Category: Guest Author

THE NEARLY GIRL by Lisa de Nikolits (Interview, Showcase & Giveaway) ~ PICT Presents

The Nearly Girl by Lisa de Nikolits Banner

The Nearly Girl

by Lisa de Nikolits

on Tour November 2016

Synopsis:

The Nearly Girl by Lisa de NikolitsFans of “A Prayer for Owen Meany” and “One Flew Over The Cuckoo’s Nest” will love this clever, fast-paced and enjoyable thriller.

Like a modern-day Joan of Arc, Amelia Fisher attempts to carve out a ‘normal life’, showing us how mythic the idea of ‘normal’ really is.

With a poetic genius for a father, an obsessed body builder for a mother, and an enchantingly eccentric group seeking the help of an unorthodox therapist, what could possibly go wrong?

A chance discovery propels Amelia and fellow therapy attendee, Mike, with whom she is in love, into a life-threatening situation instigated by the crazed doctor’s own dark secret but Amelia’s psychosis saves the day.

Told with warmth, humor and populated with vividly original characters, this sprint-paced novel has it all, from restraining orders to sex in office bathrooms, and a nail-biting ending.

A novel about an unusual family, expected social norms and the twists and turns of getting it all slightly wrong, the consequences of which prove fatal for some.

Book Details:

Genre: Mystery, Thriller, Suspense
Published by: Inanna Publications
Publication Date: October 2016
Number of Pages: 301
ISBN: 1771333138 (ISBN13: 9781771333139)
Purchase Links: Amazon 🔗, Goodreads 🔗, &INANNA 🔗

Read an excerpt:

Amelia lay still. Mike was next to her, snoring slightly.

Amelia wondered how much time had passed since she and Mike had vanished. She wondered how Dr. Carroll had covered up their disappearance but she was sure his story was airtight. She wondered if anybody was worried about them and looking for them. She hoped Ethel was out of hospital and she tried to send messages to Nana with her mind, telling her to look for them.

Amelia’s eyes were wide open and she was trying to make little growling noises in her throat and eventually she was able to make a sound.

She graduated to trying to form words. Ma….. Ma….. Mak….. Mak!

Mak? The word was hardly decipherable but she was grateful for the utterance.

Mike? She growled the guttural utterance as quietly as she could but there was no reply.

Amelia lay on her back and she closed her eyes and concentrated very hard on trying to roll over. It seemed impossible to do in one big motion and she broke it down, first just trying to move her right arm across her chest. When she achieved this gigantic feat, she was drenched in sweat and she felt exhausted.

She wasn’t sure why but the sedative was metabolizing in her system in a different way to the others, it seemed to be leaving her bloodstream much faster. She was worried that Dr. Carroll would notice and administer the next dose before the current one had worn off.

She was about to roll over onto her stomach when she heard a noise. Alarmed that Dr. Carroll had returned, she flopped over onto her back, and adjusted herself into the same position as he had left her.

No sooner had she done this, than the doctor pushed his way into the room.

He sat down on the floor and heaved a great sigh.

You two have caused me an inordinate problem, he said. Really and truly you have. Why did you have to come here? Why?

He sat cross-legged and put his head into his hands.

I don’t know what to do with you, he said, his voice muffled. I have to get rid of you but I don’t know how to do it. I’m not a violent man, I’m not. I never thought it would come to this.

He rubbed his face. I could kill you very easily, that part is not the problem. It’s the disposing of the bodies. Hmm…

He fell into deep silence. If your bodies were ever found, the drugs in your system would lead you right back to me. But it’s very tough to dispose of bodies. Much harder than you would think. They make it look so easy in the movies but I wouldn’t even know where to start. Although, that said, I could drive north for a few hours, find a couple of side roads and dump you in the swamps. But I’d have to wade into them, carrying you, and you are both so heavy and there are snakes in those waters and frogs and god knows what, so no… that won’t work.

Oh, this is such a problem. I wonder if I should disappear instead. But why should I have to give up everything I have worked so hard to achieve? Why should I be the one to lose everything just because two nosy parkers poked their nosy noses where they shouldn’t have?

What about fire… I could try to burn you both, but bodies don’t burn entirely in fire and how and why and where would you have set yourselves alight? I don’t think I would be able to create a scenario in such a way that it would be believable to anyone.

There’s dismemberment of course. I could dismember you in the bathtub but the blood, ugh, blood. And I would have to buy saws and knives and plastic and containers and from what I’ve read, the evidence of blood is very hard to rid of. And how would I get rid of the body parts? I am back to square one. Disposal.

A lover’s pact? Suicide? Yes… but I’d need to get you both into a motel which would be a logistical nightmare. Slitting your wrists would be easy but I’d also have to make sure enough time passed for all the drugs to clear out of your system. And how am I supposed to carry you two lugs into a motel without being seen?

He gave a great sigh. I have to prepare dinner for my family. I don’t care about you two. You can starve to death for all I care.

He got up. I’m one of the top two percentile of brilliant geniuses, he said. I will think of something.

Author Bio:

Lisa de NikolitsOriginally from South Africa, Lisa de Nikolits has lived in Canada since 2000. She has a Bachelor of Arts in English Literature and Philosophy and has lived in the U.S.A., Australia and Britain.

Lisa de Nikolits is the award-winning author of five novels. Her first novel, The Hungry Mirror won a 2011 IPPY Awards Gold Medal for Women’s Issues Fiction and was long-listed for a ReLit Award. West of Wawa won the 2012 IPPY Silver Medal Winner for Popular Fiction and was a Chatelaine Editor’s Pick. A Glittering Chaos tied to win the 2014 Silver IPPY for Popular Fiction. The Witchdoctor’s Bones launched in Spring 2014 to literary acclaim and wide readership. Between The Cracks She Fell launched in Fall 2015 and was well reviewed by the Quill & Quire and was on the recommended reading lists for Open Book Toronto and 49th Shelf. Between The Cracks She Fell was also reviewed by Canadian Living magazine and called ‘a must-read book of 2015’. Between The Cracks She Fell won a Bronze IPPY Award 2016 for Contemporary Fiction. All books have been published by Inanna Publications.

INTERVIEW

Welcome!

Writing and Reading:
Do you draw from personal experiences and/or current events?
Absolutely yes! My exploration of Cognitive Behavioural Therapy (a core theme in The Nearly Girl) came about when I was trying to untangle my issues with insomnia and claustrophobia. This led to the creation of my character Dr. Frances Carroll and his therapy called D.T.O.T. which is Do The Opposite Thing.

It was also my lifelong characteristics of nearly getting things right and also getting them very wrong that led to the creation of my protagonist, Amelia. For example, I used to file my manuscripts and papers in the oven (before I met my husband who said this was not such a sound practice since, even although I never baked, I did actually use the oven top and there having paper – reams of it – neatly stored inside was unwise).

But the things I do would sooner be classified as idiosyncrasies while Amelia suffers from a full-blown psychosis. So I used my small-time mistakes as seeds to grow the idea of her story-worthy malaise that led to her discovery of crimes. Because The Nearly Girl is a thriller, a past-paced one at that, as opposed to being a story about therapies and mental health issues.

And it is a funny book which is another thing I love about it. I am not funny. Or if I am, I am funny by mistake. I feel that I lack a sense of humour in general – I am always the last one to catch the joke and most of the time it has to be explained to me. I generally avoid watching comedies because I find them very stressful – the level of chaos upsets me and I just want it to be over and everything to be alright! Also the pressure to get the joke, to laugh — it’s all too much!

But this book, remarkably, is funny. Well, parts of it are. There are parts that are downright heartbreaking too and while I never fail to laugh at the funny bits, the heartbreaking bits are equally as wretched, no matter how many times I read them too.

Shortly before the book goes to press, the author has read and reread it countless times and sometimes one does weary. And sometimes, I admit that the thought of reading it yet again was daunting but then as soon as I started, I was delighted to be hanging out with these characters. It never got old.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
I start with a single idea. For example, with The Nearly Girl, it happened like this. I was on a bus, in winter, going to a book event. I didn’t know if I was on the correct bus since I had not been to that area before and I was anxious. Then I realized how interesting it was, to be on an unfamiliar bus, on an unfamiliar route, with all kinds of interesting people. What was fascinating was how significantly visually collective they were as a group and how extremely different they were to the usual bunch on my regular bus. I wondered about their jobs, their families and their lives and I thought that I definitely should take more random busses.

At one point, I looked out the window as we drove past the beach and the sun had just set and it was snowing and I felt sad that we were prohibited by bodies that forced us to follow the seasons and obey the rules – what we could just have a picnic in the snow? Sit on the snow in shorts and a t-shirt, with the sleet hitting our bare arms while we made smores.
And there it was. The Nearly Girl. She would be out there, she would be doing exactly that.

And then I had to figure out the rest from there. But I had a protagonist, an idea and a name for the book.

Are any of your characters based on you or people that you know?
They are not based on people I know but if I have a character and I need to flesh him or her out and I am stuck, then I go and talk to people who remind me of my character. For example, in The Nearly Girl, Amelia falls in love with Mike. I knew Mike’s age and what he looked like but I had no idea what music he listened to, or what books he read or what he liked to do for fun.

I supposed I could have gone online but I cannot work out my characters that way. I have to be in the real world, looking at people, that’s the only way my characters can come to me. So I kept an eye out at work (I work in a building of 3 000 people) and I finally saw ‘Mike’. I followed him and explained who I was and I asked him if he would be interested in helping me develop my character.

Fortunately for me, he was extremely helpful. I interviewed him and later I sent him a questionnaire and we emailed back and forth.
(I thank him in the back of the book).

Your routine when writing? Any idiosyncrasies?
I wear a hat but I don’t think that’s very unusual. I need to nap here and there – sometimes only half-an-hour in between chapters. I think the brain needs to recharge! I snack on chocolate-covered peanuts. I always light a candle. I make notes on scraps of paper as I go. I talk to the cat. If I am stuck for a bit and I go and have a bath and usually struck by inspiration without a piece of paper in sight (and no, I never learn to take a notepad with me!).

Tell us why we should read this book.
The Nearly Girl is my sixth published novel and of the six, it is my favourite. I love it because if I could live my life according to the philosophies or ethos of any of my books, it would be this one. That, and the fact that this book features my favourite bunch of misfits thus far! The book is also a love story and it’s a story about family, about not-fitting in, in the world and learning to live with that. The book is about unlikely friendships and how sometimes the vicissitudes of life can come gift-wrapped with surprises.

There is a purity and an honesty to the emotions and actions in this book, a simplicity that I would liken to John Irving’s A Prayer for Owen Meany and, before readers leap up in horror to protest the comparison of my book to John Irving’s, let me get there before they do! Alas, I am no John Iriving but he is one of the writers that I strive to emulate.

Who are some of your favorite authors?
Jess Walter (The Financial Lives of Poets), Margaret Atwood (The Heart Goes Last), Garth Stein (A Sudden Light), David Adams Richards (Principles to Live By), Richard Flanagan, (The Narrow Road to the Deep North)

What are you reading now?
I am on a panel with Steve Burrows and Dietrich Kalteis so I am reading both of their books; A Cast of Falcons and Triggerfish, respectively. I have Annie Proulx Barkskins lined up, along with The Complete Book of Spells, Ceremonies and Magic by Migene Gonzalez-Whippler (research), The Odyssey by Homer (research), Paradise Lost by Milton (research)

Are you working on your next novel? Can you tell us a little about it?
The book is titled The Occult Persuasion (hence all the research into spells and magic mentioned above.) This will be my book for 2019 as I have two novels lined up, one for 2017 (No Fury Like That), which is a revenge novel set in Purgatory and here on earth and Rotten Peaches (2018), which is a story about two sets of couples living on opposite ends of the world, whose complete lack of morality causes an implosion of lives when they finally intersect.

Fun questions:
Your novel will be a movie. Who would you cast?
Just for fun, I’d take the cast of Thor and set them to The Nearly Girl!

Henry the Poet and father – Chris Hemsworth
Megan the body builder mother – Jaimie Alexander
Amelia – Natalie Portman
Ed – Colm Feore
Dr. Frances Carroll – Paul Giamatti – and yes I know he’s not in Thor but he’s the only person who could play Dr. Carroll!
Mike – Josh Dallas

Favorite leisure activity/hobby?
Playing my guitar, talking to my cat, taking naps (with my cat)

Favorite meal?
Birthday cake!

Thank you for stopping by CMash Reads and spending time with us.

Don’t Forget to Visit Lisa de Nikolits’ website 🔗, her Twitter Feed 🔗, & her Facebook Page 🔗!

Tour Participants:



Don’t Miss This Awesome Giveaway:

This is a rafflecopter giveaway hosted by Partners In Crime Virtual Book Tours for Lisa de Nikolits. There will be 1 US winners of one (1) Amazon.com $15 Gift Card AND 3 US winners of one (1) eBook copy of The Nearly Girl by Lisa de Nikolits. The giveaway begins on October 31st and runs through December 4th, 2016.

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THE LAFAYETTE SWORD by Eric Giacometti, Jacques Ravenne, Anne Trager (Interview, Showcase & Giveaway)

The Lafayette Sword

by Eric Giacometti, Jacques Ravenne, Anne Trager

on Tour October 24 – December 3, 2016

Synopsis:

The Lafayette Sword by Eric Giacometti, Jacques Ravenne, Anne Trager

Gold. Obsession. Secrets.

Following the murder of a Freemason brother, Antoine Marcas uncovers unsettling truths about gold and its power to fascinate and corrupt. A priceless sword is stolen and deaths ensue setting the Freemason detective on a case of Masons turned bad. A clue points to mysteries and conspiracy about elusive pure gold, launching a frantic, deadly race between two symbolic places—the Statue of Liberty and the Eiffel Tower.

A captivating plot weaves alchemy and the Middle Ages into a modern-day thriller. Part of an internationally best-selling series that has sold 2 million copies worldwide, with “vivid characters, an evocative international setting and history darker than midnight.”

For readers who love ancient myths, secret societies, chilling narrative and modern speed.

INTERVIEW

Eric Giacometti and Jacques Ravenne are best-selling French authors of the Antoine Marcas mysteries, a ten-book series that has sold 2 million copies worldwide and is translated into 17 languages. These high-action thrillers that combine meticulous historical research with unusual plots and a compellingly complex hero. The series is made its debut in the US with Shadow Ritual, an electrifying thriller about the rise of extremism. Now, The Lafayette Sword is available in English, an action-packed tale about gold and its power to fascinate and corrupt with a captivating plot that weaves alchemy and the Middle Ages into a modern-day thriller. Giacometti is a former investigative journalist. Ravenne is a literary critic, a specialist on the life of the Marquis de Sade, and a Freemason. Here they answer a few questions.

