You don’t want to miss this !!!!!  Mark your calendars for this coming Sunday, May 23rd.  There have been many discussions on many blogs about EReaders vs Print.  Right???  What we, the consumers and avid readers think.  BUT, what about an author’s point of view.  Well,  are you sitting down????

On Sunday, an author, that is presently on virtual tour for his current book will be giving us his thoughts.  Not only that….BUT….he generously has agreed to check in, here on this blog,  and answer any questions you may have or reply to your comments.  Who is this author you ask?   Its………..

I am honored to have Mr. Vincent Zandri, author of Moonlight Falls, visiting today as he virtually tours the blogosphere.

Vincent Zandri

Vincent Zandri is an award-winning novelist, essayist and freelance photojournalist. His novel As Catch Can (Delacorte) was touted in two pre-publication articles by Publishers Weekly and was called “Brilliant” upon its publication by The New York Post. The Boston Herald attributed it as “The most arresting first crime novel to break into print this season.” Other novels include Godchild (Bantam/Dell) and Permanence (NPI). Translated into several languages including Japanese and the Dutch, Zandri’s novels have also been sought out by numerous major movie producers, including Heyday Productions and DreamWorks. Moonlight Falls is his fourth novel. He is the author of the blogs, Dangerous Dispatches and Embedded in Africa for RT ( Russia Today TV) which have been syndicated and translated in several different languages throughout the world. He also writes for other global publications, including Culture 11, Globalia, Globalspec and more. Zandri’s nonfiction has appeared in New York Newsday, Hudson Valley Magazine, Game and Fish Magazine and others, while his essays and short fiction have been featured in many journals including Fugue, Maryland Review and Orange Coast Magazine. He holds an M.F.A. in Writing from Vermont College and is a 2010 International Thrillerl. Writer’s Awards panel judge. Zandri currently divides his time between New York and Europe. He is the drummer for the Albany-based punk band to Blisterz. You can visit his website at www.vincentzandri.com or his blog at http://www.vincentzandri.blogspot.com/

Moonlight Falls is the Albany, New York-based paranoid tale (in the Hitchcock tradition) of former APD Detective turned Private Investigator/Massage Therapist, Richard “Dick” Moonlight, who believes he might be responsible for the brutal slaying by knife of his illicit lover, the beautiful Scarlet Montana. The situation is made all the worse since Scarlet is the wife of Moonlight’s boss, Chief of Detectives Jake Montana.

Why does Moonlight believe he might be responsible?

He’s got a small fragment of a .22 hollow point round buried inside his brain, lodge directly up against his cerebral cortex. The result of a botched suicide attempt four years prior to the novel’s start, an operation to remove the bullt frag would be too dangerous.

But the bullet causes Moonlight lots of problems, the least of which are the occasional memory loss and his rational ability to tell right from wrong. The bullet frag also might shift at any moment, making coma and/or sudden death, a very real possibility.

Still, Moonlight has been trying to get his life together as of late.

But when Scarlet begs him to make the trip over to her house late one rainy Sunday night to issue one of his “massages,” he makes a big mistake by sleeping with her. Later, having passed out in her bed, he will be rudely awakened by a garage door opening and Jake’s unexpected and very drunken homecoming. Making his impromptu escape out a top floor window, Moonlight will seek the safety of his home.

Two hours later however, he will receive another unexpected visit from Jake Montana. This time the big Captain has sobering news to report. He’s discovered his wife’s mutilated body in her own bed. She’s been murdered and now he needs the P.I. to investigate it in association with Albany ’s “overtaxed” Special Independent Unit before I.A. pokes their nose into the affair. Moonlight takes a big step back. Is it possible he made a second trip to the Montana home-sweet-home and just has no recollection of it? Once there, did he perform a heinous crime on his part-time lover? Or is this some kind of set up by his former boss? Is it really Jake who is responsible for Scarlet’s death? Does he wish for Moonlight to cover up his involvement, seal the case before Internal Affairs starts poking their nose into the situation?

There’s another problem too.

Covering Moonlight’s palms and the pads of his fingers are numerous scratches and cuts. Are these defensive wounds? Wounds he received when Scarlet put up a struggle? Or are they offensive wounds? Wounds he couldn’t avoid when making his attack on Scarlet with a blade? The answer is not so simple since Moonlight has no idea where he acquired the wounds.

Having no choice but to take on the mission (if only to cover his own ass), Moonlight can only hope the answers to his many questions point to his former boss and not himself.

