Chapter 1

The car bumped hard, the undercarriage hitting the edge of the shoulder, as it careened off the Garden State Parkway, heading for a stand of trees. The bump woke me up, and I jammed on the brakes and fought the steering wheel, cutting it hard left, but it was too late. The car fishtailed as the front smashed into a tree, the rear swinging right as the brakes took hold and crashing into another tree. I was flung forward, my hands coming off the wheel and banging against the console.

My hands were cut and bleeding as I sat staring at the road, the car twisted at a forty-five-degree angle. Pain throbbed from my right temple, and I realized I must have hit the windshield or the roof. A heaviness pressed down inside my head above my eyes, and I felt an urge to close them and go to sleep.

I forced myself to stay awake and get out of the car. I knew I was still technically drunk, but the crash had pumped enough adrenaline into my veins that I was hyper-aware, despite the likely concussion. I tried to open the trunk, but it was stuck shut, the right fender crunched in and bent on the top where it met the hatch.

A car passed going north on the other side of the Parkway. I looked back up the south-bound lane and saw no traffic. I stepped onto the road and half-jogged across, stepping over the median and across the north-bound lane. I glanced back at the car, slanted cock-eyed in the grass just past the Exit 6 sign for North Wildwood, then hurried through the grassy stretch alongside the road and into the woods that bordered it.

My only thought now was to avoid getting a DUI. I could deal with the car later. What a disaster. I had just bought the damn thing yesterday afternoon from a guy in Buena with a badly running nose and a burning desire to take my cash and go meet someone to make him well. That’s what I got for taking a lead on a cheap car from a guy holding up the end of the bar at a beer-and-a-shot place down the street from my house. I could have asked Lou to hook me up, but the price was right, and I just wanted something to get me through the summer. So I hitched a ride to Buena from a buddy who was headed to Margate, where I met Drew, the guy with the dripping nose. Drew had that pressing business to attend to, so he was fine with giving me the uncompleted paperwork.

Drew said, “Just see Mitch at the title place here next week, he’ll handle it.”

I trudged through the patch of woods, distancing myself from the Parkway. I came to a two-lane road and ran across that into deeper woods on the other side. I was about ready to just sleep under a tree there, when through a gap in the branches I saw an open field.

I pushed forward to the perimeter of the woods and stopped, trying to make out where I was. If it was somebody’s back yard, I would have to be careful. But there were no lights, just a dark field spreading out before me. I looked to my left and saw a brighter patch on the ground and a hundred yards beyond that a low building, maybe a garage?

I walked through tall grass to shorter grass, and as I got closer to the bright patch, I realized what it was: a sand trap.

I was on a fairway of Wildwood Country Club, the home course of my friend Lou Scolletta, whose house I was supposed to have been at four hours ago. There was probably a caddie shack I could hide out in, but I opted for a makeshift bed in the grass of a hollow a few fairways over. I lay down and, in the brief period before I passed out, wondered if this was the best way to prepare for the first day on my new job.

* * *

There was no way I wanted a full-time job working for Lou. I knew just enough about Lou to know not knowing anything more was the prudent path. The fact that he had just fired the prior manager for dipping in the till did not make the opportunity more appealing.

But there was a crazy part of me that thought running a place—a restaurant, not McNabb’s Tavern, the decrepit neighborhood tappie in Southwest Philly where until last year I humped kegs, mopped up fluids, breathed a lot of smoke and told myself I was the “manager”—might be something I could do. Because I was nowhere right now. No degree, no trade—just fifteen years of bartending that had ended when the last McNabb standing decided—wisely—that this was no way to make a living. The new owners didn’t need a mug like me in the fern bar that McNabb’s was to become.

I knew The Seabreeze, the quintessential Jersey Shore restaurant. When Lou bought it six years ago, I helped out a few weekends bartending when some of the corner boys he had hired just disappeared on him. It wasn’t hard finding someone to cover for me at McNabb’s. Our weekends were slower in the summer anyway, with a lot of folks going to the shore.

Lou and I hung out more back then. He bought the place in 1977 when I was thirty and Lou maybe thirty-seven. It was sort of a vanity project for him; his main business was a Cadillac dealership in South Philly. The following summer, he showed up at my bar with his son Davy—guess the kid was sixteen. He wanted Davy to get a summer job. Could we take him on, washing dishes, whatever? I wondered why he didn’t hire him at the dealership, but I guess he wanted him to work for someone else.

So I hired him, and he was okay, typical teenager, hardly said a word. There really wasn’t that much to do—we had a kitchen and did some sandwiches, but it wasn’t much to keep a dishwasher busy.

I guess that was the first favor I did for Lou. And I did owe him big, seeing as how his dad got me out of the draft back in 1967. Plus, Lou got me my first restaurant job, which was really a pretty good gig at a nice South Philly restaurant. But with Lou, you never felt like he was looking for payback. He just came off as a great guy, not like he was some connected dude that you had to say yes to. I’m sure he sold a lot of cars seeming like a great guy.

I used to give Davy a ride home sometimes, which often led to Concetta—Lou’s wife—asking me in to eat. There was always food, loads of food. She’d give me a plate of pasta, red wine out of a jug—might be ten o’clock in the evening, but so what? Then Lou would show up, and he wouldn’t bat an eyelash that I was there. Then he had me down to a little mom-and-pop restaurant near his dealership for dinner, and I met some of his friends. They were mostly older and had gone to Bishop Neumann or Southern, but a few knew guys from Kingsessing, my old neighborhood in Southwest Philly.

I thought about that pasta and how a mick like me was going to run a real restaurant, and, as I passed out in the wet grass at 3:30 AM, whether Davy was still having the same nose-dripping problems as Drew from Buena, a path I saw him starting down two and a half years ago.

* * *

The sound of a mower woke me up. The guy running it looked like he had seen worse. He pointed me to the caddy shack and gave me some coins for the payphone. Thank God Lou picked up, but then that’s Lou, he’s not surprised if some fuckup calls him at dawn. I washed up as best I could with cold water and no soap in the filthy sink in the shack’s bathroom, then waited outside the locker room, not wanting to meet up with anyone, until Lou arrived.

What a night. Blitzed out of my mind, drinking stingers like I was twenty in Somers Point, dancing with those crazy chicks, trying to teach me to moonwalk like Michael Jackson on that Motown show a couple of months ago. It was the Friday after a Monday Fourth of July, and it felt like the bar itself was stumbling under the strain of a week-long bender.

I had just stopped in for something to eat, then met these girls, three of them, late teens, which led to my dancing lesson. As it got late and the stingers took their toll, I figured maybe I’d just crash in the back seat for a couple of hours, then get breakfast somewhere, rather than roll in drunk at four in the morning and freak out Concetta.

Then two of the girls disappeared and the last one, Sharon, became glued to a chair at my table—that is, her butt was glued to the chair, but her face ended up stuck to the table itself, her long brown hair straggling out into the sticky remains of many ungodly drinks. At closing time, I struggled her to her feet and managed to get her to moan out where she was staying in Sea Isle City, a couple of towns south. After she vomited in the parking lot, I got her into the back seat and drove as carefully as I could, taking Route 9 to avoid the faster traffic.

I got the girl out of the car at her shabby rental duplex, leaving her sprawled on a chaise lounge in the screened porch. I banged on the door until one of her roommates appeared in a long t-shirt. We got her into bed and I talked the roommate through how to make sure Sharon didn’t choke on her own vomit.

I sat in my car, worrying about the girl. I was old enough to be her father, but being plastered in a Somers Point bar at closing time didn’t exactly qualify me to be in loco parentis. I was just a more experienced wastrel, a thirty-six-year-old failed bartender who would have been a disappointment to someone, if there was anyone left to fill that role.

When I left the girl’s rental, I figured it wasn’t much farther to Wildwood, and what the hell, why not take the Parkway? But of course, that’s what impaired judgment is all about. So fatigue and drunkenness once more exacted their toll on a stupid Irishman, and here I was creeping around at dawn like an escaped convict.

***

Excerpt from Wildwood Exit by Joel E. Turner. Copyright 2025 by Joel E. Turner. Reproduced with permission from Joel E. Turner. All rights reserved.

Prologue

THE DRIVE TO the dingy bar outside of the city had been rough when the directions led him down a series of dirt roads before reaching what managed to loosely be called civilization. The bell above the door chimed a dull sound, barely registering his presence. He shook his rain-soaked umbrella, drawing a few curious glances his way before the three men at the bar decided their cold beer and stale peanuts were more interesting than him.

The bartender, a man in his late fifties with a marine tattoo on a bicep, asked him if he wanted anything. Though kind, if the bartender had offered him a bottle of the Alps’ finest water, he wouldn’t accept—not in a place like this—but he was trying to blend in.

“Whatever is on tap,” he said, and found a table in a back corner.

Although he had no intention of staying longer than necessary, the location offered him anonymity. The front door, with its surprisingly clean window, opened and brought with it a strong wind and his associate. The new arrival scanned the room, nodded at the others, and crossed the dark bar.

“You’re late.”

“I’m here now. You have something for me, Hewitt?”

