Category: Author

Everyone Is Perfect Here by Jane Haseldine #AuthorInterview

Everyone Is Perfect Here by Jane Haseldine Banner

EVERYONE IS PERFECT HERE

by Jane Haseldine

April 6 – May 1, 2026 Virtual Book Tour

Synopsis:

Everyone Is Perfect Here by Jane Haseldine

There’s no such thing as perfect.

To the outside world, English professor Carly Bennett is a rising star…. poised, confident and on a fast-track to success. But behind her professional facade lies a childhood shattered by betrayal and her mother’s mysterious death.

Fifteen years earlier, Carly was shipped off to boarding school after being accused of threats she never made and exiled by her beloved mother and wealthy stepfamily. Throughout, Carly clung to her one ally, her stepbrother Julien…. until she discovered he masterminded her downfall.

Julien, now a psychiatrist, reappears in Carly’s life, apologetic and bearing news: before a fatal break-in, Carly’s mother planned to bring Carly home. Vindicated, Carly investigates her mother’s cold case. But doing so unearths memories that cause Carly to question her sanity and finally face the truth.

Was she responsible for her mother’s murder or is something more sinister at play in her former stepfamily’s still perfect world?

Praise for Everyone Is Perfect Here:

“This tense psychological thriller, where nothing is as it seems, will keep you on edge until the final reveal”
~ Kirkus Reviews

“This was a well-written and complex drama that immediately grabbed my attention, quickly becoming a page-turner as I had to know how this was going to end.”
~ Dru Ann Love, Agatha, Anthony & Macavity Award-Winning Author, Raven Award Recipient

Book Details:

Genre: Domestic Suspense
Published by: Severn House
Publication Date: April 7, 2026
Number of Pages: 301
ISBN: 9781448320127 (ISBN10: 1448320127)
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub | Severn House

Read an excerpt:

ONE

Present Day, Los Angeles
Carly Bennett

Light blue on dirty blonde.

Creative writing professor Carly Bennett did a quick scan of her face from its reflection in the window that overlooked the University of Southern California quad and smoothed a crease in her pencil skirt.

If Carly had known that the dean of the English department would schedule a last-minute meeting with her, she would’ve picked a better outfit than one that screamed, “I had no time to take this to the cleaner, so I ran a fast iron over it. But thank God the skirt is black so no one can see the stain from when my coffee cup lid jimmied its way free this morning.”

Nothing like near first-degree burns on your thigh from an errant Starbucks Pike to jolt a person awake during LA’s slog of a commute.

No matter. Here she was.

And she’d be ready. Even though she needed to master her prep on the fly.

Carly turned the corner to the English department’s Office of the Dean and forged through her speaking points that she’d deliver to her boss, Bert Scanlon.

“Making the LA Times’s ‘Thirty-Under-Thirty’ list was a complete surprise, but I’m so happy that the article will shine a spotlight on the great work our team is doing under your leadership.”

Ack. Too mealy-mouthed. Plus, it made her sound like a big-headed brown-noser. And nobody likes that person.

“Thank you for the kind words. Please know how much I appreciate that you believe in me, and I swear, I won’t let you down.”

Better, and that sentiment was from the heart.

Carly pictured her face, front and center on the page when she’d pulled up the LA Times story that morning and hoped that the people she used to know from her early Malibu days saw it too.

Elitist jerks.

As for herself, Carly had read the write-up, over and over, until she could now recite it in perpetuity.

Carly passed by the USC English department’s wall of fame, which showcased its students’ esteemed awards through the years. She paused when she saw her name, capturing a moment in time from freshman year. Her: scared to near speechlessness amongst the far cooler co-eds but finding strength behind her pen.

Winner of the 2018 Undergraduate Writing Prize—First Place: Carly Bennett

Had she really come this far? Most would’ve marked her a losing bet at age twelve, her personal line of demarcation, but sometimes, even dark horses can come from behind and win the whole damn thing.

Four. Three. Two. One.

“You got this,” Carly whispered.

She reached for the security of her inhaler in her briefcase and entered Scanlon’s office.

Gretchyn Olson, a middle-aged woman with salt-and-pepper hair was working the phone with precision. She held up a single finger when she saw Carly.

While she waited, Carly continued to clutch her briefcase in one hand and placed the other behind her back, where she dug a fingernail into a stray cuticle.

After a beat, Scanlon’s assistant put the call on hold.

“They’re waiting for you,” Gretchyn said. “Hang in there, kid. Sometimes, you need to play the game.”

They? And what game was she talking about?

Carly’s neck felt hot, but she made certain she was smiling when she entered the office, where she locked eyes with Scanlon, who rose to greet her. Scanlon had a Mr. Clean, shiny bald head, and his stomach struggled to stay behind the confines of the clasped gold buttons of his tweed coat.

Seated across from the dean of the English department was an unfamiliar male, who was well dressed, neatly manicured, and appeared to be in his early fifties.

Carly shot the stranger an equally polite smile. Who was this guy?

“Miss Bennett, thank you for taking time to swing by under such short notice,” Scanlon said.

“Of course, sir.”

Maybe the man was another reporter from the paper who covered the education beat and was writing a follow-up article on the English department.

“I don’t believe you’ve met Franklin Yeager. You taught Frank’s son, Landon, last semester.”

In that moment, Carly felt like someone had jabbed an ice pick into her high-flying helium balloon.

The room became very still as Carly struggled to find the appropriate response.

“In all due respect, if this is about my former student, I think any further discussion should be held in private and between the administration, but I was under the impression the incident and disciplinary action had been decided,” Carly said.

A robotic delivery, but at least she got the words out.

“There’ve been some developments that have been brought to my attention. I asked Frank to come in so we could clear the air, so to speak,” Scanlon said. “Please, sit, Miss Bennett.”

Carly kept her place, arms folded, standing above the men, but when Scanlon cleared his throat, she acquiesced and found a seat next to her former student’s father.

“Landon didn’t plagiarize the paper,” Yeager said.

Yes, he did! Carly wanted to scream. Instead, she slipped her hands underneath her legs, in case her palms started to sweat.

“If my son did cheat, I’d be the first to request that USC boot him out the door on his fanny,” Yeager continued. “But I know my kid, and I also know a liar, and Landon is beside himself over this false accusation. I’ll be honest with you, when Landon first told me about the whole mess, I was ready to call my lawyer, but since Bert is an old friend, I thought, why not try and hash things out man-to-man first.”

She had to respond. The words were there, ready to make her point, if only she could find the ability and the guts to say them.

“But he did ch-ch-cheat,” Carly said, despising the catch in her voice.

When was the last time she’d stuttered? Probably a year ago, during her annual review with Scanlon. She wondered if the universe would grant her a reprieve, and somehow the two men hadn’t picked up on her residual speech impediment, which still ambushed her in the worst possible moments, rising like an unkillable weed despite all her years of work to get rid of it.

She shot a glance at Yeager, whose mouth had turned up into a bow that resembled a smirk or, worse, pity.

If she were going down, at least she had to throw a punch.

“I want all my students to excel, and if they need extra time on an assignment, they know I’ll give it to them, and my door is always open if they need additional help. But the paper Landon wrote was a complete replica of one I received from a different student last year. We’re talking down to the semicolon.”

Carly looked to Scanlon, hoping for some back-up, but the dean kept his focus on Yeager.

“Then it wasn’t a case of cheating but purely accidental on Landon’s part,” Yeager said. “Or is the word coincidental? You’re the English whizzes in here, and I’m a businessman who wouldn’t know a semicolon from a hyphen, but I do know mistakes can be made, even by well-meaning young professors. How long have you been a teacher? You look more like a co-ed than a professor, and I mean that in the most complimentary of ways.”

Yeager chuckled, sounding to Carly like the laugh was cover so he wouldn’t sound like a creep.

Too late.

Carly fought to speak up and defend herself. But she remained still and silent, stuck between two powerful, rich males who were doing a very fine job of reeling in the young, errant female who didn’t know her place.

“This is my second year at USC.”

“Miss Bennett is still relatively new to our school as a professor, but she’s a rising star in our English department and did quite well as a student here before joining our professional fold.”

The heat that Carly had felt in her neck earlier had now exploded into a full-blown, five-alarm inferno, despite Scanlon throwing her a pseudo-bone.

Carly had crossed her legs and put a hand to her throat to try and cover her growing rash when she noticed Yeager was staring at something on the bottom of her black high heel. Whatever it was seemed to give him great satisfaction.

“Mr. Scanlon . . .” Carly pleaded, but the dean interrupted.

“I appreciate that you hold your students to the highest of standards, as you should, but since Frank is a trusted friend to the school, this time, we’ll expunge the previous disciplinary action and wipe the slate clean. Landon can resubmit the assignment and finish up the course through independent study, so he won’t lose credit. I have your word that Landon will be more careful in his work going forward, Frank?”

“You bet. My kid is a good boy, and I knew we could wrangle this problem to the ground. You have my word on my kid and on my continued support. Generations of Yeagers have supported this school, and we’ll continue the tradition. “Fight on for ol’ SC, our men fight on to victory!” Yeager warbled, hitting the notes of the USC fight song slightly off-key but with great confidence in his delivery.

When Yeager stood to shake the dean’s hand, Carly looked to the bottom of her high heel and saw a Macy’s close-out sale sticker still affixed to its outsole.

Her previous high-flying balloon was now bits of spent plastic that an entitled rich boy and his adult minions had tossed into the dumpster.

“No hard feelings, OK? New teachers can make mistakes with the best of them,” Yeager said.

He extended his hand to Carly.

You sold your integrity for a buck, and to a total cheese bag when you know I’m right! Carly wanted to scream to Scanlon.

Instead, Carly remained quiet and stared at Yeager’s outstretched hand.

Scanlon cleared his throat again.

“Miss Bennett, the matter has been settled,” Scanlon answered.

The dean’s eyes narrowed, and Carly followed his cue.

She reached for Yeager’s hand, gave it a quick shake, and regretted it the second her skin touched Yeager’s.

“That will be all, Miss Bennett.”

This was so unfair. She had to stand her ground.

“Is there something else you wanted to say?” Scanlon pressed.

Carly paused, searching for the words. They were right there, but when she jumped from the platform to catch the brass ring, she missed and spiraled into freefall.

“Miss Bennett?” Scanlon asked.

“Th–th–th–thank you, sir.”

She couldn’t remember leaving the office, but there she was, back in the lobby. Carly hurried past Gretchyn, and by the time she reached the corridor, she was certain that she heard the two men laughing from behind the office door.

“HA! HA! HA! HA! HA!”

*

After escaping the humiliation-fest in Scanlon’s office, Carly lowered her head so she wouldn’t have to make eye contact, or worse, engage in fake, idle chitchat after her fall, and continued her fast walk to the USC faculty bathroom. She had ten minutes until her advanced creative writing class started, which was threading the needle a bit, but the familiar vice was constricting her chest, and if she didn’t take a pull from her inhaler soon, she’d be in the throes of a full-fledged, not to mention very public, asthma attack.

She struggled for air and rushed into an open stall. Once inside, she slammed the door, snatched her inhaler from her briefcase, and gave it a quick shake. She heard the familiar whistling sound coming from her throat and shoved her rescue inhaler into her mouth.

Feeling like a five-hundred-pound man was now sitting on her chest, Carly fought to stay calm. She closed her eyes, forced herself to hold her breath for the requisite ten seconds between puffs and prayed for the corticosteroid to kick in.

When the tightness in her lungs loosened, she could see, plain as day, her old practice phrase, the one she’d started reciting at boarding school to help conquer her stutter.

When her breathing steadied to a normal inhale-in, exhale-out, she whispered the words aloud to find her center.

“The girl wore her hair in two braids, tied with two blue bows.”

Not bad. Her voice was clear and strong this time, unlike her herky-jerky performance earlier.

How had she let herself choke, and on such an epic scale?

Feeling like she was no longer dry-drowning from her asthma attack, Carly took one more hit of her inhaler. She squeezed the metal canister and pictured Scanlon’s and Yeager’s mugs, having a big old chuckle at her expense.

“Never again,” Carly whispered, not quite believing it, but at least it was a start.

She rose from crouching position in the stall, straightened her shoulders, and then shot her middle finger in the air.

“That’s bravery right there, giving the bird to a restroom door instead of standing up for yourself. Next time will be different.”

Carly exited the stall and was relieved to see the faculty bathroom was still empty.

She splashed cold water from the sink onto her face, then patted her sticky armpits with a wad of paper towels from the dispenser on the wall. A poor girl’s spa day.

Having no idea how much time had passed since the start of her asthma attack, Carly worried that she was late for her next class. She grabbed her phone from her briefcase to check the time and gasped.

On the home screen was a photo memory, which captured a hoped-for promise never to come.

Carly ran her finger over the image of her mother and studied her twelve-year-old self. The photo had been taken by her then soon-to-be stepbrother Julien, on the day she’d met him and the rest of the Whites.

A pang of melancholy cut through her. Everybody would’ve believed her if she were a rich boy.

***

Excerpt from Everyone Is Perfect Here by Jane Haseldine. Copyright 2026 by Jane Haseldine. Reproduced with permission from Jane Haseldine. All rights reserved.

 

Author Bio:

Jane Haseldine

Jane Haseldine is a journalist, former crime reporter, columnist, and newspaper editor, and has also worked in politics as the deputy director of communications for a governor. Jane is the author of the Julia Gooden mystery series from Kensington Publishing and her upcoming domestic suspense novel, Everyone is Perfect Here, from Severn House.

