against my will, my eyes were drawn to the man in the photos. “Papa,” she’d called him. He sure looked like Dad. My memories of him were vivid, though I was only eight when he died. That dark hair, cut short, with a white streak just off-center. Neat ears, firm chin, and warm smile. And those pointed eyebrows: unmistakable.

But I’d never seen the other people in those photos before.

Heat flared at the back of my neck, and the walls of the small meeting room felt like they were closing in on me. I shook my head, trying to clear it. I wished I’d thought to bring a bottle of water in with me.

Frances leaned forward, the gold chain around her neck glinting as she moved. “From your reaction, Julie, I’d say you recognize him.” Her gaze intensified. “Now do you believe me? Our father had two wives, two families. Yours and mine.”

This couldn’t be true. I gripped the edge of the table and took a deep breath, fighting to get my emotions under control. Who was this woman and what was her game? Inspecting her more closely, I guessed she was in her late forties, a little older than me. Well-groomed. Stocky but not fat. Wearing cropped pants and a short-sleeved silk blouse, a good choice for the hot weather we were having. Her clothes looked expensive, more Nieman Marcus than Walmart.

“Can you show me some ID?” I demanded. Maybe I should have asked for that earlier.

She smiled coolly and reached into her leather bag, pulling out a passport. The photo was definitely her, but with shorter hair. Her name: Frances Louisa Boyle. Date of birth: 1975.

“Wait a minute. Boyle?”

“That was Papa’s name—James Boyle.”

The tightness in my shoulders loosened. “So. That’s not my dad.”

“When he married your mom, he used the name James MacMillan.”

That was Dad’s name—but this was ridiculous. She was claiming not just that he’d had two families, but two names.

She sat back abruptly. “I can see you’re having trouble accepting it,” she said. “I understand. It’s hard to take in.” Her expression hardened. “I only found out after Mama died in February and I was going through her papers. I found some old letters tucked away, referring to his other family.” She raised her eyes to mine again. “Your family.” After a moment, she added, “I have a couple of the letters with me, if you want to see them. They’re in my safe at the hotel.”

My mouth tasted of something bitter, metallic. “What are you after?”

She clasped her hands together. “I had a private investigator locate your mother, your family. I came here to find out more.” Her gaze swept over me. “I thought it was best to come to you first, to see if you knew about it. Before I approach your mother.”

“You can’t be thinking of disturbing my mother with this!”

“I’m sorry, but that’s why I’m here. To find out what she knew, or knows, about what happened.”

If Frances confronted Mom with this story, it would devastate her. “Give me some time to think about this first.” There must be some way to check this woman’s claim. “Can I have copies of those photos?”

She pushed them toward me. “Those are for you.” She rose and pulled a card from her purse. “I realize you may need a bit of time to get used to the idea. Here’s my cell number. When you’re ready, give me a call.” She dropped the card on the table. “But don’t take too long. I can play tourist here in Ottawa for a couple of days, but then I’ll need to talk to your mother.” She straightened her shoulders and left.

I watched her cross the library’s open lobby, passing Tony at the info desk, heading toward the main entrance. I paced back and forth in the hallway, fuming. What she was claiming couldn’t be true.

But a coldness was rising in my stomach. Could Dad really have done this to Mom? To us?

#

Returning to my office, I closed the door and collapsed into my chair, my stomach churning. I dropped my head back against the headrest and stared blankly at the ceiling. Frances’s story kept echoing through my mind. It had to be nonsense…except for those photos. That guy did look like Dad.

When she asked for me by name at the front desk, I had hoped the interruption would be short. I hadn’t anticipated how shaken our conversation would leave me.

I needed to get back to work; I had to post next month’s staff schedule soon. But after staring at my computer screen for a few minutes, I picked up my phone to call Caroline.

She and I had been friends since our university days in Toronto. I was studying library science and she was a psychology grad student. We met when we both moved into a shared student house near campus and clicked from the beginning. We’d stayed close friends ever since.

I came back to Ottawa after graduating. When she moved to Ottawa as well, joining the psychology staff at the Royal, our friendship grew. She had become my rock, the person I turned to first for advice.

“Do you have a few minutes?” I asked.

“I do. What’s up?”

I quickly recapped my meeting with Frances and the story she’d told.

“That’s quite the tale.” Caroline’s voice deepened. “But you don’t think it’s true?”

“I’m not sure.” I wanted to say no. But those photos had left me with doubts.

“Have you told Matt?”

My husband. “No. I haven’t had a chance.” I wasn’t even sure I wanted to tell him.

“Or your mom?”

My jaw clenched. “If Dad had another family, if he deceived Mom, I don’t see any need for her to know about it after all these years. She’d be heartsick.”

