Category: Partners In Crime Tours

Interview | Pigeon River Blues by Wayne Zurl

Pigeon River Blues

by Wayne Zurl

Book Details:

Genre: Police Procedural / Mystery

Published by: Iconic Publishing

Publication Date: May 31, 2014

Number of Pages: 258

ISBN: 1938844025 / 978-1938844027

Purchase Links:

Synopsis:

Winter in the Smokies can be a tranquil time of year—unless Sam Jenkins sticks his thumb into the sweet potato pie.

The retired New York detective turned Tennessee police chief is minding his own business one quiet day in February when Mayor Ronnie Shields asks him to act as a bodyguard for a famous country and western star.

C.J. Profitt’s return to her hometown of Prospect receives lots of publicity . . . and threats from a rightwing group calling themselves The Coalition for American Family Values.

The beautiful, publicity seeking Ms. Proffit never fails to capitalize on her abrasive personality by flaunting her alternative lifestyle—a way of living the Coalition hates.

Reluctantly, Jenkins accepts the assignment of keeping C.J. safe while she performs at a charity benefit. But Sam’s job becomes more difficult when the object of his protection refuses to cooperate.

During this misadventure, Sam hires a down-on-his-luck ex-New York detective and finds himself thrown back in time, meeting old Army acquaintances who factor into how he foils a complicated plot of attempted murder, the destruction of a Dollywood music hall, and other general insurrection on the “peaceful side of the Smokies.”

Read an excerpt:

Prologue

An oddball named Mack Collinson sat in his mother’s office discussing the upcoming auction of farmland straddling the border of Prospect and neighboring Seymour, Tennessee.

Jeremy Goins, part-time real estate salesman at the Collinson agency, defrocked federal park ranger, and now full-time maintenance man in The Great Smoky Mountains National Park, walked into the room and tossed a newspaper on Mack’s lap.
Collinson, a short, dark man in his late-forties, had close-cropped, almost black hair, a single bushy eyebrow spanning his forehead, and a thick beard that covered his face from just below his eyes and disappeared into the collar of his sport shirt.

“You seen this article in the Blount County Voice?” Goins asked.

Mack shrugged. His mother neither commented nor gestured.

Goins sighed and continued, seemingly unimpressed with his male colleague. “’Bout how Dolly’s havin’ a benefit show and that lezzy bitch—‘cuse me, Ma—C.J. Profitt’s comin’ back home fer a week a’forehand.”

People showing deference to her age referred to Collinson’s mother as Miss Elnora. Those who knew her more intimately, called her Ma.

“Lemme see that,” Elnora snarled, screwing up her wide face, one surrounded by layers of gray, arranged in a style the locals called big hair.

“Yes, ma’am.” Anxious to please his employer, Jeremy snatched the newspaper from Mack and handed it to Mrs. Collinson.
The Collinson Realty and Auction Company occupied an old and not very well maintained building on McTeer’s Station Pike just below the center of Prospect. Sixty-five-year-old Elnora Collinson had been a realtor for more than forty years, first with her late husband and now with her son. In either case, Ma represented the brains of the operation.

After allowing the woman a few moments to read the article, Jeremy Goins continued the conversation.

“I hated that bitch back in hi-skoo,” he said. “And I hate her even more now that I know what she is and what her kind means ta the rest o’ us.”

Goins was a stocky, rugged-looking man, approaching fifty, with a liberal mix of gray in his dark brown hair. The gray hair was the only liberal thing about Jeremy Goins.

“I s’pose she’s fixin’ to stay around here and mebbe bring some o’ her pur-verted women friends with her,” Mack said. “This world’s goin’ ta hell when ya got ta be subjectedsta the likes o’ her on the same streets good Christian folk walk on.”

“Amen ta that,” Jeremy said.

When Ma finished reading she snorted something unintelligible, rolled up the paper, and threw it at a wastepaper basket, missing by a foot.

“Boys, this is shameful.” She took a long moment to shake her head in disgust. “Downright shameful.”

Both men nodded in agreement.

“When that girl went ta Nashville an’ become a singer, I thought Prospect was rid o’ her and her kind once’t and fer all. Lord have mercy, but we’re doomed ta see her painted face on our streets ag’in.”

“Momma,” Mack said, “we ain’t gotta take this.”

He spent a moment shaking his head, too. Then he decided to speak for the rest of the population.

“Don’t nobody here want her back. Mebbe we should send’er a message if the elected leaders o’ this city won’t. We kin let her know.”

“You’re rot, son. Ain’t no reason why that foul-mouthed, lesbian should feel welcome here.” Ma Collinson, who resembled a grumpy female gnome, sat forward in her swivel chair and with some difficulty, pulled herself closer to the desk. “Jeremy, git me that li’l typewriter from the closet. I’ll write her a note sayin’ as much.”

Goins nodded and moved quickly.

“And Jeremy, afore yew git ta work at park headquarters, mail this in Gatlinburg so as ta not have a Prospect postmark on it.”

Goins stepped to a spot where he could read over her shoulder and said, “Yes, ma’am, I’ll do it.”

After inserting a sheet of white bond paper under the roller, Elnora Collinson began to type:

Colleen Profitt we know you. We know what you are. All the money you made don’t make no difference about what you have became. You are a shame to your family and the city of Prospect. Do not come back here. We do not want you. God does not want you.

SIGNED

The Coalition For American Family Values

That was the first of six messages sent to country and western star C.J. Profitt.

The last letter, typed almost two weeks later, said:

CJ Profitt you have not called off your visit to our city. We repeat. You and your lesbian friends are violating God’s Law. You must not come here. If you do you will regret it. The people of this city will not suffer because of you. Your ways are the ways of Sin. Your life is a life of SIN. If you come here YOU WILL suffer and then burn in Hell. Do not show your painted face here again. If you do you better make your peace with GOD. You will face HIM soon enough. Sooner than you think.

The Coalition for American Family Values

<><><>

On Friday morning, February 2nd, Mack Collinson slammed the front door to the real estate agency, shrugged off his brown canvas Carhartt jacket, and tossed it on an old swivel chair. He spent a moment blowing his nose in a week-old handkerchief and stormed into his mother’s office.

“Well she’s here,” he said, putting his hands on his hips. “She never done took your warnin’s serious-like.”
Ma Collinson looked at her son over the tops of reading glasses she recently purchased at the Wal-Mart Vision Center.
“This mornin’ Luretta and the kids was watchin’ that Knoxville mornin’ show,” he said. “And there she was—film o’ her at the airport ‘long with some others goin’ ta perform at Dolly’s benefit thing. She never listened ta ya, Ma. Now she’s here.”

At five after nine, a coo coo clock in Elnora’s office struck eight.

Mrs. Collinson pulled off her glasses and tossed them onto the desk. She wrinkled her brow and puckered her mouth in disgust. Elnora did not look happy.

“She’ll be talkin’ ‘bout her ideas and her ways like she always does,” Mack said. “It’s un-natural is what it is. Against God’s way. Why does God let people like her live, Ma? Makes me jest so gat-dag mad. Makes me think we ought ta kill her. Kill her our own selves.”

Are the Sam Jenkins books imitating life or the other way around?

Guest Post by Wayne Zurl
Good cops are born actors. All you have to do is watch a pair of world-class interrogators go through
their routine and you’d become a believer. And all cops have stories to tell. In many cases, their reality is that which much fiction is based. I’m surprised more cops don’t write books when they retire.
What a reader likes is very subjective. But I’ve heard that some people like my stories. That may be true, because I sell a few books. Here’s where I confess—I have more of a memory than imagination. Most of my stories are based on actual incidents I investigated, cases I supervised, or things I just knew a lot about. Often, I composite incidents into a single storyline and embellish and fictionalize it to make the finished product more readable. Not all police work is a thrill a minute. Recently, I’ve combined things I’ve seen since retiring and incorporate them as components of a story that originated in New York, but as ever, gets transplanted to Tennessee.

PIGEON RIVER BLUES is one of these eclectic blends of numerous vignettes surrounding one story-
worthy plot.

The Collinsons and their henchman, Jeremy Goins, that trio of right-wing morons who threaten country singer, C.J. Proffit, are based or real characters I’ve met.

Since I began writing, I’ve been looking for the right place to introduce retired Detective John Gallagher, the goofy-acting but extremely competent former colleague of Sam Jenkins, who suffers from a severe case of malapropism. “John,” who is now a regular cast member at Prospect PD, is also based on a real person with whom I worked for many years.

Giving Sam and company an unwanted job of providing personal security for the famous singer allowed me to recall a few assignments I had in the Army and the reoccurring VIP security details we were bamboozled into taking on during my time in one command of the police department where I worked.

Originally, I had included an addendum or author’s disclaimer at the end of the novel—sort of a “don’t try this at home” statement about some of the things Sam pulled off during this adventure. But the publisher didn’t want it, and he was probably correct because they were all things that in reality, whether good police practice or not, are done for the sake of expedience.

You’ll read a statement at the beginning of all my books sounding something like this: ‘This book is a work of fiction. Any similarity to persons living or dead or to actual incidents is a coincidence and a
figment of the author’s imagination.’ Yeah? Nuts. I was there. I knew these people. But I take iterary license to change things as I see fit. I make incidents more exciting, people more beautiful or uglier, and to paraphrase Jack Webb’s weekly statement on the old TV show DRAGNET, I change the names to protect the guilty . . . and keep me out of civil court.

Cheryl,
Thanks for inviting me to your blog to meet your fans and followers. To all those who take the time to read my guest posting, I wish you the best and hope you enjoy the rest of the autumn and have happy holidays and a healthy and prosperous new year.

Author Bio:

Wayne Zurl grew up on Long Island and retired after twenty years with the Suffolk County Police Department, one of the largest municipal law enforcement agencies in New York and the nation. For thirteen of those years he served as a section commander supervising investigators. He is a graduate of SUNY, Empire State College and served on active duty in the US Army during the Vietnam War and later in the reserves. Zurl left New York to live in the foothills of the Great Smoky Mountains of Tennessee with his wife, Barbara.

Twenty (20) of his Sam Jenkins mysteries have been produced as audio books and simultaneously published as eBooks. Ten (10) of these novelettes are now available in print under the titles of A MURDER IN KNOXVILLE and Other Smoky Mountain Mysteries and REENACTING A MURDER and Other Smoky Mountain Mysteries. Zurl’s first full-length novel, A NEW PROSPECT, was named best mystery at the 2011 Indie Book Awards, chosen as 1st Runner-Up from all Commercial Fiction at the 2012 Eric Hoffer Book Awards, and was a finalist for a Montaigne Medal and First Horizon Book Award. His other novels are: A LEPRECHAUN’S LAMENT and HEROES & LOVERS. A fourth novel, PIGEON RIVER BLUES, was published in 2014.

