Category: Interview

THE DEADENING by Kerry Peresta | #Showcase #Interview #Giveaway

The Deadening by Kelly Peresta Banner

The Deadening

by Kerry Peresta

April 1-30, 2021 Tour

Synopsis:

The Deadening by Kerry Peresta

OLIVIA CALLAHAN’S quiet, orderly life is shattered when she regains consciousness in a hospital and discovers she is paralyzed and cannot remember a thing. The fragmented voices she hears around her help her piece together that an apparent assault landed her in the hospital, but nobody knows who attacked her, or why.

Now, in spite of a brain injury that has rewired her personality, Olivia is on a mission to reclaim her life. As clarity surfaces, and she starts to understand who she was, she is shocked.

Could she really have been that person?

And if so, does she want her old life back?

Praise:

“A gripping read populated by likable characters. Peresta draws us into a colorful detailed world and makes us care what happens to the people living in it. We root for Olivia as she struggles to regain her memory, her bearings, and the identity she lost long before her injury. Excellent!”
– Susan Crawford, Internationally bestselling author of The Pocket Wife and The Other Widow.

The Deadening is a captivating psychological suspense novel that will have you holding your breath with each turn of the page. Peresta has created a world chock-full of characters who are dynamic and unforgettable, for better or worse. Hold onto your seat.”
– Clay Stafford, bestselling author and founder of Killer Nashville Writers’ Conference

Book Details:

Genre: Psychological Suspense
Published by: Level Best Books
Publication Date: February 21, 2021
Number of Pages: 353
ISBN: 1953789358 (ISBN13:9781953789358) (ASIN:B08SVKLMZ8)
Series: Olivia Callahan Suspense, 1
Purchase Links: Amazon | Barnes & Noble | Goodreads

 

Author Bio:

Kerry L Peresta

Kerry’s publishing credits include a popular newspaper column, “The Lighter Side,” 2009-2011; and magazine articles in Local Life Magazine, The Bluffton Breeze, Lady Lowcountry, and Island Events Magazine. She is the author of two novels, The Hunting, women’s fiction, released by Pen-L Publishing in 2013, and The Deadening, released in February, 2021 by Level Best Books, the first in the Olivia Callahan Suspense series, She spent twenty-five years in advertising as an account manager, creative director, and copywriter. She is past chapter president of the Maryland Writers’ Association and a current member and presenter of Hilton Head Island Writers’ Network, and the Sisters in Crime organization. Recently, she worked as editor and contributor for Island Communications, a local publishing house. Kerry and her husband moved to Hilton Head six years ago. She is the mother of four adult children, and has a bunch of wonderful grandkids who keep life interesting and remind her what life is all about.

Q&A with Kerry Peresta

What was the inspiration for this book?

Six years ago, I walked into yet another library for a book signing, this one to host twelve or so authors besides me. As usual, I set up my table with a cute tablecloth, a video running on my laptop, business cards, pens, a stack of books. After an hour, the stack of books had not diminished one iota. Frowning, I looked around the room, noticed that the other authors were experiencing similar disinterest. All except one.

Irritated, I strode across the room to this author’s table. I cannot remember her name, but a flock of interested book enthusiasts surrounded her, and she held court like the queen bee of fiction. When the crowd parted, I edged in toward the table and asked her, with a smile, why she seemed to be the biggest magnet in the room.

“I guess it’s the car wreck,” she shared. “I almost died a few years ago, and was in a coma for six months. When I woke up, I was just like this!” I asked what she meant. “Before the coma, my personality was passive. Shy. Afterward, well…” she grinned. “Not so much.” She fluttered her small hand at the people waiting for me to get out of the way so they could talk to her. “People seem to like that.” Her eyes twinkled. “And they buy my books!”

Thoughtful, I walked back to my table and sat, my mind not on potential customers, but on the next book. After a thinking session of ‘what ifs’ and ‘maybe this could happen in that scenario’ and throwing in a nasty antagonist, “The Deadening” was born.

What has been the biggest challenge in your writing career?

Writing a query letter that works. I finally hired a writing coach who got me out of my head and had objective, productive insights, and she helped me write a killer query. It was worth the hundred bucks I paid her!

What do you absolutely need while writing?

Sugarless gum. Mainly ‘Mint Bliss’ or Dentyne ‘Fire’. Earbuds. If I’m writing an exciting, dark scene I go for classical music, i.e. Grieg, Rachmaninoff; if it’s domestic, I listen to smooth jazz. I have to shut out other sounds to focus. Sometimes I just listen to rain sounds. A great pen. I love the fine point Zebra ballpoints, which are hard to find now. Space. I broke down and finally bought an L-shaped desk and a great, comfortable desk chair. Usually, all my notes have to be dug out of a drawer somewhere, but now, I can spread out.

Do you adhere to a strict routine when writing or write when the ideas are flowing?

The morning. Usually 9:30 – whenever. That’s when my brain is firing on all cylinders. I try to wrap up around 3. If I have to write in the evening, I can…but I am grumpy about it! If a great idea comes to me in the afternoon or evening, I jot it down and put it on my desk. I’ll get to it the next day.

Who is your favorite character from your book and why?

You’d think it would be the protagonist, but I really love Detective Hunter Faraday, the all-around good guy; unlucky in love, good at his job and falling for Olivia (the protagonist) but not really a good idea yet because she has a lot of healing to do…he is a hottie with humility and a gun. I will be developing his character further in the second book.

Tell us why we should read your book.

Since I cannot seem to end a chapter on anything other than a cliffhanger, it seems it is ‘riveting’ according to people that have read it. My editor told me it kept her engaged from start to finish. High praise from someone who reads like…a hundred manuscripts a day or something! So that is one reason. Another is Olivia’s journey. She wrestles with secrets and personal discoveries that compel her to dig deeper, and she bravely faces the often heart-wrenching pain in order to reclaim the identity she lost long ago. “The Deadening,” in a word, is about overcoming!

Give us an interesting fun fact or a few about your book?

My antagonist is based on a compilation of my ex-husbands. Drawing and expanding upon their darker proclivities, which makes me chuckle as I’m typing.

Do you have anything specific that you want to say to your readers?

Get ready for a bumpy ride.

Tell us a little about yourself and your background?

I was raised in a military family, and we settled down in Little Rock, AR when I was thirteen. After college, I moved to Denver, CO, and have since lived in Pierre, SD, and Baltimore, MD, and now, Hilton Head Island, SC. Hopefully, we are here to stay because it’s wonderful! I raised two boys and two girls, enjoyed a successful career in advertising as account manager, copywriter, and designer. I started writing in 2009, and it’s been quite the undertaking to learn the publishing industry as a complete newbie. Now, I feel like I could teach a class. Maybe several! I’m grateful to be a working author, and look forward to pumping out as many books as readers would like to read. On a side note, and much to my surprise, my husband and I now have fourteen grandkids! (Insert wide-eyed emoji here).

What’s next that we can look forward to?

I’ll be writing Book Two and Book Three in the Olivia Callahan Suspense Series, and also thinking of creating another protagonist with as compelling a story as the one I met at the signing event years ago. Everyone I meet has a story—and one of them will be the catalyst for my next series!

Catch Up With Kerry L Peresta:
KerryPeresta.net
Goodreads
Instagram – @kerryperesta
Twitter – @kerryperesta
Facebook – @klperesta

 

Read an excerpt from The Deadening:

Prologue

The stiff bristles of the brush grew coppery as he scrubbed back and forth, back and forth. Wrinkling his nose at the smell, he groped for the mask he’d bought, looped it over his head, and snugged it into place.

He dipped the brush in the red-tinged solution in a blue, plastic bowl beside him on the floor, and continued scrubbing. Fifteen minutes later, he emptied the bowl down the toilet and shoved everything he’d used into a trash bag. He fought to staunch the bile creeping up his windpipe, but his throat constricted and he gagged. After retching into the sink, he turned on the faucet and splashed water on his face. Paused to take deep breaths. He could do this. He had to do this. He gripped the edge of the counter and stared out the bathroom window.

She’d not told anyone. Thank God for that. No one could know. No one would ever know. He’d make sure.

He walked to his garage, opened his car trunk, tossed in the latest trash bag. His hands felt icy. He rubbed them together, wiggled his fingers, and slammed the trunk shut.

Admittedly, her terror had excited him. Confusion. Dawning realization in her expression. His lips curved upward into a smile, then disintegrated. Reliving it didn’t change anything. He needed to move forward.

He returned and studied the carpet. In spite of his efforts, the stain still needed work. He cursed, dropped to his knees, and pounded the dampness with a fist.

Through a veil of fatigue, he watched in horror as the kidney-shaped stain stood and pointed an accusatory finger at him. He blinked, hard. Was he hallucinating? How long had he been without sleep? He crabbed backwards, leaned against the wall, pulled his knees to his chest and squeezed his eyes shut. When he opened them some moments later, the blood-apparition had disappeared.

He groaned.

He stared at the ceiling until his brain spit out a solution.

The problem lay in the other room. That’s how he looked at her now.

A problem to solve.

He rose from the floor and walked out.

His eyes slid from her pale face, down her form, to her feet. He no longer thought of her as warm, soft, desirable. She had been so scared…eyes wide and unblinking as she fell. He shook his head and pushed the image away.

Nesting her in towels so her blood wouldn’t pool on the couch, her bronze-sandaled feet with their shiny, pink toenails hung over the edge. He looked away. “Get a grip, man. Just do it.”

The towels fell away when he picked her up. He wound them back around her, careful to tuck in the edges. His heartbeat slammed his ribs.

She was fragile, a little bit of a thing, like a bird. He drew his index finger across her lips. “I’m sorry,” he whispered. “If you had just…if you had only…” His voice trailed away. Jaw clenched, he carried her to his car.

Chapter One

Nathan ambled along sidewalks that wound through the manicured hospital grounds, fishing in his pocket for a lighter. He lit the cigarette dangling from his lips and inhaled deeply, his smile saturated with nicotine’s unholy bliss.

“Thank God,” he mumbled around the cigarette, and withdrew it from his lips, stretching. He glanced over his shoulder at the brightly lit ER entrance to Mercy Hospital, rubbing his neck. He rolled his shoulders, inhaled several deep drags from the cigarette, dropped it, and ground it beneath his shoe. “These night shifts are killing me.” He groaned and gazed at the sky. Clouds hid a full moon. He’d been grateful to get the med tech job, but after two months of bodily fluid testing and storage, he was bored. He needed a challenge.

Nathan followed his typical route through the hedged lawn, almost on auto-pilot, so when he stumbled and sprawled onto the grass face-first, he was stunned. What had tripped him? Cursing softly, he explored his cheeks, nose, forehead. No damage done that he could tell. “Klutz,” he berated himself, pushing up to hands and knees.

Something soft and warm lay beneath his palms. His breathing sped up. He looked down, but it was too dark to see. Trembling, his fingers inched their way to lips, nose, eyes, stiff knots of hair. His mouth dropped in horror. The clouds obligingly slid off the moon and revealed a woman’s body, her hair blood-matted, her face ghostly white. The grass around her head was rusty with blood. He edged his head toward her lips to check her breathing. Shallow, but at least she was alive.

He scrambled to his feet, fighting nausea and staring at his palms, sticky with the woman’s blood. Shrieking for help, he raced into the hospital and skidded to a stop in front of the desk. The ER nurses behind the reception desk squinted at him like he was deranged.

“Possible head injury!” He flailed an arm at the entrance. “Someone, anyone, come quick!”

A male nurse and two aides followed him outside, shoes pounding the sidewalk at full gallop. The tech stopped, turned, and signaled them to tread carefully as they parted ways with the sidewalk and navigated the shrubbery in the dark. Single file, panting, they tiptoed through the shadows until the tech raised a palm for them to stop.

“Here,” he hissed at the nurse, and held a point like a bird dog.

The nurse dropped to the ground and clicked a flashlight on. “Ohmigosh,” he whispered. He lifted the woman’s thin, pale wrist and glanced at his watch. Satisfied that she had a pulse, he slapped the flashlight into Nathan’s bloodied palm. “Stay with her!” He rushed inside.

Within minutes, looky-loos poured from the ER and clustered around the limp form.

“Move back!” Nathan stretched out his arms like a cop directing traffic. “She’s barely breathing!” His glanced nervously at the ER entrance.

The crowd didn’t yield an inch. The ER doors whooshed open. A stretcher clattered down the sidewalk and onto the dew-damp grass. Chills shivered up the tech’s spine as the ashen pallor of death climbed from the woman’s neck to her face. He dropped to the ground and picked up her hand. The paramedic team drew closer, their flashlights piercing the darkness with slivers of light. The crowd eased apart to let them through.

Nathan bent closer to the woman, and whispered, “Hang in there. Help is on the way.”

The stretcher slid to a stop beside him. The paramedics dropped to their knees, stabilized the woman’s head with a brace, staunched the bleeding, and wrapped the wound. They eased her onto the stretcher and rumbled away. The aides shared nervous smiles of relief. They looked at Nathan, then followed the paramedic team back inside.

Nathan, his heartbeat finally slowing, called, “Thanks for the assist, guys!” as they walked away.

The crowd dispersed with curious glances at Nathan, who watched until the group disappeared behind the ER’s double glass doors. He heaved a sigh of relief and swiped perspiration off his forehead. He patted his scrubs pocket for a cigarette, reconsidered, and trotted toward the ER entrance.

After the automatic doors parted, he jogged past two closed-door exam rooms and paused at a third, wide open. He looked inside.

The paramedics shared their observations with the ER doctor on call as he deftly explored the woman’s wounds. When he finished, he nodded, barked instructions, and pointed at the bed. In seconds, the woman’s transfer from stretcher to bed was complete. One of the nurses whisked a blood pressure cuff around her arm. Another hooked an IV bag to a chrome stand, pierced the skin on the back of the woman’s hand, slid in a needle, and taped it down.

The tech stepped back from the door to allow the paramedics to exit. Holding his breath, he stole into the room and crept past a floor-to-ceiling supply cabinet. He planted both palms onto the smooth, white walls behind him and inched sideways, melting into the corner next to a shelf holding tongue depressors, a box of plastic gloves, and a sanitizer dispenser.

“Pulse one-fifteen.” The nurse studied the blood pressure cuff. “Blood pressure eight-five over fifty.”

“Need a trach,” the doctor barked. “She’s bleeding out. Get some O neg in here.”

A blur of motion, two nurses and the ER doctor huddled around the woman’s body. When they stepped back, a laryngoscope, an endotracheal tube, and four sticky electric nodes leading to a cardiac monitor had been secured.

The medical team stilled, their eyes riveted to the monitors. The nurses wore sage green scrubs. Both had pink stethoscopes around their necks. The ER doctor had on a crisp, white jacket with his name scripted in black on the pocket. Nathan fidgeted and stuck his head out from the corner a little to focus on the screens.

The readings sputtered, stalled, plummeted.

“Code Blue!” The doctor spun around. A nurse jumped to the wall and slapped a flat, white square on the wall.

“Code Blue!” echoed through the ER’s intercom system. Frantic footsteps in the hall. Shouted instructions. Clanging metal. Squealing wheels. Nathan squeezed farther into the corner as the cart bearing life-saving electronic shock equipment exploded through the door.

“Brain must be swelling,” the doctor mumbled. He grabbed two paddles and swiped them together. “Clear!”

The woman’s body jolted. The doctor’s head jerked to the cardiac monitor. Flat.

“Clear!” He placed the paddles on the woman’s chest.

Her frail torso arced. The machine blipped an erratic cadence, then droned a steady hum.

The doctor cursed. “Clear!”

Another jolt. The monitor surged, sagged, then settled into a reassuring metronome blip. Tense faces relaxed. Applause spattered around the room.

The doctor blew out a long breath. “Okay, people, good job.” He smiled.

Within minutes, more lines snaked from the woman’s form. An orogastric tube drooped from the corner of her mouth, behind the intubation tube. A lead to measure brain waves clung to her forehead. The doctor studied each monitor in turn. Nathan let out the breath he’d been holding, slid down the wall into a crouch, and balanced on the balls of his feet.

“Any additional instructions, Doctor Bradford?” Brows raised, the nurse waited.

He rubbed his head thoughtfully. “Think she’s stable for now. CAT scan already ordered?”

She nodded. “Of course.”

“Tell them to expedite.” He cocked his head at the woman. “May be a long night. Watch her closely.” The doctor strode to the door, paused, and turned. He glanced at the tech huddled in the corner. “Good job, son.”

Nathan grinned and rose from his crouch, his chest puffed out a little. He’d never saved a life before. After a sympathetic glance at Mercy Hospital’s latest Jane Doe, he returned to the lab.

***

Excerpt from The Deadening by Kerry Peresta. Copyright 2021 by Kerry Peresta. Reproduced with permission from Kerry Peresta. All rights reserved.