“But you say Frances wants to talk to your mom. How can you prevent that?”

“Maybe I can’t. But I wish I could find out first…”

“If it’s true?”

“Yeah.”

“There’s a foolproof way to check. A DNA comparison.”

Trust Caroline to have a scientific suggestion. “Yeah. But I don’t know if Frances would agree to be tested.”

“Why wouldn’t she? She’s the one who says you’re related.”

I sighed. “Testing takes time, and I don’t think Frances wants to wait.”

She paused. “Do you know about Ancestry.com?”

“…I’ve heard of it, but don’t really know—?”

“It’s a site where people upload their DNA, and check to see if they match with anyone. I keep hearing about people finding linkages there to relatives they didn’t know about.”

“So we could check that site to see if we’re related to Frances?”

A doubtful tone entered her voice. “Well, maybe not, if you’ve never sent in a sample. If you send one in now, it could take several weeks for results to show up. And you don’t even know whether anyone on Frances’ side has uploaded there. If not, there’d be nothing to match to.”

I grimaced, disappointed. “Doesn’t sound like DNA’s going to help us. In the short run, anyway.”

“Yeah, maybe not. So let’s look at this another way. Is Frances’ story plausible? Could that have happened?”

Frustrated tears were pressing behind my eyes. “I don’t think so. But I wish I remembered more about our family, how things were before Dad died. I was so young, and my memories are pretty thin.”

“How about your brother? Would he remember more?”

I sat up at the thought. “That’s a good idea.” Patrick was four years older than me, so his memories of our family life back then would be better than mine.

#

Calling Patrick was complicated by the fact that he lived in Canberra, where he moved when he married Melissa six years ago.

Checking my watch and doing a time conversion, I realized it was still the middle of the night in Australia. But if I called around 4 p.m. my time, it’d be 6 a.m. there. I didn’t know what shift he’d be working—he was a paramedic with the Capital Territory Ambulance Service. If he was on the day shift, he’d be up. I’d text to see if he was awake.

He replied with a yawning-face emoji, but I took that to mean I could call. He answered on the first ring, “Yeah.”

I cut our usual time-and-weather chitchat short. “Listen. A woman came to see me today with a weird story.” I blurted out Frances’ claim that Dad had had two families, ours and hers.

His reaction was immediate. “That’s ridiculous.”

Thank you. “I know, right? It’s just not possible.”

“Wait, let me put on some coffee.” A series of indistinct sounds came through the phone. Then he was back. “Tell me the whole thing. From the beginning.”

I ran through it all, starting with Frances showing up at the library, and ending with her dropping a card as she left.

“Ridiculous,” he repeated. He was silent for a moment. “You think it’s Dad in those photos?”

“I don’t know.” I breathed out. “It looks like him. But photos can be manipulated…”

“Can you send me copies?”

“Sure. Hold on. I’m sending them now.”

While he waited for the images to arrive, he asked, “Are you thinking it’s some kind of scam?”

“Well, what could she be after? It’s not like there’s any inheritance or anything…”

He gave a small cough. “What about Mom? Are you going to tell her?”

“No! Can you imagine her reaction?” I swallowed. “Even raising it…I don’t want to spoil her memories of Dad.”

“Hold on—the photos are coming through.”

***

Excerpt from That Other Family by Lis Angus. Copyright 2025 by Lis Angus. Reproduced with permission from Lis Angus. All rights reserved.

From Chapter 1

When a man gets hit by a .45 ACP Flying Ashtray or three, by all that’s ballistically holy, he ought to get dead and stay dead.

All manner of official paperwork swore he was dead. All of it based on a bogus death certificate filed by parties unknown in the Cuervo County Coroner’s Office, with copies popping up like blowflies on a cow carcass. Even the federales had him playing poker with the Devil, his prison mugshot tucked away in ATF and DEA files, DECEASED stamped across his face in bold, black letters.

The con was slick and easy. Money changed hands, files were swapped or ditched, reports were shredded or faked. Somebody else’s corpse became him. The relentless power of bureaucratic incompetence and inertia did the rest.

Yessir. According to all that yellowing, lawdog paper, he was nobody they had to worry about no more. Finito. A shade. A ghost who said adios. A good thug now that he was a dead thug. Muerto.

Not hardly.

That’s what John Wayne said to all those hombres who thought he was dead in Big Jake. With a growl and a scowl.

Not hardly.

He liked that. Matter of fact, he just trotted out the Duke’s line to a guy he used to be tight with. Caught up to him climbing the three cinder block steps to the front door of his desert double wide.

Tapped him on the shoulder, saw the wild-eyed fear when the dude turned and saw who the finger belonged to. Blurted out: “You’re supposed to be dead!”