In The Lafayette Sword, did you draw from real events?
Frédéric Auguste Bartholdi, the French sculptor who designed the Statue of Liberty, was a Freemason. As he played a large role in the building of the statue both in France and the United States, it is easy for lovers of conspiracy theories to perceive some omnipotent, tentacular Freemason power being expressed in the Statue of Liberty, making it not a symbol of liberty, but one of evil. Add to that Eric’s fascination with the Eiffel Tower, a carryover from his childhood. For the historical element, Nicolas Flamel, a real medieval scribe surrounded by a long-lasting legend about his achievements in alchemy, was a perfect character for a novel: his biography was sufficiently porous to be filled by our imagination, and the stories already told about him marvellous enough to find a destiny in such a thriller.

When did both of your interests in history begin, and what eras are you each most interested in?
We have always been fascinated by history, be it official history from the textbooks or more obscure history woven into the texture of big events. In high school, our schoolmates were playing rugby while we shared a fascination with novels recounting Templar knights, esoteric secrets, alchemy and Rennes-le-Château, where the Holy Grail was said to be hidden in the depths of the Cathar citadel. We used to wander the streets of Toulouse together, exploring that city, which is so full of history and marked by the Cathars. We would haunt libraries in search of spell books, and adventure out to Montségur and Rennes-le-Château in search of lost treasures. Jacques has a passion for the Middle Ages and the eighteenth century. It is not by chance that he wrote a novel on the life of the Marquis de Sade.

Tell us something about your writing partnership.
We take about nine months to write a novel: one month for the outline, two months of research, and the six remaining months for writing. When we come up with the outline, we see each other nearly every day. We set up the plot, balancing narration and characters, weaving in suspense, planning the cliffhangers. When we go into the research phase, the work is very solitary, because we have already defined who does what. Then comes the longer, harder work of writing. The novels in the series are built around two plot lines—one is set in modern day times with our protagonist, Inspector Antoine Marcas, while the other is historical. We each are responsible for one of the plot lines, but then we each rewrite what the other wrote. This requires a delicate touch, as writers are always very sensitive about their writing. Fortunately, we have known each other since we were teenagers, and we resolved our ego problems some time ago.

Is your hero Antoine Marcas based on you or people you know?
As a Freemason he believes in Freemason values, but he has a realistic understanding of the brotherhood and its faults. This isn’t the Mason of popular imagination whose initiation gave him instant access to arcane knowledge. He’s a divorced cop who has problems with his ex-wife and who evolves in a realistic universe. But it’s a universe where occasionally a more esoteric reality appears. Marcas was born from our disagreements. Eric had a negative image of freemasonry marked by its scandals, while Jacques was fed up with reading reductionist articles about the brotherhood. Over the years—we have written ten novels in the Antoine Marcas series in French—Eric has become “Mason-friendly,” but he maintains a critical distance from its influences. Antoine Marcas is an ideal, principled Freemason.

Why do you think the Masons are such a fascinating subject?
The Freemasons have intrigued the public since their creation in England at the end of the seventeenth century. Part of the fascination is political, as freemasonry often brings together wildly different people and personalities, which always unnerves the powers that be. People are also fascinated with the more esoteric side, the symbols and codes, and the fact that, because the masonic lodges in Europe have always been the keepers of occult traditions, such as alchemy.

Book Details:

Genre: Thriller
Published by: Le French Book
Publication Date: August 15, 2015
Number of Pages: 266
ISBN: 1943998043 (ISBN13: 9781943998043)
Series: Antoine Marcas Freemason Thrillers Book 2

Purchase your copy of The Lafayette Sword on Amazon 🔗, Barnes & Noble 🔗, Apple iTunes 🔗, and Add it to your Goodreads 🔗 TBR list!

Read an excerpt:

PROLOGUE

A thick layer of fog shrouded the capital. It wasn’t bad enough to keep people inside, but it was still vaguely unsettling. Teens on scooters, who usually slalomed with ease along the narrow streets, took their time, unsure of what lay ahead. The few high points of the city, including the dome of Sacré Coeur, had vanished altogether. Only the revolving light of the Eiffel Tower managed, more or less, to pierce the opaque surroundings.

Léo, an independent taxi driver in Paris for twenty years, dropped off his customer on the Avenue de La Bourdonnais. The damned pea soup was making it impossible to find another fare. Everyone was taking the metro. He parked his dark blue Mercedes on the Rue du Général Lambert and listened to the weather forecast. More precipitation. He grumbled and turned off the radio. Until today, the spring weather had been pleasant. Feeling sullen, Léo got out and stretched his legs. The damp cold hit him right away. He shivered, pulled up his collar, and headed toward the Eiffel Tower. The atmosphere, enchanting on any other night, was unreal and ghostly.

A second later, he heard a scream rise up from tourists gathered under the Iron Lady.

“Damned tourists,” Léo muttered. “Always getting pickpocketed.”

As he got closer he could see thirty or so Japanese sight- seers in red plastic ponchos staring up at the tower. Next to them, two young women in black T-shirts and ripped jeans were pointing at something. No, the commotion wasn’t about someone getting her purse nabbed.

Leo followed their fingers. Three meters above them, a dark figure was appearing and disappearing in the fog, like a string puppet, its head tied to a rope—a life-sized toy gracefully oscillating in the white cloud.

The tourists applauded.

“Nothing serious,” Leo said to himself, ready to turn away.

“Just another street artist.”

But as the sway of the rope began to slow, the figure’s face came into full view. The two young women were the first to realize the terrible error they had all made. They cried out in shock.

Léo felt bile rising in his throat.

The puppet was a man, red in the face, tongue hanging out, arms slack.

The crowd stepped back in unison and let out a wave of shrieks.

1

RUE LAFAYETTE, PARIS PRESENT DAY

Antoine Marcas was sipping a sweet brandy on the terrace of Le Régent café. The night before, he had celebrated his forty-second birthday. It was nothing like the shock of forty—a mere step away from a half a century. In the two years following that disaster, the affronts of time had been minor.

Sure, life had sucked after the breakup with Jade. The idyllic love had turned to vinegar after a few months of living together. She was too independent, too loud, too different—and yes, even too beautiful. Too much for Marcas. The relationship had gotten stuck in mounds of pettiness, and they were both saved at the last minute by separation. She accepted a position at the French embassy in Washington, leaving him alone one night in his vast apartment on the Rue Muller in Paris.

For a while, resentment and doubt ate away at him. His doctor, a Freemason brother, suggested some rest. Marcas thought he might try therapy. Would he have to choose a Freemason shrink? The question seemed both strange and meaningful. Only a brother could understand the personal development offered by regular temple attendance. If he had to explain the transformation of uncut stone into polished cubes to a profane, he’d never get better. Did Freemason-specific therapy even exist? He had considered asking his worshipful master. Then the need passed.

He examined himself in the mirror just inside the café. His hair was beginning to gray at the temples. His son, Pierre, had recommended the new style, which made him look younger and less serious. Or at least that’s what Marcas told himself. There were a few wrinkles around his brown eyes, but his natural expression was always pleasant. His smile became more pronounced when he was feeling sure of himself. Those who didn’t know him sometimes interpreted it as mockery.

Marcas straightened in his chair and checked his leather briefcase, making sure he had brought his master’s apron. The Masonic meeting was scheduled to begin in a half hour at the Grand Orient Masonic Hall. He’d never have time to go home and come back. He grinned. He hadn’t been forced to let out his belt by a single notch in the four years he’d been wearing the apron. He had maintained a steady seventy-seven kilos, the ideal weight for his size, according to his doctor. Not an easy task, considering the feasts that followed their meetings every second Thursday.

The hubbub in the café rose as new customers arrived for happy hour. Marcas gestured to the waiter. He want- ed to pay his tab. Just then, two thirtyish men in suits, their ties loosened, plopped down in chairs at the next table.The older one, who had carefully groomed blond hair, ordered two beers.

“Did you hear the news?”

The other one shook his head and grabbed a fistful of peanuts.

“ISIS is making something like eighty million euros a month on the oil wells it’s seized, and now it’s bragging that it can get its hands on nuclear weapons from Pakistan. We’ll never be able to get the better of these guys. They’ll be riding into Paris in the back of their pickups the same way the German troops came marching in.”

Marcas leaned in a little closer. He loved café talk, especially when it was laced with paranoia. Yeah, ISIS was a threat. But France had seen worse—the Gestapo and the storm troopers, for example. And France had prevailed.

The younger man, who had brown hair, nodded while giving the waitress a visual once-over.

“TV news is full of crap,” he said. “It’s all controlled by the establishment. If you want the truth, you’ve gotta go to the Internet and find the right sites. I’m following a great blog now that claims the Freemasons are behind a lot of the havoc we’re seeing now.”

“Come on. In with the terrorists? You’ve got to be kidding. I’m all for conspiracy theories, but that’s too much. Look around Paris, and you can see all the good work they’ve done.”

“Just go to the blog,” the blond-haired man said. “You’ll understand. The newspapers and TV stations are full of liars. But they’re all Freemasons anyway. What do you expect?”

Marcas sighed. So many assholes and so little time. When would everyone just drop the Masonic conspiracy thing? It was one conspiracy after another—for centuries now. Every year, he and some brothers from his Freemason lodge would get together over dinner to discuss the latest and craziest conspiracy theories. The brother who told the most off-the-wall story would win twelve bottles of Haut Brion. Last year, his friend Jean-Marc had taken the prize with a story that claimed the Freemasons were descendants of extra-terrestrials that had abducted Jesus in a flying saucer.

The blond-haired man continued. “Listen, those guys control the European Union and our French elections. You have no idea.”

Marcas couldn’t take it any longer. “Excuse me,” he said, leaning over. “I couldn’t help but overhear. And I have to say that I agree. The Antichrist is among us, and guess what. He’s a Freemason.”

Marcas smirked and stood up. The two men glared as he tossed a bill on the table, gathered his things, and walked away.

If only they knew that his oddly shaped briefcase held a ceremonial sword.

Marcas looked at his watch. It was nearly eight. The meeting would begin in exactly twenty minutes. He hurried up the Rue Lafayette and turned right on the Rue Cadet.

Delicious aromas wafted from the rôtisserie on the left, and the Detrad Bookstore next to the lodge headquarters was still open. He had just enough time to take a look. Three customers—brothers, he assumed—were leafing through books in the central aisle. He nodded to the affable-looking man and the smiling blonde behind the counter and glanced at the new releases. The huge number of books about Freemasonry published every year always impressed him. One would think that everything had been written already, but no, there were always new books.

And there it was. The book he was looking for: La Chevalerie Maçonnique by the French historian Pierre Mollier.

His brothers had spoken highly of it. He picked it up and headed to the back of the store, which had a showcase of Masonic objects, including aprons, canes, glasses, and plates. A rectangular box adorned with a mother-of-pearl eye in a triangle caught his attention. Another Masonic cigarette lighter for his collection. He had more than twenty of them now. His ex-wife, son, and friends teased him about this hob- by of his. Even after he quit smoking, he always carried one. They reminded him of his childhood, when he spent much of his time in his father’s woodworking shop on the Rue Saint Antoine.

The cashier rang up the sale and handed him his purchases in a plastic bag. They exchanged a few words about upcoming events at the lodge and said good-bye.

Marcas hurried over to the lodge headquarters, a Spartan and somewhat unsightly building that hid a fascinating secret. Behind its modernistic metal and glass façade, elaborate and mysterious ceremonies were routinely orchestrated in any number of magnificent Masonic temples.

2

RUE SAINT JACQUES DE LA BOUCHERIE,PARIS MARCH 13,1355

Nicolas Flamel heard the clamor rising from the banks of the Seine River and decided to shut his shop. People were already running toward the water. Shouts and the sound of horse hooves hitting cobblestones filled the air. The wind was picking up, too, carrying the acrid smell of resin. All of Paris seemed electrified.

As Flamel closed his shutters, he saw that other bourgeois were doing the same thing. One could never be too careful. The English were encamped a few leagues from the city and could attack at any time. And then there were the common people, the poor who lived in the faubourgs, whose fever of revolt, exacerbated by famine and taxes, always ended in pillages and blood baths.

Flamel took down the parchments displayed in front of his shop and put each fine work away. He had something for everyone: war chronicles, prayer books, and stories of chival- ry, all illustrated in fine gold powder. Every day, his workers plumbed their imaginations to create angelic Virgins, warriors with bloody weapons, and dragons spitting fire in the shadowy depths of caverns.

“Neighbor, do you fear for your paintings?”

Flamel turned around. Master Maillard, a furrier, was staring at him with mockery in his eyes.

“My kind neighbor, I don’t like the air we breathe tonight. And I certainly don’t like to take any risks. There are rumors of a riot.”

“True, true. They lit the fires a little too early tonight,” the furrier answered. “But one must keep the people entertained even before the show begins.”

“My neighbor and friend, I fail to understand. Your language is as obscure as a tree in a pitch-black night.”

“What? You haven’t heard what’s happened? What world do you live in, with your nose always in your books? For that matter, you should…”

Master Maillard lowered his voice. “It’s not good to spend too much time with books these days. One doesn’t know what could be hidden in them. Our Holy Mother Church cannot check everything. Who knows? An apprentice could be copying one of the Devil’s gospels in your very own shop.”

“Master Maillard!”

“Lower your voice, my neighbor. I was just giving you some advice, that’s all. Books are under suspicion these days. Too many heretics are spreading their doctrines on parchment. Too many witches are writing down their accursed rites. You’ll see. Soon we’ll be burning books, along with their authors.”

“Yet, my dear Master Maillard, none of that explains what’s happening at the moment.”

The furrier looked at him with incomprehension written all over his face. “So you really don’t know?”

“No, I don’t. I spent all week with my aids recopying a volume of Aristotle’s Physics for the university. The illustrations were very costly, and not only in man hours. I had to import a special blue powder from the Orient. There—”

Master Maillard made the sign of the cross. “Don’t talk to me about those monsters. Those black-skinned Saracens are damned to hell. Don’t you know they worship a goat- headed god named Baphomet? The Templars, cursed as they are, adored that impious idol and paid for it with their lives.”

3

GRAND ORIENT MASONIC HALL, PARIS PRESENT DAY

Antoine Marcas smoothed his apron and made sure his double-edged sword was secure at his side.

Next to the elevator, a display system similar to the ones at airports informed him that the meeting would be in Lafayette Temple. The 9 p.m. initiation ceremony was the only gathering scheduled for the night. The seventeen other temples in the building were closed. Marcas checked his watch. Only five more minutes.

“Well, my brother, I see you’re a fan of modern technology. So what’s next? Skyped initiation ceremonies?”

Startled, Marcas turned around. A man in a wheelchair was smiling at him.

“Paul! I didn’t hear you.”

Paul de Lambre, a physician who had lost the use of his legs in a car accident, was a descendant of the illustrious Marquis de Lafayette and a high-ranking Freemason.

“You wouldn’t believe what they’re doing with wheelchairs these days,” Paul said, tapping one of the wheels. “This one’s made of carbon fiber: strong, flexible, and darned-near silent. Four detachable components, and the footrests even have LED lights. That means I can see you in the dark, but you can’t hear me coming.”

“As long as you’re being sarcastic, that’s a good sign, my brother.”