Read an exerpt from his book and the raving reviews he has gotten thus far.  The link is http://www.pumpupyourbook.com/2010/04/19/moonlight-falls-virtual-book-tour-may-2010/.  You can also see the trailer of Moonlight Falls at the above site.

.

I am honored to have Mr. Vincent Zandri, author of Moonlight Falls, visiting today as he virtually tours the blogosphere.

Vincent Zandri

Vincent Zandri is an award-winning novelist, essayist and freelance photojournalist. His novel As Catch Can (Delacorte) was touted in two pre-publication articles by Publishers Weekly and was called “Brilliant” upon its publication by The New York Post. The Boston Herald attributed it as “The most arresting first crime novel to break into print this season.” Other novels include Godchild (Bantam/Dell) and Permanence (NPI). Translated into several languages including Japanese and the Dutch, Zandri’s novels have also been sought out by numerous major movie producers, including Heyday Productions and DreamWorks. Moonlight Falls is his fourth novel. He is the author of the blogs, Dangerous Dispatches and Embedded in Africa for RT ( Russia Today TV) which have been syndicated and translated in several different languages throughout the world. He also writes for other global publications, including Culture 11, Globalia, Globalspec and more. Zandri’s nonfiction has appeared in New York Newsday, Hudson Valley Magazine, Game and Fish Magazine and others, while his essays and short fiction have been featured in many journals including Fugue, Maryland Review and Orange Coast Magazine. He holds an M.F.A. in Writing from Vermont College and is a 2010 International Thrillerl. Writer’s Awards panel judge. Zandri currently divides his time between New York and Europe. He is the drummer for the Albany-based punk band to Blisterz. You can visit his website at www.vincentzandri.com or his blog at http://www.vincentzandri.blogspot.com/

Moonlight Falls is the Albany, New York-based paranoid tale (in the Hitchcock tradition) of former APD Detective turned Private Investigator/Massage Therapist, Richard “Dick” Moonlight, who believes he might be responsible for the brutal slaying by knife of his illicit lover, the beautiful Scarlet Montana. The situation is made all the worse since Scarlet is the wife of Moonlight’s boss, Chief of Detectives Jake Montana.

Why does Moonlight believe he might be responsible?

He’s got a small fragment of a .22 hollow point round buried inside his brain, lodge directly up against his cerebral cortex. The result of a botched suicide attempt four years prior to the novel’s start, an operation to remove the bullt frag would be too dangerous.

But the bullet causes Moonlight lots of problems, the least of which are the occasional memory loss and his rational ability to tell right from wrong. The bullet frag also might shift at any moment, making coma and/or sudden death, a very real possibility.

Still, Moonlight has been trying to get his life together as of late.

But when Scarlet begs him to make the trip over to her house late one rainy Sunday night to issue one of his “massages,” he makes a big mistake by sleeping with her. Later, having passed out in her bed, he will be rudely awakened by a garage door opening and Jake’s unexpected and very drunken homecoming. Making his impromptu escape out a top floor window, Moonlight will seek the safety of his home.

Two hours later however, he will receive another unexpected visit from Jake Montana. This time the big Captain has sobering news to report. He’s discovered his wife’s mutilated body in her own bed. She’s been murdered and now he needs the P.I. to investigate it in association with Albany ’s “overtaxed” Special Independent Unit before I.A. pokes their nose into the affair. Moonlight takes a big step back. Is it possible he made a second trip to the Montana home-sweet-home and just has no recollection of it? Once there, did he perform a heinous crime on his part-time lover? Or is this some kind of set up by his former boss? Is it really Jake who is responsible for Scarlet’s death? Does he wish for Moonlight to cover up his involvement, seal the case before Internal Affairs starts poking their nose into the situation?

There’s another problem too.

Covering Moonlight’s palms and the pads of his fingers are numerous scratches and cuts. Are these defensive wounds? Wounds he received when Scarlet put up a struggle? Or are they offensive wounds? Wounds he couldn’t avoid when making his attack on Scarlet with a blade? The answer is not so simple since Moonlight has no idea where he acquired the wounds.

Having no choice but to take on the mission (if only to cover his own ass), Moonlight can only hope the answers to his many questions point to his former boss and not himself.

Read an exerpt from his book and the raving reviews he has gotten thus far.  The link is http://www.pumpupyourbook.com/2010/04/19/moonlight-falls-virtual-book-tour-may-2010/.  You can also see the trailer of Moonlight Falls at the above site.

.