Catch Up With Our Author:

www.JaneHaseldine.com
Amazon Author Profile
Goodreads
BookBub – @JaneHaseldine
Instagram – @janehaseldineauthor
X – @janeeyre77
Facebook – @janehaseldinebooks

 

Q&A with JANE HASELDINE

What was the biggest challenge you faced in beginning your writing career?
I think I barely made three hundred dollars a week at my first journalism job. I loved being a newspaper reporter, but those early paychecks often meant having to choose between paying my car insurance bill or eating something other than a can of soup for dinner. And if my very old Volvo that had over 200,000 miles on it wound up with a leaky radiator or flat tire, I’d need to scramble to come up with the means to fix it. I’d never give up those early experiences at newspapers though. A big shout out to my fellow reporters, including the political beat reporter who I married. The comradery in the newsroom made those early journalism days some of the most memorable in my life.

What was the inspiration for this book?
I think sometimes in life, different things that might seem disjointed come together to create a unique and perfect “aha” moment. I started writing EVERYONE IS PERFECT HERE right before COVID. During lockdown, the story started to take shape. I reread Patricia Highsmith’s THE TALENTED MR. RIPLEY, which is so, so good. Old movies were a mainstay in my house growing up, and out of nostalgia, I rewatched the movie Gaslight with Ingrid Bergman. Throwing another element into the COVID-mix, I started binge reading Liane Moriarty, including BIG LITTLE LIES (at this point, you can probably tell that instead of baking bread during lockdown, I was fixated on reading and watching movies). The themes of charming and manipulative psychopaths, gaslighting, female friendships and deceit fused together to create the basis for EVERYONE IS PERFECT HERE. After several years and a few rewrites, the story cemented and it became the book it is today.

Are you currently working on your next novel? If so, can you share a little about it?
I just finished my next novel, IMPRINT. This story is fiction but inspired by an actual murder mystery in my family. I discovered on Ancestry.com that my great, great, great aunt, an incredibly gifted artist, was murdered at the turn of the century. She was only twenty-one at the time. I’ve always been intrigued with the scientific premise that instinct can be encoded into a person’s DNA via evolution, which could possibly pass down ancestral experiences across generations.
Here’s the elevator pitch for the book: In IMPRINT, a documentary filmmaker researching the murder of her great, great aunt, a supremely gifted artist killed at the turn of the century, uncovers dark secrets about her relative’s short life, and in doing so, must determine whether sudden feelings of déjà vu are merely coincidence, or a warning imprinted in her DNA to save her from the same tragic fate as her ancestor. And here’s a picture of the article that ran in the Buffalo Evening News after my real-life ancestor’s body was found.

What are some of your favorite leisure activities or hobbies when you’re not writing?
I love podcasts! I’m hooked on anything dark and scary. My husband cracks up every time he sees the titles of what I’m listening to, but these podcasts are so, so good. I love “Spooked,” “Let’s Not Meet,” “Rattled and Shook,” “Radio Rental,” “Disturbed,” “Heart Starts Pounding,” “This is Actually Happening” and more. “Wisecrack” is my favorite new podcast from last year. It’s true genius storytelling told by a comedian who recounts how he returned to his hometown for a standup gig, and how that night, his childhood bully murdered his neighbor and then banged on his door. If you haven’t listened to any of these podcasts, you’ve got to give them a try!

Do you have a message or anything specific you’d like to say to your readers?
I am eternally grateful for readers. There are so many brilliant books out there for them to read. When someone takes the time out of their busy schedules to read one of my books, I am humbled and thankful.

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Round Up the Unusual Suspects by Elizabeth Crowens #AuthorInterview

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ROUND UP THE UNUSUAL SUSPECTS

by Elizabeth Crowens

March 9 – April 17, 2026 Virtual Book Tour

Synopsis:

Round Up the Unusual Suspects by Elizabeth Crowens

A Babs Norman Hollywood Mystery

 

Against the backdrop of WWII, no one expected to find a murdered stagehand on a Warner Brothers sound stage. With so much at stake, Jack L. Warner hires Babs Norman and Guy Brandt, the two young private eyes who recently resolved his high-profile Maltese Falcon/Blackbird Killer Case. Social justice crusader Leon Lewis suspects local Nazi sympathizers are responsible. Lewis assigns a German stuntman, a veteran of the decadent subculture of Weimar Berlin nightlife and one of his newest operatives, to join forces with the private detectives.

According to Warner, the show must go on, but everything from bomb scares to the Japanese internment, to unruly parrots, forbidden love, and family crises conspires against solving the crime. “As Time Goes By,” actors Humphrey Bogart, Ingrid Bergman, and the rest of the Casablanca ensemble join the professional private eyes to round up the unusual suspects and capture the killer.

Love 1940s classic movies? Treat yourself to the award-winning Hounds of the Hollywood Baskervilles (Book 1) and Bye, Bye Blackbird (Book 2) of Elizabeth Crowens’ Babs Norman’s Golden Age of Hollywood mystery series by Level Best Books.

Round Up the Unusual Suspects Trailer:

Book Details:

Genre: Golden Age of Hollywood Mystery with humor
Published by: Level Best Books
Publication Date: January 20, 2026
Number of Pages: 328
ISBN: 979-8-89820-189-0 (paperback)
Series: A Babs Norman Hollywood Mystery, Book 3 || Amazon, Goodreads
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub

Mystery Series

Hounds of the Hollywood Baskervilles by Elizabeth Crowens
Amazon | Kindle | Barnes & Noble | Goodreads | BookBub
Bye Bye Blackbird by Elizabeth Crowens
Amazon | Kindle | Barnes & Noble | Goodreads | BookBub

Read an excerpt from Round Up the Unusual Suspects:

Chapter One

“Nobody’s allowed to die on one of my sets!” hollered Jack L. Warner. “Who’s the jackass who wants to halt my production?”

Flanked by his personal assistant Bill Schaefer, Jack dragged Hal B. Wallis, his head of production, over to the sound stage filming Yankee Doodle Dandy, starring James Cagney. He swung open the door as soon as the red warning light turned off and stormed inside.

Michael Curtiz, the film’s director, dumped his megaphone and threw down the gauntlet. The parade band on stage accompanied his rage with a drumroll and cymbals.

Warner nabbed Curtiz’s discarded megaphone. “Rally the troops—all of them! I have a studio-wide announcement.”

Curtiz, turning red, clamped his hands over his ears. The actors and background extras, dressed in woolen military uniforms, stopped marching and sweltered under the hot lights. The live orchestra fell silent.

“Sir, maybe we should check out the dead body first,” Schaefer suggested with hesitation.

At Warner’s command, an assistant rolled back a piece of movable scenery to reveal a prone figure, an unknown young man wearing bloodied street clothes, but with a swastika carved on his neck.

“Are you sure he’s dead?” Warner asked. “He looks like he’s just sleeping on the job.”

Backing up a few steps, Wallis broke out in a cold sweat. “Has any-one been a-ble to i-den-ti-fy him?”

The assistant director strained to keep self-control but trembled. “Every-one denies knowing him. Our director, however, insisted we ignore the victim and stay on schedule.”

Wallis, turning green, gulped down his rising bile but regained his voice. “That’s unconscionable. We should secure the set. Everyone will have to swear to secrecy, and under no circumstances is the press to know about it.” Schaefer clutched his stomach, and his knees became unsteady. He grabbed a chair to brace himself.

Jack L. strutted the sound stage like Napoleon planning a counterattack and examined the casualty of war with a sense of unnerving calm. He wrinkled his nose and instructed his assistant, “Better call the Burbank PD. Won’t take long under these broiling lights for him to stink to high heaven.” The actors, who’d remained in the stance of military attention, were about to wilt. Offstage, on both sides, waited singers and female tap dancers dressed in skimpy satin costumes as a tribute to Uncle Sam.

“At ease!” Warner shouted, accompanied by a round of relieved sighs. “You think you can direct my film picture?” Curtiz shouted in his choppy version of Hungarian-bastardized English.

“I can and I will,” Warner barked. “Don’t forget, I sign your paychecks! Furthermore, I still can’t understand why you summoned half the musicians’ union to play instruments off-camera when you could’ve used a recording. Money wasted!”

Curtiz glared, with fire in his eyes. “It’s because they’re featured on camera at the beginning and the end of the scene!” He cursed in his native Hungarian tongue and stormed off the set.

Jimmy Cagney, the star of the show, followed. “You can find me in my dressing room.”

Undaunted by his director and lead actor’s histrionics, Warner demanded to see the production notes. After a quick glance, he scraped his fingernails through his receding hairline.

“Too much…can’t picture it. Summon your editors and set up a projector—somewhere—anywhere, on the damned wall if we must. I’d need to see the dailies and bring me that hot-headed Hungarian Goulash Gulag Meister and his la-di-da lead actor.”

Wallis broke the point of his pencil by slamming it down on his notepad. “All these delays…I don’t want to hear a word from you about going over budget.”

“I’m the one who makes the final decisions. Respect your commanding officer!” Warner admonished his confused subordinate.

Wallis gave him a weak salutation, but only out of respect. “Aye! Aye, sir!” Warner gave one last look at the body. “Go ahead, call the police,” he said to Schaefer. “And hire those two private detectives.”

Wallis scratched his head with a look as if a screwball comedian had thrown a cream pie in his face. “Who?” he asked.

Warner clenched his jaw. “Babs Norman and Guy Brandt, those young kids who solved the Blackbird Killer Case and saved the cast of The Maltese Falcon. That was a close call for everyone.”

* * *

The phone rang at B. Norman Investigations. Guy picked up and said Jack Warner’s assistant was on the line. Babs motioned for him to hand over the receiver.

“The Big Boss desires your company,” Schaefer told her.

“If he doesn’t mind throwing in two mouth-watering prime-rib dinners at the Smoke House for us,” Babs said, who hadn’t eaten all day, “we’ll consider that his consultation fee.”

The two PI partners headed downstairs to their building’s garage, where they now had their own assigned adjacent parking spaces instead of playing roulette for empty spots on the street. Babs put her key into the ignition of her ailing Crosley—the Clown Car, the brunt of Guy’s constant jokes, with a paint job that resembled a motley patchwork. The moment she put her foot on the gas pedal, it made a bone-shaking screech of metal against metal and emitted exhaust that would’ve choked a triceratops.

“We’re taking mine,” Guy said after he stopped wheezing. He rolled up his windows to keep out the foul scent. “Can’t believe you never had the sense to replace that fossil since it never ran well.”

They pulled out of the garage, and he donned his sunglasses. “Now, you’re stuck with it since our government stopped new automobile production and only people in vital professions, such as doctors and clergymen, qualify to purchase remaining inventories.”

“Private eyes don’t have priority?”

He shook his head. “Not in your sweet life. Those assembly lines are being converted to produce tanks, aircraft, and weapons for the military. Mark my words. Next thing you know, they’ll demand that we ration fuel and rubber for our tires like they do in England. Read the papers if you don’t believe me.”

Guy flashed his Warner Brothers pass to the gate security guard. Babs panicked as she searched inside her purse. “I must’ve left mine in my car.”

“Try flirting,” Guy whispered.

She snorted in defiance. “I will not!”

Much to her surprise, he sweet-talked his way into saying, “She’s with me,” and pulled into an empty guest parking slot.

When they arrived at the Yankee Doodle sound stage, the crime scene investigation was well underway. The Burbank PD sectioned off the area where the deceased lay, but nearby, Curtiz insisted on conducting rehearsals even if it was too noisy to roll sound. He ordered the gaffer and his electrical crew to prep the lights for the next set of shots, but they went berserk, thinking a light was shorting out every time the crime scene photographer’s flashbulb went off.

Curtiz insisted his captive cast and crew finish what they started. He’d work around the police, even if it meant yelling and screaming, at the risk of losing his voice, to make sure they kept quiet.

“Isn’t Jimmy Cagney your star?” Guy looked around for the missing actor.

Curtiz made an unintelligible grunt and spat into his handkerchief. “We shall work around his crybaby tantrums.” He launched a new battle with Wallis. “You complain that clocks ticking means money. Then why does Warner have to be such a stingy fat cat?”

Wallis bit his lip to keep from laughing at the director’s deliberate jabs at the English language. “Our detectives-for-hire are here.” He pointed out Babs and Guy. “Jack wants you to perform the entire number, Yankee Doodle Dandy, from start to finish.”

The director stood his ground. “That’s not how we shoot it. We fall behind schedule. Then Jack gets more and more angry.”

Warner paced the floor, bellyaching to himself and to any of the cops who would listen. “What if Cagney had been the intended victim? Not that I’m glad this man is an unknown Joe Palooka, but you get where I’m coming from.”

The moment Babs saw the corpse, her stomach lurched. Guy took his handkerchief and covered his nose and mouth. “Did you find any ID?”

“Found a driver’s license in his wallet,” said one cop. “He’s got a German-sounding name: Gerhard Sauer.”

Warner, holding a script, muscled in on their conversation. “I want to see this scene played out from start to finish.”

Since Cagney left the set, Guy volunteered to stand in and improvise his choreography, but the studio head ignored his suggestion. “If that fussy thespian wants to act like a child, I’ll just have to take over and go through the motions.”

Babs took her notepad out of her pocketbook. “Did anyone hear any strange noises?” She looked around for reactions but got none. “Did you consider that someone killed Sauer elsewhere and, for whatever reason, dumped his body backstage?”

Babs blew her anger out of her nose. No one seemed to listen. Wallis gave the PIs an overview to get them up to speed. “The film, Yankee Doodle Dandy, is about the life of lyricist and composer George M. Cohan. He performed with his family, and they called themselves The Four Cohans. Playing his father, we’ve got the famous actor who played the shot-up Captain Jacoby from The Maltese Falcon, Walter Huston.”

“Give My Regards to Broadway is also one of Cohan’s famous songs,” Guy mentioned.

“We’ve included that one, along with Over There. All patriotic numbers that helped us endure WWI. Just think, we have a song for every star and a star for every stripe.”