He’d made a mistake giving the man a name, even if it wouldn’t lead back to him. They’d agreed not to use names, not here, not ever. He removed a black, zippered deposit bag from the inside pocket of his rain slicker and slid it across the table.

The man across from him chuckled and unzipped the bag.

“What do you think you’re doing?” Hewitt asked, his whisper a low hiss. He quieted when the bartender set a beer in front of him.

His associate raised an eyebrow and continued to wear his smile. “You’ve seen too many movies.” He closed the bag and leaned forward. “Do you honestly think anyone here cares who you are or what you’re doing? At least you dressed for the occasion—kind of.”

Hewitt stared at the man across from him, confident that despite his off-balanced behavior at times, he’d get the job done. History had proven he was capable, if not entirely trustworthy, and willing to do anything—for a price.

“You’re forgetting something,” he said.

Hewitt hated this man. “It’s in the bag.”

Another chuckle. “In the bag, I like that.” He pulled the colored photograph from the deposit bag and studied the image. “How’d you find me?”

“Does it matter?”

“I like to know what I’m getting into.”

Hewitt studied him, unsure now of his idea but knowing he had to move forward. “All you need to know is I can make your other . . . inconvenience go away.”

“And what might that be?”

Hewitt pulled a folded sheet of paper from his inside breast pocket and slid it across the table.

“I’m not sure I believe you.”

“You know who I work for?” Hewitt asked.

“I checked it out.”

“Then you know I can do what I say,” Hewitt said, growing impatient. “Will it be a problem?”

“No, no problem.” Instead of returning the picture to the bag, he slipped it into the pocket of his dark, denim shirt. “You going to drink this?” he asked before he lifted Hewitt’s beer and drank deeply.

From Chapter One

JORDAN EASED THE rented SUV into the graveled parking lot of the lakeside lodge. Nestled in the thick pine forest surrounding Moosehead Lake, the Highlands Lodge reminded him of the fishing camp his family frequented in Alaska.

He stepped out and walked around to the back of the vehicle, breathing in the fresh northern air. Though nothing like his hometown of Stewart Crossing, which was tucked away on a remote Alaskan bay, Moose Creek, Maine, was a pleasant escape from the spring heat of North Carolina, where he operated the main branch of Eagle Wilderness Journeys.

The parking lot was empty, but he heard voices coming from the back of the lodge, laughter carrying through the trees and echoing over the water. Adam, his college roommate and the reason Jordan trekked up north, ambled across the gravel and pulled Jordan into a big hug. Considering Adam stood four inches shorter than Jordan and weighed thirty pounds less, it wasn’t easy.

“Dang, it’s good to see you.”

Jordan returned the amiable smile. “You look happy.”

“Wait till you meet her.” Adam opened the back of the SUV and lifted the duffel out before Jordan objected. “You’re going to love her. I mean, whoever thought I’d ever be monogamous.”

Jordan laughed, closed the back door, and followed Adam to the lodge. “If I recall, you didn’t know the meaning of the word throughout our senior year.”

“Well, yeah, but could you blame me?” Adam led him around the corner of the lodge and stopped. “Wait, there she is.”

Adam had described her perfectly. Girl-next-door pretty and fresh off the cheerleading squad, Grace was only a year younger than his friend. Her pale, blond curls bounced as she walked on long legs across the lawn. “She’s something all right. I wouldn’t have expected—”

It wasn’t often when life’s unexpected moments stunned Jordan into silence or immobilized him, but none stopped his breath quite like his first glimpse of the woman standing next to Adam’s fiancée.

“Who is she?”

“It’s Grace, man, who do you think . . . Ah.” Adam nudged Jordan’s ribs with his elbow and laughed. “That’s Heather, Grace’s maid of honor.”

Jordan didn’t want to use the word “dumbstruck,” but at the moment, he couldn’t formulate another. His sister would have called him “twitterpated” and normally he would put her in a headlock until she cried “mercy” and take it back, but it had been a long time since she’d had cause to tease him about a girl.

“Hey, buddy, close your mouth before you drool.”

Jordan wiped his mouth before he realized Adam was messing with him. “Don’t forget, I can still kick your golf-playing butt from here to next Tuesday.”

“Why don’t I introduce you instead, and then you can owe me one.”

***

Excerpt from Shadow of Betrayal by Blaire Morgan. Copyright 2026 by Blaire Morgan. Reproduced with permission from Blaire Morgan. All rights reserved.

ONE

Over the Water

Grief is a scab that I can’t stop picking at, no matter how hard I try. It pokes at me now as I sit in my truck on the deserted ferry dock, surrounded by dense morning fog and waiting for the boat to take me across an expanse of dark water to a house rumored to be cursed.

My fingers trace a photograph taped to my dashboard. My hand trembles, likely from an empty stomach or sleeplessness, as both are constant companions. But I outline the beloved face, forever frozen, like a precious object in amber. Lost to me in the real world, calling to me from the next.

The ferry slides into the dock in front of me with a bump against the pilings. A lone figure moves across the empty deck, while an old, grizzled seaman stays inside the tiny wheelhouse. One captain and one first mate.

Tying the ferry off with ropes thicker than my arm, the mate’s actions are practiced and steady. He lowers a ramp and waves me forward. Ever so slowly, I roll across the water, fighting against holding my breath—the superstition I’ve clung to my entire life every time I cross a bridge. The thirty-minute sail to Salish Island, and tiny Monk’s Rock where my new job awaits, won’t allow me the indulgence, so I might as well continue to breathe despite my need to cling to anything, even a silly belief, to keep me safe.

After parking the truck as the mate directs, I wait as he shoves bright orange chock blocks around all four wheels, as if, without a barrier, my vehicle might drive itself into the sea.

I open my door a crack; our eyes meet. “Can I get out?”

“Of course.”

The first mate is rugged, with an air of confidence like he’d be good in a crisis. Smooth skin on his cheeks. Bright, inquisitive eyes. Broad shoulders visible under the bulky uniform of dark green waterproof overalls and a yellow slicker.

He holds out his hand as I step out. “Careful. Parts of the deck can be slippery when it’s this wet.”

Electricity flies between our fingers, and I pull away as if he poses a threat. I don’t want to feel desire. Intimacy is dangerous. But what does it mean that I’m looking at men again?

He gives me an odd look. “We’ll be underway in a few minutes.” He walks back to the ramp, where two men unload a battered white cargo van. The three of them quickly stack boxes to one side, lashing them in place. No doubt provisions for an island that’s home to five hundred hearty souls—and me. At least for the time it takes to complete the finish carpentry in one enormous house.

I’d once been a very good carpenter. Before my life exploded into hospitals and medical visits, overwhelming helplessness and all the endless paperwork connected to dying. Since then, I’ve done a poor job of putting myself back together. The rough pieces of grownup life refusing to fit a new pattern now that I’m alone.

My mentor Bill Thomlinson had started this project less than a week ago but fell and broke his leg in multiple places. After he came through the surgery, metal pins in place, he convinced the homeowner to take a chance on me.

“You need this,” he said to me over the phone, his voice surprisingly strong for someone coming out of anesthesia. “I’m done watching you flail. This job can save you. Don’t let me down.”

Now I stand on the deck of a private ferry while the engines roar out a steady vibration under my feet, and wonder if I’ve made a terrible, terrible mistake.

Crossing to the rail, I pin my eyes where the horizon must lie out beyond the mist. Clouds above and waves below. Indistinguishable from each other because of the heavy air, thick like smoke. My stomach lurches at the thought of everything that swims underneath my feet and the unknown depth of the sea.

Breathe in . . . breathe out . . . focus on the future. Focus on the work.

All I know about the job ahead of me is that the original carpenter vanished, forcing the owner, Cameron Lang, to bring in someone else, but then Bill ended up with pins in his leg. Given that I haven’t slept in so long that I shouldn’t be trusted with power tools, I hope that whatever the curse is, it doesn’t come in threes.

When I feel like I’m losing my mind, it helps to ground myself with something physical, so I grip the hard, cold rail in my hands. No matter how much ending my life is a viable choice, some small part of me refuses to let death win again.

The fog brightens, and we cross a physical line in space, plunging into a blue so pure it hurts my eyes. I gasp and grip even tighter as the sky separates from the water, which now spreads out below me in an endless black void.

“Not quite got your sea legs?” The first mate watches me with barely disguised curiosity.

Salt spray traces tears down my cheeks. I must look like I’m crying. “I didn’t expect to come out of the fog so abruptly.”

“It does that sometimes. Now you see it, now you don’t. No matter how often we sail through a bank, it always feels like magic.”

“I can imagine.”

He lingers nearby. Maybe there’s little to do once the ferry is underway. Although small talk is beyond my ability, part of me longs to hear his voice again, even if I say things that sound insane.

The temperature drops as we head further out to sea.

We’re soon dodging between uninhabited land masses. “Some of these islands are so low they disappear in high tide.” He gestures to the slopes of land. Rocky outcroppings just under the surface. Dangerous, like unexploded mines in the sand.

