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Guest Author J. A. JANCE

WELCOME J. A. JANCE

J.A. JANCE

A voracious reader, J. A. Jance knew she wanted to be a writer from the moment she read her first Wizard of Oz book in second grade. Always drawn to mysteries, from Nancy Drew right through John D. McDonald’s Travis Magee series, it was only natural that when she tried her hand at writing her first book, it would be a mystery as well. J. A. Jance went on to become the New York Times bestselling author of the J. P. Beaumont series, the Joanna Brady series, three interrelated thrillers featuring the Walker family, and Edge of Evil. Born in South Dakota and brought up in Bisbee, Arizona, Jance lives with her husband in Seattle, Washington, and Tucson, Arizona.
Connect with Ms. Jance at these sites:

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ABOUT THE BOOK
With Second Watch, New York Times bestselling author J. A. Jance delivers another thought-provoking novel of suspense starring Seattle investigator J. P. Beaumont.
Second Watch shows Beaumont taking some time off to get knee replacement surgery, but instead of taking his mind off work, the operation plunges him into one of the most perplexing mysteries he’s ever faced.
His past collides with his present in this complex and thrilling story that explores loss and heartbreak, duty and honor, and, most importantly, the staggering cost of war and the debts we owe those who served in the Vietnam War, and those in uniform today.
READ AN EXCERPT

Prologue

We left the P-­ 2 level of the parking lot at Belltown Terrace ten minutes later than we should have. With Mel Soames at the wheel of her Cayman and with me belted into the passenger seat, we roared out of the garage, down the alley between John and Cedar, and then up Cedar to Second Avenue.Second is one of those rare Seattle thoroughfares where, if you drive just at or even slightly below the speed limit, you can sail through one green light after another, from the Denny Regrade all the way to the International District. I love Mel dearly, but the problem with her is that she doesn’t believe in driving “just under” any speed limit, ever. That’s not her style, and certainly not on this cool September morning as we headed for the Swedish Orthopedic Institute, one of the many medical facilities located in a neighborhood Seattle natives routinely call Pill Hill.

Mel was uncharacteristically silent as she drove hell-­ bent for election through downtown Seattle, zipping through intersec­tions just as the lights changed from yellow to red. I checked to be sure my seat belt was securely fastened and kept my backseat-­ driving tendencies securely in check. Mel does not respond well to backseat driving.

“Are you okay?” she asked when the red light at Cherry finally brought her to a stop.

The truth is, I wasn’t okay. I’ve been a cop all my adult life. I’ve been in gunfights and knife fights and even the occasional fist­fight. There have been numerous times over the years when I’ve had my butt hauled off to an ER to be stitched up or worse. What all those inadvertent, spur-­ of-­ the-­ moment ER trips had in common, however, was a total lack of anticipation. Whatever hap­pened happened, and I was on the gurney and on my way. Since I had no way of knowing what was coming, I didn’t have any time to be scared to death and filled with dread before the fact. After, maybe, but not before.

This time was different, because this time I had a very good idea of what was coming. Mel was driving me to a scheduled check-­ in appointment at the Swedish Orthopedic Institute surgi­cal unit Mel and I have come to refer to as the “bone squad.” This morning at eight a.m. I was due to meet up with my orthopedic surgeon, Dr. Merritt Auld, and undergo dual knee-­ replacement surgery. Yes, dual—­ as in two knees at the same time.

I had been assured over and over that this so-­ called elective surgery was “no big deal,” but the truth is, I had seen the videos. Mel and I had watched them together. I had the distinct impres­sion that Dr. Auld would be more or less amputating both my legs and then bolting them back together with some spare metal parts in between. Let’s just say I was petrified.

“I’m fine,” I said.

“You are not fine,” Mel muttered, “and neither am I.” Then she slammed her foot on the gas, swung us into a whiplash left turn, and we charged up Cherry. Given her mood, I didn’t comment on her speed or the layer of rubber she had left on the pavement behind us.

I had gimped along for a very long time without admitting to anyone, most of all myself, that my knees were giving me hell. And once I had finally confessed the reality of the situation, Mel had set about moving heaven and earth to see that I did something about it. This morning we were both faced with a heaping helping of “watch out what you ask for.”

“You could opt to just do one, you know,” she said.

But I knew better, and so did she. When the doctor had asked me which knee was my good knee, I had told him truthfully that they were both bad. The videos had stressed that the success of the surgery was entirely dependent on doing the required post­-surgery physical therapy. Since neither of my knees would stand up to doing the necessary PT for the other, Dr. Auld had reluctantly agreed to give me a twofer.

“We’ll get through this,” I said.

She looked at me and bit her lip.

“Do you want me to drop you at the front door?”

That was a strategy we had used a lot of late. She would drop me off or pick me up from front doors while she hoofed it to and from parking garages.

“No,” I said. “I’d rather walk.”

I didn’t add “with you,” because I didn’t have to. She knew it. She also knew that by the time we made it from the parking garage to the building, we would have had to stop to rest three times and my forehead would be beaded with sweat.

“Thank you,” she said.

While I eased my body out of the passenger seat and straight­ened into an upright position, she hopped out and grabbed the athletic bag with my stuff in it out of the trunk. Then she came toward me, looking up at me, smiling.

And the thought of losing that smile was what scared me the most. What if I didn’t wake back up? Those kinds of things weren’t supposed to happen during routine surgeries, but they did. Occa­sionally there were unexpected complications and the patient died. What if this was one of those times, and this was the last time I would see Mel or hold her hand? What if this was the end of all of it? There were so many things I wanted to say about how much I loved her and how much she meant to me and how, if I didn’t make it, I wanted her to be happy for the rest of her life. But did any of those words come out of my mouth? No. Not one.

“It’s going to be okay,” she said calmly, as though she had heard the storm of misgivings that was circling around in my head. She squeezed my hand and away we went, limping along, the hare patiently keeping pace with the lumbering tortoise.

I don’t remember a lot about the check-­ in process. I do remember there was a line, and my knees made waiting in line a peculiar kind of hell. Mel offered to stand in line for me, but of course I turned her down. She started to argue, but thought better of it. Instead, she took my gym bag and sat in one of the chairs banked against the wall while I answered all the smiling clerk’s inane questions and signed the countless forms. Then, after Mel and I waited another ten minutes, a scrubs-­ clad nurse came to summon us and take us “back.”

What followed was the change into the dreaded backless gown; the weigh-­ in; the blood draw; the blood pressure, temperature, and pulse checks. Mel hung around for all of that. And she was still there when they stuck me on a bed to await the arrival of my anesthesiologist, who came waltzing into the bustling room with a phony smile plastered on his beaming face. He seemed to be having the time of his life. After introducing himself, he asked my name and my date of birth, and then he delivered an incredibly lame stand-­ up comic routine about sending me off to never-­ never land.

Gee, thanks, and how would you like a punch in the nose? 

After a second wait of who knows how long, they rolled me into another room. This time Dr. Auld was there, and so were a lot of other people. Again they wanted my name and date of birth. It occurred to me that my name and date of birth hadn’t changed in the hour and a half during which I had told four other people the same, but that’s evidently part of the program now. Or maybe they do it just for the annoyance factor.

At that point, however, Dr. Auld hauled out a Sharpie and drew a bright blue letter on each of my knees—­ R and L.

“That’s just so we’ll keep them straight,” he assured me with a jovial smile.

Maybe he expected me to laugh. I didn’t. The quip reminded me too much of the kinds of stale toasts delivered by hungover best men at countless wedding receptions, and it was about that funny, too. I guess I just wasn’t up to seeing any humor in the situation.

Neither was Mel. I glanced in her direction and saw the icy blue-­ eyed stare my lovely wife had leveled in the good doctor’s direction. Fortunately, Dr. Auld didn’t notice.

“Well,” he said. “Shall we do this?”

As they started to roll me away, Mel leaned down and kissed me good-­ bye. “Good luck,” she whispered in my ear. “Don’t be long. I’ll be right here waiting.”

I looked into Mel’s eyes and was surprised to see two tears well up and then make matching tracks down her surprisingly pale cheeks. Melissa Soames is not the crybaby type. I wanted to reach up and comfort her and tell her not to worry, but the anesthesiologist had given me something to “take the edge off,” and it was certainly working. Before I could say anything at all, Mel was gone, disappearing from view behind my merry band of scrubs-­ attired escorts as they wheeled me into a waiting elevator.

I closed my eyes then and tried to remember exactly how Mel looked in that moment before the doors slid shut between us. All I could think of as the elevator sank into what felt like the bowels of the earth was how very much I loved her and how much I wanted to believe that when I woke up, she really would be there, waiting.

Chapter 1

Except she wasn’t. When I opened my eyes again, that was the first thing I noticed. The second one was that I was “feeling no pain,” as they say, so the drugs were evidently doing what they were supposed to do.I was apparently in the recovery room. Nurses in flowery scrubs hovered in the background. I could hear their voices, but they were strangely muted, as if somebody had turned the volume way down. As far as my own ability to speak? Forget it. Someone had pushed my mute button; I couldn’t say a single word.

In the foreground, a youngish woman sat on a tall rolling stool at the side of the bed. My initial assumption was that my daughter, Kelly, had arrived from her home in southern Oregon. I had told her not to bother coming all the way from Ashland to Seattle on the occasion of my knee-­ replacement surgery. In fact, I had issued a fatherly decree to that effect, insisting that Mel and I would be fine on our own. Unfortunately, Kelly is her mother’s daughter, which is to say she is also headstrong as hell. Since when did she ever listen to a word I said?

So there Kelly sat as big as life, whether I had wanted her at the hospital or not. She wore a crimson-­and- g ray WSU sweatshirt. A curtain of long blond hair shielded her face from my view while she studiously filed her nails—­ nails that were covered with bright red polish.

Having just been through several hours of major surgery, I think I could be forgiven for being a little slow on the uptake, but eventually I realized that none of this added up. Even to my drug-­ befuddled brain, it didn’t make sense.

Kelly and I have had our share of issues over the years. The most serious of those involved her getting pregnant while she was still a senior in high school and running off to Ashland to meet up with and eventually marry her boyfriend, a wannabe actor named Jeff. Of course, the two of them have been a couple for years, and my son-­ in-­ law is now one of the well-­ established members of the acting company at the Oregon Shakespeare Festival in Ashland, Oregon.

The OSF offers a dozen or so plays a year, playing in repertory for months at a time, and Jeff Cartwright has certainly paid his dues. After years of learning his trade by playing minor roles as a sword-­ wielding soldier in one Shakespearian production after an­other or singing and occasionally tap dancing as a member of the chorus, he finally graduated to speaking roles. This year he was cast as Laertes in Hamlet in the Elizabethan theater and, for the first time ever in a leading role, he played Brick in the Festival’s retrospective production of Cat on a Hot Tin Roof in the Bowmer Theatre. (I thought he did an excellent job, but I may be slightly prejudiced. The visiting theater critic for the Seattle Times had a somewhat different opinion.)

It was September, and the season was starting to wind down, but there was no way for Jeff to get away long enough to come up to Seattle for a visit, no matter how brief, and with Kayla and Kyle, my grandkids, back in school, in fourth and first grade, respec­tively, it didn’t seem like a good time for Kelly to come gallivant­ ing to Seattle with or without them in tow just to hover at my sickbed.

In other words, I was both surprised and not surprised to see Kelly there; but then, gradually, a few other details began to sink into my drug-­ stupefied consciousness. Kelly would never in a mil­lion years show up wearing a WSU shirt. No way! She is a Univer­sity of Oregon Duck, green and yellow all the way. Woe betide anyone who tries to tell her differently, and she has every right to insist on that!

To my everlasting amazement and with only the barest of fi­nancial aid from yours truly, this once marginal student got her BA in psychology from Southern Oregon University, and she’s now finishing up with a distance-­ learning master’s in business ad­ministration from the U of O in Eugene. She’s done all this, on her own and without any parental prompting, while running an at-­ home day care center and looking after her own two kids. When Kelly turned into a rabid Ducks fan along the way, she got no complaints from me, even though I’m a University of Washington Husky from the get-­ go.

But the very idea of Kelly Beaumont Cartwright wearing a Cougars sweatshirt? Nope. Believe me, it’s not gonna happen.

Then there was the puzzling matter of the very long hair. Kelly’s hair used to be about that same length—­ which is to say more than shoulder length—­but it isn’t anymore. A year or so ago, she cut it off and donated her shorn locks to a charity that makes wigs for cancer patients. (Karen, Kelly’s mother and my ex-­ wife, died after a long battle with breast cancer, and Kelly remains a dedicated part of the cancer-­ fighting community. In addition to donating her hair, she sponsors a Relay for Life team and makes certain that both her father and stepfather step up to the plate with cash donations to the cause on a yearly basis.)

As my visitor continued to file her nails with single-­ minded focus, the polish struck me as odd. In my experience, mothers of young children in general—­ and my daughter in particular—­ don’t wear nail polish of any kind. Nail enamel and motherhood don’t seem to go together, and on the rare occasions when Kelly had indulged in a manicure she had opted for something in the pale pink realm, not this amazingly vivid scarlet, the kind of color Mel seems to favor.

Between the cascade of long blond hair and the bright red nail polish, I was pretty sure my silent visitor wasn’t Kelly. If not her, then, I asked myself, who else was likely to show up at my hospital bedside to visit?

Cherisse, maybe?

Cherisse is my daughter-in-­law. She has long hair and she does wear nail polish. She and my son, Scott, don’t have kids so far, but Cherisse is not a blonde—­at least she wasn’t the last time I saw her. Besides, if anyone was going to show up unannounced at my hos­pital bedside, it would be my son, not his wife.

I finally managed to find a semblance of my voice, but what came out of my mouth sounded croaky, like the throaty grum­blings of an overage frog.

“Who are you?” I asked.

