THE ORNERY GENE by Warren C. Embree (Interview, Showcase & Giveaway)

The Ornery Gene by Warren C. Embree Banner

 

 

The Ornery Gene

by Warren C. Embree

on Tour August 1-31, 2019

Synopsis:

The Ornery Gene by Warren C Embree

When itinerant ranch hand Buck Ellison took a job with Sarah Watkins at her ranch in the Sandhills of Nebraska, he thought he had found the place where he could park his pickup, leave the past behind, and never move again.

On a rainy July night, a dead body at the south end of Sarah’s ranch forces him to become a reluctant detective, digging into the business of cattle breeding for rodeos and digging up events from his past that are linked to the circumstances surrounding the murder of Sam Danielson.

Working with his boss Sarah, her nephew Travis Martin, and the cook Diane Gibbons, Buck unmasks the murderer, but at the cost of learning the reality of past events that he chooses to keep to himself.

Book Details:

Genre: Mystery, Amateur Sleuth
Published by: Down and Out Books
Publication Date: April 27, 2019
Number of Pages: 216
ISBN: 1643960121 (978-1643960128)
Purchase Links: Amazon | Barnes & Noble | Goodreads | Down & Out Books

 

Author Bio:

Warren C Embree

WARREN EMBREE and his wife grew up in the Sandhills of Nebraska. He did both farm work and ranch work during those years, and he still keeps track of what goes on in the hills. After leaving the area, he pursued an academic career in English, Classical Languages, and Divinity. He lectured at a couple of institutions and preached at a few churches, and he now works in Lincoln as a data analyst for the University of Nebraska. His knowledge and love of the unique culture of the Sandhills, his education in languages and literature, and his analytical skills contribute to his story telling. He and his wife currently live in Nebraska and have 3 grown children.

Q&A with Warren C. Embree

Welcome and thank you for stopping by CMash Reads

Thank you. I appreciate the opportunity to answer a few questions.

Reading and Writing:
What inspired you to write this book?

I have been writing fiction off and on for over fifty years but, with a few exceptions, I never took it seriously. Even those exceptions were half-hearted. Then, a number years back, I ran into an old college classmate at the University bookstore, and he wondered if I was still writing. He said he had always enjoyed what I had written in the classes we had taken together and told me I needed to write a novel about the Nebraska Sandhills. I wrote a couple of novels after that, but I wasn’t happy with them. However, a few years ago I finished one I rather liked. After numerous rewrites, I let it sit for a while with the intention of making a final version. Then my older sister, Paula Horii, wanted to read it, liked it, and said I should get it published. It was her dogged persistence that got it finished. So I was inspired to write the book by one individual and motivated to finish by another. Unfortunately, the gentleman passed away last year before he could see results of his “charge” to me.

What was the biggest challenge in writing this book?

Actually, there are two biggest challenges for me with anything I am writing. One is focus and the other is an obsession to find the right word or phrase. With respect to focus, I often go down the rabbit hole when my imagination is ignited by some image or an idea that pops into my head in the process of writing. While writing and thinking about how to motivate Buck to look into his mother’s past, I thought finding an old thimble of hers would be an interesting thing. So I wondered about what metal–gold or silver or steel. Then I wondered about what pattern would be etched into the thimble. Before I knew it, I’d worked on a number of pages and literally days and weeks, and I had to throw it all away and backtrack to get back on track. I enjoy those adventures, but there comes a time to force myself to finish a book. I’ve learned over the years that I need to create an outline of some sort to guide my thinking and keep me focused on the story. Otherwise, as noted, I get lost in my imagination.

With respect to the right word, I’m haunted by Mark Twain’s observation that “the difference between the almost right word and the right word is the difference between the lightning bug and the lightning.” As an example, as I was writing one scene where I was having Buck consider his options, he crumpled up a beer can and tossed it across the floor. I spent countless hours trying to come up with the “right word” that embraced both the motion and the sound of the can across the floor. All the rest of my writing stopped. I finally came up with it–skittered. But the whole thing never got into the book because it ended up not being able to drive the story. Which dovetails into the challenge of focus.

Give us a glimpse of the research that went into this book.

While I grew up in the Sandhills of Nebraska, Dad was a school superintendent and Mother a teacher, so I didn’t grow up on a ranch. I did work on ranches and worked on our farm on the edge of the Sandhills, but I never worked much directly with livestock. Dad had a small ranch and would buy calves in the spring and feed them out during the summer to sell in the fall, he didn’t breed cattle. Fortunately, my wife did grow up on a ranch, was familiar with the various nuances of the cattle industry, and so was always my first source of knowledge. I also read books and articles about brands, bulls, cattle chutes, DNA, rodeo bulls, leatherworking, red angus, saloons, soapweed, windmills, and the like. And of course, the internet is now a great resource.

That would be a glimpse. But as I mentioned in the previous question, my lack of focus would have be researching things in a wide range of areas, none of which found their way into the novel.

How did you come up with the title?

I had a working titles for the novel throughout the process. One was “Death of a Bullfighter” and another “Recessive Gene.” However, after the book was finished and I needed to have a title, I wanted one that embraced all the layers of the novel as well as focus on a central thread that was woven into the entire story. “The Ornery Gene” seemed to provide such a focus and tied rather nicely into the central story, the characters, and the various scenes.

Your routine in writing? Any idiosyncrasies?

I’m afraid my routine in writing is “fits and starts.” Although I work full time, I do daydream a lot about characters and storylines. I enjoy the process of research immensely and even enjoy rewriting once I have something to edit, but the actual business of writing takes place in a rather haphazard fashion. At one time I did force myself to write 2 to 4 pages a night, but I neither liked the process nor the results. I hope to be a little more dedicated once I retire.

