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September is being hosted by Yolanda @ Notorious Spinks Talks
Mailbox Monday was created by Marcia of A girl and her books and is now on tour.



Kathleen Delaney has written four previous Ellen McKenzie Real Estate mysteries, but has never before transported her characters out of California. A number of years ago she visited Colonial Williamsburg and fell in love. Long fascinated with our country’s history, especially the formation years, she knew she wanted to set a story there. Another trip with her brother and sister-in-law solidified the idea that had been rolling around in her head but she needed more information. A phone call to the nice people at Colonial Williamsburg provided her with appointments to visit the kitchen at the Payton Randolph house, where she got her first lesson in hearth cooking and a meeting with the people who manage the almost extinct animal breeds the foundation is working to preserve. A number of books purchased at the wonderful bookstore at the visitor’s center gave her the additional information she needed and the story that was to become Murder by Syllabub came into being. Kathleen lived most of her life in California but now resides in Georgia. She is close to many historical sites, which she has eagerly visited, not only as research for this book but because the east is rich in monuments to the history of our country. Luckily, her grandchildren are more than willing to accompany her on their tours of exploration. You can find Kathleen on the Web at delaney.camelpress.com.
Connect with Ms. Delaney at these sites:
Thank you for inviting me to stop by and tell you all a little about my life as a writer. My initial thought was my approach is not much different than any other writer, but on second thought, that is probably not correct. We are all pretty different people, write different kinds of books, and probably set up our writing agendas differently as well. In writing, as in so many things, there is no right or wrong way to do things, just the way it works for each individual. Having said that…
Do I use current events or personal experience to draw from? I write murder mysteries. Cozies, to be sure, but even in cozies we manage to litter the landscape with dead bodies. I’ve never murdered anyone in real life, and my experience with dead bodies is no more extensive, so really neither. It’s all imaginary. Leaves one to wonder about the imagination of mystery writers, I’ll admit, but maybe it’s therapeutic. I’m not sure. However, I’ve left a battered corpse in an upstairs closet, another pinned to a bale of straw by a pitchfork. Another time I pushed a very disagreeable chef into a wine fermenting tank, and killed off an old man with the marble arm of a cemetery angel. In the most recent book, Murder by Syllabub I did just that. Murdered the man with a glass of a sweet, colonial drink called Syllabub that I liberally laced with poison. But not to worry. He had it coming. Things that have happened to me, usually small things like forgetting to take the plastic wrap off the casserole before putting it in the oven to heat, have made their way into my books, I must admit, but I try not to get too many current events included as I don’t want to tie them to tightly to any particular month or year.
Do I start my books with the conclusion or start at the beginning and see where it all ends up? Since I’m never sure just what the conclusion is, and sometimes who did it, I start at the beginning. I find myself saying “and then what happened” a lot. Some people outline the whole book before writing it, some write character sketches of everyone who appears, including the paper boy who only appears once and for just one ride by, but I find I can’t do that. My first draft serves as an outline and that’s where I develop my characters. My second drafts really get chopped up and stuff gets either deleted or moved around a lot, but by then I’m confident in my story and it’s just a matter of telling it the best way I can. By the time we get to the third draft, it’s almost starting to make sense. This requires a lot of rewriting, it’s true, but it seems to be the way I do things best.
Do I have a routine: You bet. Absolutely. Sort of. I get up in the morning, stagger out to the kitchen, let the dogs out and push the button on the coffee maker. After that, well, I try to keep to a loose schedule. Marketing, first thing. I read my email and answer any that require it, post on facebook, twitter, other on line groups, do the basic housework, and then start writing. Of course, if I’m in the middle of an idea and words are pouring out every which way, nothing else gets done. Doctors, hair appointments (very important), Silver Sneakers gym class, grandkids, all that kind of thing, interrupt a perfectly good schedule on a regular basis. For years I fit my writing in and around a day job. I was a real estate broker in a small town on California’s central coast , raised and showed Arabian horses as well as kids, but no more. I have retired from all that and write full time. As much full time as all those other things will let me.
Authors I admire. The estimable Elizabeth Peters, who died recently, has long been someone I admired and whose work I spent many delighted hours reading. We will miss her. There have been so many over the years that if I started I wouldn’t know where to stop. I read lots of mysteries, always have, but my reading is by no means limited to them. I am currently reading And The Mountains Echoed by Khaled Hosseini. I loved his other two and so far think this is terrific.