 

 

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HIDE IN PLACE by Emilya Naymark | #Showcase #Interview #Giveaway

Hide In Place Banner

Hide In Place

by Emilya Naymark

March 1-31, 2021 Tour

Synopsis:

Hide In Place by Emilya Naymark

She left the NYPD in the firestorm of a high-profile case gone horribly wrong. Three years later, the ghosts of her past roar back to terrifying life.

When NYPD undercover cop Laney Bird’s cover is blown in a racketeering case against the Russian mob, she flees the city with her troubled son, Alfie. Now, three years later, she’s found the perfect haven in Sylvan, a charming town in upstate New York. But then the unthinkable happens: her boy vanishes.

Local law enforcement dismisses the thirteen-year-old as a runaway, but Laney knows better. Alfie would never abandon his special routines and the sanctuary of their home. Could he have been kidnapped–or worse? As a February snowstorm rips through the region, Laney is forced to launch her own investigation, using every trick she learned in her years undercover.

As she digs deeper into the disappearance, Laney learns that Alfie and a friend had been meeting with an older man who himself vanished, but not before leaving a corpse in his garage. With dawning horror, Laney discovers that the man was a confidential informant from a high-profile case she had handled in the past. Although he had never known her real identity, he knows it now. Which means several other enemies do, too. Time is running out, and as Laney’s search for her son grows more desperate, everything depends on how good a detective she really is–badge or no.

Book Details:

Genre: Thriller
Published by: Crooked Lane Books
Publication Date: February 9, 2020
Number of Pages: 278
ISBN: 1643856375 (ISBN13: 9781643856377)
Purchase Links: Amazon | Barnes & Noble | Goodreads

 

Author Bio:

Emilya Naymark

Emilya Naymark’s short stories appear in Secrets in the Water, After Midnight: Tales from the Graveyard Shift, River River Journal, Snowbound: Best New England Crime Stories 2017, 1+30: THE BEST OF MY STORY, and in the upcoming Harper Collins anthology A Stranger Comes to Town.

She has a degree in fine art, and her artworks have been published in numerous magazines and books, earning her a reputation as a creator of dark, psychological pieces.

When not writing, Emilya works as a visual artist and reads massive quantities of thrillers and crime fiction. She lives in the Hudson Valley with her family.

Q&A with Emilya Naymark

What was the inspiration for this book?

The easiest answer would be fifteen years of listening to my NYPD detective husband’s work stories. He worked undercover for four years, buying drugs on the street, and I still remember coming to visit him at work one day and almost not recognizing him. He was walking down the street in flip-flops and a wifebeater, his long hair in a pony. I always wanted to write his adventures, but in the end, I turned him into a female character, made him a single parent, and gave him a hefty moral dilemma. It was fun. And hey, he can always write his memoir on his own.

What has been the biggest challenge in your writing career?

I would say learning how to write has been the biggest challenge. I majored in art in both high school and college, and in my other life I’m a graphic designer and coder. In other words, I never studied writing. However, I’m more than a voracious reader. If I go a day or two without a good book, life feels drab.

Being a reader helped me, but I had to study and workshop my stories. It took seven years, two finished novels and three unfinished ones before I learned to write well enough to land an agent with my third novel.

What do you absolutely need while writing?

Silence! I don’t need to lock myself in a closet or anything, but I have a set of noise blocking headphones (the kind you might use at a shooting range), and they are my dearest friend.

Do you adhere to a strict routine when writing or write when the ideas are flowing?

Routine in the sense that I almost always write at night. I tried waking up early to write before work, but only succeeded in being cranky the entire day. I don’t wait for inspiration because writing feeds on itself and fans its own flames. Once I start writing, the ideas come knocking.

Who is your favorite character from your book, and why?

I have a soft spot for all my characters, but I like my protagonist, Laney Bird, the most. She is a good detective, but she is clueless when it comes to her own life. It’s as if everyone she loves is a complete mystery to her, and I find that terribly interesting about her. She is both impulsive and methodical, utterly loyal, but not above bending rules. She’s flawed, but in a way I find relatable.

Tell us why we should read your book.
Readers who enjoy Harlan Coben, Ruth Ware, or Lucy Foley with a hefty dose of police procedural would like Hide in Place.

If you like deeply emotional women’s fiction crossed with a police procedural and crime, you will appreciate my novel. If you have a child who is a little quirky, or who worries you, you will relate. If you enjoy complicated and flawed characters facing terrible danger whilst wrestling with their moral codes, well, this book is for you. Plus, the Russian mob.

Give us an interesting fun fact or a few about your book?

• I had to learn a lot about fire breathing and playing with fire while writing it.
• I based the central racketeering case on a real case against the Shulaya gang in Brighton Beach in 2017. I didn’t have room to include all the different kinds of crime the indictment listed, but I included the juiciest.

Do you have anything specific that you want to say to your readers?

Only that I hope this novel entertains you. And I always love hearing from readers, so comments are greatly appreciated.

Tell us a little about yourself and your background?

I immigrated to the USA from the Soviet Union when I was a child and grew up in Queens. I fell in love with America on day one, when I saw my first automatic sliding doors at JFK Airport. Being so close to museums, concert halls, and every kind of art sealed my future as an artist, and later, a writer. Being an immigrant gave me a sideways view of my new country. For example, when I first arrived, the subways were covered all over with graffiti. The city saw that as crime, but to me they were gorgeous.

What’s next that we can look forward to?

Book 2 in the Laney Bird series is on its way to the editor, and is chock full of explosive revelations, love, hate, and yes, Russians behaving badly. I also have a short story in an anthology from Harper Collins, When a Stranger Comes to Town, edited by Michael Koryta, out April 20th.

Catch Up With Emilya Naymark:
www.EmilyaNaymark.com/author/
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Read an excerpt:

Chapter 1

Laney Bird’s son vanished the night she drove a busload of high school seniors to see Wicked on Broadway. He left home before she did, loping down their driveway toward marching band practice, his saxophone case swinging in his hand.

“Stew in the Crock-Pot!” she yelled at his retreating back. “I’ll be home by eleven!”

He waved without turning around, a shimmy of raised fingers in the raw February wind.

The bus smelled like bologna sandwiches, fruity body sprays, and old soda and sounded like a monkey house. But she was used to it. And she needed the extra money.

Once the students erupted into the glittery Manhattan night, she parked and texted him but heard nothing back. This concerned her, though not overwhelmingly so. She figured he’d stayed late for practice or left his phone in his backpack on vibrate. She tried to nap. Listened to the radio. Played a game on her phone.

As icy rain turned to snow, the students clambered back on the bus, collapsing against green seats and smudged windows, and she carted them homeward through tortuous, storm-soured traffic toward upstate New York and their waiting families.

She wasn’t home by eleven.

Laney walked into her empty, dark house a few minutes past midnight and dumped her keys onto the key dish by the front door. Alfie’s saxophone did not trip her as it usually did, but she barely noticed, the long day hitting her hard.

After wriggling out of her bra (through her sleeves, blessed relief) and toeing off her shoes, she tipped the lid from the Crock-Pot and paused, unease needling her.

The beef and potatoes had gone cold, congealed. Untouched. She dropped her bra to a chair and walked over to Alfie’s room. His door was open and, when she flipped the light switch, his bed neat, empty.

With shaking fingers, she called his phone, then again, and again. Again. The line rang through to voicemail every time. The GPS Phone Tracker showed him a block from school at five pm, then nothing. He had either disabled the app or powered off his phone, both of which she had forbidden him to ever do.
Between the frantic phone calls, she glanced in every room and closet, climbed into the drafty attic, then into the dank basement, calling his name as if he were a toddler playing hide-and-seek and not a mercurial thirteen-year-old.

He was still not home by one am, when Laney rang and woke the few parents whose sons bothered with Alfie. They answered their phones with voices groggy or scared, turning quickly to irritation. He wasn’t with any of them. But she’d known that before she called and made the calls anyway out of some dim, crazed hope. He never visited other kids, never texted, wasn’t, as far as she knew, active on any social media.

At one thirty am she screeched into the Sylvan PD’s parking lot, knocking over a garbage can as she slammed on the brakes. Sylvan, a sedate hamlet in Rockland County, population less than nine thousand, slumbered under a cloud-swept sky, and the station house in the middle of the night on a Tuesday was quiet.

Laney burst into the building, then hesitated as the doors clanged shut behind her. Ed Boswell was the desk officer on duty, and if he was not exactly the last person she wanted to see, he was right up there in the top five candidates.

“Laney,” said Ed, turning his eyes from the screen, where, no doubt, he’d been watching the latest episode of CSI. He’d told Laney once it was his favorite show, and the midnight shift in Sylvan was so slow he usually spent at least half of it bingeing on some TV series or other.

It’s not that she thought he was a bad police officer. He was all right, calm and steady, with a slow way of looking at every problem even when the problem required immediate, ten-alarm action. Laney had been a cop herself before her personal life imploded. In her deplorably short career with the NYPD, Laney had risen to detective and worked three years as an undercover, first in the Bronx, then in Brighton Beach.

As Ed Boswell clicked something on his computer, tsked in irritation, clicked again, then looked at her, she wished, not for the first time, she could call her ex-partner. But he didn’t work in Sylvan. Ed did. Ed, who knew nothing of her past, nothing of the shield she’d earned by doing countless buy-and-busts, of her skills, her extensive knowledge of police procedures. Ed, who saw only what everyone else in Sylvan saw when they looked at her—a bus-driving single mom of an odd boy—and treated her problems with her child accordingly.

“It’s Alfie,” she said, her voice coming shrill and taut from her throat, hurting her. “He’s not home. Hasn’t come home.”

“Again?” asked Ed.

His eyes settled on her (with pity? condescension?), and she realized she’d run out of the house in her slippers, her coat still hanging on its hook in the hall and her bra on a kitchen chair.

Ed glanced at the window, where a wet sleet had started to slap against the glass. The storm had traveled north and was just beginning to hit their town.

“Did you check the high school?” he asked, just as Laney knew he would, because he’d been on desk duty the last time Alfie decided to disappear.

“The school is locked,” Laney said, thinking this should have been obvious, schools were like fortresses nowadays, hermetically sealed after hours. But she was not the cop, she reminded herself. Not anymore.

She said, “He’s not answering phone calls or texts. He’s disabled the phone tracker. I called three families who have sons he’s friends with”—to describe them as friends was a stretch, and she knew Ed knew this and her face colored—“and he’s with none of them. I left a message for his band teacher. Alfie was scheduled for band practice this afternoon. Prior to that he came home from school as usual at two fifteen, had a snack”—she paused, swallowed; that was the last time she’d spoken with him—“a PBJ sandwich, did his homework, then left for practice at four fifty. He was supposed to be home before seven.”

She closed her eyes, running through anything else she might have done, anything else she should say, but all she could envision was Alfie’s back in his maroon parka as he strode down the slippery driveway, saxophone case in hand, blond hair escaping from under his black knit cap. She hadn’t even hugged him, just waved as he stepped past her for the three-block walk to the high school.

Ed sighed and typed something. “I’m sure he’s fine, Laney. He’s done this before. We’ll have a patrol car out to the school.”

But it wasn’t the same, Laney wanted to scream. That last time, a month ago, she and Alfie had had an argument—a real, honest-to-God shouting and crying fest. She had (had she really?) slapped him and ransacked his room for the drugs she was sure he’d hidden there. His blown-out pupils, his clammy skin, his overly cautious movements, as if he didn’t trust his own limbs, terrified her, reminded her of the lost souls she’d had to lock up in the past. He cried, bawled, his face red and swollen, a child, even though he was thirteen and would be fourteen soon, in two more months. He denied everything, and by morning she had to admit she might have overreacted—the years buying drugs on the street as an undercover had skewed her vision, darkened her interpretations of the most normal behaviors. He might have simply been fighting off a cold. Mightn’t he?

By morning it was too late to make amends. Alfie had left and didn’t come home until the next day.

Afterward, after the missing-child reports had been filed and alerts issued to local police, after hours of searching, Alfie simply walked up the driveway and into their living room. He’d spent the night in the school theater’s backstage, among the dress forms and discarded curtains. In the morning he’d washed in the gym locker room, ate in the cafeteria, and walked to the frozen lake a mile away, where he spent a few hours sliding along the thick ice until he grew cold and hungry, at which point he came home.

Laney wanted to ground him, punish him, take away screen privileges for running away, because didn’t he know what he meant to her, didn’t he know he was all the family she had in the world? But the sight of him, tall, pale, thin, worried about her reaction, destroyed any disciplinarian instincts, and she clung to him wordlessly. She then cooked them a big pasta dinner.

And after she put away the dishes and Tupperwared the leftovers, she installed the GPS Phone Tracker on his phone.

“Look,” Ed said, “I’m sending the patrol car out now. We’ll start at the school. How about you go home and get warm. We’ll call you as soon as we find him. What’s the band teacher’s name? Is that Mr. Andersen?”

So placid. So sure. Laney ground the heels of her hands into her eyes. It’s possible she was overreacting again. But what did Ed know of her and Alfie? Certainly she hadn’t told him—or anybody—the reason Alfie skedaddled the last time, of that god-awful argument. Most depressingly, nobody who knew her had asked why he might have disappeared then, not even Ed Boswell, who had taken the report and should have.

Alfie was strange, a loner, prone to both inappropriate outbursts and intense shyness, and never mind his near expulsion following the fall talent show. Consequently, any strange behavior from him was not surprising. Certainly not to Ed, whose son was also a Boy Scout in Alfie’s troop. That’s how Laney and Ed knew each other, through their children, even though Ed’s son ignored Alfie at best and sometimes, when he thought no parents were in hearing distance, ridiculed him with the sharp, callous cleverness of the smart and popular.

“So,” she said, trying to keep her voice neutral, “should I tell you what he was wearing?”

“Oh.” Ed peered at the paperwork in front of him. “Yes, let’s do that. What was he wearing?”

She pictured Alfie, her stomach clenching with fear. Where was he? Things had improved lately. A lot.

He’d been sweet, even-tempered, talkative with her, had even been mentioning a friend.

“Blue-and-gray-striped sweater, horizontal stripes. Dark-blue jeans”—skinny cut, Christmas present and already floods on him two months later—“white socks, black sneakers, maroon parka, black watch cap.

He had his sax with him when he left.”

Ed sat back and sighed. “Got it. He’s fine, Laney, really. It’s Sylvan, not the inner city. Go home. I’ll call you as soon as we find him.”

She nodded, her eyes welling, then gestured to the hallway. “Gonna use the ladies’,” she said, already walking toward the bathroom.

It wasn’t so much that she minded crying in front of people—she really didn’t. Feelings were feelings and everyone had them. But being inside the station brought back her old ways. Cops didn’t blubber, and if you were a female cop, you better keep yourself zipped shut or you’d never hear the end of it. She splashed cold water on her face and dried off with a paper towel, kneading it into a tight, brown ball before shoving it into the metal bin.

A little of Ed’s sureness had penetrated her swooping panic, and she felt a touch easier now. He was right about one thing— Sylvan was not the inner city. The nearly nonexistent crime rate and country setting were why she had moved here in the first place. Alfie was being his difficult self. That was all.

She walked out of the bathroom tired but composed, willing to let the situation take its course, if only until morning.

On her way out, she passed an office and would have kept walking except she heard Alfie’s name. She stopped just behind the doorway, keeping out of sight.

“That kid’s got problems,” said a man’s voice. “Listen, I had to come out five times last fall to the high school because of him. Five times! What’s he even doing in a normal school? Shouldn’t he be up in Pinelane?”

“Apparently not,” another man answered. “I know what you mean, though.” He sighed. “That boy is overtime waiting to happen. And it doesn’t make me happy to say it.”

“What? You not happy about overtime?” the first man said.

“You know what I mean. What if your kid was like that?”

“Nope, not me. That’s why I ain’t having kids. I got snipped.”

Laney looked up to see Ed coming toward her, his lips a line across his face. Without saying anything to her, he marched into the office and said, “I’m happy to hear you won’t be reproducing, Raguzzi. Now get the hell to work and shut the fuck up.”

She turned and ran out into the spewing snow, her slippers instantly soaked and her face burning with shame and guilt and worry.

***

Excerpt from Hide in Place by Emilya Naymark. Copyright 2021 by Emilya Naymark. Reproduced with permission from Emilya Naymark. All rights reserved.

 

 

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THE TURNCOAT’S WIDOW by Mally Becker | #Showcase #Interview #Giveaway

The Turncoat's Widow by Mally Becker Banner

The Turncoat’s Widow

by Mally Becker

February 22 – March 19, 2021 Tour

Synopsis:

The Turncoat's Widow by Mally Becker

Recently widowed, Rebecca Parcell is too busy struggling to maintain her farm in Morristown to care who wins the War for Independence. But rumors are spreading in 1780 that she’s a Loyalist sympathizer who betrayed her husband to the British—quite a tidy way to end her disastrous marriage, the village gossips whisper.

