Guest Authors DR. NICK NICHOLSON and B.A. BLACKWOOD showcase & giveaway ENDED

WELCOME


Dr. Nick Nicholson, a renowned bariatric surgeon, and B. A. Blackwood, an author, retired trial lawyer, and marathon runner, teamed up to write Weight Loss Surgery: The Real Skinny, a guide for people who are considering or have already undergone bariatric surgery. Nicholson was voted one of D Magazine’s top bariatric doctors six years in a row, and Blackwood has completed more than 20 marathons. Together they share a passion for encouraging people to achieve and maintain healthy lifestyles. They know that anyone who chooses to undergo bariatric surgery will experience bumps in the road to maintaining their weight loss. One size does not fit all—everyone’s body is unique and everyone faces a unique set of challenges.
Connect with Dr. Nicholson at these sites:

WEBSITE        TWITTER   

 

B. A. Blackwood is a trial lawyer, a marathon runner, and the author of the young adult fantasy fiction Siren Song trilogy. She splits her time between Dallas, Texas, and Bozeman, Montana, where she lives with her husband and their three pugs, Waldo, Jonesy, and Lottie.
Connect with Ms. Blackwood at these sites:

WEBSITE        TWITTER   

GUEST POST

Five Facts About Bariatric Surgery You Need to Know

By B.A. Blackwood

I’m a trial lawyer turned young adult fantasy fiction writer. When my friend, surgeon Nick Nicholson, approached me about co-authoring a book on the emotional consequences of weight loss surgery, I was intrigued, but skeptical. How could I – someone who’d never had the surgery – write a compelling book about it?

I have some overweight friends, but their weight is a sensitive issue we skirt around. I knew of one person who’d had the surgery twice and still has to buy two airplane seats, but he’s very tight-lipped about the whole experience. I’d never understood the reasons for why the surgery didn’t “cure” him, and, based on little snippets of conversations with his parents, they didn’t either.

In other words, I was pretty ignorant.

But the more Dr. Nick filled me in on all of the issues that can arise after weight loss surgery, the more I wanted to know. So, I agreed, and began interviewing patients.

Boy, did I learn a lot.

First, most bariatric patients are champion dieters, but, with the amount of weight they’re trying to lose, their own physiology makes it virtually impossible to lose enough weight and keep it off permanently. That is why the success rate of diets for morbidly obese people is only two percent.

Yes, you read that right. Two percent.

Second, eating isn’t really the issue. It’s just the coping mechanism of choice. Everyone has a coping mechanism or two, and, if we’re honest, almost everyone uses food to some extent as a coping mechanism. In the case of the morbidly obese person, it’s the primary coping mechanism.

Third, most people don’t get to the point of health-threatening obesity by binging. They did it by eating just 10 to 100 calories a day beyond their daily needs over a period of years.

Fourth, weight loss surgery isn’t a magic cure. It’s a highly effective tool, but it requires every bit as much effort, and maybe more, than a traditional diet. It works because most types of the surgery trick the body’s physiology long enough to lose the necessary weight.

Fifth, whether the surgery is successful depends on how the person deals with the emotional issues surrounding their obesity and the subsequent loss of their excess weight.

That’s where the book comes in. It’s about emotions the weight loss will provoke not only in the patient, but in their family, friends and co-workers.

Good marriages tend to get better; bad marriages tend to get worse. The spouse who’d never had to worry about other men being attracted to his wife may have a hard time handling the attention she now receives. The overweight sister who’d initially been supportive may turn hyper-critical of her now slimmer sibling. The bariatric patient who gets a promotion after losing fifty pounds may feel furious rather than ecstatic.

Preparing for what may happen, understanding the emotions underlying the reactions and facing them, and learning healthier ways to deal with those emotions are critical to maintaining the weight loss.

Even though I didn’t know  much about bariatric surgery when I began writing, it turns out that the surgery is really about striving to get better, dealing with life’s problems head on, and having the will, optimism and strength to craft a better life for yourself  – something all of us can relate to. I finished the book inspired by the stories patients had shared with me and glad I’d taken the plunge with Dr. Nick to co-author the book.

ABOUT THE BOOK

Is it possible to lose weight fast and keep it off long-term? Whether it’s a new diet, an exercise regimen, or surgery, people are always looking for the shortest path to their ideal weight. Bariatric surgery can help you get ahead of your weight issues, but it’s not a one-and-done remedy; it gives you a head start, but lasting weight loss requires maintenance.