Am I writing another book? Yes. I am almost finished with the first draft. It is the first book in a new series and it features dogs. And dog people. Also murder. Please don’t ask me how it ends. I’m not there, yet.
Another question asked was about TV vrs reading. There are very few things on TV that get me away from my latest book. Among them is Downton Abbey. The next episodes start in January, I think. I can hardly wait.
Now, about food and drink. I like to do both, and it really depends on a lot of things, weather, what I’m doing and where I am, as what might be my favorite at any one time. You can’t beat a glass of ice cold sun tea on a hot afternoon in the south. No sugar for me, please. Or the smell of fresh brewed coffee on a cold morning. Actually, any morning. But I’ll tell you about one meal that was special in several ways. A small waterfront restaurant in the south of France, in the middle of the fishing fleet. The boats were tied up for the night, the restaurant supposedly closed, but I was to leave for home the next day and I wanted paella. The people at the hotel where we were staying said that restaurant made the best there was to be had. Naturally, I was disappointed, but not for long. A phone call was made, they would be happy to open for our party of ten. The hotel people were right, the food was wonderful, so was the wine, and the restaurant owner serenaded us with songs he used to sing as a cabaret singer in Paris. Lots of things besides food and drink go into a favorite meal.

A ghost in Colonial dress has been wreaking havoc at an old plantation house in Virginia. The house is owned by Elizabeth Smithwood, the best friend of Ellen McKenzie’s Aunt Mary. Mary is determined to fly to the rescue, and Ellen has no choice but to leave her real estate business and new husband to accompany her. Who else will keep the old girl out of trouble? When Ellen and Aunt Mary arrive, they find that Elizabeth’s “house” comprises three sprawling buildings containing all manner of secret entrances and passages, not to mention slave cabins. But who owns what and who owned whom? After Monty—the so-called ghost and stepson of Elizabeth’s dead husband—turns up dead in Elizabeth’s house, suspicion falls on her. Especially when the cause of death is a poisoned glass of syllabub taken from a batch of the sweet, creamy after-dinner drink sitting in Elizabeth’s refrigerator. Monty had enemies to spare. Why was he roaming the old house? What was he searching for? To find the truth, Ellen and her Aunt Mary will have to do much more than rummage through stacks of old crates; they will have to expose two hundred years of grudges and vendettas. The spirits they disturb are far deadlier than the one who brought them to Virginia. Murder by Syllabub is the fifth book of the Ellen McKenzie Mystery series.
Mildred leaned back against the drain board, as if she needed it to prop her up. “Do you think he’ll be back?”
I set the dish on the drain board along with the other rinsed dishes. “You mean the murderer?”
Mildred nodded.
I’d wondered the same thing. “I think it was Monty prowling around upstairs, looking for something. Why he was dressed like that, I can’t imagine, but I don’t think he found whatever it was he was looking for. The only reason I can think of for both Monty and whoever slipped him the poison to be here is they were looking for the same thing. I don’t think they found it. So, yes, I think whoever it is will be back.”
Mildred nodded. “I think so, too. That crate was no accident.” She paused before going on, her voice filled with apprehension. “You know, McMann isn’t going to buy the mysterious prowler story. He’s going to take the easy way out. Elizabeth fed Monty the poison before she left for the airport and we’re protecting her.” She sighed deeply and turned to the dishwasher. “Might as well load this. Can you hand me that bowl?”
She opened the door, pulled out the top rack and froze. “How did that get in here?”
“What’s the matter? Oh no.”
We stood, frozen, staring at the immaculately clean crystal glass, sitting on the top rack in solitary splendor.
“That’s one of the old syllabub glasses.” Mildred turned around to look at the glasses on the hutch and returned her gaze to the dishwasher. She pulled the rack out all the way but the dishwasher was empty, except for the one glass.
I’d had a close enough look at the glass next to Monty to know this was from the same set. “It’s the missing syllabub glass.”
“Missing?” Mildred’s hand went out to touch it, but she quickly withdrew. “Where are the others? Cora Lee and I packed these away years ago. There were eight of them. How did this one get in here?”
“Noah didn’t tell you?”
“That boy only tells me what he wants me to know. What was it he should have told me?”
“The set of these glasses were on the sideboard in the dining room where Monty was killed. Six of them. One was beside Monty with the remains of a sticky drink in it. That made seven. One was missing. The one the murderer used.”