Everyone knows that her husband was a Patriot, a hero who died aboard a British prison ship moored in New York Harbor. But “everyone” is wrong. Parcell was a British spy, and General Washington – who spent two winters in Morristown – can prove it. He swears he’ll safeguard Becca’s farm if she unravels her husband’s secrets. With a mob ready to exile her or worse in the winter of 1780, it’s an offer she can’t refuse.

Escaped British prisoner of war Daniel Alloway was the last person to see Becca’s husband alive, and Washington throws this unlikely couple together on an espionage mission to British-occupied New York City. Moving from glittering balls to an underworld of brothels and prisons, Becca and Daniel uncover a plot that threatens the new country’s future. But will they move quickly enough to warn General Washington? And can Becca, who’s lost almost everyone she loves, fight her growing attraction to Daniel, a man who always moves on?

Praise for The Turncoat’s Widow

The Turncoat’s Widow has it all. A sizzling romance, meticulous research, and an exhilarating adventure. Becca Parcell is too independent for both 18th-century Morristown and her feckless English husband. Her individual plight when she is pressed into service as an unwilling spy after her husband’s death reflects the larger situation of colonists during the American Revolution, whose lives were upended by a political fight they cared nothing about. Becker balances the ruthlessness of George Washington and the underhanded charm of Alexander Hamilton with the excesses of the British, as part of a detailed picture of how the colonies were governed during a war that was far from a simple fight between two opposing nations. But historical exactitude is balanced by dashing romance between Becca and Daniel Alloway, the escaped prisoner charged with protecting her, and plot full of bold escapes and twists. A great series debut. I can’t wait for the next installment.
– Erica Obey, author, Dazzle Paint (coming 02/2021), The Curse of the Braddock Brides, and The Horseman’s Word.

An exciting Revolutionary-era thriller with a twisty mystery, great characters, and historical accuracy to boot.
– Eleanor Kuhns,author of the Will Rees mysteries

The Turncoat’s Widow reminds readers that treachery from within and without to our republic were real, and those early days for American independence from the British were fragile, the patriot cause, unpopular. This is a rousing debut novel with insights into the hardships of colonial life, the precarious place of women in society, while giving fans of historical fiction a tale with suspense, surprises, and anoutspoken and admirable heroine in Becca Parcell. Mally Becker is an author to watch.
– Gabriel Valjan, Agatha and Anthony-nominated author of The Naming Game

Book Details:

Genre: Historical Suspense / Mystery
Published by: Level Best Books
Publication Date: February 16, 2021
ISBN: 978-1-953789-27-3
Purchase Links: Amazon || Goodreads

 

Author Bio:

Mally Becker

Mally Becker is a writer whose historical suspense novel, The Turncoat’s Widow, will be published in February 2021 by Level Best Books. She was born in Brooklyn and began her professional career in New York City as a publicist and freelance magazine writer, then moved on, becoming an attorney and, later, an advocate for children in foster care.

As a volunteer, she used her legal background to create a digest of letters from US Supreme Court Justices owned by the Morristown National Park. That’s where she found a copy of an indictment for the Revolutionary War crime of traveling from New Jersey to New York City “without permission or passport.” It led her to the idea for her story.

​A winner of the Leon B. Burstein/MWA-NY Scholarship for Mystery Writing, Mally lives with her husband in the wilds of New Jersey where they hike, kayak, look forward to visits from their son, and poke around the region’s historical sites.

Q&A with Mally Becker

What was the inspiration for this book?

A Revolutionary War-era document I found inspired my story. I thought I’d be clearing trails when I volunteered at the Morristown National Historical Park here in New Jersey. Instead, I found myself sifting through one of the Park’s old collection of letters. That’s where I found a 240-year-old indictment that accused a local man of the crime of traveling from New Jersey to New York City “without permission or passport.”

I’ve lived in New York City or its suburbs for most of my life. The idea that heading into the city was ever a crime stopped me in my tracks. I was almost offended! So I took that allegation of a Revolutionary War-era crime to one of the Park’s historians for an explanation.
I learned that not all colonists supported independence during the War for Independence and that the local government made travel without its permission a crime because of all the spies and smugglers slipping between New Jersey and British-held New York City.
A divided nation? Spies and smuggling? Suddenly, I had a plot.

What has been the biggest challenge in your writing career?

Closing the door on the world and my family for hours at a time to write was my biggest challenge. I still have to remind myself that the story I want to tell is worth the time I need to give it. And that requires faith even when the story is little more than a glimmer in my mind!

What do you absolutely need while writing?

Coffee, a comfortable chair near a window, and paper and a pen next to the computer for notes. Then, more coffee.

Do you adhere to a strict routine when writing or write when the ideas are flowing?

Neither! I don’t adhere to a strict routine, and I don’t wait for creative lightening to strike. I find that ideas only flow if I’m doing the messy work of writing almost daily. Otherwise, I lose track of who said what to whom and what happens next. But there are days when I start at 7:30 am and others when I begin at 2 pm.

Who is your favorite character from your book and why?

I love this question, although it’s a bit like asking a parent which of their kids is their favorite! I have a crush on Daniel Alloway, I wish I were more like my heroine, Becca Parcell, and I’d love to spend more time with my book’s version of Alexander Hamilton.

But John Mason is my favorite character. He actually led a group of thieves that preyed on British and Americans alike during the American Revolution. Since I didn’t find a lot of detail about his life, I got to create my own version of the thief. Mason is joyous, intelligent and goes after what he wants without artifice, but his motivation in helping Becca and her mother-in-law is unclear, at least for most of the story. Why do I like him the most? Because I based his personality on my husband’s.

Tell us why we should read your book.

The American Revolution can feel so distant, as frozen in time as those formal, lifeless portraits from the era. I hope that my book–a historical mystery, wrapped in a romance, wrapped in a spy story–entertains readers and brings the late 18th century to life.

Give us an interesting fun fact or a few about your book?

Becca Parcell accepts a cup of hot chocolate from her nemesis in one scene of The Turncoat’s Widow, and the scent of chocolate and cayenne pepper fill the air. Yes, cayenne pepper. Chocolate was common in the colonies, I learned, and hot chocolate was considered an adult drink. It was often spiced with pepper, anise, or cardamom. I first drank it that way on a trip to Williamsburg, Virginia. I enjoyed the spicy hot chocolate, but, to be honest, still prefer mine with marshmallows!

Do you have anything specific that you want to say to your readers?

There are so many books you could have chosen to read. I’m grateful to you for choosing The Turncoat’s Widow. If you enjoy the book, I hope you’ll leave a review on Amazon, Goodreads or your own social media channels. And please keep in touch about what I’m planning next through Facebook or my website, www.mallybecker.com.

Tell us a little about yourself and your background?
My husband and I met in a boatyard, and we owned a sailboat before we owned a house. A former attorney, volunteer advocate for foster children, and freelance writer, I live with my husband in Warren, New Jersey, where we raised our wonderful son. The Turncoat’s Widow, featuring Becca Parcell, is my first novel.

What’s next that we can look forward to?
I’m working on the next historical mystery in the Becca Parcell series, which will be published next year.

Catch Up With Mally Becker On:
www.MallyBecker.com
Goodreads
Instagram – @mallybeckerwrites
Twitter – @mally_becker
Facebook – Mally Baumel Becker

 

Read an excerpt:

Chapter One

Morristown – January 1780

There was a nervous rustling in the white-washed meeting house, a disturbance of air like the sound of sparrows taking wing.

Becca Parcell peered over the balcony’s rough, wood railing, blinking away the fog of half-sleep. She had been dreaming of the figures in her account book and wondering whether there would be enough money for seed this spring.

“I didn’t hear what ….” she whispered to Philip’s mother.

Lady Augusta Georgiana Stokes Parcell, known simply as Lady Augusta, covered Becca’s hand with her own. “Philip. They’re speaking of Philip.”

Becca couldn’t tell whether it was her hand or Augusta’s that trembled.

“The Bible says, if thine eye offend thee, pluck it out and cast it from thee, does it not?” The preacher’s voice was soft, yet it carried to every corner of the congregation. “They’re here. Amongst us. Neighbors who toast the King behind closed doors. Neighbors with no love of liberty.”

Philip was a Patriot. He had died a hero. Everyone knew. Minister Townsend couldn’t be talking about him.

The minister raised his eyes to hers. With his long thin arms and legs and round belly, he reminded her of a spider. She twisted her lips into the semblance of a smile as if to say “you don’t scare me.” But he did.

“Which of your neighbors celebrates each time a Patriot dies?” Townsend’s voice rose like smoke to the rafters, took on strength and caught fire. “Their presence here is an abomination.” He rapped the podium with a flat palm, the sound bruising in the quiet church. “Then cast them out. Now.”

Men pounded the floor with their feet.

Becca flinched. It wouldn’t take much to tip the congregation into violence. Everyone had lost someone or something to this endless war. It had been going on for almost five years.

Townsend’s thin arm rose, pointing to her.

Becca’s breath caught.

“And what of widows like Mrs. Parcell? Left alone, no longer guided by the wise direction of their husbands.”

Guided? Becca pulled her hand from Augusta’s. She rubbed her thumb along the palm of her hand, feeling the rough calluses stamped there. She had learned the rhythm of the scythe at the end of the summer, how to twist and swing low until her hands were so stiff that she’d struggle to free them from the handle. She’d fallen into a dreamless sleep each night during the harvest too exhausted even to dream of Philip. She, Augusta and their servant Annie were doing just fine.

“He hardly slept at home, as I hear it,” a woman behind her sniffed to a neighbor.

Becca’s spine straightened.

“No wonder there were no babes,” the second woman murmured.

Becca twisted and nodded a smile to Mrs. Huber and Mrs. Harrington. Their mouths pursed into surprised tight circles. She’d heard them murmur, their mouths hidden by fluttering fans: About her lack of social graces; her friendship with servants; her awkward silence in company. “What else could you expect from her?” they would say, snapping shut their fans.

Relief washed through Becca, nonetheless. This was merely the old gossip, not the new rumors.

“Some of you thought Mr. Parcell was just another smuggler.” The pastor’s voice boomed.

A few in the congregation chuckled. It was illegal to sell food to the British in New York – the “London Trade” some called it — but most turned a blind eye. Even Patriots need hard currency to live, Becca recalled Philip saying.

“He only married her for the dowry,” Mrs. Huber hissed.

Becca’s hand curved into a fist.

Augusta cleared her throat, and Becca forced herself to relax.

“Perhaps some of you thought Mr. Parcell was still a Tory,” the minister said.

The chuckling died.

“He came to his senses, though. He was, after all, one of us,” Minister Townsend continued.

One of us. Invitations from the finer families had trickled away after Philip’s death.

“We all know his story,” Townsend continued. “He smuggled whiskey into New York City. And what a perfect disguise his aristocratic roots provided.” The minister lifted his nose in the air as if mimicking a dandy.
“The British thought he was one of them, at least until the end.” The minister’s voice swooped as if telling a story around a campfire. “He brought home information about the British troops in the City.”

Becca shifted on the bench. She hadn’t known about her husband’s bravery until after his death. It had baffled her. Philip never spoke of politics.

Townsend lifted one finger to his chin as if he had a new thought. “But who told the British where Mr. Parcell would be on the day he was captured? Who told the Redcoats that Mr. Parcell was a spy for independence?”

Becca forgot to breathe. He wouldn’t dare.

“It must have been someone who knew him well.” The minister’s gaze moved slowly through the congregation and came to rest on Becca. His eyes were the color of creosote, dark and burning. “Very, very well.”
Mrs. Coddington, who sat to Becca’s left, pulled the hem of her black silk gown close to avoid contact. Men in the front pews swiveled and stared.

“I would never. I didn’t.” Becca’s corset gouged her ribcage.

“Speak up, Mrs. Parcell. We can’t hear you,” the minister said in a singsong voice.

Townsend might as well strip her naked before the entire town. Respectable women didn’t speak in public. He means to humiliate me.

“Stand up, Mrs. Parcell.” His voice boomed. “We all want to hear.”

She didn’t remember standing. But there she was, the fingers of her right hand curled as it held the hunting bow she’d used since she was a child. Becca turned back to the minister. “Hogwash.” If they didn’t think she was a lady, she need not act like one. “Your independence is a wickedly unfair thing if it lets you accuse me without proof.”

Gasps cascaded throughout the darkening church.

From the balcony, where slaves and servants sat, she heard two coughs, explosive as gun fire. She twisted. Carl scowled down at her in warning. His white halo of hair, fine as duckling feathers, seemed to stand on end. He had worked for her father and helped to raise her. He had taught her numbers and mathematics. She couldn’t remember life without him.

“Accuse? Accuse you of what, Mrs. Parcell?” The minister opened his arms to the congregation. “What have we accused you of?”

Becca didn’t feel the chill now. “Of killing my husband. If this is what your new nation stands for – neighbors accusing neighbors, dividing us with lies – I’ll have none of it. “Five years into this endless war, is anyone better off for Congress’ Declaration of Independence? Independence won’t pay for food. It won’t bring my husband home.”

It was as if she’d burst into flames. “What has the war brought any of us? Heartache, is all. Curse your independence. Curse you for ….”

Augusta yanked on Becca’s gown with such force that she teetered, then rocked back onto the bench.

The church erupted in shouts, a crashing wave of sound meant to crush her.

Becca’s breath came in short puffs. What had she done?

“Now that’s just grief speaking, gentlemen. Mrs. Parcell is still mourning her husband. No need to get worked up.” The voice rose from the front row. She recognized Thomas Lockwood’s slow, confident drawl.
She craned her neck to watch Thomas, with his wheat-colored hair and wide shoulders. His broad stance reminded her of a captain at the wheel. He was a gentleman, a friend of General Washington. They’ll listen to him, she thought.

“Our minister doesn’t mean to accuse Mrs. Parcell of anything, now do you, sir?”

The two men stared at each other. A minister depended on the good will of gentlemen like Thomas Lockwood.
The pastor blinked first. He shook his head.

Becca’s breathing slowed.

“There now. As I said.” Lockwood’s voice calmed the room.

Then Mr. Baldwin stood slowly. Wrinkles crisscrossed his cheeks. He’d sent his three boys to fight with the Continental Army in ’75. Only one body came home to be buried. The other two were never found. He pointed at Becca with fingers twisted by arthritis. “Mrs. Parcell didn’t help when the women raised money for the soldiers last month.”

A woman at the end of Becca’s pew sobbed quietly. It was Mrs. Baldwin.

“You didn’t invite me.” Becca searched the closed faces for proof that someone believed her.

“Is she on our side or theirs?” another woman called.

The congregation quieted again. But it was the charged silence between two claps of thunder, and the Assembly waited for a fresh explosion in the dim light of the tired winter afternoon.

With that, Augusta’s imperious voice sliced through the silence: “Someone help my daughter-in-law. She’s not well. I believe she’s about to faint.”

Becca might be rash, but she wasn’t stupid, and she knew a command when she heard one. She shut her eyes and fell gracelessly into the aisle. Her head and shoulder thumped against the rough pine floorboards.

Mrs. Coddington gasped. So did Becca, from the sharp pain in her cheek and shoulder.

Women in the surrounding rows scooted back in surprise, their boots shuffling with a shh-shh sound.

“Lady Augusta,” Mrs. Coddington huffed.

Independence be damned. All of Morristown seemed to enjoy using Augusta’s family title, her former title, as often as possible.

“Lady Augusta,” she repeated. “I’ve had my suspicions about that girl since the day she married your son. I don’t know why you haven’t sent her back to her people.”

“She has no ‘people,’ Mrs. Coddington. She has me,” Augusta’s voice was as frosty as the air in the church. “And if I had doubts about Rebecca, do you think I’d live with her?”

Becca imagined Augusta’s raised eyebrows, her delicate lifted chin. She couldn’t have borne it if her mother-in-law believed the minister’s lies.

Augusta’s featherlight touch stroked her forehead. “Well done,” she murmured. “Now rise slowly. And don’t lean on me. I might just topple over.”

“We are eager to hear the rest of the service on this Sabbath day, Minister Townsend. Do continue,” Thomas Lockwood called.

Becca stood, her petite mother-in-law’s arm around her waist. The parishioners at the edges of the aisles averted their eyes as the two women passed.

As they stepped into the stark, brittle daylight, one last question shred the silence they left behind: “Do you think she turned her husband over to the British?”

Someone else answered. “It must be true. Everyone says so.

***

Excerpt from The Turncoat’s Widow by Mally Becker. Copyright 2021 by Mally Becker. Reproduced with permission from Mally Becker. All rights reserved.