For more information on Wayne’s Sam Jenkins mystery series see www.waynezurlbooks.net. You can read excerpts, reviews and endorsements, interviews, coming events, and see photos of the area where the stories take place.

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Showcase & Giveaway of Murder Strikes a Pose

Murder Strikes a Pose

by Tracy Weber

on Tour August 2014

Book Details:

Genre: Cozy Mystery
Published by: Midnight Ink
Publication Date: January 8, 2014
Number of Pages: 288
ISBN: 978-0738739687
Purchase Links:

Synopsis:

When George and Bella—a homeless alcoholic and his intimidating German shepherd—disturb the peace outside her studio, yoga instructor Kate Davidson’s Zen-like calm is stretched to the breaking point. Kate tries to get rid of them before Bella scares the yoga pants off her students. Instead, the three form an unlikely friendship.

One night Kate finds George’s body behind her studio. The police dismiss his murder as a drug-related street crime, but she knows George wasn’t a dealer. So Kate starts digging into George’s past while also looking for someone to adopt Bella before she’s sent to the big dog park in the sky. With the murderer nipping at her heels, Kate has to work fast or her next Corpse Pose may be for real.

Read an excerpt:

I laid my body on the cool wood floor, covered up with a blanket, and prepared to die.

Metaphorically, that is.

Corpse Pose’s ten-minute rest always soothed my stressed-out nerves, and for once I didn’t feel guilty about the indulgence. My to-do list was blank, Serenity Yoga’s phone was silent, and I had a whole blissful hour between clients to do my favorite activity: practice yoga.

Even my eclectic Greenwood neighborhood seemed uncharacteristically quiet, lulled by Seattle’s rare afternoon sun. The residents of the apartments above the yoga studio were off at their day jobs; the alcohol-addicted patrons of the block’s two dive bars slept off their Jim Beam breakfasts; the soccer moms shopping at next door’s upscale PhinneyWood Market purchased the day’s supplies in unusual silence.

I wiggled my toes under a Mexican blanket, covered my eyes with a blue satin eye pillow, and inhaled deeply. The ooey-gooey smell of Mocha Mia’s chocolate caramel cake wafted from across the street and filled my nostrils with sweet toffee-scented bliss—my all-time favorite aromatherapy.

Paradise. Simply paradise.

I released my weight into the earth and silently coached myself, exactly as I would one of my students. OK, Kate. Feel your body relax. Notice the random fluctuations of your mind and—

A vicious snarl ripped through the silence, startling me out of my catnap. I sat straight up, eye pillow falling to the floor with an undignified thump.

What the heck?

When had a dog fighting ring moved into the neighborhood?

A dog fight was the only plausible explanation for the commotion outside. Bursts of deep, frantic barking were followed by high-pitched yelping, all punctuated by the peace-shattering sounds of angry yelling. The phrases I could make out confirmed my suspicions. This had to be a dog fight, albeit one-sided.

“Control your dog!”

“Get that vicious beast out of here!”

And even a simple, “What the hell?”

I closed the door between the yoga room and the studio’s lobby, hoping to block out the intrusive sounds. Snarls, shouts, and an occasional ear-piercing shriek continued to reverberate right through the wall.

Undaunted, I imagined that the sounds were merely clouds floating across my mental horizon. Most of those clouds were dark and ominous, like the deep thunderclouds preceding a hailstorm. But every so often I heard a soft voice, more like the fluffy clouds of childhood summers. I couldn’t quite make out his words, but I could tell that the speaker was a man. From his tone, I assumed he was trying to calm beasts both human and animal.

It wasn’t working.

Neither, for that matter, was my attempted meditation.

I’d obviously have to shift tactics.

I tried drowning out the clamor with low, soft chanting. Then I increased the volume. But even as I belted out Om Santi, my favorite mantra for peace, I felt my jaw start to tighten. My fingernails bit deeply into my palms. My shoulders crept up to my ears.

An entirely different mantra began pounding through my head: Don’t get me angry; you wouldn’t like me when I’m angry.

A series of yelps and the words “I’m calling the cops!” zapped me like a cattle prod. I leapt from my mat and stormed across the floor, determined to put a stop to that infernal racket. I hurled open the door and came face-to-face, or rather face-to-snout, with the source of the commotion. Not more than five feet away from the studio’s entrance stood a paunchy, dark-haired man and the biggest, skinniest, meanest-looking German shepherd I had ever seen. Don’t get me wrong. I like dogs. I love them, in fact. It’s their human counterparts I could sometimes do without. But this frothing breast was no Rin Tin Tin. A long line of drool oozed from its mouth. Its sharp white teeth glinted in the sunlight, and its black wiry topcoat still stood on end from the prior scuffle. The dog was obviously rabid.
I didn’t recognize the man standing next to the frightening creature, but I did recognize his activity. He worked as a vendor for Dollars for Change, a well-regarded local newspaper that published articles about homelessness and poverty while employing those same homeless individuals as salespeople. Ordinarily I would have welcomed one of their vendors outside my business. If nothing else, supporting the paper demonstrated yoga’s principles of kindness and compassion.
But this was not an ordinary circumstance. I absolutely could not allow that disgusting dog to raise a ruckus outside my studio. The prenatal class would have a fit. Suffice it to say that pregnancy hormones didn’t always leave expecting moms in the best of moods. My moms-to-be liked their yoga practice. They needed their yoga practice. And they needed to be serene while doing it. If a noisy dog fight disturbed their peaceful experience, I’d be the one getting barked at.

Thinking less than yogic thoughts, I marched up to the pair, determined to put a stop to the chaos.

“What in the world’s going on out here?”

The human half of the dastardly duo held a leash in one hand, newspapers in the other. He smiled at me and said, “Sorry about all the noise. I’m George, and this here’s Bella. What’s your name?”

“Kate Davidson, but—”

“Well, nice to meet you, Kate. I’d shake your hand, but mine are full, so Bella will have to do it instead.”

The vicious beast walked up and calmly sniffed my hand. I prayed she wasn’t about to ingest my fingers.

“Bella, say hello!”

Upon hearing her owner’s command, the giant hairy monster-dog immediately went into a perfect sit and sweetly offered me her paw. Maybe she wasn’t rabid after all. Just huge and ill-mannered.

“Don’t mind Bella,” he continued. “She’s very friendly to people. She just doesn’t like other dogs much. She’d be fine if people kept their unruly mutts to themselves, but they think if their rude dog wants to play, Bella has to as well.” He shook his head in disgust. “I don’t understand some people!”

I tried to interrupt, to tell him that his dog was the problem, but he didn’t give me the chance.

“Bella and I are new to this neighborhood, and we’re supposed to sell papers near the market. I tried setting up by the north entrance, but there’s a pet store at that end. Pete’s Pets, I think it’s called? The owner was a nice enough guy and all, but selling there was a disaster with all those dogs going in and out. Bella wasn’t happy at all.” He shrugged. “So I guess we’re going to have to hang out here instead.”

I bit the inside of my lip and considered my options. Up close, George wasn’t exactly the paragon of health I wanted standing outside my business. His friendly smile exposed yellowed teeth in need of significant dental care, and if the sharp, ammonia-like smell was any indication, neither he nor Bella had taken a bath in quite some time. At three-thirty in the afternoon, I could smell whiskey on his breath, and I suspected this most recent drink hadn’t been his first of the day. It would also likely be far from his last. I only knew one thing for certain: if George didn’t frighten my students away, his loud, intimidating, fur-covered companion would.

I needed them to leave, but honestly, I didn’t want to say it out loud. After all, I taught yoga for a living. People expected me to be calm and collected at all times. I wasn’t allowed to be mean, or even irritated, for that matter. I hesitated as I tried to come up with the perfect words to make him want to move, if not out of the neighborhood, then at least across the street.

Fortunately (or perhaps unfortunately), one of my favorite students picked that very moment to walk up with her five-month-old Lab pup, Coalie. “Hey, Kate!” she said. “I hoped I’d run into you! Do you still have space in your Core Strength class tonight?”
Coalie was as rude and friendly as Labs everywhere. She couldn’t stop herself if she tried. She ran up to Bella, wiggling her entire body with glee, and covered Bella’s muzzle in sloppy wet puppy kisses.

Bella wasted no time. Faster than a 747 and stronger than a freight train, Bella pinned Coalie to the ground between her front legs, snarling and air-snapping on either side of Coalie’s neck. I heard the sound of canine teeth chomping together and imagined soft puppy bones shattering between them.
My student screamed. Coalie yelped. George grabbed Bella’s collar while I reached in between razor-sharp teeth to pull Coalie from the jaws of death. The three of us wrestled the two dogs apart, but not before my student almost died of heart failure.

“What’s wrong with you?” she yelled. “Keep that vicious monster away from my baby!”

George quickly apologized, but said, “No damage done. Bella was just teaching that pup some manners.” He pointed at Coalie. “See, it’s all good!”

Coalie, oblivious with joy, seemed unscathed and ready to dive in again. Tail wagging and butt wiggling, she pulled with all her might, trying desperately to get back to Bella.

Bella had other plans. She sat next to George, glaring directly at that pup with a patented Clint Eastwood stare. Go ahead, she seemed to say. Make my day. My soon-to-be-former student ran off as quickly as her legs would move, dragging the still-happy puppy behind her.

“See you in class tonight!” I yelled to her rapidly retreating back. I doubted I’d be seeing her any time soon.

Yoga reputation be damned. I had to get rid of this guy.

I put my hands on my hips and stood nice and tall, taking full advantage of my five-foot-three-inch frame. “Look. I can’t let you stay here with the dog. She’s obviously frightening people. You have to leave.” I paused a moment for emphasis, then added, “Now.”

George stood a little taller, too. “Look yourself, lady. The last time I checked, I’m standing on city property. I have every right to be here. You don’t own this sidewalk, and you can’t stop me from making a living on it.” He glared at me, sharp eyes unblinking. “We Dollars for Change vendors are licensed, and no matter how much you don’t like us, the city says we can be here.”

“There’s no ‘us’ I don’t like,” I replied, frustrated. “It’s your dog. And you may have every right to be here, but the dog is another story. What do you think Animal Control will do if I report a vicious dog attacking people outside my store?”

George stepped back, pulling Bella closer. Seattle had the toughest dangerous dog laws in the nation. We both knew what would happen if I made that call. “You wouldn’t do that!” he said. “Bella’s never hurt anyone.”

I planted my feet stubbornly. “Try me.”

George gave me a wounded look and gathered his papers, shoulders slumped in depressed resignation. “OK, we’ll go. But I thought you yoga people were supposed to be kind.” He shuffled away, shaking his head and mumbling under his breath. Bella followed close by his side.