In answer, she simply shook her head, causing the cascade of silvery blond hair to ripple across her shoulder. I was starting to feel tired—­ sleepy. I must have blinked. In that moment, the shim­mering blond hair and crimson sweatshirt vanished. In their place I saw a woman who was clearly a nurse.

“Mr. Beaumont. Mr. Beaumont,” she said, in a concerned voice that was far too loud. “How are you doing, Mr. Beaumont? It’s time to wake up now.”

“I’ve already been awake,” I wanted to say, but I didn’t. In­stead, looking up into a worried face topping a set of colorful scrubs, I wondered when it was that nurses stopped wearing white uniforms and white caps and started doing their jobs wearing clothes that looked more like crazed flower gardens than anything else.

“Okay,” I managed, only now my voice was more of a whisper than a croak. “My wife?”

“Right here,” Mel answered, appearing in the background, just over the nurse’s shoulder. “I’m right here.”

She looked haggard and weary. I had spent a long time sleep­ing; she had spent the same amount of time worrying. Unfortunately, it showed.

“Where did she go?” I asked the nurse, who was busy taking my blood pressure reading.

“Where did who go?” she asked.

“The girl in the sweatshirt.”

“What girl?” she asked. “What sweatshirt?”

Taking a cue from me, Mel looked around the recovery room, which consisted of a perimeter of several curtained-­ off patient cubicles surrounding a central nurses’ station. The whole place was a beehive of activity.

“I see nurses and patients,” Mel said. “I don’t see anyone in a sweatshirt.”

“But she was right here,” I argued. “A blonde with bright red nail polish a lot like yours. She was wearing a WSU sweatshirt, and she was filing her nails with one of those pointy little nail files.”

“A metal one?” Mel asked, frowning. “Those are bad for your nails. I haven’t used one of those in years. Do they even still sell them?”

That question was directed at the nurse, who, busy taking my temperature, simply shrugged.

“Beats me,” she said. “I’m not big on manicures. Never have been.”

That’s when I got the message. I was under the influence of powerful drugs. The girl in the sweatshirt didn’t exist. I had made her up.

“How’re you doing, Mr. B.?” Mel asked. Sidling up to the other side of the bed, she called me by her currently favored pet name and planted a kiss on my cheek. “I talked to the doctor. He said you did great. They’ll keep you here in the recovery room for an hour or two, until they’re sure you’re stable, and then they’ll trans­fer you to your room. I called the kids, by the way, and let every­body know that you came through surgery like a champ.”

This was all good news, but I didn’t feel like a champ. I felt more like a chump.

“Can I get you something to drink?” the nurse asked. “Some water? Some juice?”

I didn’t want anything to drink right then because part of me was still looking for the girl. Part of me was still convinced she had been there, but I couldn’t imagine who else she might have been. One of Ron Peters’s girls, maybe? Heather and Tracy had both gone to WSU. Of the two, I’d always had a special connec­tion with the younger one, Heather. As a kid she was a cute little blond-­ haired beauty whose blue-­ eyed grin had kept me in my place, properly wrapped around her little finger. At fifteen, a barely recognizable Heather, one with hennaed hair and numer­ous piercings, had gone into full-­fledged off-­the-­rails teenage re­bellion, complete with your basic bad-­ to-­ the-bone boyfriend.

In the aftermath of said boyfriend’s death, unlamented by anyone but Heather, her father and stepmother had managed to get the grieving girl on track. She had reenrolled in school, gradu­ated from high school, and gone on to a successful college experi­ence. One thing I did know clearly—­ this was September. That meant that, as far as I knew, Heather was off at school, too, work­ing on a Ph.D. somewhere in the wilds of New Mexico. So, no, my mysterious visitor couldn’t very well be Heather Peters, either.

Not taking my disinterested answer about wanting something to drink for a real no, the nurse handed me a glass with water and a straw bent in my direction. “Drink,” she said. I took a reluctant sip, but I was still looking around the room; still searching.

Mel is nothing if not observant. “Beau,” she said. “Believe me, there’s nobody here in a WSU sweatshirt. And on my way here from the lobby, I didn’t meet anybody in the elevator or the hall­way who was wearing one, either.”

“Probably just dreaming,” the nurse suggested. “The stuff they use in the OR puts ’em out pretty good, and I’ve been told that the dreams that go along with the drugs can be pretty convincing.”

“It wasn’t a dream,” I insisted to the nurse. “She was right here just a few minutes ago—­right where you’re standing now. She was sitting on a stool.”

The nurse turned around and made a show of looking over her shoulder. “Sorry,” she said. “Was there a stool here? I must have missed it.”

But of course there was no stool visible anywhere in the recov­ery room complex, and no crimson sweatshirt, either.

The nurse turned to Mel. “He’s going to be here for an hour or so, and probably drifting in and out of it for most of that time. Why don’t you go get yourself a bite to eat? If you leave me your cell phone number, I can let you know when we’re moving him to his room.”

Allowing herself to be convinced, Mel kissed me again. “I am going to go get something,” she said.

“You do that,” I managed. “I think I’ll just nap for a while.”

My eyelids were growing heavy. I could feel myself drifting. The din of recovery room noise retreated, and just that quickly, the blonde was back at my bedside, sitting on a rolling stool that seemed to appear and disappear like magic at the same time she did. The cascade of swinging hair still shielded her face, and she was still filing her nails.

I’ve had recurring dreams on occasion, but not very often. Most of the time it’s the kind of thing where something in the dream, usually something bad, jars me awake. When I go back to sleep, the dream picks up again, sometimes in exactly the same place, but a slightly different starting point can lead to a slightly different outcome.

This dream was just like that. I was still in the bed in the recov­ery room, but Mel was gone and so was my nurse. Everyone else in the room was faded and fuzzy, like from the days before high-­ def appeared. Only the blonde on the stool stood out in clear relief against everything else.

“Who are you?” I asked. “What are you doing here? What do you want?”

She didn’t look up. “You said you’d never forget me,” she said accusingly, “but you have, haven’t you?”

I was more than a little impatient with all the phony game playing. “How can I tell?” I demanded. “You won’t even tell me your name.”

“My name is Monica,” she answered quietly. “Monica Welling­ton.”

Then she lifted her head and turned to face me. Once the hair was swept away, however, I was appalled to see that there was no face at all. Instead, what peered at me over the neck of the crimson sweatshirt was nothing but a skull, topped by a headful of gor­geous long blond hair, parted in the middle.

“You promised my mother that you’d find out who did it,” she said. “You never did.”

With that she was gone, plunging me into a strange existence where the boundaries between memory and dream blurred some­how, leaving me to relive that long-­ ago time in every jarring detail.

BOOK DETAILS:

Genre: Fiction/Suspense/Mystery
Published by: William Morrow
Publication Date: 9/10/13
Number of Pages: 368
ISBN: 9780062134677

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Partners In Crime Tours Presents: CHARLES SALZBERG

WELCOME CHARLES SALZBERG

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CHARLES SALZBERG

Charles Salzberg is a freelance writer whose work has appeared in Esquire, New York magazine, Elle, Good Housekeeping, The New York Times Book Review, The New York Times, GQ and other periodicals. He is the author of over 20 non-fiction books and several novels, including Swann’s Last Song, which was nominated for a Shamus Award for Best First PI Novel, and the sequel, Swann Dives In. He also has taught been a Visiting Professor of Magazine at the S.I. Newhouse School of Public Communications, and taught writing at Sarah Lawrence College, the Writer’s Voice, and the New York Writers Workshop, where he is a Founding Member.
Connect with Charles at these sites:

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Q&A with Charles Salzberg

Writing and Reading:
-Do you draw from personal experiences and/or current events?
Both.  In the case of Devil in the Hole, I drew from a front page newspaper story that occurred over 40 years ago.  I was fascinated by the crime: a man murdered his entire family, wife, three kids, mother and the family dog—and then disappeared.  What made the crime particularly interesting to me was that he had planned it meticulously, carefully enough that he gave himself a three-week head start for his getaway.  I simply took the facts of the crime and then imagined the rest.

For other novels, like my Swann books, I draw not only from current events but also from my own life.  In the first Swann book, Swann’s Last Song, I made the protagonist a skip tracer because when I worked as a magazine journalist I once interviewed one and was fascinated by his life.  He was kind of a low-level detective who chased people who’d run out on their bills or their spouses.

As I reached the second and third Swann novels—Swann Dives In and the upcoming Swann’s Lake of Despair—I began to use people I knew in the books, even using their real names.

-Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
I never know where my novels will take me.  The truth is, when I sit down at the computer I often don’t know what the next sentence will be, much less paragraph or page.  I don’t write from an outline.  It’s all very organic.  I’m afraid that if I know the ending to a novel it will become predictable and stale.  I like to be surprised and as a result I hope the reader is surprised as well.

-Your routine when writing?  Any idiosyncrasies?
No routine and no idiosyncracies, other than doing everything I possibly can to avoid actually sitting down and writing.  I write either when a deadline or guilt rear their ugly heads.  And I rarely can sit down and write for more than 20 minutes to half an hour.  What saves me is that I’m an incredibly fast typist—I think I can clock in at nearly 90 words a minute, though not all of them accurately spelled.

-Is writing your full time job?  If not, may I ask what you do by day?
Writing is pretty much my full time job, if you could call it a job. But I also teach writing three nights a week, for two hours a class.  Oddly enough, it’s non-fiction that I teach. I think it would inhibit me from writing fiction if I taught it as well, though I do have fiction writers sneak into my classes every once in a while.  That’s because years ago one of my students was a young woman who wrote an essay for class about her first day at work.  She called it, “The Devil Wears Prada.”  After Lauren Weisberger sold that book, I got a flurry of requests to get into my class, all from people who wanted to be the next Lauren and write the next, The Devil Wears Prada.

-Who are some of your favorite authors?
There are so many, but my favorites include Vladimir Nabokov, Philip Roth, Saul Bellow, Dashiell Hammett, Raymond Chandler, Ron Hansen.

-What are you reading now?
I just finished Gone Girl, by Gillian Flynn, and Shot all to Hell (about Jesse James and Cole Younger,) by Mark Lee Gardner, A Brief History of Nearly Everything, by Bill Bryson, and I’m in the middle of Hallucinations, by Oliver Sachs.

-Are you working on your next novel?  Can you tell us a little about it?
I’m working on the fourth Henry Swann novel, called Swann’s Way Out.  I’m only about a quarter into it, so I’m not completely sure where it’s going, but it’s going to be set in the world of movies and Hollywood, I think, because that’s a world that fascinates me and I have a little experience with it.

Fun questions:
-Your novel will be a movie.  Who would you cast?
Devil in the Hole would be difficult to cast because there are so many parts and no real “hero.”  But I think an intense actor, someone like Joaquin Phoenix, would be best for John Hartman, the murderer.

-Would you rather read or watch TV/movie?
Both.  At the same time, preferably.

-Favorite food?
Tough one, because there are so many.  Pizza, because there are so many varieties.  Chocolate cake.  Ice cream.  Hamburgers.  Pasta.  I could go on, but I won’t.

-Favorite beverage?
Chocolate ice cream soda, lemonade, and if I’m forced to drink alcohol, either a beer on a hot day or one of those fruity drinks with an umbrella in it.

ABOUT THE BOOK

Devil in the Hole is based on a true crime that occurred over 40 years ago in New Jersey, wherein a man murdered his entire family, wife, three children, mother and the family dog, and disappeared. My novel uses that event and takes off from there, following the murderer on his escape route. Using the voices of people he meets along the way, and people who are affected by his crime, the reader starts to build a portrait of the man and why he did what he did, in addition to following those who are searching for him.

READ AN EXCERPT

Chapter One
James Kirkland

I knew something was out of whack, only I couldn’t quite put my finger on it. Just something, you know. And it wasn’t only that I hadn’t seen any of them for some time. I mean, they’d been living there for what, three, three and a half years, and I don’t think I ever had more than a two- or three-minute conversation with any of them. And God knows, it wasn’t as if I didn’t try.

All things considered, they were pretty good neighbors. Mostly, I guess, because they kept to themselves. Which is certainly better than having neighbors who are always minding your business, or who don’t mow their lawn, or who drop in uninvited, or who throw wild parties and play loud music all night long. They weren’t like that. Just the opposite, in fact. Why, with that great big front lawn and two teenage boys you’d think they’d be out there tossing a football or a Frisbee around, or something. But no. It was so quiet sometimes it was as if no one lived there at all. Though I did hear rumors that the boys had a reputation of being hell-raisers. Maybe that’s why they kept such a tight lid on them when they were home. Because I can honestly say there wasn’t any hell-raising going on in that house that I could see. As a matter of fact, the only way you’d know the house was occupied was when you’d see the kids going to school, or him going off to work, or her and the mother going out to shop. Or at night, when the lights were on.

Which brings me back to the house itself. And those lights. It was the middle of November, a week or so before Thanksgiving, when I first noticed it. I was coming home from work and when I glanced over there I noticed the place was lit up like a Christmas tree. It’s a Georgian-style mansion, one of the nicest in the neighborhood, by the way, with something like twenty rooms, and I think the lights were on in every single one of them. But the downstairs shades were drawn tight, so all you could see was the faint outline of light around the edges of the windows, which gave it this really eerie look. Maybe they’ve got people over, was my first thought. But that would have been so out of character because in all the time they’d lived there I’d never seen anyone go in or out other than them. And anyway, it was absolutely quiet and there were no cars in the driveway or parked out on the street.

Just before I turned in, I looked out the window and noticed the house was still lit up, which was odd, since it was nearly midnight and, as a rule, they seemed to turn in kind of early over there.

The next night when I came home from work and I looked across the street the lights were still on. And that night, before I went to bed, after midnight, I looked out and the lights were still blazing.