 

 

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Enter To Win!:

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Mally Becker. There will be Five (5) winners for this tour. One winner will receive a $20. Amazon.com Gift Card, Two (2) winners will each win a physical copy of The Turncoat’s Widow by Mally Becker (U.S. addresses only), and Two (2) winners will each win an eBook copy of The Turncoat’s Widow by Mally Becker. The giveaway begins on February 22, 2021 and runs through March 21, 2021.
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UNWITTING ACCOMPLICE by Sid Meltzer | #Showcase #Interview #Giveaway

Unwitting Accomplice Banner

Unwitting Accomplice

by Sid Meltzer

March 1-31, 2021 Tour

Synopsis:

Unwitting Accomplice by Sid Meltzer

How can a homicide be prevented when it’s still only in some stranger’s head?

Kim Barbieri, a tough, street-smart New York City crime reporter unfazed by male egos and mangled bodies, is sent an anonymous note with a sinister message:

I intend to commit a murder

She doesn’t know who the killer is.

She doesn’t know who his victim will be.

She doesn’t know where, when and how he will strike.

But there is one thing she does know: If she doesn’t learn to think like a killer, someone’s going to get away with murder.

Kudos for Unwitting Accomplice:

“The tension builds page after page, chapter after chapter, between the psycho driven to kill and the reporter determined to stop him—ending with a surprise twist I just didn’t see coming. And I’m a thriller writer!” ~ Steven Pressfield, bestselling author of Gates of Fire and A Man at Arms

Book Details:

Genre: Thriller
Published by: Rogue Phoenix Press
Publication Date: December 7, 2020
Number of Pages: 313
ISBN: 978-1-62420-579-8
Series: A Kim Barbieri Thriller
Purchase Links: Amazon | Barnes & Noble | Goodreads

 

Author Bio:

Sid Meltzer

Sid Meltzer took a couple of worthwhile detours on his way to becoming a crime fiction writer.

He started out as a NYS Supreme Court Probation Officer, a job that helped him see things from a criminal’s point of view— and let him peer into their minds’ many dark alleys.

Working with ethically-challenged rascals prepared him well for the caliber of people he met in his next career— advertising. That is where he learned how to craft stories that draw readers in and keep them engaged.

Unwitting Accomplice is his debut novel.

Q&A with Sid Meltzer

What was the inspiration for this book?

My inspiration was an idea that crept into my brain and wouldn’t leave, which was: what if a business exec applied all his project management skills to commit the perfect crime? As a copywriter I had worked with many suits, and knew how they managed to wrestle with deadlines, understand their challenges, set goals, acquire resources etc. Once I understood my killer, I then went about creating the person who most stood in his way: The female crime reporter, Kim Barbieri.

What has been the biggest challenge in your writing career?

Learning on the job. My first drafts, involving only the killer, lacked the narrative structure, or story arc, that is the basis for successful fiction. It took me several false starts, and lots of trial and error, to create this structure, and apply it to both the killer and the reporter.

What do you absolutely need while writing?

Quiet-time. I’m easily distracted, and have to work hard at shutting out all the distractions – online, or TV, or text messages, even my dog – that prevent the completion of that day’s chapter, or that day’s editing.

Do you adhere to a strict routine when writing or write when the ideas are flowing?

A little of both. Writing takes discipline, so I make a point of writing for an hour or so in the morning, uninterrupted. Writing also takes inspiration, and that can come at anytime. While walking, while day-dreaming, while napping even. When it strikes, I jot the idea or thought down immediately so I don’t forget it. I keep a notebook with me at all times for exactly that reason.

Who is your favorite character from your book and why?

The Medical Examiner, Dr. Fletcher. She presented the greatest contrast between her personality, which was bright, colorful and lively, and her job, which was dismal and grim– dissecting corpses hour after hour, day after day. She was fun to create.

Tell us why we should read your book.

You should read it because you’ll be able to escape for a few days into three different worlds that may be foreign to you. The first is the scary, frightening world inside the mind of the killer, and all the turmoil he wrestles with. The second is the world of a NYC crime reporter, who has to wrestle with obstacles to get her story out day after day. The third world is the scene of the crime — Brooklyn, New York. The book gives you a good feel of what it’s like to live and work in that vibrant, ever-changing metropolis.

Give us an interesting fun fact or a few about your book?

It takes place in brownstone Brooklyn, the neighborhood I lived in and worked in for many years. As a Probation Officer there, I met quite a few interesting characters living not all that far from my home.

Do you have anything specific that you want to say to your readers?

Simply that given the right circumstances, anyone can be driven to commit a crime. Even the most normal, upstanding member of the community has the potential to snap. An old radio show once asked, “Who knows what evil lurks in the hearts of men?” Indeed, we don’t really know… do we?

Tell us a little about yourself and your background?

I started out as a New York City Probation Officer, a job that let me peer into the many dark alleys inside a criminal’s mind. I always thought I had a novel in me..a.nd here we are.

What’s next that we can look forward to?

I’m attempting a sequel set a few years from now, in which Kim Barbieri—a little older, and wiser, and grayer – tackles the Russian mob in New York City.

Catch Up With Sid Meltzer:
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Read an excerpt:

Chapter One

Friday, March 24
11:15 AM

One envelope stood out from all the others competing for Kim Barbieri’s attention. All it had was her name and address. The rest was blank. Clearly, it was meant for her eyes only, the note inside demanding to be read.

Wondering who would write her a personal letter, she put down her cup of coffee, opened the envelope and took out the single sheet of paper inside. Savvy as she was, she was completely unprepared for its stark, ominous message.

I intend to commit a murder.

There was no Dear Kim above the line, no Sincerely yours below it. Like the envelope itself, there was nothing to tell her the identity of the writer, or why it was sent specifically to her.

“Hell’s this?” she whispered to herself.

After a long, brutal winter, the sun had chosen that morning to come out and give New Yorkers a hint of the warmer weather to come. It was one of those early spring days, a little too chilly in the shade, yet absolutely glorious in the sun. Barbieri welcomed the retreat of winter, lying out on her patio for the first time since before Thanksgiving, enjoying her ritual first cup of morning coffee while listening to Verdi’s Il Trovatore on her ancient record player.

It was an opera she knew by heart, and as it came to an end, she forced herself to get up off the lounge chair, take the LP off the turntable, and pour a second cup of coffee. Her too-brief escape was over, and it was time to attack the backlog of mail that piled up whenever she was too worn out from chasing cops and robbers all over the city to wade through it. It’s not going to go away by itself.

She first tossed the 90 percent of it that was junk, then put aside the bills she had to pay. She saved for last the once-in-a-blue moon personal correspondence, like the mystery letter.

What am I supposed to do with this? What does it mean? Why did I win this particular lottery?

She put the disturbing note back in the envelope to examine it again with a critical eye, as if opening it for the first time. While she had not been called into work that morning—a slow news day, evidently—she never stopped looking at things from a journalist’s point of view. Sweat the details. Always. They tell a story all by themselves.

It was a standard, plain vanilla business envelope, white or close to it, with no embossing, watermark, or logo that could have given her the thinnest of threads to pull. Probably from Staples or Walmart. No help at all.

Printed on the front were her name, street address, apartment number, and zip code—all correct. The writer knew of her by seeing her byline, she assumed, which meant he also knew what she did for a living. Her stories appeared just about every day in the Daily News, the tabloid whose circulation pretty much ended at the city line. She gave her fellow New Yorker a small nod for accuracy. Whoever sent it had chosen a standard business typeface, and the envelope looked like it came out of a cheap home office printer you could get anywhere. Canon perhaps, or HP. They’re all pretty much the same anyway.
In the upper right corner was a common Forever stamp—Elvis before he became a lounge act—precisely aligned with the envelope’s top and side edges. Its postmark revealed it was mailed two days before, on Wednesday, and meant it was placed in her mailbox by a mail carrier rather than the sender. Had the postmark been completely legible, it could have helped her track down the post office where it originated. Unfortunately, only the last two numbers—0 and 9—were clear. The rest was an unreadable blur. I can’t even tell which city it came from. All in all, the envelope itself is giving me next to nothing to go on.

She took the letter out again as if she had not done so only a minute before, putting the now empty envelope aside. It was standard letter size and appeared to be the same stock as the envelope. It was folded in thirds, business style, by someone who took care to line up the edges perfectly.

One neat and orderly fellow. Or should I say lady? Lord knows men have no monopoly on weirdness. The opportunity to judge people was both an occupational hazard and a perk of the job. After so many years of interviewing cops, witnesses, victims, and assorted dirtbags, she could not help herself.

The sinister warning, I intend to commit a murder, was printed on the top inside third of the letter, flush left, in the same typeface as on the envelope. She noted again how the middle and bottom thirds of the paper were left blank.

As unsettling as the message was, there was something else creeping her out. This is an unwelcome invasion of my privacy. Somebody out there knows my name, what I do, and where I live. What else does he know about me? My account numbers? My passwords? My family?

She put the letter back in the envelope, careful not to leave any more of her own fingerprints or ruin any the writer had left. Tempted as she was to toss it out as a waste of time, she chose instead to hold on to it for now. As a reporter, she knew better than to dismiss a promising lead. Besides, she did enjoy a good mystery, and the killer-in-waiting might decide to give her clues actually meaning something later on.

The mail all taken care of, Barbieri poured herself a fresh cup of coffee, grabbed her copy of the Times, and reclaimed her prime sunbathing location on the lounge chair. She had finished reading the paper earlier in the morning, but was never really done with it until she filled in every last square of the crossword. A few more minutes of warmth provided by Mother Nature herself, rather than the down coat she had worn all winter, sure beat rushing to yet another savage crime scene

Chapter Two

Barbieri grabbed her cell off the kitchen counter. She had put the mystery letter aside the day before, but could not put it out of her mind. For twenty-four hours, she had thought about little else except her new anonymous pen pal. Her best course of action was to hash the message out with the one person she could trust to keep his mouth shut.

“What?” Pete Delaney was not known for idle banter or witty repartee. Social skills were not one of his strengths. Speaking in monosyllables was. With those two, small talk was kept to a minimum by mutual agreement, if not dispensed with altogether.

“Come over.”

“Now?”

“Now.”

“Twenty.”

Kim Barbieri was as good as any male with man-talk. She spoke it fluently and was comfortable distilling conversation into its purest form with her partner. When she and Delaney communicated with each other, they competed in waxing ineloquent, and the duels always induced a small smile she found hard to suppress. Reminds me of the stupid secret codes I used to dream up with my girlfriends after school.

Delaney was a photographer for the same newspaper, a stringer like Barbieri. Stringers were usually assigned to work together at random, based on who was up at the time. Except for homicides. To the metro desk editor, these two were the go-to team where dead bodies were involved. Working stories together sometimes ended with them hanging out together afterwards, which over time morphed into a sort of friendship. Not romance, certainly. There was no chemistry between them, only a high level of mutual comfort, respect, and trust, which was why Barbieri decided to loop him in on the anonymous letter.

Delaney was strictly a news photographer, and he looked the part. On the short side with long brown hair, a scruffy beard that defied grooming, and what seemed like a permanent cameraman’s squint, he went about his work with a brusque, no-nonsense demeanor he had cultivated on the job. Rain or shine, night or day, his camera vest, bulging with lenses and filters, was his security blanket. No shot was impossible as long as he wore it.

Growing up in the suburbs, he had imagined himself leading camera safaris in darkest Kenya, where he could apply his photographic skills and critical eye to capture the brutal symbiosis of big cats and their prey. Life had other plans. Until he made it to the Serengeti, the dark urban streets of New York City would have to do.

While she waited for Delaney, Barbieri checked her mailbox. No second mystery note. Her mind went back to the troubling message. How did the sender, whoever he or she is, know how to pique my interest? Why would the writer send it to me and not some other journalist? New York has plenty to choose from. Hundreds, I bet. She wanted no part of a planned murder. That much she knew. Yet she was not a fan of loose ends. She liked closure. The sinister message left a lingering bad taste she could not get rid of.

In her decade or so of covering crimes, she had seen only a handful of homicides go unsolved. The open cases still kept her up some nights, long after the white shirts in the NYPD decided to stop working on them. Cold cases seemed like a waste of manpower when there was never a shortage of new homicides needing to be solved. No matter how much she tried to block them out of her memory, Barbieri could never stop thinking about what the investigators might have missed. Was it the follow-up call they didn’t make? Maybe the witness who decided he didn’t recognize the perp after all? The DNA sample disappearing off the face of the Earth?

Blue lives mattered a great deal to her. When cops and reporters meet day after day, night after night, over stiffs from the seemingly endless supply the city offers up, a bond forms. Maybe a morbid bond, yet a bond nonetheless. When she was with them, she spoke their language, the slang they used only among themselves, not her own. Where else would I get to slip “badge bunny” or “Duracell shampoo” into a conversation? Her empathy for the stiffs and the cops came with the territory.

“Got something,” Barbieri greeted Delaney at the door. So much for pleasantries. They went right into their shorthand.

“What?”

“Patience, young man.”

Delaney followed his partner to her desk in the study, a literate woman’s version of a tormented writer’s man cave. Books were piled on every shelf not covered by yellow writing pads, each virgin territory after the first few pages, and atop the center of the desk was an old bargain-basement Dell laptop good for word processing and email, and not much else. She and the Dell went way back. Even after she finally succumbed to peer pressure and treated herself to a Macbook, she could not bring herself to toss it. One day I’ll get around to discarding the old apps and files. Then it’ll run faster, won’t it?

She took out the envelope from the drawer, opened it, gingerly removed and unfolded the one-page letter, and placed both next to each other on top of the desk. Delaney’s eyes went from one to the other until he focused on the message. “I intend to commit a murder. ” He waited a nanosecond before asking her, “Fuck does it mean?”

“What it says.”

“When?”

“When did I get it?”

“When will he kill?”

“Could be a she. Not anytime soon. My guess.”

“Nothing to ID the sender.”

“Could be anybody.”

“From anywhere. Professional, maybe.”

“Educated.”

“Grammar counts for something.”

“One perp, acting alone.”

“One victim, not more. Singular.”

“Mental case?”

“Worker going postal?”

“Computer literate.”

“Uses Word. Sends file to the printer.”

“Home office. Not safe for work.”

“Definitely. Probably online. Maybe leaving a trail.”

“Leading back to him. Her.”

“What now? Police?”

“Not yet.”

“Nothing they can do.”

Barbieri folded the letter, put it back in the envelope, and left it on her desk. As she followed Delaney out to his car, she fought the urge to remind him to keep the anonymous threat just between them. There was no need to; she knew he would not say a word to anyone.

The reporter was not impressed with the brilliant deductions they had made based on some generic stationery and a single sentence. It was simple logic at work, and it did not really bring her any closer to identifying the sender. Regardless, by bringing in her loyal sidekick, she now had a better picture of the person threatening to commit a capital crime. The would-be perpetrator morphed from an abstraction, a cipher, into a human being with a name, a family, an address, and perhaps an online history, waiting to be exposed. She felt they had inched the cryptic note closer to becoming a critical piece of evidence in an out-and-out criminal case.

On the other hand, their brilliant deductions could all be bullshit, and she knew it. The whole thing could be a hoax some sicko was playing on her. They had been wrong one or two times before, on matters a lot more trivial than murder. They could have been just reinforcing each other’s sloppy thinking. If not, it could turn out to be Barbieri’s first opportunity to cover the premeditated part of premeditated murder. How many reporters get the chance to put a story like this in their scrapbook?

She was not sure how exactly, but she felt herself being drawn into a game with an element of danger to someone else, not herself or Delaney. This game might or might not have a lethal ending, and she wanted to know how it would turn out if it was just the three of them playing.

Bringing my playmate into this arena is complicating my own involvement. Her mystery guest was now communicating with two outsiders, not just one, and Barbieri was not sure if he would appreciate Delaney becoming her full partner just yet. While she trusted Delaney more than anyone to keep quiet, the writer himself would have no reason to trust him. Her photographer could go to the cops if he ever got spooked.

Telling them about her new pen pal was something her inner control freak would not allow just yet.

Chapter Three

When did I start thinking it would be a good idea to murder a complete stranger in cold blood?

Can’t say for certain, but I do know things really started to get ugly for me when I put in my papers, posed for pictures with my new Rolex, and realized I’d made myself useless. If my plan to stick a knife in someone’s chest had a start date, this was it.

That’s why you drove all the way up here to Almost Canada, isn’t it? To hear my side of the story? Trust me, I’ve wanted to tell it as much as you want to hear it.

I used to be a real big shot, you know? It took a few years to escape the grunt work, but eventually I turned into a pretty important guy in the office. I was a big swinging dick, and I rather enjoyed it.

Me, I was old-school. I started at the bottom, sharing a tiny cube with another peon. I watched how my bosses made money, and eventually their bosses let me into their world. I worked alongside them, shadowing them. Then one day, I found myself making money like them. King of the world, I felt like. I became my own little profit center for the firm and took off from there.