Wallis stopped and scratched his chin. “You know…I rather like that line. Must insist on using that quote for our trailer. However, what you’ll see on screen is a show within a show, as if our cinematographer was shooting a documentary. At the beginning and the end of the scene, the camera will pan, showing an establishing shot of everyone inside the theater. That’s where our live orchestra comes in.

“The Cohans perform in a stage production of a show titled George Washington, Jr. The song-and-dance medley scene we had been shooting before everything went haywire centers on Grand Old Flag. Once edited, it will look like we shot it from start to finish, but since Warner told me you used to be actors, you probably know that most of the time we shoot scenes out of order. We’ll stop within sections to film close-ups and from different angles. Everyone’s curious to see if there are clues about the killer in the footage we’ve shot so far.”

Babs asked Wallis if he’d drop her a line when the footage was available for viewing.

Jack Warner, however, seemed to have his own agenda. He took over as director and insisted on doing a dry run. “Up with the curtain! Places, please. Stand by, and on with the show of the century. It’s the most original thing to hit Broadway. You know why? Cagney…or Cohan, to be more accurate, is the whole darned U.S. of A. squeezed into one pair of pants.”

Wallis asked the PIs to follow him and take seats with the extras in the audience.

“How many actors does the scene start off with?” Babs asked.

“Not including the live orchestra and the packed seats filled with the audience, I guess there are about thirty-five, but more join in later.”

Lighter on his feet than expected, Warner skipped across the stage and justified substituting for Cagney, who refused to leave his dressing room. “Believe it or not, I’ve had experience as an entertainer. When my brothers and I started our family business, I used to sing in the aisles in between screenings.”

Wallis drew a deep breath and released it. “There he goes again. The boss loves telling everyone the story of his debut in show business. Often, I wonder whether Jack secretly always wanted to be a performer instead of running a studio.” He explained the upcoming scene while everyone blocked the action. “Jimmy sings Grand Old Flag. Twenty young Boy Scouts stride in from the top of the stairs. Betsy Ross sews the flag, upstage center. Eight more adults, who look like members of a military band, join them in song and advance from upstage right. After that, we cut away to five or six members of a fife and drum corps.”

The PIs made every effort to follow Wallis while Warner danced on stage with the hired actors. “Upstage left, a variety of singers march forward, representing the common man and the working class—policemen, bakers, bankers, a nurse, miners, railroad workers—showing their solidarity. Everyone turns toward the flag and breaks into My Country, ’Tis of Thee in front of people manning an anti-aircraft gun.”

Guy, who had been counting on his fingers, lost track. “How many would that add?”

“Probably another thirty. Central Casting must’ve broken out bottles of champagne after receiving our requisitions. Then the stage curtains close, and the spotlight falls on Cagney, downstage right. In come the tap- dancing dames, many bearing American flags. This is where we rival MGM’s schmaltzy musicals with their elaborate costumes and choreography. Enter Uncle Sam, played by Walter Huston, and the Statue of Liberty. Then Jimmy wows everyone with his signature dance steps. More female flag bearers emerge from behind the rear curtain. Our stage crew has rigged the floor with conveyor belts, giving the illusion that the actors are marching toward the audience while they’re actually staying in place.”

“Otherwise, they’d march right off the stage,” said Babs.

“Correct, but we wouldn’t want them to do that,” Wallis explained. “As the cinematographer pulls back and widens the focal length of his lens, background curtains continue to open until we see a painted backdrop of the Capitol Building in Washington, D.C. I’m no expert in visual effects, but it gives the audience the feeling there must be well over a hundred people proceeding down the boulevard. Pretty spectacular, don’t you think?”

The assistant director leapt onstage and reminded Warner that the soldier actors were still suffering under the scorching lights and waiting for their next order. “Sir, we’re not rolling camera. We should dismiss them.”

“Tell them it’s a wrap until further notice. I won’t approve an exorbitant dry-cleaning bill for everyone schvitzing in their costumes.”

With military precision, the assistants rounded up the various groups of performers and shuttled them toward wardrobe. Curtiz and James Wong Howe, his cinematographer, remained to discuss how they’d execute the rest of that scene.

Warner scribbled a note and handed it to his assistant. “Bill, tell these two to drop everything. I’m calling a meeting to order and want them present.”

Schaefer reviewed his memo pad. “Sir, you scheduled one with them already.” Then he checked his watch. “They should be there…right now.”

Jack pointed to Babs and Guy. “Then you’re coming with me and away from the crime scene.” In a rush, he sprinted ahead.

Babs shouted loudly enough for him to hear her as he gained distance. “We’ll need to sign a contract to make our assignment official!”

“Pick up the pace, you slowpokes, and I’ll cut you a check after we get there.”

***

Excerpt from Round Up the Unusual Suspects by Elizabeth Crowens. Copyright 2026 by Elizabeth Crowens. Reproduced with permission from Elizabeth Crowens. All rights reserved.

 

 

Author Bio:

Elizabeth Crowens

Elizabeth Crowens is bi-coastal between New York and Los Angeles, where she has worn many hats in the entertainment industry. Awards include Lefty nominee for Best Humorous Mystery, Agatha nominee in multiple categories, MWA-NY Chapter Leo B. Burstein Scholarship, NYFA grant, Eric Hoffer Award, Glimmer Train, Killer Nashville Claymore finalist, Killer Nashville Silver Falchion Top Picks, two Grand prize and six First prize Chanticleer Awards. Crowens writes Golden Age of Hollywood mystery with humor and alternate history in her Time Traveler Professor series. She also has a popular Caption Contest on Facebook.

Catch Up With Elizabeth Crowens:

www.ElizabethCrowens.com
Amazon Author Profile
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Instagram – @crowens_author
X – @ECrowens
Facebook – @thereel.elizabeth.crowens
BlueSky – @elizabethcrowens.bsky.social

 

Q&A with Elizabeth Crowens

Can you tell us a little about yourself and your background?
I’ve worked for years in one facet or other of the entertainment industry. Sadly, most of which is uncredited. However, you won’t see any credits under Elizabeth Crowens. It’s my pen name, and IMDB (the Internet Movie Data Base) will only list your name in the credits. Even so, under my real name, my contributions were often uncredited, especially in television that only lists the top “above-the-line” contributors. Overall, I did everything from still photography for publicity to script supervising, to story analyzing for an Oscar-nominated producer, to being an outside consultant and providing vintage clothing, fabric, and design services for the top costume and fashion designers. I also know a lot about film history which helps for my Golden Age of Hollywood Mystery series.

How did you come up with the title?
The credit for my latest book’s title, Round Up the Unusual Suspects, goes to one of the members of my online writing group. My working title was completely different, and he hated it. The Casablanca character, Captain Louis Renault, the Vichy prefect played by Claude Rains, always said, “Round up the usual suspects.”

Can you give us a glimpse into the research that went into writing this story?
Compared to the two previous books in my Babs Norman Golden Age of Hollywood Mystery series, for Book 3, I worked with a new editor who insisted I include a bibliography at the end of the book. I added a filmography, since I had to watch a lot of movies to nail down the characters. Believe it or not, it took me three days to compile the list, and I’m sure I’ve left some stuff out. In a nutshell, I probably read over 45 books for my research. That’s why it took me a year to write, despite the fact that I’m a plotter and an outliner versus a pantser.

What do you absolutely need around you while writing?
Coffee, silence, and no distractions. That’s why I tend to work in the middle of the night. Since I’m bi-coastal, I’m either working in Manhattan or in Los Angeles. In New York, I hate jackhammers, garbage trucks, back up beeping from trucks, fire engines and police sirens, and loud car stereo systems. In LA, during the day you get lawnmowers and leaf blowers. Never understood the value of a leaf blower. Since they’re gas-powered, they’re bad for the environment, and the people who use them could probably use some exercise by raking or sweeping the leaves instead. In the middle of the night, I don’t have to constantly check for emails, and I don’t get distracted by spam texts or robocalls. When I worked as a photographer, maybe that’s one of the reasons why I liked working my own private darkroom. There was something peaceful about that.

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Witness in the Shadows by Blaire Morgan

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WITNESS IN THE SHADOWS

by Blaire Morgan

March 16, 2026 Book Blast

Synopsis:

Witness in the Shadows by Blaire Morgan

Kyndall Family Suspense

 

In this gripping romantic suspense set in the Blue Ridge Mountains of North Carolina, danger closes in and trust may be the only way to survive.

A woman tormented by her past.

For eight years, FBI Agent Alexa Kyndall relentlessly pursued justice, leaving no room for the guilty to escape. In Witness in the Shadows, her dedication draws her into a deadly hunt for a serial killer—and into the path of the most unexpected criminal of her career.

A man willing to do whatever it takes to save her.

When a child witnesses a brutal slaying, Alexa’s life becomes intertwined with Craig Pierson’s, a man with his own haunted past. They join forces, only to discover they must put everything on the line in a pulse-pounding struggle to protect and survive.

A killer closing in.

As the shadows deepen and danger tightens its grip, Alexa and Craig must risk everything to survive.

Book Details:

Genre: Romantic Suspense
Published by: Blaire Morgan Books
Publication Date: March 16, 2026
Number of Pages: 255
Series: Kyndall Family Suspense Series, Book 1
Book Links: Amazon | Kindle | Goodreads | BookBub

 

Author Bio:

Blaire Morgan

Blaire Morgan is a pseudonymous American author blending danger, emotion, and high-stakes storytelling into gripping romantic suspense. She lives wherever the next adventure takes her—usually somewhere with a lot of trees, or a place that exists only in her imagination.

Catch Up With Blaire Morgan:

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Amazon Author Profile
BookBub – @blairemorganbooks1

 

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The Fatal Saving Grace by Jim Nesbitt #AuthorInterview

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THE FATAL SAVING GRACE

by Jim Nesbitt

February 9 – March 6, 2026 Virtual Book Tour

Synopsis:

The Fatal Saving Grace by Jim Nesbitt

ED EARL BURCH HARD-BOILED TEXAS CRIME THRILLER

 

MAYHEM WITH A BADGE

After wandering the peephole wilderness of a private detective for two decades, defrocked Dallas homicide detective Ed Earl Burch is finally an official manhunter again, wearing the badge of a district attorney’s investigator working in the harsh desert mountains of West Texas.

Big D, it ain’t. And life as a resurrected lawman isn’t everything he hoped it would be. Too many rules. Not enough satisfaction. And a boss who hates him for saving his life.

But Burch is back, playing the same deadly game he mastered as a murder cop, tracking a serial killer who tortured and murdered his ex-lover with a straight razor—an Aryan Brotherhood gang leader Burch thought he killed in a desert shootout.

He’s also trying to protect the fugitive granddaughter of an old friend and her four-year-old son—from this remorseless killer and cartel gunsels hired by her incestuous Dixie Mafia daddy.

Throats get slashed. Bullets smack flesh. Bodies drop. And Ed Earl Burch and his partner, Bobby Quintero, are in reckless pursuit, dodging death, closing in on their prey.

No place Burch would rather be. Unless he gets killed.

Praise for The Fatal Saving Grace:

The Fatal Saving Grace is the Independent Press Award Distinguished Favorite for Action/Adventure 2026

“Nesbitt delivers a scorched-earth tale where every shadow conceals an ambush and every road bleeds history. He paints West Texas in colors of rust, smoke and whiskey, and the result is a story that feels carved in stone. This is cowboy noir at its finest.”
~ Baron Birtcher, Will Rogers Medallion winning author of Knife River

“Ed Earl Burch, who’s partial to Lucky Strikes and Maker’s Mark, makes Mike Hammer look like Miss Marple. Jim’s novels offer wicked humor, an eye for detail, brass-knuck action and language that would strip the paint off a Hummer.”
~ Noel Holston, author of Life After Deaf and As I Die Laughing

“Jim Nesbitt knows his Texas crime and writes one fine line at a time. Hard-boiled with prickly pears, old leather boots, a bit of tobacco, freshly spit of course, he gets it right.”
~ Joe R. Lansdale, champion mojo storyteller and author of the Hap ‘N Leonard crime thrillers

“A gritty and deadly must-read, THE FATAL SAVING GRACE cements Nesbitt’s standing among the best writers in the pantheon of Southern noir.”
~ Bruce Robert Coffin, bestselling author of the Detective Justice Mysteries

“Ed Earl Burch is back, and that’s great news for readers who love classic hard-boiled noir, colorful characters, crackling dialogue and plenty of action. Highly recommended!”
~ R.G. Belsky, author of the Gil Malloy and Clare Carlson mysteries

“Some would call it justice. Some would call it revenge. No matter what you call it, the concept has been a long running theme of the Ed Earl Burch series. The same is very much true in the fifth book of the series, The Fatal Saving Grace: An Ed Earl Burch Novel by Jim Nesbitt.”
~ ‘Ace Texas book reviewer’ Kevin Tipple

Book Details:

Genre: Hard-Boiled Crime Fiction, Western
Published by: Spotted Mule Press
Publication Date: December 15, 2025
Number of Pages: 301
ISBN: 9780998329482 (ISBN10: 0998329487)
Series: Ed Earl Burch Hard-Boiled Texas Crime Thriller, Book 5 | Each is a Stand-Alone Thriller
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub

Ed Earl Burch Novels, 1-4

The Last Second Chance: An Ed Earl Burch Novel
The Last Second Chance
Amazon | Barnes & Noble | BookShop.org | Goodreads | BookBub
  The Right Wrong Number: An Ed Earl Burch Novel
The Right Wrong Number
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  The Best Lousy Choice: An Ed Earl Burch Novel
The Best Lousy Choice
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  The Dead Certain Doubt: An Ed Earl Burch Novel
The Dead Certain Doubt
Amazon | Barnes & Noble | BookShop.org | Goodreads | BookBub

Read an excerpt:

From Chapter 1

When a man gets hit by a .45 ACP Flying Ashtray or three, by all that’s ballistically holy, he ought to get dead and stay dead.