We stared at each other then back into the dishwasher. “That’s got to be the missing one, right there.” Mildred took a better look. “It’s clean. Someone’s trying to frame Elizabeth.”
BOOK DETAILS:
Genre: Cozy Mystery
Published by: Camel Press
Publication Date: July 1, 2013
Number of Pages: 298
ISBN: 978-1-60381-957-2PURCHASE LINKS:
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Julie Tetel Andresen’s seemingly disparate writing activities – fiction, non-fiction and essays in foreign languages – all arise from a unified sense of her writing self.
As a professional linguist, she loves language, while as a romance writer she loves the language of love; and when learning a foreign language, she loves nothing more than exploring the limits of her ability to express herself in that language on paper.
In her academic writing, she has long been devoted to exploring the history of linguistics, and this disciplinary exploration parallels her devotion to writing historical novels. In her most recent academic work “Linguistics and Evolution” (Cambridge 2014), she shows the ways that the history of linguistic theory and practice informs the current state of the discipline, and this sense of the past pressing on the present informs her time-slip series.
Her writing activities have always been entwined temporally. She wrote her first historical “My Lord Roland” while writing her PhD dissertation “Linguistic Crossroads of the Eighteenth Century,” and all her early academic articles were written mostly in French. Twenty novels and dozens of journal articles later, she wrote her Regency novella “French Lessons” while waiting for the 2012 autumn meeting of the Cambridge Press Syndicate to decide to issue her a contract for “Linguistics and Evolution.” At the same time, she happened to be in Ho Chi Minh City learning Vietnamese and happily writing her Vietnamese essays.
She firmly believes that one type of writing strengthens the others. Her historical novels have honed her craft of plotting and sub-plotting, while her time-slip series has given her the Kraft (in the German sense of the word ‘power’) to handle the long historical arc and multiple characters involved in “Linguistics and Evolution.” Her professional study of language, in turn, makes her sensitive to the vocabulary and rhythms of speech in other places and time periods; while writing in a foreign language– be it French, German, Romanian, or Vietnamese – is to her like the pianist warming up with scales and arpeggios or the yogini trying out a new asana. Can she get her leg behind her head in Romanian?
No? Well, then how about triangle pose? Can she get into full lotus in Vietnamese? Again, no? Let’s see about half-lotus.
Andresen grew up in Glenview, Ill. She holds a bachelor of arts degree from Duke University and a doctorate from the University of North Carolina, Chapel Hill. She has taught at Duke University for the past 20 years where she specializes in linguistics.
Connect with Julie at these sites:
Julie has also uploaded a short story entitled The Wedding Night onto her website (http://www.julietetelandresen.com) that readers can download for free.
When did you develop a passion for linguistics?
Ever since I was about five years old. I remember lying in bed at night in the room I shared with my
older sister, making up new words that I would teach her. When I discovered there were other
languages in the world, with the words already made up, I couldn’t get enough. I didn’t know,
however, that there was such a thing as a discipline of linguistics until I was working on my Masters in French. After that I was hooked.
How do you bridge your career as a romance writer with your life as a professional linguist and
academic?
The two activities wrap around another almost every day in my life, and this has been the case for the last twenty years or more. Today I’m at a resort on the Black Sea in Bulgaria. My friends are on the beach. I can’t tan, since I have redhead skin and was told by a dermatologist years ago to stay out of the sun. I’m happy enough, however, because I’m on the balcony of my room overlooking the sea, and working on the some of the early chapters of the forthcoming Wiley-Blackwell book, Languages of the World, skyping with my co-author, Phillip Carter. When I take a break from this, I’ll probably download a werewolf story or a panther shape-shifting story. I got into these subgenres in the past few months. At the moment, I can’t get enough of them.
How do your two writing careers strengthen each other?
All good writing is story telling, and this applies to academic writing, as well. I love reading about
language, and the question is always, “What story is this linguist telling me?” I am currently reading
The Last Speakers by David K. Harrison, and it’s a wonderful world tour of the stories of speakers of
endangered languages. My favorite linguist may well be Stephen Levinson. Although it might not seem like his Space in Language and Cognition would make for a gripping story, I read the book (several times, actually), enthralled by the world Levinson was opening to me. Following a good (academic) argument is like reading a well-plotted novel.
