Witness Impulse Presents: CONFESSION

Confession

by Carey Baldwin

BOOK BLAST on March 11th

on Tour April 2014

 

CAREY BALDWIN

Carey Baldwin is a mild-mannered doctor by day and an award-winning author of edgy suspense by night. She holds two doctoral degrees, one in medicine and one in psychology. She loves reading and writing stories that keep you off balance and on the edge of your seat. Carey lives in the southwestern United States with her amazing family. In her spare time she enjoys hiking and chasing wildflowers.
Connect with Carey at these sites:

WEBSITE        TWITTER   

ABOUT THE BOOK

For fans of Allison Brennan and Karen Rose comes Carey Baldwin, a daring new name in suspense, with the story of a serial killer out for blood—and the only woman who can stop his reign of terror.
They say the Santa Fe Saint comes to save your soul—by taking your life.
Newly minted psychiatrist Faith Clancy gets the shock of her life when her first patient confesses to the grisly Saint murders. By law she’s compelled to notify the authorities, but is her patient really The Saint? Or will she contribute to more death by turning the wrong man over to the police? Faith is going to need all her wits and the help of a powerful adversary, Luke Jericho, if she’s to unravel the truth. But she doesn’t realize she’s about to become an unwitting pawn in a serial killer’s diabolical game: For once he’s finished with Faith, she’ll become his next victim.

READ AN EXCERPT

Prologue

Saint Catherine’s School for Boys
Near Santa Fe, New Mexico
Ten years ago—Friday, August 15, 11:00 P.M.
I’M NOT afraid of going to hell. Not one damn bit.

We’re deep in the woods, miles from the boys’ dormitory, and my thighs are burning because I walked all this way with Sister Bernadette on my back. Now I’ve got her laid out on the soggy ground underneath a hulking ponderosa pine. A bright rim of moonlight encircles her face. Black robes flow around her, engulfing her small body and blending with the night. Her face, floating on top of all that darkness, reminds me of a ghost-head in a haunted house—but she’s not dead.

Not yet.

My cheek stings where Sister scratched me. I wipe the spot with my sleeve and sniff the air soaked with rotting moss, sickly-sweet pine sap and fresh piss. I pissed myself when I clubbed her on the head with that croquet mallet. Ironic, since my pissing problem is why I picked Sister Bernadette in the first place. She ought to have left that alone.

I hear a gurgling noise.

Good.

Sister Bernadette is starting to come around.

This is what I’ve been waiting for.

With her rosary wound tightly around my forearm, the grooves of the carved sandalwood beads cutting deep into the flesh of my wrist, I squat down on rubber legs, shove my hands under her armpits and drag her into a sitting position against the fat tree trunk. Her head slumps forward, but I yank her by the hair until her face tilts up, and her cloudy eyes open to meet mine. Her lips are moving. Syllables form within the bubbles coming out of her mouth. I press my stinging cheek against her cold, sticky one.

Like a lover, she whispers in my ear, “God is merciful.”

The nuns have got one fucked-up idea of mercy.

“Repent.” She’s gasping. “Heaven…”

“I’m too far gone for heaven.”

The God I know is just and fierce and is never going to let a creep like me through the pearly gates because I say a few Hail Marys. “God metes out justice, and that’s how I know I will not be going to heaven.”

To prove my point, I draw back, pull out my pocketknife, and press the silver blade against her throat. Tonight, I am more than a shadow. A shadow can’t feel the weight of the knife in his palm. A shadow can’t shiver in anticipation. A shadow is not to be feared, but I am not a shadow. Not in this moment.

She moves her lips some more, but this time, no sound comes out. I can see in her eyes what she wants to say to me. Don’t do it. You’ll go to hell.

I twist the knife so that the tip bites into the sweet hollow of her throat. “I’m not afraid of going to hell.”

It’s the idea of purgatory that makes my teeth hurt and my stomach cramp and my shit go to water. I mean what if my heart isn’t black enough to guarantee me a passage straight to hell? What if God slams down his gavel and says, Son, you’re a sinner, but I have to take your family situation into account. That’s a mitigating circumstance.

A single drop of blood drips off my blade like a tear.

“What if God sends me to purgatory?” My words taste like puke on my tongue. “I’d rather dangle over a fiery pit for eternity than spend a single day of the afterlife in a place like this one.”

I watch a spider crawl across her face.

My thoughts crawl around my brain like that spider.

You could make a pretty good case, I think, that St. Catherine’s School for Boys is earth’s version of purgatory. I mean, it’s a place where you don’t exist. A place where no one curses you, but no one loves you either. Sure, back home, your father hits you and calls you a bastard, but you are a bastard, so its okay he calls you one. Behind me, I hear the sound of rustling leaves and cast a glance over my shoulder.

Do it! You want to get into hell, don’t you?

I turn back to sister and flick the spider off her cheek.

The spider disappears, but I’m still here.

At St. Catherine’s no one notices you enough to knock you around. Every day is the same as the one that came before it, and the one that’s coming after. At St. Catherine’s you wait and wait for your turn to leave, only guess what, you dumb-ass bastard, your turn is never going to come, because you, my friend, are in purgatory, and you can’t get out until you repent.

Sister Bernadette lets out another gurgle.

I spit right in her face.

I won’t repent, and I can’t bear to spend eternity in purgatory, which is I why I came up with a plan. A plan that’ll rocket me straight past purgatory, directly to hell.

Sister Bernadette is the first page of my blueprint. I have the book to guide me the rest of the way. For her sake, not mine, I make the sign of the cross.

She’s not moving, but her eyes are open, and I hear her breathing. I want her to know she is going to die. “You are going to help me get into hell. In return, I will help you get into heaven.”

I shake my arm and loosen the rosary. The strand slithers down my wrist. One bead after another drops into my open palm, electrifying my skin at the point of contact. My blood zings through me, like a high-voltage current. I am not a shadow.

A branch snaps, making my hands shake with the need to hurry.

What are you waiting for my friend?

Is Sister Bernadette afraid?

She has to be. Hungry for her fear, I squeeze my thighs together, and then I push my face close and look deep in her eyes.

“The blood of the lamb will wash away your sins.” She gasps, and her eyes roll back. “Repent.”

My heart slams shut.

I begin the prayers.
Chapter One

Santa Fe, New Mexico

Present Day—Saturday, July 20, 1:00 P.M.

Man, she’s something.