All manner of official paperwork swore he was dead. All of it based on a bogus death certificate filed by parties unknown in the Cuervo County Coroner’s Office, with copies popping up like blowflies on a cow carcass. Even the federales had him playing poker with the Devil, his prison mugshot tucked away in ATF and DEA files, DECEASED stamped across his face in bold, black letters.

The con was slick and easy. Money changed hands, files were swapped or ditched, reports were shredded or faked. Somebody else’s corpse became him. The relentless power of bureaucratic incompetence and inertia did the rest.

Yessir. According to all that yellowing, lawdog paper, he was nobody they had to worry about no more. Finito. A shade. A ghost who said adios. A good thug now that he was a dead thug. Muerto.

Not hardly.

That’s what John Wayne said to all those hombres who thought he was dead in Big Jake. With a growl and a scowl.

Not hardly.

He liked that. Matter of fact, he just trotted out the Duke’s line to a guy he used to be tight with. Caught up to him climbing the three cinder block steps to the front door of his desert double wide.

Tapped him on the shoulder, saw the wild-eyed fear when the dude turned and saw who the finger belonged to. Blurted out: “You’re supposed to be dead!”

Not hardly. Said it with a growl but no scowl. Then grabbed him by a greasy hank of raven black hair, yanking his head back and cutting a crimson smile across his throat from ear to ear. With a bone-handled straight razor. His favorite.

Threw the guy into the sand at the side of the steps. Listened to the choking gurgle and death rattle. Then licked the blood off the blade.

Not hardly. He tilted his head back and laughed. Savored the kill. Alone and alive. An endless dome of stars glittering in the midnight sky above the rocky desert outback near Radium Springs, New Mexico. No moon. A dead man at his feet. Used to be a member of his crew. Frankie Sheridan.

Met him at Pelican Bay. An Alice Baker brother doing a long stretch for bank robbery. Had a shamrock tattooed on his chest with the initials AB in capital letters—Alice Baker, Aryan Brotherhood. Blood in, blood out. Ex-Army. Knew his way around diesels, alarm systems, and weapons.

Sent him a ticket to Texas when he got out. Made him a member of his crew, smuggling guns and drugs out of a ranch north of Faver, the Cuervo County seat, a bent outfit that ran cattle for cover and fleeced bitter and gullible white trash while promising them the return of the Republic of Texas for Caucasian Christians only, a New Zion based on God, guns, guts, and the Good Book. Niggers, Jews, Arabs, and Spics need not apply.

Bad move. Frankie was a ratfuck snitch. Uno chivato. Not to the lawdogs. Just as bad, though. Frankie sold him out to a rival outfit of gunrunners and drug smugglers. Kept them one step ahead of him as they chased a third outfit that held a cache of stolen military hardware everybody wanted.

Rockets, bloopers, mortars, and full-auto carbines and rifles. Bang-bangs that could tip the scales on both sides of the river. All in the hands of a crew fronted by a flashy woman in jeans, tall boots, a bolero jacket, and a blonde wig. A wet dream for the pendejos she hustled.

La Güera. Just the thought of her caused his molars to grind. He wanted her dead. No, he needed her dead. She and her lover were the reason his life got flushed into the sewer, his crew dead, his stash of guns and drugs long gone. Had him climbing out of the shitter, clawing to the top of the dung heap. Again.

He caught the lover. Sliced off his manhood. Slit his throat. Then chopped off his head and butchered his body to stuff into a giant barbecue smoker. Tucked the man’s jewels into his mouth as the crowning touch to a cannibal’s mesquite-smoked delight.

Not the same. Didn’t have her. She still needed to feel his blade, feel his eyes boring holes into hers as he gave her that crimson smile. He needed to lick her blood off that sharp stainless steel. Taste it. And grin. Only then would the circle be complete. He’d be whole again.

Well, not completely whole.

His right eye was gone, blown out by a glancing hit from one of those .45 ACP slugs that also shattered the orbital bones. Nothing extensive plastic surgery, bone implants and a new glass eye couldn’t cure. Had to stack plenty of cash up front to repair damage that severe.

Gave that part of his face a waxy texture straight out of Madame Tussauds. But it sure beat wearing an eye patch and the lopsided face of a Dick Tracy cartoon villain.

His left knee was also shattered, replaced with a titanium joint that allowed him to walk with only a slight limp. Another five-figure hit to his stash of greenbacks.

The man who fired those rounds was also on his payback list. An ex-cop. Big-ass older fucker with a gray beard. Said to be a washed-up Dallas P. I..

Beg to differ, sir. Sumbitch sure kept him from getting to her during that clusterfuck in the West Texas desert. A real Wild West shootout between rival drug gangs wanting the blonde bitch’s bang-bangs.

He was oh-so-close to grabbing her up, dodging bullets and bodies, closing the gap between him and Ol’ Dude, who was carrying the bitch draped over his right shoulder. He screamed her name and leveled an M-16A1 at the both of them.

“La Güeraaaaaaa! I got you, bitch! Got you now! Gonna slice you wide open and watch you bleeeeeeed!

Ol’ Dude spun on his heel and emptied a 1911 mag at him offhand. Yelled this: “Not today, you cockbite motherfucker. Not in this lifetime or the next.” A lefty. On target without dropping the bitch. Only thing that kept him alive was a Kevlar vest that caught the Flying Ashtrays that would have shredded his chest.

Washed-up, my ass. The man wrecked me. His time was coming, though. Count on a reckoning. Soon. But not now. He was working his way up the ladder of a list he kept in his head. One body at a time.

Frankie was the bottom rung. La Güera was at the top with Ol’ Dude second. Five other rungs between Frankie and them.

Time to get gone. And get busy.

***

Excerpt from The Fatal Saving Grace by Jim Nesbitt. Copyright 2025 by Jim Nesbitt. Reproduced with permission from Jim Nesbitt. All rights reserved.

 

 

Author Bio:

Jim Nesbitt

Jim Nesbitt has the perfect radio face, bionic knees that can grind coffee beans and tell time and a cat who poaches his cigars and uses his cellphone to place bets on British soccer. He is also a recovering journalist who once chased politicians, neo-Nazis, hurricanes, rodeo cowboys, plane wrecks and the everyday people swept up in a news event who gave his stories depth, authenticity and a distinct voice.

A lapsed horseman, pilot, journalist and saloon sport with a keen appreciation of old guns, vintage cars, red meat, good cigars, aged whisky without an ‘e’ and a well-told story, Nesbitt is also the award-winning author of five hard-boiled Texas crime thrillers that feature battered but relentless Dallas PI Ed Earl Burch — THE LAST SECOND CHANCE, THE RIGHT WRONG NUMBER, THE BEST LOUSY CHOICE, THE DEAD CERTAIN DOUBT and THE FATAL SAVING GRACE.

A diehard Tennessee Vols fan, he now lives in enemy territory — Athens, Alabama — with his wife, Pam, and is working on his sixth Ed Earl Burch novel, THE PERFECT TRAIN WRECK. When he’s off his meds, he’s been known to call himself Reverend Jim and preach the Gospel of Hard-Boiled Crime Fiction.

Catch Up With Jim Nesbitt:

www.JimNesbittBooks.com
Jim’s Substack – @edearl56
Amazon Author Profile
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Threads – @edearl74
Facebook – @edearlburchbooks

 

 

#AuthorInterview with Jim Nesbitt:

What was the inspiration for this book?
A perverted sense of charity for the main character of my hard-boiled Texas crime thrillers, cashiered Dallas homicide detective Ed Earl Burch. For two decades, he’s been wandering the peephole wilderness of a private detective, longing for the sense of calling and higher purpose he had when carried the badge he lost. I wanted to give him what he wished for and see how he copes with life as a resurrected lawman, forced to take orders and work with people after living life as a loner and semi-outlaw for a long time. It’s not everything he hoped it would be, as is often the case with magnificent obsessions. Too many rules, too many people, too many years as a lone wolf and semi-outlaw unfettered by rules. I also wanted to show the hard miles he’s racked up, giving him the aches and pains of middle-aged tough guy without turning him into a cripple or a poster child for Geritol. He’s still tough, profane, ornery and reckless. And he’d still just as soon shoot you as look at you — if you’re a bad guy in need of killin’. But it’s harder for him to get out of bed in the morning.

What was the biggest challenge in beginning your writing career?
Getting started. I come from a long line of hillbilly storytellers who taught me the importance of knowing where you’re from and who your people are. Seems like I’ve always had a book in my hand and started writing at a very early age. Had some talent and was able to parlay it into a fairly successful journalism career for nearly forty years. I was lucky to break into journalism when long-format stories that used the tradecraft of fiction writing was in vogue. I was also a hard-boiled crime fiction junkie, a faithful follower of Chandler and Hammett and others who broke free from the confines of the English cozy mystery and amateur sleuths, giving crime back to the criminals of the gritty urban underworld. Wasn’t a huge leap for me to tackle my first hard-boiled crime thriller. But I’m a lazy bastard so it took me way too long to start. Wish I’d cranked it up twenty years ago. Make that twenty-five.

What do you absolutely need while writing?
Used to be George Dickel Tennessee whisky (spelled without the e), preferably hundred proof bottled-in-bond, and a damn good cigar, waiting for me at the end of a writing session. These days, it’s more likely to be cornbread and iced tea, to poach a line from Hank Williams, Jr. And a cushion for my butt.

Do you adhere to a strict routine when writing or write when the ideas are flowing?
I’m not really strict about anything and I hate routine. That said, I know the key to writing a book is the discipline to keep your butt in the chair for hours at a time and writing even when the words don’t flow. If you wait on those mystical ideas to flow, you’ll never get anywhere. I don’t punch a clock or slavishly do periodic word counts but I do put in the time it takes to write a good story. I just don’t brag about it on Facebook or my blog.

Who is your favorite character from your book and why?
Rhonda Mae Mutscher. She’s just as tough and unsinkable as Ed Earl Burch. Maybe tougher. Quicker to shoot somebody, maybe. Very much like many of the women in my books, she’s smarter than most men, Burch included. But there’s a bond between her and Burch based on the earlier experience of him helping her escape from cartel sicarios and gunrunning rivals, including the serial killer of this book, a nasty piece of work named Cleve Chizik, who Burch thought he killed during a desert shootout four or five years ago described in The Dead Certain Doubt. Because of that bond, she thinks of Burch when Dixie Mafia gunsels sent by her incestuous father chase her out of the small Colorado town where the feds stashed her as a protected witness. She also has a five-year-old son she has to protect and doesn’t trust the feds to keep her or him safe. West Texas feels safer because Burch and the family of her son’s dead father are there.

Tell us why we should read your book.
Because it bristles with relentless action, has a pulse-racer of a plot, a solid storyline, and a colorful cast of characters. It’s hard-boiled detective fiction at its finest, centered on a protagonist like no other, the deeply flawed but wildly compelling Ed Earl Burch. It’s a taut, tense, uncompromising tale of revenge and redemption — a damned good story exceptionally well-told.

Give us an interesting fun fact or a few about your book?
To give myself a little more literary license, I created two West Texas jurisdictions that are both figments of my imagination: Cuervo County, because crows are smart and fascinating birds, and the town of Faver, the county seat, named for the pioneering cattle baron of the Big Bend Country, Milton Faver. Faver was an interesting character who is mostly forgotten today. Like a lot of newcomers to Texas, both before the split from Mexico and after, he was escaping something unsavory back east. He killed a man in a duel in Missouri and fled, first to Mexico, where he worked in a flour mill than as a freighter hauling goods over the Chihuahua and Santa Fe trails, surviving an Indian attack that left him severely wounded. Although hazardous, the freighting business was profitable enough for Faver to start a general store in Ojinaga. In 1857, he moved with his wife and only son to the frontier of the Chianti Mountains in the Big Bend Country, bought land around three springs and established the Cibolo Creek ranch, building herds of cattle and sheep as well as fortress houses to repel attacks from raiding Comanche and Apache. He ruled his ranches with an iron hand and meted out justice by his own lights. He didn’t believe in credit and stood at the gate during a cattle sale, taking silver coin for each cow, steer or sheep as it passed into the corral. He died in 1889.

Do you have anything specific that you want to say to your readers?
Like my earlier books, The Fatal Saving Grace is the polar opposite of a cozy mystery. There isn’t a lick of cuteness in it. It’s a hard-bitten tale told in the hard-boiled style of Chandler, Hammett and later-day writers like the late, great James Crumley. It’s raunchy and violent with no punches pulled or euphemisms used to protect delicate sensibilities. And most of the people rambling around the stark, harsh beauty of West Texas have been honed, beaten and shaped by this land. They’ve all got some hard bark on them. And even the good guys have a mean streak and do bad things to get the job done according to what they think is right. It’s country that demands rough justice and Ed Earl Burch has been given a badge again to deliver just that.

Tell us a little about yourself and your background?
The Irish say that writers are failed talkers — guilty as charged since I always tell people it’s a damn good thing I write better than I talk because the way I talk is a curious mixture of 40s and 50s tough-guy jargon and cowboy lingo. I was born up North, near Philadelphia, but my parents were both North Carolina hillbillies from around Asheville. My sister and I weren’t Yankee-raised and we spent a lot of time with the country cousins when we were young during extended summer road trips. I was a journalist for almost forty years, nearly twenty of that spent as a roving correspondent for newspapers and wire services, parachuting into big stories of the moment, from presidential campaigns to hurricanes, and chasing big trends like the ongoing battle over public land use in the West, a vicious and long-running fight about grazing rights, mining and logging, or the rise of neo-Nazis and Christian Patriots in the mountain West. That experience taught me to look for the telling detail and listen for the voices of the people swept up in an event. I was also fascinated by the features of the land where people lived and the impact of that place as they tried to extract a living from it. That fascination is very much a result of my parents instilling in me a keen sense of place — knowing where you’re from and who your people are — something I believe is vitally important in storytelling. The place where you set your story should be as alive and vivid as you can make it — a character unto itself, not a one-dimensional stage flat in a play.

