Chapter One

Death in the Passage

The narrow alleyway walls muffled the gunshot as uptown Charlotte slept. It was one thirty in the morning on Tuesday, April 1.

The phone call didn’t last long.

“It’s me,” the caller said. “I need your help.”

“I’m listening.”

“I have a body.”

“Whose?”

“Chance Landry.”

“Where are you?”

“Lincoln Street. Inside the Rivafinoli Passage in South End. Next to the Queen Charlotte mural.”

“Anyone with you?”

The caller explained who else was still there.

“You leave. Tell them to stay with the body and wait for my call. I need to think.”

Three minutes later, the call was made to the only living person remaining in the passage who could help.

“I am going to text you an address.” Next, they explained what to do with Landry’s body when they got to the address.

“Are you kidding? He’s already dead.”

But the person giving instructions had no sense of humor. “Just do it.”

A text message followed with the address.

The person who received the message knew how to follow directions and did as they were told.

Chapter Two

Vengeance is Sweet

The 11:15 p.m. email on Craig Travail’s phone read: Your friends are about to suffer financial ruin, untold heartbreak, and trials and tribulations. You have only yourself to blame.

What?

Travail read the email again, slower this time. He read it twice more. There was no author name. Just an unknown vengeanceissweet email address.

Travail exhaled. His email checking practice was a bad habit, a routine held over from his career when clients expected their lawyers to be available 24/7.

Nothing good ever came of his itch to scratch his email in-box for late-night messages, like now, when it would be twice as difficult to sleep after watching the late night local news—with its smorgasbord of crimes, collisions, and natural disasters—and reading this email.

One news story was about elder fraud, a reminder of how susceptible retirees are to financial fraud schemes. Was that what was coming for his friends at the Independence Retirement Community, which everyone called the Indie? Were the residents about to suffer financial ruin because of risky investments? If so, he’d be angry at the perpetrators for their heartless guile and frustrated with his friends for being so gullible.

The television show made the point, though, and he agreed, that adults spend most of their lives collecting assets to make retirement possible and the rest of their days worried if their accumulated treasure will last as long as they do, leading some retirees to make risky and uninformed choices with their nest eggs. Was that what his friends had done? Made bad choices with their money? Is that what the emailer taunted him about?

Travail’s instinct was to fire off a harsh response to the email with some choice lawyer-like words and warnings, but he ignored the bait—he suspected they wouldn’t respond anyway—and he punched the remote control instead.

The television screen faded to black, and his den fell silent, save for Blue’s rhythmic snores and his jerking legs. Travail’s black and tan coonhound must be dreaming, chasing ducks along the lake behind Travail’s cottage, as he was apt to do in real life, and as usual, failing to catch the waterfowl before they darted back into the water. Travail leaned over his club chair’s arm and let his free hand graze on Blue’s back until his pet stopped running in his sleep.

Maybe the email was a prank. Maybe, like him, a friend had become bored with life at the Indie. And yet, the email bothered him.

Whose lives—which friends’ lives—were about to be shattered? And how? And for that matter, why? And what did he have to do with it?

Since moving a year earlier into the Independence Retirement Community, Travail had made two best friends, Harriet Keaton and Yeager Alexander, and several other good friends. He’d met many other retirees, some whose company he tolerated and some whose company he could do without. Either way, he didn’t want to see anyone hurt. He certainly didn’t want his close friends to suffer, and he didn’t want to be the person responsible for their pain.

The flame on the candle he’d lit this morning was down to the base of the wick. He turned away from it, detesting the severe loneliness of March 31.

There was no logic for feeling so alone—what with all the crimes, court cases, and historic mysteries Harriet, Yeager, and he navigated since he arrived at the Indie and the time they spent together—but it was hard to control his feelings, especially the feeling of being by himself. A Jewish resident told him about the tradition of lighting a candle on the anniversary of a loved one’s death. It felt loving to strike the match in Rachael’s honor, but as day became night, Travail’s mood shifted. It had been three years to the day.

The flickering light had a strobe-like effect on the things that reminded him of Rachael: her furniture, her quilts, her artwork, her pictures. Travail missed Rachael’s kindness, her playfulness, her creativity, and the rituals they shared. The flicker made the past too present, making him long for another night and morning and day together. She was here, there, and everywhere, but nowhere at all.

Assertive is what he’d needed to be in the moment that changed everything. He and Rachael were in the mountains at a high-elevation rental for a getaway when a freak storm rolled in and dumped six inches of snow on the ground. Rachael decided to drive to the local general store to stock the pantry for their cozy weekend together. He had a work call and offered to go with her after he finished.

“It’s just snow,” she’d said.

“Okay, but be careful,” he’d responded.

“Always, dear.” Then she kissed him on the mouth, patted his bottom, and walked out of his life forever.

The news came in a phone call from the local police. First came the shock, then the grief, and then the Monday-morning quarterbacking. He should have insisted Rachael let him drive her. He should have done more to protect her. If he had, maybe she would still be here. Maybe the out-of-control delivery truck that hit the black ice would have killed him instead of her, or maybe Travail could have prevented the accident.

Spring in North Carolina was supposed to be about new beginnings, not endings, with the dogwoods and azaleas in bloom, but his eyes grew wet from the memories, and he felt a sudden heaviness in his body.

He looked at the email again and became resolute. For sure, he would not make the same mistake twice with the people he cared about. He would protect them.

But who was behind the email?

Whoever wanted sweet vengeance against his friends wanted vengeance against him too, because their pain would be his pain. The question for his lawyer brain—used to solving riddles for years—was: who despised them and him that much?

Like an unexpected electric shock, the answer startled him. This email was exactly the kind of plot his nemesis, Robert Elkin, would conjure. If Elkin hurt Harriet, Yeager, and his other close friends, he hurt Travail worse.

But wasn’t Elkin no longer a threat? They’d exposed his concealment of the truth about the Mecklenburg Declaration of Independence, avoided death at the hands of his father, pushed him out of his Big Law leadership position, and seen to it that the state bar took his law license. Elkin no longer had big-time lawyer power. The only thing he had was anger, resentment, and a low-paying job as a paralegal with a former client, though Travail didn’t know the client’s name or their business. It was a sharp drop from the level of influence that had made the man dangerous, and yet, there was reason to be cautious. Elkin was cunning and would hold a grudge till death do they part.

Travail leaned his head back in his chair, looked up at the ceiling, and pondered the text again: financial ruin, untold heartbreak, and trials and tribulations.

Harriet was too smart to get caught up in a financial scam. Not so with Yeager. He was impulsive, likely to jump at the chance to possess something shiny because it might become shinier.

Travail pulled an olive-colored sweatshirt over his t-shirt, woke Blue, and took him into the backyard to do his business under the stars. While he waited, Travail glanced across Lost Cove Lake to Harriet’s cottage. He inhaled the fresh night air, and he marveled at the main building’s reflection on the lake’s surface. Harriet’s lights were out. She, an early riser, must be asleep.

Seeing Harriet’s peaceful cottage raised a question he’d been pondering. Should he ask her on a date? Carrie Roberts, the Indie Gossip Queen, thought so and often shared her opinion.

Most days, it seemed like the right decision not to ask Harriet—or anyone else, for that matter—on a date. Three years wasn’t that long, really, since Rachael died. And yet, here he was, caught in a web he’d spun for himself, trapped somewhere between what he no longer had and the companionship he wanted but resisted. Harriet was his friend. Should he keep it that way?

Harriet would most likely turn him down anyway. He was a project, and he knew it, starting with the lesson she’d had to teach him last year that retirement living is not life’s dead end but a fresh path forward. And now, with him being a sixty-six-year-old widower afraid to address his feelings, she’d be quick to beg off.

Blue finished up, and the two headed inside. His watch told him it was a new day. He blew out the dwindling flame on the candle and headed to his bedroom, where Blue was already curled up on the end of Travail’s queen-size bed. Wearing only striped boxers and a white cotton t-shirt, Travail pulled the covers up to his chin. With a good night’s sleep, he’d be fresh in the morning to put his effort into stopping Elkin. He still had his law license, after all, and as Yeager would tell him from time to time, “You ain’t dead yet.”

He closed his eyes and imagined tying a dry fly rig with two nymphs on a dropper line, the key to catching river trout on and below the surface at the same time. This falling-asleep system was better than counting backward from three hundred by threes. It worked its charm in less than five minutes.

Travail didn’t know when he dozed off that the murder train had left the station. He didn’t know when he began to snore that someone had already set the trap for his friends. And he didn’t know when he fell into a deep sleep that when the sun came up, he would ponder, and not for the first time, how he could have been so wrong to believe retirement living would ever be boring or lonely.

***

Excerpt from Deadly Gold Rush by Landis Wade. Copyright 2026 by Landis Wade. Reproduced with permission from Landis Wade. All rights reserved.

Chapter 1

Place the blame where it should go: on chocolate. The good stuff. The variety that melts way too fast as you swirl it over your tongue and let it cuddle the inside of your mouth, knowing the sensation is fleeting, which makes it more delicious. Yeah, that’s the kind I’m talking about.

I opened the front door of my Vegas condo and instantly tried to slam it. Except, the man I faced handed me a golden, foil-wrapped box with the unmistakable Godiva logo.