Not hardly. Said it with a growl but no scowl. Then grabbed him by a greasy hank of raven black hair, yanking his head back and cutting a crimson smile across his throat from ear to ear. With a bone-handled straight razor. His favorite.

Threw the guy into the sand at the side of the steps. Listened to the choking gurgle and death rattle. Then licked the blood off the blade.

Not hardly. He tilted his head back and laughed. Savored the kill. Alone and alive. An endless dome of stars glittering in the midnight sky above the rocky desert outback near Radium Springs, New Mexico. No moon. A dead man at his feet. Used to be a member of his crew. Frankie Sheridan.

Met him at Pelican Bay. An Alice Baker brother doing a long stretch for bank robbery. Had a shamrock tattooed on his chest with the initials AB in capital letters—Alice Baker, Aryan Brotherhood. Blood in, blood out. Ex-Army. Knew his way around diesels, alarm systems, and weapons.

Sent him a ticket to Texas when he got out. Made him a member of his crew, smuggling guns and drugs out of a ranch north of Faver, the Cuervo County seat, a bent outfit that ran cattle for cover and fleeced bitter and gullible white trash while promising them the return of the Republic of Texas for Caucasian Christians only, a New Zion based on God, guns, guts, and the Good Book. Niggers, Jews, Arabs, and Spics need not apply.

Bad move. Frankie was a ratfuck snitch. Uno chivato. Not to the lawdogs. Just as bad, though. Frankie sold him out to a rival outfit of gunrunners and drug smugglers. Kept them one step ahead of him as they chased a third outfit that held a cache of stolen military hardware everybody wanted.

Rockets, bloopers, mortars, and full-auto carbines and rifles. Bang-bangs that could tip the scales on both sides of the river. All in the hands of a crew fronted by a flashy woman in jeans, tall boots, a bolero jacket, and a blonde wig. A wet dream for the pendejos she hustled.

La Güera. Just the thought of her caused his molars to grind. He wanted her dead. No, he needed her dead. She and her lover were the reason his life got flushed into the sewer, his crew dead, his stash of guns and drugs long gone. Had him climbing out of the shitter, clawing to the top of the dung heap. Again.

He caught the lover. Sliced off his manhood. Slit his throat. Then chopped off his head and butchered his body to stuff into a giant barbecue smoker. Tucked the man’s jewels into his mouth as the crowning touch to a cannibal’s mesquite-smoked delight.

Not the same. Didn’t have her. She still needed to feel his blade, feel his eyes boring holes into hers as he gave her that crimson smile. He needed to lick her blood off that sharp stainless steel. Taste it. And grin. Only then would the circle be complete. He’d be whole again.

Well, not completely whole.

His right eye was gone, blown out by a glancing hit from one of those .45 ACP slugs that also shattered the orbital bones. Nothing extensive plastic surgery, bone implants and a new glass eye couldn’t cure. Had to stack plenty of cash up front to repair damage that severe.

Gave that part of his face a waxy texture straight out of Madame Tussauds. But it sure beat wearing an eye patch and the lopsided face of a Dick Tracy cartoon villain.

His left knee was also shattered, replaced with a titanium joint that allowed him to walk with only a slight limp. Another five-figure hit to his stash of greenbacks.

The man who fired those rounds was also on his payback list. An ex-cop. Big-ass older fucker with a gray beard. Said to be a washed-up Dallas P. I..

Beg to differ, sir. Sumbitch sure kept him from getting to her during that clusterfuck in the West Texas desert. A real Wild West shootout between rival drug gangs wanting the blonde bitch’s bang-bangs.

He was oh-so-close to grabbing her up, dodging bullets and bodies, closing the gap between him and Ol’ Dude, who was carrying the bitch draped over his right shoulder. He screamed her name and leveled an M-16A1 at the both of them.

“La Güeraaaaaaa! I got you, bitch! Got you now! Gonna slice you wide open and watch you bleeeeeeed!“

Ol’ Dude spun on his heel and emptied a 1911 mag at him offhand. Yelled this: “Not today, you cockbite motherfucker. Not in this lifetime or the next.” A lefty. On target without dropping the bitch. Only thing that kept him alive was a Kevlar vest that caught the Flying Ashtrays that would have shredded his chest.

Washed-up, my ass. The man wrecked me. His time was coming, though. Count on a reckoning. Soon. But not now. He was working his way up the ladder of a list he kept in his head. One body at a time.

Frankie was the bottom rung. La Güera was at the top with Ol’ Dude second. Five other rungs between Frankie and them.

Time to get gone. And get busy.

***

Excerpt from The Fatal Saving Grace by Jim Nesbitt. Copyright 2025 by Jim Nesbitt. Reproduced with permission from Jim Nesbitt. All rights reserved.