I think it was Fred Astaire who said: “If I don’t dance for one day, I feel it. If I don’t dance two days in a row, the audience will feel it. If I don’t dance three days in a row, I should find another job.” Having two writing careers keeps me in writing shape. It’s cross training. Yoga and Pilates.
You have lived and traveled all over the world – to France, Germany, Vietnam, Romania,
Greece, and Brazil just to name a few places. How did this influence your writing?
I’ve always loved historical romances, but I began my time-slip series when I realized I wanted to write about the places I’m visiting in the here and now. I love it when a place is a kind of character in a novel, ever-present and shaping events. I also happen to love botanical gardens and the tropics, so I find myself gravitating toward southern latitudes and the equator, where everything is lush. When I write a story and find I need to check out the details of a place I’m using as a setting, I can easily persuade myself I need to revisit the location in order to make sure I have the details right. While writing The Emerald Hour, I made sure to revisit the spectacular Jardim Botânico in Rio. In fact, it would have been irresponsible of me not to revisit the location.
Your collection of books explores so many points in history. Is there one era that has a special
place in your heart?
This is a choosing-among-children question, only slightly less difficult to answer than, “What’s the
favorite book you’ve written?” All historical periods are fascinating. Especially the present one, since I’m living in it.

The lovely Anne Chisholm is tricked into a handfast—the custom of marriage for a year and a day when a couple plights their troth—with Alexander Sutherland only to discover that her new husband is wanted for treason by the English authorities, in particular, by her father.
BOOK DETAILS:
Publisher: Julie Tetel Andresen; 1.01 edition
Publication Date: August 3, 2011
Number of Pages: 92
ASIN: B005FY0WYUPURCHASE LINKS:
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Julia Asel Thomas writes stories with vivid descriptions, authentic dialogue and revealing narration. Her debut book, Loving the Missing Link, presents the engrossing and moving story of a young, small town girl who grows up, lives and loves while trying to find a balance between despair and hope.
Like the protagonist in her debut book, Loving the Missing Link, Julia Asel Thomas knows small town life. However, Julia’s experiences were quite different than Cheryl’s. Julia is the middle child of seven children and the daughter of a church organist and a business manager. Growing up in the small town of Hamilton, Missouri, Julia’s family enjoyed a reputation as a bright and interesting family. Julia thrived on the quiet and carefree life she lived in that gentle place.
When Julia was in high school, she earned a scholarship for a trip to Cali, Colombia as a foreign exchange student. The experience, although it only lasted a few brief months, had a profound influence on the rest of her life. After her time abroad, Julia realized in a very real way that, although customs may differ from culture to culture, the substance of human emotions is constant. We all need love. We all need to feel secure. We all have happy moments and sad moments. Back from Colombia, Julia become ever more interested in capturing these human emotions through music and writing.
After high school, Julia took a break before going on to college. During this time, she married her husband, Will. Will joined the Air Force, and Julia accompanied him to bases around the country, taking college classes in each town where they resided. Their two children were born in Las Vegas, Nevada, while Will was stationed at Nellis Air Force Base. Married in 1976, Julia and Will are thrilled to celebrate each new anniversary and look forward to staying together for life.
Julia began writing fiction at the age of ten, when her 5th grade teacher gave her the assignment to write about “My Worst Day.” Julia took the opportunity to concoct every possible disaster a young child could face during the course of a normal day. The teacher loved her work and asked her to read it to the class. From then on, Julia wanted nothing more than to be a writer.
In 2007, Julia began earning her living by writing articles, press releases and website content for a number of clients. As she settled into a routine of working every day on her writing, the old urge to write fiction resurfaced. In 2012, Julia started with a story she had written in 1985 and continued it to create the story in Loving the Missing Link.
After Julia’s husband, Will retired from the Air Force, they moved back to Missouri and now live in Kansas City, Missouri. Find out more about this author by visiting her online:
Connect with Jlia at these sites:
“Life Long Learning and Self-Education”
Is education an institution, run by the government, prestigious private organizations or religious groups? When I was younger, I thought so. The trouble with that attitude is that I still wanted to keep learning whether I was ensconced in one of those organizations or not. And, especially in the digital age, there is no reason learning has to end when the school doors close. Lifelong learning and self-education have become increasingly popular these days, and I couldn’t be happier about it.
I began my quest for self-education during the years I was following my husband around in his Air Force career. I did go to college off and on as I was able. But there were always in-between times when I would arrive at a college town at the wrong time to begin the semester when it started. Yet, I didn’t want to put my education on hold for those months. That is when I became involved in self-education.