Luke Jericho halted mid-stride, and the sophisticated chatter around him dimmed to an indistinct buzz. Customers jamming the art gallery had turned the air hot, and the aromas of perfume and perspiration clashed. His gaze sketched the cut muscles of the woman’s shoulders before swerving to the tantalizing V of her low-back dress. There, slick fabric met soft skin just in time to hide the thong she must be wearing. His fingers found the cold silk knot of his tie and worked it loose. He let his glance dot down the line of her spine, then swoop over the arc of her ass. It was the shimmer of Mediterranean-blue satin, illuminated beneath art lights, that had first drawn his eye, her seductive shape that had pulled him up short, but it was her stance—her pose—that had his blood expanding like hot mercury under glass.

Head tilted, front foot cocked back on its stiletto, the woman studied one of Luke’s favorite pieces—his brother Dante’s mixed-media. A piece Luke had hand-selected and quietly inserted into this show of local artists in the hopes a positive response might bolster his brother’s beleaguered self-esteem.

The woman couldn’t take her eyes off the piece, and he couldn’t take his eyes off the woman. Her right arm floated, as if she were battling the urge to reach out and touch the multi-textured painting. Though her back was to him, he could picture her face, pensive, enraptured. Her lips would be parted and sensual. He savored the swell of her bottom beneath the blue dress. Given the way the fabric clung to her curves, he’d obviously guessed right about the thong. She smoothed the satin with her hand, and he rubbed the back of his neck with his palm. Ha. Any minute now she’d turn and ruin his fantasy with what was sure to turn out to be the most ordinary mug in the room.

And then she did turn, and damned if her mug wasn’t ordinary at all, but she didn’t appear enraptured. Inquisitive eyes, with a distinct undercurrent of melancholy, searched the room and found him. Then, delicate brows raised high, her mouth firmed into a hard line—even thinned, her blood-red lips were temptation itself—she jerked to a rigid posture and marched, yeah, marched, straight at him.

Hot ass. Great mouth. Damn lot of nerve.

“I could feel your stare,” she said.

“Kind of full of yourself, honey.”

A flush of scarlet flared across her chest, leading his attention to her lovely, natural breasts, mostly, but not entirely, concealed by a classic neckline. With effort, he raised his eyes to meet hers. Green. Skin, porcelain. Hair, fiery—like her cheeks—and flowing. She looked like a mermaid. Not the soft kind, the kind with teeth.

“I don’t like to be ogled.” Apparently she intended to stand her ground.

He decided to stand his as well. That low-back number she had on might be considered relatively tame in a room with more breasts on display than a Picasso exhibit, but there was something about the way she wore it. “Then you shouldn’t have worn that dress, darlin’.”

Her brow arched higher in challenge. “Which is it? Honey or darlin’?”

“Let’s go with honey. You look sweet.” Not at the moment she didn’t, but he’d sure like to try and draw the sugar out of her. This woman was easily as interesting and no less beautiful than his best gallery piece, and she didn’t seem to be reacting to him per the usual script. He noticed his hand floating up, reaching out, just as her hand had reached for the painting. Like his mesmerizing customer, he knew better than to touch the display, but it was hard to resist the urge.

Her body drew back, and her shoulders hunched. “You’re aware there’s a serial killer on the loose?”

Luke, you incredible ass.

No wonder she didn’t appreciate his lingering looks. Every woman he knew was on full alert. The Jericho charm might or might not be able to get him out of this one, but he figured she was worth a shot. “Here, in this gallery? In broad daylight?” He searched the room with his gaze and made his tone light. “Or are you saying you don’t like being sized up for the kill?” He patted his suit pockets, made a big show of it and then stroked his chin thoughtfully. “I seem to have misplaced my rosary somewhere, I don’t suppose you’ve seen it?”

Her shoulders eased back to a natural position.

“Seriously, do I look like someone who’d be called The Saint?”

If the glove doesn’t fit…

Her lips threatened to curve up at the corners. “No. I don’t suppose you do.” Another beat, and then her smile bloomed in earnest. “Looking a little is one thing, maybe it’s even flattering…but you seem to have exceeded your credit line.”

He turned his palms up. “Then I’d like to apply for an increase.”

At that, her pretty head tipped back, and she laughed, a big genuine laugh. It was the kind of laugh that was a touch too hearty for a polished society girl, which perhaps she wasn’t after all. It was also the kind of laugh he’d like to hear again. Of its own accord, his hand found his heart. “Listen, I’m honest-to-God sorry if I spooked you. That wasn’t my intention.”

Her expression was all softness now.

“Do you like the painting?” he asked, realizing that he cared more than he should about the answer.

“It’s quite…dark.” Her bottom lip shivered with the last word, and he could sense she found Dante’s painting disturbing.

Always on the defensive where his brother was concerned, his back stiffened. He tugged at his already loosened tie. “Artists are like that. I don’t judge them.”

“Of course. I-I wasn’t judging the artist. I was merely making an observation about the painting. It’s expressive, beautiful.”

Relaxing his stance, he pushed a hand through his hair.

She pushed a hand through her hair, and then her glance found her fancy-toed shoes. “Maybe I overreacted, maybe you weren’t even staring.”

Giving in to the urge to touch, he reached out and tilted her chin up until their eyes met. “I’m Luke Jericho, and you had it right the first time. I was staring. I was staring at—” He barely had time to register a startled flash of her green eyes before she turned on her heel and disappeared into the throng of gallery patrons.

He shrugged and said to the space where her scent still sweetened the air, “I was staring at your fascination. Your fascination fascinates me.”

Saturday, July 20, 1:30 P.M.

Faith Clancy strode across her nearly naked office and tossed her favorite firelight macaron clutch onto her desk. After rushing out of the gallery, she’d come to her office to regroup, mainly because it was nearby.

She could hear Ma’s voice now, see her wagging finger. “Luke Jericho? Sure’an you’ve gone and put your wee Irish foot in the stewpot now, Faith.”

Well, it was only a tiny misstep—what harm could possibly come of it? She braced her palms against the windowsill. Teeth clenched, she heaved with all her might until wood screeched against wood and the window lurched open.

A full inch.

Swell.

Summers in Santa Fe were supposed to be temperate, and she hadn’t invested in an air conditioner for her new office. She sucked in a deep breath, but the currentless summer air brought little relief from the heat. Lifting her hair off the back of her damp neck with one hand, she reached over and dialed on the big standing fan next to the desk with the other. The dinosaur whirred to life without a hiccup.

That made one thing gone right today.