Weight Loss Surgery: The Real Skinny tells you the truth. Bariatric surgery can be an excellent way to quickly lose weight, but it’s not a permanent fix. It can change your body, but it doesn’t change your mind or your relationship with food. As Dr. Nick Nicholson and B. A. Blackwood explain, “overeating has little to do with physical need and everything to do with emotional need.” Surgery will get you started, but patients must also be willing to adopt a healthier way of living.

While the authors do describe the benefits of bariatric surgery and discuss how to select your surgeon, much of this book addresses the issues connected to weight management that precede and follow surgery, with chapters that tackle questions like “How Did I End up in this Mess and Why Can’t I Get Out of It?” and “I’m Doing Everything Right, So Why Doesn’t My Weight Show It?”

Other chapters address some of the unexpected consequences of dramatic weight loss. You may have already known that weight gain could adversely affect your relationships…but weight loss? Like any major life change, losing weight can upset the balance in your relationships. Weight Loss Surgery: The Real Skinny honestly acknowledges the effect that bariatric surgery can have on a patient and that patient’s family and friends. The authors offer insight into how to prepare yourself and your loved ones for the shift, highlighting the importance of open communication throughout the process.

BOOK DETAILS:

Paperback: 116 pages
Publisher: Obesity Resources Publishing
Publication Date: November 13, 2013
ISBN-10: 0615887392
ISBN-13: 978-0615887395

PURCHASE LINKS:

THANKS TO REBECCA AT THE CADENCE GROUP,
I
HAVE ONE (1) COPY TO GIVE AWAY.
OPEN TO U.S. RESIDENTS
FILL OUT RAFFLECOPTER ENTRY FORM BELOW
GIVEAWAY ENDS JANUARY 16th AT 6PM EST

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WINNER WILL BE CHOSEN BY RAFFLECOPTER AND NOTIFIED
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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

 

And the winner is…..

…….of Times They Were A-Changing by Linda Joy Myers, Kate Farrell and Amber Lea Starfire

CONGRATULATIONS!!


2 Linda Kish Like Providence Book Promotions on Facebook

An email has been sent and the winner has 48 hours to respond or another winner will be chosen. Thank you to all that entered.

And the winner is………

…..of The Closet by Jac Wright

CONGRATULATIONS!!


17 Charlotte Like Providence Book Promotions on Facebook

An email has been sent and the winner has 48 hours to respond or another winner will be chosen.  Thank you to all that entered.

Happy New Year!!

From our house to you and your’s.  Have a very Healthy and Happy New Year!!

Guest Author JON FOYT showcase & giveaway ENDED

WELCOME JON FOYT


JON FOYT

Striving for new heights on the literary landscape, following careers in radio, commercial banking, and real estate, Jon Foyt began writing novels with his late wife, Lois. He holds a degree in journalism and an MBA from Stanford and a second masters in historic preservation from the University of Georgia. A marathon runner (60 completed) and prostate cancer survivor, Jon, 81, is active in an adult retirement community near San Francisco.
Connect with Mr. Foyt at these sites:

WEBSITE    TWITTER   

 

ABOUT THE BOOK

Marcel Proust in Taos, by Jon Foyt, tells the story of Christopher and Marlene, two recent immigrants to Taos, New Mexico, who fall in love with their adopted city and eventually each other. Christopher, a retired nuclear physicist, works on his first novel, while Marlene, newly arrived from Germany, spends her days painting the landscape and people around her. The two team up to open a microbrewery, and their relationship is tested by the hurdles they deal with along the way: Christopher hits a rough patch in his book, and a powerful enemy of Marlene’s threatens to destroy everything.

Christopher and Marlene find themselves confronting terrorism of a new sort with the matriarch of the Taos community, Agnes Havelock Powers, who strongly opposes having a brewery in town. Agnes is rich, powerful, and influential. She has the city authorities tucked in her purse next to her checkbook. Follow the exciting and charming love story of Marlene and Christopher in historical Taos, as they experience the challenges of confronting abusive power.

Read an excerpt

        While standing in the checkout line at the art supply store, Marlene reproached herself for her curt and inelegant response to Christopher’s invitation. For sure, she felt, he hadn’t been particularly suave in his outreach to her, either. In the two weeks of waiting for his call, she had gone over every nuance of their conversation in the Taos Inn, regretting that she hadn’t teased him into a more serious, or at least a fun relationship. She’d been too focused on her art, and she knew men were attracted to women who flirt, even if the man was married—Christopher wore no ring, but so what did that mean?

That afternoon in the tavern she should have invited him to her studio, changed into alluring attire and produced a romantic air for scintillating conversation by uncorking a bottle of Moselle wine, preparing a tasty tray of vorspeisen, turning on enchanting Bavarian music and lighting her scented candles—all against a backdrop of her prized art. As she paid the cashier, she brought herself back to the moment. Enough of this playful fantasizing! She was nervous about showing her art to this wealthy patron. Christopher would have to wait.