Tell us why we should read your book?

It is simply a well-written novel, with a satisfying story, set in a little known part of the United States, and populated by interesting and compelling characters. The Sandhills of Nebraska is the largest grass-stabilized sand dune region in the Western Hemisphere and sits atop the largest aquifer in North America (the Ogallala estimated at 174,000 sq. mi.–450,000 sq. km.). Its culture is as unique as its geography.

Are you working on your next novel? If so, can you tell us a little bit about it?

I am working on another novel, plus a couple of other books.

My sister wants to know about one of the minor characters in the “The Ornery Gene,” Peggy Williamson, who did not make the final cut of the novel. Buck knew her from the time he worked construction in Gordon, Nebraska and roomed with her boyfriend, John Lambert. She had left Gordon under suspicion of having had a part in the death of a classmate and ended up working in a bar and grill in Tryon, a small town north of where Buck was working at Sarah Watkins ranch. When Lambert turns up dead in Tryon, Buck gets reluctantly involved in finding out why Lambert was killed and why Peggy has vanished. The background to the story is, of course, the Sandhills, but more specifically the county fair, show cattle, 4-H, trucking, and whatever else I might be able to weave into it. I do not know when it will be done or if it will be picked up to be published.

Fun Questions:
Your novel will be a movie. Who would you cast?

Buck Elison: Jeremy Lee Renner
Sarah Watkins: Ellen Tyne Daly
Travis Martin: Kodi Smit-McPhee
Diane : Chloe Bennet
Goff Hansen: Robert Duvall
Harvey : Joshua James Brolin
Tom Anderson: Kurt Russell
Eleanor Anderson: Annette Carol Bening

Favorite leisure activities/hobbies?

During the summer I garden and during the winter I work on indoor projects, but reading is my primary leisure activity.

Favorite foods?

Philly cheese steak sandwiches, but only when I’m in Philly. Sweet corn, shrimp, ice cream sandwiches and, believe or not, spam. Spam was a treat when I was a kid.

Catch Up With Warren Embree On:
warrenembree.com, Goodreads, & Facebook!

 

Read an excerpt:

CHAPTER ONE

Wednesday, 9:15 p.m.

Sam Danielson slowed his pickup to a stop beside an old cattle chute, switched off the engine, rolled the window all the way down, and listened. He absentmindedly counted the cricket chirps for ten seconds, added forty to the number of chirps and calculated it to be about sixty-five degrees or so outside. A trick his dad had taught him. It was a little chilly for July in this part of the hills, but he had heard the low rumbling of thunder on the drive out. It smelled like rain; there was a storm moving from the northeast that was cooling things down. There could even be some ice in it. He checked his watch: nine-fifteen. Just past twilight. He opened the pickup door and took a deep breath. He reached over, grabbed the flashlight from the glove box, and slid out of the driver’s seat onto the soft sand.

Off in the distance, he heard a mama cow lowing. This was the life he had chosen, and he had never looked back. It hadn’t been easy working for, and then with, his dad. They had gone back and forth on the best way to select the bulls and broncos they supplied for “rough stock” events at the rodeos in the Sandhills of western Nebraska. There was only one way for Dad. “You don’t have the feel for how much the bull don’t want rode,” his dad would say. But Sam had gone to school and studied twentieth-century methods of livestock rearing. For his dad it was a way of life; for Sam it was a business. Sam liked the numbers. He liked to narrow the odds by more than just a feeling. He had tried to show his dad the value in breeding techniques and genetic tracking in estimating the probability that a particular bull would do well in the arena. His dad would just laugh it off. “Show me the ornery gene,” his dad would laugh. “I’ll have five bulls picked before you decide on one.” But Sam knew his would be a better one than the five. He could prove the temperament of a bull before anyone tried to ride it. He had never convinced his dad. The ornery gene had been elusive, but not the genetic makeup of the ornery bulls. He had been right, and he had a genetically identifiable line of stock to prove it.

During his travels from his ranch outside of Laramie, Wyoming, Sam had been made aware of a genetic curiosity in one of the cattle he purchased in Colorado in the spring. Being off in the records would end up being off in the genetic makeup of the calves. There never was just one gene that made the difference. It was a matter of multiple generations. He had traced the lines that looked the most promising, and closely followed the leaders in the industry. Discovering that curiosity had led him into this part of the Sandhills of Nebraska. Talking about it at the bar had got him into an argument with the old cowboy, and listening to the old man had brought him to this particular spot.

“You’ll find what you’re looking for out there,” the old cowboy had said. “Then you’ll know I was telling you the truth.” Danielson switched the flashlight on and scanned the area around the cattle chute. He had let himself be convinced that the old man knew a thing or two about cattle breeding. What had surprised Danielson most was that the old man had known about the science behind modern breeding at all. The old cowboy looked more like he’d been “rode hard and put up wet” as his dad would have said: a man who had spent a hard life out in the sun and the rain and the snow. Danielson expected someone like that to know less about biogenetics and more about old school solutions. Like his dad.

The excitement the old cowboy had shown assured Danielson it would be worth his time to find out if he was headed in the right direction. But as he looked around the area, all he saw was a dump site for old batteries, tires, cook stoves, windmill parts, cans, bed springs, and used up corral panels. He saw nothing that would explain the old cowboy’s intensity. Now he was more curious to find out how the old cowboy would explain the genetic anomaly that he was so passionate about. It was one of those things his dad would say shouldn’t make a whole lot of difference in his deciding on a bull. It probably wasn’t all that important to breeders either. But he was curious, and keeping careful records was important to the integrity of breeding livestock. It was a necessary component in the breeding business and his business. He was hoping he could find some answers out here as he tried to piece together the puzzle. He was determined to take some time to track it down to the source and maybe be able to verify when and where the mistake was made.