The relaxing Saturday afternoon she’d been looking forward to all week had been derailed, thanks to Luke Jericho. Okay, that wasn’t even half fair. In reality, the wheels of her day had never touched down on the track to begin with. She’d awakened this morning with a knot in her stomach and an ache in her heart—missing Danny and Katie.

Walk it off, she’d thought. Dress up. Take in the sights. Act like you’re part of the Santa Fe scene and soon enough you will be. Determined to forget the homesick rumbling in her chest, Faith had plucked a confidence boosting little number from her closet, slipped on a pair of heels and headed out to mingle with polite society. Even if she didn’t feel like she fit in, at least she would look the part. But the first gallery she’d entered, she’d dunked her foot in the stewpot—crossing swords with, and then, even worse, flirting with the brother of a patient.

Rather bad luck considering she had just one patient.

Her toe started to tap.

Her gaze swept the office and landed on the only adornment of the freshly-painted walls—her diplomas and certificates, arranged in an impressive display with her psychiatric board certification center stage. A Yale-educated doctor. Ma and Da would’ve been proud, even if they might’ve clucked their tongues at the psychiatrist part. She blinked until her vision cleared. It wasn’t only Danny and Katie she was missing today.

She kicked off her blasted shoes and shook off her homesick blues…only to find her mind returning to the gallery and her encounter with a man who was strictly off limits.

There was no point chastising herself for walking into the art gallery in the first place, or for refusing to pretend she didn’t notice the man who was eyeing her like she was high tea in a whorehouse, and he a starving sailor.

Care for a macaron, sir?

Had she realized her admirer was Luke Jericho, she would’ve walked away without confronting him, but how was she to know him by sight? It wasn’t as if she spent her spare time flipping through photos of town royalty in the society pages.

She’d recognized his name instantly, however, and not only because she was treating his half-brother, Dante. The Jericho family had a sprawling ranch outside town and an interest in a number of local businesses. But most of their wealth, she’d heard, came from oil. The Jerichos, at least the legitimate ones, had money. Barrels and barrels of it.

Luke’s name was on the lips of every unattached female in town—from the clerk at the local Shop and Save to the debutant docent at the Georgia O’Keeffe museum:

Single.

Handsome.

Criminally rich.

Luke Jericho, they whispered.

When she’d turned to find him watching her, his heated gaze had caused her very bones to sizzle. Luke had stood formidably tall, dressed in an Armani suit that couldn’t hide his rancher’s physique. The gallery lights seemed to spin his straw-colored hair into gold and ignite blue fire in his eyes. She could still feel his gaze raking over her in that casual way, as if he didn’t wish to conceal his appetites. It was easy to see how some women might become undone in his presence. She eased closer to the fan.

“Dr. Clancy.”

That low male voice gave her a fizzy, sick feeling in the pit of her stomach, like she’d just downed an Alka-Seltzer on top of the flu. When you’re all alone in a room, and someone else speaks, it’s just plain creepy.

It only took a millisecond to recognize the voice, but at a time when someone dubbed The Santa Fe Saint was on a killing spree, that was one millisecond too long. Icy tendrils of fear wrapped themselves around her chest, squeezing until it hurt her heart to go on beating. The cold certainty that things were not as they should be made the backs of her knees quiver. Then recognition kicked in, and her breath released in a whoosh.

It’s only Dante.

She pasted on a neutral expression and turned to face him. How’d he gotten in? The entrance was locked; she was certain of it.

“Did I frighten you?”

She inclined her head toward the front door to her office, which was indeed locked, and said, “Next time, Dante, I’d prefer you use the main entrance…and knock.”

“I came in the back.”

That much was obvious now that she’d regained her wits. “That’s my private entrance. It’s not intended for use by patients.” Stupid of her to leave it unlocked, but it was midday and she hadn’t expected an ambush.

To buy another moment to compose herself, she went to her bookcase and inspected its contents. Toward the middle, Freud’s “Introductory Lectures on Psychoanalysis” leaned haphazardly in the direction of its opponent, Skinner’s “Behavior Therapy”. A paperback version of “A Systems Approach to Family Therapy” had fallen flat, not quite bridging the gap between the warring classics.

Dante crossed the distance between them, finishing directly in front of her, invading her personal space. “Quite right. I didn’t mean to startle you.”

She caught a blast of breath, pungent and wrong—a Listerine candle floating in a jar of whiskey. In self-defense, she took a step back before looking up at her patient’s face. Dante possessed his brother’s intimidating height, but unlike Luke, his hair was jet black, and his coal-colored eyes were so dark it was hard to distinguish the pupil from the iris. Despite Dante’s dark complexion and the roughness of his features—he had a previously broken nose and a shiny pink scar that gashed across his cheekbone into his upper lip—there was a distinct family resemblance between the Jericho brothers. Luke was the fair-haired son to Dante’s black sheep, and even their respective phenotypes fit the cliche.

Dante took a step forward.

She took another deep step back, bumping her rear-end against wood. With one hand she reached behind her and felt for the smooth rim of her desktop. With the other hand, she put up a stop sign. “Stay right where you are.”

He halted, and she edged her way behind her desk, using it as a barrier between herself and Dante. Maybe she should advise him to enroll in a social skills class since he didn’t seem to realize how uncomfortable he was making her. Though she knew full well Dante wasn’t on her schedule today—no one was on her schedule today—she powered on her computer. “Hang on a second while I check my calendar.”

“All right.” At least he had the courtesy to play along.

When he rested his hand on her desk, she noticed he was carrying a folded newspaper. She’d already seen today’s headline, and it had given her the shivers. “Any minute now.” She signaled to Dante with an upheld index finger.

He nodded, and, in what seemed an eternity of time, her computer finished booting. She navigated from the welcome screen to her schedule, and then in a firm, matter-of-fact voice, she told him, “I’m afraid you’ve made a mistake. Your appointment isn’t until Monday at four pm.”

As he took another step closer, a muscle twitched in his jaw. He didn’t seem to care when his appointment was. Gesturing toward the leather armchair on the patient side of her desk, she fended him off. “Have a seat right there.” If she could get him to sit down, maybe she could gain control of the situation; she really ought to hear him out long enough to make sure this wasn’t some sort of emergency.

Dante didn’t sit. Instead, from across the desk, his body inclined forward. Her throat went dry, and her speeding pulse signaled a warning. If this were an emergency, he most likely would have tried to contact her through her answering service, besides which, he’d had plenty of time already to mention anything urgent. He must’ve known he didn’t have an appointment today, so what the hell was he doing here on a Saturday?

