Category: Showcase

TO THE LIONS by Chuck Driskell showcase & giveaway

 

Former Army Green Beret, Gage Hartline, makes a second appearance in Chuck Driskell’s latest espionage thriller part of the Gage Hartline SeriesTo the Lions.

Having just completed a job, a mercenary with a strong moral compass takes a high paying job that sends him inside a Spanish prison to safeguard a cartel leader’s son who may be targeted by a rival syndicate, Los Leones.

Upon his arrival to the beautiful and charming Catalonian Spain, Gage falls for Justina, a Polish woman he rescues from a Russian club who is stuck in a precarious financial situation. His immediate attraction to her gives him a reason to earn the large payday at stake and as his situation deteriorates, she becomes his lifeline.

Fast paced and filled with action, romance and espionage this book has something for all lovers of suspense fiction. With action scenes that include prison brawls, gunfights and one-on-one combat each scene vibrates with intensity and well-defined characters who make the TO THE LIONS  exceptional. It is surprising around every corner and the plot is full of energy and white knuckled excitement.

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Chuck Driskell lost both his parents at an early age and grew up in an extremely poor home, which fueled his hunger for the unknown and passion for success.  He grew up to join the military where he became a U.S. Army paratrooper. His post-military life has been spent in the advertising business and as a writer where he finds time to create stories usually set in international locales that are a blend of crime, suspense, and spy genres. He lives in South Carolina with his wife and two children and is always scheming about his next trip to Europe. 
Connect with Chuck at these sites:

WEBSITE        TWITTER   

Q&A with Chuck Driskell

Do you draw from personal experiences and/or current events?  Much of what I come up with is from personal experience.  If I’m trying to create a situation I’ve never encountered, I’ll either call in an expert or imagine it and shape it from some other situation I’ve experienced.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?  I simply sit down and start writing!  Usually I’ll know the setting but that’s about all.  I’m always as excited as a reader to see where the story takes me.

Your routine when writing?  Any idiosyncrasies?  I prefer to write very early in the morning, buzzing on caffeine.  I can edit later in the day, but mornings are my best time for creativity.

Is writing your full time job?  If not, may I ask what you do by day?  I do not write full time.  That much freedom might cause me to self-destruct!  I co-founded B2B Media back in 2001 and we were purchased by Vomela Corporation in 2011.  Vomela is a fantastic company and have been nice enough to allow me to stay on.

Who are some of your favorite authors?  I’m convinced Ian Fleming was from another planet.  How could one man write so well, yet so economically?  He’s certainly near the top of my list.  I love Frederick Forsyth.  Brett Battles.  JT Ellison. Robert Ludlum.

What are you reading now?  MATTERHORN: A Novel of the Vietnam War by Karl Marlantes…a powerful, harrowing book.

Are you working on your next novel?  Can you tell us a little about it?  I’m almost done with the first draft of my next book.  Hooray!  It’s the third Gage Hartline novel, set primarily in Lima, Peru.  The story revolves around the burgeoning cocaine industry there and contains a very American twist.  I’m excited about it.

Fun questions:

Your novel will be a movie.  Who would you cast?  Well, TO THE LIONS has been optioned by the sensational film company Solipsist Films.  So, in case his agent is reading, I’m convinced—and my wife is really convinced—that Bradley Cooper would make a great Gage Hartline.  He’s tough and physical but also possesses the necessary natural empathy to play Gage.  Also, I’ve had numerous readers write me to say they envisioned Danny Trejo as the character El Toro.  I agree!

Manuscript/Notes: hand written or keyboard?  Hand-written with red ink all over the place.

Favorite leisure activity/hobby?  My children are 7 and 4.  For me, playing with them has no equal.

Favorite meal?  I really love steak.  Ribeyes.  Porterhouses.  One of my favorite things to do is grill.  I have a charcoal grill and I often use different wood to enhance the flavor.  Man…a lazy summer evening with lingering light, steaks sizzling on the grill, a few icy cold ones in a bucket.  That’s my idea of fun.

THANKS TO NATALIE AT JULIA DRAKE PR,
I
HAVE ONE (1) COPY TO GIVE AWAY.
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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

 

Guest Author ALLAN TOPOL showcase & giveaway

WELCOME BACK ALLAN TOPOL


ALLAN TOPOL

Allan Topol is the author of nine novels of international intrigue. Two of them, SPY DANCE and ENEMY MY ENEMY, were national best sellers. His novels have been translated into Japanese, Portuguese and Hebrew. One was optioned and three are in development for movies. His new novel, is the next in the Craig Page series, following the successful THE RUSSIAN ENDGAME, CHINA GAMBIT and SPANISH REVENGE.

In addition to his fiction writing, Allan Topol co-authored a two-volume legal treatise entitled SUPERFUND LAW AND PROCEDURE. He wrote a weekly column for Military.com and has published articles in numerous periodicals including the New York TimesWashington Post, and Yale Law Journal. He is currently a blogger for Huffington Post.
Connect with Allan at these sites:

WEBSITE        TWITTER   

ABOUT THE BOOK

Hard on the heels of The Russian Endgame comes author Allan Topol’s next great thriller. Rife with the exotic backdrops and hairpin plot turns that put Topol on the best-seller list, THE ARGENTINE TRIANGLE is a heart-stopping foray into human vice coupled with power accelerating towards catastrophe.