See, as far as the higher-ups were concerned, my job description was very simple—make money. Make sure the company had more in the bank when I clocked out at night than it did when I’d clocked in in the morning. Simple.

I was what the corporate world called a rainmaker. It’s a horseshit word for someone who knows how to drum up business and rake in the bucks. I don’t want to brag, but I made a ton of money for the company. A ton. They let me keep a big chunk of it to make sure I didn’t jump ship; between salary and bonuses, pretty soon I was taking home more than I knew what to do with, frankly.

As long as I made it rain buckets, the gods were never angry. In my world, money definitely equaled love. You bring in money for the company, and the company shows you how much they love you by giving some of it back to you. They got rich, and I got raises that meant a lot and fancy new titles that meant nothing.

Let you in on a secret. All the client wanted from me was to dig him out of the hole he had somehow dug for himself. Help him get home before his kids went to bed once in a while and help him sleep a little more soundly. This was what he was paying me for. You do this for him, you’re golden.

Guys in the office looked to me to make the big decisions. They had the business degrees and connections, while I had the kind of wisdom you only get from hard times. I had the scars and bruises, they didn’t. I could spot opportunities. I came up with ideas, set goals, planned. I budgeted, motivated, negotiated, and I sold. I assembled teams, assigned tasks, and managed resources. I cut costs, anticipated roadblocks, put out fires, and made gut calls. I made plans, then executed them. To the HR guys who have a box to fill in the org chart, this job description would’ve been all I needed to get me in the door for an interview.

The upstart MBA types I was forced to work with spoke a language the Navajo Code Talkers couldn’t break. Say one of them needed you to pitch in on a project. He didn’t ask if you had the time. He asked if you had extra bandwidth. Seriously, bandwidth? Whoever made this a word, they should bring back the death penalty just for him. My colleagues used ten-dollar words like resource allocation and immunization strategy to describe our job, bullshit terms created to make their work seem harder than it was, and impress outsiders who didn’t speak the language. Gave even our junior guys instant authority, as if they knew what they were talking about.

Personally, I never knew what they were fuckin’ talking about half the time, and I was their boss.

Consulting in retail was never hard as cutthroat businesses go. It was always challenging, sure, and I could always come up with gimmicks to help stores keep customers coming back and keep their doors open. Everybody thought I’d eventually make partner, even me. Especially me.

Then Amazon came along, followed close behind by Josh Kelleher. There wasn’t much I could do to make my clients competitive with Amazon. You want to see what that monster’s done, just walk up Broadway. About the only thing missing is the tumbleweed. There wasn’t much I could do to keep my company from making this douchebag a partner, either. Kelleher was the CEO’s son-in-law, and all my earnings suddenly meant squat in comparison.

I worked. Kelleher coasted. He got my partnership. I got a watch. Life’s unfair. I was more than a little pissed, so I walked.

Of course, I had to remind myself my company didn’t put me out to pasture when I reached mandatory retirement age. I’d stopped working on my own—my decision, not theirs. They didn’t fire me; I fired them. Maybe I was too angry at being passed over to think clearly. Maybe I should’ve eaten crow and stayed. But this didn’t make my new carefree existence any easier. To my mind, it was not so much things weren’t working out the way I’d planned. Like everything else, my retirement was a work in progress. You tried one way of doing things, one new set of routines. If it didn’t work out, you went to plan B. No big deal.

All I could do was hope it would all be OK in time. I’m sorry, bandwidth. Being home all the time, I spent many hours thinking about where I’d found myself and imagining taking a whole new direction no one could’ve predicted—least of all me.

***

Excerpt from Unwitting Accomplice by Sid Meltzer. Copyright 2021 by Sid Meltzer. Reproduced with permission from Sid Meltzer. All rights reserved.

 

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UP THE CREEK by Alissa Grosso | #Showcase #Interview #Giveaway

Up the Creek by Alissa Grosso Banner

 

 

Up the Creek

by Alissa Grosso

January 11 – March 12, 2021 Tour

Synopsis:

Up the Creek by Alissa Grosso

An unsolved murder. Disturbing dreams. A missing child.

Caitlin Walker hasn’t had a dream in nine years. But now nightmares torture her son Adam and awaken in Caitlin buried memories and a dark secret. Her husband Lance has a secret of his own, one that his son’s nightmares threaten to reveal.

In Culver Creek newly hired detective Sage Dorian works to unravel the small town’s notorious cold case, the grisly murder of a young girl.

How are Caitlin and Lance connected to the horrific crime? And how far will they go to make sure their secrets stay hidden? Find out in this riveting thriller.

Book Details:

Genre: Mystery Thriller
Published by: Glitter Pigeon Press
Publication Date: January 12, 2021
Number of Pages: 356
ISBN: 9781949852080
Series: Culver Creek Series, Book 1
Purchase Links: Amazon | Barnes & Noble | Goodreads

 

Author Bio:

Alissa Grosso

Alissa Grosso is the author of several books for adults and teens. Originally from New Jersey, she now resides in Bucks County, Pennsylvania.

Q&A with Alissa Grosso

What was the inspiration for this book?

With every book I set out to write a book that I would enjoy reading. Up the Creek began with the character of Caitlin who had some psychic dreams when she was a kid, and then the rest of the story grew around her.

What has been the biggest challenge in your writing career?

I don’t have the luxury to write full time so for me the biggest challenge is balancing writing with all the other things I have to do, and finding the time to work on my books.

What do you absolutely need while writing?

I kind of feel like I can and do write all the time. I think I’ve written whole novels in my head while in the shower. So, other than being in the right headspace, I don’t think I need anything to write. But that being in the right headspace things is a biggie.

Do you adhere to a strict routine when writing or write when the ideas are flowing?

Strict routines are anathema to me. I admire, but don’t envy people who live by schedules. My preferred method is to write when I feel like it. In truth this is basically the “schedule” I follow for all things in my life.

Who is your favorite character from your book and why?

Well, though Up the Creek started with Caitlin this series follows Sage Dorian. So, I think I would have to say he’s my favorite. He’s a complicated and haunted man, but he’s out there doing what he can to make the world a better place, and he has a good heart.

Who is your least favorite character from your book and why?

Well, I have one, but I can’t tell you who or why because it would reveal a spoiler for a later book in the series.

Give us an interesting fun fact or a few about your book?

The book was originally titled Every Parent’s Nightmare. It fits, but as my friend and fellow writer Stephen Parrish rightfully pointed out it sounded too dark and scary. The book isn’t that terrifying, and I didn’t want to scare readers away so I opted for the less frightening title Up the Creek.

Do you have anything specific that you want to say to your readers?

2021 marks my tenth year as a published author, and I am still so thankful to each and every reader who has taken the time to read one of my books. It truly means the world to me. So, thank you!

Tell us a little about yourself and your background?

I’m from New Jersey though these days live just a stone’s throw away (well, maybe if you’re a major league pitcher and can throw a stone across the Delaware River) in Pennsylvania. I’ve been writing stories almost as long as I’ve been reading them. One of my biggest fans (I know this because mine are the only books he reads) is my boyfriend Ron. My other outlet is creating digital artwork for t-shirts, stickers, cards, and other products.

What’s next that we can look forward to?

Book Two in the Culver Creek series, Factory Girls, comes out on February 9th. The third book follows in March and the fourth and final book in April.

Find out more about Alissa Grosso and her books at:
AlissaGrosso.com
Goodreads
BookBub
Twitter
Facebook

 

Read an excerpt:

Caitlin emerged from a black, dreamless sleep to screams. Adam’s tortured cries sounded almost otherworldly. They turned her blood to ice and made her heart race. She sat straight up, then bolted from bed, blinking sleep from her eyes as she raced toward the door, banging her shin on the dresser as she went. She yanked on the doorknob and almost toppled over when it didn’t yield as she expected. Goddammit. Lance had locked the door again.

She spared a glance toward the bed, but her husband wasn’t there. Instead he was standing, looking out the window. For a moment she thought she was mistaken. Were the screams coming from outside?

“Lance?” she asked.

He turned to her, but his eyes looked past her at some point on the wall.

“What’s going on?” he mumbled, barely awake.

“Adam’s having a nightmare,” she said.

“Again?” he asked. “Maybe we should just let him sleep it off.”

The screams had subsided now, but she could still hear her son’s whimpers from down the hall. Sleep it off? Could Lance really be that clueless? She unlocked the door and flung it open. It bounced almost silently off the rubber doorstopper, which didn’t really give her the dramatic exit she was hoping for.

She still couldn’t quite wrap her head around her husband just standing there looking out the window while Adam cried for them. Usually Lance was the one who woke up first. Maybe he had already gone to comfort Adam and came back to their bedroom by the time she awoke. He seemed so out of it, though. Well, that’s what a lack of sleep could do to a person.

Adam sat on his bed in a nest of tangled sheets. His face was damp with tears and sweat, his dark hair plastered to his forehead. The hippo nightlight cast large, ominous shadows when she stepped into his room. He looked up with a start, then relaxed when he saw it was her.

She sat down beside him and pulled his small body to her, wrapping her arms around him and rocking him gently back and forth. The tears subsided, but he still felt tense.

“Mommy, I’m scared of the bad boy,” he said. “The bad boy’s going to hurt me.”

“Nobody’s going to hurt you,” she assured him. “You’re safe. It was just a dream. Look, you’re safe in your bedroom.”

At this, Adam pulled away from her a little to study the dimly lit bedroom. Maybe they should get a different nightlight. She had never realized how spooky that hippo light made everything look.

“There were trees,” Adam said, “and a river. She was playing in the river.”

Caitlin stiffened. Adam noticed it and looked up at her. She smiled at him.

“It was just a dream,” she said, as much to reassure herself as him. “It wasn’t real.”

There were lots of rivers out there, and wasn’t Adam just watching a cartoon show with cute animals that had to get across a river? That was probably where that detail came from. Plus, she reminded herself, it hadn’t been a river. It had been a creek. She wasn’t sure Adam knew the difference between a river and a creek, though. But a little girl playing in a river? No, wait, was that what he had said? He said only “she.” For all Caitlin knew, this she could have been a girl river otter. Maybe he had been having a cute dream about river creatures.

And a “bad boy,” she reminded herself. She remembered his bloodcurdling screams. There was nothing cute about the dream he had. Still, she clung to the “bad boy” detail. Was he talking about a child? If so, then the river was just a coincidence. She wanted to ask him more about the bad boy, but this was the worst thing she could do. He was already starting to calm down, starting to forget the details of his nightmare. She couldn’t go dredging things back up again.

“Mommy, can I sleep in your room?” Adam asked.

#

Lance was fully awake and in bed when Caitlin returned with Adam in her arms.

“Hey there, champ,” Lance said. “Have a bad dream?”

“Daddy, he hurt her,” Adam said. “He hurt her head. She was bleeding.”

Her son’s tiny body stiffened again in Caitlin’s arms, and she gave Lance an exasperated look as she set Adam down in the middle of the bed.

“We’d already gotten past that,” she said in a whispered hiss.

“Obviously,” Lance said with a roll of his eyes, “which is why he’s sleeping in our bed. Again.”

She slid into the bed beside Adam and adjusted the covers, ignoring her husband. She petted Adam’s head and made soft, soothing noises.

“Remember, that wasn’t real, just make believe, like a movie.” She didn’t want him to get himself worked up again talking about the dream, but it wasn’t just that. She didn’t want to hear any more details from the nightmare because the bit about the bad boy hurting the girl’s head and the blood felt a touch too familiar.

She stroked his face, and his eyelids slowly drooped closed. He looked so calm and peaceful when he slept.

“I thought we said we weren’t going to do this anymore,” Lance said. Even whispering, his voice was too loud. She held her finger to her lips. He continued more quietly, “I’m just saying, I think it would be better for him if he sleeps in his own bed.”

“It’s already after three,” she said. “It’s only for a few hours.”

“That’s not the point,” Lance said. “He’s nearly five years old. We can’t keep babying him.”

It was like the school argument all over again, and Caitlin didn’t want to get into it. Not now. She was still tired and groggy and needed more sleep.

“I want to get him a new nightlight,” she said to change the subject. “The one he has makes these creepy shadows.”

“A new nightlight,” Lance repeated in a skeptical voice. “Sure, that will solve everything.”

“The important thing,” she said, “is that we have to remind him that his dreams are not real. That they’re make believe. We have to be united on this.”

Lance made a dismissive noise and lay back down on his pillow, turning his body away from her and Adam. He muttered something, but his voice was muffled by the pillow.

“Lance, this is important,” she said. “We have to make it clear that his dreams are not real. He has to know they aren’t true.”

He sighed. “What kind of moron do you think I am? Do you really think I’m going to start telling him his dreams about boogeymen are real?” He squirmed around and pulled the covers up in an attempt to get comfortable. She thought he was done, but he stopped shifting around long enough to add, “It’s not exactly like you’re the foremost expert in dreams.”

***

Excerpt from Up the Creek by Alissa Grosso. Copyright 2021 by Alissa Grosso. Reproduced with permission from Alissa Grosso. All rights reserved.

 

 

Tour Participants:

Visit these other great hosts on this tour for more great reviews, interviews, guest posts, and giveaways!

Visit these other great hosts on this tour for more great reviews, interviews, guest posts, and giveaways!



 

 

Giveaway!:

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Alyssa Grosso. There will be two (2) winners each receiving one (1) Amazon.com Gift Card. The giveaway begins on January 11, 2021 and runs through March 14, 2021. Void where prohibited.

a Rafflecopter giveaway

 

 

Get More Great Reads at Partners In Crime Virtual Book Tours

 

SWEET WATER by Cara Reinard | #Showcase #Interview #Giveaway

Sweet Water

by Cara Reinard

January 1-31, 2021 Tour

Synopsis:

Sweet Water by Cara Reinard

What did her son do in the woods last night? Does a mother really want to know?

It’s what Sarah Ellsworth dreamed of. Marriage to her childhood sweetheart, Martin. Living in a historic mansion in Pennsylvania’s most exclusive borough. And Finn, a teenage son with so much promise. Until…A call for help in the middle of the night leads Sarah and Martin to the woods, where they find Finn, injured, dazed, and weeping near his girlfriend’s dead body. Convinced he’s innocent, Sarah and Martin agree to protect their son at any cost and not report the crime.

But there are things Sarah finds hard to reconcile: a cover-up by Martin’s family that’s so unnervingly cold-blooded. Finn’s lies to the authorities are too comfortable, too proficient, not to arouse her suspicions. Even the secrets of the old house she lives in seem to be connected to the incident. As each troubling event unfolds, Sarah must decide how far she’ll go to save her perfect life.

Sweet Water Reviews:

“An unsparing account of ‘rich people problems’ that goes on forever, like all the best nightmares.” —Kirkus Reviews

Book Details:

Genre: Domestic Thriller, Crime Fiction
Published by: Thomas & Mercer
Publication Date: January 1st 2021
Number of Pages: 364
ISBN: 1542024935 (ISBN13: 978-1542024938)
Purchase Links: Amazon | Barnes & Noble | Goodreads

 

Cara Reinard

Author Bio:

Cara Reinard is an author of women’s fiction and domestic. She currently lives north of Pittsburgh with her husband, two children, and Bernese mountain dog.

Q&A with Cara Reinard

Welcome and thank you for stopping by CMash Reads
Reading and Writing:

What inspired you to write this book?

It all started with a short story I published in the Mindful Writer’s Into the Woods anthology (2018), a compilation of stories, poems & essays. My story was about two college kids who messed around with drugs in the woods in a park outside of Manhattan. Only one of the kids left the woods alive. It was a premise that stuck with me long after the story was published and one I thought could expand on. I moved the setting to Pittsburgh, thought of the most beautiful, affluent wooded area around, and started drafting Sweet Water.

What was the biggest challenge in writing this book?

I’ve never written anything with an alternating timeline before. Sweet Water flashes back to 1987, the 90s and the early 2000s. Even though I’ve lived during all those eras, it was challenging keeping my historical facts straight. For instance, I had a lot of musical references in the book and I had the copyeditor flag me a couple of times because I used bands who existed but weren’t “known” yet. On top of the alternating timeline, I had a dated journal and I had to make sure my days of the week accurately synched up.

Give us a glimpse of the research that went into this book.

Because the book was set in a real town and I used a lot of historical references I had to fact check everything. I also had to research laws and other criminal cases like the one in my book to make sure they were factually represented.

How did you come up with the title?

At last, an easy question! Sweet Water is the Native American translation for Sewickley, the name of the town where the book is set. Water is a present theme throughout the book so it seemed like a fitting title.

Your routine in writing? Any idiosyncrasies?

I wish had a set routine! I work full-time in an unrelated field and have two elementary-aged children (and a husband I talk to occasionally). I write when I have the time, although the colder months are often more productive because I’m forced inside more. I also attend one writing retreat a year where I’m usually able to crank out a lot of words. If I’m on deadline, I join other fellow authors on Twitter for #5AMwritersclub and get in some early morning edits.