She reminded herself to concentrate on how she would present herself and her art to this woman with the name of “Mrs. Powers.” She vowed she would never abdicate her own ideals to a person who might be a domineering fuhrer in a skirt. Blumy and the other Taos artists had benefited from sponsorship those years ago and still did. Because of the railroad’s beneficence, their Taos School was indelibly imprinted upon the annals of world art, mentioned in every art history book and probably taught in every MFA program. Other individual artists, not so fortunate, had been readily co-opted. Marlene didn’t want such a destructive fate to befall her. She could think for herself, and she vowed to continue to paint, but solely for her own satisfaction.

Hurrying back to her studio, Marlene climbed the stairs only to see a note pinned to her door—Joe’s delinquent rent notice—and she panicked. She needed money and she desperately hoped this prospective patron would be generous, yet allow her to express her talent in the hallowed tradition of the Taos School, where her Blumy and his diverse group had pledged themselves to always remain faithful to their own individual artistic styles.

Marlene remembered that the gallery owner told her that the patron woman was heiress to a molybdenum fortune, and that her philanthropic nature was well known throughout the Southwest. “But, whatever you do, don’t say anything about the mountain top up by Questa that her mining company is scarring in the worst way—she’s very sensitive about the environmental issues about her company having stripped the mountain of its natural beauty.”

Having been both briefed and warned about her potential benefactor, Marlene waited for the knock on her door. Fresh flowers graced her rustic pine table. In her oven baked an apple strudel, its flavors wafting through her studio. Twice she repositioned her canvases, which she had purposely enriched with gilded frames, each time twisting her track lighting to best capture the aura and ambiance of each painting.

“What smells so yummy?” the amply proportioned Mrs. Powers inquired immediately upon entering Marlene’s aromatic stage.

“It’s my mother’s recipe for apple strudel from the old country. You will have a taste in just a minute or two—that is, when it cools.” Marlene rushed on, “There’s no sugar. I use pure honey from a little town outside Nuremberg—my father sends me a jar a month. He says the honey will counteract the pollen from our juniper trees, and I will never have an allergy.

“Oh, please sit down. May I pour you a cup of coffee?” Marlene knew she must put an end to her unrehearsed rapid speech, but she couldn’t stop. “Hasn’t our weather been glorious for this time of year? Makes me want to hike to the top of the unspoiled mountains around here instead of painting them. I’m a very disciplined artist and I know I could complete your assignment quickly and faithfully.”

“Could I have that strudel now?”

“Yes, of course. Do you take cream in your coffee?”

“I prefer tea with two sugars.”

“Would honey do?”

“Oh, forget it, dear. I’m here because Mr. Peters at the gallery recommended your work. My decorator is redoing my living room for this season’s Opera Guild socials. Mr. Peters insisted I select the art because he so values my opinion. Money’s no object, for me color is what’s important.” She looked at the painting on Marlene’s easel. “Not this one, but I do like the shading in that one over there. Don’t you have any landscapes without all these mountains?”

“I can paint a fresh subject for you,” Marlene assured her visitor.
        “Yes, I think we shall have to do that.”

“Do you have a particular setting in mind? Perhaps I could do an interpretive rendering of your house?”

“Maybe—no, I don’t want to appear overly pretentious, you know. Some people react….” Mrs. Powers produced small decorator color swatches. “Here, these will guide you. Your painting must not clash with my new draperies. I plan to give your painting the prominent space above my grand kiva fireplace, so make sure it blends in with everything in the room. Mine is, of course, quite a large room.”

Hesitatingly Marlene showed Ms. Powers another canvas. “This is my current work in progress. I’m painting my impressions of the Tu-o-ta Pueblo.”

Mrs. Powers pointed to the reddish-brown branches of the red willow trees lining the small stream. “Yes, this color here…a teeny bit softer, I should think. Put in a sweet little deer or two—you artists know what to do—but none of those rickety ladders. I want my friends to feel at home…you know, comfortable…so they’ll come back and donate more money to the Guild. That’s why I hold these socials, you know, to raise money for a good cause. One must support the community, as well as art and artists, don’t you think?”

Marlene nodded.

“How much do you require to get started?”

Marlene didn’t know how to respond.

“Five hundred, then, is that all right?” Mrs. Powers asked, then inquired, “How will you sign my painting? Can you make Marlene look a little like Remington? I don’t want you to actually forge his signature, of course, but I want my guests to be impressed—I mean, they all know that name. Now, could I have that strudel now?”