Panic rises. The water below us taunts me—my troubles will be over if I simply fall into a watery grave. The voice becomes louder and more insistent that I should do something I can’t take back. To keep my mind off the words in my head, my eyes search for the defiant piece of US rock thrusting out of Canadian waters. If I can make it back to dry land, I can get through another day.

“That’s what you’re looking for.” The first mate’s breath tickles my ear as he comes closer, speaking over the hum of the engines, the slap of water on the hull, and the cry of seagulls. My gaze follows his arm to the far-off outline of Salish Island, where Monk’s Rock perches off the northern-most end, tethered to each other by the narrowest of bridges.

“Take this.” He presses a business card into my hand. “Just in case.” Under his name is a single word, handyman, and a phone number.

“Adrian Han?” I look up, his eyes capturing mine. “I thought you were the first mate.”

“I’m a lot of things.” His words are casual, but something reflects in his expression, an emotion I can’t put my finger on.

“You might realize at some point there’s a project you need help with. Nothing against your skills. Everyone needs another set of hands once in a while.”

“I have a helper.”

“Chuck, yeah. I’ve worked with him before.” His tone is carefully neutral.

My new boss made the arrangements for Chuck to help me with anything that requires two people. Am I going to regret his choice?

“How do you know why I’m here?”

Adrian’s carefree expression returns. “Emily Grace Turner. Carpenter. Here to finish the End of the World.”

It’s a jolt that he knows anything about me when I’ve worked so hard to become invisible. He reads me again, and his tone turns reassuring. “It’s a small town—people talk.” He gestures toward the wood rack that fits over my camper shell and the bumper sticker: Proud Member of the Carpenter’s Union. “Plus, your name was on your ferry registration.”

I chuckle for thinking his words are sinister until a darker emotion, one that looks like fear, crosses his face. “That house—” His lips purse as if he holds something back. “Just call if you need help. Anytime.”

The island takes clearer shape, and Adrian returns to the wheelhouse, his absence palpable, as if a physical hole remains in the air after he’s gone.

He’s taken his fear with him, except for the small part he’s left behind with me.

***

Excerpt from The Haunting of Emily Grace by Elena Taylor. Copyright 2025 by Elena Taylor. Reproduced with permission from Elena Taylor. All rights reserved.

Chapter One

Death in the Passage

The narrow alleyway walls muffled the gunshot as uptown Charlotte slept. It was one thirty in the morning on Tuesday, April 1.

The phone call didn’t last long.

“It’s me,” the caller said. “I need your help.”

“I’m listening.”

“I have a body.”

“Whose?”

“Chance Landry.”

“Where are you?”

“Lincoln Street. Inside the Rivafinoli Passage in South End. Next to the Queen Charlotte mural.”

“Anyone with you?”

The caller explained who else was still there.

“You leave. Tell them to stay with the body and wait for my call. I need to think.”

Three minutes later, the call was made to the only living person remaining in the passage who could help.

“I am going to text you an address.” Next, they explained what to do with Landry’s body when they got to the address.

“Are you kidding? He’s already dead.”

But the person giving instructions had no sense of humor. “Just do it.”

A text message followed with the address.

The person who received the message knew how to follow directions and did as they were told.

Chapter Two

Vengeance is Sweet

The 11:15 p.m. email on Craig Travail’s phone read: Your friends are about to suffer financial ruin, untold heartbreak, and trials and tribulations. You have only yourself to blame.

What?

Travail read the email again, slower this time. He read it twice more. There was no author name. Just an unknown vengeanceissweet email address.

Travail exhaled. His email checking practice was a bad habit, a routine held over from his career when clients expected their lawyers to be available 24/7.

Nothing good ever came of his itch to scratch his email in-box for late-night messages, like now, when it would be twice as difficult to sleep after watching the late night local news—with its smorgasbord of crimes, collisions, and natural disasters—and reading this email.

One news story was about elder fraud, a reminder of how susceptible retirees are to financial fraud schemes. Was that what was coming for his friends at the Independence Retirement Community, which everyone called the Indie? Were the residents about to suffer financial ruin because of risky investments? If so, he’d be angry at the perpetrators for their heartless guile and frustrated with his friends for being so gullible.

The television show made the point, though, and he agreed, that adults spend most of their lives collecting assets to make retirement possible and the rest of their days worried if their accumulated treasure will last as long as they do, leading some retirees to make risky and uninformed choices with their nest eggs. Was that what his friends had done? Made bad choices with their money? Is that what the emailer taunted him about?

Travail’s instinct was to fire off a harsh response to the email with some choice lawyer-like words and warnings, but he ignored the bait—he suspected they wouldn’t respond anyway—and he punched the remote control instead.

The television screen faded to black, and his den fell silent, save for Blue’s rhythmic snores and his jerking legs. Travail’s black and tan coonhound must be dreaming, chasing ducks along the lake behind Travail’s cottage, as he was apt to do in real life, and as usual, failing to catch the waterfowl before they darted back into the water. Travail leaned over his club chair’s arm and let his free hand graze on Blue’s back until his pet stopped running in his sleep.

Maybe the email was a prank. Maybe, like him, a friend had become bored with life at the Indie. And yet, the email bothered him.

Whose lives—which friends’ lives—were about to be shattered? And how? And for that matter, why? And what did he have to do with it?

Since moving a year earlier into the Independence Retirement Community, Travail had made two best friends, Harriet Keaton and Yeager Alexander, and several other good friends. He’d met many other retirees, some whose company he tolerated and some whose company he could do without. Either way, he didn’t want to see anyone hurt. He certainly didn’t want his close friends to suffer, and he didn’t want to be the person responsible for their pain.

The flame on the candle he’d lit this morning was down to the base of the wick. He turned away from it, detesting the severe loneliness of March 31.

There was no logic for feeling so alone—what with all the crimes, court cases, and historic mysteries Harriet, Yeager, and he navigated since he arrived at the Indie and the time they spent together—but it was hard to control his feelings, especially the feeling of being by himself. A Jewish resident told him about the tradition of lighting a candle on the anniversary of a loved one’s death. It felt loving to strike the match in Rachael’s honor, but as day became night, Travail’s mood shifted. It had been three years to the day.

The flickering light had a strobe-like effect on the things that reminded him of Rachael: her furniture, her quilts, her artwork, her pictures. Travail missed Rachael’s kindness, her playfulness, her creativity, and the rituals they shared. The flicker made the past too present, making him long for another night and morning and day together. She was here, there, and everywhere, but nowhere at all.

Assertive is what he’d needed to be in the moment that changed everything. He and Rachael were in the mountains at a high-elevation rental for a getaway when a freak storm rolled in and dumped six inches of snow on the ground. Rachael decided to drive to the local general store to stock the pantry for their cozy weekend together. He had a work call and offered to go with her after he finished.

“It’s just snow,” she’d said.

“Okay, but be careful,” he’d responded.

“Always, dear.” Then she kissed him on the mouth, patted his bottom, and walked out of his life forever.

The news came in a phone call from the local police. First came the shock, then the grief, and then the Monday-morning quarterbacking. He should have insisted Rachael let him drive her. He should have done more to protect her. If he had, maybe she would still be here. Maybe the out-of-control delivery truck that hit the black ice would have killed him instead of her, or maybe Travail could have prevented the accident.

Spring in North Carolina was supposed to be about new beginnings, not endings, with the dogwoods and azaleas in bloom, but his eyes grew wet from the memories, and he felt a sudden heaviness in his body.

He looked at the email again and became resolute. For sure, he would not make the same mistake twice with the people he cared about. He would protect them.

But who was behind the email?

Whoever wanted sweet vengeance against his friends wanted vengeance against him too, because their pain would be his pain. The question for his lawyer brain—used to solving riddles for years—was: who despised them and him that much?

Like an unexpected electric shock, the answer startled him. This email was exactly the kind of plot his nemesis, Robert Elkin, would conjure. If Elkin hurt Harriet, Yeager, and his other close friends, he hurt Travail worse.

But wasn’t Elkin no longer a threat? They’d exposed his concealment of the truth about the Mecklenburg Declaration of Independence, avoided death at the hands of his father, pushed him out of his Big Law leadership position, and seen to it that the state bar took his law license. Elkin no longer had big-time lawyer power. The only thing he had was anger, resentment, and a low-paying job as a paralegal with a former client, though Travail didn’t know the client’s name or their business. It was a sharp drop from the level of influence that had made the man dangerous, and yet, there was reason to be cautious. Elkin was cunning and would hold a grudge till death do they part.

Travail leaned his head back in his chair, looked up at the ceiling, and pondered the text again: financial ruin, untold heartbreak, and trials and tribulations.

Harriet was too smart to get caught up in a financial scam. Not so with Yeager. He was impulsive, likely to jump at the chance to possess something shiny because it might become shinier.

Travail pulled an olive-colored sweatshirt over his t-shirt, woke Blue, and took him into the backyard to do his business under the stars. While he waited, Travail glanced across Lost Cove Lake to Harriet’s cottage. He inhaled the fresh night air, and he marveled at the main building’s reflection on the lake’s surface. Harriet’s lights were out. She, an early riser, must be asleep.