He had tried to be low-key when he was asking questions, but the speed at which the old cowboy had raised his hackles this afternoon showed Danielson just how hard that was going to be. He had touched the wrong nerve on the first try. He wasn’t sure whether he had asked the wrong question or his question had been taken the wrong way. It took a couple of beers and a good bit of time getting the old man calmed down. When it finally got friendly again, the old cowboy had told him about the spot out here in the hills. He gave directions and said he’d meet him out there around nine that evening.

As he waited for the old cowboy to show up, Danielson kicked at a broken pitman, picked it up, and used it to move around some cans at the edge of the dump site. He wasn’t terribly interested in getting bitten by a rattlesnake or a rat. It was a half-hearted effort. He sniffed the air again and caught the scent of pine and cedar trees this time. The hills hadn’t changed much from when he was a kid except the cedar trees. They were becoming a weed out in the hills. He shoved a wooden box with the pitman, then threw the stick of wood back into the pile. It was altogether possible that the old cowboy had sent him out on a snipe hunt. It just as well be. There was nothing he’d seen so far that was tied to the cattle breeding. If it were here, it wasn’t something obvious. What galled him was that he could be looking right at it and still not see it. For that matter, there could be nothing to it.

A loud clap of thunder caused Danielson to look up at the sky. In the southwest the clouds were fast turning to an ugly black. He saw the lightning streak across the sky and started counting. He reached fifty-two and he heard the thunder again. The storm was only about ten miles away. He didn’t want to get caught in the storm, and he hadn’t found anything yet. It wouldn’t be the first time he had gone on a wild goose chase.

He walked over to the rear of the pickup, pulled out a can of chewing tobacco from his back pocket, and stuffed a pinch in the back of his cheek. He put the can back in his pocket and picked up an old spur that was in the pickup box. He turned it over in his hand as he walked over to the chute—just an old spur. The old cowboy had given it to him, along with some old rodeo flyers, claiming he’d known Danielson’s dad and had got it from him. His dad had never been a bull rider, so the spur didn’t belong to him. He didn’t know whether someone had given it to his dad or his dad had simply found it tearing down after one of the rodeos they had supplied the bulls and broncs for. It reminded him that he needed to go through his dad’s things, a clutter of boxes, something he’d put off for ten years after his dad died. He tossed the spur toward the pickup box but hit the fender instead, bouncing the spur at an odd angle forward of the pickup. He walked over toward the cattle chute and battery and pointed his flashlight in the direction the spur had bounced.

Danielson caught the flash of lightning in the corner of his eye, heard a pop from behind him, then felt a sledgehammer hit him in the middle of the back. The strength drained out of his legs. He felt a sharp pain spring out from where the hammer had hit that seemed to rush through his torso. His legs gave out and he hit the ground, knees first, and then fell on his face. The pain was now a hot, burning sensation from the place where the hammer had hit and his back felt wet. He thought he had been struck with lightning, cursing himself for miscalculating the distance of the storm. He tried to use his arms to push himself up, but he couldn’t gather the strength. He dropped back down. He could feel that his back was soaked, but it hadn’t started raining yet.

From off to his right, he heard something moving cans around. It wasn’t the wind. It was deliberate. No animal would do that either. A few moments later, he felt someone kick his side. He grunted involuntarily, and then tried to roll over. His legs were a dead weight. He twisted his face away from the pickup, but couldn’t see anything. “He shot me,” he whispered. He tried to raise himself with his arms, but was light-headed now. I can’t believe he shot me. A few moments later rain poured from the clouds, diluting the blood from his back and mingling it with the sand.

***

Excerpt from The Ornery Gene by Warren C. Embree. Copyright © 2019 by Warren C. Embree. Reproduced with permission from Warren C. Embree. All rights reserved.

 

 

Tour Participants:

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This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Warren C. Embree. There will be 2 winners of one (1) Amazon.com Gift Card each. The giveaway begins on August 1, 2019 and runs through September 2, 2019. Void where prohibited.

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Review | THE MURDER LIST by Hank Phillippi Ryan

THE MURDER LIST by Hank Phillippi Ryan
Genre: Psychological/Legal Thriller
Published by MacMillan/Forge
Publication Date: August 20, 2019
ASIN: B07GV9B15X
Pages: 352
Review Copy From: Macmillan/Forge via NetGalley
Edition: eBook
My Rating: 5

Synopsis (via GR)

Law student Rachel North will tell you, without hesitation, what she knows to be true. She’s smart, she’s a hard worker, she does the right thing, she’s successfully married to a faithful and devoted husband, a lion of Boston’s defense bar, and her internship with the Boston DA’s office is her ticket to a successful future.

Problem is–she’s wrong.

And in this cat and mouse game–the battle for justice becomes a battle for survival.

The Murder List is a new standalone suspense novel in the tradition of Lisa Scottoline and B. A. Paris from award-winning author and reporter Hank Phillippi Ryan.

My Thoughts

Rachel North, the wife of Jack Kirkland, high profile defense attorney, has decided to also study law and when she graduates they plan are becoming partners in his law practice. He is also a member of the Committee for Public Counsel Services or aka The Murder List, where defense attorneys do pro bono cases for indigents that have committed murder. But he isn’t too happy that she will be interning under the Assistant District Attorney, Martha Gardiner. As a prosecutor, Gardiner feels that she lost the biggest case of her career against Jack and that loss cost her total embarrassment and possibly a chance to become the next D.A. However, Rachel feels that this internship will help her down the road and an honor since Ms. Gardiner chose her because of the potential, she saw in Rachel.