Dante had no reason at all to expect her to be here. In fact, the more she thought about it, the less sense his presence made. Pulling her shoulders back, she said, “I am sorry, but you need to leave. You’ll have to come back on Monday at four.”

The scar tissue above his mouth tugged his features into a menacing snarl. “I saw you talking to my brother.”

He’d followed her from the art gallery.

Even though Dante’s primary diagnosis was schizotypal personality disorder, there was a paranoid component present, exacerbated by a sense of guilt and a need to compensate for feelings of inferiority. His slip and slide grip on reality occasionally propelled him into a near delusional state. She could see him careening into a dark well of anxiety now, and she realized she needed to reassure him she wasn’t colluding with his half-brother against him. “I wasn’t talking to your brother about you. In fact, I didn’t have any idea I had wandered into your brother’s art gallery until he…introduced himself.”

“I don’t believe you.”

As fast as her heart was galloping, she managed a controlled reply. “That hardly bodes well for our relationship as doctor and patient, does it? But the truth is, we were discussing a painting.”

“Discussing my painting, discussing me, same difference.”

His painting?

That bit of information did nothing to diminish her growing sense of apprehension. That painting had had a darkness in it like nothing she’d ever seen before. A darkness that had captivated her attention, daring her to unravel its mysterious secrets.

Then Dante dropped into the kind of predatory crouch that would’ve made a kitten roll over and play dead.

But she wasn’t a kitten.

Defiantly, she exhaled slow and easy. If she didn’t know better, she’d think Dante was intentionally trying to frighten her. “I’m happy to see you during your regular hour, and we can schedule more frequent sessions if need be, but for now, I’m afraid it’s time for you to go.”

He returned to a stand. “You’re here all alone today.”

A shudder swept across her shoulders. He was right. No one else was in the building. She shared a secretary with an aesthetician down the hall, and today Stacy hadn’t been at her post. The aesthetician usually worked Saturday mornings, but she must’ve finished for the day and gone home. Home was where Faith wanted to go right now. She wished she’d kept her clutch in hand. Her phone was in that clutch. “We’ll work on that trust issue on Monday.”

With Dante’s gaze tracking hers, her eyes fell on her lovely macaron bag, lying on the desktop near his fingertips. He lifted the clutch as if to offer it to her, but then drew his hand back and stroked the satin shell against his face.

The room suddenly seemed too small. “I don’t mean to be unkind. We’ve been working hard these past few weeks and making good progress up to this point, and I’d hate to have to refer you to another psychiatrist, but I will if I have to.” She paused for breath.

“You’re barefoot.” Slowly, he licked his lower lip.

Feeling as vulnerable as if she were standing before him bare-naked instead of bare-footed, she slipped back into her shoes. Jerking a glance around the room, she cursed herself for furnishing the place so sparsely, as if she didn’t plan on staying in Santa Fe long. It wasn’t like she had anywhere else to call home anymore, and now here she stood without so much as a paperweight to conk someone on the head with if…The window was open, at least she could scream for help if necessary. “We’re done here.”

“I’m not leaving, Dr. Clancy.” He opened her purse, removed her cell and slid it into his pants pocket, then dropped her purse on the floor.

Her stomach got fizzy again, and she gripped the edge of her desk. Screaming didn’t seem like the most effective plan. It might destabilize him and cause him to do something they’d both regret. For now at least, a better plan was to stay calm and listen. If she could figure out what was going on inside his head, maybe she could stay a step ahead of him and diffuse the situation before it erupted into a full-scale nightmare. “Give me back my phone, and then we can talk.”

Here came that involuntary snarl of his. “No phone. And I’m not leaving until I’ve done what I came here to do.” Carefully unfolding the newspaper he’d brought with him, he showed her the headline:
Santa Fe Saint Claims Fourth Victim.

BOOK DETAILS:

Genre: Psychological Thrillers, Suspense
Published by: Witness Impulse
Publication Date: March 11, 2014
Number of Pages: 384
ISBN: 9780062314109 / 0062314106

PURCHASE LINKS:

       

PICT_badge

If you’d like to join in on an upcoming tour just stop by our sites and sign up today!

Follow the Tour:



DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

And the winner is……

…….of Red Devil 4 by Eric C. Leuthardt

CONGRATULATIONS!!


23 Katherine Ivan Tweet about the Giveawayk

An email has been sent and the winner has 48 hours to respond or another winner will be chosen. Thank you to all that entered.

And the winner is…….

…….of Atonement by B.J. Daniels

CONGRATULATIONS!!


11 Maureen Carol Follow @CherylMash on Twitter

An email has been sent and the winner has 48 hours to respond or another winner will be chosen. Thank you to all that entered.

Guest Author J. CAFESIN

WELCOME J. CAFESIN


 

J. CAFESIN

J. Cafesin is a novelist of taut, edgy, modern fiction filled with complex, compelling characters that bring story live, and linger long after the reads. Her debut novel, Reverb, has been called “riveting,” “deep,” “an original and unique read,” by recent Amazon reviewers. Other works include her fantasy short story series, Fractured Fairytales of the Twilight Zone. Her second novel, Disconnected, is due out in spring, 2014.

Her essays and articles are featured regularly in local and national print and e-publications. Many of the essays from her ongoing blog have been translated into multiple languages and distributed globally.

J. Cafesin lives on the eastern slope of the redwood laden Oakland Hills with her husband/best friend, two gorgeous, talented, spectacular kids, and a bratty, but cute Shepherd pound hound.
Connect with J. Cafesin at these sites:

WEBSITE       

Q&A with J. Cafesin

Do you draw from personal experiences and/or current events?
Both. I’m personally experiencing current events ; )! I’m the person in the back of the coffee house watching everyone interact. Sometimes I write down dialog, sometimes I just listen, try and pick up on what is not said but clearly felt through body language. A flick of the hair, a coy smile, a grimace or narrowing of the brows tells a LOT about what someone is feeling. Everything I write is character-driven, even my fantasy stuff. Rod Serling had it right—the magic is a prop, nothing more, to explore the nature of people.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
I generally start from the beginning. With novels I let the characters take over and tell the story, let it unfold through them. Given the same situation my husband and I may have a completely different response, as he’s a math head, and I’m, well, not. Sometimes with short stories I have a vague idea of where I want to take the tale, but again, and often, the characters don’t want to go where I want, so I have to listen to who they are. I realize it sounds inane, as I’m creating the characters, but once I envision a type of person, they dictate how the story plays out. Can you imagine, say, the Dalai Lama becoming a Tea-Party Republican. Not likely. See what I mean?