Seeing Harriet’s peaceful cottage raised a question he’d been pondering. Should he ask her on a date? Carrie Roberts, the Indie Gossip Queen, thought so and often shared her opinion.

Most days, it seemed like the right decision not to ask Harriet—or anyone else, for that matter—on a date. Three years wasn’t that long, really, since Rachael died. And yet, here he was, caught in a web he’d spun for himself, trapped somewhere between what he no longer had and the companionship he wanted but resisted. Harriet was his friend. Should he keep it that way?

Harriet would most likely turn him down anyway. He was a project, and he knew it, starting with the lesson she’d had to teach him last year that retirement living is not life’s dead end but a fresh path forward. And now, with him being a sixty-six-year-old widower afraid to address his feelings, she’d be quick to beg off.

Blue finished up, and the two headed inside. His watch told him it was a new day. He blew out the dwindling flame on the candle and headed to his bedroom, where Blue was already curled up on the end of Travail’s queen-size bed. Wearing only striped boxers and a white cotton t-shirt, Travail pulled the covers up to his chin. With a good night’s sleep, he’d be fresh in the morning to put his effort into stopping Elkin. He still had his law license, after all, and as Yeager would tell him from time to time, “You ain’t dead yet.”

He closed his eyes and imagined tying a dry fly rig with two nymphs on a dropper line, the key to catching river trout on and below the surface at the same time. This falling-asleep system was better than counting backward from three hundred by threes. It worked its charm in less than five minutes.

Travail didn’t know when he dozed off that the murder train had left the station. He didn’t know when he began to snore that someone had already set the trap for his friends. And he didn’t know when he fell into a deep sleep that when the sun came up, he would ponder, and not for the first time, how he could have been so wrong to believe retirement living would ever be boring or lonely.

***

Excerpt from Deadly Gold Rush by Landis Wade. Copyright 2026 by Landis Wade. Reproduced with permission from Landis Wade. All rights reserved.

Chapter 1

Place the blame where it should go: on chocolate. The good stuff. The variety that melts way too fast as you swirl it over your tongue and let it cuddle the inside of your mouth, knowing the sensation is fleeting, which makes it more delicious. Yeah, that’s the kind I’m talking about.

I opened the front door of my Vegas condo and instantly tried to slam it. Except, the man I faced handed me a golden, foil-wrapped box with the unmistakable Godiva logo.

He placed it in the palm of his right hand and extended his arm. Then he stepped back. With elegance and skill, he had baited the hook, and I was snagged. Just like that.

I’m fast and grab the box before he could pull away. Or maybe that was his plan all along. If it hadn’t been for the lure of delectable dark chocolate, I would have stayed happily ignorant about sex slaves, black-market babies, cheating preachers, and an assortment of lowlifes that suddenly intruded on my cluttered, frazzled life.

If only I’d slammed the door, I would never have been rejected, arrested, and nearly exterminated.

Wait, did you just say, “Back the truck up”? Sorry, writing a memoir is new to me, and I just got overly excited to tell you everything. Instead, I’m taking some deep yoga-style breaths and will give you the whole story, nothing but the truth, just like it happened.

You see, at the stroke of another scorching Las Vegas summer midnight, I found myself feeling the still sizzling breeze swirling around my sleep shorts and tank top—front door open, air conditioning spewing out into the neighborhood. I stood and sniffed the corners of the box, knowing full well the pleasures that were inside. Why was this guy on my doorstep? It was wrong. It was a moment, much later, I wanted to stop time—like you can while watching Netflix. Instead, I ripped open the box, placed a scrumptious piece of heaven-on-earth into my mouth and eyed up and down what the devil had dumped on my doorstep.

Medical studies have proven it’s a bad idea to let a woman with PMS eat a pound of Godiva at one time, or so some new report said. Trust me, however. It’s an even worse idea to try to take chocolate away from a woman, PMS or not.

Fortunately, this guy certainly knew women. So he waited. I gobbled three more. In a row. Then handed him back the two-thirds empty box. I’m not greedy, see?

Forget whatever you’re thinking. This man was not a hunka, hunka burning love, but seemed to be my pudgy grandfather. Or a doppelgänger dressed collar to cuffs in glitter galore, gold, and some gosh-awful alligator-esque cowboy boots. In blood red.

He squinted in the light of the front steps of my townhouse/condo combo, and his chin dragged low. He grumbled, muttered, and withdrew his left hand from behind his back, producing yet another box with the chocolatier’s signature wrapping. I told you he was good. I salivated, snatched it, and stepped out of the way. I’m not addicted to the stuff; I just like it a lot, a whole lot.

Okay, that gives you the abbreviated version of why, five minutes later, my disgruntled relative was huddled on the beige sofa in the sterile Las Vegas condo that came with my current job. It does not explain why I was stomping up and down in front of him, but I’ll get to that. You see, I’m usually the one who solves problems; that’s my field, being I’m a minister and all.

You heard it right. I might not look like any preacher you’ve ever met, being that I’m rounded in all the right places, and I prefer a flashier wardrobe than you may have seen on church ladies. Like it or not, that’s me, Pastor Jane Angieski. I’m ordained and licensed, overly educated and fully confused a good portion of the time. I’ve been told, by the governing board of my denomination, that I should be more professional. It’s taken a long time and therapy, but I like me as I am.

You’re not the first, you know, to wonder how a flashy gal like me got into the ministry business. Most folks do not come straight out and ask because they’re dumbfounded to find out I know the Good News backward, forward, and well done in the middle. My response when they sputter a question or raise both eyebrows to the ceiling? “You see. They have quotas. Recall affirmative action? The denomination needed more females who had curves and padding in their ranks. There were plenty of string bean ones.”

Honestly? Hold on to something sturdy:

When I returned to college to finish my master’s, I was working part-time in retail at Victoria’s Secret, then at a mortuary where I applied makeup to the dearly departed. I also gave out contraceptives and condoms at a free clinic in Watts, and did some hard time asking, “Do you want fries with that?” Along the way, I made enough to avoid incurring huge debt. Psychology was to be my field. I am outrageously curious about people. We humans are so weird, and I love it.

One steamy Los Angeles day, I attended a program on campus because the AC in my apartment was broken. I also knew that with luck there’d be cake and coffee. The program, as I found out, was to recruit grad students into the ministry. It was probably the sugar talking, but I signed on the dotted line and started that summer attending seminary. Graduated with honors, accepted an assistant minister gig straight out of the seminary doors and got kicked out because I volunteered to help the cops in tracking down hoods in the hood where I was the pastor in this ghetto church.

The church council didn’t mind that I nabbed the bad guys looking like a lady of the evening who could do it all night. What they didn’t like was that I appeared on the front of the L. A. Times in a hot pink leather miniskirt, strappy sandals that wound up to my knees and a blouse leaving little to the imagination of Great Aunt Tillie, or anyone else. The news story hit the floor running, and little old me was seen and talked about on PBS News Hour, CNN, Fox News, and then YouTube, and then it went viral. As if no one had seen a minister before. Go figure.

People magazine beseeched and besought me for an interview, full four pages of me, but better judgment kicked in. I turned it down after a call from a member of my denomination’s district council put the brakes on that one. Besides I don’t always want to stay and play second fiddle in the church hierarchy. I do have some pride and ambition. I’d like to be known someday as an important voice in ministry, not one of those television evangelists with flapping eyelashes and hair like dear old Marge Simpson. No offense, Marge. It’s not a good look for either of us.

The metaphorical knuckle-wrapping, to me, was worth it. It resulted in the dealing, drugging, and pimping partners in crime who went off to a helping place in another area of California, clogging an overstuffed prison system even more. Not my problem there. I got a letter of commendation from LA’s mayor and my backside booted to Vegas. I wasn’t exactly demoted, but I was no longer a full pastor. These days, if I should burp without saying, “pardonnez-moi,” the council hears about it. In detail. Hence, the youth minister I’m filling in for left exact instructions on the requirements of my professional demeanor so that I wouldn’t lead any teens down a slope where a flashing sign reads: Beware: She’s Crazy and Dangerous.

Back to the man of the midnight hour littering my living room. His grumbling continued. Like waiting out a storm, I sat down next to the huddled mass of manhood whose name isn’t Woe Is Me, but Henry J. Angieski, Ph.D.—my grandfather who just happens to have an alternative personality, one of a classic rocker with the 70s band Slam Dunk. You may have heard of him when he was called Hank A. Yes, that’s Gramps. Although you wouldn’t recognize him. I didn’t.

Gramps is a “let’s get coffee” kind, friends with Sir Paul, Bruce, Mick and a lot more you can name, if you like the older stuff. In all of my thirty-five years, I’d never known him to be defeated, never seen him without a sly smile and a plan to take on the world.

Quick familial footnote: He and Gram couldn’t have children, and they knew it before they married. Gramps told me like this: “Uncle Sam really needed me and thought a tropical Asian trip might help me understand humanity better.”

Translation? It was 1965. He’d dropped out of grad school to find his musical mojo. He was drafted, surprise, surprise, and sent directly to Vietnam where horrible things were happening, like an unpopular and soul-crushing war. Did you wonder how I got into this mix?