Marlene cut a slice of her pastry, covered it with gobs of whipped cream and deliberately shoved the culinary concoction into the face of Mrs. Powers.

“Ernest Leonard Blumenschein made me do this, and he hopes you get the message.”

BOOK DETAILS:

Paperback: 214 pages
Publisher: CreateSpace Independent Publishing Platform
Publication Date: June 19, 2013
ISBN-10: 1481879162
ISBN-13: 978-1481879163

PURCHASE LINKS:

           

THANKS TO KELSEY AT BOOK PUBLICITY SERVICE,
I
HAVE ONE (1) DIGITAL COPY TO GIVE AWAY.
EBOOK~~OPEN TO ALL 
FILL OUT RAFFLECOPTER ENTRY FORM BELOW
GIVEAWAY ENDS JANUARY 14th AT 6PM EST

WINNER WILL BE CHOSEN BY RAFFLECOPTER AND NOTIFIED
VIA EMAIL AND WILL HAVE 48 HOURS TO RESPOND
OR ANOTHER NAME WILL BE CHOSEN

a Rafflecopter giveaway

YOUR JAVA SCRIPT MAY NEED TO BE UPDATED
IF YOU AR EXPERIENCING DIFFICULTY
USING THE RAFFLECOPTER ENTRY FORM

DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

 

Guest Author SARA J. HENRY showcase & giveaway ENDED

 

WELCOME SARA J. HENRY


 

SARA J. HENRY

SARA J. HENRY’s first novel, Learning to Swim, won the Anthony, Agatha, and Mary Higgins Clark Awards, was a Target Emerging Author pick, and was named one of Best Books of 2011 by the Boston Globe. Her second novel, A Cold and Lonely Place, was a Reader’s Digest Select Books choice and will be out in paperback from Broadway Books in November 2013. She’s written for Prevention, Adirondack Life, Bicycling, Triathlete, and other magazines, was an editor at Rodale Books and Women’s Sports & Fitness magazine, and was a newspaper and magazine editor. A native of Oak Ridge, Tennessee, Sara now lives on a dirt road in southern Vermont with at least one too many dog.
Connect with Sara at these sites:

WEBSITE        TWITTER   

Q&A with Sara J. Henry

Do you draw from personal experiences and/or current events?
Not really either. An opening scene comes to me – which most often happens while I’m in a car on a long drive – and I spin the story out in my head. I can dream up most of a novel on a full-day drive, as long as traffic is light.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
I have the story roughed out in my head before I start writing – and I always know how the book is going to end. In fact, I tend to write the ending scene long before I get to it. Things may change slightly by the time I get there – in A Cold and Lonely Place the back-story and motivations of some of the characters changed as the story progressed, so I did alter the ending a bit. But the essence remained the same.

Which brings me to the next point: I like to let the characters develop and plot line change slightly as I go. A good example is in Cold and Lonely when someone knocks on the door of a cabin in the woods – and the person knocking at the door was not the person I’d planned it to be.

Your routine when writing?  Any idiosyncrasies?
I have no set routine. If I’m writing new material, i.e, not revising or rewriting, I like to write early in the day or late at night, when the minutia of day-to-day life isn’t filling my head. When something’s going well, I don’t stop. If I’m having trouble with a section or passage, I’ll pull it out of the manuscript and put in a separate file to work on. I’ll print it out in a different font or use the Reading Layout view in Word to see the material differently.

Is writing your full-time job?
Like many other authors, I spend what seems like an enormous amount of time working to promote my books! (I particularly love library visits.) But writing, other than an occasional editing job, is my sole source of income.

Who are some of your favorite authors?
Carol O’Connell, Kate Atkinson, Frances Fyfield, Daniel Woodrell, Tana French, A.S. King, Matthew Dicks

What are you reading now?
An enormous number of books for a contest I’m helping judge. The only non-contest book I’ve read recently is Reality Boy by A.S. King.

Are you working on your next novel?  Can you tell us a little about it?
Yes, it’s the third in the series, and many of the familiar characters are back, including Troy’s brother, Simon, and her friend Alyssa from Burlington.

Your novel will be a movie. Who would you cast?
For much the same reason that I don’t give explicit descriptions of most of my characters – I like readers to be able to envision them as they would like – I don’t mentally cast my novels. With that said, when I was struggling with the first novel in this series, Learning to Swim, the character Philippe came alive to me only when I envisioned him as Christian Bale, as the father he played in the 2002 sci-fi movie Equilibrium. Mark Ruffalo (or many other actors) could play Jameson, although it would be lovely to have a Canadian or UK actor. And any versatile actor such as Kristen Stewart or Jennifer Lawrence could portray Troy perfectly.