Please help me welcome Mr. Bill Walker, author of A Note from an Old Aquaintance

Author’s Thoughts:
One of the most difficult aspects of writing, in my humble opinion, is dialogue. It is also one of the most important. In fact, I would wager that most people wouldn’t care to read a book without it. So, how does one develop an ear for dialogue? After all, we hear people around us speak all day long, every day. Dialogue should be a snap, right? Wrong. In real life people speak in fragments that would look awful on the printed page and sound even worse in the reader’s mind, and I’m not even counting if it makes sense or not. Your dialogue must serve the story and can’t afford to waste time going off on tangents like all of us do in real life.

When I first endeavored to write professionally, while I could turn a decent descriptive phrase, or two, dialogue was my weak point, my Achilles heel, as it were. It sounded phony, stilted and wooden. No matter what I wrote, I hated the dialogue. And then I started using a technique that seems to work for me. I started casting my characters in my mind, using either real people, such as people I knew or famous actors and actresses, or simply vivid constructs, and assigned them voices and accents. I then deliberately imagined each scene as a little movie of the mind, to be played over and over again as I tried different lines of dialogue. Now, this may seem like a no-brainer, but this may not work for everyone. Because of my desire to be a filmmaker I tend to think cinematically.

Once you start doing this, and it will still take practice, the dialogue will flow more naturally, because you as the writer will inhabit the role of each character as you write them. In effect, you become the ultimate actor. One thing you should avoid, however, is too much dialect. While Mark Twain got away with it, modern readers don’t want to wade through pages of words with strange and unique spellings. Instead of making your characters more vivid, you distract the reader, pulling them out of the story. And you NEVER want to do that, if you can help it.

Through my little cinematic technique you can use normal language, slanting a word or two, or using certain phrases unique to that character to make him or her sound Irish, for instance. They don’t have to speak like the Lucky Charms leprechaun and in fact they shouldn’t, unless you want to stray into the land of cliché. In any event, give my technique a try and see if it works for you.

About A Note From an Old Acquaintance:
Brian Weller is a haunted man. It’s been two years since the tragic accident that left his three-year-old son dead and his wife in an irreversible coma. A popular author of mega-selling thrillers, Brian’s life has reached a crossroads: his new book is stalled, his wife’s prognosis is dire, and he teeters on the brink of despair.

Everything changes the morning an e-mail arrives from Boston artist Joanna Richman. Her heartfelt note brings back all the poignant memories: the night their eyes met, the fiery passion of their short-lived affair, and the agonizing moment he was forced to leave Joanna forever. Now, fifteen years later, the guilt and anger threaten to overwhelm him. Vowing to make things right, Brian arranges a book-signing tour that will take him back to Boston. He is eager to see Joanna again, but remains unsure where their reunion will lead. One thing is certain: the forces that tore their love asunder will stop at nothing to keep them apart.

Filled with tender romance and taut suspense, A Note from an Old Acquaintance is an unforgettable story about fate, honor, and the power of true love.

You can find my review dated 02/27/10….
Thank you Mr. Walker for stoppng by, sharing your thoughts and allowing me the opportunity of reading a very enjoyable book.  This reader will be awaiting your next novel.

Please help me welcome Mr. Bill Walker, author of A Note from an Old Aquaintance

Author’s Thoughts:
One of the most difficult aspects of writing, in my humble opinion, is dialogue. It is also one of the most important. In fact, I would wager that most people wouldn’t care to read a book without it. So, how does one develop an ear for dialogue? After all, we hear people around us speak all day long, every day. Dialogue should be a snap, right? Wrong. In real life people speak in fragments that would look awful on the printed page and sound even worse in the reader’s mind, and I’m not even counting if it makes sense or not. Your dialogue must serve the story and can’t afford to waste time going off on tangents like all of us do in real life.

When I first endeavored to write professionally, while I could turn a decent descriptive phrase, or two, dialogue was my weak point, my Achilles heel, as it were. It sounded phony, stilted and wooden. No matter what I wrote, I hated the dialogue. And then I started using a technique that seems to work for me. I started casting my characters in my mind, using either real people, such as people I knew or famous actors and actresses, or simply vivid constructs, and assigned them voices and accents. I then deliberately imagined each scene as a little movie of the mind, to be played over and over again as I tried different lines of dialogue. Now, this may seem like a no-brainer, but this may not work for everyone. Because of my desire to be a filmmaker I tend to think cinematically.

Once you start doing this, and it will still take practice, the dialogue will flow more naturally, because you as the writer will inhabit the role of each character as you write them. In effect, you become the ultimate actor. One thing you should avoid, however, is too much dialect. While Mark Twain got away with it, modern readers don’t want to wade through pages of words with strange and unique spellings. Instead of making your characters more vivid, you distract the reader, pulling them out of the story. And you NEVER want to do that, if you can help it.