Gramps said, “I found the son of my heart there, honey. The kid was always hanging around the barracks. He had red hair like your gorgeous gram and the most intense almond-shaped eyes I’d ever seen. He picked up English like it was nothing, and one day when I handed him a guitar, he started to play chords. He was six or seven, but he didn’t know his birthday and had forgotten his father’s name, if he’d ever known it. Mom died in childbirth, and the bio family shunned him. The other guys in my unit adopted him like a mascot.

“I was finishing my deployment when I got word that I’d been accepted into the music program at the University of Southern California. Your Uncle Sam thought I deserved to return to California because, with this chunk of shrapnel in my knee, I was pretty useless as a foot soldier, and I told everyone the kid was mine.”

That country was in shambles, already invaded by the French, English, and Russians before the US stepped into the mess. So Gramps returned to Gram with a ready-made son whom they adored.

Fast forward ten years. Gram died after a painful battle with cancer, and a couple of months later I came into the world. My father somehow neglected to tell Gramps there was a teenager in his life who was about to birth their baby, and it was a surprise all around when she showed up one day with me in a pink blanket.

Parenthood didn’t rock the Richter scale of life for this young couple. Gramps, once more, manned up, and he became the saving grace for me. The story goes that the twosome, my bio parents, piled their macrobiotic rice, pine nut smoothies, ceremonial drums, unfiltered carrot juice, and love beads inside a rusting, hand-painted purple VW bus, dotted with yellow daisies, and went in search of their bliss. I believe they were about ten years past the real hippies, but that didn’t seem to deter them. The last I heard, when I was sixteen, was that they were in Sedona, selling therapy rocks to tourists. I was happy for them; I had the best grandfather, the coolest Gramps in my school. However, getting a rock in the mail for one’s birthday stunk.

Enough about me. At least for a few minutes—unless it has to do with the reason I wrote this memoir, which is to explain why I ended up a viral sensation on YouTube. Again. Although the in-between stuff scared me silly.

Gramps interrupted my gallop down Memory Lane with a grunt that sounded suspiciously like he was swearing, which I knew he didn’t. Or the normal-ish grandfather I previously claimed didn’t swear.

“Call me Onesimus,” he growled.

“What-a-muss?”

“Get a clue, you’re a preacher. You know this stuff. Always spouting it off as you do all that Bible-belting.” Then he grumbled about how his granddaughter could easily become a pompous prig.

“I’ve never belted a Bible in my life, I’ll thank you.” And I wondered in a tiny spot in my heart if I should look up the definition of prig before I felt insulted.

“Don’t give me that look, girl. I’m immune. Been looking at myself too long for one of your freeze-frame frowns to frazzle me and make me spill my guts.”

“Are you talking Old Testament or New?”

“Look it up, Pastor.”

He never calls me, Pastor. Never before had he even raised his voice to me. “Who are you and what did you do with my grandfather?” I demanded. My now mostly-retired from sex, gals, and rock and roll, and teaching at the university, grandfather lived in the beachy town of Carlsbad, California. “It’s midnight, and my real grandfather is safety tucked in bed right now, not in Vegas, baby.”

We stared at each other, then a flickering two-watt bulb flipped on. “Are you talking about Onesimus, as in the slave the Apostle Paul wrote about?”

“Bing-a-ding ding, girl. Listen, Janey, I’m having a crisis, one that, well, is personal, as private as it can get for a man.”

From the dancing rhinestones embedded on his denim shirt, past the belt buckle the size of Rhode Island, and the boots which had three-inch heels, the man was either auditioning for a low-budget movie or had lost his marbles. My real grandfather was a rock star, wore a lot of black, dragged a guitar everywhere and didn’t dress like a cowboy. He was dependable, had style, sure, and a heart for the next gal and guy. Always.

Okay, there were some ladies of a certain age, groupies if I’m honest, who would have had their way with him, but Gramps was incredibly discreet about that stuff. Then again, I never had a conversation about the birds and the bees with him.

“Oh, personal and private,” I muttered, regretting my decision to have that second Lean Cuisine Mexican Medley. I did not ever, ever, want to discuss my grandfather’s sexual inadequacies or his performance issues, and the souring sensation in my stomach agreed. Big time.

Instead, I blurted, “Men your age are well past that. For Pete’s sake, don’t tell me you’re in Vegas to marry an 18-year-old, half-naked dancer who wears pink feathers that glow in the dark with matching pasties that barely cover her nipples. And that she’s just misunderstood and currently employed at a local strip joint because she’s putting herself through med school.”

He just took off a boot. There was no denial.

“She’s not some chorus babe, Jane. She has to be at least 18 or 19, however. Guess she could be 16 with a fake ID. I never asked.”

***

Excerpt from Jane Won’t Quit by Eva Shaw. Copyright 2026 by Eva Shaw. Reproduced with permission from Eva Shaw. All rights reserved.

CHAPTER ONE

The blot of ink stuck to her finger, tacky like drying blood. Leona scrubbed at it with her handkerchief as the clock chimed two hours after midnight. She capped the inkwell, and while the ink dried on her most recent entry, she organized the copies with ribbons. Blue for Daphne and red for Ruth. With shaking hands, she slipped the copies into stiff cardboard folios and tied them closed. Sighing, she set them on the desk in front of her.

The flames in the hearth beckoned. This wasn’t the first night she’d yearned for obliteration. It wouldn’t come if she gave in to the urge to throw her labor into the fire. Only paper and ink would vanish, leaving the memories behind.

Pen and ink or back to the laudanum.

A grim thought, the grimmest of all.

The words had clawed their way out tonight. She’d begun the memoir of her time as a Union soldier months ago with the hope her drowning spirits would revive once the words dropped to the page. Yet the foreboding crept through her and tightened around her throat as the little study filled with familiar shadows. This old terror had become a second skin, like the tattered and dirty uniform she’d once worn.

Over the monotonous chatter of the rain, the clock ticked away the seconds until her husband came home. Leona moved to the window, pushed aside the heavy velvet curtains, and looked out at night-shrouded Cranberry Street. A lamp glowed in a window across the street. Homesickness for Boston, for life before the war, for herself before the war, settled on her. The wind threw a heavy splash of rain against the window, and she jumped back, letting go of the curtain.

Pacing the study, her restless thoughts rushed on without fatigue. To keep the memories inside only fed the persistent mental return to the battlefield, and the outpouring of words somewhat tamed her tormented soul. She stopped and touched the folio. Work would save her: work, family, friendship, and love. Maybe she’d write a story about two clocks. A natural clock which kept good time and a mad clock that twisted time out of true.

The street door below opened and closed. At last Gil, home safe. She couldn’t even bring herself to scold him for being so late. Leona listened for his footsteps as she crossed the room to tuck the folios into her desk drawer and locked it. She closed the gaslight apertures in the study and turned up the flame on the wall sconces in the drafty hallway so he could find his way. In the bedroom, she shed her dressing gown, stepped out of her slippers, and kicked them under the bed. Gil made his clumsy climb up the stairs. When he stumbled into the room, she pulled the covers back. He fell into bed fully clothed beside her, mumbling and fretful, the sharp ripe scent of whiskey lacing his breath.

She laid her hand on his shoulder. Beneath the cloth of his shirt, his skin was cold and damp. “Rest now, go to sleep,” she whispered.

***

At first light, Leona had dressed in a blue and cream day gown and made her way downstairs for breakfast. The creeping dread of the night before had waned. She rubbed her gritty eyes and yawned again. Mrs. McCarthy poured coffee from the silver pot, the familiar, civilized table a welcome sight. The scent of bacon made her stomach growl.

“Are you well, m’um?”

Leona glanced into the broad face of their cook and housekeeper, a sturdy and mature woman with a comforting Irish burr. She wore her fading blonde hair in a crown around her head.

“I didn’t sleep much.” Leona yawned again behind her fingers.

Gil’s heavy tread on the stairs made them both jump, and Mrs. McCarthy squeaked.

“I’ll bring more breakfast in a jiffy.” She fled through the side door to the kitchen just as Gil ducked through the hall entrance.

Leona rose and smiled at her husband. He’d made a great effort to come down early after returning so late. She accepted his peck on the cheek, poured him coffee and set it between them, wifely mask in place. He glared with bloodshot eyes at the letter in his hand, and her stomach clenched.

“It’s not all bad news, Gil.” She’d read the contents of the letter before leaving it on his desk in his study, as Grandfather had addressed it to both.

He raised his hazel eyes to her. “You recall Henry has absconded with all our funds?” he asked in a sarcastic tone, squinting at the letter, then back at her.

She no longer knew what to say about Gil’s former business partner, Henry Caldwell-Jones. The police were still looking for him. It put the devil in Gil’s eyes to speak of it, so she tried to let it be, not wanting to distress him even more.

“Of course, I remember, Gil. I—”

“And now your grandfather won’t give me a second loan. I’ll have to go back to the bank and ask them again.”

“He only wants to speak with you face to face about our situation,” she said, in her grandfather’s defense. “He’ll help us, Gil. He did offer to speak at the lyceum on his return from Ohio, to help raise funds. It isn’t as if—” Or was it? “We won’t lose the house, will we?”