Your routine when writing?  Any idiosyncrasies?
I drink 10-15 cups of black tea a day, between 8:00a.m. and 2:30p.m. while fine (fiction) writing, then switch to Diet Coke when I get the kids, until 5:00 when I go running. I live on caffeine.

Is writing your full time job?  If not, may I ask what you do by day?
Writing is my full time job. Marketing my writing is also my full time job.

Who are some of your favorite authors?
Rod Serling, John Fowles, Ursula LeGuin, Ray Bradbury, Fyodor Dostoyevsky (No shit. Read Crime and Punishment, simply one of the best modern novels ever written!), and I could go on forever here, but…I won’t.

What are you reading now?
The Best Exotic Marigold Hotel (MUCH better than the film!); Catching Fire (to see her structure, not so much the story since I felt like she didn’t put actual characters on the page in The Hunger Games [I mean why is Peeta in love with Katniss anyway?], and I’m not into tales of kids killing kids).

Are you working on your next novel?  Can you tell us a little about it?
Disconnected comes out this spring, late March. Novel reads like a modern Jane Austen—taut, smart, historical lit chronicling the coming of age for the last of the baby boomers with the displacement of classic gender roles at the end of the 20thcentury. Rachel and Lee’s tumultuous relationship is reflected in the land of perpetual sunshine imploding with rapid growth, racial tension and violence. Disconnected is an L.A. story, an addicting contemporary romance, and like the city itself embodies a very sharp edge.

Fun questions:
Your novel will be a movie.  Who would you cast?
Jeez, never want Reverb to be made into a movie! The point is for the reader to picture James Whren as they imagine a beautiful, brilliant musician to be. Never want to put an image in the mind of the reader. Imagining is what makes reading so great!

Manuscript/Notes: hand written or keyboard? 
Keyboard (who hand writes anymore?)

Favorite leisure activity/hobby?
Hanging with my DH and kids (and even my bratty, [but cute] dog)!!!

Favorite meal?
Popcorn

 

ABOUT THE BOOK

James Whren is brilliant, beautiful, rich, and taken—with his genius for creating music. Desired by many, he commits to no one but his muse. On the eve of his brother’s funeral his father shatters his life, and James is left abandoned in hell with no one real to save him.

His odyssey to freedom takes him beyond the looking glass, to the reflection of friends and lovers. Humbled and alone, James escapes to the Greek island of Corfu. But instead of finding solace there, loneliness consumes him.

Until Elisabeth, and her son, Cameron…

Reverb isn’t your typical read. Spun from The Magus (John Fowles), also about a man who learns to love someone other than himself, Reverb is told like Crime and Punishment, modern, tight, edgy verging on sharp. It’s like nothing you’ve read, guaranteed.

BOOK DETAILS:

Publisher: Entropy Publications
Pub Date: November 2013
Author’s Name (pen name): J. Cafesin
Genre(s): Romantic Suspense; Literary Fiction
# Pgs: 328
ISBN: 0615756395

PURCHASE LINKS:

       

DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Guest Author DEBRA McKENNA

WELCOME DEBRA McKENNA

DEBRA McKENNA

With a degree in English and graduate work in Creative Writing, Debra McKenna worked as a feature writer and editor for city magazines in Sacramento, Denver, Lake Tahoe, and Las Vegas for over nine years.  Recovering from Life is her first novel.
Connect with Debra at these sites:

WEBSITE       

Guest Post by Debra McKenna

Fiction—what a wild, wild world.  I came to this realm after ten years as a writer and editor for city magazines where I confronted topics as technical as heart surgery and as fluffy as the latest trends in home décor.  Though these topics were diverse, they all had one thing in common: they were based in fact.  So, just imagine how I had to murder that little reporter/editor who was hovering at my back and drooling on my shoulder at every turn.  In fact, I think I’m still trying to squeeze the life out of her.

But, before making this shift from non-fiction to fiction, I had to become inspired.   And that inspiration came after bartending through six years of college as I studied English and Creative Writing.  While working “the planks” at a popular nightspot in a Northern California city, I became an observer of humankind and a student of life.  When those two things didn’t kill me, I started writing.

After I’d created a couple of interesting characters, most likely amalgams of the nut-burgers to whom I’d served drinks, I began to notice our current culture’s penchant for using rehab to deal with various “issues.”  With that realization came another—pretty much everyone one has some peccadillo.  So, when are these issues rehab-worthy and when do they simply define who we are?  In the end, we all have some troubling behaviors, be they eating habits, shopping habits, drinking habits, or romantic habits, habits being the operative word.

Recovering from Life is the story of Stephanie McCarthy and her rollicking road to redemption.  After Steph’s husband disappears, she confronts her own issues while triumphing over hardship, some of which was of her own making.  While her trials and ultimate redemption involve serious issues, they’re seen through a clear lens of humor.  After all, life really is quite funny when it isn’t driving us nuts.  Or, perhaps more accurately, finding it funny is what keeps us from going nuts.  In truth, we live in a crazy world.

The fiction writing process is a unique one.  The writer gets to invent a world and all the people in it—and even decide what comes out of their mouths.  For me, it was essential to have a strong narrative voice, a main character who would grab readers’ hearts and minds but also keep them giggling.  And keep them giggling over topics that aren’t so funny at times.

As such, the rewrite of each chapter, the fine-tuning of each draft of the book, required focusing from a different angle.  First: just the facts, ma’am.  Second: what’s your point, darlin’?  Third: is this road taking us anywhere? And, fourth: could you please make us chuckle some more?  As a fact-finding reporter type, when I began this project I had only a rudimentary idea of what I was jumping into.  I started with a premise and an ending to my story, and then I let my characters take me for a ride.  When one of the characters misbehaved too badly or took me somewhere too odd, he or she got a spanking.

As I start on the sequel to Recovering from Life, vigilantly plotting my story line, I have the feeling the characters are going to take me riding to the edge of reason again while laughing madly the whole time.  Sometimes irony is the best way to get a point across.

ABOUT THE BOOK

A story of humor and hope.