Manuscript/Notes: hand written or keyboard?
I compose on a computer and do copious revisions by hand, and repeat the process over and over until I’m relatively happy with the manuscript.

Favorite meal?
Anything someone else prepares!

ABOUT THE BOOK

Freelance writer Troy Chance is snapping photos of the Saranac Lake Winter Carnival ice palace when the ice-cutting machine falls silent. Encased in the ice is the shadowy outline of a body–a man she knows.

One of her roommates falls under suspicion, and the media descends. Troy’s assigned to write an in-depth feature on the dead man, who, it turns out, was the privileged son of a wealthy Connecticut family who had been playing at a blue collar life in this Adirondack village. And the deeper Troy digs into his life and mysterious death, the murkier things become. After the victim’s sister comes to town and a string of disturbing incidents unfold, it’s clear someone doesn’t want the investigation to continue, and Troy doesn’t know who to trust.

A Cold and Lonely Place, the sequel to Learning to Swim, follows Troy on a powerful emotional journey as she discovers the damage left by long-hidden secrets and catches a glimpse of what might have been.

BOOK DETAILS:

Paperback: 304 pages
Publisher: Broadway Books
Publication Date: November 5, 2013
ISBN-10: 0307718425
ISBN-13: 978-0307718426

PURCHASE LINKS:

           

THANKS TO JESSICA AT RANDOM HOUSE,
I
HAVE ONE (1) COPY TO GIVE AWAY.
OPEN TO U.S. RESIDENTS
FILL OUT RAFFLECOPTER ENTRY FORM BELOW
GIVEAWAY ENDS JANUARY 13th AT 6PM EST

WINNER WILL BE CHOSEN BY RAFFLECOPTER AND NOTIFIED
VIA EMAIL AND WILL HAVE 48 HOURS TO RESPOND
OR ANOTHER NAME WILL BE CHOSEN

a Rafflecopter giveaway

YOUR JAVA SCRIPT MAY NEED TO BE UPDATED
IF YOU AR EXPERIENCING DIFFICULTY
USING THE RAFFLECOPTER ENTRY FORM

DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

 

2014 A-Z Challenge

WOOHOO!  My buddy Lori is hosting the A-Z challenge again so I had to jump aboard.  Now if only my slump will end in 2014!  Want to join?  Here are the details:

alphabet 2014 500
After some really nice emails and encouragement from all of you
I have decided to host another A-Z Challenge in 2014.
The Alphabet Soup Challenge means that by December 31, 2014
your bowls must be full of one book for each letter of the Alphabet.
Each Letter Counts As 1 Spoonful
spoon
Details
This challenge will run from January 1st, 2014 until December 31st, 2014.
You can join anytime. You do not have to review the book.
You do not need to link up each spoonful.
Make a page or a post or a GoodReads shelf where you will keep track of your spoonfuls. I keep track of mine on my Challenge Page.
After you complete the challenge just come to the 2014 Alphabet Soup Page under the Challenges tab at the top of my blog and leave a comment with your completed list.
Crossovers to other challenges are allowed and encouraged!
It’s an alphabet challenge!!! The challenge is to read one book that has a title starting with every letter of the alphabet.
You can drop the A’s and The’s from the book titles as shown below.
So there are two different ways you can set up your own A-Z Reading Challenge.
A – How I plan to do it: Make a list on your blog from A-Z. Throughout the year, as you go along, add the books you are reading to the list. Towards the end of the year, you can check and see which letters you are missing and find books to fit.
OR
B – Make a list now of 26 books, picking one for each letter of the alphabet. For example: A – Assaulted Pretzel by Laura Bradford B- Buried in a Bog by Sheila ConnollyC – Cat Trick by Sofie Kelly D – A Deal to Die For by Josie Belle etc.
Books can be read in any order and all formats – print – e-book – audio – are acceptable for this challenge!
Ready to join??
 
Non-bloggers you can join too! Just keep track any way you wish and enter a link below if available or sign up in the comment section. You can even set up a special shelf on Goodreads.com to help you keep track!
Need some help finding titles to match the alphabet – Jandy’s Reading Room has a wonderful list to get you started. X and Z were the toughest for me so this year I am going to try to take care of those two early.
Follow Escape With Dollycas Into A Good Book as there may be special announcements made about the challenge.
Link your sign up post here

 

And the winner is……

….of Thursday Morning Breakfast (and Murder) Club by Liz Stauffer

CONGRATULATIONS!!


1 Maureen Carol Follow @CherylMash on Twitter

An email has been sent and the winner has 48 hours to respond of another winner will be chosen. Thank you to all that entered.