He placed it in the palm of his right hand and extended his arm. Then he stepped back. With elegance and skill, he had baited the hook, and I was snagged. Just like that.

I’m fast and grab the box before he could pull away. Or maybe that was his plan all along. If it hadn’t been for the lure of delectable dark chocolate, I would have stayed happily ignorant about sex slaves, black-market babies, cheating preachers, and an assortment of lowlifes that suddenly intruded on my cluttered, frazzled life.

If only I’d slammed the door, I would never have been rejected, arrested, and nearly exterminated.

Wait, did you just say, “Back the truck up”? Sorry, writing a memoir is new to me, and I just got overly excited to tell you everything. Instead, I’m taking some deep yoga-style breaths and will give you the whole story, nothing but the truth, just like it happened.

You see, at the stroke of another scorching Las Vegas summer midnight, I found myself feeling the still sizzling breeze swirling around my sleep shorts and tank top—front door open, air conditioning spewing out into the neighborhood. I stood and sniffed the corners of the box, knowing full well the pleasures that were inside. Why was this guy on my doorstep? It was wrong. It was a moment, much later, I wanted to stop time—like you can while watching Netflix. Instead, I ripped open the box, placed a scrumptious piece of heaven-on-earth into my mouth and eyed up and down what the devil had dumped on my doorstep.

Medical studies have proven it’s a bad idea to let a woman with PMS eat a pound of Godiva at one time, or so some new report said. Trust me, however. It’s an even worse idea to try to take chocolate away from a woman, PMS or not.

Fortunately, this guy certainly knew women. So he waited. I gobbled three more. In a row. Then handed him back the two-thirds empty box. I’m not greedy, see?

Forget whatever you’re thinking. This man was not a hunka, hunka burning love, but seemed to be my pudgy grandfather. Or a doppelgänger dressed collar to cuffs in glitter galore, gold, and some gosh-awful alligator-esque cowboy boots. In blood red.

He squinted in the light of the front steps of my townhouse/condo combo, and his chin dragged low. He grumbled, muttered, and withdrew his left hand from behind his back, producing yet another box with the chocolatier’s signature wrapping. I told you he was good. I salivated, snatched it, and stepped out of the way. I’m not addicted to the stuff; I just like it a lot, a whole lot.

Okay, that gives you the abbreviated version of why, five minutes later, my disgruntled relative was huddled on the beige sofa in the sterile Las Vegas condo that came with my current job. It does not explain why I was stomping up and down in front of him, but I’ll get to that. You see, I’m usually the one who solves problems; that’s my field, being I’m a minister and all.

You heard it right. I might not look like any preacher you’ve ever met, being that I’m rounded in all the right places, and I prefer a flashier wardrobe than you may have seen on church ladies. Like it or not, that’s me, Pastor Jane Angieski. I’m ordained and licensed, overly educated and fully confused a good portion of the time. I’ve been told, by the governing board of my denomination, that I should be more professional. It’s taken a long time and therapy, but I like me as I am.

You’re not the first, you know, to wonder how a flashy gal like me got into the ministry business. Most folks do not come straight out and ask because they’re dumbfounded to find out I know the Good News backward, forward, and well done in the middle. My response when they sputter a question or raise both eyebrows to the ceiling? “You see. They have quotas. Recall affirmative action? The denomination needed more females who had curves and padding in their ranks. There were plenty of string bean ones.”

Honestly? Hold on to something sturdy:

When I returned to college to finish my master’s, I was working part-time in retail at Victoria’s Secret, then at a mortuary where I applied makeup to the dearly departed. I also gave out contraceptives and condoms at a free clinic in Watts, and did some hard time asking, “Do you want fries with that?” Along the way, I made enough to avoid incurring huge debt. Psychology was to be my field. I am outrageously curious about people. We humans are so weird, and I love it.

One steamy Los Angeles day, I attended a program on campus because the AC in my apartment was broken. I also knew that with luck there’d be cake and coffee. The program, as I found out, was to recruit grad students into the ministry. It was probably the sugar talking, but I signed on the dotted line and started that summer attending seminary. Graduated with honors, accepted an assistant minister gig straight out of the seminary doors and got kicked out because I volunteered to help the cops in tracking down hoods in the hood where I was the pastor in this ghetto church.

The church council didn’t mind that I nabbed the bad guys looking like a lady of the evening who could do it all night. What they didn’t like was that I appeared on the front of the L. A. Times in a hot pink leather miniskirt, strappy sandals that wound up to my knees and a blouse leaving little to the imagination of Great Aunt Tillie, or anyone else. The news story hit the floor running, and little old me was seen and talked about on PBS News Hour, CNN, Fox News, and then YouTube, and then it went viral. As if no one had seen a minister before. Go figure.

People magazine beseeched and besought me for an interview, full four pages of me, but better judgment kicked in. I turned it down after a call from a member of my denomination’s district council put the brakes on that one. Besides I don’t always want to stay and play second fiddle in the church hierarchy. I do have some pride and ambition. I’d like to be known someday as an important voice in ministry, not one of those television evangelists with flapping eyelashes and hair like dear old Marge Simpson. No offense, Marge. It’s not a good look for either of us.

The metaphorical knuckle-wrapping, to me, was worth it. It resulted in the dealing, drugging, and pimping partners in crime who went off to a helping place in another area of California, clogging an overstuffed prison system even more. Not my problem there. I got a letter of commendation from LA’s mayor and my backside booted to Vegas. I wasn’t exactly demoted, but I was no longer a full pastor. These days, if I should burp without saying, “pardonnez-moi,” the council hears about it. In detail. Hence, the youth minister I’m filling in for left exact instructions on the requirements of my professional demeanor so that I wouldn’t lead any teens down a slope where a flashing sign reads: Beware: She’s Crazy and Dangerous.

Back to the man of the midnight hour littering my living room. His grumbling continued. Like waiting out a storm, I sat down next to the huddled mass of manhood whose name isn’t Woe Is Me, but Henry J. Angieski, Ph.D.—my grandfather who just happens to have an alternative personality, one of a classic rocker with the 70s band Slam Dunk. You may have heard of him when he was called Hank A. Yes, that’s Gramps. Although you wouldn’t recognize him. I didn’t.

Gramps is a “let’s get coffee” kind, friends with Sir Paul, Bruce, Mick and a lot more you can name, if you like the older stuff. In all of my thirty-five years, I’d never known him to be defeated, never seen him without a sly smile and a plan to take on the world.

Quick familial footnote: He and Gram couldn’t have children, and they knew it before they married. Gramps told me like this: “Uncle Sam really needed me and thought a tropical Asian trip might help me understand humanity better.”

Translation? It was 1965. He’d dropped out of grad school to find his musical mojo. He was drafted, surprise, surprise, and sent directly to Vietnam where horrible things were happening, like an unpopular and soul-crushing war. Did you wonder how I got into this mix?

Gramps said, “I found the son of my heart there, honey. The kid was always hanging around the barracks. He had red hair like your gorgeous gram and the most intense almond-shaped eyes I’d ever seen. He picked up English like it was nothing, and one day when I handed him a guitar, he started to play chords. He was six or seven, but he didn’t know his birthday and had forgotten his father’s name, if he’d ever known it. Mom died in childbirth, and the bio family shunned him. The other guys in my unit adopted him like a mascot.

“I was finishing my deployment when I got word that I’d been accepted into the music program at the University of Southern California. Your Uncle Sam thought I deserved to return to California because, with this chunk of shrapnel in my knee, I was pretty useless as a foot soldier, and I told everyone the kid was mine.”

That country was in shambles, already invaded by the French, English, and Russians before the US stepped into the mess. So Gramps returned to Gram with a ready-made son whom they adored.

Fast forward ten years. Gram died after a painful battle with cancer, and a couple of months later I came into the world. My father somehow neglected to tell Gramps there was a teenager in his life who was about to birth their baby, and it was a surprise all around when she showed up one day with me in a pink blanket.

Parenthood didn’t rock the Richter scale of life for this young couple. Gramps, once more, manned up, and he became the saving grace for me. The story goes that the twosome, my bio parents, piled their macrobiotic rice, pine nut smoothies, ceremonial drums, unfiltered carrot juice, and love beads inside a rusting, hand-painted purple VW bus, dotted with yellow daisies, and went in search of their bliss. I believe they were about ten years past the real hippies, but that didn’t seem to deter them. The last I heard, when I was sixteen, was that they were in Sedona, selling therapy rocks to tourists. I was happy for them; I had the best grandfather, the coolest Gramps in my school. However, getting a rock in the mail for one’s birthday stunk.

Enough about me. At least for a few minutes—unless it has to do with the reason I wrote this memoir, which is to explain why I ended up a viral sensation on YouTube. Again. Although the in-between stuff scared me silly.

Gramps interrupted my gallop down Memory Lane with a grunt that sounded suspiciously like he was swearing, which I knew he didn’t. Or the normal-ish grandfather I previously claimed didn’t swear.

“Call me Onesimus,” he growled.

“What-a-muss?”

“Get a clue, you’re a preacher. You know this stuff. Always spouting it off as you do all that Bible-belting.” Then he grumbled about how his granddaughter could easily become a pompous prig.