Tell us why we should read your book?

Sweet Water is a domestic suspense novel and book club fiction. The alternating timeline and town, which is described as a character itself, sets it apart from other books in the same genre. I’d say readers who are fans of Kimberly McCreight and Ruth Ware will enjoy this book.

Are you working on your next novel? If so, can you tell us a little bit about it?

Yes, I’m working on my edits for Into the Sound, my second book to be released through Thomas & Mercer on December 1st, 2021. It’s a novel of domestic suspense in which a woman is forced to expose long-buried family secrets to find her missing sister after she’s suspected of being swept away during a Long Island superstorm.

Fun Questions:

Your novel will be a movie. You would you cast?

Sarah, my main protagonist – Rosamund Pike. Martin, her husband – Hugh Jackman. Joshua, Sarah’s ex – Josh Hartnett.

Favorite leisure activities/hobbies?

Running, going to shows with my husband, playing with my Bernese mountain dog and kids (cheer and hockey mom).

Favorite foods?

Anything Mediterranean, especially Italian! Or anything my husband makes for me, he’s the resident chef!

For more information, visit:
www.carareinard.com
Goodreads
BookBub – @CaraReinard
Twitter – @carareinard
Instagram – @carareinard
Facebook – Cara Reinard, Author

 

Read an excerpt:

Chapter 1

I reach for my phone inside my purse slung around my neck. It’s dangling behind my back because I had nowhere else to put it while examining the body.

“Sarah, is she breathing?” Martin asks. I turn my head to find him, but it’s too dark.

I stumble, disoriented under the canopy of trees. We’re somewhere off Fern Hollow Road, the closest turnoff to Finn’s pinned iPhone location.

“I d-don’t know,” I sputter, still shocked we found her and not Finn when we parked the car and hiked the rest of the way into Sewickley Heights Park.

“Check her—now. I need to find Finn.” Martin’s voice fades into the forest, and all I want to do is follow him, but I just spoke to my son on the phone. His speech was slurred, and his girlfriend is . . .

“Oh God.” I open my mouth and let out a strangled breath, so sick that I sway to the side.

My eyes water as I kneel beside Yazmin Veltri, a girl I’ve known for only the briefest period. The wetness soaks through the holes in my jeans, settling into my bare kneecaps, ice on bone.

“Yazmin?” I shine my phone’s light in her direction, but I’m stopped by the certain hint of marijuana.

Shit. All these years working with at-risk young women, and I couldn’t see that Finn was dating one.

“Please,” I beg the starlit sky peeking through the trees. “Let her be breathing.”

I sniffle and inhale the truth through the rotting leaves. Something terrible has happened here, and I’m too late. The autumn mist snakes in through my nose, out through my mouth, emitting tiny white puffs of air.

The forest ground is slippery, a feathered blanket beneath my knees, slathering the tops of my shoes.

I hear more hurried footsteps. Martin sounds like a mouse lost in a maze. Has he found Finn? I need to go to him, but my husband told me to stay here.

The branches scratch the tops of my feet as I move closer to her, the fallen leaves collecting between my knees. Yazmin could still be alive. A bitter taste rises in my mouth as I bite my tongue, and I’m close enough to touch her now.

My arm trembles as I place two fingers on the cold flesh of her neck. Not only cold—wet. I can’t see what I’m touching, but I can feel her absence. Right below her jawline, in the space beside her trachea where I know a steady drumbeat should exist, there’s nothing.

No pulse. My heartbeat quickens and plummets. Oh God.

My blood is rushing. Pounding. I’m sweating despite the near-thirty-degree temperature. I dip my head closer to Yazmin’s chest, careful not to tangle my hair with hers. I’ve checked on my kids enough times in the middle of the night to know this girl’s not breathing. I shut my eyes and listen anyway.

Sure enough, the steady rise and fall of Yazmin’s chest is absent along with her pulse.

“She’s dead. We have to call the police,” I announce, loud enough for Martin to hear, but not nearly as loud as the screaming in my head.

Call somebody! Help!

I hear Martin crunch closer, and I turn my back on the girl.

I scoot up on my legs and use my hands to push myself into a crouching position. My breath is heavy, and everything on my body—my hands, my knees—rattles with fear. I hear a cry in the distance.

My son’s cry. And then Martin’s rustling footsteps. Beside me again.

“Where is he?” I ask.

“He’s okay, but . . .” Martin nods to the right. “He’s injured. We need to get him out of here, Sarah.”

“Okay,” I say, but I close my eyes because my head is a ringing bell of stress even though this wooded area is one of the things that drew me to this town. The park is near the country club where we’re members, where Martin’s family have been members for years, and things like this just don’t happen here.

“Let’s go, Sarah!” Martin urges.

My eyes snap open, and I hold up my phone. “Wait. I’m calling 911. For her.”

“No.” Martin swats my hand away with the flick of his strong knuckles. The blood on my palms makes everything slick, and my cell phone goes flying across the forest like a bar of soap in the shower. I slip sideways into a bramble of branches and land on my left hip, staring at my husband’s garish face in the moonlight. He looks unfamiliar, that expression one reserved for when he loses business at work, a rare occurrence. Martin is an innovator, his causes noble. Sometimes I don’t approve of how he does things, but I usually approve of why.

“Damn it.” Martin scrambles to find my phone. Right now, I don’t approve at all.

“Why did you do that?” I ask, but I’m more surprised that he’s hit me than I am by the fact that he doesn’t agree with my decision to call the police.

“It will get reported tomorrow. We need to leave with Finn. Now.”

“What? That makes no sense.”

Martin retrieves my phone, and I’m trying to get his attention, but he’s looking right past me at the gas pipeline in the distance, a clear-cut, inclined path free of foliage about a thousand yards long in the mountainous terrain. Martin and I messed around with sleds one winter on a protected slope of land just like it, and I think maybe Finn and Yazmin planned their own adventure out here tonight and something went terribly wrong.

“Martin.” I try to get up, but my foot slips on a mossy rock.

He grabs my arm. Then drops it. “Watch yourself,” he says, but he doesn’t help me rise. He’s too busy texting.

It’s then that I hear water rushing nearby. The river rocks are indigenous to this area, like everything else woodsy and serene in Sewickley.

Sewickley, the Shawnee word for sweet water, derived from the tribe’s belief that the borough’s shores were a little sweeter on that stretch of the Ohio River, the maple trees that grow at its shores only part of the saccharine story.

“Who’re you texting?” I’m crying and my hands are still wet, but I can’t wipe them. There’s blood all over my palms, and I can’t remember how it got there; head wounds bleed the worst.

“Hold on!” Martin is standing with his back to me now, holding his phone in the air like he’s trying to decide what to do with it, a six-foot silhouette of trepidation. He scratches his dark hair and rubs his cell phone on his sweater-vest, but he doesn’t use it to call anyone, only texts.

“I’m getting legal advice from my father,” Martin says.

His father?

I picture William Sr. texting back from the comfort of one of his high-back chairs inside his home, one of the few estates that make up Sewickley Heights like a richly woven patchwork quilt—the expensive kind sewn together with colonials surrounded by alabaster columns and mile-long driveways.

“Martin?”

William’s house is a fat-thatched Tudor hiding behind manicured bushes, a peek of white here, a slip of brown there, but there’s no hiding from this.

“Of course you have to report it!” I look again—at her—and the blood is already congealing around her open head wound, her neck bent at an awkward angle, a matchstick snapped in half. The rushing water streams just behind her.

Martin’s tugging on my coat. “Get up, Sarah. We have to go.”

“We can’t leave her.” Yazmin’s long black hair is covering the expression on her face, although the one I imagine is stuck there will haunt me more than the one I cannot see. She rests on her back, and it would be an odd way to fall, backward instead of forward, her hands crossed over her chest as if she were thwarting an attack. It reminds me of a tae kwon do block from when Finn used to take classes. We’d enrolled him when he was a child because he was painfully shy, whereas Spencer, his older brother, was frequently mentioned by his teachers as boisterous or exuberant, adjectives used in private schools to describe disruptive overachievers. I might expect Spencer to get into trouble with a girl like this, but not my poor Finny.

I turn toward Martin. He’s speaking, but I’ve stopped listening.

His eyes are pleading. “She’s dead. We can’t help her. Finn was the last person with her.”

“But—”

“He’s on something, Sarah. Drugs.” Martin shakes his head furiously. “This looks bad.”

I can hear what he’s saying, but I’ve retreated into my own body, and I don’t even know who we are right now.

We used to be Martin and Sarah Ellsworth of Blackburn Road.

We were the couple sitting at a corner table at a fancy restaurant, splitting a bottle of wine. Laughing at each other’s jokes.

“We have to do something for her.” My voice is swallowed by the humming sounds of the forest and the flapping of the leaves on the trees, the river. She’s already dead, but we need to make sure she’s at least taken to the hospital so her parents can identify her. Bile rises in my mouth. My heart is beating so fast, drowning out everything else, but I faintly hear Finn’s voice again nearby.

“I’m sorry.” Martin extends his arm to help me up, but I waggle my finger in the air at him, pointing to my hands, reminding my brainy husband that I’m bloodied and pulling me up isn’t a good idea. I must’ve made the mistake of touching Yazmin in the wrong place.

“Right.” He draws his palms back.

My legs won’t work. I gaze up, silently praying. The large enveloping trees of Sewickley Heights tower above us like old wealthy gatekeepers winking in the night.

“I need your help. I can’t move him on my own, Sarah,” Martin reveals.

I close my eyes, wishing it all away. It’s all a bad dream.

“Can we just make an anonymous call from a pay phone or something? For her parents’ sake, at least?”

“You can’t. They’ll try to interview Finn, see the drug use, and assume the worst. He’ll go to jail.” His voice is thick with desperation. “Sarah, this will ruin Finn’s life. This isn’t his fault!” Martin kicks a stone with his worn loafer, a product from one of the posh boutiques that line downtown Sewickley, a mishmash of overpriced things people don’t really need displayed in windowed storefronts on cobblestone streets. There’s a place to reupholster old furniture with patterns better left to die with their original owners, a claw-foot-tub specialist, an herbal spa with enough fresh fruit remedies to double as a bakery, the imported-leather-shoe store.

I bought Martin the shoes he has on now, and he’s worn them down to the soles. He’s practical, a computer engineer and CEO of a robotics start-up in the Strip District. He does things that make sense.

But right now, he’s not making any.

“Maybe she slipped.” My voice is shallow like the night air sneaking away from my lips, but the idea of an accident fills my heart with hope. “We’ll leave an anonymous tip.” If I had my phone, I’d call myself.

I’d explain this is exactly how we found her. She wasn’t even near our son when we discovered her body.

Unless . . . we’ve messed with the scene of the crime so much that we’ve hurt Finn more than helped him. I look down at my bloody hands and cringe. As far as we know, Finn is the last one who saw Yazmin alive. This could be very bad for him. “Shit.”

Martin grabs me by the arm. “We have to go, Sarah. Get up.” I can’t see much of Martin’s face but the stringy blue vein in his forehead that only comes out when he’s upset.

It’s been only minutes, but we need to move—faster.

“We need to go to him,” I say.

“Yes.” Martin nods.

I’m in shock. That’s what’s wrong with me. I blindly follow Martin, adrenaline fueling my limbs. Finn is off the beaten path, and I feel as though I’ve already failed him for taking so long. He’s huddled over a pile of leaves, his knees tucked into his chest like he used to do when he was a little kid. He looks so small right now.

So young.

A little boy who fell off his scooter and skinned his knee. I wish this problem were as easy to fix.

I wipe my hands on my jeans and throw my arms around him.

“I’m here. Mom’s here.” Finn’s crying and I don’t know how to make it better for him. He obviously didn’t mean for the girl to get hurt, but this was no accident either. He’s made a terrible mistake, gotten himself into a horrible predicament. So Finn did what we always told him to do if he was ever in trouble—he called us.

***

Excerpt from Sweet Water by Cara Reinard. Copyright 2021 by Cara Reinard. Reproduced with permission from Cara Reinard. All rights reserved.

 

 

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THE VENTURI EFFECT by Sage Webb | #Showcase #Interview #Giveaway

The Venturi Effect by Sage Webb Banner

 

 

The Venturi Effect

by Sage Webb

on Tour November 1 – December 31, 2020

The Venturi Effect by Sage Webb

Synopsis:

After fleeing the crush of a partnership at a large Chicago criminal-defense firm and the humiliation of a professional breakdown, Devlin Winters just wants to be left alone with a couple sundowners on the deck of her dilapidated mahogany trawler on Galveston Bay. But when an old flame shows up on the boardwalk with a mysterious little boy in tow and an indictment on his heels, fate has other plans, and Devlin finds herself thrust onto a sailboat bound for St. Kitts and staring down her demons in the courtroom, as she squares off against an obsessed prosecutor with a secret of his own.

Book Details:

Genre: Legal Thriller
Published by: Stoneman House Press, LLC
Publication Date: November 15th 2020
Number of Pages: 329
ISBN: 9781733737944 (Ebook: 9781733737951)
Links: Amazon | Goodreads

 

Author Bio:

Sage Webb

Sage Webb practiced criminal defense for over a decade before turning to fiction. She is the author of two novels and the recipient of numerous literary awards in the U.S. and U.K., including second place in the Hackney Literary Awards. Her short stories have appeared in Texas anthologies and literary reviews. In 2020, Michigan’s Mackinac State Historic Parks named her an artist in residence. She belongs to International Thriller Writers and PEN America, and lives with her husband, a ship’s cat, and a boat dog on a sailboat in Galveston Bay.

Q&A with Sage Webb

What was the inspiration for this book?

The Venturi Effect springs from my own experience of moving to Texas to live on a small sailboat when I needed a change of scenery, and from fraud cases in the federal criminal-justice system—not cases I’ve been involved with, but interesting cases for which I’ve read judicial opinions and pleadings. With most of my writing, I like to stay pretty “true to life.” I agree with those who recognize the limits of “writing what you know,” but I still see “writing what you know” as providing a solid springboard for making stories.

What has been the biggest challenge in your writing career?

I consider myself lucky. I write full time. Now, most of what I write isn’t that interesting at all; it’s legal or commercial . . . and it’s pretty dry. It’s still writing, though, so I get to work on style, usage, brevity, even typography, every day. But this immersion in the written word (and in my laptop!) also means I don’t get a break. And this lack of a “break,” and the constant specter of deadlines, are the hardest parts of writing for me. There are days when I’d like to have a job working with people, or that involves doing concrete tasks that have marked starting and finishing points. With writing (in any genre or discipline), it sometimes feels like I can go on and on (alone) forever and never have the piece truly finished or polished, like there’s always one more tweak I could give it. So in that sense, the other hard part—the deadlines—does its job. The deadlines provide an end point, at least. But it can be really (like really, really) hard to juggle them. I blame deadlines (when actually it’s lupus) for my hair falling out!

What do you absolutely need while writing?

My laptop. That’s it. Because of those hard parts—the deadlines and the constant presence of the work—I’ve trained myself to write “wherever, whenever, however.” When we go on roadtrips, my husband will drive, and I’ll open up my laptop and write. If I’m choosing ideal circumstances, however, I’ll choose any situation that puts a majestic, judgmental cat close at hand.

Do you adhere to a strict routine when writing or write when the ideas are flowing?

For fiction, I write when time allows. I don’t have a routine; it’s simply a matter of working around other deadlines and commitments. When things slow down a little on the commercial/legal front, I’ll settle into a story. Sometimes I’ll feel inspired, and sometimes things will feel flatter, but either way, I’ll try to dig in. As a rule, I aim to work on one book at a time, but sometimes (like right now), I’ll have multiple book-length projects in the hopper.

Who is your favorite character from your book and why?

Assistant U.S. Attorney Xavier Charles. Perhaps he’s a little misguided at times, but he has his ideals and he tries to live up to them. He works hard, he tries hard, and he wants to be committed to things he cares about. I’d totally take him out for a cup of tea and debate him. Plus I adore his cats!

Who is your least favorite character from your book and why?

Viggo Bryson seems like the natural choice, but honestly, I think it’s Nils. Sometimes, Nils just seems kind of passive or pococurante for me. He kind of lets his life sweep him along, rather than living intentionally. His parents and brother have given him money at various times. He has allowed himself to get caught up in his brother’s tomfoolery. He loves Devlin, but he let her go when they were younger, and then, when she comes back into his life, he kind of fails to pursue her properly.

Give us an interesting fun fact or a few about your book?