A shadow seemed to cross the man’s face, and his eyes became serious. “The signs are not very good right now. I have something on my mind, Antoine, and since you’re a police detective and a brother, I think you’re the person I should be talking with.”

Marcas studied the man. “Of course. The ceremony is about to begin. Why don’t we get together afterward? Right now it’s time to go to the temple of your glorious ancestor. That must be quite an experience for you.”

Paul de Lambre’s jaw stiffened. “You could put it that way,” he said as he spinning his wheelchair around.

***

The hooded man wearing the Masonic apron waited in the darkness of the closet. He fiddled nervously with the ceremonial sword as he ticked off the minutes. Finally, he took a deep breath, opened the closet door, and made sure the hallway was empty. He stepped out of the shadows.

“I am the Sword of Light. I march in the night,” he chanted in a low monotone.

He advanced noiselessly. Slipping through the dark corridors was child’s play. Tricking the security system had been a joke. It was even intoxicating. He’d been exploring this prodigious labyrinth for at least a dozen nights. Each time he’d stop just before reaching the chamber of reflection. Then he’d leave. Only one time had he crossed paths with a brother, and that hadn’t caused any problems. He knew the building’s strange topography by heart, and now he could make his way over it blindfolded. The tangle of hallways, the crooked floors, and the myriad temples in this vast structure made him feel like he was moving on a gigantic movie set.

But this would be the last night he’d go unnoticed. His quest would begin with sacrifices.

He could hear the voice again. Perhaps it was his. “I kill, and I die. I kill, and I am born again.”

He took the stairs two by two and reached the next floor in a matter of seconds. He smiled in the darkness.

“I am the chosen one.”

He was on pins and needles as he recited the ritual words.

The taste of blood filled his dry mouth.

Author Bio:

Eric Giacometti & Jacques RavenneJacques Ravenne is a literary scholar who has also written a biography of the Marquis de Sade and edited his letters. He loves to explore the hidden side of major historical events. Eric Giacometti was an investigative reporter for a major French newspaper. He has covered a number of high-profile scandals and has done exhaustive research in the area of freemasonry. Translator Anne Trager has a passion for crime fiction that equals her love of France. After years working in translation, publishing and communications, she founded Le French Book.

Learn More at: lefrenchbook.com 🔗

Tour Participants:

Stop by the other sites on this tour for more great interviews, guest posts, review, and giveaways!


Giveaway:

This is a rafflecopter giveaway hosted by Partners In Crime Virtual Book Tours for Eric Giacometti, Jacques Ravenne, and Anne Trager. There will be 5 US winners of one (1) eBook copy of The Lafayette Sword by Eric Giacometti, Jacques Ravenne, Anne Trager. The giveaway begins on October 22nd and runs through December 4th, 2016.

a Rafflecopter giveaway

Get More Great Reads at Partners In Crime Virtual Book Tours

 

REVIEW DISCLAIMER
This blog was founded on the premise to write honest reviews, to the best of my ability, no matter who from, where from and/or how the book was obtained, and will continue to do so, even if it is through PICT or PBP.
DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review.
No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM

I do not have any affiliation with Amazon.com or Barnes & Noble.  I am an IndieBound affiliate.  I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

THE TROUTBECK TESTIMONY by Rebecca Tope (Review, Interview and Giveaway) PICT Presents

The Troutbeck Testimony

by Rebecca Tope

on Tour October 24 – November 23, 2016

Synopsis:

The Troutbeck Testimony by Rebecca TopeA huge funeral for Windermere’s popular resident, Barbara Dodge, is taking place and florist Persimmon ‘Simmy’ Brown and her new assistant, Bonnie Lawson are busy compiling wreaths in preparation. There’s word of a series of sinister dognappings occurring in nearby Troutbeck and whilst taking a walk up Wansfell Pike, Simmy and her father, Russell, stumble on a dog, strangled to death – it’s not long before Simmy reluctantly finds herself caught up in a murder investigation…

MY REVIEW

4 stars

I recently read THE CONISTON CASE, 2nd in this series, so was delighted that I had the chance to read the sequel, THE TROUTBECK TESTIMONY, #3 in this series. And I was not disappointed.

Persimmon Brown, florist, finds herself unwillingly in the midst of another murder mystery. Plus having her father go missing and the kidnapping of dogs.

Ms. Tope’s writing is fluid, as is the suspense, which made this reader not wanting to put this book down to see how it was all related. And was quite surprised when it was all pulled together with an ending I never saw coming.

Rebecca Tope is now on my cozy mystery “authors to read” list. Totally enjoyable and highly recommend this author if you enjoy Cozy Mysteries! An entertaining read!!

Book Details:

Genre: Mystery & Detective, Cozy
Published by: Morrow/Witness Impulse
Publication Date: October 2016
Number of Pages: 384
ISBN: 9780062567468
Series: Persimmon Brown #4

Grab a copy of The Troutbeck Testimony on Amazon 🔗, Barnes & Noble 🔗, & Add it to your TBR list on Goodreads 🔗!

Read an excerpt:

The first anniversary of Persimmon Brown’s opening of her florist shop in the Lake District had almost coincided with Easter and an explosion of spring flowers and blossom. Wordsworth’s daffodils performed to their greatest strength and pussy willow attracted hosts of honey bees who had failed to notice that they were meant to be in terminal decline. A month later, on the first long weekend in May, walking along a sheltered footpath to the west of Troutbeck, Simmy – officially Ms Persimmon Brown – could hear an energetic buzzing and murmured ‘something something something in the bee-loud glade’ to herself. Not Wordsworth, she was sure, but somebody like Yeats or Hardy. She would ask her young friend Ben, who knew everything.

The sun was warm on her shoulders; the light so clear that she could pick out numerous fast-growing lambs on the fells far above the village. Every weekend throughout the coming summer, she promised herself, she would get up at first light and go for an early walk. The anniversary had been a time for resolutions and one of them was to make much better use of the natural delights that surrounded her.

She felt an almost pagan euphoria at the burgeoning landscape, vibrant with flora and fauna at the start of another cycle of life. Her mother would say it was a mark in Christianity’s favour that it had been clever enough to superimpose all its biggest rituals onto far more ancient moments in the natural year, with Easter an obvious example.

There was now a bonus Spring Bank Holiday that Simmy was savouring with complete abandonment.

The late morning, with a sunny afternoon still ahead of her, brought feelings of richness and privilege that were almost shameful. But she had earned it, she reminded herself. The winter had been grey and protracted, interspersed with a number of unpleasant adventures. She had been repeatedly drawn into events that demonstrated the darker side of human behaviour, forced to confront far too much reality.

Now that spring had arrived with such a colourful crash, she was determined to shake all that off and concentrate on her flowers.

The plan for the day was to meet her father, Russell Straw, for a long-promised fellside walk after a modest lunch at the Mortal Man. The full walk, along Nanny Lane and up to the summit of Wansfell Pike – and back – was easily four miles in total, with some steep sections of stony path. ‘By rights, we should go across to the Troutbeck Tongue at the same time, but that’s rather ambitious,’ Russell conceded.

‘I shall want some fortification first,’ Simmy had warned him. ‘And if there’s the slightest risk of rain, I’m cancelling the whole idea. Neither of us is fit enough to do anything rash.’

There was no suggestion of rain, the sky a uniform blue in every direction. It was, in fact, the most perfect day for very many months and Simmy was duly thankful for it. Her father would bring water, map, and dog. She would provide a camera, mobile phone and two slabs of Kendal mint cake.

The fells above Troutbeck were stark, dramatic and uncaring. There were barely any flowers or trees adorning them, other than the tiny resilient blooms that crouched underfoot. More than happy to accommodate her father’s wishes, Simmy nonetheless preferred the softer and more moderated lower levels.

This explained her morning stroll, taking a zigzag route from her house to the hostelry along lanes that had been colonised by humanity, with gardens and houses taking their place in the picture. The bees at least agreed with her. Azaleas and rhododendrons were in bud, reminding her of her startled surprise at the vibrant colours, the year before. Not just the natural purples and pinks, but brilliant orange, deepest crimson and a wide array of other hues shouted from gardens all over the relatively balmy area around Windermere and Ambleside. Even the wilder reaches of Coniston boasted spectacular displays. Aware that it might be foolish to expend energy on this pre-walk stroll, she nonetheless felt the need to exploit the sunshine and the flamboyant floral displays. It was semi-professional, too – she ought to be apprised of the full range of seasonal blossoms in gardens, in order to echo and embellish them in the offerings she stocked at the shop. Flowers were her business, and any lateral information she could acquire would always come in useful.

Her father was waiting for her at the pub, sitting at an outside table on a lower level, with his dog. She kissed the man and patted the animal. ‘Is he going to cope with such a long walk?’ she wondered. It was a rather ancient Lakeland terrier, officially named Bertie, but mostly just called ‘the dog’. His forebears had failed a purity test, it seemed, and poor Bertie had found himself rejected as breeding stock and consigned to a rescue centre until eventually rescued by kindly Russell Straw.

‘Oh yes. And if he doesn’t we’ll have to carry him.’

‘When did you last take him on a jaunt like this?’

‘About eighteen months ago. We’ve been waiting all this time for you.’

‘Dad! That’s ridiculous.’ In spite of herself, she laughed. ‘Poor old chap. He won’t know what’s hit him. His feet will be sore for weeks.’

‘Not a bit of it. He spends all his time digging up stones. His feet are as tough as iron. He could easily outwalk both of us. Now let’s get on with it. I want to set off by one at the latest.’

That gave them forty-five minutes to eat a hearty pub lunch with beer to wash it down. ‘We shouldn’t walk on full stomachs,’ Simmy remarked. ‘We’ll get a stitch.’

‘Better than trying to do it empty. We need the food to give us stamina.’

‘At least we’ve got the weather for it. And listen to those birds!’ A pair of collared doves cooed at them from an overhead wire, the gentle three-note song a backdrop that Simmy always loved, despite the blatant lack of musical variety. Her habit of feeding garden birds had attracted another pair of doves to her own little patch, a few hundred yards from the pub, and she had grown used to waking to their call, imagining that they were deliberately asking her for some breakfast.

Russell cocked his head. ‘They’re not native, you know. They’re quite recent immigrants. I mean recent. I was about ten years old when the first ones settled here. The BBC put them in a medieval radio play by mistake not long ago. Lots of people wrote in about it.’

‘Well, they’re very welcome as far as I’m concerned.’

‘I agree with you. I also like grey squirrels, even if I get lynched for saying so.’

She laughed again, after a wary glance around. In Troutbeck, the red squirrel was verging on the sacred and the grey accordingly considered devilish. Anyone overhearing Russell was liable to take exception to his views. But nobody at the neighbouring tables was reacting. Nothing could sully her delight at the carefree afternoon ahead with the best of all possible fathers. It took a lot to disturb Russell Straw – but then a lot had happened in recent times, and his daughter had certainly caused him some worry over the winter. His wife was the powerful half in the marriage, leaving him to contented pottering and sporadic researches into local history. They ran a somewhat eccentric bed-and-breakfast business in Windermere, in which Angie Straw broke a lot of rules and earned a lot of profound gratitude in the process. Her reviews on TripAdvisor veered from the horrified to the euphoric, depending on how much individuality her guests could stomach. She was a capricious mixture of old fashioned and hippy, refusing to use guests’ first names unless they insisted, and cheerfully producing full breakfasts at ten-thirty, if that’s what people wanted.

‘Let me just pop to the lav and then we can be off,’ Russell said. ‘Mind the dog, will you?’

She took the lead attached to Bertie and nodded.

The sun was as high as it was going to get, and the afternoon stretched ahead of them with no sense of urgency. The sky remained an unbroken blue.

The views from the summit of Wansfell Pike would be spectacular. At least two lakes would be visible, and any number of fells on all sides. Russell knew the names of most of the main landmarks, and had a map with which to identify others. Simmy had only a rudimentary and theoretical knowledge of any of it.

Bertie whined and pulled annoyingly. ‘He’ll be back in a minute,’ Simmy told him. ‘Don’t be silly.’ Dogs were generally annoying, to her way of thinking. So dreadfully dependent and needy all the time. It had come as a surprise when her parents rescued this little specimen, and even more so when Russell developed such a fondness for it. To Simmy’s eyes, the animal lacked character, which Russell insisted was a consequence of his harsh life, full of betrayal and confusion. ‘He just wants everything nice and peaceful from here on,’ he said.

Which was generally what he got, apart from a never-ending procession of B&B guests, who mostly patted his head and then left him alone.

‘You were a long time,’ she told him, when her father eventually returned.

‘I know.’ He was frowning distractedly. ‘I overheard something, outside the gents, and I have no idea what to make of it. I kept out of sight for a minute, just in case they didn’t like the idea of anyone hearing them.’

‘Oh?’

‘Two men talking. It sounds a bit wild, I know, but I think they were planning a burglary.’

Author Bio:

Rebecca TopeRebecca Tope is the author of four murder mystery series, featuring Den Cooper, Devon police detective, Drew Slocombe, Undertaker; Thea Osborne, house sitter in the Cotswolds and now Persimmon Brown, Lake District florist. She is also a “ghost writer” of the novels based on the ITV series Rosemary and Thyme.

Q&A with Rebecca Tope

Welcome!

Do you draw from personal experiences and/or current events?
To some extent, yes I do. In ‘The Troutbeck Testimony’ I describe a walk up Wansfell that a friend and I did shortly before I started writing the book. We did get slightly lost in boggy ground, just as Simmy and her father do. In other stories, I have included occasional references to current events, but they can sometimes be a bad idea. It makes the novel quickly seem dated, and I prefer to keep the precise chronological time rather vague.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the storyline brings you?
Almost always, the latter. Only three or four times (out of over thirty) do I have any idea of the ending. In ‘The Troutbeck Testimony’ I simply started with the walk, and told myself the story. The theme of ‘dognapping’ was there from the outset, but that’s all.

Are any of your characters based on your or people you know?
A complex and basically unanswerable question. All the characters come from my imagination, and that surely means that aspects of myself appear in them, in one way or another. I’m a very ‘instinctive’ writer, which is really saying I don’t think very hard about this sort of matter. The characters are thoroughly fictional, which is to say they’re not very similar to living breathing human beings.

Writing routine?
The great majority of my working days follow the same pattern. I get up at first light, walk the dogs around my fields, and then settle down to write 1000-2000 words. This generally takes under an hour. I might check emails once or twice during this time, as well. The rest of the morning, I am generally still at my computer, dealing with ‘business’ aspects of the job, as well as contacting friends, organising trips, buying books, playing games.
In the afternoon I go outside for ‘gardening’. This is often cutting down thistles, lopping trees, cutting firewood or mowing grass.

Tell us why we should read this book.
Simmy Brown is an appealing character, and her young friends Ben, Bonnie and Melanie are every bit as enjoyable to read about. Anyone who likes dogs will be engaged with the story. There is added interest from Simmy’s parents, who are rather quirky. The local landscape forms a beautiful backdrop – the English Lake District is the setting for all the Simmy Brown books.