“I’ve never belted a Bible in my life, I’ll thank you.” And I wondered in a tiny spot in my heart if I should look up the definition of prig before I felt insulted.

“Don’t give me that look, girl. I’m immune. Been looking at myself too long for one of your freeze-frame frowns to frazzle me and make me spill my guts.”

“Are you talking Old Testament or New?”

“Look it up, Pastor.”

He never calls me, Pastor. Never before had he even raised his voice to me. “Who are you and what did you do with my grandfather?” I demanded. My now mostly-retired from sex, gals, and rock and roll, and teaching at the university, grandfather lived in the beachy town of Carlsbad, California. “It’s midnight, and my real grandfather is safety tucked in bed right now, not in Vegas, baby.”

We stared at each other, then a flickering two-watt bulb flipped on. “Are you talking about Onesimus, as in the slave the Apostle Paul wrote about?”

“Bing-a-ding ding, girl. Listen, Janey, I’m having a crisis, one that, well, is personal, as private as it can get for a man.”

From the dancing rhinestones embedded on his denim shirt, past the belt buckle the size of Rhode Island, and the boots which had three-inch heels, the man was either auditioning for a low-budget movie or had lost his marbles. My real grandfather was a rock star, wore a lot of black, dragged a guitar everywhere and didn’t dress like a cowboy. He was dependable, had style, sure, and a heart for the next gal and guy. Always.

Okay, there were some ladies of a certain age, groupies if I’m honest, who would have had their way with him, but Gramps was incredibly discreet about that stuff. Then again, I never had a conversation about the birds and the bees with him.

“Oh, personal and private,” I muttered, regretting my decision to have that second Lean Cuisine Mexican Medley. I did not ever, ever, want to discuss my grandfather’s sexual inadequacies or his performance issues, and the souring sensation in my stomach agreed. Big time.

Instead, I blurted, “Men your age are well past that. For Pete’s sake, don’t tell me you’re in Vegas to marry an 18-year-old, half-naked dancer who wears pink feathers that glow in the dark with matching pasties that barely cover her nipples. And that she’s just misunderstood and currently employed at a local strip joint because she’s putting herself through med school.”

He just took off a boot. There was no denial.

“She’s not some chorus babe, Jane. She has to be at least 18 or 19, however. Guess she could be 16 with a fake ID. I never asked.”

***

Excerpt from Jane Won’t Quit by Eva Shaw. Copyright 2026 by Eva Shaw. Reproduced with permission from Eva Shaw. All rights reserved.

CHAPTER ONE

The blot of ink stuck to her finger, tacky like drying blood. Leona scrubbed at it with her handkerchief as the clock chimed two hours after midnight. She capped the inkwell, and while the ink dried on her most recent entry, she organized the copies with ribbons. Blue for Daphne and red for Ruth. With shaking hands, she slipped the copies into stiff cardboard folios and tied them closed. Sighing, she set them on the desk in front of her.

The flames in the hearth beckoned. This wasn’t the first night she’d yearned for obliteration. It wouldn’t come if she gave in to the urge to throw her labor into the fire. Only paper and ink would vanish, leaving the memories behind.

Pen and ink or back to the laudanum.

A grim thought, the grimmest of all.

The words had clawed their way out tonight. She’d begun the memoir of her time as a Union soldier months ago with the hope her drowning spirits would revive once the words dropped to the page. Yet the foreboding crept through her and tightened around her throat as the little study filled with familiar shadows. This old terror had become a second skin, like the tattered and dirty uniform she’d once worn.

Over the monotonous chatter of the rain, the clock ticked away the seconds until her husband came home. Leona moved to the window, pushed aside the heavy velvet curtains, and looked out at night-shrouded Cranberry Street. A lamp glowed in a window across the street. Homesickness for Boston, for life before the war, for herself before the war, settled on her. The wind threw a heavy splash of rain against the window, and she jumped back, letting go of the curtain.

Pacing the study, her restless thoughts rushed on without fatigue. To keep the memories inside only fed the persistent mental return to the battlefield, and the outpouring of words somewhat tamed her tormented soul. She stopped and touched the folio. Work would save her: work, family, friendship, and love. Maybe she’d write a story about two clocks. A natural clock which kept good time and a mad clock that twisted time out of true.

The street door below opened and closed. At last Gil, home safe. She couldn’t even bring herself to scold him for being so late. Leona listened for his footsteps as she crossed the room to tuck the folios into her desk drawer and locked it. She closed the gaslight apertures in the study and turned up the flame on the wall sconces in the drafty hallway so he could find his way. In the bedroom, she shed her dressing gown, stepped out of her slippers, and kicked them under the bed. Gil made his clumsy climb up the stairs. When he stumbled into the room, she pulled the covers back. He fell into bed fully clothed beside her, mumbling and fretful, the sharp ripe scent of whiskey lacing his breath.

She laid her hand on his shoulder. Beneath the cloth of his shirt, his skin was cold and damp. “Rest now, go to sleep,” she whispered.

***

At first light, Leona had dressed in a blue and cream day gown and made her way downstairs for breakfast. The creeping dread of the night before had waned. She rubbed her gritty eyes and yawned again. Mrs. McCarthy poured coffee from the silver pot, the familiar, civilized table a welcome sight. The scent of bacon made her stomach growl.

“Are you well, m’um?”

Leona glanced into the broad face of their cook and housekeeper, a sturdy and mature woman with a comforting Irish burr. She wore her fading blonde hair in a crown around her head.

“I didn’t sleep much.” Leona yawned again behind her fingers.

Gil’s heavy tread on the stairs made them both jump, and Mrs. McCarthy squeaked.

“I’ll bring more breakfast in a jiffy.” She fled through the side door to the kitchen just as Gil ducked through the hall entrance.

Leona rose and smiled at her husband. He’d made a great effort to come down early after returning so late. She accepted his peck on the cheek, poured him coffee and set it between them, wifely mask in place. He glared with bloodshot eyes at the letter in his hand, and her stomach clenched.

“It’s not all bad news, Gil.” She’d read the contents of the letter before leaving it on his desk in his study, as Grandfather had addressed it to both.

He raised his hazel eyes to her. “You recall Henry has absconded with all our funds?” he asked in a sarcastic tone, squinting at the letter, then back at her.

She no longer knew what to say about Gil’s former business partner, Henry Caldwell-Jones. The police were still looking for him. It put the devil in Gil’s eyes to speak of it, so she tried to let it be, not wanting to distress him even more.

“Of course, I remember, Gil. I—”

“And now your grandfather won’t give me a second loan. I’ll have to go back to the bank and ask them again.”

“He only wants to speak with you face to face about our situation,” she said, in her grandfather’s defense. “He’ll help us, Gil. He did offer to speak at the lyceum on his return from Ohio, to help raise funds. It isn’t as if—” Or was it? “We won’t lose the house, will we?”

The muscles in his lean face twitched as Gil fought to hide his disappointment, and her heart broke a little more to witness it. “Your grandfather does not bring in the interest he once did.”

It was true Leona’s grandfather, poet, abolitionist, and Transcendentalist, didn’t bring in the money he used to at readings in New York and Brooklyn, but he didn’t suffer for it.

Gil raked his fingers through his thick, brown hair and opened his mouth. Mrs. McCarthy entered with his breakfast, apparently stopping what he meant to say next. He reached inside the pocket of his trousers and pulled out a small notebook and pencil. Laying them on the table, his frown deepened.

Once Mrs. McCarthy had bustled out again, Leona said, “I could write to Aunt Louisa.” Who was not truly an aunt, but a friend of her mother’s.

He opened the notebook and touched the tip of his tongue to the pencil. “We cannot afford to feed and house a man of Bronson Alcott’s caliber,” he replied with heaviness. He bent his head to the columns of numbers on the pages.

His confidence and spirits were usually high, and it hurt to see him laid so low. She did mean Louisa Alcott herself, not her father Bronson Alcott, as the speaker for the lyceum to draw a crowd. Her novel, Little Women, published two years before, had become hugely popular.

“I’ll sell the lyceum, that should help,” Gil murmured, eyes downcast.

Leona winced. It was where they’d met nearly a year before. At a loss again, she glanced down at her lapel watch—9 o’clock already. She stood and set cups and plates on the tray.

“Let Mrs. McCarthy do that.” His pencil went on calculating their precarious position.

“I don’t mind. I’m off to see Daphne this morning. I won’t be home until the late afternoon.” Taking a deep breath, she dared to ask, not expecting an answer. “How much do we owe?” She blew out her held breath, apprehension biting at her. “Why won’t you tell me how much Henry has stolen?”

“He’s made me a laughingstock.” His handsome lips formed a tight smile, but he didn’t look at her. “Don’t you worry, Leona, leave it to me. This will all be over by Christmas.”

***

On the street, she began to walk, then turned to observe the window where Gil labored, smoke curling from the chimney. The image stayed with her as she made her way to the newsstand around the corner and waited patiently for her turn to buy a paper. The sunny day, though cold, had driven people outdoors, well wrapped in fur-collared coats and wool scarves. Woodsmoke and the sharp tang of the river mingling with the scent of baking bread drifted on the breeze. She chewed on the frustration that he wouldn’t share their financial details with her. It made her more fearful not to know. Though she kept the memoir and chapter stories a secret from him, this was hardly the same.