The muscles in his lean face twitched as Gil fought to hide his disappointment, and her heart broke a little more to witness it. “Your grandfather does not bring in the interest he once did.”

It was true Leona’s grandfather, poet, abolitionist, and Transcendentalist, didn’t bring in the money he used to at readings in New York and Brooklyn, but he didn’t suffer for it.

Gil raked his fingers through his thick, brown hair and opened his mouth. Mrs. McCarthy entered with his breakfast, apparently stopping what he meant to say next. He reached inside the pocket of his trousers and pulled out a small notebook and pencil. Laying them on the table, his frown deepened.

Once Mrs. McCarthy had bustled out again, Leona said, “I could write to Aunt Louisa.” Who was not truly an aunt, but a friend of her mother’s.

He opened the notebook and touched the tip of his tongue to the pencil. “We cannot afford to feed and house a man of Bronson Alcott’s caliber,” he replied with heaviness. He bent his head to the columns of numbers on the pages.

His confidence and spirits were usually high, and it hurt to see him laid so low. She did mean Louisa Alcott herself, not her father Bronson Alcott, as the speaker for the lyceum to draw a crowd. Her novel, Little Women, published two years before, had become hugely popular.

“I’ll sell the lyceum, that should help,” Gil murmured, eyes downcast.

Leona winced. It was where they’d met nearly a year before. At a loss again, she glanced down at her lapel watch—9 o’clock already. She stood and set cups and plates on the tray.

“Let Mrs. McCarthy do that.” His pencil went on calculating their precarious position.

“I don’t mind. I’m off to see Daphne this morning. I won’t be home until the late afternoon.” Taking a deep breath, she dared to ask, not expecting an answer. “How much do we owe?” She blew out her held breath, apprehension biting at her. “Why won’t you tell me how much Henry has stolen?”

“He’s made me a laughingstock.” His handsome lips formed a tight smile, but he didn’t look at her. “Don’t you worry, Leona, leave it to me. This will all be over by Christmas.”

***

On the street, she began to walk, then turned to observe the window where Gil labored, smoke curling from the chimney. The image stayed with her as she made her way to the newsstand around the corner and waited patiently for her turn to buy a paper. The sunny day, though cold, had driven people outdoors, well wrapped in fur-collared coats and wool scarves. Woodsmoke and the sharp tang of the river mingling with the scent of baking bread drifted on the breeze. She chewed on the frustration that he wouldn’t share their financial details with her. It made her more fearful not to know. Though she kept the memoir and chapter stories a secret from him, this was hardly the same.

Passing the newsstand, an article about the new bridge caught her eye so she bought the latest Brooklyn Eagle. The previous summer, the four of them, Henry, his wife Helen, herself, and Gil, had stood at the end of Noble Street to watch the construction of the giant caissons in the naval yard. Though approval of the bridge was a long-foregone conclusion, the article was typical of the Eagle’s awful anti-consolidation fear mongering. The article repeated the claim linking the boroughs would only bring the dregs of Manhattan’s Lower East Side into Brooklyn’s pure white Heights. The wrongness of such an attitude churned her stomach.

Leona folded the paper and tucked it under her arm with the folio, sighing. Who would save the poor of this world from the hatred of the rich? Her spirits drooped lower.

She breathed deep the November air on familiar, tree-lined Remsen Street, where she’d lived for two years before marrying Gil in August. The red door of the brownstone opened, welcoming her in. Timothy, the butler, took her hat and coat. Before he disappeared with them, his eyes met hers with a familiar blue twinkle.

“I’ll tell her you’re here,” he said.

“Thank you.” She inhaled the sweet smell of hothouse roses set in vases along the long hallway and waited for word of her arrival to reach Daphne and her nurse Audrey.

Audrey approached from the depths of the house. Her eyes, though hooded, were a pure delphinium blue, blonde hair pinned tight to her head. She wore a plain uniform of dark gray with long cuffed sleeves and a white apron.

“Mrs. Van Wyn is in the Lavender Room.” With a curt nod, she turned away.

When they first met, Leona and Audrey had often shared tea and conversation, but of late Leona felt nothing but a wall of smothered animosity between them. They hadn’t argued, as such, though she had an idea where the strained relations came from.

“Is she well?” Leona asked.

For a moment, she didn’t think Audrey would answer, but the woman turned toward her again. “She passed a quiet night. The laudanum helps.”

Leona frowned. Audrey flicked a dismissive hand and went on her way.

The introduction of laudanum in Daphne’s life began not long after Leona moved to Cranberry Street with Gil that summer. The spas and cures Daphne’s grandson Benedict and his wife arranged didn’t seem to help anymore. The family hired Audrey, who administered the laudanum, a common enough panacea. Laudanum’s presence always disturbed Leona, and she had protested to the family, but no one listened. Audrey had become cold after this discussion. Leona believed some of Daphne’s pain came from her daily battle with grief. Leona often feared her own grief and the overuse of laudanum, prescribed by a respected doctor in Boston, had killed the child from her previous marriage to Jack Davenport. Poor dead Jack.

***

Excerpt from The Last Fatal Hour by Jan Matthews. Copyright 2026 by Jan Matthews. Reproduced with permission from Jan Matthews. All rights reserved.

Introduction

I’ve always been a fan of Agatha Christie, but not an obsessive one. I didn’t read and reread the novels. I didn’t go looking for obscure short stories. I didn’t read (and still haven’t) her Mary Westmacott novels. I treated her like most people did: She wrote good mysteries, and if they were handy, I read them.

Then Bill began the Complete, Annotated project by publishing Dorothy L. Sayers’ Whose Body?, followed by Agatha’s The Mysterious Affair at Styles. Over the years, as he annotated the next five of Agatha’s early novels, I read them carefully for possible footnotes. As I did, I paid more attention to her writing, her deft plotting, her sly sense of humor, and her ability to describe a character with a few sentences.

As I became more familiar with her novels, I realized that she’s underrated, probably because she was categorized as a genre writer. Some even consider her works cozies. Clearly, they never read Appointment with Death (1938), And Then There Were None (1939), or Endless Night (1967). I suspect that her Mary Westmacotts — which are described as romances — are anything but.

The publishing world applies labels to make it easier for bookshops to shelve their books in the store, not because they’re accurate.

In July 2020, as the world began opening up from the Covid-19 shutdowns, I was at the library, looking for a DVD to borrow. I spotted Crooked House (2017). I liked the novel, so I thought, “Why not?”

Crooked House was the second Agatha Christie film adaptation I had seen. Sir Kenneth Branagh’s Murder on the Orient Express (2017) was the first.

We needed fodder for the website (peschelpress.com) and I’d already been reviewing books, so I wrote a review of Crooked House. This reminded me that Bill was working on an annotated edition of The Secret of Chimneys. Was there a movie version? A review for the book would be nice. There was. It was an episode in a box set from ITV’s Marple.

Oookaaaay.

Having become overly familiar with Chimneys, I knew Agatha wrote it years before Miss Marple was a twinkle in her eye. But we watched it anyway. It was terrible. Bill wrote his review for The Complete, Annotated Secret of Chimneys, and I wrote mine for the website.

Since the library’s Marple DVD set included three more episodes, we watched them and I reviewed them for the website.

That’s when Bill said the fateful words that brought us here: “Let’s watch more Agatha films. You write the reviews. I’ll post them on the website, and we’ll publish them as a book.”

So here we are nearly three years later. We had no idea how big the Agatha project would become or how many films have been made for cinema and TV. Bill and I have watched more than 200 adaptations. This includes all the English-language ones we could find beginning with Adventures, Inc. (a 1929 silent movie), and many of the foreign versions too. For those, we were limited by availability and whether or not they had English subtitles. It’s criminal neglect that some of the finest Agatha Christie film adaptations in the world are from Japan, yet they’re unavailable in the West.

To my knowledge, we are the only people who’ve watched all the films. I’m definitely the only person who’s written and posted reviews for all those forgotten TV shows and kinescopes.

Along the way, I became much, much more familiar with Agatha’s writing as I had to read the novels and short stories to compare them to the films. She was cutting edge from the beginning. She invented what we call The Poirot, the practice of bringing together the suspects, explaining the clues, and fingering the criminal. It was a trope born of necessity, when her first attempt — Poirot testifying at the trial — didn’t fly with her publisher.

She began experimenting with narrative structure in 1924 with The Man in the Brown Suit. That novel has two narrators, one of them unreliable. Brown Suit is also a romantic thriller disguised as a mystery. Read the passage where Anne Beddingfeld administers to a mysterious, half-naked, sexy stranger’s wounds. This scene could be ripped from any romance novel of today (the sweet kind, not the spicy which would include far more detail). As a side note, the 1989 TV movie is very true to the text despite being turned into a contemporary.