Some of your favourite authors?
Lee Child is firmly number one. Lesser-known Victorian writers are much loved by me. George Gissing, Arthur Morrison, Sabine Baring-Gould, Eden Philpotts, Fanny Trollope – and more.
Contemporary favourites are Kate Atkinson, C.J.Sansom, Donna Tartt.

What are you reading now?
‘The Whirlpool’ by George Gissing. Written in the 1890s, it gives a comprehensive picture of a group of very well-rounded characters and their concerns.

Are you working on your next novel?
Yes, I am over a third of the way through ‘Peril in the Cotswolds’. This is the 15th in my very popular series set in this small and highly individual region of England. Thea Osborne, house-sitter, is now Thea Slocombe, married to an alternative undertaker. She hopes her new life will see an end to the violent and mysterious crimes she has so often encountered. But her hopes are unfounded…

Favourite hobby?
I have recently become very enthusiastic about antique auctions, and go as often as I can. As a result, I also find myself selling items at car boot sales. Another spin-off has been a return to stamp collecting, which was a great passion for me over 50 years ago.

Favourite meal?
Takeaway Chinese.

Thank you for stopping by CMash Reads and spending time with us.

Catch Up with Ms. Tope on rebeccatope.com 🔗 or on twitter at @RebeccaTope 🔗.

Tour Participants:

Visit other tour stops for reviews, guest posts, interviews, and more giveaways!


Don’t Miss Out On Your Chance to WIN!

This is a rafflecopter giveaway hosted by Partners In Crime Virtual Book Tours for Rebecca Tope & Harper Collins – Witness/Impulse. There will be 3 US winners of one (1) eBook copy of The Troutbeck Testimony by Rebecca Tope. This is subject to change without notification. The giveaway begins on October 22nd and runs through November 25th, 2016.

a Rafflecopter giveaway

Get More Great Reads at Partners In Crime Virtual Book Tours

REVIEW DISCLAIMER
This blog was founded on the premise to write honest reviews, to the best of my ability, no matter who from, where from and/or how the book was obtained, and will continue to do so, even if it is through PICT or PBP.
DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review.
No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM

I do not have any affiliation with Amazon.com or Barnes & Noble.  I am an IndieBound affiliate.  I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

JKS Presents: THE KILLING GAME by The Black Rose (Showcase & Interview)

ABOUT THE BOOK

The Killing Game: A seductive story about corruption, sin, lust, and redemption The series opens as Ives Andrich, Special Agent in Charge of the New York Division of the FBI, is confronted with investigating the woman he has waited a lifetime to find. Because of her more than accurate novel about an Italian crime lord, the Bureau, against Ives’ wishes, asks for her help in infiltrating the internal organization of the nation’s most nefarious Mafia don. When the Bureau’s plan fails, and she becomes dangerously entangled in the private life of the United States’ most wanted criminal, Ives tolerance for Bureau mishaps vanishes. No holds barred, he puts everything on the line to save the woman he loves in the first book in The Killing Game Series, a suspense thriller series by The Black Rose.

BOOK DETAILS:

Series: The Killing Game Series
Paperback: 504 pages
Publisher: Andrich Publishing (August 22, 2013)
ISBN-10: 0997947411
ISBN-13: 978-0997947410

PURCHASE LINKS:

THE BLACK ROSE

The Black Rose is an author, photographer, and filmmaker. Born in Chicago, she currently resides in New York with the love her life, her Hokkaido Dog, Kuma. She began writing at the age of seven and dabbled until she woke up one day and simply had to write a novel. She has two 5-Star reviewed novel series.

She categorizes her writing very directly – interpersonal relationships: people’s feelings, thoughts, emotions, and the intimacies between two people that truly love each other despite the circumstances surrounding them. “I write about love, honor, and doing the right thing, even when it seems disadvantageous, even when it’s not the popular path to take.” She sees her writing as a gift from God, and appreciates and learns from her stories.

Her writing passion stems from her immense love for art, which began with drawing at age five and moved into oil painting by age eight. Her love and study of photography soon became a professional passion, and she spends hours photographing and laying out her book covers. Her photography can be found at theblackrosenyc.com in the Photography section. Readers can also find on the site “Privé with The Black Rose” to showcase behind-the-scenes insights into her writing, novels, characters, photography, and films. She films and produces her book trailers, and will soon produce short films (details coming on her newly created website thepenandthesword.com dedicated to screenplays, film, book trailers, book adaptations).
Connect with THe Black Rose at these sites:

WEBSITE TWITTER

Q&A with The Black Rose

Welcome and thank you for stopping by CMash Reads.

On Writing and Reading:
Do you draw from personal experiences and/or current events?
Most definitely! I think some of the best stories are based on personal experiences. That is the common denominator to which people relate. Personal experiences can be very intriguing if told with the right spin. In fact, the way The Killing Game series began is exactly how it happened to the heroine of the series. A man, I did not know, approached me in a small public library and enquired if I would write a book about illegal sports gambling and the mob. Thirty days later, I had. As it is said, “Truth is stranger than fiction.” My novel The Yugoslavian, is based on the disintegration of Yugoslavia and the siege for Sarajevo in the early to mid-1990s. That war so affected me that I had to write about it.

I have often categorized my writing as the non-fiction, fiction. The basis for my stories can involve current events and how these events affect the main characters. I find that if I have something to say about a current event, the least offensive way to express myself is through my stories. It is not my intention to offend anyone with anything I write, only to reveal how I see things as an alternative point of view, which, hopefully, is accepted as just that and respected.

When starting to write a story, do you start from the beginning and see where it takes you or do you know what the conclusion will be and plot in reverse?Sometimes yes and sometimes no. If a specific scene is playing in my head, I write it. It might be at the beginning of a story, or it might be at the end. I usually know where a story is going from start to finish. If one day I feel inclined to write a death scene or a love scene, I write that. However, since my stories have developed into series, I mostly write from beginning to end.

Are any of your characters based on people that you know?
Yes, in part. I have met and know some interesting and intriguing characters. The more people you meet, the more real life human traits you can add to your characters. There is a catch, though—to capture anyone’s actual personality, you have to listen to them when they talk. You have to hear their stories and ask questions when appropriate. By doing this, you better understand their thought processes and then you can incorporate those thought processes into your characters to make them more believable.

One of the greatest compliments I receive is when someone reviews my stories and says, “I know these characters” or “I’m worried about this or that character! I can’t wait to see what happens next!” By these comments, the reader has accepted the characters into their family, so to say. That only happens by creating believable characters that readers trust. And when they trust your characters, they trust you as an author.

Your routine when writing? Any idiosyncrasies?
I don’t have a particular routine. I’m always writing because my mind is always reviewing my stories. I sit down and physically write as often as I can. But since I spend so much time thinking about my stories, when I do get to my computer, the story flows quickly (sometimes faster than I can transcribe it) so all that psychological reviewing pays off.

I do have one habit; I sleep with my iPad next to my pillow. I often wake up in the middle of the night and make a few notes to myself (or sometimes write an entire chapter) and email what I wrote to myself for incorporating into a story the following day.

Any Idiosyncrasies? I think all writing is idiosyncratic by nature. In a way, it’s a bit odd to want to display your personal experiences and innermost thoughts for others to read. Writing is so permanent versus speaking your thoughts, which often are forgotten by others rather quickly.

Tell us why we should read your book?
Despite all the personal experiences and interjections of my opinions, my books are great escapist entertainment. But at the same time, they are educational as well. I work very hard to make the storyline complete and comprehensible while introducing my readers to the different situations my character’s experience. My characters and the situations they endure are relevant. Their feelings are significant to humans in general. We all have needs, wants, and desires, and for each of those, there is always an opposition. Most readers will find something in my stories that hits home with them.

Are you working on your next novel? If so, can you tell us a little bit about it?
I’m always working on next novels. The next novel to come out will be the fourth book in The Killing Game series. I think most readers of the series imagine the next book is a direct continuation from book three, The Lost Days. I’ve thrown in a little twist I hope readers will appreciate. However, it is still the continuation of the story of Ives Andrich (the romantic hero), Special Agent in the FBI, and how he manages the situation he is faced with in finding Allina, his wife, who is presumed to be dead.

The next novel titled The Last Hope, will fill in the blanks to some unanswered questions and give more detail to what Ives will face in the future as well as provide reasons as to why this current situation has happened to begin with.

Who are some of your favorite authors?
Most authors from The Bible are my favorites. But my absolute favorite author from that immensely excellent book is John, the Apostle. My favorite two books from it are The Gospel of John and The Book of Revelation. In more contemporary fiction, my favorite author would be Harper Lee.

What are you reading now?
Always rereading The Bible because there is so much to learn from it.

Whether it’s bad or good, I don’t often read other authors work. I mostly read for research. My latest studies have been on the Roman Empire and about the occupation of Eastern Europe by the Ottomans, both for future novels.

Fun Questions:
Your novel will be a movie. Who would you cast?
From the performances I’ve seen recently, I am a bit partial to Henry Cavill as a match for Ives Andrich. Not so much because he might resemble the character physically, but because of the emotions he has portrayed in some of his performances, especially in the series The Tutors. I really don’t know whom I would cast for the heroines or the villains. I need to do more research on actors of today.

Favorite leisure activity/hobby?
Spending time with the love of my life, my pup, Kuma. Despite being work related, I enjoy photography and spend a good amount of time designing my book covers and creating book trailers. One day, I hope to return to painting.

Favorite meal?
My taste in food is quite simple. I most enjoy poached wild caught fish with steamed vegetables. However, my mainstay and all-time favorite is not a meal but a beverage—whole milk.

CHECK OUT BOOKS 2 and 3 IN SERIES

AMONG THE SHADOWS by Bruce Robert Coffin (Review, Interview, Showcase & Giveaway)

Among the Shadows

by Bruce Robert Coffin

on Tour September 12 – October 14, 2016

Synopsis:

Among the Shadows by Bruce Robert CoffinFall in Portland, Maine usually arrives as a welcome respite from summer’s sweltering temperatures and, with the tourists gone, a return to normal life—usually. But when a retired cop is murdered, things heat up quickly, setting the city on edge.

Detective Sergeant John Byron, a second-generation cop, is tasked with investigating the case—at the very moment his life is unraveling. On the outs with his department’s upper echelon, separated from his wife, and feeling the strong pull of the bottle, Byron remains all business as he tries to solve the murder of one of their own. And when another ex-Portland PD officer dies under suspicious circumstances, he quickly realizes there’s much more to these cases than meets the eye. The closer Byron gets to the truth, the greater the danger for him and his fellow detectives.

This taut, atmospheric thriller will appeal to fans of Michael Connelly and John Sandford.

Reviews:

“Compulsively readable, Among the Shadows is that rare cop novel that’s chock full of blood-and-guts detail while taking you on a ride of a lifetime. —Gayle Lynds, New York Times bestselling author of The Assassins

“Bruce Robert Coffin knows cops — how they talk, how they act, how they think — and he deploys that knowledge to devastating effect in Among the Shadows. A tense, twisty tale of greed, betrayal, and revenge, it heralds the arrival of a powerful new voice in crime fiction.” —Chris Holm, author of The Killing Kind

“Bruce Robert Coffin is the real deal: not just a veteran homicide detective, but an incredibly gifted storyteller. Among the Shadows is the best debut I’ve read in ages, filled with suspense, great writing, a perfectly realized setting in Portland, Maine (this is probably the most accurate depiction I’ve seen of that big little city), and an intriguing main character. Detective John Byron promises to become a break-out favorite among readers of crime fiction. He’s already one of mine.” —Paul Doiron, author of Widowmaker

“With the twists and racing pace of a thriller and the profound authenticity of a police procedural, Among the Shadows is the kind of debut crime novel that could only be written by an ex-cop.” —Brian Thiem, author of Red Line

“Bruce Robert Coffin’s debut crime novel is a compelling page-turner that keeps you guessing – and rooting for his determined investigator – until the very end.” —Kate Clark Flora, author of Finding Amy

REVIEW

My Thoughts and Opinion: 5 stars

Thirty years ago, members of the Portland PD, were assigned to the Special Reaction Team, one being John Byron’s father. After a deadly shoot out with the SRT during an investigation of a million dollar heist, Byron finds his father after he committed suicide, which has affected him emotionally after all these years.

Now Byron is assigned to an investigation involving the death of another member of the SRT. But soon finds out that it is murder. As the case is progressing, another member is also found dead. Are these murders connected? Who wants the members of the SRT dead and why?

A captivating read! Full of tension and ticking of the clock to find out who is behind these murders. Riveting plot that had this reader on the edge of my seat. Surprises and twists and turns to the very last page with an ending that wasn’t expected.

I am looking forward to reading the next book by Mr. Coffin.

Highly recommend this thrilling read!!

Book Details:

Genre: Mystery, Thriller
Published by: Witness Impulse
Publication Date: September 13th 2016
Number of Pages: 400
ISBN: 9780062569462
Series: Detective Byron #1
Don’t forget to grab your copy of Among the Shadows on Amazon, at Barnes & Noble, or add it to your TBR list on Goodreads

Read an excerpt:

The bitter stench of urine and impending death permeated the small dingy bedroom. Hawk stood next to the bed, looking down at O’Halloran. The ancient warrior lay withered and gaunt. Patches of dull white hair clung to his age-spotted scalp. Eyes, once calculating and sharp, were now yellowed and dim. O’Halloran was dying.

Hawk moved quickly, snatching the pillow from beneath the old man’s head. He covered O’Halloran’s face and pressed down firmly, his well-developed forearms flexed.

O’Halloran thrashed about, nearly toppling the chrome IV stand, but Hawk caught it easily. Muffled screams vibrated up through the pillow. He held fast as O’Halloran’s bony legs slid back and forth like eels under the coverlet, kicking the sheet free on one side. Hawk closed his eyes, attempting to block out the image before him. The old man’s feeble struggles, no match for Hawk’s strength, tapered off, then ceased.

In the next room a clock chimed, shattering the silence and signifying that the hour was at hand.

Warily, Hawk lifted the pillow. The warrior was gone. O’Halloran’s eyes were lifeless and wide, projecting a silent narration of shock and fear. He closed them with a gentle hand, smoothed the disheveled hair, then fluffed the pillow and restored it to its rightful place. Lastly, he slid the old man’s bony white foot back under the sheet and retucked the bedding.

Standing upright, he surveyed the room. Everything appeared in its proper place. O’Halloran looked serene, like he’d simply fallen asleep. Satisfied, Hawk walked from the room.

******

Detective Sergeant John Byron parked his unmarked Taurus behind a black-and-white cruiser. Neither the heat nor humidity were helping his foul mood. Only seven-thirty in the morning and the temperature displayed atop Congress Street’s fourteen-story Chapman Building already read eighty-four degrees. Though September had nearly passed, summer wasn’t quite

ready to release the city from her sweltering grasp.