Passing the newsstand, an article about the new bridge caught her eye so she bought the latest Brooklyn Eagle. The previous summer, the four of them, Henry, his wife Helen, herself, and Gil, had stood at the end of Noble Street to watch the construction of the giant caissons in the naval yard. Though approval of the bridge was a long-foregone conclusion, the article was typical of the Eagle’s awful anti-consolidation fear mongering. The article repeated the claim linking the boroughs would only bring the dregs of Manhattan’s Lower East Side into Brooklyn’s pure white Heights. The wrongness of such an attitude churned her stomach.

Leona folded the paper and tucked it under her arm with the folio, sighing. Who would save the poor of this world from the hatred of the rich? Her spirits drooped lower.

She breathed deep the November air on familiar, tree-lined Remsen Street, where she’d lived for two years before marrying Gil in August. The red door of the brownstone opened, welcoming her in. Timothy, the butler, took her hat and coat. Before he disappeared with them, his eyes met hers with a familiar blue twinkle.

“I’ll tell her you’re here,” he said.

“Thank you.” She inhaled the sweet smell of hothouse roses set in vases along the long hallway and waited for word of her arrival to reach Daphne and her nurse Audrey.

Audrey approached from the depths of the house. Her eyes, though hooded, were a pure delphinium blue, blonde hair pinned tight to her head. She wore a plain uniform of dark gray with long cuffed sleeves and a white apron.

“Mrs. Van Wyn is in the Lavender Room.” With a curt nod, she turned away.

When they first met, Leona and Audrey had often shared tea and conversation, but of late Leona felt nothing but a wall of smothered animosity between them. They hadn’t argued, as such, though she had an idea where the strained relations came from.

“Is she well?” Leona asked.

For a moment, she didn’t think Audrey would answer, but the woman turned toward her again. “She passed a quiet night. The laudanum helps.”

Leona frowned. Audrey flicked a dismissive hand and went on her way.

The introduction of laudanum in Daphne’s life began not long after Leona moved to Cranberry Street with Gil that summer. The spas and cures Daphne’s grandson Benedict and his wife arranged didn’t seem to help anymore. The family hired Audrey, who administered the laudanum, a common enough panacea. Laudanum’s presence always disturbed Leona, and she had protested to the family, but no one listened. Audrey had become cold after this discussion. Leona believed some of Daphne’s pain came from her daily battle with grief. Leona often feared her own grief and the overuse of laudanum, prescribed by a respected doctor in Boston, had killed the child from her previous marriage to Jack Davenport. Poor dead Jack.

***

Excerpt from The Last Fatal Hour by Jan Matthews. Copyright 2026 by Jan Matthews. Reproduced with permission from Jan Matthews. All rights reserved.

Introduction

I’ve always been a fan of Agatha Christie, but not an obsessive one. I didn’t read and reread the novels. I didn’t go looking for obscure short stories. I didn’t read (and still haven’t) her Mary Westmacott novels. I treated her like most people did: She wrote good mysteries, and if they were handy, I read them.

Then Bill began the Complete, Annotated project by publishing Dorothy L. Sayers’ Whose Body?, followed by Agatha’s The Mysterious Affair at Styles. Over the years, as he annotated the next five of Agatha’s early novels, I read them carefully for possible footnotes. As I did, I paid more attention to her writing, her deft plotting, her sly sense of humor, and her ability to describe a character with a few sentences.

As I became more familiar with her novels, I realized that she’s underrated, probably because she was categorized as a genre writer. Some even consider her works cozies. Clearly, they never read Appointment with Death (1938), And Then There Were None (1939), or Endless Night (1967). I suspect that her Mary Westmacotts — which are described as romances — are anything but.

The publishing world applies labels to make it easier for bookshops to shelve their books in the store, not because they’re accurate.

In July 2020, as the world began opening up from the Covid-19 shutdowns, I was at the library, looking for a DVD to borrow. I spotted Crooked House (2017). I liked the novel, so I thought, “Why not?”

Crooked House was the second Agatha Christie film adaptation I had seen. Sir Kenneth Branagh’s Murder on the Orient Express (2017) was the first.

We needed fodder for the website (peschelpress.com) and I’d already been reviewing books, so I wrote a review of Crooked House. This reminded me that Bill was working on an annotated edition of The Secret of Chimneys. Was there a movie version? A review for the book would be nice. There was. It was an episode in a box set from ITV’s Marple.

Oookaaaay.

Having become overly familiar with Chimneys, I knew Agatha wrote it years before Miss Marple was a twinkle in her eye. But we watched it anyway. It was terrible. Bill wrote his review for The Complete, Annotated Secret of Chimneys, and I wrote mine for the website.

Since the library’s Marple DVD set included three more episodes, we watched them and I reviewed them for the website.

That’s when Bill said the fateful words that brought us here: “Let’s watch more Agatha films. You write the reviews. I’ll post them on the website, and we’ll publish them as a book.”

So here we are nearly three years later. We had no idea how big the Agatha project would become or how many films have been made for cinema and TV. Bill and I have watched more than 200 adaptations. This includes all the English-language ones we could find beginning with Adventures, Inc. (a 1929 silent movie), and many of the foreign versions too. For those, we were limited by availability and whether or not they had English subtitles. It’s criminal neglect that some of the finest Agatha Christie film adaptations in the world are from Japan, yet they’re unavailable in the West.

To my knowledge, we are the only people who’ve watched all the films. I’m definitely the only person who’s written and posted reviews for all those forgotten TV shows and kinescopes.

Along the way, I became much, much more familiar with Agatha’s writing as I had to read the novels and short stories to compare them to the films. She was cutting edge from the beginning. She invented what we call The Poirot, the practice of bringing together the suspects, explaining the clues, and fingering the criminal. It was a trope born of necessity, when her first attempt — Poirot testifying at the trial — didn’t fly with her publisher.

She began experimenting with narrative structure in 1924 with The Man in the Brown Suit. That novel has two narrators, one of them unreliable. Brown Suit is also a romantic thriller disguised as a mystery. Read the passage where Anne Beddingfeld administers to a mysterious, half-naked, sexy stranger’s wounds. This scene could be ripped from any romance novel of today (the sweet kind, not the spicy which would include far more detail). As a side note, the 1989 TV movie is very true to the text despite being turned into a contemporary.

Agatha was an innovative writer throughout her career. Her The Seven Dials Mystery (1929) is a mash-up of P. G. Wodehouse and John Buchan thrillers. Partners in Crime (1929) is a loose cycle of 16 short stories starring Tommy and Tuppence. Each short story is also a parody of a famous mystery writer, including herself! And unlike Miss Marple and Hercule Poirot, Tommy and Tuppence aged in real time, from the young, eager lovers in The Secret Adversary (1922) to retired grandparents in Postern of Fate (1973).

And what’s And Then There Were None (1939), in which 10 characters are dispatched in an entertaining manner for their sins, but a PG-rated slasher flick? As a sign of its influence, the basic plot has been lifted, the serial numbers filed off, and rewritten in dozens more novels and movies. The A.B.C. Murders (1936) is a prototypical serial killer novel.

Agatha’s innovations could fill a book and go a long way to explaining why she’s still read today.

The other reason is more subtle.

Whatever you can say about the quality of the adaptations (like The Secret of Chimneys, bleah), they keep Agatha in the public eye. Never underestimate the importance of TV shows and movies on an author’s reputation. For each person who reads, 100 people go to the movies, and a 1,000 people watch TV. Every time an Agatha Christie film is shown, people who’ve never heard of her learn she exists. Some of them search out her books and discover how good her writing is.

When a writer dies, they can vanish under the constant tsunami of books being written and published daily. Dorothy L. Sayers is a prime example. Sayers wrote at the same time as Agatha. She’s highly regarded and her books are great. But her estate, unlike Agatha’s, shows no interest in licensing her stories and novels for TV or movies. Say the phrase: “Murder at Downton Abbey,” then ask why her literary estate isn’t capitalizing on Lord Peter Wimsey, detective in the peerage and a duke’s brother.

The Agatha Christie estate does not want her writing to suffer that fate, so they license her short stories and novels. Some adaptations are excellent; some are dreadful. For a few, the only commonality between novel and film is the name. Most range in between but all have something to offer, even if it’s only great period clothes, quality acting, or English Country House Porn. Linenfold paneling! Crenelated ceilings! Parquet floors as elaborate as the finest Persian carpet!

Excuse me while I stop and fan myself.

Watching 200+ Agatha adaptations also taught me plenty about filmmaking, pacing, and soundtracks. I can now, sometimes, recognize an actor from another adaptation. I’ve enjoyed seeing how one novel can be interpreted multiple ways, resulting in wildly different films. The Pale Horse (1961) is a good example. The three films (including Miss Marple in one!) are recognizably the same story, yet they’ve nothing to do with each other. The emphasis is different, the characters different, the tone is different.

I’ve watched 13 different Poirots (including an anime version). Seven different Marples (including an anime version). Multiple Tommy and Tuppences. Each actor or actress brings something new to the character.