Recovering From Life is the tale of 39-year-old, redheaded spitfire Stephanie McCarthy’s rollicking road to redemption. A gifted freelance writer in Northern California, Steph works days hawking frozen foods while her life limps along. Until her husband, Kenny, disappears into the crack ghetto. His descent into addiction catapults Steph onto a wild ride that feels unendurable—but ultimately leads to her own self-discovery.

Marooned in a state of financial doom, legal tangles, and emotional turmoil, Steph navigates the pitfalls of her new path, which takes her into the realms of drug dealers, high finance—and hot romance. With her wisecracking buddy, Lee, and other surprising allies at her side, Steph begins to rebuild her world as she stumbles into her blind spots and wrestles with her faulty guy-radar.

When Steph at last spies the “Welcome to Reality” sign at the end of the road, she realizes that her job is to heal from a life she never chose—and to recover from the one that she did. But while she rides that roller coaster of recovery, Stephanie has one hell of a good time.

PURCHASE LINKS:

   

TCG 300

DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Guest Author FRANCES FYFIELD

WELCOME BACK FRANCES FYFIELD

Let’s Dance

by Frances Fyfield

on Tour March 3-31, 2013

Book Details:

Genre: Mystery & Thriller
Published by: Witness Impulse
Publication Date: March 4, 2014
Number of Pages: 280
ISBN: 9780062301390

Purchase Links:

Synopsis:

When Isabel Burley returns home to care for her mother who is suffering from Alzheimer’s, she finds a bemused, angry old woman, prey to the threats of failing memory, the inability to run her household – and the local villains who are eyeing her isolated home. But as the villains close in, Isabel finds herself struggling with her own emotions. She thinks she has come home to do some good, but is she really looking for the love she lacked as a child? Alienated by her mother’s growing eccentricity, the two women become locked in a relationship of love, conflict and simmering violence, with roots that go deep into the past.

Read an excerpt:

He had a torch, ever well-equipped, lay on the ground and pulled himself under the car without a word of protest. She could hear his breathing, a grunt that turned to humming as the light played. The humming stilled her conscience that he should be so willing, but she was still pleased when he emerged, stood and dusted himself off. George never seemed to feel the cold and nothing was ever too much trouble.

“Nothing,” he said. She doubted if he knew anything more about cars than she did, but allowed herself to be reassured.

She moved within three feet of him, never going closer. The sky was clear as water, dark while luminous. They pivoted together, noticed of one accord. A flickering light from the house half a mile away, nothing more than an unnatural glow.

“George,” said Janice, querulously, “what’s that?”

“She’s on fire,” George said, almost admiringly. “That silly old love is on fire.”

Author Bio:

“I grew up in rural Derbyshire, but my adult life has been spent mostly in London, with long intervals in Norfolk and Deal, all inspiring places. I was educated mostly in convent schools; then studied English and went on to qualify as a solicitor, working for what is now the Crown Prosecution Service, thus learning a bit about murder at second hand. Years later, writing became the real vocation, although the law and its ramifications still haunt me and inform many of my novels.

I’m a novelist, short story writer for magazines and radio, sometime Radio 4 contributor, (Front Row, Quote Unquote, Night Waves,) and presenter of Tales from the Stave. When I’m not working (which is as often as possible), I can be found in the nearest junk/charity shop or auction, looking for the kind of paintings which enhance my life. Otherwise, with a bit of luck, I’m relaxing by the sea with a bottle of wine and a friend or two.”-Frances Fyfield

Catch Up With the Author:

Tour Participants:



And the winners are….

…….of The Curious History of Joshua Ramdinkka by Jack Ginesi

CONGRATULATIONS!!


6 James Coyne Tweet about the Giveaway

12 Avalon Whitefeather Tweet about the Giveaway

1 Linda Kish Like Partners In Crime Tours on Facebook

An email has been sent and the winner has 48 hours to respond or another winner will be chosen. Thank you to all that entered.

Guest Author PETER LEONARD showcase & giveaway ENDED

WELCOME BACK PETER LEONARD


PETER LEONARD

Peter Leonard lives in Birmingham, Michigan with his wife and four children.

Peter Leonard’s debut novel, QUIVER, was published to inter- national acclaim in 2008, and was followed by TRUST ME in 2009, and VOICES OF THE DEAD and ALL HE SAW WAS THE GIRL in 2012. BACK FROM THE DEAD is his fifth novel. (click titles above for my reviews)
Connect with Peter at these sites:

WEBSITE       

Q&A with Peter Leonard

In preparation for writing EYES CLOSED TIGHT, you spent a month with Detroit police detectives investigating murders. How did the experiences help you prepare and develop your characters?
I spent a lot of time taking to detectives, listening to their stories and the rhythms of their speech. I watched them in action at crime scenes. All of these experiences helped me develop characters who sound real.
 
How did your experiences with the Detroit detectives compare to your expectations before the research?
I thought it would be interesting. I had no idea how interesting.

Was there a particular case that you shadowed that inspired you for the book?
There wasn’t a particular case. It was the complete experience that helped with the background of my story, the procedural aspects of investigating a homicide, watching the Detroit detectives in action.

When you were growing up, how did watching your father Elmore Leonard inspire you to be a writer?
If I ever aspired to be a novelist, I gave up the notion when my father appeared on the cover of Newsweek magazine and became famous.

You spent much of your career in the advertising industry. What made you decide to become a full-time novelist a few years ago?
I was bored out of my mind. At age fifty-two I thought, if I’m ever going to do it I better get going. One evening on my way home from a client meeting at Volkswagen, I stopped at my father’s house. Elmore was writing The Hot Kid. He picked up a piece of paper and read a scene he had written that day. He was excited, enthusiastic about what he was doing and I wasn’t. That might have been my epiphany. A couple months later I started writing my first novel.

At the start of your writing career, you dabbled in scriptwriting. What made you decide to move to novels?
My father said, “If you want to write, write a novel. Writing scripts is like wanting to be a co-pilot.

Of all the characters you’ve created, which is your favorite?
I don’t have a favorite. I like O’Clair from Eyes Closed Tight, Harry Levin from Voices of the Dead, and McCabe from All He Saw was the Girl.

How has living most of your life in Detroit shaped your writing?
If you write crime fiction you couldn’t find a better city than Detroit.

ABOUT THE BOOK

All O’Clair wanted was a quiet life far from the frozen streets of Detroit. A former homicide investigator, he was spending his retirement as a motel owner in sunny Pompano Beach, Florida. He had it all, including his knockout girlfriend, Virginia, who can fix anything.