Agatha was an innovative writer throughout her career. Her The Seven Dials Mystery (1929) is a mash-up of P. G. Wodehouse and John Buchan thrillers. Partners in Crime (1929) is a loose cycle of 16 short stories starring Tommy and Tuppence. Each short story is also a parody of a famous mystery writer, including herself! And unlike Miss Marple and Hercule Poirot, Tommy and Tuppence aged in real time, from the young, eager lovers in The Secret Adversary (1922) to retired grandparents in Postern of Fate (1973).

And what’s And Then There Were None (1939), in which 10 characters are dispatched in an entertaining manner for their sins, but a PG-rated slasher flick? As a sign of its influence, the basic plot has been lifted, the serial numbers filed off, and rewritten in dozens more novels and movies. The A.B.C. Murders (1936) is a prototypical serial killer novel.

Agatha’s innovations could fill a book and go a long way to explaining why she’s still read today.

The other reason is more subtle.

Whatever you can say about the quality of the adaptations (like The Secret of Chimneys, bleah), they keep Agatha in the public eye. Never underestimate the importance of TV shows and movies on an author’s reputation. For each person who reads, 100 people go to the movies, and a 1,000 people watch TV. Every time an Agatha Christie film is shown, people who’ve never heard of her learn she exists. Some of them search out her books and discover how good her writing is.

When a writer dies, they can vanish under the constant tsunami of books being written and published daily. Dorothy L. Sayers is a prime example. Sayers wrote at the same time as Agatha. She’s highly regarded and her books are great. But her estate, unlike Agatha’s, shows no interest in licensing her stories and novels for TV or movies. Say the phrase: “Murder at Downton Abbey,” then ask why her literary estate isn’t capitalizing on Lord Peter Wimsey, detective in the peerage and a duke’s brother.

The Agatha Christie estate does not want her writing to suffer that fate, so they license her short stories and novels. Some adaptations are excellent; some are dreadful. For a few, the only commonality between novel and film is the name. Most range in between but all have something to offer, even if it’s only great period clothes, quality acting, or English Country House Porn. Linenfold paneling! Crenelated ceilings! Parquet floors as elaborate as the finest Persian carpet!

Excuse me while I stop and fan myself.

Watching 200+ Agatha adaptations also taught me plenty about filmmaking, pacing, and soundtracks. I can now, sometimes, recognize an actor from another adaptation. I’ve enjoyed seeing how one novel can be interpreted multiple ways, resulting in wildly different films. The Pale Horse (1961) is a good example. The three films (including Miss Marple in one!) are recognizably the same story, yet they’ve nothing to do with each other. The emphasis is different, the characters different, the tone is different.

I’ve watched 13 different Poirots (including an anime version). Seven different Marples (including an anime version). Multiple Tommy and Tuppences. Each actor or actress brings something new to the character.

The foreign films demonstrate how universal she is. She wrote about dysfunctional families, mapped the class divide, noticed the lengths we go to for status and security, and found reasons for murder ranging from money to passion to safety.

Ironically, foreign filmmakers respect Agatha more than she is at home. Appointment with Death (1938) has been filmed three times, but the Japanese version is the only one that captures the novel’s cruelty and horror. The two English language versions fail, one moderately and one spectacularly. Of the four versions of The Mirror Crack’d From Side to Side (1962), only the Japanese version gives a voice to Margo Bence, one of Agatha’s most abused secondary characters. The other three versions ignore her because to face Margo Bence’s pain would mean admitting that the film business cares nothing for children unless they can be sold to make money.

We did not watch every single foreign TV episode even when they were readily available. There just wasn’t enough time. The best we could do was see enough to convey the flavor of a given series. If you want to see them, enjoy yourself! They provide very different views of Agatha and can be rewarding.

The novel that’s been adapted the most is And Then There Were None (1939). We saw ten versions, ranging from a blurry kinescope to slick studio productions with an all-star cast, so it merits its own chapter. Some versions hew to the stage play with its radically rewritten ending. Others stick to the novel, nihilism intact. Some combine the stage play and the novel, so Vera Claythorne learns who the puppet master was, begs for her life, and receives rough justice.

One final warning before you go: spoilers abound, so beware! Unlike Agatha, I don’t play fair with my reviews and hide whodunnit. Where I play fair is in telling you what I thought of them. I liked films that critics panned, and I disliked films others loved. I say why. I go down sidetracks. I enjoyed myself and I hope you will too.

So won’t you join me for an Agatha Christie Movie Marathon? You’ve got hundreds of hours of viewing pleasure ahead of you. Just remember to never accept a cup of tea you didn’t make, or take trips to lonely islands (or châteaus, or country houses) with strangers.

How to use this book

The films are organized by the starring detective. Miss Marple comes first, followed by Poirot, and Tommy and Tuppence. Next, a chapter is devoted exclusively to And Then There Were None, followed by the rest of the adaptations, and the final chapter is movies in which Agatha herself is the star.

Each chapter opens with a photo gallery showing the actors and actresses who played her detectives and characters.

There’s also an index, which is more important than it appears.

Seems logical, yes? Except that some adaptations removed Agatha’s chosen detective, turning the novel into a police procedural. When that happens, the movie is not included in the detective’s chapter. It’s included in “The Rest of the Christies”. Many of the foreign adaptations fall into this category.

Other adaptations (cough, ITV’s Marple, cough) insert a detective who didn’t exist in the novel. That’s why many standalone novels appear in the Miss Marple chapter. She’s now the star of The Sittaford Mystery, Murder Is Easy, The Pale Horse, and others. She also appears in a Tommy and Tuppence novel, By the Pricking of My Thumbs. Similarly, Margaret Rutherford snatched two Poirot novels and made them her own, so they appear in the Miss Marple chapter.

The chapters dedicated to And Then There Were None and the movies not part of a detective series are self- evident. “Agatha the Star,” however, deserves an explanation. In addition to her stories, Agatha’s life has become fodder for Hollywood. This includes the dreadful Vanessa Redgrave/Dustin Hoffman biopic Agatha (1979), a documentary that quotes from her and her work, a Doctor Who episode, and three movies that show Agatha’s exciting life investigating mysteries in a parallel universe. It focuses on Agatha, not her writing. Any relationship to Agatha’s real life should be considered coincidental. Even the documentary in this chapter is not entirely reliable.

Within each chapter, the films are organized chronologically. As you move forward in time, you’ll see changes in how a character was depicted and movie-making styles. Adventures, Inc. (1929) sets the stage. It’s the earliest Agatha film and the scriptwriter, Jane Bess, played fast and loose with the text. She led the way for hack screenwriters everywhere to rewrite Agatha’s prose.

Each review gets two pages. We chose a banner image and six photos of important cast members. I rate films by fidelity to text (or life in “Agatha the Star,” and either the play or the novel in And Then There Were None) and by the quality of the movie overall. The two ratings are separate, but they complement each other and give you a clearer understanding of what to expect.

The cast lists place detectives and police at the top. Everyone else follows in rough order of importance. We group families together to make it easier to work out relationships. Our cast lists are not comprehensive but the main characters are there.

Also note that for those foreign films which don’t name their characters from the novel, we provide that information. This was omitted when they rewrote them so much (such as Unknown (1965), the Indian version of And Then There Were None) that it would not be helpful.

At the end of the list come the film locations, or (in a couple episodes) a song list. Internet Movie Database and Agatha Christie Wiki provided most of the locations, but Bill added to that from other sources (see the bibliography). Knowing the film locations means you, dear reader, can visit the same castle as Poirot or Miss Marple.

Subtitles matter to me. We always looked for versions with subtitles as so many actors mumble or the sound quality is bad. If I can’t understand the dialog, I miss important points. Not every DVD was released with subtitles.

Fortunately, some of the older films like the Joan Hickson Miss Marples are being cleaned up for streaming. They get subtitles. But they aren’t being released as new DVDs so, no subtitles. If you can watch a streamed version, no problem. If you must use your TV and DVD player, you’re out of luck.

We had to have subtitles for the foreign films. We couldn’t see some films we wanted to (we especially regret passing up the Japanese Murder on the Orient Express) because they either weren’t available with subtitles or they weren’t available at all.

The index will help you find a specific film. This isn’t just because some novels got Miss Marple inserted, putting them into the Miss Marple chapter. Agatha’s novels were often released under different names. For example, the novel Lord Edgware Dies (1933) was released in the U.S. as Thirteen At Dinner. It’s been filmed three times, twice as Lord Edgware Dies and once as Thirteen At Dinner. But they’re all based on the same novel and the index connects them.

I list all the names, with a note as to which film it applies to. Or, as with Margaret Rutherford, the film’s name doesn’t correspond to any edition of the novel but I tell you what to look for.

The bibliography provides further reading and shows where some of my information came from.

Enjoy the book. We enjoyed watching the movies, podcasting about many of them, and writing the reviews. We want it to be used, encouraging you to watch Agatha Christie on the screen, always different but always her.

How the movies are rated

Each movie is given two ratings. Fidelity of text is exactly what it sounds. How close is the film to the original text? Sometimes, only the names match. Other films are so faithful, they’re lifeless.

Quality of movie is about the movie itself. Did everything together work as a film? Often, a very good movie isn’t faithful to the text at all (see Miss Marple in Ordeal By Innocence (2007)). If something jars about the movie, I’ll indicate it here.