“Crap,” I muttered, watching their slow departure. “Crap, crap, crap, crap, crap.”
He was right. Like all good yoga teachers, I had extensively studied yoga philosophy and tried to live by it. The teachings were clear: A yogi should respond to suffering with active compassion. And George was clearly suffering, whether he realized that fact or not.

Threatening to call the cops on George’s dog may have been active, but it wasn’t all that compassionate, to him or to Bella. I felt like a cad. My solution probably wasn’t what the teachings had in mind, but it was the best I could come up with on short notice.
“Hang on there a minute!” I yelled as I ran to catch up with him. Out of breath, I said, “You’re right. I overreacted, and I’m sorry. How many papers do you have left to sell today?”

George stopped walking. When he turned to look back at me, his eyes sparkled with an unexpected hint of wry humor. “About thirty.”

The calculations weren’t difficult. I wasn’t completely broke—yet—but thirty dollars wasn’t a drop in the bucket. On the other hand, my Monday evening classes were popular, and I had to get this guy away from the front door. Mentally crossing my fingers that the toilet wouldn’t break again, I said, “Wait here. I’ll be right back.” I hurried back to the studio and grabbed thirty dollars from the cash box.

“If I buy all of your papers, will you be done for the day?”

“Yes ma’am, and that would be very kind of you.” He gave me a broad, yellow-toothed smile. “Bella and I appreciate it very much.”
He took the money, left the papers, and wandered off, whistling. Bella happily trotted behind him.

“Well, that wasn’t so difficult,” I said, patting myself on the back. “I should follow the teachings more often!” I went back inside and finished my considerably shortened practice. I chose to ignore the quiet voice in my head telling me I’d just made a huge mistake.

Author Bio:

My writing is an expression of the things I love best: yoga, dogs, and murder mysteries.

I’m a certified yoga teacher and the founder of Whole Life Yoga, an award-winning yoga studio in Seattle, WA. I enjoy sharing my passion for yoga and animals in any form possible.

My husband and I live with our challenging yet amazing German shepherd Tasha and our bonito flake-loving cat Maggie. When I’m not writing, I spend my time teaching yoga, walking Tasha, and sipping Blackthorn cider at my favorite local ale house.

I am a member of Sisters in Crime, The Pacific Northwest Writers Association, and the Dog Writers Association of America.

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Witness Impulse Presents: CONFESSION

Confession

by Carey Baldwin

BOOK BLAST on March 11th

on Tour April 2014

 

CAREY BALDWIN

Carey Baldwin is a mild-mannered doctor by day and an award-winning author of edgy suspense by night. She holds two doctoral degrees, one in medicine and one in psychology. She loves reading and writing stories that keep you off balance and on the edge of your seat. Carey lives in the southwestern United States with her amazing family. In her spare time she enjoys hiking and chasing wildflowers.
Connect with Carey at these sites:

WEBSITE        TWITTER   

ABOUT THE BOOK

For fans of Allison Brennan and Karen Rose comes Carey Baldwin, a daring new name in suspense, with the story of a serial killer out for blood—and the only woman who can stop his reign of terror.
They say the Santa Fe Saint comes to save your soul—by taking your life.
Newly minted psychiatrist Faith Clancy gets the shock of her life when her first patient confesses to the grisly Saint murders. By law she’s compelled to notify the authorities, but is her patient really The Saint? Or will she contribute to more death by turning the wrong man over to the police? Faith is going to need all her wits and the help of a powerful adversary, Luke Jericho, if she’s to unravel the truth. But she doesn’t realize she’s about to become an unwitting pawn in a serial killer’s diabolical game: For once he’s finished with Faith, she’ll become his next victim.

READ AN EXCERPT

Prologue

Saint Catherine’s School for Boys
Near Santa Fe, New Mexico
Ten years ago—Friday, August 15, 11:00 P.M.
I’M NOT afraid of going to hell. Not one damn bit.

We’re deep in the woods, miles from the boys’ dormitory, and my thighs are burning because I walked all this way with Sister Bernadette on my back. Now I’ve got her laid out on the soggy ground underneath a hulking ponderosa pine. A bright rim of moonlight encircles her face. Black robes flow around her, engulfing her small body and blending with the night. Her face, floating on top of all that darkness, reminds me of a ghost-head in a haunted house—but she’s not dead.

Not yet.

My cheek stings where Sister scratched me. I wipe the spot with my sleeve and sniff the air soaked with rotting moss, sickly-sweet pine sap and fresh piss. I pissed myself when I clubbed her on the head with that croquet mallet. Ironic, since my pissing problem is why I picked Sister Bernadette in the first place. She ought to have left that alone.

I hear a gurgling noise.

Good.

Sister Bernadette is starting to come around.

This is what I’ve been waiting for.

With her rosary wound tightly around my forearm, the grooves of the carved sandalwood beads cutting deep into the flesh of my wrist, I squat down on rubber legs, shove my hands under her armpits and drag her into a sitting position against the fat tree trunk. Her head slumps forward, but I yank her by the hair until her face tilts up, and her cloudy eyes open to meet mine. Her lips are moving. Syllables form within the bubbles coming out of her mouth. I press my stinging cheek against her cold, sticky one.

Like a lover, she whispers in my ear, “God is merciful.”

The nuns have got one fucked-up idea of mercy.

“Repent.” She’s gasping. “Heaven…”

“I’m too far gone for heaven.”

The God I know is just and fierce and is never going to let a creep like me through the pearly gates because I say a few Hail Marys. “God metes out justice, and that’s how I know I will not be going to heaven.”

To prove my point, I draw back, pull out my pocketknife, and press the silver blade against her throat. Tonight, I am more than a shadow. A shadow can’t feel the weight of the knife in his palm. A shadow can’t shiver in anticipation. A shadow is not to be feared, but I am not a shadow. Not in this moment.

She moves her lips some more, but this time, no sound comes out. I can see in her eyes what she wants to say to me. Don’t do it. You’ll go to hell.

I twist the knife so that the tip bites into the sweet hollow of her throat. “I’m not afraid of going to hell.”

It’s the idea of purgatory that makes my teeth hurt and my stomach cramp and my shit go to water. I mean what if my heart isn’t black enough to guarantee me a passage straight to hell? What if God slams down his gavel and says, Son, you’re a sinner, but I have to take your family situation into account. That’s a mitigating circumstance.

A single drop of blood drips off my blade like a tear.

“What if God sends me to purgatory?” My words taste like puke on my tongue. “I’d rather dangle over a fiery pit for eternity than spend a single day of the afterlife in a place like this one.”

I watch a spider crawl across her face.

My thoughts crawl around my brain like that spider.

You could make a pretty good case, I think, that St. Catherine’s School for Boys is earth’s version of purgatory. I mean, it’s a place where you don’t exist. A place where no one curses you, but no one loves you either. Sure, back home, your father hits you and calls you a bastard, but you are a bastard, so its okay he calls you one. Behind me, I hear the sound of rustling leaves and cast a glance over my shoulder.

Do it! You want to get into hell, don’t you?

I turn back to sister and flick the spider off her cheek.

The spider disappears, but I’m still here.

At St. Catherine’s no one notices you enough to knock you around. Every day is the same as the one that came before it, and the one that’s coming after. At St. Catherine’s you wait and wait for your turn to leave, only guess what, you dumb-ass bastard, your turn is never going to come, because you, my friend, are in purgatory, and you can’t get out until you repent.

Sister Bernadette lets out another gurgle.

I spit right in her face.

I won’t repent, and I can’t bear to spend eternity in purgatory, which is I why I came up with a plan. A plan that’ll rocket me straight past purgatory, directly to hell.

Sister Bernadette is the first page of my blueprint. I have the book to guide me the rest of the way. For her sake, not mine, I make the sign of the cross.

She’s not moving, but her eyes are open, and I hear her breathing. I want her to know she is going to die. “You are going to help me get into hell. In return, I will help you get into heaven.”

I shake my arm and loosen the rosary. The strand slithers down my wrist. One bead after another drops into my open palm, electrifying my skin at the point of contact. My blood zings through me, like a high-voltage current. I am not a shadow.

A branch snaps, making my hands shake with the need to hurry.

What are you waiting for my friend?

Is Sister Bernadette afraid?

She has to be. Hungry for her fear, I squeeze my thighs together, and then I push my face close and look deep in her eyes.

“The blood of the lamb will wash away your sins.” She gasps, and her eyes roll back. “Repent.”

My heart slams shut.

I begin the prayers.
Chapter One

Santa Fe, New Mexico

Present Day—Saturday, July 20, 1:00 P.M.

Man, she’s something.

Luke Jericho halted mid-stride, and the sophisticated chatter around him dimmed to an indistinct buzz. Customers jamming the art gallery had turned the air hot, and the aromas of perfume and perspiration clashed. His gaze sketched the cut muscles of the woman’s shoulders before swerving to the tantalizing V of her low-back dress. There, slick fabric met soft skin just in time to hide the thong she must be wearing. His fingers found the cold silk knot of his tie and worked it loose. He let his glance dot down the line of her spine, then swoop over the arc of her ass. It was the shimmer of Mediterranean-blue satin, illuminated beneath art lights, that had first drawn his eye, her seductive shape that had pulled him up short, but it was her stance—her pose—that had his blood expanding like hot mercury under glass.

Head tilted, front foot cocked back on its stiletto, the woman studied one of Luke’s favorite pieces—his brother Dante’s mixed-media. A piece Luke had hand-selected and quietly inserted into this show of local artists in the hopes a positive response might bolster his brother’s beleaguered self-esteem.

The woman couldn’t take her eyes off the piece, and he couldn’t take his eyes off the woman. Her right arm floated, as if she were battling the urge to reach out and touch the multi-textured painting. Though her back was to him, he could picture her face, pensive, enraptured. Her lips would be parted and sensual. He savored the swell of her bottom beneath the blue dress. Given the way the fabric clung to her curves, he’d obviously guessed right about the thong. She smoothed the satin with her hand, and he rubbed the back of his neck with his palm. Ha. Any minute now she’d turn and ruin his fantasy with what was sure to turn out to be the most ordinary mug in the room.

And then she did turn, and damned if her mug wasn’t ordinary at all, but she didn’t appear enraptured. Inquisitive eyes, with a distinct undercurrent of melancholy, searched the room and found him. Then, delicate brows raised high, her mouth firmed into a hard line—even thinned, her blood-red lips were temptation itself—she jerked to a rigid posture and marched, yeah, marched, straight at him.

Hot ass. Great mouth. Damn lot of nerve.

“I could feel your stare,” she said.

“Kind of full of yourself, honey.”