One morning, while he’s cleaning up after the previous night’s partiers, he sees a lovely young woman who appears to be stretched out asleep on a lounge chair. When he goes to awaken her he realizes she’s taken her last nap. The discovery triggers a rollercoaster chain of events that launches EYES CLOSED TIGHT.

When a second girl is murdered, O’Clair realizes someone is sending him a message. The murder pattern is eerily reminiscent of a case he investigated years earlier. Convinced the murders are related, O’Clair returns to his former stomping grounds at Detroit Police Homicide to review the murder file and try to figure out what he might have missed.

Then Virginia is kidnapped and the case becomes personal. Highly personal.

Read an excerpt

O’Clair got up, put on a pair of shorts and a T-shirt, glanced at Virginia’s cute face and naked shoulder sticking out from under the cover, and went outside. It was seven twenty-five, big orange sun coming up over the ocean, clear sky; looked like another perfect day. O’Clair had moved to Florida from Detroit three months earlier, bought an eighteen-unit motel on the beach called Pirate’s Cove; it had a friendly pirate on the sign surrounded by neon lights.

The Motel was at the corner of Briny Avenue and SE Fifth Street in Pompano Beach. Four-story condo to the north and public beach access immediately south, and next to that, a massive empty lot that a developer was going to build a twenty-five-story apartment building on.

The idea of living through two years of heavy construction had O’Clair concerned, but what could he do about it?

He’d brought a paper grocery bag with ihm and walked around the pool, picking up empties, a dozen or so lite beer cans left by a group of kids from Boston University who’d been staying at the motel the past three days. There were nine of them, three girls and six guys. They’d caravanned down from snowy Massachusetts a week after Christmas.

He fished a few more beer cans out of the pool with the skimmer, picked up cigarette butts that had been stamped out on the concrete patio and threw them in the bag with the empties. O’Clair straightened the lounge chairs in even rows, adjusted the back rests so they were all at the same angle, and noticed one of the chairs was missing. He scanned the pool area, didn’t see it, glanced over the short brick wall that separated the motel from the beach and there it was, twenty yards from where he was standing.

O’Clair kicked off his sandals, opened the gate and walked down three steps to the beach. As he got closer, he could see a girl asleep, stretched out on the lounge chair, one leg straight, the other slightly bent at the knee, arms at her sides. She was a knockout, long blonde hair, thin and stacked, wearing a white T-shirt and denim capris, early twenties. He didn’t recognize her, but figure she was with the group from Boston. She looked so peaceful he didn’t want to wake her. “You should go to your room,” O’Clair said, looking down at her.

The girl didn’t respond. He touched her shoulder, shook her gently. Either she was a heavy sleeper or something was wrong. He touched her neck, felt for a pulse, there wasn’t one. Her skin was cold, body starting to stiffen, definitely in the early stages of rigor. He looked at the sand around the lounge chair, surprised it was smooth, no footprints. Glanced toward the water at the joggers and walkers moving by. O’Clair went back up to the patio, wiped the sand off his feet, and slipped his sandals on.

Virginia was standing behind the registration counter, yawning, eyes not quite open all the way, holding a mug of coffee.

“What do you want for breakfast?”

“There’s a dead girl on the beach.” O’Clair said, picking up the phone and dialing 911.

Virginia’s face went from a half smile, thinking he was kidding, to deadpan, seeing he wasn’t. “What happened?”

The cruiser was white with gold and green stripes that ran along the side, light bar flashing. O’Clair watched it pull up in front, taking up three parking spaces. Two young-looking cops in tan uniforms got out and squared the caps on their heads. O’Clair went outside, met them and introduced himself.

“You the one found the body?” Officer Diaz, the dark-skinned cop said.

O’Clair nodded.

“You know her?” Diaz pulled the brim lower over his eyes to block the morning sun, the top of a crisp white T-shirt visible under the uniform.

“At first I thought she was with the group from BU. Now I don’t think so.”

“What’s BU?” the big, pale one, Officer Bush said, showing his weightlifter’s arms, uniform shirt bulging over his gut.

“Boston University. Nine kids staying with us, units seventeen and eighteen.” O’Clair didn’t know the sleeping arrangements and didn’t care. They were paying $720 a night for two rooms, staying for five days.

An EMS van pulled up and parked facing the police cruiser. Two paramedics got out, opened the rear door, slid the gurney out, and O’Clair led them through the breezeway, past the pool, to the beach. The paramedics set the gurney next to the lounge chair, examined the girl and pronounced her dead.

Officer Bush said, “What time did you find her?”

“Around twenty to eight.”

“How can you be sure?”

“I looked at my watch,” O’Clair said, like it was a big mystery.

Diaz grinned, showing straight white teeth, reminding O’Clair of Erik Estrada, his tan polyester uniform glinting in the morning sun. “Did you touch the body?”

“Her neck, felt for a pulse.” O’Clair saw Virginia wander down, standing at the seawall with her cup of coffee, watching them. Officer Bush went back to the cruiser and got stakes and tape, then set up a perimeter around the dead girl, protecting the crime scene. The paramedics picked up the gurney and left, leaving the body for the evidence tech.

Diaz took a spiral-bound notebook out of his shirt pocket, wrote something and looked up at O’Clair. “Ever see her before? Maybe lying in the sun, walking the beach?”

“I don’t think so,” O’Clair said. “Someone like that I would remember.”

Diaz said, “You see anyone else?”

“College kids out by the pool.” He almost said drinking beer, but caught himself, he doubted they were twenty-one and didn’t want to get them in trouble.

“What time was that?”

“Around eleven o’clock.”

“Then what happened?

“I went to bed.”

Diaz said, “Anything else you remember? Any noises?”

“No.”

The evidence tech arrived carrying a tool box, set it on the sand a few feet from the lounge chair, opened it, took out a camera, and shot the crime scene from various angles. Diaz searched the surrounding area for evidence and Bush questioned the morning joggers and walkers wandering up toward the scene. O’Clair watched from the patio, learning against the seawall. Virginia had gone back to the office.

A guy in a tan, lightweight suit walked by O’Clair and went down the steps to the beach. He had to be with homicide. The evidence tech, wearing white rubber gloves, was swabbing the dead girl’s fingernails. He glanced at the guy in the suit.

“What do you got?”

“Fatal.”

“I figured that unless you were doing her nails.”

“Not much here,” the evidence tech said, “couple hairs, maybe a latent, and something you’re not going to believe.” He whispered something to the suit that O’Clair couldn’t hear.