Yet, even then learning outside of school was not a new concept for me. My mother read to me, and all my brothers and sisters, nearly every day of our early childhood. My father also read to me at night sometimes later on, usually out of a chapter book like Tom Sawyer. Music in our house ran the gamut from Tchaikovsky to Johnny Cash. It was an intellectually rich environment to grow up in.
As I grew older, I began to choose my own intellectual adventures. Someone would talk about a subject that I didn’t know much about, and I was off to the library to learn more. If I knew someone who was familiar with the subject, I would pester them until they told me enough about the subject to satisfy my curiosity.
I once took an English course in which we were asked to read, “Working” by Studs Terkel. The book is a series of interviews with everyday people about their jobs. I found it fascinating. After that, I always asked the people I met about their jobs. About whether they enjoyed their jobs, what their responsibilities were on the jobs, and about how they got their jobs in the first place. This is one instance where traditional education spurred me on to pursue a different kind of education outside the classroom.
Now, whenever I learn about a new subject, I get on my computer and find out what I can. The biggest challenge is sifting through all the dreck to discover reliable information. But, after doing this for years, I have learned more about how to find those sites and how to evaluate them.
I am much older now than I was when I spent those Saturdays running off to the library, but I am not too old to keep learning. I don’t think I ever will be. My father once told me, “No matter what you lose in this life, no one can ever take away your education.” I have remembered that statement through the good times and the bad. I am more committed than ever to exploring my interests and the world around me.
I think I will be like my mother as I get older. She lamented one day that she didn’t understand why she was still stuffing her head full of information, even though she believed she would never have the opportunity to use any of it. I hope I was able to reassure her and help her see that education is useful, but it is also an end unto itself. No matter how old you get or what your circumstances may be, life-long learning is a joy and a quest that is well worth the effort.

Loving the Missing Link is a fabulous tale about love, success, hope and music. During the 1970’s. Young Cheryl Simpson feels trapped in her small Missouri town. As her mother tries to help her find a way up and out, Cheryl begins to feel that it is all an impossible dream. She sees herself living a boring and dismal life for the rest of her days. Just at the moment when she is about to give up on happiness, she gets the opportunity to join her high school band. The band promises a connection with the world outside her town, but Cheryl does not see any future for herself in music. It is just a tool to get where she wants to go. However, Cheryl’s mother arranges for Cheryl to take private lessons with an accomplished musician, who helps her realize the beauty and awesome power of music.
Still, Cheryl feels that small-town inferiority and finds it too hard to believe that she could ever be anyone special out in the “real” world. On the eve of a music contest that could help her earn a music scholarship, Cheryl begins to panic. Scared and feeling alone, Cheryl runs off with her high school sweetheart and gets married, leaving the band behind.
During the next years, Cheryl and her husband make a life for themselves. Cheryl meets friends along the way who help guide her to becoming the woman she wants to be. She becomes interested in the arts again. All the while, Cheryl and husband Jerry face the challenges of homelessness, miscarriage and an extra-marital affair before an unexpected disaster brings Cheryl’s life crashing to the ground. Cheryl survives, with the help of her extraordinary friends and her life-long love for music.
BOOK DETAILS:
Publisher: CreateSpace
Publication Date: August 6, 2013
Number of Pages: 190
ISBN10: 1480106240PURCHASE LINKS:
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Russ Whitney is an entrepreneur, philanthropist, and best-selling author who is a leader in the business, real-estate investment, and financial training fields. Personally and through his companies, he has supported a wide range of charitable organizations including domestic-violence shelters, youth programs, and Salvation Army services. Whitney is the author of more than thirty books, workbooks, and home-study courses including Building Wealth, The Millionaire Real Estate Mentor, and The Millionaire Real Estate Mindset.
Connect with Russ at these sites:
The following excerpt is taken from the book Inner Voice: Unlock Your Purpose and Passion by Russ Whitney. It is published by Hay House (Available September 23, 2013) and available at all bookstores or online at: www.hayhouse.com
In my search for the meaning of life, I’ve come to understand that life is essentially a game, a game that consists of a daily search for the truth with the creator of your understanding. When you realize this, it gets easier to live in the present. If you think about professional sports, this makes sense: The players prepare for the game, play it, learn from it, and then play the next one. They don’t spend a lot of time beating themselves up over something they did that they can’t do over. They don’t spend a lot of time worrying about the next game; they understand the difference between preparation and worry. When they are playing the game, that’s all they’re focused on: playing the game right now. And that’s what you should focus on: playing the game of life right now in the here and now—that is, today!