Through my little cinematic technique you can use normal language, slanting a word or two, or using certain phrases unique to that character to make him or her sound Irish, for instance. They don’t have to speak like the Lucky Charms leprechaun and in fact they shouldn’t, unless you want to stray into the land of cliché. In any event, give my technique a try and see if it works for you.

About A Note From an Old Acquaintance:
Brian Weller is a haunted man. It’s been two years since the tragic accident that left his three-year-old son dead and his wife in an irreversible coma. A popular author of mega-selling thrillers, Brian’s life has reached a crossroads: his new book is stalled, his wife’s prognosis is dire, and he teeters on the brink of despair.

Everything changes the morning an e-mail arrives from Boston artist Joanna Richman. Her heartfelt note brings back all the poignant memories: the night their eyes met, the fiery passion of their short-lived affair, and the agonizing moment he was forced to leave Joanna forever. Now, fifteen years later, the guilt and anger threaten to overwhelm him. Vowing to make things right, Brian arranges a book-signing tour that will take him back to Boston. He is eager to see Joanna again, but remains unsure where their reunion will lead. One thing is certain: the forces that tore their love asunder will stop at nothing to keep them apart.

Filled with tender romance and taut suspense, A Note from an Old Acquaintance is an unforgettable story about fate, honor, and the power of true love.

You can find my review dated 02/27/10….
Thank you Mr. Walker for stoppng by, sharing your thoughts and allowing me the opportunity of reading a very enjoyable book.  This reader will be awaiting your next novel.

Like McCabe, I’m a native New Yorker. He was born in the Bronx. I was born in Brooklyn. We both grew up in the city. He dropped out of NYU Film School and joined the NYPD, rising through the ranks to become the top homicide cop at the Midtown North Precinct. I graduated from Brown and joined a major New York ad agency, rising through the ranks to become creative director on accounts like the US Army, Procter & Gamble, and Lincoln/Mercury.

We both married beautiful brunettes. McCabe’s wife, Sandy dumped him to marry a rich investment banker who had “no interest in raising other people’s children.” My wife, Jeanne, though often given good reason to leave me in the lurch, has stuck it out through thick and thin and is still my wife. She is also my best friend, my most attentive reader and a perceptive critic.

Both McCabe and I eventually left New York for Portland, Maine. I arrived in August 2001, shortly before the 9/11 attacks, in search of the right place to begin a new career as a fiction writer. He came to town a year later, to escape a dark secret in his past and to find a safe place to raise his teenage daughter, Casey.

There are other similarities between us. We both love good Scotch whiskey, old movie trivia and the New York Giants. And we both live with and love women who are talented artists.

There are also quite a few differences. McCabe’s a lot braver than me. He’s a better shot. He likes boxing. He doesn’t throw up at autopsies. And he’s far more likely to take risks. McCabe’s favorite Portland bar, Tallulah’s, is, sadly, a figment of my imagination. My favorite Portland bars are all very real.

You can visit James’ website at www.jameshaymanthrillers.com or his personal tour page at http://www.pumpupyourbook.com/2010/01/22/1640/.

What’s the Difference Between a Mystery (Or Whodunit), and a Thriller or a Novel of Suspense?

A dear old friend of mine recently read The Cutting and commented that he loved the book, loved the characters, and loved the suspense. Said it kept him on the edge of the seat and couldn’t wait for McCabe#2 (The Chill of Night-which comes out June 22nd). However, he said, he had one problem. He knew who the bad guy was pretty early on in the game. Why did I give it way?

I responded that my reason was that The Cutting was more of a suspense thriller than a mystery or whodunit. “What’s the difference?” he asked, “I thought they were pretty much the same thing.”

Looking at emails I’ve received since The Cutting came out last summer, I discovered there’s a fair amount of confusion on this issue. While there’s no official answer, here’s an unofficial answer or at least my own personal opinion.

A mystery, according to Hayman, depends on the hero solving an intellectual puzzle that leads him to discover “Whodunit.” Action is often minimal. The sleuth is seldom, if ever, in physical danger and the reader is kept guessing until the end. Reader satisfaction is derived from guessing the answer before the sleuth does or, failing that, enjoying the unraveling of the mystery and going back to look over the subtle clues the author sprinkled in along the way. Sir Arthur Conan Doyle’s Sherlock Holmes is of course the progenitor of many of the best sleuths out there. Agatha Christie’s Miss Marple and Hercule Poirot are also among the earliest and most famous.