The story alternates between the present and 6 years earlier when Rachel worked as the Chief of Staff for Senate President Thomas Rafferty. Also during this time she had jury duty and ironically it was a case where Jack Kirkland was defending a person from The Murder List and Martha Gardiner was the prosecutor, which she won.

After this case, Rachel receives a note from Jack asking her to meet him as he would like to get a grasp on what went wrong, what was the jurors’ opinions and the reason for the loss. She decides to meet him for coffee and while at the coffee shop, she receives a frantic call from Senator Rafferty, who is also a friend of Jack’s, that one of their coworkers has been found murdered and that the police need to talk to her. But this leads to the case that Jack and Martha again go head to head and she loses.

Now 6 years later, while Rachel is interning, Martha Gardiner reopens the case. And then the cat and mouse game begins. Who is manipulating whom? Who really killed Dani? And who is lying about the evidence in this case and who has the most to lose?

This is the first book I read by this author but I have been wanting to for a very long time. And after finishing this book, I am wondering why did I wait so long?

The suspense anxiety is palpable. I kept going back and forth between characters as to who was the biggest conspirator and who was controlling the situation.

This was a white knuckle read at warp speed. A riveting read!! With an ending that was mind-blowing.

Highly, highly recommend! And trust me, I will never put off reading another book by this amazing and esteemed author!

Purchase Links: Amazon 🔗 | Barnes & Noble 🔗 | Goodreads 🔗

REVIEW DISCLAIMER

  • This blog was founded on the premise to write honest reviews, to the best of my ability, no matter who from, where from and/or how the book was obtained, and will continue to do so, even if it is through PICT or PBP.
  • I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
  • I do not have any affiliation with Amazon.com or Barnes & Noble. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.
  • Mailbox Monday

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    Mailbox Monday

    Mailbox Monday

    According to Marcia, “Mailbox Monday is the gathering place for readers to share the books that came into their house last week. Warning: Mailbox Monday can lead to envy, toppling TBR piles and humongous wish lists.
    Click on title for synopsis via GoodReads.

    Tuesday:
    RAIN WILL COME by Thomas Holgare ~ eBook from Thomas & Mercer via NetGalley
    THE NIGHT SHIFT by Sally Rigby ~ eBook from Author
    Thursday:
    SINS OF THE FATHER by J.A. Jance ~ Bound Galley from Harper Collins
    Friday:
    THE LOOK-ALIKE by Erica Spindler ~ eBook from St. Martin’s Press via NetGalley

    Blog All About It | Sky

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    This year, one of the Challenges I signed up for is Blog All About It, hosted by The Herd Presents. The guideline is basically a blogging prompt challenge. Each month there’s a different prompt that you can interpret as you’d like then create a blog post around it. The 2019 list of prompts can be seen here on my Challenge Page. I will be posting for this Challenge on the 2nd Saturday of each month.

    This month’s prompt is SKY

    Once again I am a week late, however, because of it, I was able to get a picture that I will share for this month’s prompt.

    Last weekend we were in PA for our youngest granddaughter’s Baptism. Our oldest son drove my husband and me for our road trip. It’s approximately a 6 hour drive from RI so I did read most of the way which was a plus for me. The weather was beautiful and as we traveled across the Tappanzzee Bridge, I was able to get this shot of the new bridge span and sky.

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    I am an earlier riser waking between 5 am to 5:30 am and love to have my coffee on the deck, playing a few games of Candy Crush and checking Facebook. Hopefully, now that the summer is almost over, I hope I get to continue my morning routine until the cold weather sets in. I took this picture of the sky one morning and thought the colors in the sky were beautiful.

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    Please don’t mind our fence, the painters are supposed to be here before the end of the month to paint the house and stain the fence. Unfortunately, we will be closing the pool early this year, putting on the winter cover, because of the work that will be done.

    My favorite skyline is the sun setting in Aruba. Wed haven’t been in a couple of years so we will hopefully be making plans to revisit. It’s our favorite vacation destination.

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    At what time of the day is your favorite at looking up at the sky?

    Friday | Friendly Fill-Ins


    Hosted by McGruffy’s Reader and 15 and Meowing

    This week’s Fill-Ins:

    1. I love it when __________________________.
    2. I know it’s time to _________________ when ________________.
    3. Others come to me when they need _________.
    4. We should never take _________ for granted.

    My answers:

    1. I love it when I’m surrounded by my family.

    2. I know it’s time to stop doing what I probably shouldn’t be doing when the pain in my back is intolerable.

    3. Others come to me when they need to talk about something that is bothering them, as they know I hold everything in confidence.

    4. We should never take each day for granted.

    THE BEST LOUSY CHOICE by Jim Nesbitt (Showcase, Guest Post & Giveaway)

    The Best Lousy Choice by Jim Nesbitt Banner

     

     

    The Best Lousy Choice

    An Ed Earl Burch Novel

    by Jim Nesbitt

    on Tour August 1-31, 2019

    Synopsis:

    The Best Lousy Choice: An Ed Earl Burch Novel

    Dallas private eye Ed Earl Burch is an emotional wreck, living on the edge of madness, hosing down the nightmares of his last case with bourbon and Percodan, dreading the next onslaught of demons that haunt his days and nights, including a one-eyed dead man who still wants to carve out his heart and eat it.

    Burch is also a walking contradiction. Steady and relentless when working a case. Tormented and unbalanced when idle. He’s deeply in debt to a shyster lawyer who forces him to take the type of case he loathes — divorce work, peephole creeping to get dirt on a wayward husband.

    Work with no honor. Work that reminds him of how far he’s fallen since he lost the gold shield of a Dallas homicide detective. Work in the stark, harsh badlands of West Texas, the border country where he almost got killed and his nightmares began.