The foreign films demonstrate how universal she is. She wrote about dysfunctional families, mapped the class divide, noticed the lengths we go to for status and security, and found reasons for murder ranging from money to passion to safety.

Ironically, foreign filmmakers respect Agatha more than she is at home. Appointment with Death (1938) has been filmed three times, but the Japanese version is the only one that captures the novel’s cruelty and horror. The two English language versions fail, one moderately and one spectacularly. Of the four versions of The Mirror Crack’d From Side to Side (1962), only the Japanese version gives a voice to Margo Bence, one of Agatha’s most abused secondary characters. The other three versions ignore her because to face Margo Bence’s pain would mean admitting that the film business cares nothing for children unless they can be sold to make money.

We did not watch every single foreign TV episode even when they were readily available. There just wasn’t enough time. The best we could do was see enough to convey the flavor of a given series. If you want to see them, enjoy yourself! They provide very different views of Agatha and can be rewarding.

The novel that’s been adapted the most is And Then There Were None (1939). We saw ten versions, ranging from a blurry kinescope to slick studio productions with an all-star cast, so it merits its own chapter. Some versions hew to the stage play with its radically rewritten ending. Others stick to the novel, nihilism intact. Some combine the stage play and the novel, so Vera Claythorne learns who the puppet master was, begs for her life, and receives rough justice.

One final warning before you go: spoilers abound, so beware! Unlike Agatha, I don’t play fair with my reviews and hide whodunnit. Where I play fair is in telling you what I thought of them. I liked films that critics panned, and I disliked films others loved. I say why. I go down sidetracks. I enjoyed myself and I hope you will too.

So won’t you join me for an Agatha Christie Movie Marathon? You’ve got hundreds of hours of viewing pleasure ahead of you. Just remember to never accept a cup of tea you didn’t make, or take trips to lonely islands (or châteaus, or country houses) with strangers.

How to use this book

The films are organized by the starring detective. Miss Marple comes first, followed by Poirot, and Tommy and Tuppence. Next, a chapter is devoted exclusively to And Then There Were None, followed by the rest of the adaptations, and the final chapter is movies in which Agatha herself is the star.

Each chapter opens with a photo gallery showing the actors and actresses who played her detectives and characters.

There’s also an index, which is more important than it appears.

Seems logical, yes? Except that some adaptations removed Agatha’s chosen detective, turning the novel into a police procedural. When that happens, the movie is not included in the detective’s chapter. It’s included in “The Rest of the Christies”. Many of the foreign adaptations fall into this category.

Other adaptations (cough, ITV’s Marple, cough) insert a detective who didn’t exist in the novel. That’s why many standalone novels appear in the Miss Marple chapter. She’s now the star of The Sittaford Mystery, Murder Is Easy, The Pale Horse, and others. She also appears in a Tommy and Tuppence novel, By the Pricking of My Thumbs. Similarly, Margaret Rutherford snatched two Poirot novels and made them her own, so they appear in the Miss Marple chapter.

The chapters dedicated to And Then There Were None and the movies not part of a detective series are self- evident. “Agatha the Star,” however, deserves an explanation. In addition to her stories, Agatha’s life has become fodder for Hollywood. This includes the dreadful Vanessa Redgrave/Dustin Hoffman biopic Agatha (1979), a documentary that quotes from her and her work, a Doctor Who episode, and three movies that show Agatha’s exciting life investigating mysteries in a parallel universe. It focuses on Agatha, not her writing. Any relationship to Agatha’s real life should be considered coincidental. Even the documentary in this chapter is not entirely reliable.

Within each chapter, the films are organized chronologically. As you move forward in time, you’ll see changes in how a character was depicted and movie-making styles. Adventures, Inc. (1929) sets the stage. It’s the earliest Agatha film and the scriptwriter, Jane Bess, played fast and loose with the text. She led the way for hack screenwriters everywhere to rewrite Agatha’s prose.

Each review gets two pages. We chose a banner image and six photos of important cast members. I rate films by fidelity to text (or life in “Agatha the Star,” and either the play or the novel in And Then There Were None) and by the quality of the movie overall. The two ratings are separate, but they complement each other and give you a clearer understanding of what to expect.

The cast lists place detectives and police at the top. Everyone else follows in rough order of importance. We group families together to make it easier to work out relationships. Our cast lists are not comprehensive but the main characters are there.

Also note that for those foreign films which don’t name their characters from the novel, we provide that information. This was omitted when they rewrote them so much (such as Unknown (1965), the Indian version of And Then There Were None) that it would not be helpful.

At the end of the list come the film locations, or (in a couple episodes) a song list. Internet Movie Database and Agatha Christie Wiki provided most of the locations, but Bill added to that from other sources (see the bibliography). Knowing the film locations means you, dear reader, can visit the same castle as Poirot or Miss Marple.

Subtitles matter to me. We always looked for versions with subtitles as so many actors mumble or the sound quality is bad. If I can’t understand the dialog, I miss important points. Not every DVD was released with subtitles.

Fortunately, some of the older films like the Joan Hickson Miss Marples are being cleaned up for streaming. They get subtitles. But they aren’t being released as new DVDs so, no subtitles. If you can watch a streamed version, no problem. If you must use your TV and DVD player, you’re out of luck.

We had to have subtitles for the foreign films. We couldn’t see some films we wanted to (we especially regret passing up the Japanese Murder on the Orient Express) because they either weren’t available with subtitles or they weren’t available at all.

The index will help you find a specific film. This isn’t just because some novels got Miss Marple inserted, putting them into the Miss Marple chapter. Agatha’s novels were often released under different names. For example, the novel Lord Edgware Dies (1933) was released in the U.S. as Thirteen At Dinner. It’s been filmed three times, twice as Lord Edgware Dies and once as Thirteen At Dinner. But they’re all based on the same novel and the index connects them.

I list all the names, with a note as to which film it applies to. Or, as with Margaret Rutherford, the film’s name doesn’t correspond to any edition of the novel but I tell you what to look for.

The bibliography provides further reading and shows where some of my information came from.

Enjoy the book. We enjoyed watching the movies, podcasting about many of them, and writing the reviews. We want it to be used, encouraging you to watch Agatha Christie on the screen, always different but always her.

How the movies are rated

Each movie is given two ratings. Fidelity of text is exactly what it sounds. How close is the film to the original text? Sometimes, only the names match. Other films are so faithful, they’re lifeless.

Quality of movie is about the movie itself. Did everything together work as a film? Often, a very good movie isn’t faithful to the text at all (see Miss Marple in Ordeal By Innocence (2007)). If something jars about the movie, I’ll indicate it here.

The rating icons demonstrate Agatha’s many, many ways of killing. Blunt objects, poisoned cocktails, garrotes, knives, guns, stranglers, being pushed down a flight of stairs. They usually reflect the first murder in the film.

A few films, such as And Then There Were None, get five different symbols to reflect all the ways those nasty people got iced.

How to find the movies

We watched the vast majority of the films on DVD on our TV set, the one our neighbors were throwing away. You’re correct that we count our pennies.

That’s why we use our public library. If yours is like ours, it contains a surprisingly large collection of Agatha Christie films. All you have to do is get a library card to borrow them.

You may, like us, have access to more than one library. It’s worth learning what’s available in your area. We belong to our local library (the Hershey Public Library) and to our county library (the much larger Dauphin County Public Library). They often carry different titles so I always check both before moving on to the next step.

Your library is bigger than your municipality, your county, or even your state. Ask for the interlibrary loan librarian. For us, it’s Denise Philips. Denise got us all kinds of DVDs from libraries across the country. This service is usually free, as libraries are tax-supported. Ask and you may be very pleased. The interlibrary loan may take a few weeks for the requested movie to arrive, but it nearly always will.

If Denise could not get us a title, Bill would search eBay and Amazon. We bought a universal DVD player so we could play DVDs from Europe.

There were obscure kinescopes that were on YouTube, so we watched them on the computer.

There are streaming services, including Amazon which gave us access to Britbox. Dailymotion let us watch the Japanese films.

We don’t recommend skeevy pirate sites. They’re illegal, don’t pay royalties to the creators, and whatever you get will be loaded with viruses and malware and the film may be incomplete or damaged.

*** A review ***

The Sittaford Mystery (2006)

Epic expansion of Trevelyan’s life
leaves little room for a coherent
mystery for Miss Marple to sort out

Fidelity to text: 1 pharaoh’s curse

The novel was eviscerated. The murder, séance, escaped prisoner, and a few names remain. Everything else, including the murderer, were altered beyond recognition. Miss Marple resented being shoved in; she stayed defiantly offstage for long stretches.

Quality of movie: 1½ pharaoh’s curses

The scriptwriter shoved ten pounds of plot into a five-pound running length and the result is incoherence with snow.

The Review

Queue up Sir Mix-a-Lot and “Baby Got Back” and recite along with me:

Oh. My. God.
Look at that plot!

You’ll have to sit through this episode twice (at least) to understand what’s going on. This film is 93 minutes long, not long enough for all the disparate plot threads to be woven in a cohesive fashion. The film needed a minimum of another twenty minutes running time to do it justice.

But since ITV didn’t do that, you, dear viewer, will be left asking what just happened? Rewind, dammit! That’s what we did. Repeatedly. Yet there were many moments when I still can’t tell you what was going on.