Portland autumns were normally cool and comfortable. Normally. Tourists returned to whichever godforsaken corner of the globe they had come, kids returned to the classroom, and the days grew increasingly shorter.

Byron’s poor attitude had more to do with the day of the week than the weather. Wednesdays always put him in a bad mood, because it was the day Chief of Police Michael Stanton held his weekly CompStat meeting, a statistical midweek tough-mudder designed to give the upper echelon an opportunity to micromanage. Today’s administrative migraine was accompanied by one of Byron’s own creation. He knew of no better cure than a little hair of the dog, but nothing would land him in hot water with Lieutenant LeRoyer faster than the scent of Irish on his breath. Instead, he opted for the mystical healing properties of ibuprofen and caffeine, with a breath mint chaser. He closed his eyes and swallowed the pills on a wave of black coffee, pausing a moment before giving up the solitude of his car. On his game as always, in spite of his current condition.

Officer Sean Haggerty sat behind the wheel of another police cruiser, parked further down the street under a shady canopy of maples. The veteran officer was speaking with a young auburn-haired woman. Byron guessed she was the nurse, primarily because she wasn’t in hysterics, as most relatives would’ve been. He was pleased to see Hags on the call. Hags did things by the numbers. The same could not be said of every beat cop. They exchanged nods as Byron headed up the driveway.

A skinny uniformed rookie stood sentry at the side door to the Bartley Street home. Byron knew they’d crossed paths before, but couldn’t recall his name. What had once been a phenomenon was occurring with far greater frequency, a clear indication the cops were either getting younger or he wasn’t.

“Morning, Sarge,” the rookie said as he recorded Byron’s name into the crime scene log.

“O’Donnell,” Byron said after stealing a glance at the name tag. He gestured with his thumb toward the street. “That the nurse with Haggerty?”

“Yes, Sir.”

“Who’s inside?”

“E.T. Pelligrosso and Detective Joyner. First floor, back bedroom.”

Evidence Technician Gabriel Pelligrosso, a young, flat-topped, ex-soldier, was known for being methodical, thorough, and dependable, traits Byron’s own father had harped on. “If every cop on the job had those qualities, sonny boy, it’d be a sorry fuckin’ day to be a criminal.” Byron stepped inside.

The odor assaulted him upon entering the kitchen. An all too familiar blend of bladder and excremental expulsion, which, thanks to the humidity, would undoubtedly linger in the fabric of his clothing all day.

He listened to their footsteps on the hardwood floor along with the occasional click of Pelligrosso’s camera as they recorded the scene. Not wanting to interrupt them, he waited in the kitchen, making mental notes of everything he saw.

A 2015 Norman Rockwell calendar depicting several boys and a dog running past a No Swimming sign hung on the wall beside the refrigerator. Notations had been made with a red pen in what resembled the flowery script of a woman, perhaps the nurse. The days of the month had been crossed off up to the twenty-third. Someone had been here yesterday. Maybe a family member or one of the nurses. He’d check with Hags.

“Sarge, you out there?” Diane called from down the hall.

Diane Joyner, Portland’s first female African-American detective, was a tough-talking New Yorker. Tall and attractive, she’d lulled more than one bad guy into thinking he could get over on her. Prior to arriving in Portland, she’d worked homicides in the Big Apple for seven years. Byron didn’t know if it was her confidence or thoroughness that made some of the other officers insecure about working with her, but those very same traits made Diane his first choice for partner on murder cases.

“Just waiting on you,” Byron said.

“We’re all set in here.”

Byron walked down the hall and entered the bedroom. “What’ve we got?”

“One stinky stiff,” Diane said. “Formerly Mr. James O’Halloran.”

“O’Halloran?” he asked. Byron had known a James O’Halloran. Was this the same man? The emaciated corpse lying in the bed bore little resemblance to the squared-away Portland police lieutenant from his memory. “Did we find an ID?”

Diane handed him an expired Maine driver’s license. The photo, taken seven years and at least a hundred pounds ago, was definitely Jimmy O. The same man who had sat beside him in the church, on the worst day of Byron’s life.

Don’t Miss Bruce Robert Coffin!

Bruce Robert CoffinBruce Robert Coffin is a former detective sergeant with more than twenty-seven years in law enforcement. At the time of his retirement, from the Portland, Maine police department, he supervised all homicide and violent crime investigations for Maine’s largest city. Following the terror attacks of September 11th, Bruce spent four years working counter-terrorism with the FBI, earning the Director’s Award, the highest honor a non-agent can receive.

Q&A with Bruce Robert Coffin

Do you draw from personal experiences and/or current events?
Yes and no. The plots I create in my novels are fictitious but I draw on personal experiences when describing the actions and thoughts of my characters in order to make the story as realistic as possible. As far as current events are concerned, it really depends. I may insert things that I deem relevant if they’re a good fit with my story. I haven’t designed an entire plot from a current event yet, but who knows, that may change. The ideas for my novels usually begin with ‘what if?’ and proceed from there.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
I start at the beginning. When I sit down to write a novel, I’ll already have a general idea in mind. I’ll also know where I want the story to go. What I try to avoid is locking down the synopsis so tightly that nothing is left to chance. I find it’s far better to let the story evolve naturally. Often, in spite of my best attempts at controlling the storyline, the characters may begin speaking loudly about a different direction the story should take. If it makes sense to change course, I do.

Your routine when writing? Any idiosyncrasies?
Ha! An author friend of mine is fond of saying you should never let them see how the sausage is made but, if you promise not to tell him, I’ll give you a peek. I normally write in the morning. My brain seems to function best earlier in the day. Hard to say why. Could be the coffee. I may pick up the manuscript and begin by editing the previous session or, if the ideas are flowing, I may simply start writing anew. If the writing goes well I shoot for the magical threshold of one thousand words. Some days, when it’s like chiseling stone, I may only get four or five hundred written, other times I’ve banged out thirty-five hundred without breaking a sweat (wish there were more days like these)..

I don’t think I had any real idiosyncrasies when I began writing, but now… It really depends upon the season and the level of outside distractions. During the winter months, I find I have no problem staying home and writing in my studio. Summertime is a whole different animal, with plenty of distractions. For starters, it’s nice outside. Then there are things to do. Hiking. Kayaking. Going to the gym. Mowing the lawn. Washing the car. The beach. You get the picture. I have finally figured out that the best way to beat summer is to pack up my IPad, get in the car, and drive to one of the local libraries. For me it’s like driving to work. The minute I arrive at the library and walk through the door, I’m at work. No distractions, just work. Of course all of those distractions are still there, but for me the trip to the library cures all.

Is writing your full time job? If not, may I ask what you do by day?
Writing is my full time job now. At least when I’m not out promoting. I retired from police work in 2012 and wrote part time. I started my own handyman business, doing home improvements, and did some consulting, but never stopped writing. Now writing is my career.

Who are some of your favorite authors?
There are many but I’ll give you a few. I enjoy reading Stephen King, Lee Child, Michael Connelly, Ken Bruen, Robert B. Parker, Kate Flora, Paul Doiron, Brenda Buchanan, and James Hayman. Of course you realize all of my author friends are gonna be miffed that I left them out…

What are you reading now?
At the moment, I’m reading Benefit of the Doubt by Neal Griffin and Iron Lake by William Kent Krueger.

Are you working on your next novel? Can you tell us a little about it?
I am. The first draft of book number two in the Detective Byron Mystery Series is nearly complete. I haven’t decided on a title yet, but it will definitely be something cool. Without giving too much away, I can tell you that not all murder victims are beloved. John Byron and his detectives look to track down a killer after a prominent local attorney is found swimming with the fishes.

Fun questions.:
Your novel will be a movie. Who would you cast?
I’d pick Daniel Craig to play John Byron and Jada Pinkett Smith to play Diane Joyner. Any chance I could get a walk on roll?

Manuscript/Notes: hand written or keyboard?
I’ve written notes for several novels on scrap paper, in notebooks, on receipts, on my cell phone, literally everywhere. The manuscripts I write on my IPad, using a Bluetooth keyboard. I love using the IPad, I’ve written three novels on it.

Favorite leisure activity/hobby?
Oil painting, woodworking, and hiking, not necessarily in that order.

Favorite meal?
Shepherd’s pie and Guinness.

Thank you for stopping by!

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THE JUDAS GAME by Ethan Cross (Review, Interview & Giveaway)

The Judas Game

by Ethan Cross

on Tour October 1 – Dec 3, 2016

Synopsis:

The Judas Game by Ethan CrossWhen a correctional officer climbs to the top of his watchtower and opens fire on the inmates and guards, federal investigator Marcus Williams and serial killer Francis Ackerman Jr. must join forces again to unearth the truth behind the incident. What they find is a serial killer using the prison as his hunting grounds. But the Judas Killer’s ambitions don’t end with a few murders. He wants to go down in history and has no reason left to live.

With Ackerman undercover among the inmates and Marcus tracking down the mastermind on the outside, the team must learn the identity of the Judas Killer and stop a full-scale uprising that he’s orchestrated. But the more they learn about what’s happening at the prison and why the more enemies they must face. From inside the overrun facility, Marcus and Ackerman must save the hostages and stop an elaborate escape attempt while trying to determine how a rival corporation, the leader of one of the world’s most dangerous criminal organizations, and an inmate with no identity only known as Demon fit into the Judas Killer’s plans.

Launching a bold new cycle of novels featuring The Shepherd Organization, The Judas Game is searing, mesmerizing fiction—it’s Ethan Cross at his very best.

REVIEW

5+ stars

Wow! Let me catch my breath! This book blew me away!!

On the cover it states International Bestselling Author. I think it should also say Brilliant. Ethan Cross is a very talented author that has an incredible art of writing and story telling.

In 2012 I read another book by him, THE PROPHET, #2 in the Shepherd series , and gave it a 5 star rating. With THE JUDAS GAME, #4 in the series, he outdid himself. It read easily as a stand alone, even though I have read out of order, throughout the book when needed, the back story was explained.

The Shepherd Organization, an agency within the DOJ, are an elite team of investigators that hunt serial killers and the worst of mankind using any means to neutralize them. The agency is given a case where, at a new state of the art experimental prison, with a vision of future reform, a Correctional Officer goes on a killing spree but this isn’t a typical mass killing, they are soon to discover. And what makes it even more bizarre, is that a highly intelligent, fearless, Hannibal Lecter type of man, who at one time was the most feared and was hunted by the agents, is now joining forces with them. The story takes place over a 2-3 day period, which makes for a wild ride! And at times, the agents feel that they are being hunted instead of hunting, or is that part of the plan by “Judas”? Full of betrayals!

Ethan Cross holds the reader captive, from the first page to 5 pages left in the book, when all comes together and all is exposed. A non stop, heart pounding read. Mr. Cross has created characters and a story, with intricate details, that is gripping and leaves the reader spellbound! A thrilling and chilling novel that will have your heart racing!

This is a book that you will not be able to put down and will have you unaware of anything around you. Captivating 100%!!!!! As soon as I catch my breath, I will be reading the other books in this series that I need to catch up on, and highly suggest you do too!

Book Details:

Genre: Suspense
Published by: The Story Plant
Publication Date: October 2016
Number of Pages: 350
ISBN: 1611882346 (ISBN13: 9781611882346)
Series: Shepherd #4

Grab Your Copy of The Judas Game by Ethan Cross on Amazon, Barnes & Noble, and add it to your to read list on Goodreads!

Read an excerpt:

As he climbed the ladder of Tower 3, a strange memory struck Ray Navarro. It was of his son. Ray had been sitting on their front porch after finishing the mowing, and a green blur had come zooming down the road. His little boy, in a bright green T-shirt, running full blast, and tugging along their cocker spaniel puppy, the dog’s legs struggling to keep up with those of his son, Ian. A son he would probably never see again.

As Ray placed one hand in front of the next, his wedding ring kept clanging against the metal of the rungs. The echoes of metal on metal trickled down the concrete walls of Tower 3 like water. Each high-pitched sound sent shockwaves of regret and doubt down through Ray’s soul.

He felt like the world was upside down, and he was actually climbing down into hell instead of ascending Tower 3 at Foxbury Correctional Treatment Facility.

The prison was actually an old work camp and mental hospital, which had recently been recommissioned as part of a pilot program for a private company’s experimental prison. All of the guards, including himself, had been warned about the unique working conditions inside Foxbury. The program was voluntary. He had known the risks, but the money was just too good to pass up. He had bills to pay and mouths to feed.

Ray Navarro pushed open the hatch in the floor of the crow’s nest and pulled himself up into the ten-by-ten space of the tower. The little room smelled like cigarettes, even though no one was supposed to smoke up there. A tiny window air conditioner squeaked and rumbled in the tower’s back wall. He shed his jacket and rolled up his sleeves. The gun case was bolted to the left wall of the crow’s nest. With almost robotic, instinctual movements, he watched himself unlock the case, grab the 30-06 rifle, and insert cartridges loaded with just the right mixture of chemicals and shrapnel, fire and steel, needed to blow a one-inch hole in a person’s flesh. He had always excelled in the use of high-powered, long-range weapons. A pistol and a tactical shotgun also occupied the tower’s gun cabinet. He was rated as an expert in their use as well, but he had taken to the 30-06 like a boy’s hand to a well-oiled baseball glove.

Ray Navarro extended the rifle’s bipod and started searching the prison yard for his first target.

The scope’s line of sight slid effortlessly over each man’s face. He noticed a pair of the prison’s celebrity inmates. Leonard Lash, the infamous gang leader awaiting execution, and Oren Kimble, the madman responsible for a mall shooting five years ago. Then his eye stopped on two of the guards moving along the perimeter of inmates like cowboys watching over the herd. The men seemed to be having an in-depth conversation, a wiser silver-haired mentor teaching a younger pupil. He knew the older black man well. Bill Singer was a war veteran and a former sniper, just like Ray. When Ray returned from his last tour, he had been lost in doubt and fear and hadn’t known where to turn. Until he had met Bill. Now, Ray Navarro was five years sober and had even patched things up with his wife, who had come very close to being an ex-wife before Bill had started counseling him.

Bill wasn’t supposed to be on duty until Sunday, but something must have changed because there was his friend giving what seemed to be a mini-sermon to his younger counterpart.

The younger white man beside Bill, Jerry Dunn, had just come on with them. Jerry walked with a catch in his gait which made it seem like three of his steps were equal to two of a normal man’s, but that wasn’t the only aspect of Jerry Dunn which had earned him the nickname “Gimp” among his fellow correctional officers. Jerry also blinked about four times more than a normal person and often struggled to spit out more than a sentence or two.

Ray had no problem with Jerry and even felt sorry for the way many of the other guards treated him. A minor limp and a few tics didn’t mean that Dunn couldn’t do his job and, by all accounts, the young CO was more than competent.

Ray prayed that the next person up the tower’s ladder after him wouldn’t be Bill Singer or Jerry Dunn. Although, he didn’t really want it to be anyone else either. It was one thing to kill enemy soldiers or even an inmate if there was no other choice. This was different. This was the outright murder of men who were his coworkers, his friends.