    What he longs for is the clarity and sense of purpose he had when he carried that gold shield and chased killers for a living. The adrenaline spike of the showdown. Smoke ‘em or cuff ‘em. Justice served — by his .45 or a judge and jury.

    When a rich rancher and war hero is killed in a suspicious barn fire, the rancher’s outlaw cousin hires Burch to investigate a death the county sheriff is reluctant to touch.

    Seems a lot of folks had reason for wanting the rancher dead — the local narco who has the sheriff on his payroll; some ruthless Houston developers who want the rancher’s land; maybe his own daughter. Maybe the outlaw cousin who hired Burch.

    Thrilled to be a manhunter again, Burch ignores these red flags, forgetting something he once knew by heart.

    Be careful what you wish for. You just might get it. And it might just get you killed.

    But it’s the best lousy choice Ed Earl Burch is ever going to get.

    Book Details:

    Genre: Hard-boiled Crime Thriller
    Published by: Spotted Mule Press
    Publication Date: July 9, 2019
    Number of Pages: 347
    ISBN: 978-0-9983294-2-0
    Series: An Ed Earl Burch Novel; 2
    Purchase Links: Purchase Links: Amazon | Barnes & Noble | Goodreads

     

    Author Bio:

    Jim Nesbitt

    Jim Nesbitt is the author of three hard-boiled Texas crime thrillers that feature battered but dogged Dallas PI Ed Earl Burch — THE LAST SECOND CHANCE, a Silver Falchion finalist; THE RIGHT WRONG NUMBER, an Underground Book Reviews “Top Pick”; and his latest, THE BEST LOUSY CHOICE.

    Nesbitt was a journalist for more than 30 years, serving as a reporter, editor and roving national correspondent for newspapers and wire services in Alabama, Florida, Texas, Georgia, North Carolina, South Carolina and Washington, D.C. He chased hurricanes, earthquakes, plane wrecks, presidential candidates, wildfires, rodeo cowboys, migrant field hands, neo-Nazis and nuns with an eye for the telling detail and an ear for the voice of the people who give life to a story.

    His stories have appeared in newspapers across the country and in magazines such as Cigar Aficionado and American Cowboy. He is a lapsed horseman, pilot, hunter and saloon sport with a keen appreciation for old guns, vintage cars and trucks, good cigars, aged whiskey and a well-told story.

    He now lives in Athens, Alabama.

     

    Guest Post
    SHOW, DON’T TELL: CHARACTER REVEALED THROUGH
    SNAPPY DIALOGUE AND A KEEN SENSE OF PLACE

    I’m a Chandler junkie. As in Raymond Chandler. Always have been, always will be.

    One of the founding fathers of the hard-boiled school of crime fiction, Chandler’s at the head of a semi-long list of writers who taught me a lot about the trade before I ever tried my hand at it.

    Most of them are dead. Which means they won’t be calling me out for hanging their names on what I’m about to say about character and dialogue. Not even Chandler, although his cantankerous spirit might just give it a go.

    What I learned from Chandler was the importance of character and dialogue over plot. Chandler was a notorious ‘pantster,’ the term the modern wags use for writers who make it all up as they go along rather than outline elaborate plots and character sketches before they start telling a story.

    One of his famous quotes: “When in doubt, have a man come through the door with a gun in his hand.” Which is the second primary lesson I learned from Chandler — use action and concrete descriptions of place to drive a story largely told through character and dialogue.

    Character and dialogue are intertwined. You show a character’s traits — you define them — through dialogue, either snappy exchanges with other characters or the internal dialogue they have with themselves.

    Dialogue between characters is a dance where they reveal themselves by what they do and don’t say and the way they say it or stay silent. Internal dialogue is a character dancing in the dark with themselves, but the same revelations occur. Or should occur. If they don’t, a writer has blown a golden opportunity to define a character and give the story life, depth and context.

    I’ll give two examples from my latest work, The Best Lousy Choice: An Ed Earl Burch Novel. My main character, Dallas PI Ed Earl Burch, is a cashiered vice and homicide detective. He’s also a terminal smartass who doesn’t know when to shut up. I don’t tell you that — I show it through dialogue with a crooked West Texas sheriff looking to frame him for the murder of a prominent local rancher who died in a suspicious barn fire.

    “You run the ID on those shooters I blew away? Bet they’re either freelance talent or connected to some other drug lord slimeball. Looks like you got a little turf war going on. Or maybe Dirt Cheap crossed his cousin. Just guesses on my part. But either way, it ain’t a good look for an anti-drug crusader like you, Sheriff.”

    “Burch looked at Willingham. The anger that colored his face and flashed in his eyes was gone. He wore the stone mask of a poker player and his voice was a husky whisper as he asked a quiet question.


    “You a barnburner, son?”

    Burch was flummoxed. No smartass quips, no barbed conjecture. All he had as a comeback was the brass to meet the sheriff’s stare head-on and not flinch.

    “Let me put it to you this way — are you a man who could set another man’s barn on fire, burn up his horses, burn up the man himself? Are you that kind of murderin’ sumbitch, a fire worshiper, a man-burner?”

    “Jesus, Sheriff — you need to make up your mind what you want to frame me for. First you have me as a gun for hire workin’ for this Malo Garza fella, now you got me as the second coming of Ben Quick’s daddy in The Long Hot Summer. I’m way too ugly for any frame job that needs me to look like Paul Newman.”

    “Ugly will do, my friend, if I find out you did the crime.”

    Burch also has frequent conversations with his dead partner, Wynn Moore. Burch blames himself for getting his partner killed while they were tracking a narco and murder suspect in Dallas years ago when he still carried a gold shield.