The trouble starts with forcing Miss Marple into a property that was never written for her. This can work: see ITV’s By the Pricking of My Thumbs, a Tommy and Tuppence novel.

Not here. In fact, Miss Marple disappeared for long stretches of the film, doing heaven only knows what in Sittaford House while sitting out the blizzard. Maybe she was questioning the staff (we only see one servant in the mansion but there must be more), knitting, and speed-reading Captain Trevelyan’s memoirs. She certainly wasn’t at the Three Crowns Inn, inspecting the body and questioning the guests, even though most of the action takes place there.

An entirely new plot is shoehorned in, vastly expanding Captain Trevelyan’s character and backstory. Suddenly, he’s a war hero (WWI), a suspected war profiteer (WWII), an Olympic skater in between (I think; the dialog was incomprehensible at many key points), a major candidate to be the next prime minister (Winston Churchill (!) has a scene with Captain Trevelyan), and he’s a noted archeologist having discovered a major tomb in Egypt back in 1927 that made his fortune! Compared with Capt. Trevelyan, Indiana Jones was a lazy amateur.

But all this rewriting was necessary to give Timothy Dalton scenery to chew to earn his paycheck. In the novel, Captain Trevelyan exists to be swiftly murdered. He doesn’t even get one line. In the movie — since he’s Timothy Dalton — when he’s not emoting in front of us, he’s the topic of conversation by the other characters.

Which I can understand. It’s Timothy Dalton, and my goodness does he look yummy. Some men age very well and he belongs to that lucky cohort. He’s also got to be expensive so the producers made sure to get their money’s worth. Pity they didn’t spend some of their money on a better script or more film stock.

But he didn’t age that well. I had a hard time believing that virginal, lovely, dewy, eighteen-year-old Violet Willets (Carey Mulligan) fell madly in love with a man old enough to be her grandfather. I know why he did, and it’s not just because Violet resembles the woman he callously abandoned twenty-five years prior in Egypt. Violet is delicious, naïve, and believes every word he says and what man doesn’t want that? As for Violet, she didn’t come across as a gold-digger, which is the usual reason sweet 18-year-olds marry men old enough to be their grandfather. Or maybe she was one and the tacked-on ending where Violet runs off to Argentina with Emily Trefusis proves it.

Violet certainly wasn’t broken up about her husband being murdered on their wedding night. If anything, she seemed relieved. She got it all. The Trevelyan name, the inheritance, two tickets to Buenos Aires, and she didn’t have to sacrifice her sweet toothsome body to some old man, even if he was Timothy Dalton.

The Egyptian subplot was of major importance yet it didn’t make any sense. There was the paranormal aspect too, with a ghostly maiden showing up in Captain Trevelyan’s visions. Was there a curse on the gold scorpion? Was he going crazy? We’re never told. The ghost follows a different movie’s script when it appears and vanishes.

This script also doesn’t tell us how an Egyptian servant can show up in isolated Sittaford in 1949 and get hired on, no questions asked. I understand that the servant problem was bad enough that the upper crust didn’t ask as many questions as they could. But here? Really?

We know Captain Trevelyan did potentially bad things in Egypt. Yet he wasn’t suspicious when this mysterious Egyptian showed up at his door? He’d been having weird dreams about his past. He’s got a burgeoning political career which means close scrutiny of his private life. He’s supposed to be a smart man.

Add in the even more incoherent subplot about the escaped prisoner from Dartmoor prison. None of that made sense; not the purchase of the inn a year prior to the events of the story, not the backstory of how the star-crossed lovers met, not how the prisoner escaped from Dartmoor prison and found his way across the moors to be reunited with his paramour and cousin and their eventual escape to freedom.

There’s also the American war profiteer who helped Captain Trevelyan make a fortune manufacturing substandard munitions that killed more American sailors than the enemy. The American war profiteer’s personal aide-de-camp and quack doctor made even less sense. Why did the war profiteer need him around, other than as a dogsbody? There was mumbled dialog that sounded like they were both in the mafia, but it was unclear.

We also meet the incompetent government clerk who’s looking into Captain Trevelyan’s background to ensure nothing questionable is revealed to the press, thus discrediting the party. He’s not doing a very good job if Captain Trevelyan was a known associate of American war profiteers and he doesn’t know.

Then there’s Charles Burnaby. In the novel, he’s boy-reporter Charles Enderby. The name change was the first step in his complete reworking of motives and backstory. Yet we get no foreshadowing of his dramatic personal life or of his connections to the Trevelyan family.

We get almost nothing of James Pearson’s connection to Captain Trevelyan either. We get even less of a reason for Emily Trefusis to be engaged to James Pearson, boy alcoholic, other than that old standby: He’ll inherit big when Captain Trevelyan dies. Maybe that’s why Emily runs off to Argentina with Violet. She gets the money and the girl and doesn’t have to marry the boy alcoholic.

I could rant on, but you get the picture: This movie was a mess, barely suitable for Timothy Dalton fans. ITV could have saved the cost of his salary and paid for a better script. Or, they could have capitalized on Timothy Dalton and added another twenty minutes of movie, explaining all the subplots and how they connected.

General Information

Based on: The Sittaford Mystery (U.S. title: The Murder at Hazelmoor; novel, 1931)

Run time: 1 hr., 40 min. Subtitles: No

Writer: Stephen Churchett

Director: Paul Unwin

Cast

Geraldine McEwan as Miss Marple

Timothy Dalton as Clive Trevelyan
Mel Smith as John Enderby
Jeffery Kissoon as Ahmed Ghali
Laurence Fox as James Pearson
Zoe Telford as Emily Trefusis
James Murray as Charles Burnaby
Rita Tushingham as Miss Elizabeth Percehouse
Michael Brandon as Martin Zimmerman
Paul Kaye as Dr. Ambrose Burt
Patricia Hodge as Mrs. Evadne Willett
Carey Mulligan as Violet Willett
Matthew Kelly as Donald Garfield
James Wilby as Stanley Kirkwood
Robert Hardy as Winston Churchill

Film Locations

The Flower Pot Pub, Henley-on-Thames, Oxfordshire (pub exterior)
Dorney Court, Dorney, Buckinghamshire (Sittaford House interiors)

***

Excerpt from Agatha Christie, She Watched by Teresa Peschel. Copyright 2023 by Teresa Peschel. Reproduced with permission from Teresa Peschel. All rights reserved.

From beginning of Chapter One…

Paradise isn’t always what it’s cracked up to be.

Sure, Valerie Corbin knew she and her wife Kristen were supremely fortunate to now reside in the quaint, still-stuck-in-the-1970s town of Hilo on the magnificent Big Island of Hawai‘i—home to lush jungles, fiery volcanoes, black sand beaches, and coral reefs teeming with eye-popping tropical fish.

But at this moment, all she could focus on was the bull terrier-spaniel mix next door barking so loudly that it almost—though not quite—drowned out the whine of the pneumatic tools its owner was using on a jacked-up truck, the parts of which were currently scattered all across his driveway.

Letting loose a few choice words regarding both dog and man, Valerie slammed shut the window above the kitchen sink, then returned to the stove to poke at her potatoes simmering in a pot of water. At the sound of the back door opening, she looked up to see Kristen and her nephew, Sean, come inside from the lānai, Valerie and Kristen’s little white dog, Pua, trotting after them.

“We couldn’t take the racket anymore,” said Kristen, tossing her Outside magazine onto the counter. “Does he ever stop?”

“Who—Akoni or Larry?”

Kristen laughed. “Both, I guess. And yeah, I know the answer: rarely. Especially Akoni, with his constant yowling. Though I gotta say, it seems like Larry’s been working on his vehicles a hell of a lot more of late. And I don’t believe I’ve ever even seen that particular truck before. You think he’s started repairing other people’s vehicles, too?”

“Oh, God, I hope not. Though that would explain the increased frequency of the noise.” Valerie switched off the heat under her potatoes, then turned to Kristen. “I wonder if it’s legal to have a car repair business in this neighborhood. Maybe I should ask at tonight’s meeting if anyone knows.”

“Or maybe you could just talk to your neighbor about it,” put in Sean, who’d taken a seat at the kitchen table and was busy typing something into his phone.

Valerie and Kristen exchanged glances, after which Valerie replied, “Maybe later. But first we should figure out where we stand on the issue.”

Sean set down his phone with a shrug. “So what’s this thing you’re going to tonight, anyway?”

“It’s the monthly meeting for the neighborhood orchid society,” said Valerie, carrying the pot to the sink and dumping the steaming potatoes into a colander. “Shirley invited me—you know, the woman who lives at that house down the street with all those beautiful orchids in her tree ferns? I was admiring them the other day, and after we got talking, she invited me to come along tonight to see if I might be interested in joining. You wanna join me?”

Sean let loose his man bun, held in place by a wooden hair stick, and shook out his dirty-blond locks. “No can do; I’m working tonight at the hospital. It’s my first time in the ER, which should be interesting.”

Sean had come from Arkansas to do a three-month stint as a visiting nurse at the Hilo hospital and was now on his second week at the job—and at Valerie and Kristen’s house, where he’d be staying for the duration of his time on-island. “I didn’t know you were into orchids,” he said in a lazy drawl, pulling his hair back from his face and retying the bun.