Most of the details are authentic. The legal citations, the potential sentences for fraud offenses, the fraud scheme itself, the boat banter . . . all that is realistic. Writing the in-court dialogue, I would sometimes pull up publicly available transcripts of proceedings to review attorneys’ and judges’ diction and get into an authentic flow. But the part about Devlin jumping into the water in the storm is pure fiction. An experienced sailor would never do that. And for good reason. No good is going to come of that. I’ve jumped off boats in nice weather, in protected bays, for fun . . . just messing around . . . and it’s really hard to swim fully clothed, especially in shoes, and it’s really, really hard for the person steering the boat to keep track of someone in the water. That whole storm scenario involves a lot of poetic license.

Do you have anything specific that you want to say to your readers?

Write reviews! Please! Reviews help authors sell books. They also provide valuable feedback on so many levels, and they help the publishing industry as a whole grow and better cater to consumer preferences. Tell authors and publishers what you think about the books you read: what you think matters a lot!

Tell us a little about yourself and your background?

Devlin and I share some background. We both practiced criminal defense in the Midwest, and we both moved to Texas to get a change of scenery (though I decidedly did not break down and take my dog’s tramadol). Like Devlin and the Brysons, I raced small sailboats as a kid, and like them, I’ve sailed in Chicago. Now, my husband and I live on a forty-foot sailboat in a marina off Galveston Bay. We spend our weekends at anchor with our boat dog.

What’s next that we can look forward to?

Devlin, the Bryson brothers, and Xavier will return in 2021 in The Cult of Mammon. This second book in the series presents a darker web of fraud, while weaving in a little Civil War history and taking readers to Hawaii and California.

Then on a more personal level, I’ve got a travel narrative in the works, covering a span when I was ranging through Texas in a 15’ travel trailer in an attempt to do the adult equivalent of “running away to join the circus.”

For short stories, this past summer, I was honored to be an artist in residence for Michigan’s Mackinac State Historic Parks on Mackinac Island and spent three weeks outlining a story collection to celebrate the island. The final manuscript is due August 2021 and will include some light-hearted pieces, some flash fiction, some historical pieces. . . . Basically, it will showcase this delicious time warp in Lake Huron where cars have no place and every summer feels like 1890.

You can find Sage at:
www.sagewebb.com, Goodreads, Twitter, & Facebook!

 

Read an excerpt:

Chapter 1
Carny

Red metal boxes lined the wood-railed tourist boardwalk, giving children access to fish food if the kids could finagle quarters from parents wilted and forlorn in the triple-digit Gulf Coast heat. With the food, kids could create great frenzies of red drum, snook, spotted sea trout, or whatever fish species gathered at the boardwalk’s pilings in agitated silver vortices. Devlin Winters lifted her ballcap and wiped a sleeve across her brow. She favored long-sleeved t-shirts for just this reason—their mopping properties . . . and to protect her from the Galveston Bay sun in its unrelenting effort to grill her and the other boardwalk barkers. In the two years she’d been on the boardwalk, she’d never fed the fish.

A kid stopped beside one of the boxes.

“Can I have a quarter, mommy?” the boy asked.

He looked about eight or nine, though Devlin had little interest in guessing accurately the ages of the pint-sized patrons fueling her income stream.

“I’m not sure I have one,” the mom replied.

She appeared a bit younger than Devlin, maybe late twenties.

Once upon a time, Devlin would have looked at a mother like that and made a snide remark about crib lizards and dead ends, but nine bucks an hour in the sun makes it awfully hard for a carny to judge others. Lacking a more interesting subject, Devlin watched the woman paw through a backpack-sized purse. The chick produced a quarter and handed it to the kid, who dropped it into the box’s payment slot and ground the dial, catching in his miniature palm a limited portion of the fish food that spilled out of the machine when he lifted the metal flap. The majority of the pellets rained down onto the wooden boardwalk planks, bounced, and disappeared through the cracks between the planks.

Devlin fancied she could hear the tiny fish-food BBs hitting brown water: plink, plink, plink. Once upon another time, when she was still at Sondheim Baker, but toward the end, she would go outside in the middle of the day. Instead of sitting at her desk, drafting appellate briefs for the Seventh Circuit, she would ride the elevator down to La Salle, down seven hundred feet of glass and stainless steel and terribly expensive architecture. She would drop down those elevator cables at random times, at times rich, successful attorneys should have been at their desks. And she would turn left out of that great glass building the color of the sky and walk over to the river, that nothing-like-the-Styx river that mankind had turned back on itself, contrary to nature.

She would stand and look down into the water, which was sometimes emerald, sometimes the color of jeans before they are ever washed. Once or twice, she had reached into her purse (expensive purses, Magnificent Mile purses from Burberry and Gucci and Hermès) and she had dug around until she’d found a penny. She’d dropped the penny into the river and, even now, on the sauna-hot boardwalk with the whistle of the kid-sized train behind her and the pulses of unimpressive pop music overhead, she was sure she could hear those pennies hit the Chicago River, hit and sink down, down, and farther down.

Plink. Plink. Pli—

“You want to try this one?”

The fish-feeding entertainment had run its course and the mother stood in front of the water-gun game Devlin guarded. She gestured toward Devlin and the row of stools in front of their narrow-barreled water guns.

“Is it hard?” The kid looked up at his mom, and the mom turned to Devlin.

“He can do it, right?” she asked. “I mean, he can figure it out, right?”

“Sure, it’s easy.” Devlin lifted her cap for another mop across her hairline, and then wiped perspiration away from her eyes under her sunglasses. “It’s fun, little dude,” she said to the kid in his obviously secondhand clothes.

She wanted to care, wanted to be “affable” or whatever it is a carny should be toward summer’s ice-cream-eating cash-crop flux of kids. But wanting alone, without effort, is never enough.

The mom held out a five-dollar bill.

“You both wanna do it? I gotta have more than one person to run it for a prize.” Devlin rubbed the top of her right flip flop and foot against her left calf.

“Oh,” the woman said, “I wasn’t planning to play. I’m no good at these things.”

“Um,” Devlin stepped out of the shade of the game’s nook and cast her eyes up and down the boardwalk, “we’ll find some more kids.” She took the woman’s money without looking away from the walkway and the beggarly seabirds.

A young couple, likely playing hooky from jobs in Houston, held the hands of a girl sporting jet-black pigtails and lopsided glasses.

“Step right up, princess. You wanna win a unicorn, right?” Devlin reached back into her game nook and snatched a pink toy from the wall of unicorns, butterflies, bees, and unlicensed lookalikes of characters from movies Devlin had never heard of. She dangled the thing in the girl’s direction.

“Would you like to play, habibti?” The mom jiggled the girl’s arm.

“Tell ya what.” Devlin turned to the mom. “The whole family can play for five bucks. We’re just trying to get some games going, give away some prizes to these cuties.” She turned back to the first mother. “And don’t worry, I’ll give him three games for the fiver.”

“Hear that, Vince? You’ll get to play a few times. Is that cool?”

Vince picked at his crotch. Devlin looked away.

“Yes, we’ll all play,” the second mother said. The dad pulled a twenty out of a pocket and Devlin started to make change while Vince’s mom hefted Vince onto a stool.

“Just a five back,” the father said. “We’ll play a few times.”

“Sure thing,” Devlin replied. Then she raised her voice to run through the rules of the game, to explain how the water guns spraying and hitting the targets would raise plastic boats in a boat race to buzzers at the top of the game contraption. She offered some tired words of encouragement, got nods from everyone, and counted down. “Three, two, one.”

She pushed the button and the game loosed a bell sound across the boardwalk.

A guy in waiter’s livery hurried past, hustling toward one of the boardwalk’s various restaurants, with their patios overlooking the channel and Galveston Bay. He’d be serving people margaritas and gimlets in just a few more steps and minutes. Devlin wanted a gimlet.

She drew a deep breath, turned back to her charges. “Close race here, friends.”

An ’80s-vintage Hunter sailboat slid past in the channel, leaving Galveston Bay and making its way back to one of the marinas up the waterway on Clear Lake.

When Devlin turned back to her marksmen, the girl’s mother’s boat had almost reached the buzzer.

“Looks like we’ve got a leader here. Come on, madam. You’re almost there.”

Devlin checked her watch. She’d be off in less than an hour. She’d be back on her own boat fifteen minutes after that, with an unopened bottle of Bombay Sapphire and a net full of limes rocking above the galley sink.

The buzzer blared.

“Looks like we have a winner. Congratulations, madam.” Devlin clapped three times. “Now would you like a unicorn, a butterfly, or,” Devlin pulled a four-inch-tall creature from the wall, not knowing how to describe it, “this little guy?” She held it out for the woman’s inspection.

Habibti, you pick.” The mom patted her daughter’s back. The kid didn’t say anything, just pointed at the butterfly.

“Butterfly it is, beautiful.” Devlin unclipped the toy from the wall of plush junk and handed it to the girl. “Well, we’ve got some competition for this next one, folks, now that you’re all warmed up. Take a breather. We’ll start the next game when you’re ready.”

“Can I try?” A boy pulled at a broad-shouldered man’s hand, leading the guy toward the row of stools. It was hard to tell parentage with these kids and their mixed-up step- and half- and melded-in-other-ways families, and with this one, the kid’s dark curls and earnest eyes contrasted with the dude’s Nordic features and reminded Devlin of a roommate she’d had in undergrad, a girl from Haiti who’d taught Devlin about pikliz. Devlin hadn’t thought about Haitian food in ages. She decided she would google it later and see what she could find in Houston. A drive to discover somewhere new to eat would do her good.

Any chance at plantains and pikliz would have to wait, though. The kid and the dude now stood in front of Devlin. Ultra-dark sunglasses hid the guy’s eyes, and a ballcap with a local yacht brokerage’s logo embroidered on it cast a shadow over his face. Devlin cocked her head. She narrowed her eyes and hoped her own sunglasses were doing as good a job of being barriers. He reminded her of—

“Still time to add another player?” The dude pulled out a wallet and handed Devlin a ten.

“Sure,” she said. “Is this for both of you? You should give it a try, too. This’ll get you both in on the next two games.”

She didn’t wait for confirmation. She shoved the money in the box beside her control board of buzzer buttons and waved the guy and his kid toward stools on the far side of the now-veteran players already seated.

“Uh, sure,” the guy said, putting a hand on the kid’s back and guiding him to a seat.

Running through the rules again, Devlin envisioned those gimlets awaiting her. With Bombay Sapphire dancing before her, she counted down and then pushed the button to blast the bell and launch the game. The buzzer over the newcomer father’s boat’s track rang moments later. What kind of scummy guy just trounces a kid like that? Devlin rolled her eyes behind the obscuring lenses.

“Looks like our new guy is the winner, ladies and gentlemen. Now, would you like a unicorn, a butterfly, or this little dude?” Devlin again proffered the hard-to-describe creature, walking it over for the fellow to examine.

“What is it?” the guy asked.

Devlin shrugged. “What do you get when you cross an elephant and a rhino?”

The guy’s sunglasses gave away nothing. But something she couldn’t articulate made her feel like he was studying her.

“An ’el-if-I-know,” she said.

Still nothing . . . except that feeling of scrutiny.

“Dude, I’ve got no idea,” she replied to her reflection in the lenses.

“Grant, which one do you want?” The guy turned away and handed the unnamed creature to the kid, and then gestured at the identifiable unicorns and butterflies hanging on the wall over Devlin’s control station.

“Those are for girls,” Grant said, waving at the recognizable plushes on the wall.

“So is this one okay?” The guy patted the thing in the kid’s hand.

Grant wrinkled his nose. “Yeah, I guess so.”

“All right, folks. You’ve all got another game coming here. Competition is fierce. Who’s gonna take this last one?” Devlin strode back to her place at the control board.

“Deep inhale, everyone. Relax. All right, here we go. Three, two, one.” She pushed the starting button.

Up shot the new guy’s boat again. What a bastard. Poor Grant. This patriarchal showmanship would be worth about five or ten grand at the therapist’s in twenty-five years.

Out in the channel, two jetskis purred past, headed toward the bay. The day’s heat had cracked and the sky hinted at evening. Behind her, the victory whistle sounded. She turned. The dude with the sunglasses sat patting Grant’s shoulder, with Grant’s boat at the top of its track. So the guy wasn’t a complete fool.

“A new winner here, ladies and gentlemen.” She walked to Grant’s stool. “Now, little man, because you’ve won two prizes today, you can trade that one you’ve got and this one you’re going to get for one bigger one. You can pick from these if you want.”

She pointed at a row with only-slightly-bigger caterpillars, ambiguous characters, and a dog in a purple vest.

“That one,” Grant said, pointing at the dog.

“That one it is, good sir.” Devlin retrieved the dog, taking back the first creature and returning it to the wall in the process.

As she retraced her steps to Grant, the dog in her hand, fuzzy pictures coalesced in a fog and mist of bygone memories.

Devlin handed the dog to Grant. “There you go.”

She looked at the guy again, focusing on him for longer than she should have, feeling him perhaps doing the same to her. Yes, she had it right: it was him. She pushed a flyaway strand of bleached hair back into place beneath her cap and turned away.

“Thanks for playing this afternoon, folks,” she called. “Enjoy your evening on the boardwalk.”

The parents gathered their kids, and Devlin walked back toward her control board. Waiting for Grant and him to head off down the row of games and rides, she fussed with the cashbox and then lifted her water bottle to her lips. She could feel him and the kid lingering, feel them failing to move along, failing to leave her to forget what once was and to focus on thoughts of gimlets at sunset on the deck of a rotten old trawler.

“Um.” His voice sounded low and halting behind her. A vacuum, all heat and silence, followed and then a masculine inhale . . . and then the awkward pause.

He cleared his throat.

“Sorry to interrupt, but are you from Chicago?”

***

Excerpt from The Venturi Effect by Sage Webb. Copyright 2020 by Sage Webb. Reproduced with permission from Sage Webb. All rights reserved.

 

 

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SHADOW RIDGE by M.E. Browning | #Showcase #Interview #Giveaway

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Shadow Ridge

by M.E. Browning

December 1-31, 2020 Tour

Synopsis:

Shadow Ridge by M.E. Browning

Death is one click away when a string of murders rocks a small Colorado town in the first mesmerizing novel in M. E. Browning’s A Jo Wyatt Mystery series.

Echo Valley, Colorado, is a place where the natural beauty of a stunning river valley meets a budding hipster urbanity. But when an internet stalker is revealed to be a cold-blooded killer in real life the peaceful community is rocked to its core.

It should have been an open-and-shut case: the suicide of Tye Horton, the designer of a cutting-edge video game. But Detective Jo Wyatt is immediately suspicious of Quinn Kirkwood, who reported the death. When Quinn reveals an internet stalker is terrorizing her, Jo is skeptical. Doubts aside, she delves into the claim and uncovers a link that ties Quinn to a small group of beta-testers who had worked with Horton. When a second member of the group dies in a car accident, Jo’s investigation leads her to the father of a young man who had killed himself a year earlier. But there’s more to this case than a suicide, and as Jo unearths the layers, a more sinister pattern begins to emerge–one driven by desperation, shame, and a single-minded drive for revenge.

As Jo closes in, she edges ever closer to the shattering truth–and a deadly showdown that will put her to the ultimate test.

Book Details:

Genre: Mystery (Police Procedural)
Published by: Crooked Lane Books
Publication Date: October 6th 2020
Number of Pages: 296
ISBN: 1643855352 (ISBN13: 9781643855356)
Series: A Jo Wyatt Mystery, #1
Purchase Links: Amazon | Barnes & Noble | Penguin Random House | Goodreads

 

Author Bio:

M.E. Browning

M.E. BROWNING served twenty-two years in law enforcement and retired as a captain before turning to a life of crime fiction. Writing as Micki Browning, she penned the Agatha-nominated and award-winning Mer Cavallo mysteries, and her short stories and nonfiction have appeared in anthologies, mystery and diving magazines, and textbooks. As M.E. Browning, she recently began a new series of Jo Wyatt mysteries with Shadow Ridge (October 2020).

Micki is a member of Mystery Writers of America, International Thriller Writers, and Sisters in Crime—where she served as a former president of the Guppy Chapter. A professional divemaster, she resides in Florida with her partner in crime and a vast array of scuba equipment she uses for “research.”

Q&A with M.E. Browning

What was the inspiration for this book?

I had read an article that delved into the misogyny women faced in the gaming industry and the chilling effect it had on women at all levels—from those who merely wanted to enjoy playing games to those who wanted to design them. As a writer, I saw an opportunity to parallel a female gamer’s issues with a female officer’s battle against sexism in the ranks of her department. The story took off from there.

What has been the biggest challenge in your writing career?

Balancing the myriad tasks writers must do that don’t involve actual writing. Social media is a wonderful way to interact with readers and I’ve discovered I enjoy creating graphics to post—but it is easy to get distracted and fall down the rabbit hole.

What do you absolutely need while writing?