    These conversations are real as a dime to Burch and show both the guilt that still gnaws at him and the left-handed relief he’s found when Moore appears. They also reveal the simple and brutal approach to police work Burch learned from Moore.

    He felt shaky from his session with Bustamante and fished out the bottle of Percodan and a dented nickel flask from his bag. He shook out a pill, broke it in half and popped it on his tongue, washing it down with a long pull of Maker’s. It wasn’t quite noon but he needed a Percodan cocktail to get rid of the jangles and keep the demons in their holes.

    He stood under the fan in his boxers, smoking another Lucky until he felt the half-hit and e-less whisky take hold, then carried the Colt into the bathroom and placed it on the porcelain top of the toilet tank. He reached into the shower stall to turn on the water and wait until it was as hot as he could stand it, then stepped into the scalding spray.

    You ain’t right, sport model. Poppin’ them pills, sluggin’ whiskey and it ain’t hardly noon yet.

    Keeps me sane, Wynn. On track and movin’ down the trail instead of curled up in a corner screamin’ about demons and snakes with wings.

    Turnin’ into a goddam junkie and day drinker, you ask me.

    I ain’t askin’.

    Never could talk sense to you, sport model. One more thing, then I’ll shut my yap. You fly the black flag on this one. Take that rule book we usta have to work around and chuck it right out the fuckin’ window. You sabe?

    Rule book already chucked, Wynn. No quarter. No prisoners. No judge and jury.

    Good deal, sport model.

    One other lesson I learned from Chandler, whose novels and short stories are packed with detailed physical descriptions of the rooms, places and streetscapes where his stories take place.

    These “concrete descriptions” help create a Los Angeles that is so real that it becomes a character unto itself. Far more than mere backdrop, these descriptions of place define the characters that live and move through this landscape.

    This struck a chord with me, largely because of my upbringing and lineage. I come from a long line of North Carolina hillbilly storytellers. My parents, grandparents, aunts, uncles and cousins told stories of our kin and the mountains my ancestors called home, creating a keen sense of family and place in my sister and me, even though we grew up in suburban Philadelphia.

    As a journalist, I was always fascinated with how the land shaped the people who lived there, even as they struggled to make a living from it. I also fell in love with the harsh beauty of West Texas, with stark mountain ranges that look like the bones of the earth on display for any and all to see.

    It seemed like the perfect place for the bloody tales of revenge and redemption I was trying to tell in my Ed Earl Burch novels, a land so forbiddingly beautiful and demanding that it shapes the characters in my books and gives resonance to their dialogue.

    It’s another way of revealing who your characters are. And showing instead of telling is the essence of the writer’s trade.

     

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    Read an excerpt:

    Burch slipped through a thick snarl of gawkers, glad-handers, gossips and genuine mourners going nowhere fast in the vestibule of Sartell’s Funeral Home, nodding and smiling like the prodigal returned to the paternal table.

    To ease his passage toward the chapel where Bart Hulett’s charred corpse was surely hidden in a closed casket, he patted the passing shoulder, shook the hand thrust his way and mouthed the “good to see you” to the stranger’s face that smiled in mistaken recognition. Baptist reflexes from a long-ago boyhood, handy for the preacher, pol or low-rent peeper — remnants of an endless string of God Box Sundays he’d rather forget.

    The chapel was packed and the well-mannered buzz of polite stage whispers filled the room, triggering another Baptist flashback — the hushed sanctuary conversations of the flock anticipating the opening chords of a Sunday service first hymn.

    Ten rows of hard-backed dark wooden pews flanked each side of a center aisle leading to a low lacquered plywood platform topped by a glossy Texas pecan wood casket with burnished brass lugs and fixtures. Two blown-up photographs in fluted gilt frames faced the mourners, standing guard at each end of the casket — a colorized, wartime portrait of a young Bart Hulett in Marine dress blues and visored white cover at the foot; a candid of Hulett and his blonde wife on horseback at the head, their smiling faces goldened by the setting sun.

    Behind the pews, five rows of equally unforgiving aluminum folding chairs, all sporting the durable silver-gray institutional enamel common to the breed, stood as ready reserve for the overflow of mourners. The pews were filled and a butt claimed every chair — a testament to Bart Hulett’s standing as a fallen civic leader and member of one of the founding families of Cuervo County.

    No cushions in pew or chair. Comfort wasn’t on the dance card in this part of West Texas. The land was too stark, harsh and demanding, intolerant of those seeking a soft life of leisure. And Baptists damned dancing as a sin and kept those pews rock hard so you’d stay wide awake for the preacher’s fiery reminder about the brimstone wages of sin.

    Dark blue carpet covered what Burch’s knees told him was a concrete floor. Flocked, deep-red fabric lined the walls, brightened by a line of wall sconces trimmed in shiny brass that reflected the dimmed light from electric candles. Two brass candelabras hung from the ceiling, bathing the chapel in a warm, yellow glow. Heavy, burgundy velour drapes lined the front wall and flanked the rear entrance and the opening to a sitting room to the left of the casket.

    The total effect was meant to be plush, somber and churchly, yet welcoming. Don’t fear death. It comes to us all. Just a part of the great circle of life and God’s eternal plan. Let us gather together and celebrate the days on earth of this great man who has left us for his final reward.

    But Burch wasn’t buying the undertaker’s refried Baptist bill of fare. To his eye, the drapes, the wall covering and the brass light fixtures looked more like the lush trappings of a high-dollar whorehouse than a church, an old-timey sin palace that packaged purchased pleasure in a luxury wrapper. All that was missing was a line of near-naked whores for the choosing and a piano man in a bowler hat and gartered shirt sleeves, tickling the ivories while chomping a cigar.

    Nothing more honest than a fifty-dollar blow job from a working girl who knows her trade.