“Jesus, I’ve seen a lot, but I haven’t seen that.” The homicide investigator shook his head. “Where’s the blood?”

“That’s what I want to know.”

“How’d she die?”

“You want a guess? That’s about all I can give you right now. She was asphyxiated, been gone about four hours.”

“Who found her?”

The evidence tech turned and pointed at O’Clair above them on the patio. The detective came up the steps and stood facing him.

“I’m Holland, Pompano Beach Homicide.” He has a goatee and a crooked nose, early thirties. “What’s your name, sir?”

“O’Clair.”

“I understand you found her.”

“That’s right.”

“You down here for a vacation, or what?”

“I own the place, bought it three months ago.”

“Where you from, Cleveland, Buffalo, someplace like that?”

“Detroit,” O’Clair said.

“Even worse,” Holland said, breaking into a grin. Just kidding. I got nothing against the Motor City.”

“Well that’s a relief,” O’Clair said.

Holland wore his shield on his belt and a holstered Glock on his right hip.

“You married?”

“Living with a girl named Virgnia, helps me run the place.”

“The hot number in the office?”

O’Clair fixed a hard stare on him.

“How’d you arrange that?”

“I must have some hidden talents.”

“You must,” Holland said. “Tell me what you saw this morning.”

“Same thing you did—dead girl on a lounge chair,” O’Clair said. “Know who she is?”

“No ID. No idea. Have to check with missing persons. Was the chair left on the beach?”

“It shouldn’t have been. The lounge chairs are supposed to be kept in the pool enclosure. It’s one of our rules here at Pirate’s Cove.”

“Your guests break the rules very often?”

“Oh, you know how it is. Get in the Jacuzzi with a beer, without taking a shower, and you’ve broken two right there.” O’Clair paused, playing it straight. “The rules are from the previous owner, guy named Moran. I keep them posted ‘cause I think they’re funny. Someone sat down and wrote them in all seriousness.”

“What do you think happened? This girl was walking by and got tired, saw your place, went up, got a lounge chair, brought it to the beach, lay down, and died in her sleep?”

“I’d ask the medical examiner.”

The evidence tech was taking off the rubber gloves, closing the top of the tool box.

Holland said, “What else did you see?”

“You’re asking the wrong question,” O’Clair said. “It’s not what I saw, it’s what I didn’t see.”

“Okay. What didn’t you see?”

“There were no footprints in the sand. Like she was beamed there.”

“So the wind erased them,” Holland said.

“You really believe that?”

“It’s the only plausible explanation I can think of.”

“What else didn’t you see?”

“No obvious cause of death. No evidence of a struggle. In fact, no evidence at all.” O’Clair looked at Holland, caught something in his expression.

“You sound like you know the trade,” Holland said.

“What’s you do before you became an innkeeper?”

“Worked in homicide in Detroit.”

Holland grinned. “I had a feeling. Then you must’ve seen her eyes were missing right? Bulbs removed, empty sockets.”

“But no blood,” O’Clair said. “So it was done somewhere else. Find the primary crime scene, you’ll find the evidence.”

“You weren’t going to say anything?”

“It’s not my case,” O’Clair said. “I figured somebody was going to notice sooner or later, it wasn’t you or the evidence tech it would’ve been the ME.”

“Why do you think the girl ended up here?”

“I have no idea. Why don’t you roll her over, maybe you’ll find something.”

Occasionally there was a crucial piece of evidence under the body, a lead. IT could be a round that would be tested for ballistics comparison against other homicides. It could be money or drugs, suggesting a possible motive, or it could be a cell phone that would lead to the possible killer or killers.

But there was nothing under the dead girl. No ID. No cell phone. Her body was bagged and the remains taken to the Broward County Medical Examiner’s Office. They took O’Clair’s lounge chair too.

“It’s evidence,” Holland said. “You’ll get it back eventually.”

O’Clair doubted it. He knew what happened to evidence.

Bush and Diaz went upstairs, woke the BU students and brought them down to the pool, nine kids looking hung over, yawning. Eight twenty in the morning was the middle of the night for them. O’Clair had noticed they usually didn’t get up till after noon. Holland questioned them one by one, showed photos of the dead girl, took statements, and sent them back to their rooms. No one knew or had ever seen the girl before. No one had seen anything suspicious or heard anything during the night.

The MacGuidwins from Mt. Pearl, Newfoundland in unit two, who had complained about the students making too much noise, were questioned next by Holland. O’Clair watched the fair-skinned, red-haired couple shaking their heads.

As it got hotter, Holland commandeered unit seven for his makeshift interrogation room and brought the other renters in two-by-two for questioning. There were the Burnses, Susan and Randy, from Troy, Michigan; the Mitchells, Joe and Jean, from San Antonio, Texas; the Belmonts, John and Shannon, from Chicago, Illinois; and the Mayers, Steve and Julie, from Syracuse, New York. Steve Mayer woke up with four-alarm heartburn at three-thirty a.m., got up, took a Nexium, walked out by the pool and remembered seeing the lounge chair on the beach, but didn’t think anything of it. None of the other renters saw or heard anything.

O’Clair walked Holland out to his car at eleven twenty, glad to finally get rid of him.

“Miss the life?” Holland said.

“Are you kidding?”

“Some things about it I’ll bet.” He handed O’Clair a card. “Call me if you think of something.”

Watch for my review in the near future.

BOOK DETAILS:

Genre: Mystery, Thriller
Number of Pages: 300 pages
Publisher: The Story Plant
Publication Date: March 4, 2014
ISBN-10: 1611881145
ISBN-13: 978-1611881141

PURCHASE LINKS:

           

THANKS TO ALISSA AT MEDIA MUSCLE,
I
HAVE ONE (1) COPY TO GIVE AWAY.
OPEN TO U.S. RESIDENTS
FILL OUT RAFFLECOPTER ENTRY FORM BELOW
GIVEAWAY ENDS MARCH 18th AT 6PM EST

media muscleMLMLOGO         

WINNER WILL BE CHOSEN BY RAFFLECOPTER AND NOTIFIED
VIA EMAIL AND WILL HAVE 48 HOURS TO RESPOND
OR ANOTHER NAME WILL BE CHOSEN

a Rafflecopter giveaway

YOUR JAVA SCRIPT MAY NEED TO BE UPDATED
IF YOU AR EXPERIENCING DIFFICULTY
USING THE RAFFLECOPTER ENTRY FORM

DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.