After that, I made a kind of game of it. Under the pretense of getting some fresh air, I walked close to the house, as close as I could get without looking conspicuous, and listened to see if there were any sounds coming from inside. A couple of times, when I thought I heard something, I stopped to listen more carefully. But I never picked up anything that might indicate that someone was inside. And each night, when I came home from work, I made it a point to check out the house and make a note of how many lights were still burning and in which windows. I even began to search for silhouettes, shadows, anything I might interpret as a sign of life. And it wasn’t long before I whipped out the old binoculars to take a look, thinking maybe I could see something, anything, that would give me a hint as to what was going on. But when my wife accused me of being a peeping Tom, I put them away, at least while she was around.

There weren’t always the same number of rooms lit, but I noticed there were always fewer, never more. It was as if someone was going around that house each day turning off one light in one room, but in no discernible pattern. I began to think of that damn house during the day, while I was at work, or on the train coming home. It became a real thing with me. I even kept a notebook with a sketch of the house and notations next to each window that had a light on.

At night, I played a game. I began to think of that house as my own personal shooting gallery and, sitting on the window sill in my pajamas, while my wife was either in the bathroom or asleep, I’d choose one of the rooms and aim my imaginary rifle and pop! pop!, I’d shoot out one of the light bulbs. And, if the next night that particular room was dark, I’d get a tremendous rush of self-satisfaction that carried me through the whole next day. It was kind of like one of those video games my kids play. Pretty sick, huh?

I mentioned it to my wife—not my silly game, but the fact that those lights were going out one by one. She thought I was nuts. “Can’t you find anything better to do with your time?” she asked.

“No,” I said. “I’m entertaining myself. Leave me alone.” Then I asked whether she’d seen the Hartmans lately, because I was beginning to have this weird feeling in the pit of my stomach, as if something was seriously wrong. That it wasn’t a game anymore.
“No,” she said. “I haven’t. But that’s not unusual. Besides, it’s not as if I’m looking for them. If you ask me, they’re creepy. The whole bunch of them.”

“I know. But maybe . . . maybe there’s something wrong.”
“Go to bed,” she said. So I did, lulling myself to sleep with my imaginary rifle cradled in my arms, as if it would actually afford me some protection just in case something was wrong.

A few nights later, I set the alarm for three-thirty and slipped the clock under my pillow. When the vibration woke me, I got up quietly, so as not to wake my wife, looked out the window and sure enough the same number of lights was burning in the house as the night before. I was puzzled and frustrated because I was dying to know what was going on. I even thought of making up some kind of lame excuse to ring the Hartmans’ bell. But I didn’t have the nerve.

Two weeks later, only three rooms in the house were still lit. Down from eight the week before, fourteen the week before that, the week I began to keep count. I asked my son, David, whether he’d seen the Hartman kid in school, the one in his class.

“We’re not exactly best buds, Dad,” he said. “He keeps to himself. He’s weird. Maybe he’s queer or something.”
“I just asked if you’d seen any of them lately.”
“Not that I can remember. But I don’t go out of my way looking for any of them. They’re a bunch of weirdoes.”

I went back up to my room and stared out the window for maybe fifteen minutes, trying to figure out what the hell was going on. I wondered if I should do something.

“Come to bed,” my wife said.

“I’m worried,” I said without taking my eyes off the Hartman house.

“There’s definitely something wrong over there.”

“You’re being ridiculous,” she said. “Besides, it’s none of our business.”

“No, I can feel it. Something’s . . .”

She sighed, got out of bed and handed me the phone. “Well, rather than having to spend the rest of my life with a man who insists on staring out the window at the neighbors’ house all night like an idiot, I’d just as soon you called the police and let them put your mind at ease. At least maybe they can get them to turn out all the lights. Maybe then we can get some sleep over here.”

So, that’s how I called the cops.

Early reviews are in

Publishers Weekly Reviews,  5-17-2013
This title publishes JULY 2013
“In this smartly constructed crime novel, Salzberg uses multiple viewpoints to portray an unlikely killer who methodically slaughters his family . . . an intriguing collage of impressions and personal perspectives for the reader to ponder.”

New Mystery Reader Magazine
James Kirkland notices that all of the lights are on in his neighbor’s house. Not trying to be the nosy neighbor, but still curious, he checks every night and notices that lights are going out over time. As he watches the house he never sees any activity within even though the Hartman’s have three children and John’s mother lives with them. Kirkland finally decides to call the police and what they find is beyond horrifying. The wife and the three teenaged children have all been killed in the same way, a single bullet in the forehead.  Then the killer neatly positioned them in the ballroom. Upstairs, Hartman’s mother is lying in her bed killed in the same manner as the rest of the family. All the shell casings were picked up, the weapons were cleaned and oiled and the house was made presentable before the killer fled. John Hartman, the husband, is missing and based on the coroner’s estimate, he has a three-week lead on the police. The hunt for Hartman becomes an unwieldy obsession for Charles Floyd, the senior police investigator assigned to the case. John Hartman is a complex individual who commits a heinous crime to shed is oppressive old life as he seeks to find a new life while eluding the police.Devil in the Hole is a mesmerizing, elegantly constructed crime novel that is based on a true story. Charles Salzberg tells the tale using numerous characters that knew Hartman or encountered him as he moves around to avoid being caught. The voices of Charles Floyd and Hartman himself are raw and compelling as each of them deal with their own inner demons. Each of the other characters provide a teasing snippet of information about Hartman that keeps the reader enthralled as the story unfolds. Even though Salzberg uses over a dozen voices to tell the story, the reader never gets lost despite the complexity of the book. I am typically not a fan of books written in this manner but Salzberg masterfully uses this technique to create a novel that is different in an extremely good way. The author effortlessly blends the different perspectives, viewpoints, and impressions of each character into a brilliant tapestry that envelops the reader, while peaking interest and the desire for more information about the crime. Devil in the Hole is one of the best books that I have read this year and I most highly recommend it.
BOOK DETAILS:

Genre: Literary psychological crime fiction
Published by: Five Star/Cengage
Publication Date: July 19, 2013
Number of Pages: 253
ISBN: 978-1-4328-2696-3

PURCHASE LINKS:

              

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
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Guest Author JOSEPH BADAL

WELCOME JOSEPH BADAL

JOSEPH BADAL

Joseph Badal worked for thirty-eight years in the banking and financial services industries, most recently serving as a senior executive and board member of a NYSE-listed mortgage REIT. He is currently President of Joseph Badal & Associates, Inc., a management consulting firm.

Prior to his finance career, Joe served for six years as a commissioned officer in the U.S. Army in critical, highly classified positions in the U.S. and overseas, including tours of duty in Greece and Vietnam. He earned numerous military decorations.

He holds undergraduate and graduate degrees in International Finance (Temple University) and Business Administration (University of New Mexico). He graduated from the Defense Language Institute, West Coast, and from Stanford University Law School’s Director College.

Joe serves on the boards of Sacred Wind Communications and New Mexico Mutual Insurance, and is Chairman and President of The New Mexico Small Business Investment Corporation.

Joe has had five suspense novels published, including Shell Game, which was released in 2012. His next novel, The Lone Wolf Agenda, will be released in June. He writes a blog titled Everyday Heroes. His first short story, Fire & Ice, was included in an anthology titled Uncommon Assassins, in 2012.

Joe has written dozens of articles that have been published in various business and trade journals, and is a frequent speaker at national business and writers’ events.
Connect with Mr. Badal at these sites:

WEBSITE          TWITTER    

Q&A with Joseph Badal

Writing and Reading:
-Do you draw from personal experiences and/or current events?
I rely heavily on both personal experience and current events in my novels. I also borrow extensively from historical events.

Personal experiences which I have inserted into my writing include the kidnapping of my 2-year-old son (Evil Deeds), service in the U.S. Army in Greece (Terror Cell), and my experience in the financial services/banking industries (Shell Game).

Current events that have been used in some of my books include the capital markets meltdown that began in 2007 and over-reaction by federal regulators (Shell Game), acts by the November 17 Terrorist Group (Terror Cell), and the acts of lone wolf terrorists in the U.S. (The Lone Wolf Agenda).

Some historical events that I have based books on have included sunken Nazi treasure (The Pythagorean Solution), kidnappings of children in Greece after WW II (Evil Deeds), terrorist acts by the November 17Group (Terror Cell), the lost quatrains of Nostradamus (The Nostradamus Secret), and intelligence community actions (The Lone Wolf Agenda).

-Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
I always begin with a kernel of an idea for a story based on some personal experience or some historic or current event and then let the characters take me for a ride. I never know how a book will end. I am amazed that I am ever able to complete a novel because I don’t find an ending until it hits me between the eyes. As I mentioned above, Evil Deeds grew out of the kidnapping of my 2-year-old son. Not only did that event lead to the writing of Evil Deeds, but it has evolved into, so far, a 4-book series.

-Your routine when writing? Any idiosyncrasies?
I usually write in the afternoon and into the early evening. I insist upon no interruptions of any kind. I guess the only idiosyncrasy I have is that when one of my novels has been through the final editing process and is in the hands of my publisher, I go into a writing dead zone where I have little interest in writing for 2-4 weeks. Then I begin to feel like a slug and jump back into writing and become a fanatic.

-Is writing your full time job? If not, may I ask what you do by day?
Writing is generally my full-time job, although I have a few consulting clients for which I provide management and financial consulting services, and I serve as a director on three boards.

-Who are some of your favorite authors?
Nelson De Mille, James Clavell, Donald Westlake, Robert Ludlum, Michael Connelly

-What are you reading now?
The Fall of Giants, by Ken Follett; Heart of Darkness, by Joseph Conrad

-Are you working on your next novel? Can you tell us a little about it?
I am finishing a stand-alone thriller I have titled Ultimate Betrayal. The book is about a man who served in the U.S. Army in Afghanistan and who escapes death in an attack by an assassin who murders his wife and children. The protagonist must determine who orchestrated the attack and why. He finds a link back to his former unit in Afghanistan.

Fun questions:
-Your novel will be a movie. Who would you cast?
My flip answer is “any damn actors the movie director picks is fine with me.” But if I got to pick, I would have Tom Selleck play Bob Danforth in The Lone Wolf Agenda. Eric Bana would play Michael Danforth, and Antonio Sabato, Jr. would play Carlos Garcia.

-Would you rather read or watch TV/movie?
A good book always trumps watching TV/movie.

-Favorite food?
Crab cakes.

-Favorite beverage?
Pinot Noir.

 

ABOUT THE BOOK

With “The Lone Wolf Agenda,” Joseph Badal steps back into the world of international espionage and military action thrillers and crafts a story that is as close to the real world of spies and soldiers as a reader can find. This fourth book in the Danforth Saga brings Bob Danforth out of retirement to hunt down lone wolf terrorists hell bent on destroying America’s oil infrastructure. Badal weaves just enough technology into his story to wow even the most a-technical reader.

“The Lone Wolf Agenda” pairs Danforth with his son Michael, a senior DELTA Force officer, as they combat an OPEC-supported terrorist group allied with a Mexican drug cartel. This story is an epic adventure that will chill readers as they discover that nothing, no matter how diabolical, is impossible.

READ AN EXCERPT

James Sullivan watched the Bombardier Global 7000 aircraft slowly taxi away from the terminal and breathed in the heavy odor of aviation gas exhaust. Like ambrosia, he thought. He hooked the fingers of both hands in the chain link fence that separated him from the Santa Fe Airport tarmac and squeezed the wire as though to bend it. He gripped the fence so firmly to stop his hands from shaking. He always got the shakes at times like this, just as some men trembled at the prospect of sex and others shook when confronted by danger. But what was about to happen was better than sex and had nothing to do with fear. He shook out of satisfaction that he was about to finish a job that soon would result in the deaths of infidels.

The setting sun painted the plane’s white skin red, reflecting bloody shards of light off its windows. Sullivan knew it was time to go but he couldn’t tear himself away. Just another minute. He watched the plane turn to make its way to the runway; heat plumes from its twin engines swirled in the cold early evening New Mexico air.

Sullivan released his grip and flexed his fingers to encourage circulation. He removed his baseball cap, ran a hand through his dirty-blond hair, replaced the cap on his head, and walked to his white Chevrolet pickup truck parked near the terminal building. He took a suitcase and a canvas satchel from the pickup, carried them to his co-worker Renee Morales’s Saturn sedan parked two slots away. After he unlocked the Saturn with the keys he’d stolen out of Renee’s desk drawer inside the terminal, he got in, started the motor, and slowly drove away along the access road. Sullivan held the steering wheel tightly, first with one hand and then the other to ease each in turn from the pain he inflicted on them.

At the Santa Fe Bypass Road, he stopped for the red light, then turned right, watched his speed. After a couple miles, he took the entrance ramp onto southbound Interstate-25 and accelerated to the legal speed limit of 75 miles per hour. He let the heavy flow of commuters pass him on their way home to Albuquerque.

Five minutes later, at 3 p.m., Sullivan glanced right as he passed the Santa Fe Racetrack, just before the La Cienega exit, and noticed the glint of light that was the Bombardier jet climbing into the cloudless sky.

The mood on the airplane was exuberant: Ten CEOs of energy companies were aboard, already well-lubricated with alcohol and enthusing about the three-day oil and gas industry retreat they’d just attended in Santa Fe.

Fifty-four-year-old Fred Zook, CEO of Premier Exploration & Development, leaned his bulk forward against his seat belt, fighting the rising aircraft’s G-force, and nodded at his long-time friend and fellow Yale University graduate, Jeffery Raines, the head of Farragut Oil, seated across from him.

“You as excited about this as I am?” he asked, raising his bushy eyebrows into two upside-down V’s.

Raines smiled and ran a hand over his bald head. “Enough to wet my pants. These oil shale and gas formations will not only make all of us even richer, they’ll also alter the geopolitical and economic universe.”