A flush of scarlet flared across her chest, leading his attention to her lovely, natural breasts, mostly, but not entirely, concealed by a classic neckline. With effort, he raised his eyes to meet hers. Green. Skin, porcelain. Hair, fiery—like her cheeks—and flowing. She looked like a mermaid. Not the soft kind, the kind with teeth.

“I don’t like to be ogled.” Apparently she intended to stand her ground.

He decided to stand his as well. That low-back number she had on might be considered relatively tame in a room with more breasts on display than a Picasso exhibit, but there was something about the way she wore it. “Then you shouldn’t have worn that dress, darlin’.”

Her brow arched higher in challenge. “Which is it? Honey or darlin’?”

“Let’s go with honey. You look sweet.” Not at the moment she didn’t, but he’d sure like to try and draw the sugar out of her. This woman was easily as interesting and no less beautiful than his best gallery piece, and she didn’t seem to be reacting to him per the usual script. He noticed his hand floating up, reaching out, just as her hand had reached for the painting. Like his mesmerizing customer, he knew better than to touch the display, but it was hard to resist the urge.

Her body drew back, and her shoulders hunched. “You’re aware there’s a serial killer on the loose?”

Luke, you incredible ass.

No wonder she didn’t appreciate his lingering looks. Every woman he knew was on full alert. The Jericho charm might or might not be able to get him out of this one, but he figured she was worth a shot. “Here, in this gallery? In broad daylight?” He searched the room with his gaze and made his tone light. “Or are you saying you don’t like being sized up for the kill?” He patted his suit pockets, made a big show of it and then stroked his chin thoughtfully. “I seem to have misplaced my rosary somewhere, I don’t suppose you’ve seen it?”

Her shoulders eased back to a natural position.

“Seriously, do I look like someone who’d be called The Saint?”

If the glove doesn’t fit…

Her lips threatened to curve up at the corners. “No. I don’t suppose you do.” Another beat, and then her smile bloomed in earnest. “Looking a little is one thing, maybe it’s even flattering…but you seem to have exceeded your credit line.”

He turned his palms up. “Then I’d like to apply for an increase.”

At that, her pretty head tipped back, and she laughed, a big genuine laugh. It was the kind of laugh that was a touch too hearty for a polished society girl, which perhaps she wasn’t after all. It was also the kind of laugh he’d like to hear again. Of its own accord, his hand found his heart. “Listen, I’m honest-to-God sorry if I spooked you. That wasn’t my intention.”

Her expression was all softness now.

“Do you like the painting?” he asked, realizing that he cared more than he should about the answer.

“It’s quite…dark.” Her bottom lip shivered with the last word, and he could sense she found Dante’s painting disturbing.

Always on the defensive where his brother was concerned, his back stiffened. He tugged at his already loosened tie. “Artists are like that. I don’t judge them.”

“Of course. I-I wasn’t judging the artist. I was merely making an observation about the painting. It’s expressive, beautiful.”

Relaxing his stance, he pushed a hand through his hair.

She pushed a hand through her hair, and then her glance found her fancy-toed shoes. “Maybe I overreacted, maybe you weren’t even staring.”

Giving in to the urge to touch, he reached out and tilted her chin up until their eyes met. “I’m Luke Jericho, and you had it right the first time. I was staring. I was staring at—” He barely had time to register a startled flash of her green eyes before she turned on her heel and disappeared into the throng of gallery patrons.

He shrugged and said to the space where her scent still sweetened the air, “I was staring at your fascination. Your fascination fascinates me.”

Saturday, July 20, 1:30 P.M.

Faith Clancy strode across her nearly naked office and tossed her favorite firelight macaron clutch onto her desk. After rushing out of the gallery, she’d come to her office to regroup, mainly because it was nearby.

She could hear Ma’s voice now, see her wagging finger. “Luke Jericho? Sure’an you’ve gone and put your wee Irish foot in the stewpot now, Faith.”

Well, it was only a tiny misstep—what harm could possibly come of it? She braced her palms against the windowsill. Teeth clenched, she heaved with all her might until wood screeched against wood and the window lurched open.

A full inch.

Swell.

Summers in Santa Fe were supposed to be temperate, and she hadn’t invested in an air conditioner for her new office. She sucked in a deep breath, but the currentless summer air brought little relief from the heat. Lifting her hair off the back of her damp neck with one hand, she reached over and dialed on the big standing fan next to the desk with the other. The dinosaur whirred to life without a hiccup.

That made one thing gone right today.

The relaxing Saturday afternoon she’d been looking forward to all week had been derailed, thanks to Luke Jericho. Okay, that wasn’t even half fair. In reality, the wheels of her day had never touched down on the track to begin with. She’d awakened this morning with a knot in her stomach and an ache in her heart—missing Danny and Katie.

Walk it off, she’d thought. Dress up. Take in the sights. Act like you’re part of the Santa Fe scene and soon enough you will be. Determined to forget the homesick rumbling in her chest, Faith had plucked a confidence boosting little number from her closet, slipped on a pair of heels and headed out to mingle with polite society. Even if she didn’t feel like she fit in, at least she would look the part. But the first gallery she’d entered, she’d dunked her foot in the stewpot—crossing swords with, and then, even worse, flirting with the brother of a patient.

Rather bad luck considering she had just one patient.

Her toe started to tap.

Her gaze swept the office and landed on the only adornment of the freshly-painted walls—her diplomas and certificates, arranged in an impressive display with her psychiatric board certification center stage. A Yale-educated doctor. Ma and Da would’ve been proud, even if they might’ve clucked their tongues at the psychiatrist part. She blinked until her vision cleared. It wasn’t only Danny and Katie she was missing today.

She kicked off her blasted shoes and shook off her homesick blues…only to find her mind returning to the gallery and her encounter with a man who was strictly off limits.

There was no point chastising herself for walking into the art gallery in the first place, or for refusing to pretend she didn’t notice the man who was eyeing her like she was high tea in a whorehouse, and he a starving sailor.

Care for a macaron, sir?

Had she realized her admirer was Luke Jericho, she would’ve walked away without confronting him, but how was she to know him by sight? It wasn’t as if she spent her spare time flipping through photos of town royalty in the society pages.

She’d recognized his name instantly, however, and not only because she was treating his half-brother, Dante. The Jericho family had a sprawling ranch outside town and an interest in a number of local businesses. But most of their wealth, she’d heard, came from oil. The Jerichos, at least the legitimate ones, had money. Barrels and barrels of it.

Luke’s name was on the lips of every unattached female in town—from the clerk at the local Shop and Save to the debutant docent at the Georgia O’Keeffe museum:

Single.

Handsome.

Criminally rich.

Luke Jericho, they whispered.

When she’d turned to find him watching her, his heated gaze had caused her very bones to sizzle. Luke had stood formidably tall, dressed in an Armani suit that couldn’t hide his rancher’s physique. The gallery lights seemed to spin his straw-colored hair into gold and ignite blue fire in his eyes. She could still feel his gaze raking over her in that casual way, as if he didn’t wish to conceal his appetites. It was easy to see how some women might become undone in his presence. She eased closer to the fan.

“Dr. Clancy.”

That low male voice gave her a fizzy, sick feeling in the pit of her stomach, like she’d just downed an Alka-Seltzer on top of the flu. When you’re all alone in a room, and someone else speaks, it’s just plain creepy.

It only took a millisecond to recognize the voice, but at a time when someone dubbed The Santa Fe Saint was on a killing spree, that was one millisecond too long. Icy tendrils of fear wrapped themselves around her chest, squeezing until it hurt her heart to go on beating. The cold certainty that things were not as they should be made the backs of her knees quiver. Then recognition kicked in, and her breath released in a whoosh.

It’s only Dante.

She pasted on a neutral expression and turned to face him. How’d he gotten in? The entrance was locked; she was certain of it.

“Did I frighten you?”

She inclined her head toward the front door to her office, which was indeed locked, and said, “Next time, Dante, I’d prefer you use the main entrance…and knock.”

“I came in the back.”

That much was obvious now that she’d regained her wits. “That’s my private entrance. It’s not intended for use by patients.” Stupid of her to leave it unlocked, but it was midday and she hadn’t expected an ambush.

To buy another moment to compose herself, she went to her bookcase and inspected its contents. Toward the middle, Freud’s “Introductory Lectures on Psychoanalysis” leaned haphazardly in the direction of its opponent, Skinner’s “Behavior Therapy”. A paperback version of “A Systems Approach to Family Therapy” had fallen flat, not quite bridging the gap between the warring classics.

Dante crossed the distance between them, finishing directly in front of her, invading her personal space. “Quite right. I didn’t mean to startle you.”

She caught a blast of breath, pungent and wrong—a Listerine candle floating in a jar of whiskey. In self-defense, she took a step back before looking up at her patient’s face. Dante possessed his brother’s intimidating height, but unlike Luke, his hair was jet black, and his coal-colored eyes were so dark it was hard to distinguish the pupil from the iris. Despite Dante’s dark complexion and the roughness of his features—he had a previously broken nose and a shiny pink scar that gashed across his cheekbone into his upper lip—there was a distinct family resemblance between the Jericho brothers. Luke was the fair-haired son to Dante’s black sheep, and even their respective phenotypes fit the cliche.

Dante took a step forward.

She took another deep step back, bumping her rear-end against wood. With one hand she reached behind her and felt for the smooth rim of her desktop. With the other hand, she put up a stop sign. “Stay right where you are.”

He halted, and she edged her way behind her desk, using it as a barrier between herself and Dante. Maybe she should advise him to enroll in a social skills class since he didn’t seem to realize how uncomfortable he was making her. Though she knew full well Dante wasn’t on her schedule today—no one was on her schedule today—she powered on her computer. “Hang on a second while I check my calendar.”

“All right.” At least he had the courtesy to play along.

When he rested his hand on her desk, she noticed he was carrying a folded newspaper. She’d already seen today’s headline, and it had given her the shivers. “Any minute now.” She signaled to Dante with an upheld index finger.

He nodded, and, in what seemed an eternity of time, her computer finished booting. She navigated from the welcome screen to her schedule, and then in a firm, matter-of-fact voice, she told him, “I’m afraid you’ve made a mistake. Your appointment isn’t until Monday at four pm.”

As he took another step closer, a muscle twitched in his jaw. He didn’t seem to care when his appointment was. Gesturing toward the leather armchair on the patient side of her desk, she fended him off. “Have a seat right there.” If she could get him to sit down, maybe she could gain control of the situation; she really ought to hear him out long enough to make sure this wasn’t some sort of emergency.