Ray threw up all over the floor of Tower 3.

He cursed under his breath and then said, “It’s them or you.”

He re-acquired his target. Slid the crosshairs over the man’s heart and then up to his head. Normally, he would go for the chest, a larger target capable of accomplishing the same task. But since this was quite possibly one of his very last acts on the planet, he figured there was no harm in showing off and going for the true killshot.

“It’s them or you.”

He kept repeating that phrase like a mantra, over and over.

“It’s them or you.”

~~*~~

Bill Singer watched Jerry limp along in front of him. The more he watched, the more he noticed that the limp didn’t seem to slow Jerry down a bit. Bill realized that from Jerry’s perspective each step may have been painful or at the very least require twice as much effort. At his age, Bill realized the importance of pain management and the economy of movement, the debts that needed paying for each step, each incorrect dietary choice, each year with no trips to the gym, each time you tried to do something that you did easily ten years ago.

Knowing the difficulties faced by Jerry having been forced to start his life with inherent setbacks in that arena, Bill felt a soft spot for the kid and had taken the younger guard under his wing. Bill and his wife had neglected to have children, but he considered himself blessed to have some young men he had mentored who had become like sons to him. Jerry Dunn was one of those adopted sons. Another was Ray Navarro, who Bill knew was on overwatch in Tower 3 at that very moment. Then there were several others whom he had met through his volunteer work down at the clinic with his wife, Caroline.

Jerry Dunn actually reminded Bill more of one of those counseling patients than a correctional officer like Ray Navarro. Jerry was a wounded orphan while Ray was a wounded warrior. Both real problems that were no fault of either man, but whose differences were evident in each man’s demeanor.

Jerry had shared his story around a table of hot wings and beers on the first night Bill met him. The kid had blinked ten times and twitched twice before explaining that his parents had been killed in a car accident when he was only eight months old.

Some of the others had sympathized but continued to mock Jerry behind his back. And, of course, there were a few assholes in the group, who referred to Jerry as Gimp even to his face. Bill had gone a different way. He had befriended the young officer quickly and learned that whatever its cause, Jerry lived with a lot of pain in his heart.

Jerry Dunn halted his half-gait mid-stride and turned on his heels to face the yard. Bill shook his head at the younger man’s appearance. Jerry’s shaggy, black, stick-straight hair hung over his ears and looked as if it hadn’t been combed in days. Jerry’s skin was as pale as Bill’s was dark, and it had a certain smell about it. A mix of body odor and a cheap deodorant that acted as a substitute for bathing.

Jerry said, “I’m bored senseless. Let’s make a bet. I bet you two bucks that the two big Aryan brotherhood type guys right there. See them, one benching a million pounds and the other spotting him and looking disinterested. I bet you two bucks that the big guy doesn’t get it up and the smaller guy either makes fun of him about it or he barely even notices that the big guy dropped the thing on his chest.”

Bill followed Jerry’s gaze and shook his head again. This time at the younger man’s assessment of the situation. Bill said, “I’ll take that bet, but let’s make it twenty bucks.”

Jerry seemed worried by this raising of the stakes, but not worried enough to keep from saying, “You’re on.”

Bill let his gaze linger on the ABs and watched the scene play out just as he suspected it would. The bigger man dropped the bar, but his spotter didn’t even let the bar touch the other man’s chest before snatching it up onto the rack.

Bill said, “The spotter wasn’t looking away because he wasn’t paying attention. He was looking away because he was scanning the yard for threats.”

“But they don’t need to do that here. There are no physical threats.”

“Old habits.”

Crestfallen, Jerry continued along the perimeter, and Bill followed in step beside him.

“This group of one hundred,” Bill said, referring to the first wave of prisoners being transferred to the refurbished and repurposed Foxbury prison, “has had to form bonds quickly in order to maintain their dominance when the next wave hits. I know we’ve only been here a few months, but I’m shocked that no one has been killed yet. This new ‘experimental model’ gives these guys way too much freedom.”

As the bigger Aryan rose from the bench and took his place as spotter, the two locked fists, held the embrace for a breath, and released each other with a final squeeze of the shoulder. A strangely intimate public gesture that stretched the limits of the physical contact allowed at Foxbury. They may have even felt the jolt of a warning shock. Maybe that was the point. To bond through a little shared pain.

“It’s in their nature to join together into packs. They’re a group of hungry wolves thrown into a pen. The laws of nature take over. They’re going to gang up and start establishing bonds and hierarchy. I don’t care what they claim about this software and technology and cameras. It’s nature of the beast out here. Always has been, always will be. Someone’s going to get this place’s number. There isn’t a security system in the world that can’t be bypassed. If one guy’s smart enough to design it, then there’s another guy out there hungry enough to bypass it.”

“So far, it seems to be working. I think it’s a glimpse of what the prison of the future could look like.”

“Don’t drink the Kool-Aid just yet. It’s only been six months, kid. Trust me. ‘So far’ doesn’t last that long.”

Bill glanced back at the big Aryan, now standing solemn guard over his comrade like a stone sentinel.

Then Bill watched the big Aryan’s head split down the middle. He saw the blood a heartbeat before he heard the crack of a high-powered rifle.

~~*~~

A millisecond of held breath followed the first man’s death. A fraction of a heartbeat when the fight or flight instincts of every inmate twitched toward fight. After all, these men were all fighters in one way or another. It made time seem frozen somehow.

Then everyone, all at once, realized what had happened. The inmates dropped to the ground, as they had been taught, and the guards struggled to keep their wits.

Bill analyzed the situation, years of training and drills all floating to the surface of his personal sea of memories. The training kicked in and won the battle over his instincts.

An inmate must have been putting the life of a guard in danger. That was the only reason a tower guard would have opened fire. His gaze had just enough time to slide over the yard, searching for what he had missed, when the second shot rang out.

This time one of the inmates with his belly to the ground jerked wildly and then lay still, a spray of blood splattering the man to his left.

Bill tried to work it out. Why would a tower guard shoot an inmate lying on the ground?

Unless this was something more.

An entirely different set of training and drills took over—from before he became a correctional officer, from back when he was a young army recruit—and those military-issued instincts helped Bill immediately recognize what this really was. A sniper attack. They were under assault.

“Everyone up!” Bill screamed. “Get inside the buildings. Get to cover!” The throng of prisoners scattered as they scrambled to find protection. The sound of a third shot spurred their legs to pump harder.

Bill didn’t see the third man fall, but he did see from where the shot had originated. He had looked to the towers and walls first, scanning for the shooter. And up in Tower 3, he saw a man who looked like Ray Navarro, eye to his rifle, lining up another shot.

The yard was, looking down from above, the shape of a giant stop sign. Guard towers topped four of the outer vertexes. The safety of the prison’s main buildings was in the distance to Bill’s left. But Tower 3 and the sniper who had become like a son to Bill was closer on the right.

Safety or friendship.

When Bill had served his tour of duty, he had learned and believed that it was all about the man on your right and on your left, your brothers.

Safety or friendship.

Saving his own ass or trying to keep his friend from being killed. The decision was an easy one for Bill Singer. Not even a choice really. Just another instinct; a natural result of all he’d learned and experienced.

He ran toward Tower 3.

Access to the outer perimeter of the yard and the guard towers was made possible via a barred gate in the old stone wall. The problem was that the gate was actually more modern than its surroundings, and it had no locks or keys. It could only be opened by one of the watchers—the name the guards had bestowed on the computer techs who constantly monitored the prison’s thousands of cameras through some kind of special software. Amid the chaos of the yard, among the disorder of one hundred men running for their lives, one of those watchers would have to notice him and buzz him through the gate.

It was a long shot. Not to mention that he had to put himself squarely in Ray’s crosshairs—if that really was Ray up there—just to reach the gate.

The Ray he knew would never fire on him. But the Ray he knew would never fire on anyone. If it really was Ray, then it wasn’t the Ray he knew, and he had no way of anticipating the actions of this robot that had taken Ray’s place, this creature that seemed to walk in Ray’s skin.

Bill wasn’t really surprised to see a pair of the other guards having the same idea. A pair of energetic thirty-something guards who Bill knew as Trent and Stuart were already pounding their fists on the shiny aluminum gate and shouting up at one of the prison’s legion of cameras.

To his surprise, Bill was still twenty feet from the gate when he heard the buzz and clank of the lock disengaging. Big brother was watching. The other pair of guards pushed through and ran out of his view, but he knew where they were headed. He shot a glance to Tower 3 as he ran toward the now-open gate.

Ray had disappeared from the tower’s window. Whether the shooting was over or Ray was just reloading, Bill couldn’t be sure, but he did know that things would go better for his young friend if he was the first one up that ladder.

Bill shouted at the other guards to wait, to let him go up first, but he was so winded from the sprint across the yard that he couldn’t make the sound come out with as much force as he wanted.

The younger guards didn’t stop their assault. “Wait!” he shouted. The thought of Ray attacking the guards and escalating the situation spurred him forward, pumping his adrenaline to the next level.

Bill caught the gate before it could swing shut and relatch. He rounded the corner of the wall toward Tower 3 and looked up just as the parapet of the tower exploded in a searing ball of glass and fire.

~~*~~

The concussion wave slammed Bill to the ground like a swatted fly. Blackened and flaming chunks of concrete rained down around him. He looked back at Tower 3, and his eyes struggled to regain focus. The midday sun hung in the sky directly behind the watchtower. It looked to Bill as if the sun had simply absorbed the parapet of Tower 3 like some giant fiery PAC-MAN. He held his gaze into the sun just long enough to see that the tip of Tower 3 was gone, as if the crow’s nest was the top of a dandelion blown away and scattered to the wind, there and then not.

He was still disoriented by the blast wave. His vision blurred and then came back into focus. Blurred and focused. Then, through the haze, Bill saw Ray Navarro stumbling toward the opening in the stone wall, heading back to the main building.

It was Ray. Bill was sure of it. Not some impostor or impersonator, but his friend. Had the kid completely snapped?

If something was happening in Ray’s life that could have driven him to this, then Bill had no clue what it could have been. Maybe the kid had some kind of PTSD flashback? He couldn’t have been in his right mind.

Bill’s hearing suddenly returned. One second, it was a high-pitched ringing, a shrill otherworldly sound. Then the sound quickly merged back with the real world. The screams brought Bill back to the moment. He crawled, then stumbled, then ran toward the sound of the screaming. One of the men who had beaten him to the tower was on fire. He didn’t see the other.

The man, or more of a boy to Bill’s old eyes, rolled feebly on the ground to smother the flames. Bill could smell the man’s flesh cooking. It reminded him of sizzling bacon.

Bill shoved his hands through the flames to get to the boy. Just enough contact with the fire to singe off all the hair on Bill’s arms, but also just enough contact with the boy’s torso to shove him into a full roll.

He helped extinguish the last of the flames and then rolled the kid onto his back. His face was charred. He couldn’t stop crying and coughing. And Bill could think of nothing he could do to help.

The sound of boots crushing sand and gravel announced the arrival of more guards. One pushed Bill back and started performing CPR on the burned man.

Bill hadn’t even noticed that the kid had stopped breathing. He felt suddenly disoriented, as if he had just woken up from a bad dream, and his mind was struggling to realign with reality. All he could hear was the ringing, and it seemed to be growing in volume, swelling toward a climax.

He bent over and threw up. What could Ray have been thinking? Had he seen Ray heading back toward the prison? Had that been real? If so, where was Ray going? Had his young friend done this and then was trying to sneak away in the confusion?

Bill ran back toward the gate. The other guards shouted something about needing help, but Bill ignored them. He moved with a singular focus now.

One emotion drove him forward. Anger. One thought fueled his anger. That could have been me.

If Ray had premeditated this—and he obviously had, because he must have brought some kind of explosives with him and had at least some semblance of an escape plan—then that meant that Ray had no way of knowing who would have been the next person through that hatch. It could have been anyone. It could very easily have been Bill.

A few steps closer or a few seconds faster, and it would have been him.

His friend had nearly taken his life; he had nearly taken him away from Caroline.

That didn’t sit right with him and, at the very least, he was going to find out why.

The yard was almost evacuated, and Bill couldn’t miss Ray moving toward the north barracks.

He lowered his head and ran harder, trying to close the gap between them.

Ray didn’t look back, didn’t check over his shoulder once. As if not looking at the destruction he had caused would make it less real, less horrifying. As if guilt and shame wouldn’t catch him if he refused to acknowledge them.

The anger fueled Bill even more—the anger awakened something in him. Something that he hadn’t felt since his army days. He could still smell the young guard’s burning flesh. He could still hear his screams.

He closed the last of the gap in a dive, driving his shoulder into Ray’s back and sending them both sprawling onto the concrete of a basketball court.

Ray was first to his feet. He held a Glock pistol, probably stolen from the gun cabinet of Tower 3.

“Stay back,” Ray said.

“What have you done?”

“I said stay back!”

“Why?”

Bill’s voice cracked as he took a step toward the man he had spent countless hours counseling and guiding back toward sanity.

“Back,” Ray said, retreating toward the barracks.

“You tell me why!”

“I’m sorry. I’m glad you’re okay.”

“Glad I’m okay? I could have been killed. And what about the others you just murdered?”

“I can’t. . .” Ray shook his head and turned to run.

Bill stared at him a moment, dumbfounded.

It looked like the Ray he knew. The voice was the same. The look in his eyes. But the Ray he knew would never have done something like this. Did he have the capability? Sure. Ray was a former soldier. He had killed in combat. This was different. This was the visceral act of an animal with its back to the wall. This was the final attack of a dying predator.

What could have possibly driven Ray to such a desperate, animalistic decision?

Ray had taken three big strides toward the barracks before Bill made up his mind that Ray Navarro wasn’t leaving the yard.

Bill closed the distance between them in two huge strides. He threw all of his weight and momentum into a single blow. He hurled himself at Ray like a locomotive of flesh and bone. He aimed one huge punch directly at the back of Ray’s head. He would hit Ray hard with one sucker punch that would instantly knock him out. The fight would be over before it began.

But Ray ducked the punch at the last second and spun around, the gun still in his hand.

Bill immediately recognized his mistake. An old drill instructor’s words floated back to him from the ether of his memory.

Go for the body. The head is too small a target that can move and shift too easily.

Bill immediately knew the consequence of not heeding that advice.

The gun flashed.

Bill saw the shock and horror in Ray’s eyes.

He felt the warmth of the blood leaving the wound before actually feeling the pain of the puncture. He fell back to the concrete.

The ringing in his ears was fading away but leaving only silence in its place.

He heard the shouts of other guards telling Ray to get down. He closed his eyes. At least he had stopped Ray from escaping and hurting anyone else or himself.

Bill Singer heard the ringing. Then more shouting. Then the ringing again. And then nothing at all.