Zook opened his arms to include all of the plane’s passengers. “If we can keep this coalition together, and the environmentalists don’t kill the deal, and the tree huggers in Congress don’t ruin things, and the President doesn’t order his EPA to stop us . . ..”

Raines slowly wagged his head. “Yeah, there’s all of that. But the world is different now. The American people are fed up with decisions that do nothing but cost them more money at the gas pump and cost more in lives lost to war in the Middle East just to preserve our energy interests there.” He shrugged. “I’ve thought a lot about this. This is way more important than just profits. This is about our country’s survival. We need to make sure none of us ever forgets that.”

“Well said,” Zook replied. Then he laughed and added, “But there ain’t nothin’ wrong with profits.” From his aft-facing seat, he glanced out his window and shielded his eyes from the blazing sun, now a melon-red fireball. He was about to turn back to Raines when a flash of brilliant-white light drew his attention toward the ground.

“What the hell was that?” he blurted, pointing at the window.

“Oh my God! It’s the terminal building. An explosion.”

James Sullivan was two miles past the La Cienega exit when the flash of light from the bomb in the airport terminal bloomed in his peripheral vision off to the northeast. But he concentrated on the horizon ahead, where he knew the corporate jet’s flight path would take it. He counted seconds with his fingers against the steering wheel, knowing the jet would soon reach an altitude of ten thousand feet — the level at which the altimeter triggering device would detonate the bomb he’d placed aboard.

Fred Zook thought a prayer of thanks, while he looked into Jeff Raines’s startled, wide-eyed gaze. Then he thought how lucky he had been all his life, and raised his glass of scotch to clink against Raines’s glass, when everything in his consciousness suddenly fractured into minute particles.

James Sullivan drove Renee Morales’s Saturn he’d taken from the Santa Fe Airport parking lot and dumped it in the Sandia Casino employees’ lot on the north side of Albuquerque. After he hotwired one of the cars there, he drove to his girlfriend’s apartment.

Sullivan guessed Susan Gaithers, a nurse who worked the night shift at a local hospital, would be asleep when he opened the door to her apartment at 4:30 p.m. They’d met in a club a week after he arrived in new Mexico. He told her he was starting law school at The University of New Mexico in the fall, swept her off her feet, and moved in a few days later. The arrangement had provided him with a roof over his head without having to go through the process of a background check associated with an apartment lease, or having to provide a credit card for a motel room. He used her telephone at will, not exposing his cell phone to possible eavesdropping. And Susan was a tigress in bed. All in all, not a bad situation. He was surprised when he walked into the apartment and found her crying; on the couch, telephone in hand. She wore a halter undershirt and bikini underpants.

“Oh my God!” she yelled. She rushed to him, threw her arms around his neck, and planted kisses on his face.

“What’s wrong?” Sullivan asked.

“Don’t you know? There was an explosion at the airport about an hour ago. Felicia from work just called and woke me up to tell me about it. She wondered if you worked today. I was just about to dial your cell when you walked in.”

“That’s awful,” he said. “I got off early today. I must have just missed the explosion.”

“Thank God!” she exclaimed. “Thank God!”

“You’re trembling, babe,” Sullivan said. “I’m okay.” He looked over her shoulder at the television and saw the results of the bombs he’d planted. He smiled, pushed her back so he could see her face. “It’s nice to know you care so much about me.”

“Care!” she said. “I don’t care about you, you idiot. I love you. Don’t you know that?”

“Of course I know that. I love you, too.” He kissed her lips and said, “You standing there with almost nothing on, looking sexy as hell, reminds me of one of the reasons why I love you.”

Susan smiled back at him. “You never get enough.”

“I’m just so damned happy to be alive; I can’t think of any better way to celebrate than making love to you.”

She took his hand and led him into the bedroom.

Sullivan was overwhelmed by her passion. She showed him in many ways how deeply she loved him. He thought for an instant what a shame it was to have to kill her.

BOOK DETAILS:

Genre: Thriller
Published by: Suspense Publishing
Publication Date: June 25, 2013
Number of Pages: 441
ISBN: 978-0615804507
Series: 4th in the Bob & Liz Danforth series
Disclaimer: Graphic Violence

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
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I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Guest Author FRANKIE Y. BAILEY

 

WELCOME FRANKIE Y. BAILEY

FRANKIE Y. BAILEY

FRANKIE Y. BAILEY is an associate professor in the School of Criminal Justice, University at Albany (SUNY). Bailey is the author of mysteries as well as non-fiction titles that explore the intersections of crime, history, and popular culture. Bailey is a Macavity Award-winner and has been nominated for Edgar, Anthony, and Agatha awards. A past executive vice president of Mystery Writers of America and a past president of Sisters in Crime, she is on the Albany Bouchercon 2013 planning committee.
Connect with Frankie at these sites:

WEBSITE     TWITTER    

Q&A with Frankie Y. Bailey

On Writing and Reading
1.  Do you draw from personal experiences and/or current events?
As a criminal justice professor, I do research on crime and American history/culture. This gives me an endless supply of historical and contemporary events to draw on for inspiration as a fiction writer.  In my Lizzie Stuart mystery series, my character is a crime historian, and I use my own research in those books. In The Red Queen Dies, the debut of my Hannah McCabe series, Albany history plays a crucial role. But because  my new series is set in a parallel universe (alternate reality), my treatment of current events has a twist. The when, if, and why of events in my fictional world is somewhat different  than the world we know.  That will become more obvious as the series goes on. I’m having fun with my own version of world-building – an Albany/a world that is a lot like the one we know, but not quite, and now and then not at all like.

I go to the real places that I use as settings. Occasionally what happens while I’m  “on location” ends up being fictionalized in a book. With The Red Queen Dies and my police detective, Hannah McCabe, I draw on experiences such as attending an autopsy and doing ride-alongs and interviews with female police officers and their partners, as well as information I’ve picked up at conferences such at the Writers’ Police Academy.

I think all writers draw on our personal experiences in the sense that we write about what we care about or consider funny or troubling or worth pondering.

2. Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
Writers often describe themselves as plotters (who outline), pantsers (who write by seat of pants), or hybrids. I’m a hybrid. I look for something that resonates with me and that I want to write about. In The Red Queen Dies, it was the recurring role that Albany played in the Lincoln-Booth saga. Booth and Lincoln were in Albany on the same day in 1861. A couple of months later, while performing in Albany, an actress stabbed Booth during a lover’s quarrel.  I kept thinking about that episode and what might have happened if the actress, Henrietta Irving, had killed Booth. That led me to my title character, a fictional Broadway actress, who comes to Albany to work on a play about Irving.  I had a chilling piece of Albany history and an Alice in Wonderland/Through the Looking Glass theme that worked for my world of 2019.  I outlined as far as I could and began to write.

But, at some point, what most writers – including me – hope is that the characters will begin to take on a life of their own and that they will begin to say and do unexpected things.

Re the ending – because I’m writing a series, I have an overarching series plotline that develops as the series does.  Think of television crime shows in which the murder being investigated is solved each week, but what is happening in the lives of the main characters continues to evolve and play out. I know how that will progress.  But what I’ve found is that the identity of the killer in a given book sometimes changes as I get to know the characters and understand what they want and what they’re willing to do to get it.

3. Your routine when writing? Any idiosyncrasies?
My routine has changed over the year as I went from being unpublished to published. I started out writing/publishing nonfiction as an academic scholar. I have continued my academic research.  Right now, I’m working on a book about clothing, crime, and justice.  My academic research requires time spent in libraries and archives. I also get to read books, watch television and movies, and surf the Internet. Luckily, that research overlaps with the research for my fiction, or vice versa. I write every day. I move back and forth between home and school. What I’m working on depends on deadlines. I try to make as much use as possible of weekends, evenings, and summer. I like to have blocks of time to write rather than a few minutes here and there. But I do a lot of “pre-writing” in my head – for example, bits of dialogue between characters.

Before I can begin writing, I have to have a title. I re-write the first 50 pages over and over again as a kind of warm-up until I can get into the mood and rhythm of the book.

4.  Is writing you full-time job? If not, may I ask what you do by day?
See above.

5. Who are some of your favorite authors?
I usually name dead authors or authors in other genres to avoid leaving out any of the great crime writers who I could mention. I love characters who use wonderful language to describe their emotions. That puts Shakespeare at the top of my list. I did three quarters of Shakespeare as an undergrad. Crime fiction – Rudolph Fisher (The Conjure- Man Dies), Richard Martin Stern (The Johnny Ortiz series), Dick Francis (horse racing).  Classic romantic suspense – Mary Stewart, Phyllis Whitney, Victoria Hope. Mainstream fiction from F. Scott Fitzgerald to Toni Morrison . Trying, without success, to keep up with bestsellers.

6. What are you reading now?
For research, books about being an undertaker, funerals, and superstitions about death and dying. I’m also reading – slowly – Moby Dick, a book that I’ve often started but never finished. I reference Moby Dick in my work in progress.

7. Are you working on your next novel? Can you tell us a little about it?
The working title is Cock Robin’s Funeral.  I love the ballad of Cock Robin and used that as my starting point. This is the second book in my Hannah McCabe series. The time is January 2020, and a funeral director is murdered, shot with an arrow from his own crossbow. This book picks up with and continues to develop a subplot involving several of the main characters. Murder, politics, betrayal, climate change, and a city struggling to cope.

Fun questions:
a. Your novel will be a movie. Who would you cast?
No idea for Hannah McCabe.  But her father, Angus, was inspired by one of my favorite veteran actors, the late Darren McGavin. I loved him as the investigative reporter in “Kolchak: The Night Stalker” and as the grumpy father in “A Christmas Story”. In my alternate reality, he would be alive and well and able to play the role of Angus.

b. Would you rather read or watch TV/movie?
Because my research focuses on crime and mass media/popular culture, I’ve had to learn to read  while watching TV/movie.  If a TV show or movie catches my attention, I stop reading and watch. But, of course, some books or TV/movies, are so good they deserve undivided attention.

c. Favorite food?
Depends on whether I’m trying to be healthy or really indulging. Oatmeal with pears, walnuts, and almond milk vs. fried oysters.

d.  Favorite beverage?
Hot apple cider with lots of cinnamon.

 

ABOUT THE BOOK

The first in a new high-concept police procedural series, set in Albany with an Alice in Wonderland theme.

Frankie Bailey introduces readers to a fabulous new protagonist and an Alice in Wonderland-infused crime in this stunning mystery. The year is 2019, and a drug used to treat soldiers for post-traumatic stress disorder, nicknamed “Lullaby,” has hit the streets. Swallowing a little pill erases traumatic memories, but what happens to a criminal trial when the star witness takes a pill and can’t remember the crime? Biracial detective Hannah McCabe faces similar perplexing problems as she attempts to solve the murders of three women, one of whom, a Broadway actress known as “The Red Queen,” has a special interest in the story of Alice in Wonderland. Is the killer somehow reenacting the children’s tale? This smart, tough mystery will appeal to fans of high-concept police procedurals.

READ AN EXCERPT

DATE: Thursday, 24 October 2019

TIME: 0700 hours

WEATHER TODAY: Mid 90s. Air quality poor. Evening storms.

DISPLAY ON WALL: Wake- up News

“Good morning, everyone. I’m Suzanne Price.

“First, the news from the nation. The federal government says, ‘No hoax, no conspiracy, but still no definitive answers.’

“The administration denies suppressing portions of the commission report on the November 2012 close encounter between NORAD fighter jets and the black boomerang- shaped UFO that appeared over the Mojave Desert, creating worldwide awe and panic before disappearing in a blinding flash of light.

“In Las Vegas, preparations are underway for the now- annual spectacular celebration of that close encounter.

“However, a warning from alien invasion survivalists, who say this seventh anniversary will be the year the spacecraft returns leading an armada. Survivalists plan to retreat to their bunkers on November 2. Gun shop owners report sales of firearms are up, as they are every year as the anniversary approaches.

“Meanwhile, the National Weather Service says another eruption of solar fl ares could cause more communication and power disruptions early next week.

“Forest fi res in both Canada and breakaway nation New France continue to burn out of control, sending smoke southward.

“Scientists taking part in a climate change conference in Philadelphia disagree about the explanation for the significant improvement in the acidity levels of the world’s oceans. ‘It shouldn’t be happening,’ an MIT oceanographer said. ‘Nothing in anyone’s data predicted this turnaround. But I think we can safely rule out divine intervention and UFO babies.’

“Out on the presidential campaign trail, a political firestorm erupts as Republican front- runner Janet Cortez accuses in dependent candidate Howard Miller of ‘rallying angry, frightened people to commit hate crimes.’ During an arena speech yesterday, Miller called on several thousand supporters to ‘reclaim America for Americans’ and ‘restore our way of life.’ Cortez says Miller is ‘morally responsible’ for the attacks that have been escalating since he announced his third- party candidacy.

“Now, here at home . . . a chilling scenario posed by a local crime beat threader. Is there an ‘Albany Ripper’ in our midst?”

“Dammit!” Hannah McCabe jumped back as the grapefruit juice from her overturned glass splashed across the countertop, covering the still- visible display of the nutrition content of her father’s breakfast.

“Bring up the sound,” he said. “I want to hear this.”

“Half a second, Pop. Hands full.” McCabe shoved her holster out of the way and touched clean up before the stream of juice could run off the counter and onto the tile floor.

“. . . Following last night’s Common Council meeting, threader Clarence Redfield interrupted a statement by Detective Wayne Jacoby, the Albany Police Department spokesperson . . .”

In the chief of police’s office, Jacoby struggled to keep his expression neutral as the footage of the press conference and his exchange with Redfield began to roll.

“The Albany Police Department remains hopeful that the Common Council will approve both funding requests. The first to expand GRTYL, our Gang Reduction Through Youth Leadership program, and the second to enhance the surveillance—”

“Detective Jacoby, isn’t it true that the Albany PD is engaged in a cover- up? Isn’t it true that the Albany PD has failed to inform the citizens of this city of what they have a right to know?”