What’s next that we can look forward to from you?
I’ve been accused of writing thinly disguised Westerns and, truth be told, that’s a strong undercurrent that threatens to break the surface in all my books. Ed Earl Burch doesn’t wear a white hat, but he has a code he tries to live by and a strong sense of right and wrong. I’ve decided to let him rest a bit and resume writing a Western set in the 1920s in one of the rowdy oil boomtowns of the Texas Panhandle. I’ve created a character I think fans of Ed Earl Burch will like, a morally ambiguous gypsy lawman named Charley Mack Kincaid, whose been a cowhand, a deputy, a Texas Ranger and a Pinkerton agent, tapped by a Ranger styled after the legendary Frank Hamer to go undercover and help bust open the ring running the town. I’ve also got two more Ed Earl Burch novels rattling around my brainpan that I’ll get around to writing after I finish this Western, tentatively titled Boomtown Blood, which is the most unambiguous and straightforward title I’ve ever created. Gotta do something about that.

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Hard Headed Woman by Howard Gimple #AuthorInterview

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HARD HEADED WOMAN

by Howard Gimple

February 2 – 27, 2026 Virtual Book Tour

Synopsis:

Hard Headed Woman by Howard Gimple

 

No one but Hannah Johansson believes her father was murdered. Not even her mother. The doctors say he had a stroke, but Hannah knows he was poisoned. She just doesn’t know who did it or why. One thing she does know is that the answers can be found at the Jamaica Bay Wildlife Refuge, a pristine 9,000 acre nature preserve where her father was superintendent.

When she goes back to the Refuge, instead of answers, all she finds are more questions. Ominous questions. Where are all the birds? Why is there a heavily armed guard at the gate? What’s in the mysterious bundles being dropped off there in the middle of the night? When the police won’t investigate, Hannah is determined to find the answers herself, and she won’t quit until she learns the truth. Not even after she is shot at, thrown in jail, and beaten up by a 300-pound lesbian biker.

Praise for Hard Headed Woman:

“A gamesome detective story, dramatically absorbing and intelligently wrought.”
~ Kirkus Reviews

Hard Headed Woman is a refreshingly original story, free of many of the tropes often associated with mystery novels. That alone makes it deliciously difficult for the reader to guess who did what, and that makes this story one of the better mysteries we’ve read recently.”
~ The Mystery Review Crew

“The writing was exquisite, with vivid descriptions of all the events. It was a gripping read, especially with all the changes happening in the wildlife refuge. I found the story thoroughly enjoyable and was engrossed until the final page. The conclusion was a major surprise, and I did not expect it at all.”
~ Readers’ Favorite

Hard Headed Woman #AuthorInterview:

What was the inspiration for this book?
Much of the action in Hard Headed Woman takes place at the Jamaica Wildlife Sanctuary, a place I have visited many times. It’s a 12,000-acre forever-wild marshland in the middle of New York City, right across the bay from JFK Airport. I thought it would be a great setting for a mystery-thriller. It always struck me that an ingenious way to smuggle contraband out of the airport would be to ferry it across the bay to the Refuge.

What was the biggest challenge in beginning your writing career?
As a copywriter and creative director on Madison Avenue, with a wife and young daughter at home, it was difficult to carve out time to write. Sometimes, after a long day of sitting, thinking, and writing at a computer, doing the same thing for several more hours was the last thing I wanted to do when I came home. I had to fight the urge just to veg out in front of the TV, then drag myself, mentally kicking and screaming, down to my basement office. Thankfully, once there, the writing adrenaline kicked in.

What do you absolutely need while writing?
I need a few hours with zero distractions. Sometimes I’ll listen to music while working, jazz or classical, but no vocals. The only words I want to hear are the ones in my head.

Do you adhere to a strict routine when writing, or write when the ideas are flowing?
I don’t have a strict routine, but it’s because I’m waiting for a chunk of time, as opposed to waiting for ideas. Many of my most interesting ideas come when I’m nowhere near my computer or even a notepad, like on a walk or while driving. I’ll yell the idea out loud to myself two or three times to help me remember it, which makes for some strange stares from people who are walking near me. Then, when I get a chance, I’ll write it on an index card or sticky note. Hopefully, once I’m at my desk, the note that I wrote to myself will still make sense.

Who is your favorite character from your book and why?
I really enjoyed writing about Hannah’s sidekick Bette, who is struggling through some major life decisions about her career, her sexuality, and her entire identity. That being said, sometimes a minor character pops up and turns out to be more interesting and fun to write than I first thought. Two examples from TV that come to mind are Klinger on MASH, who was only supposed to be in one or two episodes and became a co-star, and Robin Williams as Mork from Ork, who was on a single episode of Happy Days, and wound up with his own show. That character in Hard Headed Woman was Salazar. She’s a wisecracking EMT who was a combat medic in Afghanistan. She was supposed to be a minor character in a scene, and she wound up dominating it. Don’t be surprised if she turns up as a major character in the next Hannah Johansson story.

Tell us why we should read your book.
Hard Headed Woman is a fun and exciting read with plenty of thrills and laughs. Hannah and Bette are unique characters who you won’t find in most mysteries. I also think most readers will be surprised to learn about the Jamaica Bay Wildlife Refuge. The book deals with some serious topics on family dynamics, including but not limited to what happens when a headstrong adult daughter has to move in with her elderly but still vital mother. There are also some facts that I discovered about the aftermath of the Iraq War that will intrigue many readers.

Give us an interesting, fun fact or a few about your book.
Hannah Johansson, the Hard Headed Woman of the title and main character of the book, is based on my wife, Chris. Like Hannah, Chris grew up on the Jamaica Wildlife Refuge, where her father was superintendent. She lived there with her mom and dad until she left to attend college. It was from her that I learned what it was like to spend your formative years in an isolated semi-wilderness, miles away from your school and your friends in New York City. Of course, Chris never had the exciting, death-defying adventures that Hannah experiences.

Do you have anything specific that you want to say to your readers?
I’d like to thank everyone reading this for loving books. In today’s multifaceted media landscape, along with attention spans that are ever dwindling, as an author, it’s comforting to know that there are still a good number of people out there willing to devote the time, effort, and energy it takes to read an entire novel.

Tell us a little about yourself and your background.
My daughter wrote this about me when she was 11. She’s now in her mid-thirties. I think it still works.
‘Howard Gimple is a parent to Rebecca Johnson Gimple. He is husband to Christine Johnson. Howard is tall and has big feet. He has a large nose and a beard, and a mustache. He is bald but has hair on the back of his head. Howard has big ears and usually wears weird Goofy clothing in his free time. Howard is very humorous. He tells many jokes all the time. Howard is great fun. He makes things into games. He lets me water ski on his legs and plays games with my friends and me. He makes jokes EVERYWHERE! He likes rock music, and I have to fight with him when we decide what to listen to in the car. He likes the Beatles, Kinks, and Rolling Stones. Howard Gimple is my dad.’

What’s next that we can look forward to from you?
I have a lot of story ideas floating around in my head right now. I’m jotting down ideas for the next adventure of Hannah and Bette. I’m also thinking about a story featuring Mercutio, my favorite character in Romeo and Juliet. In Shakespeare’s play, he dies at the beginning of Act 3. In my version, he is only slightly wounded, fakes his death, and goes back to Florence, where he gets into more mischief, gets involved in a civil war, and wreaks havoc among the young women of the city. I’m also toying with my version of a modern picaresque novel like On the Road, about two young wannabe hippies hitchhiking from New York to San Francisco in 1969, the year of Woodstock, Altamont, and the first lunar landing.

Book Details:

Genre: Mystromedy (a mystery comedy)
Published by: MYSTROMEDY BOOKS
Publication Date: June 22, 2024
Number of Pages: 416
ISBN: 979-8990761513
Book Links: Amazon | KindleUnlimited | Goodreads | BookBub

Read an excerpt:

Hannah Johansson stood at the lectern in front of 300 people staring at her, waiting for her to say something heartfelt and meaningful. She looked around the room. A room that was unfamiliar to her even though she’d been in it thousands of times. But that was when it was the multipurpose room at the Jamaica Bay Wildlife Refuge. She played in the large barn-like structure as a child with her dolls and toys and electric trains. She practiced her jumpshot here when her father put up a hoop after she made her junior high team. And when she was a little older, it was where she came when she needed to be alone with her thoughts and her guitar.

But the room that Hannah knew was gone. It was now the Axel Johansson Memorial Auditorium, renamed to honor her father’s memory.

Every seat was filled. The first two rows were reserved for relatives and VIPs. Hannah’s aunt Gilda and cousins Catherine and Phillip were sitting in the middle of the front row, flanked by officials from the Mayor’s Office, the New York City Parks Department, the National Parks Service and local assemblymen and state senators. The second row held representatives from a half-dozen environmental organizations including the Sierra Club, the National Audubon Society and the World Wildlife Fund.

The rest of the packed hall was crammed with children from neighborhood schools, birdwatching enthusiasts from all over the city and beyond, and men and women of all ages and ethnicities who loved the beauty and tranquility of the Refuge and wanted to show their appreciation and gratitude for the man who created and nurtured it.

Michael Leigh, the president of the east coast chapter of the National Environmental Conservancy and the organizer of the event, had just finished the last of a dozen tributes to her father, the man who transformed a rat infested, garbage strewn swamp into one of New York City’s environmental treasures.

Before Leigh left the stage he said, “Our final speaker, Superintendent Johansson’s daughter Hannah, would like to say a few words.”

On one side of the podium an easel held a portrait of her father in his khaki superintendent’s uniform, surrounded by a snowy egret, a great blue heron and a glossy ibis, painted by the celebrated wildlife artist Arthur Singer. On the other side was a wrought iron plant stand, but in place of a plant it held a hand-enameled aluminum urn containing her father’s ashes.

Tiny pearls of sweat formed on Hannah’s forehead. She gripped the lectern for support.

“Thank you all for coming,” she said, fighting to maintain composure. “I know my father meant a lot to you. He meant everything to me. He was my hero. My mentor. My best friend. I loved him more than I could ever possibly say.”

Her face contorted. Her eyes welled up.

“I’m sorry. I’m so sorry. I’m so sorry I killed him,” she wailed.

***

Excerpt from Hard Headed Woman by Howard Gimple. Copyright 2024 by Howard Gimple. Reproduced with permission from Howard Gimple. All rights reserved.

 

 

Author Bio:

Howard Gimple

Howard Gimple was a writer at Newsday, the editor of a newsletter for the New York Giants football team, and a copywriter and creative director for several New York ad agencies. He has written English dialogue for the American releases of Japanese anime cartoons, reviewed books for the Long Island History Journal, and written movie scripts for a pay-per-view television network.

Howard was Chief Creative Officer at TajMania Entertainment, a film and TV production company dedicated to creating socially conscious programming. He wrote the award-winning documentary, ‘The Garbageman,’ about a waste management executive who helped save the lives of more than 50,000 children with congenital heart disease. He was a writer and sports editor for the Stony Brook University alumni magazine. He also taught two seminars at the university, ‘Rock & Relevance,’ about the political influence of 60’s rock & roll and ‘Filthy Shakespeare, ‘ exploring the dramatic use of sexual puns and innuendos in the Bard’s plays and poems.

He grew up in Brooklyn, lived in Manhattan and Long Island, and now lives in Glendora, California, with his wife and goldendoodle.

Catch Up With Howard Gimple:

howardgimple.com
Amazon Author Profile
Goodreads
BookBub – @howardgimple
Facebook – @authorhowardgimple

 

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Giveaway: Murder, Mayhem, and a Hard Headed Heroine

This giveaway is hosted by Partners in Crime Tours for Howard Gimple. See the widget for entry terms and conditions. Void where prohibited.
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Dying With A Secret by Tj O’Connor || #Interview

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DYING WITH A SECRET

by Tj O’Connor

January 12 – February 13, 2026 Virtual Book Tour

Synopsis:

Dying With A Secret by Tj O'Connor

THE DEAD DETECTIVE CASEFILES

Dying can bring out the best in people.
It can also bring out the worst of secrets.
If you want to know someone’s dirty secrets, kill them.
It works every time.

Oliver “Tuck” Tucker, the dead detective, is back—not just for another case, but from the dead—or vice versa. It all starts when a Federal Agent is killed by a mysterious force in front of dozens of witnesses—including Angel, his historian wife, and Tuck. Among the many suspects is a dark, clandestine Federal agency responsible for advanced research and weaponry, a university doctoral candidate who won’t stay dead, and the leader of a secret southern society bent on rekindling the Civil War. With the aid of a ten-year-old psychic and the spirit of Tuck’s Civil War grandmother—Sally Elizabeth Mosby—Tuck has to stay one step ahead of the Feds who are hellbent on capturing him—alive? But through all this, what’s a two-hundred-year-old lost fortune in gold got to do with dead agents, secret death rays, and rogue policemen?

DYING WITH A SECRET Trailer:

Book Details:

Genre: Paranormal Mystery, PI Cozy Mystery
Published by: Level Best Books
Publication Date: December 9, 2025
Number of Pages: 324
ISBN: 979-8898201111 (pbk)
Series: The Dead Detective Casefiles, Book 4
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub

The Dead Detective Casefiles

DYING TO KNOW by Tj O’Connor

DYING TO KNOW

Amazon | Barnes & Noble | Goodreads
DYING FOR THE PAST by Tj O’Connor

DYING FOR THE PAST

Amazon | Barnes & Noble | Goodreads
DYING TO TELL by Tj O’Connor

DYING TO TELL

Amazon | Barnes & Noble | Goodreads

Q&A with Tj O’Connor

What inspired you to write this book?

