But then something happens. Something bad. A man enters into the I.C.U. Some young guy. He takes hold of Lola’s hand, and pulls her into him. Together, the two share a loving embrace over Moonlight’s dead body. Now, what seemed like a peaceful death is anything but. Moonlight wants back inside his body so he can face-off Some Young Guy and find out if his true love has in fact been cheating on him. At the same time, he wants to find out the true identity of those thugs who killed him so he can exact his revenge. No doubt about it, Moonlight needs to live if he’s going to uncover some pretty painful answers and take care of business.

Like a little kid dropping down a playground slide, Moonlight slides right back inside his bruised and broken body. Opening his eyes the white light blinds him. He feels the pain of his wounds and the pain of his breaking heart.

Life sucks, then you die.

But Moonlight rises.

But then something happens. Something bad. A man enters into the I.C.U. Some young guy. He takes hold of Lola’s hand, and pulls her into him. Together, the two share a loving embrace over Moonlight’s dead body. Now, what seemed like a peaceful death is anything but. Moonlight wants back inside his body so he can face-off Some Young Guy and find out if his true love has in fact been cheating on him. At the same time, he wants to find out the true identity of those thugs who killed him so he can exact his revenge. No doubt about it, Moonlight needs to live if he’s going to uncover some pretty painful answers and take care of business.

Like a little kid dropping down a playground slide, Moonlight slides right back inside his bruised and broken body. Opening his eyes the white light blinds him. He feels the pain of his wounds and the pain of his breaking heart.

Life sucks, then you die.

But Moonlight rises.

Ken has repeatedly told Melissa that he would do anything for her. But would he truly do anything?

Ken has repeatedly told Melissa that he would do anything for her. But would he truly do anything?

As Jane drove her ’66 Mustang toward the crime scene in the toney section of Denver known as Cherry Creek, she tried to look on the bright side. If she’d still been a drinker, she’d be battling an epic hangover at that moment and doing her best to hide it from Weyler. But since becoming a friend of Bill W., her addictions involved healthier options such as jogging, buying way too many pounds of expensive coffee and even briefly joining a yoga group. She stopped attending the class only because the pansy-ass male instructor wasn’t comfortable with her setting her Glock in the holster to the side of her mat during class. Since she was usually headed to work after the 7 AM stretch session, Jane was obviously carrying her service weapon. She wasn’t about to leave it in her car or a locker at the facility. Nor would she be so careless as to hang it on one of the eco-friendly bamboo hooks that lined the yoga room.

So for Jane, it was obvious and more than natural for the Glock to lie next to her as she attempted the Salutation to the Sun pose and arched into Downward Facing Dog. In her mind, there was no dichotomy between the peacefulness of yoga and the brain splattering capacity of her Glock. As the annoying, high-pitched flute music played in the background—a sound meant to encourage calmness but which sounded more like a dying parakeet to Jane—she felt completely safe knowing that a loaded gun was inches from her grasp. The other people in the class, however, did have a problem and they showed it by arranging their mats as far from Jane as humanly possible. None of this behavior bothered Jane until the soy milk-chugging teacher took her aside and asked her to please remove the Glock from class. Since Jane wasn’t about to take orders from a guy in a fuchsia leotard who had a penchant for crying at least twice during class, she strapped her 9mm across her organic cotton yoga t! op and quit.

That’s what predictably happened whenever you shoved a square peg like Jane Perry in a round hole of people and situations that don’t understand the real world. Crime has a nasty habit of worming its way into the most unlikely places—churches, schools, sacred retreats and possibly yoga studios. The way Jane Perry looked at life, yoga might keep your flexible but a loaded gun kept you alive so you could continue being flexible. She knew what it felt like to be the victim of circumstance; to be held hostage by another person’s violent objective. Even though it was a long time ago, she’d never wash the stench from her memory. Her vow was always the same: Nobody would ever make Jane Perry a victim again.

But somebody apparently had made the old lady inside the Cherry Creek house a victim. Jane rolled to the curb and parked the Mustang, sucking the last microgram of nicotine from the butt of her cigarette. Squashing it onto the street with the heel of her roughout cowboy boots, she flashed her shield to the cops standing at the periphery and ducked under the yellow crime tape that was draped between the two precision-trimmed boxwood shrubs that framed the bottom of the long, immaculate brick driveway.

As Jane drove her ’66 Mustang toward the crime scene in the toney section of Denver known as Cherry Creek, she tried to look on the bright side. If she’d still been a drinker, she’d be battling an epic hangover at that moment and doing her best to hide it from Weyler. But since becoming a friend of Bill W., her addictions involved healthier options such as jogging, buying way too many pounds of expensive coffee and even briefly joining a yoga group. She stopped attending the class only because the pansy-ass male instructor wasn’t comfortable with her setting her Glock in the holster to the side of her mat during class. Since she was usually headed to work after the 7 AM stretch session, Jane was obviously carrying her service weapon. She wasn’t about to leave it in her car or a locker at the facility. Nor would she be so careless as to hang it on one of the eco-friendly bamboo hooks that lined the yoga room.

So for Jane, it was obvious and more than natural for the Glock to lie next to her as she attempted the Salutation to the Sun pose and arched into Downward Facing Dog. In her mind, there was no dichotomy between the peacefulness of yoga and the brain splattering capacity of her Glock. As the annoying, high-pitched flute music played in the background—a sound meant to encourage calmness but which sounded more like a dying parakeet to Jane—she felt completely safe knowing that a loaded gun was inches from her grasp. The other people in the class, however, did have a problem and they showed it by arranging their mats as far from Jane as humanly possible. None of this behavior bothered Jane until the soy milk-chugging teacher took her aside and asked her to please remove the Glock from class. Since Jane wasn’t about to take orders from a guy in a fuchsia leotard who had a penchant for crying at least twice during class, she strapped her 9mm across her organic cotton yoga t! op and quit.

That’s what predictably happened whenever you shoved a square peg like Jane Perry in a round hole of people and situations that don’t understand the real world. Crime has a nasty habit of worming its way into the most unlikely places—churches, schools, sacred retreats and possibly yoga studios. The way Jane Perry looked at life, yoga might keep your flexible but a loaded gun kept you alive so you could continue being flexible. She knew what it felt like to be the victim of circumstance; to be held hostage by another person’s violent objective. Even though it was a long time ago, she’d never wash the stench from her memory. Her vow was always the same: Nobody would ever make Jane Perry a victim again.

But somebody apparently had made the old lady inside the Cherry Creek house a victim. Jane rolled to the curb and parked the Mustang, sucking the last microgram of nicotine from the butt of her cigarette. Squashing it onto the street with the heel of her roughout cowboy boots, she flashed her shield to the cops standing at the periphery and ducked under the yellow crime tape that was draped between the two precision-trimmed boxwood shrubs that framed the bottom of the long, immaculate brick driveway.