“I know you want to off er your usual observations, Mr. Redfield. But if you will hold your questions until I finish—”

“Isn’t it true that we have a serial killer at work here in Albany, Detective? Isn’t it true that a secret police task force has been created to try to

track down a killer who has been preying on women here in this city?”

“That is . . . no, that is not true, Mr. Redfield. There is no secret task force, nor is there any cover- up. We . . . the Albany PD does not engage in . . .”

From his position by the window, Chief Egan said, “Stammering like a frigging schoolgirl makes it hard to believe you’re telling the truth, Wayne.”

“The little bastard caught me off guard,” Jacoby said, his annoyance getting the better of him.

The others at the table avoided his glance, their gazes focused on the wall where his confrontation with Redfield was continuing.

“So, Detective, you’re telling us that there aren’t two dead women who—”

“I’m telling you, Mr. Redfield, that we have ongoing investigations into two cases involving female victims who—”

“Who were the victims of a serial killer?”

“We have two female homicide victims. Both deaths were drug- induced and both occurred within the past six weeks. On each occasion, we made available to the media, including yourself, information about—”

“But you didn’t release the details that link the two cases. You didn’t tell the media or the citizens of this city that both women were—”

“We do not release the details of ongoing homicide investigations, Mr. Redfield. And you are not aiding these investigations with your grandstanding.”

“My grandstanding? Don’t you think it’s time someone told the women of Albany that the police can’t protect them? That they should stay off the streets after dark, get inside when the fog rolls in, and lock their doors? Shouldn’t someone tell the taxpaying citizens of this city that in spite of all the hype about your Big Brother surveillance system, a killer is still moving like a phantom through the—”

“What the citizens of Albany should know is that the Albany PD is bringing all its resources and those of other law- enforcement agencies to bear to solve these two cases. Veteran detectives are following every lead. And the citywide surveillance system the department has implemented—”

“When it’s working, Detective Jacoby. Isn’t it true that the solar flares have been giving your system problems?”

One of the captains sitting at the conference table in Chief Egan’s office groaned. “Is he just guessing?”

On the wall, Jacoby’s jaw was noticeably clinched.

“As I was about to say, Mr. Redfield, before we began this back- and-forth, the DePloy surveillance system has been effective both in reducing crime and solving the crimes that have occurred. That is the end of this discussion.”

“You mean ‘Shut up or I’m out of here’?”

“Ladies and gentlemen of the press, I am now going to finish the official statement regarding funding. I will only respond to questions on that subject. . . .”

Chief Egan said, “Not one of your better performances, Wayne. You let him rattle you.” He walked over and sat down at the head of the table. “Her Royal Highness, the mayor, was not pleased when she called me last night.”

On the wall, the anchorwoman took over.

“Detective Jacoby then completed his statement about the proposals before the Common Council. When a reporter tried to return to the allegation made by crime beat threader Clarence Redfield that a serial killer is at work in Albany, Detective Jacoby ended the press conference and left the podium.

Mr. Redfield himself declined to respond to questions from reporters about the source of his information. We’ll have more for you on this story as details become available.

“In another matter before the Common Council, a proposed emergency expansion of the existing no masks or face- covering ordinance to include Halloween night. The new ordinance would apply to everyone over eight years of age. The recent outbreak of crimes involving juveniles . . .”

“Now, they’re even trying to take away Halloween,” Angus McCabe said from his place at the kitchen table. “Well? Any truth to it? Do we have ourselves a serial killer on the loose?”

McCabe put her empty juice glass on the shelf inside the dishwasher. “Since when do you consider Clarence Redfield a reliable source, Pop?”

“He ain’t. But I’ve spent more than half my life grilling official mouthpieces, and the way Jacoby was squirming—”

“Jacoby can’t stand Redfield. You know that.” McCabe snagged her thermo jacket from the back of her chair and bent to kiss his forehead. “And you’re retired now, remember?”

“I may be retired, but I’m not dead yet. What’s going on?”

“Got to run, Pop. Have a good day.”

“Have a good day nothing.” He rose to follow her into the hall.

“Hank McCabe, you tell me what’s—”

“Can’t discuss it. I’ll pick us up some dinner on the way home. Chinese okay?”

He scowled at her, his eyes the same electric blue they had always been, the bristling brows gone gray.

“No, Chinese ain’t okay. I’m tired of Chinese. I’ll cook dinner tonight. I’ve got all day to twiddle my thumbs. What else do I have to do but make dinner?”

“I thought you might intend to work on your book. You do have that deadline coming up in a couple of months.”

“Book, hell. There ain’t no book. I’m giving the advance back.”

“If that’s what you want to do,” McCabe said. “On the other hand, you could just sit down and write the book.”

“You try writing a damn book, Ms. Detective.”

“Not my area of expertise. But you’ve done it a few times before. Even won an award or two.”

“This one’s different. Nobody would read it even if I wrote it. And don’t ‘If that’s what you want to do’ me. We were talking about this serial killer that Redfield claims—”

“Sorry, Pop, I really do have to go. I want to get in a few minutes early this morning.”

“Why? What are you—”

She closed the door on his demand that she get herself back there and tell him what was going on. Striding to her car, McCabe tried to ignore the whiff of smoke that she could taste in the back of her throat and the sticky air, which made her want to step back into the shower. The heat was due to break to night. That would clear the air.

And Pop would pull himself out of his funk. He always did.

Of course, the other times, he’d had an office to go to . . . and no restrictions on his alcohol consumption.

“I have every confidence in your ability to get what we need, Mike boy.”

“Right.” Baxter fl ashed his best cocky grin. “You know you can

count on me.”

His caller nodded. “I know I can.” He pointed his finger at Baxter. “Watch your back out there, you hear me?”

He disconnected, his image fading from the screen. Baxter closed his ORB and leaned back on his cream leather sofa.

He stretched his arms over his head, fingers clasped. His gaze fell on the framed photograph on his desk. Himself in dress blues. Graduation day from the Academy.

Baxter grunted, then laughed. “You should have seen this one coming, Mike boy.”

He rubbed his hand across his mouth, whistled. “Well hell.”

Baxter reached for his ORB again. He pulled up a file and began to update his notes.

When he was done, he grabbed his thermo jacket and headed for the door.

His mind on other things, he left the apartment on cooldown and the lights on in the bathroom, but the condo’s environmental system had gone into energy- saver mode by the time he reached the lobby.

In the garage, Baxter paused for his usual morning ritual, admiring the burgundy sheen of his vintage 1967 Mustang convertible.

Then he got into his three- year- old hybrid and headed in to work.

McCabe was stuck in traffic on Central Avenue, waiting for an opening to maneuver around a florist van.

In Albany, double parking had always been considered a civic right. With more traffic each year and the narrow lanes that had been carved out for Zip cars and tri- bikes, Central Avenue in the morning was like it must have been when Albany was a terminus for slaughter houses, with cattle driven along Central Avenue Turnpike.

Stop, start, nose, and try not to trample one another as they moved toward their destinations.

McCabe tilted her head from side to side and shrugged her shoulders. What she needed, yearned for, was a long run. Even with geosimulators, five miles on a machine was never as good as running outside.

McCabe’s attention was caught by a fl ash of color. On the sidewalk in front of Los Amigos, a young black woman in a patchwork summer skirt laughed as an older man, suave and mustachioed, swirled her in a samba move. Still laughing, she disengaged herself and scooped up her straw handbag from the sidewalk. Hand over his heart, the man called out to his impromptu dance partner. Giggling, she went on her way.

Stopped by the traffic light at the intersection, McCabe lowered her window enough to hear the music coming from the open doorway of the restaurant. Before it was Mexican, the place had been Ca rib be an, and before that, Indian. The owners of the hair salon on one side and the discount store on the other had complained about this latest example of ethnic succession. Loud  music, spicy smells— in other words, the threat posed by “Mexs” moving into this block as they had others. Some legal, some American citizens, some neither, arriving in Albany in greater numbers during the years when the convention center was going up. Now the resentment was more vocal, the sense of being in competition greater. Even the imagined threat of an interplanetary invasion hadn’t changed that dynamic. Earthlings still distrusted other earthlings. They defended what they thought of as their turf.

Since the UFO, old episodes of Rod Serling’s Twilight Zone had become a cult favorite with teen “space zombies.” According to Pop, the zombies weren’t the only ones who should be watching the series. He

claimed that in the event of another close encounter, Rod Serling had left instructions. Rule number one: Even if the spacecraft looks flashy,

check to make sure it isn’t a balloon from a Thanksgiving Day parade. Rule number two: Even if the lights do start going on and off ,

don’t turn on your neighbors, assuming they must be the aliens. Rule number three: Even if the “visitors” introduce themselves and seem friendly, ask for additional information about how they plan “to serve” mankind before hopping on their spaceship.

Meanwhile, daily life continued on Central Avenue, where Zoe

James, the black female own er of the beauty shop, refused to patronize the Mexican restaurant next door.

At least she and Sung Chang, the Korean- American owner of the discount store, had stopped calling the cops every time the music and dancing overfl owed onto the sidewalk. Of course, the janet cortez para presidente sign now on proud display in Los Amigos’s front window might set them off again. Both James and Chang had signs supporting the current vice president, who was male, black (biracial, actually), and likely to be the Demo cratse nominee.

But according to Pop, the candidate they all needed to be worried about, should be scared to death of, actually, was Howard Miller, that smiling “man of the people.” Howard Miller, who was as smooth as the churned butter from that family- owned farm he boasted about having grown up on.

McCabe stared hard at the traffic light that was supposed to adjust for traffic flow and right now was doing nothing at all. She decided to give it another thirty seconds before she reported a problem.

Howard Miller.

They hadn’t looked at that kind of hate crime because they had two white female victims. But the murder weapon . . . What if one of Miller’s crazy followers . . .

Horns blared.

McCabe was reaching for her ORB when the traffic light flickered and went from red to green.

More horns blared.

Three women, pushing metal shopping carts, had decided to make a last-minute dash across the busy intersection. White with a hint of a tan, clad in light- colored shorts and T-shirts, they were too clean to be homeless.

The women were almost to the other side when a bike messenger zipped around a double- parked produce truck.

The women darted out of his way. He skidded and went down hard. Sunlight sparkled on his blue helmet, but his work- tanned legs were bare and vulnerable.

One of the women looked back, peering over her designer sunglasses. She called out something. Maybe it was “Sorry about that.”

Then she and her fellow scavenger hunters sprinted away in the direction of Washington Park, where Radio KZAC must be holding today’s meet- up.

The taxi driver behind McCabe leaned on his horn. She waved for him to go around her.

She watched the bike messenger get up on wobbly legs. He looked down at his knee and grimaced. But the next moment, he was checking his bike. Then he grabbed for his leather satchel before a car could run over it. Hopping back on his bike, he pedaled off .

A car pulled away from the curb, opening up a spot a few feet away from Cambrini’s Bakery. McCabe shot forward and did a quick parallel park.

She got out and headed toward the intertwined aromas of fresh-baked muffins and black coffee. Maybe the day wasn’t going to be so bad after all.

The line wound back to the door, but it seemed to be moving fast. McCabe glanced at the old- fashioned chalkboard that always had the morning’s “featured muffin.” Not in the mood for pumpkin, she found what she wanted on the menu and sent her order from her ORB to checkout before joining the queue.

“Good morning, sister. Is God blessing you this fine day?”

She turned toward the deep voice and beaming smile of the man in the black New York Yankees baseball cap and the white suit and white shirt, which contrasted with his chocolate brown skin.

“Good morning, Reverend Deke.”

“I said, sister, ‘Is God blessing you this fine day?’ ”

“Yes, thank you, He is,” McCabe said.

“I’m pleased to hear that.”

Reverend Deke went out the door carrying his steaming coffee cup. By high noon, he would be bringing “the message” to any of the office workers who decided to leave the climate- controlled Empire State Plaza complex to patronize the lunch wagons lined up along the street. Some of the workers would pause to listen as Reverend Deke broke into one of the spirituals that he had learned on his Georgia- born grandmother’s knee.

McCabe watched him go, greeting the people he passed.

Ten minutes later, she was jammed in sideways at the counter by

the window, munching on a lemon-blueberry-pecan muffin. Half a day’s supply of antioxidants, and it even tasted like it was made with real sugar.

The police frequency on her ORB lit up. She touched the screen to see the message that Comm Center had sent out to patrol cars.

McCabe swallowed the last bite of her muffin and grabbed her ice coffee container from the counter.

Out of the sidewalk, she spoke into her transmitter. “Dispatch,

Detective McCabe also responding to that call. En route.”

“Copy, McCabe. Will advise,” the dispatcher responded.

Mike Baxter picked up the same dispatch as he was pulling out of the fast- food drive-thru. He shoved his coffee cup into the holder and reached for his siren.

“Dispatch, Detective Baxter also responding.”

“Copy, Baxter. McCabe’s headed that way, too.”

“Thought she would be. This could be our guy.”

“Happy hunting.”

McCabe pulled herself to the top of the fence and paused to look down into the alley. She jumped and landed on the other side, one foot slipping in dog shit. The man she was chasing darted a glance behind him and kept running.

In a half squat, McCabe drew her weapon and fired. Her bola wrapped around the man’s legs. He sprawled forward, entangled in the cords, crashing into moldering cardboard boxes and other garbage.

McCabe ran toward him. He twisted onto his side, trying to sit up and free himself.

“Get these ropes off me, bitch!”

“Stay down,” she said, training the weapon, now set to stun, on the perp’s scrawny torso. “Roll over on your belly.”

He looked up at her face, then at the gun. Either he was convinced she would use it or deterred by the minicam that was attached to the weapon and was recording their encounter. He sagged back to the ground and rolled over.