The rating icons demonstrate Agatha’s many, many ways of killing. Blunt objects, poisoned cocktails, garrotes, knives, guns, stranglers, being pushed down a flight of stairs. They usually reflect the first murder in the film.

A few films, such as And Then There Were None, get five different symbols to reflect all the ways those nasty people got iced.

How to find the movies

We watched the vast majority of the films on DVD on our TV set, the one our neighbors were throwing away. You’re correct that we count our pennies.

That’s why we use our public library. If yours is like ours, it contains a surprisingly large collection of Agatha Christie films. All you have to do is get a library card to borrow them.

You may, like us, have access to more than one library. It’s worth learning what’s available in your area. We belong to our local library (the Hershey Public Library) and to our county library (the much larger Dauphin County Public Library). They often carry different titles so I always check both before moving on to the next step.

Your library is bigger than your municipality, your county, or even your state. Ask for the interlibrary loan librarian. For us, it’s Denise Philips. Denise got us all kinds of DVDs from libraries across the country. This service is usually free, as libraries are tax-supported. Ask and you may be very pleased. The interlibrary loan may take a few weeks for the requested movie to arrive, but it nearly always will.

If Denise could not get us a title, Bill would search eBay and Amazon. We bought a universal DVD player so we could play DVDs from Europe.

There were obscure kinescopes that were on YouTube, so we watched them on the computer.

There are streaming services, including Amazon which gave us access to Britbox. Dailymotion let us watch the Japanese films.

We don’t recommend skeevy pirate sites. They’re illegal, don’t pay royalties to the creators, and whatever you get will be loaded with viruses and malware and the film may be incomplete or damaged.

*** A review ***

The Sittaford Mystery (2006)

Epic expansion of Trevelyan’s life
leaves little room for a coherent
mystery for Miss Marple to sort out

Fidelity to text: 1 pharaoh’s curse

The novel was eviscerated. The murder, séance, escaped prisoner, and a few names remain. Everything else, including the murderer, were altered beyond recognition. Miss Marple resented being shoved in; she stayed defiantly offstage for long stretches.

Quality of movie: 1½ pharaoh’s curses

The scriptwriter shoved ten pounds of plot into a five-pound running length and the result is incoherence with snow.

The Review

Queue up Sir Mix-a-Lot and “Baby Got Back” and recite along with me:

Oh. My. God.
Look at that plot!

You’ll have to sit through this episode twice (at least) to understand what’s going on. This film is 93 minutes long, not long enough for all the disparate plot threads to be woven in a cohesive fashion. The film needed a minimum of another twenty minutes running time to do it justice.

But since ITV didn’t do that, you, dear viewer, will be left asking what just happened? Rewind, dammit! That’s what we did. Repeatedly. Yet there were many moments when I still can’t tell you what was going on.

The trouble starts with forcing Miss Marple into a property that was never written for her. This can work: see ITV’s By the Pricking of My Thumbs, a Tommy and Tuppence novel.

Not here. In fact, Miss Marple disappeared for long stretches of the film, doing heaven only knows what in Sittaford House while sitting out the blizzard. Maybe she was questioning the staff (we only see one servant in the mansion but there must be more), knitting, and speed-reading Captain Trevelyan’s memoirs. She certainly wasn’t at the Three Crowns Inn, inspecting the body and questioning the guests, even though most of the action takes place there.

An entirely new plot is shoehorned in, vastly expanding Captain Trevelyan’s character and backstory. Suddenly, he’s a war hero (WWI), a suspected war profiteer (WWII), an Olympic skater in between (I think; the dialog was incomprehensible at many key points), a major candidate to be the next prime minister (Winston Churchill (!) has a scene with Captain Trevelyan), and he’s a noted archeologist having discovered a major tomb in Egypt back in 1927 that made his fortune! Compared with Capt. Trevelyan, Indiana Jones was a lazy amateur.

But all this rewriting was necessary to give Timothy Dalton scenery to chew to earn his paycheck. In the novel, Captain Trevelyan exists to be swiftly murdered. He doesn’t even get one line. In the movie — since he’s Timothy Dalton — when he’s not emoting in front of us, he’s the topic of conversation by the other characters.

Which I can understand. It’s Timothy Dalton, and my goodness does he look yummy. Some men age very well and he belongs to that lucky cohort. He’s also got to be expensive so the producers made sure to get their money’s worth. Pity they didn’t spend some of their money on a better script or more film stock.

But he didn’t age that well. I had a hard time believing that virginal, lovely, dewy, eighteen-year-old Violet Willets (Carey Mulligan) fell madly in love with a man old enough to be her grandfather. I know why he did, and it’s not just because Violet resembles the woman he callously abandoned twenty-five years prior in Egypt. Violet is delicious, naïve, and believes every word he says and what man doesn’t want that? As for Violet, she didn’t come across as a gold-digger, which is the usual reason sweet 18-year-olds marry men old enough to be their grandfather. Or maybe she was one and the tacked-on ending where Violet runs off to Argentina with Emily Trefusis proves it.

Violet certainly wasn’t broken up about her husband being murdered on their wedding night. If anything, she seemed relieved. She got it all. The Trevelyan name, the inheritance, two tickets to Buenos Aires, and she didn’t have to sacrifice her sweet toothsome body to some old man, even if he was Timothy Dalton.

The Egyptian subplot was of major importance yet it didn’t make any sense. There was the paranormal aspect too, with a ghostly maiden showing up in Captain Trevelyan’s visions. Was there a curse on the gold scorpion? Was he going crazy? We’re never told. The ghost follows a different movie’s script when it appears and vanishes.

This script also doesn’t tell us how an Egyptian servant can show up in isolated Sittaford in 1949 and get hired on, no questions asked. I understand that the servant problem was bad enough that the upper crust didn’t ask as many questions as they could. But here? Really?

We know Captain Trevelyan did potentially bad things in Egypt. Yet he wasn’t suspicious when this mysterious Egyptian showed up at his door? He’d been having weird dreams about his past. He’s got a burgeoning political career which means close scrutiny of his private life. He’s supposed to be a smart man.

Add in the even more incoherent subplot about the escaped prisoner from Dartmoor prison. None of that made sense; not the purchase of the inn a year prior to the events of the story, not the backstory of how the star-crossed lovers met, not how the prisoner escaped from Dartmoor prison and found his way across the moors to be reunited with his paramour and cousin and their eventual escape to freedom.

There’s also the American war profiteer who helped Captain Trevelyan make a fortune manufacturing substandard munitions that killed more American sailors than the enemy. The American war profiteer’s personal aide-de-camp and quack doctor made even less sense. Why did the war profiteer need him around, other than as a dogsbody? There was mumbled dialog that sounded like they were both in the mafia, but it was unclear.

We also meet the incompetent government clerk who’s looking into Captain Trevelyan’s background to ensure nothing questionable is revealed to the press, thus discrediting the party. He’s not doing a very good job if Captain Trevelyan was a known associate of American war profiteers and he doesn’t know.

Then there’s Charles Burnaby. In the novel, he’s boy-reporter Charles Enderby. The name change was the first step in his complete reworking of motives and backstory. Yet we get no foreshadowing of his dramatic personal life or of his connections to the Trevelyan family.

We get almost nothing of James Pearson’s connection to Captain Trevelyan either. We get even less of a reason for Emily Trefusis to be engaged to James Pearson, boy alcoholic, other than that old standby: He’ll inherit big when Captain Trevelyan dies. Maybe that’s why Emily runs off to Argentina with Violet. She gets the money and the girl and doesn’t have to marry the boy alcoholic.

I could rant on, but you get the picture: This movie was a mess, barely suitable for Timothy Dalton fans. ITV could have saved the cost of his salary and paid for a better script. Or, they could have capitalized on Timothy Dalton and added another twenty minutes of movie, explaining all the subplots and how they connected.

General Information

Based on: The Sittaford Mystery (U.S. title: The Murder at Hazelmoor; novel, 1931)

Run time: 1 hr., 40 min. Subtitles: No

Writer: Stephen Churchett

Director: Paul Unwin

Cast

Geraldine McEwan as Miss Marple

Timothy Dalton as Clive Trevelyan
Mel Smith as John Enderby
Jeffery Kissoon as Ahmed Ghali
Laurence Fox as James Pearson
Zoe Telford as Emily Trefusis
James Murray as Charles Burnaby
Rita Tushingham as Miss Elizabeth Percehouse
Michael Brandon as Martin Zimmerman
Paul Kaye as Dr. Ambrose Burt
Patricia Hodge as Mrs. Evadne Willett
Carey Mulligan as Violet Willett
Matthew Kelly as Donald Garfield
James Wilby as Stanley Kirkwood
Robert Hardy as Winston Churchill

Film Locations

The Flower Pot Pub, Henley-on-Thames, Oxfordshire (pub exterior)
Dorney Court, Dorney, Buckinghamshire (Sittaford House interiors)

***

Excerpt from Agatha Christie, She Watched by Teresa Peschel. Copyright 2023 by Teresa Peschel. Reproduced with permission from Teresa Peschel. All rights reserved.