“I wasn’t, not till we first got to Hilo. But they’re so amazing and, I dunno . . . other-worldly.”

Star Trek flowers, I call them,” said Kristen, and Valerie nodded.

“And they’re so easy to grow here, so I’m thinking it might be fun to try it myself. Plus, it’d be a great way to get to know some of the folks in the neighborhood a little better.”

“Like Larry?” asked Sean with a grin.

“Ha. I’m not so sure he’s really the orchid type . . .”

***

Excerpt from MURDER, LOCAL STYLE by Leslie Karst. Copyright 2026 by Leslie Karst. Reproduced with permission from Leslie Karst. All rights reserved.

ONE

Present Day, Los Angeles
Carly Bennett

Light blue on dirty blonde.

Creative writing professor Carly Bennett did a quick scan of her face from its reflection in the window that overlooked the University of Southern California quad and smoothed a crease in her pencil skirt.

If Carly had known that the dean of the English department would schedule a last-minute meeting with her, she would’ve picked a better outfit than one that screamed, “I had no time to take this to the cleaner, so I ran a fast iron over it. But thank God the skirt is black so no one can see the stain from when my coffee cup lid jimmied its way free this morning.”

Nothing like near first-degree burns on your thigh from an errant Starbucks Pike to jolt a person awake during LA’s slog of a commute.

No matter. Here she was.

And she’d be ready. Even though she needed to master her prep on the fly.

Carly turned the corner to the English department’s Office of the Dean and forged through her speaking points that she’d deliver to her boss, Bert Scanlon.

“Making the LA Times’s ‘Thirty-Under-Thirty’ list was a complete surprise, but I’m so happy that the article will shine a spotlight on the great work our team is doing under your leadership.”

Ack. Too mealy-mouthed. Plus, it made her sound like a big-headed brown-noser. And nobody likes that person.

“Thank you for the kind words. Please know how much I appreciate that you believe in me, and I swear, I won’t let you down.”

Better, and that sentiment was from the heart.

Carly pictured her face, front and center on the page when she’d pulled up the LA Times story that morning and hoped that the people she used to know from her early Malibu days saw it too.

Elitist jerks.

As for herself, Carly had read the write-up, over and over, until she could now recite it in perpetuity.

Carly passed by the USC English department’s wall of fame, which showcased its students’ esteemed awards through the years. She paused when she saw her name, capturing a moment in time from freshman year. Her: scared to near speechlessness amongst the far cooler co-eds but finding strength behind her pen.

Winner of the 2018 Undergraduate Writing Prize—First Place: Carly Bennett

Had she really come this far? Most would’ve marked her a losing bet at age twelve, her personal line of demarcation, but sometimes, even dark horses can come from behind and win the whole damn thing.

Four. Three. Two. One.

“You got this,” Carly whispered.

She reached for the security of her inhaler in her briefcase and entered Scanlon’s office.

Gretchyn Olson, a middle-aged woman with salt-and-pepper hair was working the phone with precision. She held up a single finger when she saw Carly.

While she waited, Carly continued to clutch her briefcase in one hand and placed the other behind her back, where she dug a fingernail into a stray cuticle.

After a beat, Scanlon’s assistant put the call on hold.

“They’re waiting for you,” Gretchyn said. “Hang in there, kid. Sometimes, you need to play the game.”

They? And what game was she talking about?

Carly’s neck felt hot, but she made certain she was smiling when she entered the office, where she locked eyes with Scanlon, who rose to greet her. Scanlon had a Mr. Clean, shiny bald head, and his stomach struggled to stay behind the confines of the clasped gold buttons of his tweed coat.

Seated across from the dean of the English department was an unfamiliar male, who was well dressed, neatly manicured, and appeared to be in his early fifties.

Carly shot the stranger an equally polite smile. Who was this guy?

“Miss Bennett, thank you for taking time to swing by under such short notice,” Scanlon said.

“Of course, sir.”

Maybe the man was another reporter from the paper who covered the education beat and was writing a follow-up article on the English department.

“I don’t believe you’ve met Franklin Yeager. You taught Frank’s son, Landon, last semester.”

In that moment, Carly felt like someone had jabbed an ice pick into her high-flying helium balloon.

The room became very still as Carly struggled to find the appropriate response.

“In all due respect, if this is about my former student, I think any further discussion should be held in private and between the administration, but I was under the impression the incident and disciplinary action had been decided,” Carly said.

A robotic delivery, but at least she got the words out.

“There’ve been some developments that have been brought to my attention. I asked Frank to come in so we could clear the air, so to speak,” Scanlon said. “Please, sit, Miss Bennett.”

Carly kept her place, arms folded, standing above the men, but when Scanlon cleared his throat, she acquiesced and found a seat next to her former student’s father.

“Landon didn’t plagiarize the paper,” Yeager said.

Yes, he did! Carly wanted to scream. Instead, she slipped her hands underneath her legs, in case her palms started to sweat.

“If my son did cheat, I’d be the first to request that USC boot him out the door on his fanny,” Yeager continued. “But I know my kid, and I also know a liar, and Landon is beside himself over this false accusation. I’ll be honest with you, when Landon first told me about the whole mess, I was ready to call my lawyer, but since Bert is an old friend, I thought, why not try and hash things out man-to-man first.”

She had to respond. The words were there, ready to make her point, if only she could find the ability and the guts to say them.

“But he did ch-ch-cheat,” Carly said, despising the catch in her voice.

When was the last time she’d stuttered? Probably a year ago, during her annual review with Scanlon. She wondered if the universe would grant her a reprieve, and somehow the two men hadn’t picked up on her residual speech impediment, which still ambushed her in the worst possible moments, rising like an unkillable weed despite all her years of work to get rid of it.

She shot a glance at Yeager, whose mouth had turned up into a bow that resembled a smirk or, worse, pity.

If she were going down, at least she had to throw a punch.

“I want all my students to excel, and if they need extra time on an assignment, they know I’ll give it to them, and my door is always open if they need additional help. But the paper Landon wrote was a complete replica of one I received from a different student last year. We’re talking down to the semicolon.”

Carly looked to Scanlon, hoping for some back-up, but the dean kept his focus on Yeager.

“Then it wasn’t a case of cheating but purely accidental on Landon’s part,” Yeager said. “Or is the word coincidental? You’re the English whizzes in here, and I’m a businessman who wouldn’t know a semicolon from a hyphen, but I do know mistakes can be made, even by well-meaning young professors. How long have you been a teacher? You look more like a co-ed than a professor, and I mean that in the most complimentary of ways.”

Yeager chuckled, sounding to Carly like the laugh was cover so he wouldn’t sound like a creep.

Too late.

Carly fought to speak up and defend herself. But she remained still and silent, stuck between two powerful, rich males who were doing a very fine job of reeling in the young, errant female who didn’t know her place.

“This is my second year at USC.”

“Miss Bennett is still relatively new to our school as a professor, but she’s a rising star in our English department and did quite well as a student here before joining our professional fold.”

The heat that Carly had felt in her neck earlier had now exploded into a full-blown, five-alarm inferno, despite Scanlon throwing her a pseudo-bone.

Carly had crossed her legs and put a hand to her throat to try and cover her growing rash when she noticed Yeager was staring at something on the bottom of her black high heel. Whatever it was seemed to give him great satisfaction.

“Mr. Scanlon . . .” Carly pleaded, but the dean interrupted.

“I appreciate that you hold your students to the highest of standards, as you should, but since Frank is a trusted friend to the school, this time, we’ll expunge the previous disciplinary action and wipe the slate clean. Landon can resubmit the assignment and finish up the course through independent study, so he won’t lose credit. I have your word that Landon will be more careful in his work going forward, Frank?”

“You bet. My kid is a good boy, and I knew we could wrangle this problem to the ground. You have my word on my kid and on my continued support. Generations of Yeagers have supported this school, and we’ll continue the tradition. “Fight on for ol’ SC, our men fight on to victory!” Yeager warbled, hitting the notes of the USC fight song slightly off-key but with great confidence in his delivery.

When Yeager stood to shake the dean’s hand, Carly looked to the bottom of her high heel and saw a Macy’s close-out sale sticker still affixed to its outsole.

Her previous high-flying balloon was now bits of spent plastic that an entitled rich boy and his adult minions had tossed into the dumpster.

“No hard feelings, OK? New teachers can make mistakes with the best of them,” Yeager said.

He extended his hand to Carly.

You sold your integrity for a buck, and to a total cheese bag when you know I’m right! Carly wanted to scream to Scanlon.

Instead, Carly remained quiet and stared at Yeager’s outstretched hand.

Scanlon cleared his throat again.

“Miss Bennett, the matter has been settled,” Scanlon answered.

The dean’s eyes narrowed, and Carly followed his cue.

She reached for Yeager’s hand, gave it a quick shake, and regretted it the second her skin touched Yeager’s.

“That will be all, Miss Bennett.”

This was so unfair. She had to stand her ground.

“Is there something else you wanted to say?” Scanlon pressed.

Carly paused, searching for the words. They were right there, but when she jumped from the platform to catch the brass ring, she missed and spiraled into freefall.

“Miss Bennett?” Scanlon asked.