She stepped to the side, about to order him to raise his arm behind his back so that she could slip on the fi rst handcuff .

“You got him!” Mike Baxter said, running up. He was sweating, cheeks flushed, eyes bright with excitement. “That was great.”

“Cuff him,” McCabe said, trying not to let Baxter see that she was breathing hard.

She was thirty- four to Baxter’s twenty- nine, and, yes, she had outrun him. But she should be in better shape than this. Today’s air-quality reading was no excuse. Baxter snapped the cuffs into place and McCabe retracted her bola.

Baxter hauled the perp to his feet.

“Hey, man, this is police brutality, you hear me?” the perp said.

“I’m gonna sue both of you.”

“That all you got to say?” Baxter said.

“Say? You’re supposed to read me my rights, man.”

“You got it, man,” Baxter said. “You have the right to remain silent.

Anything you say can be used against you . . .” He recited the words with the controlled irony of a cop who had been saying them for several decades. But he looked like a college kid. That was why he had been recruited from patrol to work undercover vice. But word was that he had wanted out of that and played a commendably discrete game of departmental politics, involving his godfather, the assistant chief, to get reassigned.

Sirens screeching, two police cruisers pulled into the alley.

Baxter grinned at McCabe. “Great way to start the day, huh, partner?”

“Absolutely,” she said, scrapping her shoe on the edge of a mildewed cardboard box.

She hoped he realized that the likelihood that this was the guy they were looking for was about zilch.

BOOK DETAILS:

Genre: Mystery & Detective
Published by: Minotaur Books
Publication Date: Sept 10, 2013
Number of Pages: 304
ISBN: 978-0-312-64175-7 / 978-1-250-03717-6

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
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Partners In Crime Tours Presents: Guest Author JON LAND

WELCOME BACK JON LAND

JON LAND

Jon Land is the author of more than 30 thrillers, including the bestselling Caitlin Strong Texas Ranger series that includes Strong Enough to Die, Strong Justice, Strong at the Break, Strong Vengeance and, coming this August, Strong Rain Falling. This past fall he resurrected his longtime series hero Blaine McCracken in the E-Book Original Pandora’s Temple, which became a bestseller on both Apple and Amazon and was nominated for a Thriller Award as Best E-Book Original. A follow-up, The Tenth Circle, is slated for release in time for the holiday season. Jon’s first nonfiction book, BETRAYAL, meanwhile, was a national bestseller and was named Best True Crime Book of 2012 by Suspense Magazine. He lives in Providence, Rhode Island and can be found on the Web at jonlandbooks.com.
Connect with Jon at these sites:

WEBSITE          TWITTER

Q&A with Jon Land

CM: Do  you draw from personal experiences and/or current events?
JL: Great question to start!  Never on personal experiences, all the time on current events.  I live a pretty uninteresting life which is just the way I like and I’ve always said writers are mostly much better off writing from their imagination.  My very good friend Steve Berry says, “Don’t write what you know, write what you love.”  I couldn’t agree more.  Current events, on the other hand, form the very fabric of modern thriller fiction.  STRONG RAIN FALLING, for example, involves a massive attack to be launched against the nation’s power grid—there’s nothing more current than that.  And current, in the thriller form anyway, normally means scary.  The challenge is writing about something that could be about to happen, to stay ahead of the curve instead of behind it.

CM: Do you start with the conclusion and plot in reverse or start from the beginning and see where the storyline brings you?
JL: I’m a fly-by-the-seat-of-my-pants writer in all respects.  I operate on the theory that if I don’t know what’s going to happen next, then the reader can’t possibly know.  I can get away with this because I trust my characters to take me where they want and need to go.  I’m normally about 100 pages ahead with where I’m headed in my mind, never much more than that.  And the result, unfortunately at times, is my first drafts tend to need lots of work.  In fact, I’d venture to say that one of my greatest strengths as a writer is actually rewriting, often based on my own objective read of what I’ve created. For me, first drafts area about getting it down and getting it done.  Each successive draft hones and polishes the material further.  I throw a bunch out, I add a bunch more—sometimes even entirely new characters, subplots and scenes if I sense a weakness or flaw.  I’m also blessed with a terrific editor, Natalia Aponte, who’s always pushing me to do better, to make my Caitlin Strong books, and all my books for that matter, both structurally and emotionally complete.  The thing I like to stress here is that no process works for all writers.  We all have to find what works for us.

CM: Your routine when writing?  Any idiosyncrasies?
JL: Hey, you love those two-part questions, don’t you? (laughs)  When I’m doing the hardest work of all, a first draft, I normally write in two shifts for two-three hours each that normally produces around 15-20 pages total.  I’ll average 75-80 pages in a week and closer to the end will get over 100, so figure I can finish a first draft in around 7-8 weeks, a really fast clip.  And part of the reason I’m able to do that is I’ve got two tricks I’ve come to rely on:  First, I always leave a scene or chapter off in the middle, not the end, so I have a running start when I go back to work.  There’s a tendency to want to stop writing at the end of a chapter just like there is when reading.  I never stop there.  Even if I get just the first couple paragraphs down, enough to provide direction, I’m good to go when I get back to the keyboard.  I also always have a few books put aside by my favorite authors.  Before putting my fingers to work, I’ll read 15-20 pages of their book (see below for more info on who!) just to get me in the right mindset, to remind me of what a great story reads like so I’m ready to write my own.

CM: Is writing your full time job?
JL: Yes, it is. That’s probably the shortest answer to a question I’ve ever given, so I better go on a little.  I’d always planned on becoming a lawyer.  But I got bit by the writing bug in college and fell in love with the process as well as seeing my name in print.  That’s the thing about me:  I actually love the process of writing.  I can’t explain why or how I do it exactly.  I just know I love where it takes me.  It’s like therapy.  When I’m not writing, I go into withdrawals.  It’s like a legal drug.

CM: Who are some of your favorite authors?
JL: Well, THE EXORCIST was the first book I read cover-to-cover in a single day, a single setting actually.  Reading Robert Ludlum’s THE HOLCROFT COVENANT (along with THE MATARESE CIRCLE) taught me more about what makes a great thriller than anything else. THE BOYS FROM BRAZIL taught me the importance of a great “What if?” question.  THE STAND showed me the wonder of taking the reader out of his or her world and into the world we fashion on the page.  MARATHON MAN made me realize just how much caring about the characters means.  I can quote portions of that book, just as I can from the others I mention here and far more.  As far as strictly favorites, Lee Child and James Lee Burke are the authors I most look forward to, with plenty of others not far behind.  David Morrell, who never writes the same book twice.  Stephen Hunter, who’s a maestro when it comes to action scenes.  Michael Connolly for writing books that are impossible to put down.  And I’ve recently discovered John Hart who seems incapable of writing a bad sentence or creating a character who doesn’t command our interest.

CM: What are you reading now?
JL:  Lee Child’s second book, DIE TRYING.  I’ve been saving it forever but the time finally came!

CM: Are you working on your next novel?  Can you tell us a little bit about it?
JL:  Again, with the two-part questions!  (laughs)  The next book’s already done.  It’s called THE TENTH CIRCLE and it’s the follow-up to PANDORA’S TEMPLE once again featuring Blaine McCracken, my original series hero I’ve fallen back in love with.  Beyond that I’m actually working on three books:  a sequel to my bestselling THE SEVEN SINS, a terrific project I’m doing in tandem with the great Heather Graham, and I’m just about to start STRONG DARKNESS, the next book featuring Caitlin that takes her and Cort Wesley Masters to a very dark place potentially.  I’m going to take her right up to the edge, but hopefully not so close that she slips over.

CM: Your novel will be a movie.  Who would you cast?
JL:  Bruce Willis for Blaine McCracken—that’s the easy one.  For Caitlin, let’s see, Eva Mendez maybe.  Hillary Swank.  Jennifer Garner.  Maybe I should Google “strong actresses in their mid-30s and see what I get!  In film, the budget to a large extent is determined by the box office value of your store.  So if I wanted the biggest budget I’d have to say Angelina Jolie, but she might be a bit old.  Hey, Sandra Bullock is too old too but she lives in Texas so who knows?

CM: Would you rather read or watch television or a film?
JL:  Okay, confession time:  this is the golden age of scripted television and I can’t get enough of shows like THE WALKING DEAD, BREAKING BAD, JUSTIFIED, MAD MEN, DEXTER, GAME OF THRONES—the list goes on and on.  But here’s the thing, the crucial disclaimer:  I love those kind of shows because their novelistic in structure.  Watching them week to week is like watching a novel.  That’s why I don’t “binge watch” the way a lot of people are these days.  I prefer to look forward to the next week’s episode in the arc, to be kept in suspense.  Call it practicing what I preach.

CM: Favorite food?
JL: Nothing beats a great steak, but lobster comes close.  And I have a bagel for breakfast almost every day.

CM: Favorite beverage?
JL:  Iced tea—no doubt about it.  Been that way for as long as I can remember.  Of course, since I’m a writer, I probably should have said scotch, or maybe bourbon. Hell, anything that makes me forget what a tough business this is truly is!

Thank you Jon for stopping by today and answering my 2 part questions!! (chuckling)

ABOUT THE BOOK

Mexico, 1919: The birth of the Mexican drug trade begins with opium being smuggled across the U.S. border, igniting an all-out battle with American law enforcement in general and the Texas Rangers in particular.

The Present: Fifth Generation Texas Ranger Caitlin Strong and her lover, former outlaw Cort Wesley Masters, both survive terrifying gun battles. But this time, it turns out, the actual targets were not them, but Masters’ teenage sons.

That sets Caitlin and Cort Wesley off on a trail winding through the past and present with nothing less than the future of the United States hanging in the balance. Along the way they will confront terrible truths dating all the way back to the Mexican Revolution and the dogged battle Caitlin’s own grandfather and great-grandfather fought against the first generation of Mexican drug dealers.

At the heart of the storm soon to sweep away America as we know it, lies a mastermind whose abundant power is equaled only by her thirst for vengeance. Ana Callas Guajardo, the last surviving member of the family that founded the Mexican drug trade, has dedicated all of her vast resources to a plot aimed at the U.S.’s technological heart.

This time out, sabotage proves to be as deadly a weapon as bombs in a battle Caitlin must win in cyberspace as well. Her lone chance to prevail is to short-circuit a complex plan based as much on microchips as bullets. Because there’s a strong rain coming and only Caitlin and Cort Wesley can stop the fall before it’s too late.

READ AN EXCERPT

CHAPTER 1

Providence, Rhode Island

Caitlin Strong was waiting downstairs in a grassy park bisected by concrete walkways when Dylan Torres emerged from the building. The boy fit in surprisingly well with the Brown University college students he slid between in approaching her, his long black hair bouncing just past his shoulders and attracting the attention of more than one passing coed.

“How’d it go?” Caitlin asked, rising from the bench that felt like a sauna in the sun.

Dylan shrugged and blew some stray hair from his face with his breath. “Size could be an issue.”

“For playing football at this level, I expect so.”

“Coach Estes didn’t rule it out. He just said there were no more first year slots left in the program.”

“First year?”

“Freshman, Caitlin.”

“How’d you leave it?” she asked, feeling dwarfed by the athletic buildings that housed playing courts, training facilities, a swimming pool, full gym and the offices of the school’s coaches. The buildings enclosed the park-like setting on three sides, leaving the street side to be rimmed by an eight-foot wall of carefully layered stone. Playing fields took up the rear of the complex beyond the buildings and, while waiting for Dylan, Caitlin heard the clang of aluminum bats hitting baseballs and thunks of what sounded like soccer balls being kicked about. Funny how living in a place the size of Texas made her antsy within an area where so much was squeezed so close.

“Well, short of me growing another four inches and putting on maybe twenty pounds of muscle, it’s gonna be an uphill battle,” Dylan said, looking down. “That is, if I even get into this place. That’s an uphill battle too.”

She reached out and touched his shoulder. “This coming from a kid who’s bested serial killers, kidnappers and last year a human monster who bled venom instead of blood.”

Dylan started to shrug, but smiled instead. “Helps that you and my dad were there to gun them all down.”

“Well, I don’t believe we’ll be shooting Coach Estes and my point was if anybody can handle an uphill battle or two, it’s you.”

Dylan lapsed into silence, leaving Caitlin to think of the restaurant they’d eaten at the night before where the waitress had complimented her on having such a good looking son. She’d felt her insides turn to mush when the boy smiled and went right on studying the menu, not bothering to correct the woman. He was three quarters through a fifth year at San Antonio’s St. Anthony Catholic High School, in range of finishing the year with straight “A”s. Though the school didn’t formally offer such a program, Caitlin’s captain D. W. Tepper had convinced them to make an exception on behalf of the Texas Rangers by slightly altering their Senior Connection program to fit the needs of a boy whose grades hadn’t anywhere near matched his potential yet.

Not that it was an easy fit. The school’s pristine campus in historic Monte Vista just north of downtown San Antonio was populated by boys and girls in staid, prescribed uniforms that made Dylan cringe. Blazers instead of shapeless shirts worn out at the waist, khakis instead of jeans gone from sagging to, more recently, what they called skinny, and hard leather dress shoes instead of the boots Caitlin had bought him for his birthday a few years back. But the undermanned football team had recruited him early on, Dylan donning a uniform for the first time since a brief stint in the Pop Warner league as a young boy while his mother was still alive and the father he’d yet to meet was in prison. This past fall at St. Anthony’s he’d taken to the sport again like a natural, playing running back and sifting through the tiniest holes in the defensive line to amass vast chunks of yardage. Dylan ended up being named Second Team All TAPPS District 2-5A, attracting the attention of several small colleges, though none on the level of Brown University, a perennial contender for the Ivy League crown.