Tea: hot, bracing, and plain. I have to admit to being a bit of a snob about it. I brew loose-leaf. My favorite purveyor is Harney & Sons—I love their Paris blend, Victorian London Fog, and spicy Holiday blend. If I can find it, I’ll splurge on Mariage Frères. Once I have tea in hand, I’ll reach for my mechanical pencil and pad, and scratch out my day’s objective. Only then will I open up Scrivener on my computer and get to work.

Do you adhere to a strict routine when writing or write when the ideas are flowing?

I do something to further my career every day, but it may not be actual writing. I start by reviewing my prior day’s words which inevitably leads to a bit of revision—not much, but enough to drop me back into my story world. Once I’ve been writing for a bit, I’ll switch gears and go for a walk. That break is often all that’s needed to come up with the solution to a problem that looked insurmountable inside my office. In the afternoon, I’ll tackle the business side of the profession.

Who is your favorite character from your book and why?

Detective Jo Wyatt. She’s a second-generation cop in a small southwestern Colorado city. I had a reader describe her as “Smart enough to know her limitations, confident enough to trust her gut, and determined enough to unravel the threads in any case.” She makes mistakes, but owns them. By the time the last page is read, I hope readers believe she’s exactly who they’d want on their doorstep if they ever needed to call for help.
Quinn, however, was the most fun to write—she doesn’t have any filters and I could push her boundaries in ways I couldn’t with Jo.

Who is your least favorite character from your book and why?

That’s a difficult question! I think a writer has to have an affinity for all her characters or they’ll fall flat on the page. But on a would-I-enjoy-sharing-a cup-of-tea-with-them scale, Professor Lucas is at the bottom of the list.

Give us an interesting fun fact or a few about your book?

Jo muses about cycling along a particular mountain road that was based on one of my favorite training rides when I lived in Durango, Colorado. Cycling for 20-30 miles through the changing colors of aspens in autumn was almost enough to distracted me from the burn in my legs and the fire in my lungs from the climb.

Do you have anything specific that you want to say to your readers?

Thank you! I believe a book isn’t truly a book until it’s been read. As the author, I can only control half the equation. Once the edits are finished, my job is done. It’s readers who bring my characters back to life.

Tell us a little about yourself and your background?

I dedicated 22 years of my life to law enforcement and during that time I was a field training officer, academy trainer, hostage negotiator, and coordinated the Citizens Police Academy where I met a quiet, witty woman named Sue Grafton. By education, I’m a medieval historian, and I play the Celtic harp…badly.

What’s next that we can look forward to?

Thanks for asking! I’m currently hard at work on the next Jo Wyatt adventure. Jo is called out to investigate a missing child, but as she digs into the girl’s fractured family life, Jo unearths a trove of secrets and half-lies that paints a different picture of the two parents she’s known since high school.

Catch Up With M.E. Browning On:
MEBrowning.com, Goodreads, BookBub, Instagram, Twitter, & Facebook!

 

Read an excerpt:

Chapter One

Detective Jo Wyatt stood at the edge of the doorway of the converted garage and scanned the scene for threats. She’d have the chance to absorb the details later, but even at a glance, it was obvious the occupant of the chair in front of the flickering television wouldn’t benefit from her first-aid training. The stains on the ceiling from the gun blast confirmed that.

Officer Cameron Finch stood on the other side of the sorry concrete slab that served as an entrance. “Ready?”

The only place hidden from view was the bathroom, and the chance of someone hiding there was infinitesimal, but someone always won the lottery. Today wasn’t the day to test the odds. Not when she was dressed for court and without her vest.

She pushed the door open wider. Her eyes and handgun moved in tandem as she swept the room.

A mattress on the floor served as a bed. Stacks of clothes took the place of a real closet. A dorm-sized fridge with a hot plate on top of it made up the kitchen.

Jo avoided the well-worn paths in the carpet and silently approached the bathroom. Its door stood slightly ajar, creating enough space for her to peer through the crack. Never lowering her gun, she used her foot to widen the gap.

No intruder. Just a water-spotted shower stall and a stained toilet with the seat up. A stick propped open the narrow ventilation window above the shower. Too small for even the tiniest child, but an open invitation to heat-seeking raccoons.

“Bathroom’s clear.” She holstered her gun. The cut of her wool blazer fell forward and did its best to hide the bulge of her Glock, but an observant person could tell she was armed. One of the drawbacks of having a waist.

She picked her way across the main room, staying close to the walls to avoid trampling any evidence. A flame licked the edges of the television screen—one of those mood DVDs of a fireplace but devoid of sound. It filled the space with an eerie flicker that did little to lighten the gathering dusk.

Sidestepping a cat bowl filled with water, she stopped in front of the body and pulled a set of latex gloves from her trouser pocket.

“Really?” Cameron asked.

Jo snapped them into place, then pressed two fingers against the victim’s neck in a futile search for a pulse—a completely unnecessary act that became an issue only if a defense attorney wanted to make an officer look like an idiot on the stand for not checking.

The dead man reclined in a high-backed gray chair that appeared to have built-in speakers. In the vee of his legs, a Remington 870 shotgun rested against his right thigh, the stock’s butt buried in the dirty shag carpet. On the far side, a toppled bottle of whiskey and a tumbler sat on a metal TV tray next to a long-stemmed pipe.

“Who called it in?” Jo asked.

“Quinn Kirkwood. I told her to stay in her car until we figured out what was going on.”

Jo retraced her steps to the threshold, seeking a respite from the stench of death.

A petite woman stood at the edge of the driveway, pointedly looking away from the door. “Is he okay?”

So much for staying in the car. “Let’s talk over here.” Not giving the other woman the opportunity to resist, Jo grabbed her elbow and guided her to the illuminated porch of the main house, where the overhang would protect them from the softly falling snow.

“He’s inside, isn’t he?” Quinn pulled the drawstring of her sweat shirt until the hood puckered around her neck. “He’s dead.” It should have been a question, but wasn’t. Jo’s radar pinged.

“I’m sorry.” Jo brushed errant flakes from a dilapidated wicker chair and moved it forward for her. “Is there someone I can call for you?”

She shook her head.

“How well did you know—”

“Tye. His name is—was—Tye Horton.” Quinn played with the tab of her hood string, picking at the plastic that kept the ends from fraying.

Jo remained quiet, digesting the younger woman’s unease. She was all angles: sharp shoulders, high cheekbones, blunt-cut dark hair, and canted eyes that looked blue in the open but faded to grey here in the shadows.

A pile of snow slid from a bowed cottonwood branch and landed with a dull plop. The silence broken, Quinn continued to fill it. “We have a couple classes together up at the college. He missed class. I came over to see why.”

“Does he often cut class?”

“He didn’t cut class,” she said sharply. “He missed it.” She pulled out her cellphone. “The project was due today. I should tell the others.”

What would she tell them? She hadn’t asked any questions. The pinging in Jo’s head grew louder. “Did you go inside before the officer got here?” She looked at the woman’s shoes. Converse high-tops. Distinctive tread.

Quinn launched out of her seat, sending it crashing into the porch rail. “I called you guys, remember?”

“It’s a simple yes or no.”

The smaller woman advanced and Jo fought the impulse to shove her back. “No, Officer—”

“Detective Wyatt.”

The top of Quinn’s head barely reached Jo’s chin. “Tye and I were classmates with a project due, Detective. I called him, he didn’t answer. I texted him, he didn’t respond. He didn’t show up for the game last night, which meant something was wrong. He never missed a game.”

Football. Last night Jo had pulled on her uniform and worked an overtime shift at the Sunday night game. Despite the plunging temperatures, the small college stadium had been filled to capacity.

“Did you check on him afterward?” Jo asked.

“No.” Color brightened Quinn’s pale cheeks. “By the time the game ended, it was too late. After he missed class today, I came straight over. Called the police. Here we are. Now, can I go?”

“Was Tye having any problems lately?”

“Problems?”

“With school? Friends?”

“I shared a class with him.”

Another dodge. “You knew he wasn’t at the game.”

“I figured he was finishing up his end of the project. Are we done? I’ve got class tonight.”

“I need to see your identification before you leave.”

“Un-fucking-believable.” Quinn jammed her hand into her jacket pocket and removed an old-fashioned leather coin purse. Pinching the top, she drew out her driver’s license and practically threw it at Jo.

“I’m sure you understand. Whenever there is a death, we have to treat it as a crime until we determine otherwise.”

The air left Quinn in a huff of frost. “I’m sorry. I’m just…” She dipped her face but not before Jo saw the glint of tears. “I’m just going to miss him. He was nice. I don’t have a lot of friends in Echo Valley.”

“Were the two of you dating?”

The sharpness returned to her features. “Not my type.”

“Do you know if he was in a relationship?”

“Not that I know of.”

“Would you know?”

Cameron joined the women on the porch and extended his hand to Quinn. “I’m Sergeant Finch.”

Jo sucked in her breath, and covered it with a cough. The promotional memo hadn’t been posted even a day yet.

“I’m sorry about your friend,” Cameron added.

Quinn crossed her arms, whether for warmth or for comfort, Jo couldn’t tell. “Your badge says Officer. Aren’t sergeants supposed to have stripes or something?”

“It’s official next week.”

“So. Really just an officer.”

Jo bit the inside of her cheek to keep from smiling. Served him right for acting like an ass.

“I wouldn’t say just.” Cameron hooked his thumb in his gun belt.

“Of course you wouldn’t.” Quinn drew a deep breath and let it out as if she feared it might be her last. “What happened?” she finally asked.

Jo spoke before Cameron could answer. “That’s what we’re here to find out.” She opened her notebook.

Quinn sized up the two officers like a child trying to decide which parent to ask, and settled on Cameron. “Will you get me the laptop that’s inside? It’s got our school project on it.”

“I’m sorry,” Jo answered. “But until we process the scene, everything needs to stay put.”

Quinn sought confirmation from Cameron. “Really?”

Jo shot him a look she hoped conveyed the slow torturous death he’d suffer if he contradicted her and compromised the scene.

Cameron placed his hand on Quinn’s forearm. “I’m certain it won’t take long and I’ll personally deliver it to you as soon as I can.”

“Thanks.” She shook off his hand and addressed Jo. “Am I free to go?”

Prickly thing. Jo handed Quinn’s license back to her. “I’m truly sorry about your friend. May I call you later if I have any questions?”

Cameron stepped closer, all earnestness and concern. “It would be very helpful to the investigation when she realizes she forgot to ask you something.”

The coin purse snapped shut. “Sure. Whatever.”

“Thank you,” Jo said, then added, “Be careful.”

Quinn jerked. “What?”

The wind had picked up, and waves of snow blew across the walkway. Jo pointed toward the street. “The temperature drops any lower and it’ll start to ice up. Be careful. The roads are going to be slick.”

Quinn bobbed her head. Hunched against the cold, she climbed into her bright yellow Mini Cooper.

Snow had collected on the bumper and Jo noted the plate. She’d seen the car around town, its brilliant color and tiny chassis a contrast to the trucks and four-wheel-drive SUVs most locals drove.

The car crunched down the driveway. Jo returned to the task at hand, ignoring Cameron as he followed her.

Two buildings—the main residence and the converted garage—stood at the center of the property. The driveway dumped out onto an alley and the hum of downtown carried across the crisp air. Dogs barked. Cars slowed and accelerated at the nearby stop sign, their engines straining and tires chewing into the slushed snow. A sagging chain-link fence ringed the property, pushed and pulled by a scraggly hedge.

Built in the days when a garage housed only a car and not the detritus of life, the building was barely larger than a tack room. A small walkway separated the dwellings. She followed the path around the exterior of the garage.

Eaves kept snow off the paint-glued windowsill on the far side of the outbuilding. Rambling rosebushes in need of pruning stretched skeletal fingers along the wall. Jo swept the bony branches aside. A thorn snagged the shoulder of her blazer.

She studied the ground. Snow both helped and hindered officers. In foot pursuits, it revealed a suspect’s path. But the more time separated an incident from its investigation, the more it hid tracks. Destroyed clues. This latest snow had started in the early hours of the morning, gently erasing the valley’s grime and secrets and creating a clean slate. Tye could have been dead for hours. The snow told her nothing.

As she stood again at the door, not even the cold at her back could erase the smell of blood. The last of the evening’s light battled its way through the dirty window, failing to brighten the dark scene in front of her.

She tried not to let the body distract her from cataloging the room. Echo Valley didn’t have violent deaths often. In her twelve years on the department, she’d investigated only two homicides, one as an officer, the second as a detective. Fatal crashes, hunting accidents, Darwin Award-worthy stupidity, sure, but murder? That was the leap year of crimes and only happened once every four years or so.

Cameron joined her on the threshold and they stood shoulder to shoulder. He had a shock of thick brown hair that begged to be touched, and eyes that said he’d let you. “Why so quiet, Jo-elle?”

The use of her nickname surprised her. Only two people had ever called her that and Cameron hadn’t used it in a long time. “I don’t want to miss anything.”

“What’s to miss? Guy blew his brains out.”

“It’s rarely that simple.”

“Not everything needs to be complicated.” He laughed. The boyishness of it had always charmed her with its enthusiasm. Now it simply sounded dismissive. Perhaps it always had been, but she’d been too in love to notice. “Hey, you got plans tonight?” He tried to sound innocent. She had learned that voice.

“Other than this? I don’t see as that’s any of your business.”

“Of course it’s my business. You’re still my wife.” He stared into the distance as he said it. A splinter of sun pierced the dark clouds and bled across his unguarded expression.

Yearning.

Jo stood as if on ice, afraid to move lest she lose her balance.

He seemed to wake up, and after a deep breath, he surveyed the room. “The landlord is going to be looking for a new tenant. You should give him your name. It’s got to be better than living with your old man.”

Fissures formed beneath her and it took her two blinks before she recovered her footing.

“I need to get my camera. I’ll be right back.”

She left him at the door. The December chill wormed through her wool dress slacks as she trudged the half block to her car. She drew breath after breath of the searing chill deep into her lungs to replace the hurt, the anger, the self-recriminations that burned her. She sat in the passenger seat and picked up the radio mic. She wasn’t ready to face Cameron. Not yet.

To buy herself some time, she ran a local warrant check on Quinn. Something wasn’t quite right about the woman. A warrant might explain things.

Dispatch confirmed Quinn’s address, but had nothing to add.

Jo grabbed her camera bag and crime scene kit and schlepped back to the scene, prioritizing her actions as she went. She’d need to snag another detective. Interrupt a judge’s dinner to get a search warrant. Swab the victim’s hands for gunshot residue. Try to confirm his identification. Hopefully, the person in the front house would return soon so Jo could start collecting background on the deceased. Take overview photos of the exterior first. Inside there’d be lights. Then evidence. Identify it. Bag it. Book it.

She reached the door before she ticked through all the tasks. Cameron was circling the chair.

Jo stopped on the threshold, stunned.

“No wonder they didn’t promote you.” Cameron peered into the exposed cranium. “If you can’t tell this is a suicide, you got no business being a cop—let alone a detective.”

“Get out.”

“We’re not home, sweetie. You can’t order me out here.”

“Actually, I can. Detective, remember? This is my scene and you’re contaminating it.”

He laughed. “Sergeant outranks detective.”

“I think it’s already been established that you’re not sporting stripes.”

“Yet. Couple more days.”

Three. Three days until he started wearing the stripes that should have been hers. Three days until he outranked her. Three. Damn. Days. “And until then, Officer Finch.” With exaggerated care, she took out her notebook and started writing.

“What are you doing?”

“Making a note of the path you’ve taken. Try to retrace your steps. I’d hate to have to say how badly you mucked things up.” She paused for effect. “You getting promoted and all.”

“You’re such a bitch.”

“Is that how you talk to your wife?”

He picked up the overturned bottle on the TV tray. “Johnnie Walker Gold.” He sniffed the premium Scotch whisky. “And here I would have pegged him for a Jack fan, at best.” Cameron tipped the bottle back into place and retraced his steps.

The latex gloves did nothing to warm her fingers, and Jo shoved her hands in her pockets. Had he changed or had she? “When did you become such an ass?”

“When’d we get married?” He shouldered past her, swinging his keys around his finger. Outside, the streetlamps flickered to life. “I’ll leave you to it. Even you can see it’s a slam dunk.”

She didn’t want to agree with him. “It’s only a suicide when the coroner says so.”

“Oh, Jo-elle.”

There was that laugh again, and she hated herself for warming to him.

“You’ve got to learn to choose your battles.”

***

Excerpt from Shadow Ridge by M.E. Browning. Copyright 2020 by M.E. Browning. Reproduced with permission from M.E. Browning. All rights reserved.

 

 

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Enter To Win!!:

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for M.E. Browning. There will be 1 winner of one (1) Amazon.com Gift Card and there will be 2 winners of one (1) physical copy of Shadow Ridge by M.E. Browning (US and Canada ONLY). The giveaway begins on December 1, 2020 and runs through January 2, 2021. Void where prohibited.

a Rafflecopter giveaway

 

 

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