    Nothing more bitter than the cynical heresy of a backslidden Baptist sinner.

    Nothing more useless than a de-frocked cop still ready to call out the hypocrisy of a church he thought was just a dot in his rearview mirror.

    Burch cold-cocked his bitter musings and wiped the smirk off his face. He grabbed a corner at the rear of the room and continued his chapel observations. He tried to settle into the old routine. Relax. Watch and wait. Keep the eyes moving and let it come to you. Don’t force it.

    But the watcher’s mantra wasn’t working.

    Couldn’t shake the feeling that eyes had been on him while he juked and doubled back through town earlier in the day and that eyes were on him now. Couldn’t blame the demons for this. He was still cool and calm from that special cocktail he served himself before leaving the ranch. That meant the sixth sense was real, not a figment of his nightmares. And he was far too old a dog to ignore it.

    Burch took a deep breath and let it out slow, just like he did at the rifle range before squeezing off the next round. His heartbeat slowed. He felt himself relax. The uneasy feeling was still there, but it was a small sliver of edginess. Do the job. Watch and wait. Keep the eyes moving. Let it come to you.

    From the chapel entrance, a thick line of mourners broke toward the right rear corner of the room and angled along the wall opposite Burch before bending again to crowd the closed casket, leading to a small knot of Hulett family members standing next to the photo of Bart and his dead wife.

    Stella Rae was playing the head of household role, reaching across her body to shake hands with her left because her right was burned, bandaged and hanging loose at her side, the white tape and pinkish gauze riding below the rolled-back cuff of a navy cowgirl shirt with white piping and a bright red cactus blossom on each yoke.

    She was wearing Wranglers too new to be faded and pointy-toed lizard-skin boots the color of peanut brittle, her dark blonde hair swept back from her oval face and touching her shoulders. The warm light from the candelabras picked up the slight rose tint of her olive skin and the flash of white from her smile.

    A beautiful woman putting on a brave front. A woman custom-made to be looked at with lustful intent. Burch didn’t need imagination to mentally undress Stella Rae Hulett. He had seen her at her carnal best while staring through the telephoto lens of a camera as she fucked her lover in a dimly lit motel room. He had his own highlight reel of her taut body stored in his brainpan.

    But his mind was on the charred chain in the bed of Gyp Hulett’s pickup, his eyes locked on the bandaged hand dangling at her side. How’d you really burn your hand, missy? Where were you when your daddy died?

    Jason Powell stood behind her, looming over her right shoulder, the protective hand of a lover on her upper arm as he nodded to each mourner paying respect as Stella Rae shook their hand. Gotta give the guitar picker some credit. Looks like he’s in it for the long haul.

    To Stella’s right stood a young man in jeans, boots and a red brocade vest over a crisp, white shirt and a bolo with a silver and onyx slide. His round face was pale and pockmarked, his hair black and wiry. Burch guessed he was looking at Jimmy Carl Hulett, Bart Hulett’s only son.

    Jimmy Carl looked like a sawed-off version of his ancient cousin, Gyp, minus the gunsight stare, the wolf smile and the Browning Hi-Power on the hip. Which was another way of saying the boy had more than a few dollops of bad outlaw blood running through his veins, but none of the lethal menace.

    The younger Hulett looked uncomfortable shaking the hands of mourners, his eyes shifting but always downcast, his head nodding with a nervous jerk, the overhead glow highlighting a slight sheen of sweat on his forehead. Between handshakes, he wiped his hawk’s beak nose with a dark blue bandana.

    He looked like a man who needed a drink.

    Or a spike of Mexican Brown.

    Burch knew the look. Saw it a thousand times as a Dallas street cop. Telltales of a junkie. A loser. A Hulett in name only. A weak link who would sell his soul for his next fix. Or sell out his daddy. How bad are you hooked, boy? Who has his claws in you besides your dealer? Malo Garza? Needle Burnet? Or another player to be named later?

    Burch tucked these questions into his mental deck and resumed scanning the crowd, ignoring that edgy sliver, keeping a slight smile on his face — just a prodigal looking for old friends and neighbors. Damned tedious work, standing in the corner of a whorehouse chapel, watching and waiting, working a cop’s most hackneyed routine — hitting the victim’s funeral.

    His feet and knees started to ache. Never cut it walking a beat again. He ignored the pain and kept his eyes moving. He wasn’t expecting a lightning flash of sudden insight or the appearance of a beady-eyed suspect wearing their guilt like a gaudy neon sign. That only happened on Murder, She Wrote and Angela Lansbury didn’t fit in with this West Texas crowd.

    Burch was looking for smaller stuff. Dribs and drabs. A pattern. A sense of how people caught up in a case fit together — or didn’t. A loose thread. An odd moment. A step out of line or time.

    A facial tic or look. Like a Hulett with the junkie’s sniffles.

    A mismatch. Like a beautiful woman with a burned and bandaged right hand.

    A shard. Anything that caused his cop instincts to tingle, triggering questions he needed to ask. He found two. Small kernels, granted, but grist for the mill.

    He kept his eyes moving, looking for more of something he wouldn’t know until he saw it. Minutes dragged by, grinding like a gearbox with sand in it. The line of mourners grew shorter. The pain moved up to the small of his back.

    The sliver grew into a sharp stab of warning. Eyes were on him. Felt rather than seen. He shifted his gaze to his right, keeping his head still. Across the center aisle, at the near end of the last row of chairs, a gaunt brown face with thin black hair turned to face the front of the chapel. Before the turn, Burch saw intense, dark eyes studying him — the watcher being watched.