Caitlin found those Friday nights, sitting with Cort Wesley Masters and his younger son Luke in stands ripe with the first soft bite of fall, strangely comforting. Given that she’d never had much use for such things in her own teenage years, the experience left her feeling as if she’d been transported back in time with a chance to relive her own youth through a boy who was as close to a son as she’d ever have. Left her recalling her own high school days smelling of gun oil instead of perfume. She’d been awkward then, gawky after growing tall fast. Still a few years short of forty, Caitlin had never added to that five-foot-seven-inch frame, although the present found her filled out and firm from regular workouts and jogging. She wore her wavy black hair more fashionably styled, but kept it the very same length she always had, perhaps in a misguided at-tempt to slow time if not stop it altogether.

Gazing at Dylan now, she recalled the headmaster of his school, a cousin of Caitlin’s own high school principal, coming up to her after the victorious opening home game.

“The school owes you a great bit of gratitude, Ranger.”

“Well, sir, I’ll bet Dylan’ll do even better next week.”

The headmaster gestured toward the newly installed lights. “I meant gratitude for the Rangers arranging for the variance that allowed us to go forward with the installation. That’s the only reason we’re able to be here to-night.”

She’d nodded, smiling to herself at how Captain Tepper had managed to arrange Dylan’s admission. “Our pleasure, sir.”

Now, months later on the campus of an Ivy League school in Providence, Rhode Island, Dylan looked down at the grass and then up again, something furtive lurking in his suddenly narrowed eyes. The sun sneaking through a nearby tree dappled his face and further hid what he was about to share.

“I got invited to a frat party.”

“Say that again.”

“I got invited to a party at this frat called D-Phi.”

“D what?”

“Short for Delta Phi. Like the Greek letters.”

“I know they’re Greek letters, son, just like I know what goes on at these kind of parties given that I’ve been called to break them up on more than one occasion.”

“You’re the one who made me start thinking about college.”

“Doesn’t mean I got you thinking about doing shots and playing beer pong.”

“Beirut.”

Caitlin looked at him as if he were speaking a foreign language.

“They call it Beirut here, not beer pong,” Dylan continued. “And it’s important I get a notion of what the campus life is like. You told me that too.”

“I did?”

“Uh-huh.”

“I let you go to this party, you promise you won’t drink?”

Dylan rolled his head from side to side. “I promise I won’t drink much.”

“What’s that mean?”

“That I’ll be just fine when you come pick me up in the morning to get to the airport.”

“Pick you up,” Caitlin repeated, her gaze narrowing.

“I’m staying with this kid from Texas who plays on the team. Coach set it up.”

“Coach Estes?”

“Yup. Why?’

Caitlin slapped an arm around the boy’s shoulder and steered him toward the street. “Because I may rethink my decision about shooting him.”

“I told him you were a Texas Ranger,” Dylan said, as they approached a pair of workmen stringing a tape measure outside the athletic complex’s hockey rink.

“What’d he think about that?” Caitlin said, finding her gaze drawn to the two men she noticed had no tools and were wearing scuffed shoes instead of work boots.

“He said he liked gals with guns.”

They continued along the walkway that curved around the park-like grounds, banking left at a small lot where Caitlin had parked her rental. She worked the remote to unlock the doors and watched Dylan ease around to the passenger side, while she turned back toward the hockey rink and the two workmen she couldn’t shake from her mind.

But they were gone.

CHAPTER 2

Providence, Rhode Island

“What’s this WaterFire thing?” Dylan asked, spooning up the last of his ice cream while Caitlin sipped her nightly post-dinner coffee.

“Like a tradition here. Comes highly recommended.”

“You don’t want me going to that frat party.”

“The thought had crossed my mind, but I’m guessing the WaterFire’ll be done ‘fore your party even gets started.”

Dylan held the spoon in his hand and then licked at it.

“How’s the ice cream?”

“It’s Gelato.”

“What’s the difference?”

“None, I guess.

They had chosen to eat at a restaurant called Paragon, again on the recommendation of Coach Estes, a fashionably loud, lit, and reasonably priced bistro-like restaurant on the student-dominated Thayer Street across from the University bookstore. Dylan ordered a pizza while Caitlin ruminated over the menu choices before eventually opting for what she always did: a steak. You can take the gal out of Texas, she thought to herself, but you can’t take Texas out of the gal.

“I hear this Waterfire is something special,” Caitlin said, when she saw him checking his watch.

“Yeah? Who told you that?”

“Coach Estes. What do you say we head downtown and check it out?”

* * *

They walked through the comfortable cool of the early evening darkness, a welcome respite from the sweltering spring heat wave that had struck Texas just before they’d left. Caitlin wanted to talk, but Dylan wouldn’t look up from his iPhone, banging out text after text.

They strolled up a slight hill and then down a steeper one, joining the thick flow of people heading for the sounds of the nighttime festival known as WaterFire. The air was crisp and laced with the pungent aroma of wood smoke drifting up from Providence’s downtown area, where the masses of milling people were headed. The scents grew stronger while the harmonic strains of music sharpened the closer they drew to an area bridged by walkways crisscross-ing a river that ran the entire length of the modest office buildings and residential towers that dominated the city’s skyline. A performance area had been roped off at the foot of the hill, currently occupied by a group of white-faced mimes. An array of pushcarts offering various grilled meats as well as snacks and sweets were lined up nearby, most with hefty lines before them.

The tightest clusters of festival patrons moved in both directions down a walkway at the river’s edge. Cait-lin realized the strange and haunting strains of music had their origins down here as well and moved to join the flow. The black water shimmered like glass, an eerie glow emanat-ing from its surface. Boaters and canoeists paddled lei-surely by. A water taxi packed with seated patrons sipping wine slid past followed by what looked like a gondola straight from Venice.

But it was the source of the orange glow reflecting off the water’s surface that claimed Caitlin’s attention. She could now identify the pungent scent of wood smoke as that of pine and cedar, hearing the familiar crackle of flames as she and Dylan reached a promenade that ran di-rectly alongside the river.

“Caitlin?” Dylan prodded, touching her shoulder.

She jerked to her right, stiffening, the boy’s hand like a hot iron against her shirt.

“Uh-oh,” the boy said. “You got that look.”

“Just don’t like crowds,” Caitlin managed, casting her gaze about. “That’s all.”

A lie, because she felt something wasn’t right, out of rhythm somehow. Her stomach had already tightened and now she could feel the bands of muscle in her neck and shoul-ders knotting up as well.

“Yeah?” Dylan followed before she forced a smile. “And, like, I’m supposed to believe that?”

Before them, a line of bonfires that seemed to rise out of the water curved along the expanse of the Providence river walk. The source of these bonfires, Caitlin saw now, were nearly a hundred steel braziers of flaming wood moored to the water’s surface and stoked by black-shirted workers in a square pontoon-like boat, including one who performed an elaborate fire dance in between tending the flames.

The twisting line of braziers seemed to stretch for-ever into the night. Caitlin and Dylan continued to follow their bright glow amid the crowd, keeping the knee-high re-taining wall on their right. More kiosks selling hotdogs, grilled meats to be stuffed in pockets, kabobs, beverages, and souvenirs had been set up above the river walk on streets and sidewalks. The sights and sounds left her homesick for Texas, the sweet smell of wood smoke reminding her of the scent of barbecue and grilled food wafting over the famed San Antonio River Walk.

Caitlin was imagining that smell when she felt some-thing, not much and not even identifiable at first, yet enough to make her neck hairs stand up. A ripple in the crowd, she realized an instant later, followed almost immediately by more of a buckling indicative of someone forcing their way through it. Instinct twisted Caitlin in the di-rection of the ripple’s origin and the flames’ glow caught a face that was familiar to her.

Because it belonged to one of the workman she’d glimpsed outside the hockey rink back at Brown University. And the second workman stood directly alongside him, hands pulling their jackets back enough to reveal the dark glint of the pistols wedged into their belts.

INSERT TEXT

BOOK DETAILS:

Genre: Thriller
Published by: Forge Books
Publication Date: August 13, 2013
Number of Pages: 368
ISBN: 978-0765331502
Series: Caitlin Strong, 5
(Can be read as a Stand Alone)

PURCHASE LINKS:

              

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Partners In Crime Tours Presents: Guest Author J.M. LeDUC

WELCOME J.M. LeDUC

J.M. LeDUC

Mark Adduci, writing as J. M. LeDuc is native Bostonian, who transplanted to South Florida in 1985. He shares his love and life with his wife, Sherri and his daughter, Chelsea.

Blessed to have had a mother who loved the written word, her passion was passed on to him. It is in her maiden name he writes. When he is not crafting the plot of his next thriller, his alter ego is busy working as a professor at The Academy of Nursing and Health Occupations, a nursing college in West Palm Beach, Florida.

J.M. LeDuc’s first novel, “Cursed Blessing” won a Royal Palm Literary Award in 2008 as an unpublished manuscript in the thriller category. It was published in 2010. He has subsequently written Cursed Presence and Cursed Days, books two and three of the Trilogy of The Chosen, as well as a novella, Phantom Squad. He is a proud member of the Florida Writers Association (FWA) and the prestigious International Thriller Writers (ITW).
Connect with J.M. LeDuc at these sites:

WEBSITE      

ABOUT THE BOOK

In the blink of an eye, a life begins and another ends.

In a blink of an eye, Brent Venturi falls into the chasm of despair.

What do you do when everything is lost? When the person you loved is gone and all you have left is guilt? These are the questions that face Brent, the leader of the Phantom Squad and the latest in Noah’s line of descendants. His answer—go back to the beginning, back to where it all began—Mount Ararat.

The last known resting place of Noah’s Ark.

In his travels, Brent will meet Rowtag Achak, a Cree brave and Special Forces sniper who is on a similar path of self-destruction. Together, they will trace their steps from Palm Cove to Washington D.C., all the way to Armenia and the Khor Virap Monastery which sits at the base of Mount Ararat. Their travels will eventually take them to Alpha Camp and the Hindu Kush Mountains on the Pakistan-Afghanistan border.

When President Dupree and the Phantom Squad get captured by the Brotherhood of Gaza, time for introspection is over and time for action begins. Brent must find a way to get back to the man he was in order to save the people still left in his life.

What begins as a sabbatical of self-awareness turns into a mission of survival. His own, that of the squad and more importantly, that of the president of the United States. What man and nature takes away, only God can restore. The restoration of the Cornerstone.

To find the beginning, one must walk through the past and be willing to step into the future.

READ AN EXCERPT
Prologue
One month agoIn one combustible moment, Brent’s life became a tumultuous cascade of happiness and horror. He had witnessed the birth of his daughter and the death of his wife.
Two weeks agoEight years ago, after his first encounter with the Omega Butcher, a sadistic serial killer, Brent Venturi lost his identity. Emotional and physical scars forced a sabbatical from the team he led: The Phantom Squad. It was only through the peace he had found in God and in his hometown of Palm Cove that he was able to recover from his physical and psychological injuries.He was once again sliding back down that slippery slope of despair into a deep, depressive abyss. The place he once ran to for tranquility no longer provided comfort. He spent his days alone and his nights wandering the streets.The nightmares that once plagued his life, the nightmares he thought were in his past, once again tore a path through his subconscious mind. It was terrifying enough when his dreams brought visions of his own torture, but now, the visions and images were different. More vivid, more personal, more terrifying. The tortured was now Chloe. His nightmares were made worse by the images of blood: so much blood, pools of blood, on her, on him . . . everywhere.When he did manage to fall asleep, Brent woke up in a pool of sweat and vomit, fearful that the wetness he felt was blood. Chloe’s blood.Agony was making him less of a man and more of a weapon of mass destruction.

 

Chapter 1

 

Present

Seven walked with a purposeful stride down the halls of SIA headquarters which made all other three letter intelligence agencies seem like child’s play. The sound of his footfalls as his heavy boots struck the tile floors reverberated in his ears like the base of a stereo. He heard it echo off the solid steel walls. As he walked deeper into the labyrinth, he looked up at the writing over the door that led to the inner sanctum.

We are called upon when others fail.

He placed his hand on the black glass panel next to the steel door. Like all others in HQ, it worked by palmer recognition. A faint red line slid under his hand. The door’s air lock disengaged. He repeated this maneuver multiple times as he descended further into the maze, finally arriving at his destination, the security office. Joan’s lair.

Joan, an eclectic blend of bohemian and punk was Maddie Smith’s personal assistant and a self taught computer genius. Her office was nestled in the midst of SIA’s security hub. A sea of computers and flat screen monitors filled every bit of desk and wall space. As he entered, she sat transfixed and stared at a video feed. The monitor she was glued to took up one entire wall and was embedded in three feet of concrete and steel.

“How long has he been there?” Seven asked.

Joan turned just long enough to acknowledge his arrival. “I arrived at o-eight hundred hours. The security clock shows he’s been there since…”

“O-five hundred.” Seven finished her sentence.

It had been the same pattern for the past ten days.

He stood behind her and watched Brent in the armory. Seven, like all of those close to Brent, was showing the signs of stress. In the past weeks, wrinkles from age crept into his face, like dried fissures on barren land.

He blinked the sleeplessness from his eyes. “Can you roll the tape back to when he arrived?”

“I can, but nothing has changed. Brent is still anal—a man of pattern.”

Seven reached into the back pocket of his jeans and took out his tobacco tin. Watching the screen, he tapped the lid, shook loose the tobacco, and placed it between his lower lip and gums.

Joan looked at him, rolled her eyes and shook her head. “Much like yourself.”

Seven smirked and spit in his empty coffee cup. “Oblige an old man,” he drawled, “and run the tape.”

“Yes, sir.” Joan reached over with her left hand, nimbly fingered the keyboard, and brought up the tape.

“Finally, a woman who will listen to me.”

“I hope that wasn’t meant for me.”