The game of life is a lot like any game that’s played under a time clock. For example, in a basketball or football game, there are 60 minutes on the clock. The game starts, it’s played for an hour, and then it ends. It’s done. The scoreboard tells you whether you won or lost. And regardless of how you did in that game, you go on to the next one and the score starts over at zero.
In life, each “game” is one day. Today. Our season—instead of being a period of months, as in sports—is our lives. But if you ask professional sports players if they spend any time or energy while they’re on the field or the court thinking about the last game or their next game, they’ll most likely tell you no. They are focused on the now, on the game they’re playing at the moment. That’s how winning seasons are achieved and championships are won: one day at a time, one game at a time.
This isn’t to say that players don’t train; they absolutely do. They practice, they study their opponents, and they develop their skills. They have goals and strategies to reach those goals. But when they’re “in the game,” that’s the only place where they are. When they get “out of the game,” when they are distracted even for a moment, is when they make mistakes. They know it, and that’s why they exercise the discipline to stay entirely in the present, in the game, while they’re playing.
Of course, the “game of life” isn’t about making baskets or touchdowns. As I’ve said, it’s a daily search for the truth with you and the God of your understanding. A key word there is daily; the time clock is today. That doesn’t mean that we can’t have plans and goals for tomorrow, next week, and next year. We can, and we should. We just can’t live in those goals; we have to stay in today. If we don’t, we fall into anger, anxiety, frustration, fear, and doubt. We start to play the “what if” game: “What if this happens?” “What if that happens?” “What if I don’t have enough money?” “What if I get sick, have an accident, or experience some other crisis?” Play that game, and you’ll be filled with unnecessary anxiety. When you worry, you’re essentially planning for bad things to happen. The way to avoid worry is to stay in the present. Today all is well, and you know what you have to do today. Keep it there.
If God didn’t build us with enough energy to be in tomorrow, He certainly didn’t give us enough energy for yesterday. Usually when we go into yesterday, we go into guilt, shame, and resentments. Certainly we all have happy memories, and we should treasure them. But most of the time, when we go back to yesterday, we waste a lot of time beating ourselves up about things we can’t change. We focus on mistakes and regrets. That’s time off today’s clock.
If the game of life is a search for the truth and the time clock of life is today, you need a scoreboard to determine if you’re winning or losing. Your scoreboard doesn’t count points. Instead, it’s a ratio that measures how happy, joyful, and spiritually free you are against your feelings of anger, anxiety, frustration, fear, doubt, guilt, and shame.
One more critical thing to remember about living in the present is this: Where you are today isn’t where you were yesterday or where you’ll be tomorrow. You must keep seeking, keep learning, keep doing, keep taking action so that the plan for your life will continue to unveil itself.

“Inner Voice: Unlock Your Purpose and Passion” traces how one man’s struggle to find the true meaning of life evolved into a worldwide movement known as the Inner Voice way of life. Internationally recognized businessman, financial expert, and real-estate icon Russ Whitney spent five years and 20,000 hours researching and developing the program. It is built on simple yet powerful principles and strategies that guide readers through identifying their purpose; developing their passion; and living a life of peace, joy, and success that is richer and more fulfilling than they ever dreamed possible. “Inner Voice” is a dramatic departure from Whitney’s earlier best-selling books, which all focused on financial success, real estate, and wealth-building strategies. In “Inner Voice, ” Whitney explains the happiness that can be found in humility; the importance of living in the moment; the need to understand, recognize, and master the immutable law of powerlessness; and how to surrender and find solid answers and peace with what you can’t control. He teaches readers to use life-changing tools, including the Discovery Chart, two-way conscious contact, and Character Asset Checklist to achieve and maintain a connection with the Inner Voice. A step-by-step guide demonstrates exactly how to apply Inner Voice principles and strategies on a daily basis to be free of anxiety, frustration, fear, doubt, guilt, and shame so we can live the life our Creator intended for us.
BOOK DETAILS:
Publisher: Hay House
Publication Date: September 2013
Number of Pages: 204
ISBN: 978-1-4019-4345-5PURCHASE LINKS:
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