Dante didn’t sit. Instead, from across the desk, his body inclined forward. Her throat went dry, and her speeding pulse signaled a warning. If this were an emergency, he most likely would have tried to contact her through her answering service, besides which, he’d had plenty of time already to mention anything urgent. He must’ve known he didn’t have an appointment today, so what the hell was he doing here on a Saturday?

Dante had no reason at all to expect her to be here. In fact, the more she thought about it, the less sense his presence made. Pulling her shoulders back, she said, “I am sorry, but you need to leave. You’ll have to come back on Monday at four.”

The scar tissue above his mouth tugged his features into a menacing snarl. “I saw you talking to my brother.”

He’d followed her from the art gallery.

Even though Dante’s primary diagnosis was schizotypal personality disorder, there was a paranoid component present, exacerbated by a sense of guilt and a need to compensate for feelings of inferiority. His slip and slide grip on reality occasionally propelled him into a near delusional state. She could see him careening into a dark well of anxiety now, and she realized she needed to reassure him she wasn’t colluding with his half-brother against him. “I wasn’t talking to your brother about you. In fact, I didn’t have any idea I had wandered into your brother’s art gallery until he…introduced himself.”

“I don’t believe you.”

As fast as her heart was galloping, she managed a controlled reply. “That hardly bodes well for our relationship as doctor and patient, does it? But the truth is, we were discussing a painting.”

“Discussing my painting, discussing me, same difference.”

His painting?

That bit of information did nothing to diminish her growing sense of apprehension. That painting had had a darkness in it like nothing she’d ever seen before. A darkness that had captivated her attention, daring her to unravel its mysterious secrets.

Then Dante dropped into the kind of predatory crouch that would’ve made a kitten roll over and play dead.

But she wasn’t a kitten.

Defiantly, she exhaled slow and easy. If she didn’t know better, she’d think Dante was intentionally trying to frighten her. “I’m happy to see you during your regular hour, and we can schedule more frequent sessions if need be, but for now, I’m afraid it’s time for you to go.”

He returned to a stand. “You’re here all alone today.”

A shudder swept across her shoulders. He was right. No one else was in the building. She shared a secretary with an aesthetician down the hall, and today Stacy hadn’t been at her post. The aesthetician usually worked Saturday mornings, but she must’ve finished for the day and gone home. Home was where Faith wanted to go right now. She wished she’d kept her clutch in hand. Her phone was in that clutch. “We’ll work on that trust issue on Monday.”

With Dante’s gaze tracking hers, her eyes fell on her lovely macaron bag, lying on the desktop near his fingertips. He lifted the clutch as if to offer it to her, but then drew his hand back and stroked the satin shell against his face.

The room suddenly seemed too small. “I don’t mean to be unkind. We’ve been working hard these past few weeks and making good progress up to this point, and I’d hate to have to refer you to another psychiatrist, but I will if I have to.” She paused for breath.

“You’re barefoot.” Slowly, he licked his lower lip.

Feeling as vulnerable as if she were standing before him bare-naked instead of bare-footed, she slipped back into her shoes. Jerking a glance around the room, she cursed herself for furnishing the place so sparsely, as if she didn’t plan on staying in Santa Fe long. It wasn’t like she had anywhere else to call home anymore, and now here she stood without so much as a paperweight to conk someone on the head with if…The window was open, at least she could scream for help if necessary. “We’re done here.”

“I’m not leaving, Dr. Clancy.” He opened her purse, removed her cell and slid it into his pants pocket, then dropped her purse on the floor.

Her stomach got fizzy again, and she gripped the edge of her desk. Screaming didn’t seem like the most effective plan. It might destabilize him and cause him to do something they’d both regret. For now at least, a better plan was to stay calm and listen. If she could figure out what was going on inside his head, maybe she could stay a step ahead of him and diffuse the situation before it erupted into a full-scale nightmare. “Give me back my phone, and then we can talk.”

Here came that involuntary snarl of his. “No phone. And I’m not leaving until I’ve done what I came here to do.” Carefully unfolding the newspaper he’d brought with him, he showed her the headline:
Santa Fe Saint Claims Fourth Victim.

BOOK DETAILS:

Genre: Psychological Thrillers, Suspense
Published by: Witness Impulse
Publication Date: March 11, 2014
Number of Pages: 384
ISBN: 9780062314109 / 0062314106

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
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Guest Author BRIAN McGILLOWAY showcase & giveaway

WELCOME BRIAN McGILLOWAY

BRIAN McGILLOWAY

Brian McGilloway is the bestselling author of the critically acclaimed Inspector Benedict Devlin series. He was born in Derry, Northern Ireland in 1974. After studying English at Queen’s University, Belfast, he took up a teaching position in St Columb’s College in Derry, where he is currently Head of English. His first novel, Borderlands, published by Macmillan New Writing, was shortlisted for the CWA New Blood Dagger 2007 and was hailed by The Times as ‘one of (2007’s) most impressive debuts.’ The second novel in the series, Gallows Lane, was shortlisted for both the 2009 Irish Book Awards/Ireland AM Crime Novel of the Year and the Theakston’s Old Peculier Crime Novel of the Year 2010. Bleed A River Deep, the third Devlin novel, was selected by Publishers Weekly as one of their Best Books of 2010. Brian’s fifth novel, Little Girl Lost, which introduced a new series featuring DS Lucy Black, won the University of Ulster’s McCrea Literary Award in 2011 and is a No.1 UK Kindle Bestseller. The follow-up novel, Hurt, will be published in late 2013 by Constable and Robinson. Brian lives near the Irish borderlands with his wife, daughter and three sons.
Connect with Brian at these sites:

WEBSITE        TWITTER   

Q&A with Brian McGilloway

Writing and Reading:
Do you draw from personal experiences and/or current events?
A little of both. I think all writers are magpies anyway, picking up the shiny scraps of things they see in their own lives and others and fictionalizing them. Crime fiction is very good at responding to recent events, perhaps because most crime writers are producing a book a year, so their titles tend to be current. Plus, I think a lot of good crime writers are interested in issues of justice in society, so current events feed into that. In terms of personal experience, I think every character you create must have a least one small facet of your personality in there somewhere, even if you don’t wish to admit it.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
It varies from book to book. With Gallows Lane, I had a single sentence in mind for near the end and worked towards that. With Bleed a River Deep, I knew the ending from the start. With most of the others, I had a beginning and took it from there. Little Girl Lost, I had the opening but nothing else; it was a lot of fun to write that way.

Your routine when writing? Any idiosyncrasies?
I tend to plot in thirds. When I start a book, I work out the first third or so, day by day; each of my books tend to be broken into days as well as chapters. Once I get a third of the way through, I take a pause and start plotting the next section, which is the slowest bit as you’re beginning to tie the various narrative strands around each other. The final third, I write pretty quickly because by that stage, you’ve a sense of where everything is going. I try to write every day – 1000 words per day. I never print out the book until the furst draft is complete. And one of the first people to read each book for me is my friend, Bob McKimm, who was my Latin teacher at school!

Is writing your full time job? If not, may I ask what you do by day?
I taught English in St Columb’s College in Derry for the past 18 years. I’ve taken a sabbatical since last September to focus on writing and to look after our kids so my wife could return to work; we have four children, ranging in age from 10 to 3. Now, after I drop the kids to school, I write until lunch time, then start the school runs again to collect them all.

Who are some of your favorite authors?
I love James Lee Burke’s novels. Michael Connelly, John Connolly, Ian Rankin. In terms of Irish writers; Declan Hughes, Stuart Neville, Adrian McKinty, Arlene Hunt, Tana French, Eoin McNamee, Alan Glynn, Declan Burke… the list could go on all day. Irish crime writing has exploded recently and there are new names appearing weekly.

What are you reading now?
I’ve two books lined up – both Irish writers whom I’ll be interviewing in their home towns in March as part of Creativity Month; Blue is the Night by Eoin McNamee and The Dead Ground by Claire McGowan.

Are you working on your next novel? Can you tell us a little about it?
I’ve just finished the first draft of the third Lucy novel, which at the moment is called Sticks and Stones. It’s about the exploitation of the homeless in forced labour.

Fun questions:
Your novel will be a movie. Who would you cast?
That’s a tricky one. Lucy is in her twenties so I don’t know too many Irish actresses of that age. An actress called Laura Pyper read a Lucy story for Radio 4 last year and both my wife and I agreed that she looked very much how both of us imagined Lucy might look.

Manuscript/Notes: hand written or keyboard?
Notes I handwrite in a little notebook – one or two for each book. I type the manuscript from the start.

Favorite leisure activity/hobby?
Probably going to the cinema. I love movies and love the seclusion and comfort of sitting watching a film on the big screen with a bucket of popcorn.

Favorite meal?
I was diagnosed with celiac disease about 10 years ago so I’ve had to forsake all my favorite meals now for gluten free options. I’m going to stick with curry, I think.

ABOUT THE BOOK

During a winter blizzard a small girl is found wandering half-naked at the edge of an ancient woodland. Her hands are covered in blood, but it is not her own. Unwilling or unable to speak, the only person she seems to trust is the young officer who rescued her, DS Lucy Black.

DS Black is baffled to find herself suddenly transferred from a high-profile case involving the kidnapping of a prominent businessman’s teenage daughter, to the newly formed Public Protection Unit. Meanwhile, she has her own problems—caring for her Alzheimer’s-stricken father; and avoiding conflict with her surly Assistant Chief Constable – who also happens to be her mother. As she struggles to identify the unclaimed child, Lucy begins to realize that this case and the kidnapping may be linked by events that occurred during the blackest days of the country’s recent history, events that also defined her own childhood.

LITTLE GIRL LOST is a devastating page-turner about corruption, greed and vengeance, and a father’s endless love for his daughter.

READ AN EXCERPT

There was definitely something moving between the trees. He’d been aware of it for a few moments now, a flitting movement he’d catch in the corner of his eye, weaving through the black tree trunks set vertical against the snow. At first he had dismissed it as the result of snow hypnosis from staring too long through the windscreen into the unrelenting downdraught of snowflakes.

Michael Mahon shunted the gearstick back into first as he approached the hill leading into Prehen. He knew almost as soon as he had shifted down that it was the wrong thing to do. He felt the wheels of the milk float begin to spin beneath him, could see the nose of the vehicle drift towards the kerb. He eased back on the accelerator, pumped the brakes in an attempt to halt the inexorable movement sideways but to no avail. He knew the wheels had locked and yet still the float shifted sideways, sliding backwards across the road, coming to rest finally against

Cursing, he shut off the engine and dropped down from the cab onto the road. Just behind him lay the edge of the ancient woodland stretching for several miles from Prehen all the way up to Gobnascale. Light from street lamps reflected off the snow, illuminating further into the woods than normal at this time of night. Black branches of the trees sagged in places under the increased weight of snow.