Author Bio:

Ethan CrossEthan Cross is the award-winning international bestselling author of The Shepherd (described by #1 bestselling author Andrew Gross as “A fast paced, all too real thriller with a villain right out of James Patterson and Criminal Minds.”), The Prophet (described by bestselling author Jon Land as “The best book of its kind since Thomas Harris retired Hannibal Lecter”), The Cage, Callsign: Knight, Father of Fear, and Blind Justice.

In addition to writing and working in the publishing industry, Ethan has also served as the Chief Technology Officer for a national franchise, recorded albums and opened for national recording artists as lead singer and guitar player in a musical group, and been an active and involved member of the International Thriller Writers organization and Novelists Inc.

He lives and writes in Illinois with his wife, three kids, and two Shih Tzus.

Q&A with Ethan Cross

Writing and Reading:
Do you draw from personal experiences and/or current events?
I think that James Grippando hit the nail on the head when he stated, “Someone you know, something you did, some abstraction you fear, some desire you hold, some piece of news you heard and interpreted through your own moral prism—in short, the person you are at the time you put pen to paper—goes into those characters.”

For me, that’s what it means to “write what you know.” That definitely doesn’t mean that I advocate inserting yourself into your story. I’m not all that interesting. And I think we all cringe a little when we read the dust jacket of a book that contains a writer as the heroic protagonist. However, I think that characters become especially real and interesting when the author has given them a quirk, passion, hobby, flaw, emotional baggage, etc that is personal to the writer. This familiarity and first-hand knowledge comes across on the page, and as a reader, I find those moments to be truly captivating. You can deeply feel that person’s pain, their need, their desires.

I guess what I’m saying is that I would never (or at least try not to) insert myself into a story, but I do think that there is something to be said about channeling a small aspect of yourself into a character when you breathe life into them. The trick is to do so and then let them live their own lives and be their own person.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
I usually only have a vague idea about the ending and the events in the second half of the book. I’ll brainstorm a bunch of thoughts about plot points and the characters and their stories and motivations. Then I’ll usually do an outline of the first section of the book and try to channel that down into the first few chapters. I then let the story unfold in a pretty much linear fashion. Outlining further and refining ideas as I go. I consider my process to be a bit of a hybrid between outlining and pantsing. I like to think of it as linear story sculpting.

Are any of your characters based on you or people that you know?
Stan, the Shepherd team’s tech genius, is loosely based on a friend and publishing industry colleague.

Your routine when writing? Any idiosyncrasies?
I typically start at 8:00 or earlier and don’t quit until 6:00. My usual spots for writing are either in a recliner, in my office, or a lounger, sitting in what I call “my secret garden.” If I’m in my office, writing, I’ll have all the lights shut off. I read somewhere that we’re more creative neurologically in a darkened room. I find it helps me to focus.

Tell us why we should read this book.
I think a wonderful writer of both books and for the screen, Matthew Quinn Martin, answers that question best:

An absolute next level thriller! The Judas Game welds the balletic brutality of Lee Child at his peak to the cerebral chicanery of David Ely’s Seconds…then girds the whole thing with a healthy dose of the emotional heft found in Wagner & Locke’s A History of Violence. If you are looking for a thriller with cartoon heroes and cardboard villains…look someplace else. If you want something that will leave you floored…this is the book.” – Matthew Quinn Martin

Who are some of your favorite authors?
I enjoy any book that’s action-packed, regardless of genre, and I’ve been known to read three or four books in a week. I love David Morrell, James Rollins, Lee Child, F. Paul Wilson, Dean Koontz, Jeffery Deaver, James Patterson, Douglas Preston, and many, many more.

What are you reading now?
Strong at the Break by Jon Land – The third book in the Caitlin Strong series

Are you working on your next novel? Can you tell us a little about it?
Sure! The next book in the Shepherd series will take place in San Francisco and features a killer known as the Gladiator. And Ackerman, Marcus, and the rest of the crew will all be back as well. And I’ll let you in on a little secret… I’m thinking of killing off a character who’s been in the series since the beginning.

Fun questions:
Your novel will be a movie. Who would you cast?
I’m going to run down my list of current actors and actresses who could possibly fit the bill for each character and briefly explain why….

Marcus – Chris Pine, Hugh Jackman (if he were younger), Stephen Amell, Sam Worthington, Chris Evans, Jensen Ackles, Henry Cavill

Marcus is my main protagonist. He’s a tortured soul with the frightening ability to get inside the head of a killer, a memory that’s both a blessing and a curse, and a gift for hurting people. The actor playing him would need to be physically intimidating, but also have some acting chops. I think Hugh Jackman could definitely pull it off, but he would be quite a bit older than the actual character. I would also love to see what Jensen Ackles (Dean from one of my favorite shows—Supernatural) could do with the role. He could definitely pull off the smart-ass part of Marcus, but I’m not sure if he could capture some of the character’s other traits. So the most likely candidate would probably be Chris Pine.

Ackerman – Michael Fassbender, Dan Stevens, Michael Keaton (if he was only younger)

This one is probably the toughest call, but also a role that a talented actor could really have a lot of fun with. He’s been described as a less-cultured Hannibal Lecter by a great number of people. He’s cunning, ruthless, extremely intelligent, charming, handsome, and completely insane. I think Michael Fassbender (X-Men: First Class, Prometheus) or Dan Stevens (The Guest) could really shine in this role. And just for a bit of a wildcard… Michael Keaton. He’s way too old now, but if the movie was made 15-20 years ago, he could have been great. Don’t believe me? Check out Desperate Measures 😉

Maggie – Amber Heard, Julianne Hough, Ali Larter, Charlize Theron, Bryce Dallas Howard, Rose McIver

Maggie is the primary love interest and a member of the Shepherd team. She’s strong, but not tough. She’s beautiful, but not girly. She also has deep-rooted personal issues and suffers from obsessive compulsive disorder. Any of the actresses mentioned above could do an incredible job with it, so this one is too close to call.

Favorite leisure activity/hobby?
I’m a huge movie buff. My wife and I religiously have date night every week and take in a movie at the theater.

Favorite meal?
Hmmm…. I love food, so this is a tough one. But I’m going to say Cold Stone Creamery: Cake Batter Ice Cream with Marshmallows, White chocolate chips, and Cookie Dough 😉

Catch Up online with Ethan Cross on his Website, Twitter, and Facebook.

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PICT PRESENTS: A BLACK SAIL by Rich Zahradnik (showcase, interview, giveaway)

A Black Sail by Rich Zahradnik Tour Banner

A Black Sail

Rich Zahradnik

on Tour September 2016

Synopsis:

A Black Sail by Rich ZahradnikOn the eve of the U.S. Bicentennial, newsman Coleridge Taylor is covering Operation Sail. New York Harbor is teeming with tall ships from all over the world. While enjoying the spectacle, Taylor is still a police reporter. He wants to cover real stories, not fluff, and gritty New York City still has plenty of those in July of 1976. One surfaces right in front of him when a housewife is fished out of the harbor wearing bricks of heroin, inferior stuff users have been rejecting for China White, peddled by the Chinatown gangs.

Convinced he’s stumbled upon a drug war between the Italian Mafia and a Chinese tong, Taylor is on fire once more. But as he blazes forward, flanked by his new girlfriend, ex-cop Samantha Callahan, his precious story grows ever more twisted and deadly. In his reckless search for the truth, he rattles New York’s major drug cartels. If he solves the mystery, he may end up like his victim—in a watery grave.

Book Details:

Genre: Mystery, Thriller
Published by: Camel Press
Publication Date: Oct 2016
Number of Pages: 264
ISBN: 1603812113 (ISBN13: 9781603812115)
Series: Coleridge Taylor Mystery, 3rd (Stand Alone Novel)

Purchase Your Copy of A Black Sail by Rich Zahradnik on:
Amazon, Barnes & Noble, or check it out on Goodreads

Read an excerpt:

CHAPTER 1

The NYPD Harbor Launch Patrolman Crane thudded over the waves toward the Brooklyn docks.
Millions of New Yorkers lived on islands and never gave a thought to the sea surrounding them. At this moment, the water was very much on Taylor’s mind. Gripping the rail of the police boat, he was looking down at a small undulating patch of it. Throwing up.

Minutes earlier, Taylor had watched the big orange Staten Island Ferry John F. Kennedy cross the harbor. He’d stared too long, and the police boat had bounced even harder as it crossed the ferry’s wake. The rocking of the Patrolman Crane and the counter movement of the Kennedy on Taylor’s immediate horizon had sent him running for the side.

Once he was done, Taylor stood and leaned against the side of the boat. A small American flag fluttered from a pole on the back of the launch. The Patrolman Crane’s white cabin and pilothouse, which took up most of the space on the vessel, were in front of him. The NYPD craft looked like a working boat—all business—and one that could move quickly when necessary.

Officer Greg Mott laughed at Taylor’s rookie distress. “You haven’t been out on the water for thirty minutes and you’re sick.” He handed Taylor a wet cloth.

Taylor wiped his face and thanked the Greek Orthodox God of his late mother he’d only had a buttered hard roll for breakfast two hours ago.

“Wouldn’t mind if this was real news. Seasick for a feature story? Not a price worth paying.”

“We’ve had a bunch of ride-alongs with reporters. Suddenly there’s lots of interest because the tall ships are coming for the Bicentennial celebrations. Usually no one cares what we do out here.”

Taylor gritted his teeth and ordered his stomach to stop flipping. It wasn’t listening.

The police boat slowed as it neared the Brooklyn piers, which jutted into water deceptively blue, considering how badly polluted it was. Must be some trick of the light.

Mott, a short, muscular member of the NYPD scuba team, leaned against the rail. “How the hell you going to cover Operation Sail if you’re seasick?”

“After this one feature about the harbor and what you guys will be doing July Fourth, I’m working from dry land. There are lots of safe, solid places to watch the boats.”

“Wouldn’t call them boats. Not if you want to write accurate. There’ll be ships. A lot of ships. Full-rigged and barks and barkentines and schooners.”

“Sound like an expert.”

“Sail myself. I begged to work the Bicentennial on Sunday. July Fourth, 1976. Two hundredth birthday of the USA. We’ll have the biggest modern day assembly of tall ships ever. Naval review. Fireworks. Great day to be on the water. Then there’s all the events on land. Might not see the like of any of it again. I mean, took them years negotiating just to get the ships here.”

At this moment, Taylor didn’t care if he saw a boat, ship, or whatever again, much less stood on one.

Sergeant Pat McCarthy, pilot and commander of the launch, stuck his head out the window of the bridge.

“Get ready, Motty. Possible drop.”

Mott pulled on his wetsuit and zipped himself in. “What’s the call?”

“Someone said they saw something go in before dawn.” “They’re telling us that now?”

“Precinct’s apparently been really busy.” Sarcasm seasoned McCarthy’s thick New York accent—Queens or maybe the borderlands with Brooklyn. “New York, man.”

Mott checked his equipment. Taylor marveled at him. The man should get a medal for just jumping into the polluted soup of New York Harbor.

“What’s a ‘drop’?” Taylor said.

“Drugs, usually. They cruise over from Jersey and dump sealed packages near the piers for pick-up later. The narcotics boys have had me check a bunch of times. Came up with four kilos of smack a month ago.”

“Why go by water?”

“Because of traffic stops outside the Jersey docks. The narcs have a fix on some of the suppliers’ messenger boys. Been grabbing them after the stuff comes off the freighters.”

Taylor shook his head. More than a decade covering cops in New York, and he still came across new and different ways to commit crime. The launch slowed more as McCarthy eased the craft between two piers. Sunlight turned to shadow. The morning had started with the air on land humid and heating up, but the breeze across the water made it feel less like an oppressive summer day.

The police boat stopped, gently bobbing between the pilings. That wasn’t enough to convince his stomach. Taylor didn’t know what would, but he wasn’t putting his head over the side if a real story was about to come aboard. He’d held no hope of anything that good happening when he stepped onto the launch.

Mott dropped into the water. Minutes passed. He came up with a headshake and dove again.
McCarthy stood by the rail, watching.

Taylor joined him. “How does he know where to look?” “The divers have a way of combing an area. Eliminates guesswork. Dumbasses think they can throw a gun in the water and it’s gone. They’re so wrong. Motty and the other divers know what they’re about.”

“What will they do during Operation Sail?”

“Untangle anchor lines of civilian craft. Help direct traffic. We hope nothing more serious. The Coast Guard expects thousands of small boats. Maybe more. We don’t want anything bad to go down on Sunday. New York needs this.”

Mott came up, pulled his mouthpiece out, and yelled for a line.

“Drugs?”

“Up against one of the pilings. A body.”

“Shit. I’ll call homicide.”

It took Mott more than ten minutes to get the body properly secured with the line. McCarthy and a second crewman strained to pull the dripping thing up into the boat. Water ran off a blue gingham dress onto the deck. The face and arms were already puffed up. Taylor knew the dead woman hadn’t been in the water long because the body would have looked a whole lot worse. She was white, with red hair, and appeared to have been relatively young. Her right foot had on a purple sandal. Her left was bare. She’d been shot in the right eye.

The witness had seen the body dumped early this morning. It was like the woman had gone for a summer walk sometime on Tuesday and run into terrible violence.

Around the body’s waist, looking almost like a floatation belt, was taped a chain of six square packages wrapped in heavy-duty black plastic. Maybe garbage bags. Maybe sheets of industrial-grade stuff.

Mott came up the ladder and dropped an iron bar in the boat. “That was tied to her foot. Why she wasn’t a floater.” Perversely, the body had settled Taylor’s stomach. Now he had a crime to focus on, and the possibility of a real story acted like some kind of natural Dramamine. He eased around to her left side. There was a deep depression above her left ear, the hair still matted by dried blood that hadn’t washed away. Hit hard and shot. Just to make sure? Somebody seriously wanted this woman dead. He wrote down everything he saw so he’d remember what to ask about later.

Wearing a work glove, McCarthy leaned in and pressed one of the black packages. It gave in to the pressure. “They’re not weights. That was the iron bar’s job. What’s inside stayed dry. The heroin we pulled up last month was wrapped exactly like this.”

Taylor looked up from his notebook. “Really think it’s drugs?”

“What else?”

“Why would someone deliver drugs strapped to a body?” “What if we didn’t pull her up?”

“Well, whoever was coming for the drugs would find her.”

Taylor pointed at the blue gingham.

“Exactly. I ain’t no detective. Never will be. Like driving my boat too much. My guess is someone’s sending a message.”

“Who?”

“That I couldn’t tell you. Know a message when I see one. Right now, I got other things to worry about. This week is supposed to be big PR for the city. My captain is going to go through the roof. Like I dropped the poor thing in the water.”

McCarthy went back to the cockpit, slowly backed the 50-foot Patrolman Crane out and navigated her between Governor’s Island and Brooklyn. Taylor, at the rear, took one moment to watch the Brooklyn Bridge, with its massive granite towers and, by comparison, fragile webs of steel cables, recede and disappear as the boat came around Red Hook. He loved that bridge, New York’s most majestic. As a Queens boy, he had to give Brooklyn credit for the bridge, but that was all. Brooklyn had nothing else to recommend it. He could say that in full confidence, especially since he lived there now.