They both turned and saw Maddie standing in the doorway. Maddie Smith was the director of the SIA and Seven’s wife. As always, everyone’s eyes were glued to her—she was stunning. A voluptuous redhead who knew how to draw attention from both sexes. She embodied a 1950’s movie starlet.

“Good morning, Darlin,” Seven smiled.

“Good morning, Madam Director,” Joan said.

Her piecing emerald green eyes focused on Joan. “Why so formal this morning?”

Joan shrugged. “Everything seems so formal since, . . .” her eyes moistened, “you know.”

Maddie’s voice took on a saddened tone. She stood behind Joan, lightly rubbed her shoulders, and kissed the top of her head. “Yeah, I know, but I would feel better if you went back to calling me Maddie, or Mom, or the ‘B’ word that you mumble under your breath from time to time.”

Joan wiped her tears and sniffed. “And what word would that be?”

“Beautiful,” Maddie joked.

A partial smile surfaced on Joan’s lips. “Oh, that ‘B’ word. Right.”

“That’s the first time I’ve seen you smile in weeks. It feels good.” She looked at Seven expecting a sarcastic comeback, but he was glued to the screen. The look in her husband’s eyes made her shiver. “What is it?”

“It’s Brent’s eyes. They’re blank. Emotionless. It’s as if he were on a squad mission.”

“Is that so bad?” Joan said. “Isn’t that the way you all look when you’re engaged in training?”

Pointing to the monitor, Seven said, “This is different. Look at his jugular veins. His eyes may be expressionless, but the rest of him is about to snap.”

Maddie drew in a deep breath as she watched the monitor. Blowing it out, she knew what she had to do. “We can’t put the inevitable off any longer. Call the directorate and the Phantom Squad to a meeting at thirteen hundred hours and Seven,” she waited for him to acknowledge her.

“Get him there.”

BOOK DETAILS:

Genre: Christian Suspense
Published by: Suspense Publishing
Publication Date: 06/25/13
Number of Pages: 330
ISBN: 978-1484188682 // 1484188683

PURCHASE LINKS:

              

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
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Guest Author DARCY SCOTT

WELCOME DARCY SCOTT


DARCY SCOTT

DARCY SCOTT is a live-aboard sailor and experienced ocean cruiser who’s sailed to Grenada and back on a whim, island-hopped through the Caribbean, and been struck by lightning in the middle of the Gulf Stream. Her favorite cruising ground remains the coast of Maine, however, and her appreciation of the history and rugged beauty of its sparsely populated out-islands serves as inspiration for her Maine Island Mystery Series, which includes 2012’s award-winning “Matinicus” and the newly released “Reese’s Leap.” Book three, “Ragged Island,” is currently in the works. Her debut novel, “Hunter Huntress,” was published in June, 2010 by Snowbooks, Ltd., UK.
Connect with Darcy at these sites:

WEBSITE            TWITTER

ABOUT THE BOOK

In this much-anticipated sequel to the award-winning “Matinicus,” five longtime friends—briefly freed from their complex lives for an annual, all-female retreat on Adria Jackman’s remote, 200-acre enclave of Mistake Island, Maine—are forced to put the partying on hold to host the hard-drinking, bachelor botanist, Gil Hodges, stranded there for what could be days.

A hopeless womanizer, Gil is secretly pleased at the layover, but soon finds Mistake’s deeply forested interior deceptively bucolic and the women a bit too intriguing for comfort, stirring both glorious memory and profound regret. When a diabolical stranger appears out of nowhere, insinuating himself into the fold to exact a twisted kind of revenge, it falls to Gil to keep the women safe, despite a dawning awareness that not everyone will make it off the island alive.

READ AN EXCERPT
I’m slow coming to in the early-morning stillness—arm slung over my eyes, something lumpy under my butt I only now realize has been digging in for some time. It seems I slept fully clothed, too—something I never do—but the damp chill beneath me makes even less sense, the fusty smell wafting from my bedclothes not quite the permeating fug of the hammock I’ve grown used to. I could crack my eyes and get a visual, I suppose, but that would involve prying the pasty things apart first—something that’s beyond me just now.
The shamelessly chipper bird sounding off just above me and the dry whisper of field grass are what tip me off. The meadow. I spent the night in the fucking meadow.
My groan is of the just-how-big-an-asshole-did-I-make-of-myself variety, chased by the kind of creeping, morning-after dread I’ve come to know so well. I vaguely recall a bottle of tawny Port, unearthed by Adria from some secret stash of her father’s after everyone else had gone to bed—which was earlier than usual, thanks to the pall Brit and Pete cast over the evening. Just the two of us, then—well, three, if you count the bottle. Pure liquid ambrosia, if memory serves. No doubt I went a bit overboard. But it wasn’t the booze or the thought of another night crammed onto that miserable hammock that got me out here, I recall now, but the fear of what I might do about Nora’s tempting proximity while I lay in such a weakened and vulnerable state. Still, I’ve no clue how I managed it. Could have walked, could have flown, could have been wheeled in a barrow. But however I did it, I slept like the proverbial rock.
No reason to get up now either, I figure—at least not ’til the mosquitoes find me. Another hour, I plead, rolling over, which is when I see Pete down on his haunches studying me, face not a foot from mine.
“Jesus!” I bark, adrenaline powering my scramble to clear the sleeping bag I apparently dragged out here with me. “Don’t do that!”
He cocks his head, rising to meet me as I stand. Not a good idea as it turns out, this standing business, considering the explosion of pain at the top of my head. At six-two, I’m five or six inches taller than this guy—something that would normally make me feel pretty good, only nothing feels good just now. My legs are so wobbly, it’s all I can do to remain vertical. I glance down at the cool breeze running over my left foot.
My sore, bare left foot.
Where the fuck is my shoe?
“Piece of advice,” Pete says, glancing toward the mountain, gaze flat and unreadable as he swings it back my way. Think Clint Eastwood’s slow burn, but with none of his style. “Right now we got no real beef, you and me. Keep out of this and it’ll stay that way.”
What this? There’s a this?
“Let me guess,” I say, pinching the bridge of my nose against the vise slowly tightening at the top of my head, the forks carving out the backs of my eyeballs. The things I do to myself. “This is about your brother, right? What—you were too busy lobbing the n-word at Adria to hear her say she wasn’t around? That none of these chicks know anything about this?”
“They know,” he assures me. “Just not sayin’.”
“They—as in…”
“All of ’em, probably.”
Of course. Conspiracy among the conifers. I’ll have to remember to suggest this to Duggan for the title of whatever mystery or thriller he’s hoping to eke out of all this.
“Come on, man. You saw the looks on their faces—total fucking surprise.”
“Brit said they come out here every year—same women, same week in July.”
Good old Brit. “I wouldn’t know.” Nor do I care. Once around with this shit’s more than enough for me; besides, I desperately need to keep the sun from hitting my retinas just now. Shades, I think. I pat my pockets.
“Earl was killed the week they were here. July 21st.”
“July 21st what?”
“Day he died.”
“You can’t possibly know that,” I say, carefully lowering myself to rummage in my
rucksack for those miserable Maui Jims. Sliding them on makes things marginally better, but mincing my way back to my feet brings stabbing pains from the sole of the shoeless one. Man, it hurts. What the hell did I step on, anyway? Glass, rock—what?
“So, okay,” I say, cranking the foot up stork-like to peer at the dried brown goo stuck to the bottom. Mud? I wonder, hopping awkwardly to stay upright. Blood? “Say you’re right, and he was here. Doesn’t mean they knew he was here.” Gently probing the most tender places for lacerations, protruding foreign objects. “If Adria even suspected he was camping on the island, she’d have booted his ass off. You’ve seen the way she is about this place.”
“Earl don’t listen to nobody when his mind’s set. Kind of his trademark.”
More of that unremitting Eastwood gaze, which is frankly starting to piss me off. Out of nowhere, another piece of yesterday slips along the edge of my mind—something weird about the timing of all this. And then it hits me. If Earl died two years ago, why’s this guy just turning up now?
“You were in prison when it happened.” Pure hunch, of course, but it fits. Explains why he seemed so hinky from the start, that vague whiff of what I now recognize as recent and intimate acquaintance with Maine State Corrections. I do the mental math, take a stab. “You and Earl were sent up together; only he got out early. Drugs would be my bet. That or a juicy little B&E.”
“Fuck them bastards. Bullshit’s what it was. Lousy pot bust. My second time, so the judge bumped me a couple extra years.”
“So Earl gets out, comes here to revisit the old stomping grounds, and ends up dead.”
“I knew there’d be trouble, what with me not around to keep him in line. It was me always looked out for him.”
“Plus, you landed him in jail. What a bro. But hey, at least you knew where he was; there’s that.” Screwing with him like this probably isn’t smart, but I’m still kinda punchy, and I need to piss. Besides; I really, really, really don’t like this guy.
Pete cocks his head.
“This funny to you?”
Fucking hilarious, actually, only it’s fast becoming clear that leaving Adria et al alone while a deluded nut like this is wandering the island wouldn’t be smart. There’s my conscience to consider, what’s left of it anyway. “So you got sprung—what—a month ago? Two?”
“Sat in that shitty jail two years knowin’ he’d been murdered, countin’ the days ’til I got out.”
“Accidents happen, pal. You’ve seen the cliffs out here—dangerous as hell in the wrong conditions.”
“Earl never went near them cliffs. Hated heights. No, somethin’ happened out here. I’m gonna know what and I’m gonna know why. I owe him that. You bein’ here just complicates things.”
“Yeah, well, only person leaving the island is you,” I say, trying to sound all bad-ass as I fight the urge to toss my cookies. “I’m not going anywhere.”
He considers. “Your decision. Things been put in motion. Don’t say I didn’t warn you.” A smirk as he nods toward the sleeping bag. “Nice.”
I glance down, following his gaze. A faded field of blue dotted with yellow and pink flowers, the darker hue of a minimally sullied ball gown and white-gloved hands—all this capped with the lemon yellow orb of Cinderella’s hair, her face lit with a saccharine smile. A little girl’s sleeping bag, I realize. Swell.
“So here’s what you do,” he says. “You and the other girls have a meetin’. You explain how things are gonna get really ugly, really fast, if I don’t find out what went down.”
With that he trots back into the brush like something out of The Last of the Mohicans—all that bouncy action enough to set my eyeballs aching. What the fuck was in that bottle, anyway?
Nothing for it but to head to the house and fill Adria in, come up with some kind of plan.
After I find that fucking shoe.

BOOK DETAILS:

Genre: Mystery
Published by: Maine Authors Publishing
Publication Date: March 23, 2013
Number of Pages: 216
ISBN: 978-1938883347
Series: Island Mystery Series #2

PURCHASE LINKS:

           

Awards

Recently, Matinicus (prequel to Reese’s Leap) has won both the “Best Mystery,” 2013 Indie Book Awards and the Bronze Prize for Regional Fiction from the 2013 IPPY Awards

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Partners In Crime Tours Presents: Guest Author ROBERT J. RAY

WELCOME ROBERT J. RAY

ROBERT J. RAY

Robert J. Ray is a writer/ teacher with six Matt Murdock Mysteries, three volumes of The Weekend Novelist writing series, a tennis story, a thriller about diamonds, a small business textbook that has gone through five editions, and short pieces for magazines. He spent a dozen years teaching college students how to write better. He spent five years teaching tennis, using techniques like Inner Game.
Connect with Mr. Ray at these sites:

http://murdock.camelpress.com/      https://www.facebook.com/pages/Murdock-PI/430388000382545?ref=ts&fref=ts      https://twitter.com/JRray77

ABOUT THE BOOK

A dead girl with an arrow sticking out of her back sends Matt Murdock and Helene Steinbeck on a killer-hunt that takes them to Angel Mountain where a cold-blooded steely-eyed killer has hypnotized some rich people into funding a naughty habit involving pretty girls, young women in great shape from the worlds of Art and Professional Sport. The odds are fifty to one that they won’t get out of this mess alive.

READ AN EXCERPT

She had the day off and she was lonely in Taos so she took her laptop and her sketchpad and sat in the shade at the Hard Wire Café. She was sketching a guy for money because she was broke.

He was handsome, with a great tan and a gorgeous smile. When he left her with a twenty she felt even lonelier. She bought a coffee, sweet iced latte, and hung out—was he gone forever or what?

An hour passed, then two. She did another sketch—ten bucks, thank you—and then the handsome guy was back.

“Come to a party,” he said. “Artists and writers, Colony People. Our kind, okay?”

The guy drove a silver Humvee.

She kicked off her sandals and settled into the comfy seat smiling. The guy had this really great profile.The Humvee climbed up, past the Pueblo, and crossed through a gate into Never-Never Land. Roofs, aspen trees turning, a lawn so green it came from England.

The first person she met gave her a drag. The smoke invaded her brain, curled like a cat. The people were beautiful, some her age, some younger. The food was out of this world.

Smoked meat, soft and succulent. “Have another bite, hon?” What is this meat, anyway?

There was wine, beer, tequila shooters, Scotch whiskey so smooth it raised your hopes for a better world. A world for starving artists like herself.

She danced around the campfire, barefoot. Her feet were tough from pounding New York streets.

A pretty girl, Tammy with a Texas accent and a bouncy blonde ponytail, whipped off her blouse and kept dancing— torchlight on bare tits, sell that sketch, make a killing.

Another girl, another blouse, and another. Blouses tossed like leaves in the wind, until she was the only one left, the only girl not on display. So she said, “What the hell?” and they clapped their hands, chanting, as she flung her blouse away and then….

BOOK DETAILS:

Genre: Mystery
Published by: Camel Press
Publication Date: June 15, 2013
Number of Pages: 331
ISBN: 978-1-60381-925-1 // 978-1-60381-926-8

PURCHASE LINKS:

               

PICT_badge

If you’d like to join in on an upcoming tour just stop by our sites and sign up today!

Follow the Tour:



DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.