A thriller or novel of suspense keeps the readers interest by ratcheting up the action and putting someone’s life in imminent danger. Sometimes it’s the hero. Sometimes it’s an innocent by stander or potential victim. What’s kept so many readers glued to The Cutting is the awful suspense of the ticking clock, not knowing whether McCabe can save poor Lucinda Cassidy from a horrible death before time runs out. That kind of tension definitely makes The Cutting much more of a thriller than a mystery.

Lee Child’s Jack Reacher books and John Sandford’s Prey novels are examples of other books that are thrillers much more than mysteries.

Needless to say there’s a lot of overlap and many books blend a little of both. Mine do. But, going forward, readers can expect most of the books in the Mike McCabe series, like The Cutting and the upcoming The Chill of Night will fall firmly into the thriller camp.

Hope that helps to clear up the issue.

Like McCabe, I’m a native New Yorker. He was born in the Bronx. I was born in Brooklyn. We both grew up in the city. He dropped out of NYU Film School and joined the NYPD, rising through the ranks to become the top homicide cop at the Midtown North Precinct. I graduated from Brown and joined a major New York ad agency, rising through the ranks to become creative director on accounts like the US Army, Procter & Gamble, and Lincoln/Mercury.

We both married beautiful brunettes. McCabe’s wife, Sandy dumped him to marry a rich investment banker who had “no interest in raising other people’s children.” My wife, Jeanne, though often given good reason to leave me in the lurch, has stuck it out through thick and thin and is still my wife. She is also my best friend, my most attentive reader and a perceptive critic.

Both McCabe and I eventually left New York for Portland, Maine. I arrived in August 2001, shortly before the 9/11 attacks, in search of the right place to begin a new career as a fiction writer. He came to town a year later, to escape a dark secret in his past and to find a safe place to raise his teenage daughter, Casey.

There are other similarities between us. We both love good Scotch whiskey, old movie trivia and the New York Giants. And we both live with and love women who are talented artists.

There are also quite a few differences. McCabe’s a lot braver than me. He’s a better shot. He likes boxing. He doesn’t throw up at autopsies. And he’s far more likely to take risks. McCabe’s favorite Portland bar, Tallulah’s, is, sadly, a figment of my imagination. My favorite Portland bars are all very real.

You can visit James’ website at www.jameshaymanthrillers.com or his personal tour page at http://www.pumpupyourbook.com/2010/01/22/1640/.

What’s the Difference Between a Mystery (Or Whodunit), and a Thriller or a Novel of Suspense?

A dear old friend of mine recently read The Cutting and commented that he loved the book, loved the characters, and loved the suspense. Said it kept him on the edge of the seat and couldn’t wait for McCabe#2 (The Chill of Night-which comes out June 22nd). However, he said, he had one problem. He knew who the bad guy was pretty early on in the game. Why did I give it way?

I responded that my reason was that The Cutting was more of a suspense thriller than a mystery or whodunit. “What’s the difference?” he asked, “I thought they were pretty much the same thing.”

Looking at emails I’ve received since The Cutting came out last summer, I discovered there’s a fair amount of confusion on this issue. While there’s no official answer, here’s an unofficial answer or at least my own personal opinion.

A mystery, according to Hayman, depends on the hero solving an intellectual puzzle that leads him to discover “Whodunit.” Action is often minimal. The sleuth is seldom, if ever, in physical danger and the reader is kept guessing until the end. Reader satisfaction is derived from guessing the answer before the sleuth does or, failing that, enjoying the unraveling of the mystery and going back to look over the subtle clues the author sprinkled in along the way. Sir Arthur Conan Doyle’s Sherlock Holmes is of course the progenitor of many of the best sleuths out there. Agatha Christie’s Miss Marple and Hercule Poirot are also among the earliest and most famous.

A thriller or novel of suspense keeps the readers interest by ratcheting up the action and putting someone’s life in imminent danger. Sometimes it’s the hero. Sometimes it’s an innocent by stander or potential victim. What’s kept so many readers glued to The Cutting is the awful suspense of the ticking clock, not knowing whether McCabe can save poor Lucinda Cassidy from a horrible death before time runs out. That kind of tension definitely makes The Cutting much more of a thriller than a mystery.

Lee Child’s Jack Reacher books and John Sandford’s Prey novels are examples of other books that are thrillers much more than mysteries.

Needless to say there’s a lot of overlap and many books blend a little of both. Mine do. But, going forward, readers can expect most of the books in the Mike McCabe series, like The Cutting and the upcoming The Chill of Night will fall firmly into the thriller camp.

Hope that helps to clear up the issue.