Dying With A Secret is Book IV in The Dead Detective Casefiles. I penned it as part of the continuing saga of Oliver “Tuck” Tucker and his exploits. The plot(s) are part of my passion—Civil War history; secret government shenanigans; and the Beale Treasure. All of which are rooted in fact. Those facts inspired the plot.

What was the biggest challenge in writing this book?

As with the other Dead Detective Casefiles, the story melds different timelines. Dying With A Secret is present day and the Civil War. Keeping facts and dates straight, events in the characters past and when they could reasonably occur was a constant challenge. Even trying to stay true to real historical events such as Winchester, Virginia’s role in the Civil War and the history behind the Beale Treasure took spreadsheets and copious notes!

Give us a glimpse of the research that went into this book.

As a student of history and adventure, I spent considerable research on Winchester, Virginia’s role in the Civil War. I also researched John S. Mosby, of Mosby’s Ranger’s fame, and his exploits in Virginia. The use of beyond-state-of-the-art weapons is something I’ve followed for years so that played a tiny role in the story, too. And finally, the true history of the infamous Beale Treasure that began in the 1800’s and carries on to this day was important. All the historical elements of The Dead Detective Casefiles are based in facts and historical truisms. Sure, I take a few liberties here and there. But the research into the topics is critical.

How did you come up with the title?

Well, Dying something…. Is a series theme. Dying to Know, Book I, is literally that Tuck was dying to know who killed him. Dying for the Past, Book II, was focused on historical misadventures of key characters from past in the late 1930’s and early 1940’s. Dying to Tell, Book III, follows a famous World War II spy mission—Operation Salaam—and the characters need to tell that story to exonerate themselves. Finally, Dying With A Secret is about the cost of keeping the secret of the Beale Treasure hidden for so long.

Your routine in writing? Any idiosyncrasies?

No true idiosyncrasies. But my writing time is plagued with disruption. First, I work long hours as an anti-terrorism consultant. Writing means early mornings, lunchtime (and sometimes with an extended lunch), evenings and weekends—or combinations of these. I am also dad to three rescue dogs and two cats who demand time. I have a brood of grandchildren and three that are with me a lot—I love this!—and demand my utmost attention off the keyboard. Oh, yeah, there are my wife and adult children somewhere, too! So I write as often as I can. I have to reread a lot when I sit down to write anew. Too often, I end up off track after a short stint away and have to rewrite and readjust my story to regain momentum. Truly, though, that often gives me a better story outcome. And then there’s the characters—Tuck and Angel, Lowe Curran… they are demanding of me, too!

Tell us why we should read your book?

Writing is my escape. I believe most people read fiction for that reason—to escape the world and have an adventure on their own terms. My books offer that. They are based on my life’s travels and passions (with a whole lot of freelancing). I’ll give you a murder mystery with a dead detective that you’ll swear is real and could actually happen. All my characters are real-as-life—they are fallible, have quirks, have believable backstories, and above all, stick to plausible plots (well, except the being dead part in Tuck’s Dead Detective Casefiles). They deliver fun, exciting, and fast-paced stories.

Are you working on your next novel? If so, can you tell us a little bit about it?

Two, actually! I am finishing the first draft of The Dead Detective Casefile #5, Dying For the Truth now. Tuck and Angel witness a close friend murder a former CIA operative in their hometown. What lies ahead comes from Tuck’s past—his first homicide fifteen years ago and still unsolved—the appearance of his most mysterious long-lost relative, and the collision of Eastern and Western spies that make him question his own family heritage.

The second work is Book III in The Pappa Legacy series (title unconfirmed). That one is still in its infancy but will be ready to roll out after Tuck’s next casefile is done.

The question remains—when will I ever sleep?

Your novel will be a movie. You would you cast?

Easy!
Detective Oliver Tucker: Colin Ferguson. A brilliant, funny, and creative actor.
Professor Angela “Angel” Hill Tucker: The brilliant and glamorous Angie Everhart or Connie Britton.
Bear Braddock: No doubt, David Harbour. Big guy with a big “bearish” personality. Perfect.
Poor Nic Bartalotta: Has to be the late Abe Vigoda.
Doc Gilley: My former mentor, Wally F.
Colonel Smith: Ed Harris who plays a gruff, duplicitous and conniving character so well.
Sally Elizabeth Mosby: Renee Zellweger because of her role in Cold Mountain.
Bradley M. White: Tommy Lee Jones.
Young Kerrie Garcia: The young actress, Niki Garcia (in her pre-teen roles).

Favorite leisure activities/hobbies?

I love to cook and I’m a Harley Davidson pilot. I love hanging with my grands and dogs and playing games, sports, and bikes. I love putting on murder mystery cocktail parties for the family and travelling to book events to meet fans and talk books!

Favorite foods?

I love to cook so there are many: Greek: anything lamb, souvlaki (beef or lamb on a stick) and kotopoulo (Greek chicken on rotisserie), horiatiki, tiropita, and spanokopita. Italian: chicken cacciatori and cioppino; French: Coq au vin; American eclectic: steak chili, fried chicken, oysters, bacon wrapped scallops or cheddar scallops… shall I go on?

Read an excerpt:

Chapter One

Dying can bring out the best in people. It can also bring out the worst of secrets. Oh, not only about the dead—sure, that’s when everyone starts whispering about the dearly departed. No, I’m talking about the secrets of the living who are left behind. Sometimes, those people get brazen about their dastardly deeds when someone involved in those deeds dies. They don’t always keep them well hidden. Often, too, a death sheds too much light on too many people. Light others would rather not be in—like Wyle E. Coyote’s oncoming train in the tunnel. It can be too revealing for some. Blinding for others. One secret often leads to another. Another death. And by another death, I mean murder.

So, if you want to know who your friends are, or what they’re truly up to, kill one.

It works every time.

What makes me so sure? Murder is my thing. I’m a homicide cop in the historic Virginia city of Winchester. Winchester has a hell of a murder rate that most don’t know about. I know because I’ve solved more than twenty murders in the last few years alone. Well, seventeen to be precise. Three deaths were accidents and suicides—not something I tell stories about. But the other seventeen—phew, what a rush. As you can see, I’m an expert on the dead.

More about that later.

At the moment, it was a beautiful August afternoon in Winchester, Virginia. As always on these beautiful August days in Winchester, it was hot as, er, … it was hot. Luckily, instead of being in the dog days of summer, I sat in the air conditioning atop a stack of wooden crates in our local library, ogling the beautiful woman working across the room from me. Her auburn hair flowed around her shoulders like a silk veil, and her green eyes sparkled even in the dark. At thirty-eight, she had the hourglass figure a twenty-year-old would die for—and today it was wrapped in jeans and a denim shirt with her sleeves rolled up to her elbows. This lady’s charm and intelligence radiated an allure that stole my heart the moment I pulled her over for an undeserved speeding ticket back in the day. Sure, sure, it was unethical. Hey, I didn’t give her the ticket after securing a date.

Fortunately, the statute of limitations on cheesy pickup ploys expired years ago.

This lady was doing her best to ignore me—difficult as it was—though she wanted nothing more than to get lost in my affections. No, really, it’s true.

Full disclosure. This angel was formally Dr. Angela Hill Tucker, Assistant Dean and Chairwoman of History at the Mosby Center for American Studies, University of the Shenandoah Valley. Yep, my wife. Today, she was researching a new historical find in the Lower-Level Research Room at the Handley Library, a local historical landmark. The Lower Level is actually the library’s finished basement. Since it’s a classy place, they call it the Lower Level.

Angel sat at a cluttered wooden desk beside crates of documents discovered in a formerly undiscovered sub-basement at the Winchester Courthouse—another historic building. Yeah, I know, we have a lot of historic buildings in town. That’s because Winchester dates back to George Washington’s day, and we’ve played a big part in American history ever since. Anyway, she had just opened one of the six large, wooden crates to begin work. The first few items she took out were more of the same as many of the other crates—folded files tied with leather straps. There were a few land maps and surveyors’ drawings, and an old silver-plate photograph of a family standing around a horse carriage with grim, pasty faces.

Angel was in heaven—pardon the pun. She spent much of her life in rooms just like this one, doing what she was now doing—researching old stuff. Okay, it’s historically significant old stuff. The other part of her life she spent in pursuit of her real passion—trying to be a crack detective like me. Oh, I’m her real passion, too. But don’t tell her I said that. It’s our secret.

All day, I’d sat with my feet propped up on a crate, bored. I had on the same clothes as usual—blue jeans, running shoes, a blue Oxford button-down shirt, and a blue blazer. Angel once called my ensemble, ‘old guy sexy.’ I don’t know about the old guy—I’m only forty-one—but I’ll take the sexy part.

“Hey, Angel,” I said, stretching. “How about we go grab takeout?”

She ignored me. Not unusual. Not that she was so focused on her work, but because working at a small table across the room was her research assistant, Andy-somebody. She didn’t want to fluster him, so she just made believe I wasn’t around. We have this thing, you see.

“Hey, it’s a beautiful summer day. Maybe steaks on the grill and wine?”

She glanced up and gave me one of those “God, I want you” looks. Okay, maybe it was a “quiet, I’m working” look.

“Angela?” The thin, shaggy-haired assistant, Andrew Pellman, walked to the stack of crates beside her. He lifted one of the crates, grunted a little from the unexpected weight, and set it on the corner of her desk. “I’m done computerizing the inventory from crates one and two. Shall I get a head start on crate four while you finish crate three?”

“No, Andrew. We’ll keep to our process.” She saw his face melt into a pout. Me, I would have let him cry, but she was the kind soul in the family. “Oh, all right. Go ahead and begin. Follow our guidelines closely. One document at a time. Identify, inventory, and scan what you can. Photograph any that won’t stand up to the scanning process. Andrew, be careful—very careful.”

His face lit up. “Sure, Angela, I’ll be careful.”

Pellman was a meek kid in his mid-twenties. He was working on his doctoral thesis at the university, and Angel was his dissertation advisor. I didn’t like him. Not one bit. I have a sixth sense about people. When he was around, my BS meter pings like it does with politicians and faux car warranty stalkers. Andy was a new class of “some people” that I hadn’t labeled yet.

“I think you should call me Professor Tucker,” Angel said with an easy tone. “Let’s keep this professional. Okay?”

“Yes, Professor Tucker.”

“It’s not personal, Andrew.”

He shrugged. “Okay.”

Angel flipped through a document and stopped. She retrieved another and did a comparison. Finally, she looked over at Pellman. “Have you seen any references to ‘M35W?’ Do you recognize it from anything you’ve done?”

“Why?” He walked to her worktable. “Is it important?”

She shrugged. “I don’t know. It seems out of place. Like some kind of acronym or citation. Can you check your new research engine tomorrow?”

“Sure, okay. It’ll give me a good test run on my changes to the algorithm.” His face beamed. “Thank you.”

Andrew’s doctoral studies used computers to perform detailed research traditionally done by historians and doctoral students. One day, that program he wrote would likely replace those researchers with keyboards and mice—the electronic kind, not the crumb snatchers. You know, like self-checkout machines at the grocery store. You do all the work, and they charge you the same price. Then, they’ll fire five clerks who the machines replaced. Great plan, Andy. I wonder how many historians you’ll replace with your gadgets.

“Thank you, Andrew.” Her cell rang, and she took the call. “Professor Tucker.” The caller had Angel’s complete attention. I knew that because she jotted some notes and checked her watch twice—all the while continuing to ignore me. So, it must have been really important, right? “Yes, of course. I’ll be right up.”

“Professor Tucker?” Andrew asked.

She glanced over at Andrew as she tapped off the call. “We’re done for the day, Andrew.”

“Is something wrong?” he asked. “I can help.”

“No, it’s fine. I have to meet someone up in the rotunda. We’ll start again in the morning.” She began straightening her papers and stuffing files into her worn, leather briefcase.

“Who?” he asked.

I said, “Never you mind, sonny-boy. You work for her, not the other way around.” I winked at Angel. “Millennials, right?”

She hefted her briefcase. “Something to do with our Apple Harvest research.”

“Okay.” He glanced at the crates of research. “Want me to gather up your research and get it to your car? There’s an awful lot here.”

“Actually, yes. If you don’t mind.” She gave him the keypad code for her Explorer. “Leave my briefcase and the files beside it here. The rest can go in my vehicle. Please make sure it’s locked when you’re done. Thank you.”

“Sure thing, Professor Tucker.” His face lit up. “See you in the morning.”

I followed Angel through the Stewart Bell Jr. Archive Room, into the Lower Lobby, and up the stairs toward the main library entrance.

“I don’t like him, Angel. He’s shifty.”

“Shifty, Tuck?” Finally, she acknowledged me. I wore her down. “No one says ‘shifty’ anymore.”

“It’s coming back in style.”

She grinned and whispered, “Is that your detective-senses talking or because he stares at me when he thinks I’m not looking?”

“He doesn’t stare. He ogles.”

“Yes, he ogles.”

“I can get Bear to check him—”

“No, Tuck. He’s fine. I don’t like it when you’re jealous.”

Me, jealous? No. It was purely a professional irritation I felt whenever Andy was around. Truly.

We reached the first-floor hall that led into the main library rooms. There, she made her way into the rotunda at the library entrance. She stopped beside a high-back wood bench where Library Lil—the bronze statue of a young girl reading a book—sat.

A tall, thin man about thirty stepped out of one of the meeting rooms along the west hallway. He glanced around before he headed our way. He wore dark slacks and a dark sport jacket over a white, button-down dress shirt that was untucked in that new-millennial style, and penny-loafers. He strode to us and looked around his entire trip.

“That must be Special Agent Kerns with the DOD,” Angel whispered. “He called just now.”