Shivering involuntarily, Michael turned his attention to the milk float again. He picked up the spade he’d left on the back for just such an emergency. As he was bending to clear the snow from the wheels he became aware once more of a movement in the woods, on the periphery of his vision.

It was cold, yet the goosebumps that sprang up along his arms and down his spine caused him to start. Brandishing the spade in both hands, he turned again to face the woods, dread already settling itself in the pit of his stomach.

A child came into the open at the edge of the trees. Her hair, long and black against the white background of the forest floor, looked soaked through, hanging lank onto her shoulders. Her face was rounded and pale. She wore a pair of pyjamas. On the chest of the jacket something was writt

When the girl saw him she stopped, staring at the spade he was holding, then looking at him, challengingly, her gaze never leaving his face, her skin almost blue from the luminescence of the snow. It was only as he stepped closer to her, crouching cautiously, his hand outstretched as one might approach an animal, that she turned and ran back into the trees.

BOOK DETAILS:

Genre: Thriller
Published by: Witness Impulse
Publication Date: 2/18/2014
Number of Pages: 305
ISBN: 9780062336583

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THANKS TO DANIELLE AT HARPER COLLINS/WITNESS IMPULSE,
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I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
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Guest Author LEIGH RUSSELL

WELCOME LEIGH RUSSELL


LEIGH RUSSELL

Leigh Russell studied at the University of Kent, gaining a Masters degree in English. For many years a secondary school English teacher, she is a creative writing tutor for adults. She is married, has two daughters, and lives in North West London. Her first novel, Cut Short, was shortlisted for the CWA John Creasey New Blood Dagger Award in 2010. This was followed by Road Closed, Dead End, Death Bed, Stop Dead and Fatal Act, in the Detective Inspector Geraldine Steel series. Cold Sacrifice is the first title in a spin off series featuring Geraldine Steel’s sergeant, Ian Peterson.
Connect with Leigh at these sites:

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Q&A with Leigh Russell

 Do you draw from personal experiences and/or current events?
I never use personal experience or current events as my inspiration. My stories are complete flights of imagination. All my stories begin with a ‘What if…?’ question. What if a character hears a noise in the night and discovers a stranger in the house? What if someone arrived at work one day and discovered a dead body in the office? What if a bus driver found a corpse on his bus at the end of the route?

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
When you write a story you take your reader on a journey. I always know where the story begins, and where it will end, but the route evolves as I write. I have my ‘ten second elevator pitch’, but ideas occur to me as the plot and characters develop.

Your routine when writing?  Any idiosyncrasies?
I have no routine, but am rarely creative in the mornings. My brain is never fully alert until the afternoon. To begin with I wrote everything long hand and then typed it up, but I have learned to create directly onto the screen and rarely hand write now. Wherever I go, my iPad goes too, so I write wherever I am.

Is writing your full time job?  If not, may I ask what you do by day?
I am fortunate that I earn my living writing fiction. Since my spin off series launched last year, I am now delivering two novels a year to my publisher. For many years a teacher, I still do some classes, but this year will stop teaching altogether, as I no longer have enough time to do anything but write. I will continue to run occasional writing retreats for adults, one of which takes place on a beautiful Greek island every summer. It’s glorious, and a very inspiring place to work.

Who are some of your favorite authors?
A tricky question because there are so many! In the crime genre I’ll mention just three because they are also fans of my work and have been generous with their praise of my books: Lee Child, Jeffery Deaver and Peter James. Outside my own genre I enjoy Dickens, Edith Wharton, F Scott Fitzgerald, Kazuo Ishiguru, John Steinbeck, Harper Lee… to name just a very few.

What are you reading now?
At the moment I am too busy writing to have time for reading (shameful admission!) but I do have a huge list of books waiting to be read!

Are you working on your next novel?  Can you tell us a little about it?
I am always working on a novel! The sixth Geraldine Steel novel has just been published in the UK, Fatal Act, along with the first in the Ian Peterson spin off series,Cold Sacrifice. The manuscript for the second Ian Peterson novel is with my editor, and I’m currently busy writing the seventh Geraldine Steel novel. Both of these will be published in the UK this year, and hopefully in the US as well, where my existing novels are coming out every month. Writing two books year keeps me busy!

Fun questions:
Your novel will be a movie.  Who would you cast?
This is a very tricky question… an actor who is hugely talented, famous and very popular so that lots of people will go and see the film!

Manuscript/Notes: hand written or keyboard?
Keyboard.

Favorite leisure activity/hobby?
Dare I say writing? It doesn’t feel like ‘work’.

Favorite meal?
Home made pizza.

Thank you for interviewing me here, and I hope you enjoy the Geraldine Steel and Ian Peterson series.

ABOUT THE BOOK

When headmistress Abigail Kirby’s corpse is discovered in the woods, police are shocked to learn that her tongue was cut out while she lay dying. Then, shortly after a witness comes forward, he is blinded and murdered. With mangled dead bodies appearing at an alarmingly increasing rate, Detective Inspector Geraldine Steel is in a race against time to find the killer before he claims his next victim….

READ AN EXCERPT

Abigail Kirby lay on the table like a waxwork model, her face cleaned-up to reveal her square chin. Geraldine approached and forced herself to look at the victim’s open mouth: between even teeth the stump of her tongue looked surprisingly neat. Abigail Kirby stared back as though in silent protest at this scrutiny.
The pathologist looked up and Geraldine recognized the tall dark-haired medical examiner who had examined the body in the wood. ‘Hello again Inspector. You’ll forgive me if I don’t shake hands.’
Geraldine glanced down at his bloody gloves.

BOOK DETAILS:

Genre: Mystery & Detective; Women Sleuths
Published by: Witness Impulse
Publication Date: 1/28/2014
Number of Pages: 384
ISBN: 9780062325631
Series: DI Geraldine Steel #3, Stand Alone

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Guest Author FRANCES FYFIELD

WELCOME BACK FRANCES FYFIELD

FRANCES FYFIELD

“I grew up in rural Derbyshire, but my adult life has been spent mostly in London, with long intervals in Norfolk and Deal, all inspiring places. I was educated mostly in convent schools; then studied English and went on to qualify as a solicitor, working for what is now the Crown Prosecution Service, thus learning a bit about murder at second hand. Years later, writing became the real vocation, although the law and its ramifications still haunt me and inform many of my novels. I’m a novelist, short story writer for magazines and radio, sometime Radio 4 contributor, (Front Row, Quote Unquote, Night Waves,) and presenter of Tales from the Stave. When I’m not working (which is as often as possible), I can be found in the nearest junk/charity shop or auction, looking for the kind of paintings which enhance my life. Otherwise, with a bit of luck, I’m relaxing by the sea with a bottle of wine and a friend or two.”-Frances Fyfield
Connect with Frances at these sites:

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ABOUT THE BOOK

Pip Carlton is a devoted husband and a highly respected pharmacist, cherished by his loyal customers. When his wife dies in her sleep, with no apparent cause, he is distraught. Comforted by his caring assistant, Pip ignores the rumors about Margaret’s death, relieved that the police seem to have moved on.

But Prosecutor Helen West refuses to believe that Margaret simply slipped into her final slumber. As she probes deeper into the affairs of the neighborhood, she uncovers a viper’s nest of twisted passion, jealous rage, and lethal addictions.

As a sudden act of violence erupts, shaking the community, one lone man, armed with strange love potions, prepares to murder again…

READ AN EXCERPT

Pip Carlton is a devoted husband and a highly respected pharmacist, cherished by his loyal customers. When his wife dies in her sleep, with no apparent cause, he is distraught. Comforted by his caring assistant, Pip ignores the rumors about Margaret’s death, relieved that the police seem to have moved on.

But Prosecutor Helen West refuses to believe that Margaret simply slipped into her final slumber. As she probes deeper into the affairs of the neighborhood, she uncovers a viper’s nest of twisted passion, jealous rage, and lethal addictions.

As a sudden act of violence erupts, shaking the community, one lone man, armed with strange love potions, prepares to murder again…

He checked the window, but the unbearable sobbing continued and suddenly the idea was fully formed, plucked out of cold storage into the stuffy heat. The window was shut. No ventilation, no moving air as he returned to bed and took her stiff little body in his arms.
‘Come on, sweetheart, there, there, there.’ She clutched him so hard he could feel her long nails digging into his shoulders. His sweating had stopped and his skin to her touch felt as cold as ice.

BOOK DETAILS:

Genre: Crime Fiction
Published by: Witness Impulse
Publication Date: 1/21/2014
Number of Pages: 276
ISBN: 9780062303967

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Guest Author JAMES BARNEY

WELCOME JAMES BARNEY


JAMES BARNEY

James Barney is the critically acclaimed author of The Genesis Key. He is an attorney who lives outside Washington, D.C., with his wife and two children.
Connect with James at these sites:

WEBSITE       

Q&A with James Barney

Do you draw from personal experiences and/or current events?
— I definitely draw from personal experience.  For instance, some of the action in the opening chapter of The Joshua Stone was inspired by my experiences as an engineering officer aboard a fast-attack nuclear submarine.  The scenes in Russia were inspired by my visit to Moscow a few years ago.  And the descriptions of particular buildings and locations in Washington, DC were all based on my personal observations.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the storyline brings you?
— More of the latter.  I have a rough idea where the story will go, and I generally know how it will end.  But I let each chapter develop on its own and allow the story to change as necessary to keep it interesting and exciting.

Your routine when writing?  Any idiosyncrasies?
— For me, it’s catch-as-catch-can.  I write when I can find the time and have the inspiration.  My favorite time to write is early in the morning when the house is quiet and my mind is clear.

Is writing your full time job?  If not, may I ask what you do by day?
— I’m a lawyer by day.

Who are some of your favorite authors?
— Michael Crichton, Stephen King, Douglas Preston, Lee Child, Steve Berry, James Rollins, John Grisham, Scott Turow, and others.

What are you reading now?
— “Our Kind of Traitor” by John Le Carre’

Are you working on your next novel?  Can you tell us a little about it?
— Yes.  All I can say is it will be another exciting adventure for Mike Califano and Ana Thorne.

Your novel will be a movie.  Who would you cast?
— Jennifer Lawrence, Bradley Cooper, Philip Seymour Hoffman.

Would you rather read or watch TV/movie?
— Depends on my mood.