    Both knew the other was there so Burch took his time studying the man’s profile. Thin, bony nose, hair brushed back dry from a receding widow’s peak, black suit with an open-collar white dress shirt. The man quit pretending he hadn’t been made, turning to look at Burch with a slight smile and close-set eyes that flashed a predatory interest.

    Burch returned the stare with the dead-eyed look of a cop and burned an image for his memory bank.

    Who are you, friend? Another Garza hitter? Jesus, Burch, that isn’t what the narcos call their gunsels. Get your head out of the 1940s. Sicario — that’s it.

    What about it, friend? You another of Malo’s sicarios? Or are you outside talent? Maybe that specialist Bustamante talked about. Maybe a freelancer working for Malo’s competition. Or the Bryte Brothers.

    You the eyes I feel watchin’ me? Why the sudden interest? Those two shooters I smoked friends of yours?

    Movement up front caught Burch’s attention. Gyp Hulett, hat in hand and wearing a black frock coat straight out of the 1890s that wasn’t in the truck cab during the ride to town, parting the sitting room drapes. The old outlaw walked up to his younger cousins in a bow-legged stride, whispering to each, then beckoning them to follow him as he retraced his steps.

    Burch glanced back toward the gaunt Mexican. Gone. A sucker’s play if he followed. Burch slid out of his corner perch and along the back row of chairs to get a better look at the sitting room entrance. Gyp parted the drapes to let Stella Rae and Jimmy Carl enter.

    Through the opening, Burch could see Boelcke standing next to a tall man with a thick, dark moustache, an inverted V above a stern, downturned mouth, echoed by thick eyebrows. He had ramrod straight posture and was wearing a tailored, dark gray suit, a pearl gray shirt and a black tie. Black hair in a conservative businessman’s cut, light brown skin and an aquiline nose gave him the look of a criollo, the New World Spaniards who ripped the land of their birth away from the mother country.

    Malo Garza, paying his respects in private. Gyp Hulett swept the drapes closed as he ducked into the room. Burch braced himself for the bark of a Browning Hi-Power he hoped he wouldn’t hear and marveled at the high hypocrisy of Garza showing up at the funeral of a man he wanted dead.

    Took balls and brass to do that. Matched by a restraint Burch didn’t know Gyp Hulett had.

    “Bet you’d like to be a fly on the wall in that room.”

    For a split second, Burch thought he was hearing the voice of Wynn Moore’s ghost. Then he looked to his right and met the sad, brown eyes of Cuervo County Chief Deputy Elroy Jesus “Sudden” Doggett.

    “Wouldn’t mind that one bit. Imagine it’s quite the show. Lots of polite words of sorrow and respect. Lots of posturing. Lots of restraint. Have to be considerin’ one man in there would like to kill the other.”

    “That would be your client, right? The ever-popular Gyp Hulett, gringo gangster of the Trans-Pecos.”

    “Can’t tell you who I’m working for, Deputy. You know that’s confidential.”

    Doggett’s eyes went from sad to flat annoyed and his voice took on a metallic edge.

    “That ain’t no secret, hoss. Not to me or anybody else who matters around here, including the other big
    mule in that room. And that man probably wants to kill you.”

    “Malo Garza? The man don’t even know me.”

    “That’s a point in your favor. If he did know you, he’d put you out of your misery right now.”

    “A big dog like him? He’s got more important things to worry about than lil’ ol’ me.”

    “You don’t know Malo Garza. Anybody pokin’ his nose anywhere near his business draws his personal interest. And believe you me, that ain’t healthy.”

    “Ol’ Malo might find me a tad hard to kill. I tend to shoot back. If he wants a piece of me, he’ll have to get in line.”

    Doggett paused. His eyes turned sad again. When he spoke, the edge was gone from his voice.

    “Listen to us — two guys talkin’ about killin’ at a great man’s funeral. Let’s step outside for a smoke and a
    talk.”

    “Unless this is the type of talk that follows an arrest, I’d rather stay here and watch the floor show.”

    Doggett chuckled.

    “Don’t have that kind of talk in mind right now, although the man I work for just might. This’ll be a private chat between you and me.”

    “Thought we had a meeting tomorrow. You are the hombre that had that trustee give Lawyer Boelcke that invitation to Guerrero’s, right?”

    “Right. Things change. Come ahead on. I’ll have you back for the next act. It’s one you won’t want to miss. Star of the show. Blue Willingham, shedding crocodile tears for Bart Hulett. He won’t show up until Garza’s done paying his respects.”

    Nothing like dancing the West Texas waltz with bent lawmen, lupine outlaws, patrician drug lords, gaunt killers and Baptist undertakers with bordello tastes.

    In three-quarter time.

    ***

    Excerpt from The Best Lousy Choice: An Ed Earl Burch Novel by Jim Nesbitt. Copyright © 2019 by Jim Nesbitt. Reproduced with permission from Jim Nesbitt. All rights reserved.

     

     

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    Mailbox Monday

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    Mailbox Monday

    According to Marcia, “Mailbox Monday is the gathering place for readers to share the books that came into their house last week. Warning: Mailbox Monday can lead to envy, toppling TBR piles and humongous wish lists.
    Click on title for synopsis via GoodReads.

    Monday:
    ONE NIGHT GONE by Tara Laskowski ~ ARC TPB from Harper Collins

    Friday | Friendly Fill-Ins


    Hosted by McGruffy’s Reader and 15 and Meowing

    This week’s Fill-Ins:

    1. When I can’t ________, I get _____.
    2. Bring back __________.
    3. I’m embarrassed to say _________.
    4. I feel like _________gives my life meaning.

    My answers:

    1. When I can’t sleep, I get my book and read.

    2. Bring back family values and kindness.

    3. I’m embarrassed to say I am a smoker.

    4. I feel like my family gives my life meaning.