McCarthy, the crewman, and Mott attended to their duties, taking care of all sorts of boat-related chores. There wasn’t anything more they could tell Taylor about the woman. Once the bridge disappeared from view, he sat near the body with his long, lanky legs stretched out in front of him, wondering who had put her under the water as some kind of message. He folded a stick of Teaberry Gum in his mouth to clear the bad taste. His stomach didn’t flinch. He stayed with her during the launch’s short journey from the piers to Harbor Charlie, the docks at the Army Terminal used by the Patrolman Crane and the rest of the Harbor Precinct.

Narcotics and homicide detectives, two apiece, from the 72nd Precinct were on the scene when the launch tied up. The narcs and the murder cops both wanted the case. They were still arguing over jurisdiction when the wagon took away the woman’s body. McCarthy and his crewman stowed gear and secured rope. Mott checked his diving equipment. Taylor hung back from the argument. Stepping in the middle of it would get him in trouble and yield no information.

The homicide cops ended the dispute by leaving. As the aristocracy of the NYPD, they swaggered off, probably certain they would go back to the house and win the turf war. Why were any of them trying so hard to add to their caseload? There was more than enough crime to go around for a police force shrunk by huge budget cuts. Too much. Maybe they wanted to be in on what was happening in New York Harbor this weekend. Even if it was the evil stuff.

One of the two narcotics detectives jumped into a Ford, leaving behind the other, Marty Phillips, a narc of Taylor’s acquaintance. Dressed in the not-quite-convincing attire of the modern plainclothesman—flared jeans, blue-and-white tie- dye T-shirt, and long hair not actually long enough—Phillips walked toward the exit to the street.

Taylor caught up. “Where’re you heading?”

“I need a drink.” Phillips always needed a drink. “How’d you sniff this one out so fast?”

“I was on the launch.”

Phillips’ light-brown eyes gave Taylor a quizzical look.

“A ride-along for an Operation Sail feature.”

“Seriously? Police reporter like you is writing about sailboats?”

“Everybody’s writing about sailboats. At least through the weekend. That why the homicide guys wanted to add this to their board?”

“Maybe.”

“I’ve seen killings over drug deals. I’ve seen ’em over who sells on what corner. This doesn’t fit.”

“This one’s not about corners.” Phillips looked around, which was odd, since he wasn’t a guy to worry who heard what. “It’s an import war. Not saying more out on the street. Let’s get a beer. Fraunces Tavern.”

“All the way back in Manhattan?” “I like to get off my patch to think.” To drink.

After the subway ride under the East River, they walked several blocks, winding their way along the narrow streets that made downtown so different from the grid—the squares and numbers—of midtown. At the corner of Broad and Pearl Streets stood Fraunces Tavern, one of New York’s great survivors. Built in 1719, a tavern off and on since 1762, it had been headquarters to Washington and witnessed his farewell to his officers.

As they both stepped up to the bar, Taylor breathed in sweet wood polish mixed with the pleasant hint of fresh beer. The tavern’s greatest feat of survival was the most recent one: re- opening after being bombed by the Puerto Rican terrorist liberation group FALN. A year ago January, a deadly explosion had ripped through the building when ten sticks of dynamite detonated, killing four and injuring more than 50. A crack running through the wall mural of the City of New York remained as a testament to the attack.

Taylor pushed a hand through windblown brown hair, trying to get back the rough side part that was supposed to last all day. He didn’t carry a comb. Unlike Phillips’ hair, his was trimmed shorter than the fashionable style. He’d tried long hair briefly, but it’d looked messy and dirty. He now kept the close, parted style he’d worn—except for the experiment with the mop top—since he’d outgrown his childhood crew cut.

Phillips ordered rye on rocks, and Taylor a seven-ounce Rolling Rock. It was a few minutes after noon.

“What’s with the cute beers?”

“I’m a cute guy.”

Taylor didn’t tell the narc that drinking little beers was one of the rules he followed to avoid the alcoholism of his father. The rules weren’t something he shared with cops—or anyone else. His stomach had already settled some. The Rolling Rock would be the real test. The first sip went down well. In fact, made him feel better.

Phillips took a big swallow of rye. “Never used to come here. Place is for bankers, not cops. But I’ll be fucked if some scumbag ’Rican terrorists are going to kick me out of a bar.”

“Still haven’t arrested anyone.”

“This is America. We let you blow shit up. We let you get away.”

“Tell me about this import war.”

“Where’s the heroin on the street come from?’

That question was New York Crime 101. “Mostly Afghanistan by way of Marseilles. Brought in by the Italian mob.”

“Yeah. The Fronti crime family, to be specific. That’s one reason for those Brooklyn pier drops. When the package comes in on a ship, the ship docks in Jersey. Slipping across the water’s become a safer way to get it over. But there’s a new supply of heroin and a new supplier. China White out of Southeast Asia. The Golden Triangle. The Leung tong in Chinatown is bringing it in. They want the import license for New York City.”

Confirms what Mott said about Brooklyn drops. But….

“It’s actually referred to as the ‘import license’?” “No, that’s me. Pretty good huh?”

He smiled around another swallow of whiskey. “How’s the murder figure into this?”

“The tong wants to take over as heroin supplier to New York City. I’ll bet money the victim’s related to someone in the Fronti family. That woman’s a statement.”

“McCarthy said something like that. Sounds like a leap with the body just recovered.”

“C’mon. It’s even obvious to a guy who paddles around in a boat. Wives and kids are off limits for the Italians. Nobody hits them. The tong doesn’t play by the same rules. Slant-eyed bastards never do. That’s why her body says this is about the import war.”

“What other evidence you got?”

“There’s already more China White on the street. This is big. It’s why the homicide guys want in. Important case. Meanwhile, they want us to stay on the street busting pushers—who will sell whatever comes their way. Pushers don’t care who’s importing. They want the smack the addicts will buy. China White is the better shit.”

Taylor got Phillips a second rye and left the narcotics cop at the bar. The one little beer on an empty stomach had already given him a buzz. He needed to get out of there before he spent the afternoon drinking and talking cop stories he wouldn’t remember later.

He caught the subway uptown to Times Square and walked one block to the City News Bureau’s offices in the Paramount Building. He needed to manage expectations with Henry Novak. He’d write the feature on the harbor patrol. He also wanted to work on something his boss—and friend—wasn’t looking for on the eve of the Bicentennial. Taylor was covering a murder that could turn into a big drug story.

© Rich Zahradnik

Author Bio:

authorRich Zahradnik is the award-winning author of the critically acclaimed Coleridge Taylor Mystery series (A Black Sail, Drop Dead Punk, Last Words).

The second installment, Drop Dead Punk, won the gold medal for mystery/thriller ebook in the 2016 Independent Publisher Book Awards (IPPYs). It was also named a finalist in the mystery category of the 2016 Next Generation Indie Book Awards. Last Words won the bronze medal for mystery/thriller ebook in the 2015 IPPYs and honorable mention for mystery in the 2015 Foreword Reviews IndieFab Book of the Year Awards.

“Taylor, who lives for the big story, makes an appealingly single-minded hero,” Publishers Weekly wrote of Drop Dead Punk.

Zahradnik was a journalist for 30-plus years, working as a reporter and editor in all major news media, including online, newspaper, broadcast, magazine and wire services. He held editorial positions at CNN, Bloomberg News, Fox Business Network, AOL and The Hollywood Reporter.

In January 2012, he was one of 20 writers selected for the inaugural class of the Crime Fiction Academy, a first-of-its-kind program run by New York’s Center for Fiction.

Zahradnik was born in Poughkeepsie, New York, in 1960 and received his B.A. in journalism and political science from George Washington University. He lives with his wife Sheri and son Patrick in Pelham, New York, where writes fiction and teaches kids how to publish newspapers.

O&A with Rich Zahradnik

Welcome and thank you for stopping by CMash Reads.

-Do you draw from personal experiences and/or current events?
The first book in the series is set in 1975 and this one, the third, is set in July of 1976 so I draw a lot from events that were current at the time. The second book, for example, deals with the financial collapse of New York City. This one features the Bicentennial celebrations in New York as the backdrop. My personal experiences as a journalist also inform the series.

-Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
I start with the beginning and see where the journey takes me. I outline lightly—a couple of sentences on the next four or five chapters I will write. I definitely don’t know the end until I get close.

-Are any of your characters based on you or people that you know?
I take traits and emotional reactions from different people I know and incorporate those into characters. But no character is based entirely on a real person. My protagonist, a journalist, has some of my traits, but in many ways is different from me. Taylor is a much better reporter than I ever was. He is far more focused on getting the story—sometimes to his detriment.

-Your routine when writing? Any idiosyncrasies?
After about an hour of coffee drinking, email, social media and other chores, I start writing. I try to complete a chapter a day when writing the first draft. With revisions, I’m looking to do two or three chapters a day. I close email and social media windows and only open them during quick breaks.

-Tell us why we should read this book.
People should read this book if they enjoy mysteries that keep them guessing and keep the pace moving fast. Those who enjoy visiting a particular place and time—and perhaps seeing it anew—will also like A Black Sail.

-Who are some of your favorite authors?
Michael Connelly, Georges Simenon, Derek Raymond, Graham Greene, Tony Hillerman, William Gibson, Kurt Vonnegut Jr., Charles Dickens.

-What are you reading now?
Plum Island by Nelson DeMille, The Orient Express by Graham Greene, Reporting World War II Vol. 1: American Journalism 1938-1944 edited by Samuel Hynes, Weird Heroes Volume 2 edited by Byron Preiss.

-Are you working on your next novel? Can you tell us a little about it?
I’m just finishing a stand-alone thriller called “The Causeway,” in which three people witness a drug murder as a hurricane is approaching a barrier island off New Jersey. With the storm raging, they must escape over the causeway back to the mainland before the murderers can catch them. In the next couple of weeks, I will start writing book 4 in the Coleridge Taylor series. This one will be set during the summer of 1977, when the serial killer Son of Sam terrorized the city and a blackout in July resulted in looting, millions of dollars in damages and more than 3,000 arrests.

Fun questions:
-Your novel will be a movie. Who would you cast?
Mark Ruffalo to play Taylor.

-Favorite leisure activity/hobby?
Love movies and watching soccer (attended three world cups and still played pick up until three years ago). Swim for fitness. Still read comic books. As a volunteer, I teach journalism to middle school and high school kids, primarily in New York City schools.

-Favorite meal?
Rib eye

Catch Up with Rich on his Website, Twitter, or Facebook

Tour Participants:



Giveaway:

This is a rafflecopter giveaway hosted by Partners In Crime Virtual Book Tours for Rich Zahradnik. There will be 5 US winners of one (1) eBook copy of A Black Sail by Rich Zahradnik. The giveaway begins on August 31st and runs through September 30th, 2016.

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JKS Communications Presents: TRIPLE SHOT showcase

ABOUT THE BOOK

Shadow towns, smugglers and secret notes—this trio of New York authors are a ‘Triple Shot’ of twists and turns in three novellas

NEW YORK CITY– Acclaimed authors Charles Salzberg, Ross Klavan and Tim O’Mara have teamed up to bring triple the action, triple the twist and triple the suspense in their collection of three novellas, Triple Shot (Aug. 15, 2016). A freak accident in L.A. leads two cops through forgotten tunnels to secret towns; a marijuana dealer discovers that smuggling a legal product may be more dangerous than an illegal one; and an up-and-coming reporter gets swept up in the story of an accused woman as she tries to discover the real culprit of a brutal murder. This triple dose of mystery and suspense will tie you in knots until the very end!

TRIPLE SHOT Payback leads to an unmarked grave in Ross Klavan’s Thump Gun Hitched. A freak accident forces two L.A. cops to play out a deadly obsession that takes them from back alley payoffs to hard time in prison, then deep into the tunnel networks south of the border to a murderous town that’s only rumored to exist. Before the last shot is fired, everything they thought was certain proves to be a shadow and everything they trusted opens into a trap.

Life was so much simpler for Tim O’Mara’s marijuana-selling narrator in Smoked when all he had to worry about was keeping his customers, ex-wife, and daughter satisfied. When he forges a reluctant alliance with his ex-wife’s new lover, he realizes there’s lots of money to be made from the world’s number one smuggled legal product—cigarettes. Unfortunately, his latest shipment contained some illegal automatic weapons. Now he’s playing with the big boys and finds the price of the game way over his head. Murder was never part of his business model.And finally in Twist of Fate, Charles Salzberg follows Trish Sullivan, an ambitious TV reporter working in a small, upstate New York market. She receives a note from Meg Montgomery, a beautiful young woman convicted of murdering her husband and two children. Montgomery claims she’s innocent and Sullivan, smelling a big story that may garner some national attention, investigates and turns up evidence that the woman has, indeed, been framed. What happens next changes the life of both women in unexpected ways.

BOOK DETAILS:

Publisher: Down & Out Books
Publication Date: August 15, 2016
Print Length: 290 pages
ISBN: 978-1-943402-32-8

PURCHASE LINKS:

ROSS KLAVAN’s novel, Schmuck, was published by Greenpoint Press in 2014. He recently finished the screenplay for The Colony based on the book by John Bowers. Nominated for an Independent Spirit Award, his original screenplay, Tigerland, was directed by Joel Schumacher and starred Colin Farrell. He has written screenplays for InterMedia, Walden Media, Miramax, Paramount, A&E and TNT. As a performer, Klavan’s voice has been heard in dozens of feature films including Revolutionary Road, Sometimes in April, Casino, In and Out, and You Can Count On Me as well as in numerous TV and radio commercials. In other lives, he was a member of the NYC alternative art group Four Walls and was a reporter covering New York City and London, England.

TIM O’MARA has been teaching math and special education in New York City public schools since 1987, yet he is best known for his Raymond Donne mysteries about an ex-cop who now teaches in the same Williamsburg, Brooklyn, neighborhood he once policed: SacrificeFly(2012),Crooked Numbers (2013),Dead Red(2015),Nasty Cutter (January 2017). His short story, The Tip, is featured in the 2016 anthology Unloaded. The anthology’s proceeds benefit the nonprofit States United To Prevent Gun Violence.

CHARLES SALZBERG is the author of the Shamus Award-nominated Swann’s Last Song, Swann Dives In, Swann’s Lake of Despair(re-release Nov. 2016), Devil in the Hole(re-release Nov. 2016), Triple Shot (Aug. 2016), and Swann’s Way Out (Feb. 2017). His novels have been recognized by Suspense Magazine, the Silver Falchion Awards, the Beverly Hills Book Award and the Indie Excellence Award. He has written over 25 nonfiction books, including From Set Shotto Slam Dunk, an oral history of the NBA, and Soupy Sez: My Life and Zany Times, with Soupy Sales. He has been a visiting professor of magazine at the S.I. Newhouse School of Communications at Syracuse University, and he teaches writing at the Writer’s Voice and the New York Writers Workshop where he is a founding member.

DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
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