A fed? Interested in her research? I asked her that.

“I don’t know. He said it was about my Apple Harvest research and that it was classified. Go wait somewhere.”

“I am somewhere. I’m here.”

She gave me the evil eye, so I meandered to a bench nearby.

As Kerns approached, fingers began dancing up my spine—hot, pointy fingers. I didn’t like those fingers. Every time they did the mambo up my vertebrae, something bad happened in the next few beats.

Kerns reached Angel, proffered a hand, and said something with a serious, tight expression on his face. Then, he hooked a thumb toward the main entrance doors.

Angel shook his hand and smiled faintly, a sure sign she was unsure of him.

Those fingers reached the base of my brain and squeezed

“Angel, get down!” I lunged forward and pulled her away from Kerns, down behind Library Lil’s bench.

Kerns stood there, frozen in an eerie mist. His arms shot out sideways, and he seemed to lift onto his toes. His face contorted into a stunned, painful grimace.

“Tuck?” Angel cried. “What’s happening to him?”

Hell if I knew.

Kerns’ entire body vibrated and shuddered. He staggered backward and collapsed onto the floor, writhing. The lights above us flickered wildly and went out. The original iron, brass, and blown-glass chandelier swayed dramatically two floors overhead. Its lights flickered and went dark.

When I glanced back at Kerns lying on the floor, I cringed.

Blood flowed from his ears, nose, and mouth. It seeped from his eye sockets, where his eyeballs looked like soft-boiled eggs stewing in their sockets. His hands and fingers were dark red and bony. His face and neck had oddly sunk, and his skin looked like it had been draped over his bones as though someone had sucked the tissue and muscle from beneath. He looked like he had melted inside.

The only thing left of him was his clothes and a spreading pool of goo.

Kerns was dead, sure enough. He’d been murdered, too, right in front of Angel and a dozen people. I knew no one had seen anything. No one heard anything. No one knew anything. Me included.

Well, that’s not true. I knew something. Special Agent Kerns didn’t die of a heart attack because of a poor diet. He wasn’t killed by a sniper with a silenced rifle, a knife-throwing ninja assassin, or by an Amazonian’s blow dart. He died of something else.

What killed him, I had no idea. But it scared the life out of me.

***

Excerpt from Dying With A Secret by Tj O’Connor. Copyright 2025 by Tj O’Connor. Reproduced with permission from Tj O’Connor. All rights reserved.

 

 

Author Bio:

author

Tj O’Connor is an award-winning author of mysteries and thrillers. He’s an international security consultant specializing in antiterrorism, investigations, and threat analysis—life experiences that drive his novels. With his former life as a government agent and years as a consultant, he has lived and worked around the world in places like Greece, Turkey, Italy, Germany, the United Kingdom, and throughout the Americas—among others. In his spare time, he’s a Harley Davidson pilot, a man-about-dogs (and now cats), and a lover of adventure, cooking, and good spirits (both kinds). He was raised in New York’s Hudson Valley and lives with his wife, Labs, and Maine Coon companions in Virginia where they raised five children who are supplying a growing tribe of grands.

Catch Up With Tj O’Connor:

tjoconnor.com
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Sangrita by Kathryn Dodson

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SANGRITA

by Kathryn Dodson

November 17 – December 12, 2025 Virtual Book Tour

Synopsis:

SANGRITA by Kathryn Dodson

Jessica Watts Southwest Suspense Series

 

A kidnapping scheme turns deadly when private investigator Jessica Watts becomes the hunted instead of the hunter.

Jessica Watts refuses to work with her nemesis Tomas Garcia—until his desperate wife arrives with their baby, begging Jessica to find Tomas’s missing father. Tres Garcia vanished after marrying his late wife’s cousin Letty in a secret ceremony, and now Letty claims he’s too sick for visitors. When Jessica discovers bloody medical supplies in Letty’s trash, someone knocks her unconscious and she awakens trapped in a nightmare.

Held prisoner for days with Tres’s life-support machine beeping nearby, Jessica realizes Letty is running a deadly operation with border coyotes—ruthless smugglers who eliminate witnesses. The kidnapping is part of an elaborate scheme to steal Tres’s fortune, and with the coyotes closing in with orders to kill everyone, Jessica must overcome her terror and escape before Letty’s greed destroys them all—but will the tough investigator she’s always been survive becoming the prey?

Book Details:

Genre: Crime Fiction, Women’s Detective Fiction
Published by: Renegade Reads
Publication Date: November 21, 2025
Number of Pages: 220
ISBN: 979-8-9903577-7-8
Series: Jessica Watts Southwest Suspense Series, Book 4 | Each is a Stand-Alone
Book Links: Amazon | KindleUnlimited | Goodreads | BookBub

Read an excerpt:

Chapter 1

Jessica let the mental exhaustion take hold for a minute, then shook it off. Eighteen months to go. If she survived that, she’d be a lawyer and hopefully move from the reception desk to the courtroom.

She settled into her chair. “I’m back,” she called to her boss. Linda owned the one person firm housed in a quaint old home turned law office in downtown El Paso. Jessica ran her fingers across the antique, inlaid cherry desk. She’d started here less than a year ago, but she already loved this place.

“Hey, how was the test?” Linda strode into the room and plopped down in front of her. A perfect-fitting Armani suit and a blonde blowout softened the toughness shining through Linda’s blue eyes. The creases in her face told the world she’d faced a few battles.

“Tough, but I’m pretty sure I passed,” Jessica said.

Linda smiled, then cocked her head, a question appearing in her eyes. “I bet your father would be proud.”

Jessica bristled, the ache returning to her shoulders and prickles of tension running across her skin. Linda hadn’t brought up Jessica’s dad since the first time they met.

Jessica hated how her father’s conviction for destroying evidence in a drug case shaded her pending law career. He’d been El Paso’s district attorney at the time. That embarrassment held Jessica back for too many years. She’d gotten past it, mostly, especially since her father’s passing.

She shrugged her shoulders in response then willfully changed the subject. “Has it been quiet here?”

“Surprisingly so. But who knows what will walk in the door next?” Linda glanced out the large window as if she expected to see someone trotting up the steps. She turned back to Jessica. “Do you have any new projects on the horizon? You know, human remains under a pecan tree or a missing heiress?”

Jessica’s reputation for finding things, missing people, murderers, had ratcheted up since she started working with Linda. She shook her head. “No more wild cases for me. I need to keep my head down and finish school. I keep getting waylaid by these other projects. It’s too hard to focus on law school and my work here when I’m off solving someone else’s mystery.”

Linda studied Jessica. “Maybe, but I think you like striking out on your own, solving someone’s problem, and coming back a hero. Practicing law is so different than that. It’s tedious and requires an extraordinary amount of patience while the wheels of justice turn.”

Did Linda doubt her aspirations? Not every case would be exciting, but lately, she could use a little less excitement in her life.

“Perhaps,” Jessica said. “But you’re a lot less likely to be confronted by people pointing guns at you or burning down the house you’re trapped in.”

“True. At least most of the time.”

Jessica wondered about her answer. “Is that why you left the police force and became an attorney?” She had heard about Linda’s first career from Jaime Castro, a lieutenant on the El Paso police force and one of her oldest friends. Based on the admiration in his voice, Linda had excelled as a police officer.

“Not really.” Linda’s gaze softened, as if remembering something from long ago. “The problem with police work is that you don’t get to choose your cases. When they don’t seem fair, it becomes hard to put your heart into the job.”

Jessica waited for an explanation. What kind of case would make someone as tough as Linda walk away? For a minute, Jessica thought she would say more. But instead, her boss changed the subject. “Why don’t we go over the upcoming cases?”

When they finished, Linda headed back to her office. Jessica had just turned to her computer when she spied someone coming toward the door. Someone she did not want to see.

Tomás Garcia loped up the steps and opened the door before Jessica could escape. If only her test had taken longer.

“Hi, Jessica. It’s good to see you.” He sat in the chair Linda had just vacated as if he owned the place.

He didn’t. And when he’d tracked her down at a party a few weeks ago, she’d told him she didn’t want to see him again. Yet here he sat. The audacity of rich men never failed to surprise her.

“Why are you here?” She threw all the surliness she could muster into her voice.

“Is that any way to treat a potential client?”

“Tomás, I made it clear that I would never work with you again. You do remember you tried to kill me the last time.” And the time before that, she’d almost died at the hands of someone he’d forgotten to tell her dealt drugs.

“I wouldn’t have killed you. I am not a murderer. I was just angry. I thought you had taken something I considered mine.”

“That something was a human being, and she didn’t want to be with you. You’ve lost your chance with me.”

He steepled his fingers and stared across the desk. “We have a long history, and we’ve worked well together in the past.” Arrogance wafted off him like a bad smell.

Jessica scanned her desk for something to throw at him or stab him with. Life was way too short to tolerate assholes like this.

He held his hands up in surrender, as if he could read her mind. “You’re right. That last time was horrible. I shouldn’t have done so many of the things I did then. I’m sorry. I promise I’m a different man now. And I need your help.”

Fire lit in her veins. She had already taken too many chances with Tomás. Jessica took a deep breath and tried to keep from spitting at him. “You need to leave. There is no way in hell you’ve changed enough in the last few years for me to consider working for you.” She wouldn’t physically attack him, but she tried her best to stare daggers into his soul.

“Please. Let me explain. I’m married to a wonderful woman now. We have a son, and he’s the most important thing in my life. Becoming a father changes a person. I’m a much better man today. Also, I lost my mother a year ago, and I’m worried about losing my father. That’s what I need to talk to you about.”

Of course, curiosity gnawed at her, but it wasn’t enough. She loathed this man.

“You do realize that waltzing in here expecting me to listen to you after I’ve already told you no means you’re still the entitled jerk you’ve always been.”

“I’m not. I swear. Please, just hear me out. I think someone is trying to kill my father.”

“So. Go to the police.”

“I have, but I can’t get anywhere with them. My dad remarried just a few months after my mom died. His new wife has completely denied me access to him.”

“Didn’t you hate your dad? How many times have you told me you wanted to build an empire even bigger than his? Maybe he just doesn’t want to see you.”

“Things are different now. After…after what happened with Doraliz, I had to change. I wasn’t a man I could be proud of, and I certainly wasn’t a son my mother could respect. But she didn’t give up on me. Instead, she helped me see what a terrible person I’d become and gave me a way to recover.”

“Whatever. I don’t care, and I want you to leave.” Jessica refused to buy his rich boy sob story. He should have ended up in jail.

He leaned forward, hands on his knees, blue eyes staring her down, probably his attempt at acting earnest. “I know how selfish and hurtful and conceited I was. I know, and I hate that version of myself. I understand why you don’t want to work with me, but my father’s life is on the line. You have a knack for solving mysteries. I’ve seen you do it. I need your help to save my father.”

“It’s not going to happen. And if you don’t leave, I’ll call the cops.” Jessica picked up her phone and hit the timer, then turned it to face him. “You’ve got sixty seconds to get out of this office.”

Exasperation crossed Tomás’s features. He sighed and started to say something. Then he shut his mouth, rose, and walked out the door. She hoped she’d never see him again.

Linda emerged the minute he left. From the look on her face, she’d heard the conversation.

“I didn’t know you had such a long, involved relationship with Mr. Garcia.” Linda sat in the probably still warm chair.

“Yeah. Unfortunately.” Jessica said nothing more, hoping Linda would drop it. She preferred to avoid the whole sordid tale.

Linda watched Jessica for a long moment but didn’t press her for more information. “You do know that you’re always welcome to work on outside cases. Soon enough you’ll have your own legal cases.”

“I look forward to that, but not with him.”

“Fine. You should head home early tonight. Go celebrate finishing midterms with that handsome husband of yours.”

“Thanks.” She did want to celebrate, although she’d stayed up so late cramming, she’d require a second wind to do anything other than crawl into bed. Or maybe a shot or two of tequila to help her forget torts. And Tomás’s visit.

***

Excerpt from Sangrita by Kathryn Dodson. Copyright 2025 by Kathryn Dodson. Reproduced with permission from Kathryn Dodson. All rights reserved.

 

 

Author Bio:

Kathryn Dodson

Kathryn writes about women who have to become their own heroes – whether they’re solving a crime or figuring out the next phase of their lives.

She grew up writing and riding horses in far West Texas. She graduated from SMU in English/Creative Writing and went on to get an MBA from Thunderbird and a PhD from Clemson. Now she spends her days writing about women who become their own heroes.

She has worked on both sides of the US/Mexico border and has held jobs with governments, chambers of commerce, and other businesses. Kathryn loves to travel and has visited 30 countries and 44 states. This inspires her novels about interesting women in fascinating places.

Originally from Texas, Kathryn had the good fortune to live in Spain, Mexico, Tanzania, and several U.S. states, and the good sense to end up in Carlsbad, California. She loves travel, fiery food, hanging out with the neighbors in the front yard on Friday evenings, and reading.

Catch Up With Kathryn Dodson:

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Goodreads
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Instagram – @kathrynbdodson
Threads – @kathrynbdodson
LinkedIn – @kathydodson
Facebook – @kathy.dodson.31

 

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FADE IN by Kyle Mills

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FADE IN

by Kyle Mills

August 18 – September 26, 2025 Virtual Book Tour

Synopsis:

Fade In by Kyle Mills

When an ex-Navy SEAL ends up injured and imprisoned, a shadowy ring of power brokers offers him the only way out—through a high-stakes military mission—in this knockout punch of an international political espionage thriller from #1 New York Times bestselling author Kyle Mills.

When ex-navy SEAL Salam “Fade” al-Fayed steps in front of a sniper’s bullet, he assumes that he’s reached the end of the road—his death wish has finally been answered.

Instead, he wakes in a hospital. As one of the deadliest operatives in U.S. history, he’s now incapable of even standing without assistance. Alone and wanted by authorities, he’s destined to spend the rest of his life lying in a prison infirmary.