“Th–th–th–thank you, sir.”

She couldn’t remember leaving the office, but there she was, back in the lobby. Carly hurried past Gretchyn, and by the time she reached the corridor, she was certain that she heard the two men laughing from behind the office door.

“HA! HA! HA! HA! HA!”

*

After escaping the humiliation-fest in Scanlon’s office, Carly lowered her head so she wouldn’t have to make eye contact, or worse, engage in fake, idle chitchat after her fall, and continued her fast walk to the USC faculty bathroom. She had ten minutes until her advanced creative writing class started, which was threading the needle a bit, but the familiar vice was constricting her chest, and if she didn’t take a pull from her inhaler soon, she’d be in the throes of a full-fledged, not to mention very public, asthma attack.

She struggled for air and rushed into an open stall. Once inside, she slammed the door, snatched her inhaler from her briefcase, and gave it a quick shake. She heard the familiar whistling sound coming from her throat and shoved her rescue inhaler into her mouth.

Feeling like a five-hundred-pound man was now sitting on her chest, Carly fought to stay calm. She closed her eyes, forced herself to hold her breath for the requisite ten seconds between puffs and prayed for the corticosteroid to kick in.

When the tightness in her lungs loosened, she could see, plain as day, her old practice phrase, the one she’d started reciting at boarding school to help conquer her stutter.

When her breathing steadied to a normal inhale-in, exhale-out, she whispered the words aloud to find her center.

“The girl wore her hair in two braids, tied with two blue bows.”

Not bad. Her voice was clear and strong this time, unlike her herky-jerky performance earlier.

How had she let herself choke, and on such an epic scale?

Feeling like she was no longer dry-drowning from her asthma attack, Carly took one more hit of her inhaler. She squeezed the metal canister and pictured Scanlon’s and Yeager’s mugs, having a big old chuckle at her expense.

“Never again,” Carly whispered, not quite believing it, but at least it was a start.

She rose from crouching position in the stall, straightened her shoulders, and then shot her middle finger in the air.

“That’s bravery right there, giving the bird to a restroom door instead of standing up for yourself. Next time will be different.”

Carly exited the stall and was relieved to see the faculty bathroom was still empty.

She splashed cold water from the sink onto her face, then patted her sticky armpits with a wad of paper towels from the dispenser on the wall. A poor girl’s spa day.

Having no idea how much time had passed since the start of her asthma attack, Carly worried that she was late for her next class. She grabbed her phone from her briefcase to check the time and gasped.

On the home screen was a photo memory, which captured a hoped-for promise never to come.

Carly ran her finger over the image of her mother and studied her twelve-year-old self. The photo had been taken by her then soon-to-be stepbrother Julien, on the day she’d met him and the rest of the Whites.

A pang of melancholy cut through her. Everybody would’ve believed her if she were a rich boy.

***

Excerpt from Everyone Is Perfect Here by Jane Haseldine. Copyright 2026 by Jane Haseldine. Reproduced with permission from Jane Haseldine. All rights reserved.

Prologue

Thursday, October 12
4:59 p.m.

Robert Chan froze in place, staring at the shadows in his hallway.

From the bedroom where he stood, Chan couldn’t see the shadows’ origin, just the elliptical darkness, spreading across the walls, creeping down the hall. As the sun descended beyond the distant Golden Gate Bridge, a chill seized the air, but Chan didn’t feel it. His eyes were fixed on the hallway, studying the growing shadows, searching for signs of movement, or a flicker.

A sign they came from something alive.

Shadows had always terrified Chan. As a child, long after his parents had gone to sleep, he’d lie motionless in bed, his face half-hidden by the blankets, staring at the ceiling. Moonlight, filtering through the branches scratching outside his window, cast a dance of light and darkness above him. Lurking within this specter of shadows, he’d see the spirits of his grandmother’s tales, the kuei-shen — the phantoms of the deceased trapped between the world of the living and the dead. Too frightened to move, he’d lay immobilized, watching as the shape-shifting kuei transformed, taking the forms of lions and dragons. He’d see the kuei-shen as they descended upon him, feel them as they entered his flesh, melting into his soul. The chill of their deathly presence within.

He’d carried those visions throughout his adult life.

Still, no number of childhood nightmares could prepare him for what he faced now.

Chan’s eyes shot from the hallway to the suitcase lying upon his bed, lid propped half-open, socks and underwear dangling over the edge. He rushed to the case, stuffed in two pairs of grey slacks, then dashed back to the closet. Glancing at the rows of cotton shirts, he shoved the stripes aside and grabbed the white Oxfords. Less eye catching, he thought, more anonymous.

Anonymity had never been one of Chan’s concerns before. As a young and hungry engineer in the Medical Applications Division of CyberTech Systems, he’d done everything in his power to avoid it. In the cutthroat world of Silicon Valley, anonymity in the corporate workplace was the high-tech kiss of death. In order to advance to the high-paying executive levels, Chan had to stand out, be noticed. And he did. Clocking in a string of over fifty consecutive 80-hour weeks, his work habits routinely drew the notice of the upper levels of CTS management. His ascent through the ranks of engineers was unprecedented.

But that was before he found the files.

Now, all he hoped for was to get out alive.

Shoving the Oxfords into the suitcase, Chan glared at the manila envelope on his bed. His stomach tightened. The envelope looked so mundane, so ordinary, like it contained any number of IKEA catalogs or Publisher’s Clearing House winner entries. There were no outward clues as to what it contained. The deception. The hidden discovery that was causing his once carved-in-granite life to crumble around his ears.

He wanted to grab that envelope and rip it to pieces, shred it; pretend he’d never found the files; get back to his life of deadlines and coding assignments, his twice daily visit to Starbucks with Elizabeth, his routine afternoon stop at the Porsche dealer where he’d been eyeing the new Boxster, dreaming of himself behind the wheel.

But it was too late for that. He’d been working on AI programing for a team of researchers at San Francisco University Medical Center, a special project assigned to him by the CEO himself, Reginald Erickson. All the engineers knew he was working on this assignment. His cyber-trail through the CTS database easily traceable. Every keystroke monitored and replicated. Each step readily apparent to someone who knew where to look.

The ringing of the phone snapped Chan to attention. He jerked from the bed, his eyes darting to the receiver then beyond to the digital clock on the far wall.

It was 5:00 P.M.

Panic seized him. No one should be trying to reach him at this hour. Not here. Normally, he’d still be at CyberTech logging in another eighteen-hour day pounding out code. No one should know he was home.

The phone rang again. Chan winced. His eyes shot to the envelope. He had to get out of there. Get the files to the Federal Building; get the evidence into the hands of the Justice Department or the FBI or whoever, get filtered into the witness protection program and hope to start a new life as an elementary school teacher in Wichita or Amarillo or someplace else he’d never heard of. Let the Attorney General, the world, see what he’d discovered before it was too late. Maybe they could put a stop to this.

But how do you stop a Presidential election?

The phone rang a third time. Chan ignored it, shoved the folder deep into the suitcase, covered it with a sweatshirt and slammed the lid closed. Yanking the suitcase off the bed, he rushed to the front door.

At the doorway, he paused, for just a second, turning to take one last glance at his apartment, his home for the last six years. The delicate Chinese watercolors, the bonsai he’d trimmed each morning, the wooden crucifix above his bed for his daily prayer. It all seemed like such a waste of time now. His plans to become a chief engineer, create his own start-up, propose to Elizabeth next Valentine’s Day were worthless. Vanished like rain drops that never reached the ground.

He swallowed hard and ran into the hall.

He didn’t get more than two steps before the first shot rocked him. The force of the gunfire lifted him off the ground and sent him hurling backwards through the open doorway. He collapsed onto his back, his vision dimming, descending into a miasma of swirling reds and greys. Pain, like fire, ripped across his belly. A metallic smell filled his nostrils followed by the coppery taste of his own blood.

Chan tried to swallow the blood bubbling into his mouth, but couldn’t. He became vaguely aware of the gaping hole that now occupied his lower abdomen. Warmth flooded down his flank, collecting at the small of his back. Pools of blood gathered on the white carpet. His eyes half-focused, Chan watched, as each crimson pool began to morph into vague shapes, like clouds taking patterns. In the blood, he saw the faces of his mother and his father, both dead for years. He saw the face of a long-lost uncle, and his childhood friend, Wong, who’d died in a car accident. He saw Elizabeth.

The pain sank deeper into his belly. He fought for breath. With the last of his strength, he craned his head towards the door where he could just make out the silhouette of a lone figure, a bald man, standing over him. He concentrated hard, trying to cement the image, and slowly, a vision came into form. His eyes locked on the muzzle of the silenced 40 caliber H&K pistol now aimed at his chest.

Chan sighed and allowed his head to fall back. Around him, the bloody pools gathered into new shapes, like the shadows of his youth, forming lions and dragons.

Despite himself, Chan smiled. He closed his eyes and allowed the darkness to seep into his veins, bringing with it a quiet peace, the realization that he wouldn’t have to run anymore.

The kuei-shen had arrived.

***

Excerpt from Deadly Vision by T.D. Severin. Copyright 2025 by T.D. Severin. Reproduced with permission from T.D. Severin. All rights reserved.