ABOUT THE BOOK
Some secrets belong to the past. Others refuse to stay there…
In 1959, in an underground laboratory in a remote region of West Virginia, a secret government experiment went terribly awry. Half a dozen scientists mysteriously disappeared, and all subsequent efforts to rescue them failed. In desperation, President Eisenhower ordered the lab sealed shut and all records of its existence destroyed. Now, fifty-four years later, something from the lab has emerged.
When mysterious events begin occurring along the New River Valley in West Virginia, government agents Mike Califano and Ana Thorne are sent to investigate. What they discover will shake the foundations of science and religion and put both agents in the crosshairs of a deadly, worldwide conspiracy. A powerful and mysterious force has been unleashed, and it’s about to fall into the wrong hands. To prevent a global catastrophe, Califano and Thorne must work together to solve a biblical mystery that has confounded scholars for centuries. And they must do so quickly, before time runs out . . . forever.
READ AN EXCERPT
PROLOGUE
Thurmond, West Virginia
October 5, 1959
IT was time. Dr. Franz Holzberg stood at the security desk of the Thurmond National Laboratory and waited patiently for the guard to buzz him through the heavy steel door that provided access to the lab. Funny, he thought as he waited. They don’t even know what they’re guarding. He shook his head and considered that thought for a moment.
If they only knew . . .
A second later, the door opened with a loud buzz, and Holzberg stepped into a steel enclosure about five feet square and seven feet tall. He turned to face the guard and pulled a chain-link safety gate across the opening.
“Ready?” asked the guard.
Holzberg nodded, and the compartment in which he stood suddenly lurched downward and began its long descent toward the laboratory spaces, nine hundred feet below the ground.
Two minutes later, the elevator shuddered to a halt, and Dr. Holzberg exited into a wide, empty passageway, about twenty feet across and two hundred feet long. The cracked, concrete floor was sparsely illuminated by overhead industrial lighting. A pair of rusty trolley rails ran down the middle of the corridor—a remnant of the mining operations that had once taken place there decades earlier.
Holzberg took a deep breath and savored the pungent smell of sulfur and stagnant water. After three long years of working on this project, he actually felt more at home underground than in the charmless cinder-block rambler that the government had provided for him “up top,” in Thurmond.
He started off toward the laboratory at the end of the corridor, his footsteps echoing loudly throughout the vast space. As he walked, the protocol for Experiment TNL-213 streamed through his mind for the thousandth time. Today is the day, he reminded himself, allowing just the faintest of smiles. Today, God would heed his command. Just as God heeded Joshua’s command at Gibeon.
Holzberg passed through the laboratory’s heavy security door and entered a long, rectangular room resembling a tunnel, with unpainted cement walls, ceiling, and floor.
The middle of the room was dominated by a large pool of water, twenty by thirty feet across and thirty feet deep, with a steel catwalk extending across it. A sturdy steel railing circumscribed the edge of the pool. Overhead, four long rows of incandescent bulbs illuminated the entire room with bright, white light. High up on the walls, thick, multicolored bundles of wires and cables snaked like garlands across sturdy brackets, with smaller bundles dropping down at uneven intervals to various lab equipment and workstations around the room.
Holzberg spotted four technicians in white lab coats busily preparing the lab for the upcoming experiment. He acknowledged them with a nod and then quickly made his way to an elevated control room overlooking the pool. He entered without knocking and greeted the room’s sole occupant, a bespectacled man in a white lab coat. “Good morning, Irwin,” said Holzberg in a thick German accent. “How are the modifications coming along?”
Dr. Irwin Michelson swiveled on his stool. He was a wiry man in his midthirties, with disheveled black hair and a two-day- old beard. He pushed his glasses up on his nose.
“They’re done,” he said.
“Done? You’ve tested it?”
“We changed out the power supply, like you suggested, and increased the cooling flow to two hundred gallons per minute. We tested it last night and were able to generate a ninety tesla pulse for twenty-five seconds with no overheating. We probably could go higher if we needed to.”
“Good. And the sensors and transducers?”
“All set.”
Holzberg nodded appreciatively to his tireless assistant.
“Sehr gut. Then let’s proceed.”
It took nearly three hours for Holzberg, Michelson, and their team of four technicians to complete the exhaustive checklist for TNL-213.
This experiment had taken three years to plan and had required millions of dollars in upgrades and modifications to the lab.
Nothing would be left to chance today.
By early afternoon they’d finished their thorough inspection of the equipment. They’d checked, double-checked, and triple-checked each of the hundreds of valves, levers, and switches associated with the lab’s “swimming pool” test rig. Everything was positioned according to a detailed test protocol that Dr. Holzberg carried in a thick binder prominently marked top secret—winter solstice.
Michelson knelt on the steel catwalk that bridged the 160,000-gallon pool of water and carefully inspected a rectangular steel chamber that was suspended above the water by four thick cables. Numerous electrical sensors were welded to the exterior of this chamber, and a rainbow of waterproof wires radiated out from it, coiling upward toward a thick, retractable wiring harness above the catwalk.
“Transducers are secure,” Michelson said over his shoulder.
“Good,” said Holzberg from the railing. He made a checkmark in his notebook and read the next step of the protocol aloud. “Mount the seed.”
Michelson stood and turned slowly to face his mentor.
“So it’s time?”
Holzberg nodded.
Michelson dragged a hand over his unshaven face and cracked a smile. “God, this . . . this is incredible.” He was barely able to contain his excitement. “This’ll give us a whole new understanding of the universe.”
“Perhaps,” said Holzberg.
“Right, perhaps. And perhaps the Nobel Prize, too.”
“No,” said Holzberg firmly, his expression suddenly turning dark.
“But . . . if this works, we could publish our findings. By then the government—”
“Irwin, no. We’ve had this discussion before.”
Michelson sighed and looked deflated. “Right, I know. Not until the world is ready.”
Holzberg inched closer to his protégé. “Irwin, this is a responsibility you must accept. Einstein himself was confounded by this material.”
“Einstein was overrated,” Michelson mumbled.
“Perhaps. But that does not change the fact that we have been entrusted with something very special here. We must study and solve it. Until we do, it is simply too dangerous to expose to the world. That is our burden. Do you understand?”
Michelson nodded sheepishly. Holzberg patted his younger colleague’s shoulder.
“Good. Now, let’s get the seed.”
The two men made their way to the far end of the room, where a circular vault was mounted flush with the cement wall. The vault door was protected by a bank-grade, dual-combination lock with twin tumblers. “Ready?” Holzberg asked.
Michelson nodded.
One after the other, the two men turned the pair of dials on the vault door four times each, alternating clockwise and counterclockwise. When the last of the eight numbers had been entered, Michelson pulled down hard on the heavy handle in the center of the door, and the vault opened with a metallic ka-chunk. He swung the door open slowly, and, as he did, the vault’s lights flickered, illuminating the interior with an ethereal blue light.
There was only one object in the vault: a clear glass cylinder about eight inches high and four inches in diameter housing an irregular black clump about the size of a golf ball. “The seed,” Holzberg whispered as he reached inside and retrieved the cylinder, cradling it carefully in both hands. He held it up to the light and peered inside. “Your secrets unfold today.”
Thirty minutes later, with the seed securely mounted in its special test chamber, and the chamber lowered deep into the pool, the two scientists returned to the control room for their final preparations.
“Transducer twenty-one?” said Holzberg, reading aloud from the test protocol.
Michelson pressed a button on the complex control panel and verified that transducer 21 was providing an appropriate signal. “Check.”
“Transducer twenty-two?”
Michelson repeated the procedure for transducer 22.
“Check.”
“That’s it then,” said Holzberg, turning to a new page in his notebook. “We’re ready.”
He checked his watch, which indicated 4:15 p.m. Then he picked up a microphone that was attached to the control panel by a long wire. “Gentlemen,” he announced over the lab’s PA system. “We are ready to commence experiment 213. Please take your positions.”
In the lab space below, the four technicians quickly took up positions at their various workstations. One after another, they gave the thumbs-up signal that they were ready.
“Energize the steady-field magnet,” announced Holzberg.
A loud, steady hum suddenly filled the lab, followed by the sound of rotating equipment slowly whirring to life.
Several seconds later, Michelson quietly reported over his shoulder that the steady-field magnet was energized and warming up.
“Remember,” Holzberg said, “bring it up slowly.”
Michelson nodded. “We’re at thirteen teslas and rising,” he said, his attention focused on a circular dial on the control panel.
“And the cooling water outlet temperature?”
Michelson glanced at another gauge. “Sixty-two degrees.”
Eight minutes later, Michelson announced they were at 25 teslas, the peak field for the steady-field magnet.
“Outlet temperature’s creeping up slightly,” he added with a hint of caution.
“What about delta T?”
Michelson pushed a button and read from a gauge on his panel. “Nothing yet. Zero point zero.”
Holzberg pressed the microphone button and announced to the lab, “Prepare to energize the pulse magnet.”
There was a flurry of activity in the lab space below as the technicians quickly went about opening valves, flipping switches, and starting various pumps and other equipment. Eventually, all four gave the thumbs-up signal.
“Ready,” reported Michelson.
Holzberg swallowed hard. This was it. He paused for a moment before giving the final command. “Energize it now.”
Michelson pulled down on an electrical breaker until it clicked loudly into place. A deep buzzing sound immediately permeated the entire laboratory. The overhead lights dimmed momentarily and then slowly returned to their original intensity. “Energized,” he reported nervously.
“Bring it up slowly.”
“Total field is twenty-seven point three teslas.” Michelson was slowly turning a large knob in the center of the control panel.
“Outlet temperature?”
“Seventy-eight degrees.”
“Keep going.”
Michelson continued turning the knob slowly until the magnetic-field strength had reached 70 teslas. There he paused and quickly checked his instruments.
“Outlet temperature is one hundred twenty-two degrees and rising,” he said nervously. “We don’t have much more room.”
“Any delta T?”
Michelson checked again and shook his head. “No. Still zero point zero.”
“Keep going,” said Holzberg.
Michelson nodded and again twisted the dial clockwise. He read out the magnetic-field strengths as he went.
“Seventy-six point four. Seventy-eight point zero. Eighty point two . . .”
“Temperatures, Irwin.”
Michelson quickly turned his attention to the outlet temperature gauge. “One hundred forty-five degrees and rising.”
“Keep going,” Holzberg said.
“Eighty-one teslas,” said Michelson nervously. “Eighty-two. Eighty-three.”
His voice cracked slightly. “Uh . . . we’re getting close to the outlet limit.”
“Any delta T yet?”
Michelson quickly checked. “No. Zero point zero.”
“We need a higher field.” Holzberg touched Michelson’s shoulder and nodded emphatically for him to continue.
Michelson’s voice grew increasingly nervous as he continued reporting the rising magnetic-flux levels. “Eighty-seven point three. Eighty-eight point four. Eighty-nine point six . . . ninety point one.”
Suddenly, there was a loud beep, and an amber light began flashing on the control panel.
“Outlet temperature alarm,” Michelson reported. “One hundred seventy-five degrees and still rising. Should I bring it back down?”
“No,” said Holzberg firmly. “We need a higher field.”
Michelson started to protest, but Holzberg cut him off.
“Irwin, the flux levels!”
Michelson snapped his attention back to the control panel. “Ninety-three point one . . . ninety-four point four . . .shit.”
Another shrill alarm sounded on the panel.
“Core temperature alarm!” Michelson shouted above the noise. “We’ve got to shut it down!” He began turning the knob counterclockwise.
“No!” Holzberg barked, grabbing his arm. “Check the delta T.”
Michelson wiped his brow and checked. “Delta T is . . . zero point one seconds.”
“My God,” Holzberg whispered. “It’s working!”
“Zero point two seconds,” Michelson reported, still holding down the button. “Zero point three . . . zero point four.”
“Bring it up just a bit more,” said Holzberg over the constant noise of the two alarms.
“But—”
“Do it!” Holzberg snapped.
Michelson swallowed hard and slowly tweaked the knob clockwise to increase the power to the pulse magnet.
“We’re gonna lift a relief valve.”
“What’s the reading?”
Michelson pushed the delta T button. “Whoa . . .”
“What is it?”
“Ten point five seconds. That’s incredible.” He continued holding the button down. “Fourteen seconds . . . twenty . . . thirty . . . fifty . . .”
“We’ve done it!” Holzberg exclaimed, patting Michelson on the back. “Okay, you can bring it back down now.”
Michelson quickly began twisting the knob counterclockwise. After several seconds, however, he suddenly looked confused.
“What is it?”
“Outlet temperature’s . . . still going up.” Michelson quickly pushed the button for delta T again. “Holy shit.”
Holzberg leaned in close and observed that the dial for delta T was now spinning rapidly clockwise. An odometer-style counter below the dial indicated that the accumulated value was now at 500 seconds . . . 600 seconds . . . 700 seconds.. . . The dial was spinning faster and faster.
“Shut it down!” Holzberg bellowed.
“I am. Look!” Michelson showed that he had already twisted the knob for the pulse magnet all the way to the left.
“Cut the power!”
At that moment, a thunderous scream erupted in the lab space below, and thick plumes of steam instantly billowed up from the pool. The technicians could be heard screaming emphatically to each other.
“Relief valves are lifting!” Michelson yelled over the cacophony.
Holzberg was just about to say something when suddenly there was a blinding flash of white light below. Instinctively, he shielded his eyes.
“My God,” Michelson shouted. “Look at that!”
Holzberg uncovered his eyes and gazed in awe at the spectacle now occurring in the lab below him. A brilliant aura of light was hovering directly above the reactor pool, swirling in undulating patterns of blue, green, red, and yellow. The aura lasted for several seconds before giving way to a violent, blinding column of light that shot suddenly out of the pool, straight to the ceiling.
Holzberg again shielded his eyes.
A split second later, there was a loud whoosh and the entire lab filled with blinding white light. The control room windows shattered instantly, and Dr. Holzberg hit the floor.
The blinding light and whooshing sound subsided after several seconds, leaving in their place a terrifying jumble of alarm sirens and horns and the panicked shouts of the technicians below. Holzberg groped on hands and knees through the broken glass until he found the prone body of Dr. Michelson, who was either unconscious or dead.
“Irwin!” said Dr. Holzberg.
There was no response.
With effort, Holzberg pulled himself to his feet and gazed in utter disbelief at the chaos unfolding below him.
“Mein Gott,” he whispered. “What have we done?”
A second later, a man in a black leather coat suddenly appeared in the lab space below, seemingly from nowhere. Who is that? Holzberg wondered, utterly confused. And why does he look familiar?
BOOK DETAILS:

Genre: Thriller/Suspense
Published by: William Morrow Paperbacks
Publication Date: 10/8/2013
Number of Pages: 416
ISBN: 978006202139

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Guest Author STEPHEN BOOTH

WELCOME STEPHEN BOOTH

STEPHEN BOOTH

Stephen Booth is an award winning British crime writer, the creator of two young Derbyshire police detectives, DC Ben Cooper and DS Diane Fry, who have appeared in twelve novels set in England’s beautiful and atmospheric Peak District.

Stephen has been a Gold Dagger finalist, an Anthony Award nominee, twice winner of a Barry Award for Best British Crime Novel, and twice shortlisted for the Theakston’s Crime Novel of the Year. Ben Cooper was a finalist for the Sherlock Award for the best detective created by a British author, and in 2003 the Crime Writers’ Association presented Stephen with the Dagger in the Library Award for “the author whose books have given readers the most pleasure”.

The Cooper & Fry series is published all around the world, and has been translated into 15 languages. The latest title is DEAD AND BURIED, with a new book, ALREADY DEAD, published in June 2013.
Connect with Stephen Booth at these sites:

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Q&A with Stephen Booth

Do you draw from personal experiences and/or current events?
I think all writers make use of their personal experiences, though they may not be recognisable by the time they appear in a fictional story. In fact, it’s quite therapeutic to take something that’s happened to you and write about! I try to make my Cooper & Fry novels as contemporary as possible, so my characters’ lives will be affected by things happening in the real world at the time. Actually, since I’m working on a novel up to 12 months before it’s published, I’m trying to predict the future a bit.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the storyline brings you?
When I set out to write a new book, I have no idea what’s going to happen, or how it will end. I write in a very ‘organic’ way, starting with vague ideas about a few characters and a place they belong to. I write around them until I start to know who they are. Then I put them into a situation where they’re under pressure (this will normally involve a murder or a dead body, of course!), and I watch what they do. So the story arises out of the characters, and it’s always a discovery process for me as I write it. Luckily, I’m writing about police detectives, so I rely on them to do their part of the job and ask all the questions!

Your routine when writing?  Any idiosyncrasies?
I’m one of those writers who doesn’t really have a routine. I know the way to kick-start the creative process at any time of the day is to sit down and start writing. But I do most of my writing in the evening, sometimes into the early hours of the morning. It’s quieter then, with fewer distractions. One of the drawbacks to working from home is that everyone knows you’re there and available! So it’s hard to create the sort of structured working day you have in most jobs. When I’m writing, I tend to listen either to music, or to drama and talk programmes on the radio. Something I’ve just heard in the background can often pop an idea into my head (BBC Radio 4 is wonderful for this).

Is writing your full time job?  If not, may I ask what you do by day?
Yes, I’ve been a full-time writer for the past 12 years. Before that, I was a newspaper journalist. I started my first reporter’s job at the age of 21, after I graduated – so I suppose writing (or at least editing) has always been my job.

Who are some of your favorite authors?
I grew up on Agatha Christie and the great, classic British crime novelists (who all seemed to be female). Of that older generation, the writer who can still produce something new and interesting after all this time is Ruth Rendell. Some of her books, like ‘A Judgement in Stone’, are extraordinary achievements. But I have many other favourites, including Reginald Hill, Peter Robinson and Michael Connelly.

What are you reading now?
I’ve been asked by the British Library to write introductions for two novels being re-issued in their Classic Crime series. They’re by a long-forgotten British mystery writer from the Golden Age called M. Doriel Hay, and they’re classics of their period.

Are you working on your next novel?  Can you tell us a little about it?
Yes, I’m currently writing book #14 in the Cooper and Fry series, which is called ‘The Corpse Bridge’. I hope the title suggests there might be a dead body or two! The story uses an aspect of the Peak District’s history and folklore to create a modern-day mystery. The old ‘corpse ways’ were routes taken by mourners carrying a coffin for burial, sometimes for miles over difficult terrain. When the local land-owning aristocrat decides to re-develop the villagers’ burial ground for his own commercial gain, new corpses start to appear…

Your novel will be a movie.  Who would you cast?
I’m asked this question a lot, since the Cooper and Fry novels are currently in development for a TV series in the UK. And readers definitely have their own opinions! But as an author I think it’s very risky to start getting pictures of an actor in my head. There are no actors exactly like my mental image of Ben Cooper or Diane Fry, and the danger is that you can lose your original character if you focus too much on an actor. If and when it comes to casting, it will be someone else’s interpretation of the character, and I’m quite relaxed about that.

Would you rather read or watch TV/movie?
No contest here! I must be one of the few people left in the world who doesn’t own a TV (and I never have). For me, there’s a huge difference. When you’re watching TV, the story is going on over there in the corner of the room. But when you’re reading a book, the story is taking place inside your head. And the pictures are better too! I do watch movies, but I tend to go for something spectacular and undemanding, where I’m not expected get involved with the characters too much. Cinema does that very well.

Favorite food?
Cantonese Dim Sum

Favorite beverage?
I’m a rare teetotal Brit, so an Apple and Mango juice will suit me, thanks!

 

ABOUT THE BOOK

The helicopters are halted. The search for fifteen-year-old Laura Vernon ends when her body is found, murdered, in the forest.

On his hunt for the killer, detective Ben Cooper begins to suspect the people of Derbyshire are guarding some dark secrets-secrets that Laura might have known. Further complicating his investigation, Cooper is paired with an unfamiliar partner: Diane Fry, a woman as tenacious as she is alluring. Together they learn that in order to understand the town’s present, they must unearth its past.

Black Dog is like Twin Peaks by way of Tana French, and the first novel in the multiple award-winning Cooper and Fry series.

READ AN EXCERPT

The spot where Ben Cooper stood was remote and isolated. A passing walker wouldn’t have been able to see him up here among the bracken, even if he’d bothered to look up.

Cooper turned round, wafting his hand across his face against the flies. He was looking through the trees and thick brambles as if towards the end of a dark tunnel, where the figure of Harry Dickinson was framed in a network of branches. Cooper had to squint against a patch of dazzling light that soaked the hillside in strong colours. The old man stood in the glare of the low sun, with hot rocks shimmering around him like a furnace. The haze of heat made his outline blur and writhe, as if he were dancing a slow shimmy. His shadow, flung across the rocks, seemed to wriggle and jerk as its shape fragmented among the bracken and brambles.

 The expression in Harry’s eyes was unreadable, his face lying partly in the shade from the peak of his cap. Cooper couldn’t even tell which way he was looking, whether he’d turned away or was staring directly towards him in the trees. He wanted to grab the old man by the shoulders and shake him. He wanted to tell him that somebody had disturbed this spot, and recently. The evidence was right there for anyone to see, and to smell.

 There had been two people here, and at least one of them had been looking for more than just rabbits. The smell that lingered under the trees was of stale blood. And the flies had found something even more attractive than Cooper’s sweat to feed on.

BOOK DETAILS:

Genre: Fiction/Crime
Published by: Witness / HarperCollins
Publication Date: 10/8/2013
ISBN: 9780062301963
Series: 1st in the Ben Cooper & Diane Fry Series

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
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