So when a shadowy organization offers him a new identity and next-generation medical care, he has no choice but to agree. Nothing’s free, though. After a grueling rehabilitation, he’s drafted into an elite paramilitary unit. But who’s in charge?

When a dire threat—a highly contagious pathogen—explodes out of China, his question is quickly answered: A select group of the world’s wealthiest and most powerful people has decided that governments are no longer capable of controlling the chaos erupting around the globe. It’s a power grab by billionaires who’ve decided that it’s their time to rule.

With panic rising, the leaders of both democracies and dictatorships prove equally willing to destroy anything and anyone to save themselves. Forced into action before he’s fully ready, Fade finds himself at the sharp end of a mission to stop a menace unlike any he’s faced before. If he fails, the consequences will be unimaginable. But what if he succeeds?

No one elected the people he’s working for. And God sure as hell didn’t ordain them. Has he signed on to save the human race . . . or to help quietly enslave it?

Fade In tackles the complex threats of international espionage, power imbalances, and global terrorism–and introduces a character destined to take his place among legends like Vince Flynn’s Mitch Rapp, Robert Ludlum’s Jason Bourne, Lee Child’s Jack Reacher, and Daniel Silva’s Gabriel Allon.

Kyle Mills is the author of nine New York Times bestselling Vince Flynn novels featuring Mitch Rapp.

Praise for Fade In:

“Fade is a badass operator whom even a coma can’t stop. . . . Plenty of action, plenty of fun.”
~ Kirkus Reviews

“Fresh and incredibly relevant to today’s geopolitical landscape, Fade In is a slow-burn thriller that explodes with violence and leaves you stunned. . . Thriller fans will enjoy Fade In on its own merits but will also be excited for the potential of where this series can go in the future.”
~ Steven Netter, Best Thriller Books

“The most fun I’ve had reading a thriller in a while . . . (Fade is) an invigorating, witty, and highly-likable protagonist.”
~ Kashif Hussain, Best Thriller Books

“Kyle Mills is a master of the page-turner. His attention to detail and his smooth style will keep you reading well into the night.”
~ Vince Flynn

“A new genius for taut, compulsive adventure writing.”
~ Tom Clancy

“One of the best thriller writers on the planet.”
~ The Real Book Spy

“Writing in the Tom Clancy tradition, Kyle Mills has produced a power-packed drama about the men and women who battle the bad guys to protect us all.”
~ William H. Webster, former director of the FBI and CIA

“Spicy, smart, and entertaining. Kyle Mills knows what he’s doing.”
~ Steve Berry

Book Details:

Genre: Thriller
Published by: Authors Equity
Publication Date: July 29, 2025
Number of Pages: 336 pages, Hardcover
ISBN: 9798893310399, Hardcover
Book Links: Amazon | Barnes & Noble | BookShop.org | Goodreads | BookBub | Simon & Schuster

Read an excerpt:

Thompson Training and Rehabilitation Facility
Near Fayetteville, West Virginia
USA

FADE MANAGED to achieve a state between sleep and consciousness that he could more or less maintain. His eyes were open but didn’t register the hospital-like room he’d occupied for the last three months. And the dreams didn’t come. They were out there, though. Hiding under his bed. Peeking through the crack in the bathroom door.

A sound slipped through his barriers, but it was hard to say if it was real or just one of those monsters on the move. In the end, it turned out to be both.

“Hajjiiiiiiiiiii!”

The shout was followed by ham-sized fists hammering Fade’s locked door. The handle rattled uselessly, followed by more pounding, this time hard enough for dust to rise off the jamb and hang pale in the air.

“Come out and play, Haji! You’re going to die soon anyway! Haven’t you heard? All you old bastards!”

Fade frowned. He was only a few years Thor Erickson’s senior, and it was almost three in the morning. Apparently, the NFL lineman he was sharing the facility with found a way into the pharmaceutical cabinet.

Fortunately, the door was original to the old building, lovingly created from solid oak. Back before robots, assembly lines, and particleboard. When craftsmen learned at their fathers’ sides and took pride in what they did.

“Thor!” A woman shouted. “What’s wrong with you? Go back to bed!”

Fade groaned and muttered to the empty room. “What are you doing, Lisa? Lock yourself in your room.” The pounding went silent.

“Are you high? Have you been taking drugs?”

Heavy footsteps, still slightly off rhythm from his knee injury.

“Stop it! Go back to bed! Now!”

His response was muted but intelligible. “Oh, come on. You said you’d do whatever it took to put me back together . . .”

Then running. Light footsteps with a quick, even beat. But then the chase was on. It shook the entire building.

Fade swung his feet off the bed and stood, stretching his back and registering once again that it felt good. Probably not good enough to save him, though.

When he arrived at the open door to Lisa’s office, she and Erickson were on opposite sides of the desk, staring at each other like the lecherous boss and pious secretary from an old sitcom. When he feinted left, she moved right. When he feinted right, she moved left.

Of course, he could go over or through that piece of IKEA plywood any time he wanted. The question was whether that was really what he had in mind. So far, his violence had been limited to the psychological kind. Would it stay that way?

Best to hang back and wait for an answer. Fade knew his involvement would only escalate the situation. If this was nothing more than a little harmless fun, better to let the god of thunder get bored and end it on his own.

Erickson’s knee brace was conspicuously absent, exacerbating some residual instability to the outside. It caused him to move right more confidently than left. The power, size, and incongruous grace that had made him famous on the field were all there, though. As was the laser-like focus on destruction.

“Okay, this isn’t funny anymore,” Lisa said with impressive calm. “It’s time for you to go back to bed. If you don’t, you could do damage that I can’t fix. It could end your career, Thor. Do you understand?”

The discipline necessary to conjure such a serene tone was noteworthy but also a complete misreading of this piece of shit’s psyche. He fed off the fear he instilled in others. Denying him that would just cause the fire to burn hotter.

Erickson threw himself forward and managed to get hold of her upper arm. She tried to break free but, despite being a hell of an athlete in her own right, had no chance. Instead, she was dragged over the desk and spun around. With his hand now clamped around the back of her neck, she ended up bent at the waist with her cheek shoved into the blotter.

And so it began.

Fade tore himself from the wall he was leaning against and walked to the doorway.

“Hey, big guy.”

Erickson spun, knocking Lisa to the floor. Instead of using her newfound freedom to bolt, she waved Fade off. “Go back to your room! It’s okay.”

He wondered if she actually believed that she could control this douche-bag or if she was just willing to take the bullet to keep her first— and unquestionably most charming—client safe. Not that it mattered. Either she had an unwavering faith in humanity or bigger balls than anyone he’d ever met. That made her worth something. If Lisa Thompson existed, maybe humanity was actually worth saving.

“Looks like you got a hold of a little too much, Thor. Why don’t you and I go outside and walk it off. Let Lisa hit the—” It was impossible not to marvel at the man’s charge. It was like getting shot at by a hippopotamus cannon.

Options were limited, and Fade had already considered all of them. Showing up to this fight in nothing but boxer shorts was intentional. Not just because it was becoming a bit of a tradition, but because football players tended to make good use of their opponent’s clothing to gain control.

The second decision had been even harder than condemning himself to being beaten to death in his underwear. He’d committed to not retreating into the hallway. While bigger than the office, it was certain death. Outrunning this prick over a quarter mile would be a piece of cake, but not so much over the length of that passageway. Further, there was nothing out there that could be used as a weapon. Going up against this bulldozer empty-handed wasn’t going to end well. Anything short of an RPG was going to feel light.

Fade slipped into the office, staying on Erickson’s weak side and ramming a shoulder into him as they came even. The hope was to nudge him in line with the door and let his momentum carry him through. Then they could barricade themselves inside and wait for whatever he’d taken to wear off.

It turned out to not be that easy. Hitting the guy was like colliding with a sack of wet cement. And the idea that his momentum could be counted on to carry him anywhere turned out to be a complete fantasy. The son of a bitch could stop on a dime.

Erickson spun, swinging an arm that caught Fade in the shoulder he’d used so ineffectively a moment before. The force nearly lifted him off his feet, sending him crashing into— and then over— Lisa’s desk. He landed face-first in her chair, which immediately rolled away and sent him to the floor. The illusion of having a bit of cover disappeared when Erickson swept the desk away like it was made of papier-mâché.

Admittedly a bad start, but finally, part of Fade’s master plan worked. Sweaty, bare skin was hard to hold on to. It wasn’t a lengthy reprieve, but it provided an opportunity to throw a magnificent punch directly into the man’s groin. Perfect leverage, great technique, propelled by Mystery Machine–enhanced muscles.

The motherfucker didn’t even notice.

A moment later, Fade felt himself being lifted. His head penetrated the acoustic tile ceiling, providing him with a brief view of the AC ductwork before he was yanked down again. The bear hug he ended up trapped in was centered on his lower back, and he expected his spine to fail. It didn’t, though. Whoever performed his surgery was due a gold star. No numbness or paralysis from the waist down. Just a complete inability to breathe.

A quick review of his situation uncovered a number of problems, the worst of which was that he was being slowly crushed to death. On the brighter side, he was facing his opponent, and his arms were free. Also, Lisa was releasing a steady stream of obscenities that would have made even his old master chief blush.

Hilarious.

He leaned forward and bit down on Erickson’s nose while simultaneously trying to drive a thumb into his eye. Accustomed to having his face protected by a helmet, he was taken by surprise, and Fade once again found himself sailing through the air. This time he landed on the sofa, which wasn’t too bad until he went over the side and landed on Lisa’s guitar. It shattered beneath his weight, driving a sizable shard into his left triceps. By the time he yanked it out, Erickson was coming at him, adding his own screamed epithets to Lisa’s.

The sofa took the brunt of the collision, but the lineman was still able to get a handful of Fade’s hair. Putting up a fight would just waste energy, so Fade allowed himself to be dragged, focusing on keeping hold of what was left of the guitar. Erickson’s knee finally started to show signs of weakness, reducing the force with which he was able to slam Fade onto the desk. Still hard enough to loosen a few fillings, but not sufficient to prevent Fade from winding a couple of the guitar’s strings around the man’s nearly nonexistent neck.

A massive fist connected with his ribs, but Fade ignored it as he tried to fight his way into a position where he could exert some force. Then Erickson made the fatal error of jerking back.

The strings tightened, opening a deep gash that caused his incredible strength to falter. Fade held onto the broken neck of the guitar with one hand and the detached bridge with the other, allowing himself to be pulled to the floor. Erickson kept swinging, connecting repeatedly, confused as to why he was inflicting so little damage.

Lisa appeared from the right, pressing a cloth to his neck in an effort to stop the fountain of arterial blood. A swipe of the man’s hand was still enough to send her spinning across the floor.

Fade got a hold of wrists too thick to wrap his fingers all the way around, gaining a certain amount of control. “You’re dying, man! Pay attention!”

Erickson’s eyes widened, revealing pupils dilated into manhole covers. Imminent death was a hard thing to process. Fade knew that better than anyone. But it was something to be stared in the face. No one should be cheated out of life’s last and most profound experience. Not even this tool.

Erickson finally went still, and Fade tried to stand, using the edge of the desk for balance. He righted Lisa’s chair and sat, not sure for a moment whether it was spinning or if it was just his head. He looked down at a desk drawer hanging broken to his right, trying to bring the image into focus.

When his vision finally cleared, one of his many suspicions was confirmed. It was refrigerated.

He retrieved an icy Coke and then forced the drawer above, revealing an elaborate junk-food stash. Ho Hos. Twinkies. Chips of various crunch profiles and flavors. The mother lode.

His first sip of Coke in years tasted like blood, so he spit it out. The second was heaven.

“Help me!” Lisa was on her hands and knees, once again pressing a cloth to Erickson’s neck.

“You’re wasting your time.”

“Then do something!” He opened a packet of Pop-Tarts and took a bite. Cinnamon. What kind of sick taco bought cinnamon? “He’s not going to make it, Lisa. Take my word for it.”

“Call an ambulance!”

He made a show of searching his nonexistent pockets. “No phone.”

She retrieved hers from her sweatpants and threw it at him. He scrolled through her contacts until he found one that said Matt. No last name. It took six rings, but a familiar voice finally answered. “Lisa? Is everything okay?”

“We’ve got a problem.”

A full second passed before Egan responded. “How big?”

“About three hundred and twenty-five pounds.”

The next pause was longer, accompanied by what sounded like fingers on a keyboard. “It’s going to be a few hours before I can get anyone there. Can you not screw anything else up until then?”

“Sure. No worries.” Fade disconnected the call.

Despite not being a particularly long conversation, sometime during it, Erickson had expired. Lisa fell back into the blood pooling behind her, blond hair glued to the tears and sweat on her cheeks. Fade grabbed a bottle of chocolate Yoo-hoo and rolled the chair alongside her.

“Here. Drink this. It’ll make you feel better.” She grabbed it and removed the lid with a practiced twist, draining almost half before coming up for air. “Better?”

No response.

“Are you hurt?” When she shook her head, he put a hand under her arm and lifted her to her feet. “Good. Now let’s get you cleaned up before the cavalry arrives.”

***

Excerpt from Fade In by Kyle Mills. Copyright 2025 by Kyle Mills. Reproduced with permission from Kyle Mills. All rights reserved.

 

 

Author Bio:

Kyle Mills is the #1 New York Times bestselling author of twenty-two political thrillers, including Enemy at the Gates, Total Power, and Lethal Agent for Vince Flynn and The Patriot Attack for Robert Ludlum. He initially found inspiration from his father, an FBI agent and former Interpol director, and still draws on his contacts in the intelligence community to give his books such realism. Avid outdoor athletes and travelers, he and his wife split their time between Jackson Hole, Wyoming, and Granada, Spain.

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