After a fall from grace and drastic cosmetic surgery in Switzerland, former CIA director Craig Page is enjoying a new, exhilarating life racing cars across Europe. But when new dangers threaten America and an old friend goes missing during a covert mission in Argentina, will Craig be ready to step up to the plate?

Undercover in the glamorous world of Buenos Aires’ wealthy elite, Page finds himself on the brink of a terrible discovery. General Estrada and Colonel Schiller have plans for Argentina, but that’s only the tip of the iceberg. A world of brutality hidden in the classified secrets of Argentina’s Dirty War comes to light, painting an image of the cataclysmic future awaiting Estrada’s South America. To expose Estrada and put an end to his plot, Page is forced to implement every instinct, skill, and tool in his arsenal. But when it comes time to close in for the kill, Page meets with unexpected complications—love, lust, and a lethal game of cat and mouse.

In a world fraught with global conspiracy, Craig Page is king.

BOOK DETAILS:

Number of Pages: 336 pages
Publisher: SelectBooks; 1 edition
Publication Date: April 15, 2014
ISBN-13: 9781590792537
ASIN: B00JS8HFNA

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THANKS TO TRACY AT MEDIA MUSCLE/THE BOOK TRIB,
I
HAVE ONE (1) COPY TO GIVE AWAY.
OPEN TO U.S. RESIDENTS
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GIVEAWAY ENDS MAY 16th AT 6PM EST

media muscleMLMLOGO

WINNER WILL BE CHOSEN BY RAFFLECOPTER AND NOTIFIED
VIA EMAIL AND WILL HAVE 48 HOURS TO RESPOND
OR ANOTHER NAME WILL BE CHOSEN

a Rafflecopter giveaway

YOUR JAVA SCRIPT MAY NEED TO BE UPDATED
IF YOU AR EXPERIENCING DIFFICULTY
USING THE RAFFLECOPTER ENTRY FORM

DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

 

Guest Author HUGHES KEENAN

WELCOME HUGHES KEENAN


HUGHES KEENAN

Hughes Keenan began his writing career at The Kansas City Star and was a member of the staff awarded the 1982 Pulitzer Prize for reporting. He has been a correspondent for United Press International, The Associated Press, Reuters and Bloomberg News, covering war, politics, sports and finance. His first novel, The Harvest Is Past, was a finalist for the Thorpe Menn Award for Literary Excellence.
Connect with Hughes at these sites:

WEBSITE        TWITTER   

Q&A with Hughes Keenan

Writing and Reading:
Do you draw from personal experiences and/or current events?
A combination of the two, as well as historic events. And, of course, my imagination.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
Generally, I have a good idea how the story will end and what the main elements are that progress the plot. What I don’t always know, and what is part of the excitement of the process, is how I get there. That said, I’ve also been surprised by some of my endings. The really fun part is character development–it’s like meeting new people and slowly getting to know their history, experiences, motivations, fears and joys. I don’t do complete character development before writing. I let them evolve.

Your routine when writing? Any idiosyncrasies?
I try to be as structured as I can be and use a combination of index cards that I pin to a cork board for chapter reference, and Moleskin notebooks with my research results are always close at hand. At times, while I’m in a particular section of a book, I’ll surf the Web for additional research. When I was living and writing in Ireland, I didn’t have my cork board and found a plank of pine. Then I had to hike into the nearest village to buy brass tacks for the index cards. It was an absurd looking artifact, but it worked. Internet service was sketchy, too.

I’m a morning writer. Early until noon, or as late as three o’clock. A lot of coffee until noon. I also talk to myself when I write, so privacy is generally a good thing. Still, I began my career as a sports writer so I’m accustomed to cranking out copy amid large and loud crowds. After I’m done writing I’ll go for a run. It helps me sort through the day’s work, and what needs to be done the next day.

Is writing your full time job? If not, may I ask what you do by day?
Writing is my full-time job. I’m also a journalist and do freelance pieces to keep the wolves from the door as well as keep my finger in that industry.

Who are some of your favorite authors?
Too many to list. I re-read, every year, Hemingway’s The Sun Also Rises, Fitzgerald’s The Great Gatsby, Faulkner’s The Unvanquished, and Maclean’s A River Runs Through It. My favorite, least known author, is Les Galloway. His Forty Fathom Bank is a gem.

What are you reading now?
Right now I’m researching my next novel so I’m devouring everything I can about 1870s Paris and Spain that focuses on the birth of Impressionism, advances in science and medicine, bull fighting, early aeronautics (balloons), and politics. At the same time, I’m researching the current day system that determines the provenance of artwork.

Are you working on your next novel? Can you tell us a little about it?
Same answer as above. The novel is a short break from the Jack Muerce trilogy, and is a parallel story of love and mystery (current day and the 1870s) that revolves around a previously unknown study by Monet of his Boulevard des Capucines (of which he painted two versions).

Fun questions:
Your novel will be a movie. Who would you cast?
Everyone asks that. It’s hard to believe but I never think of my characters that way, mostly because I don’t feel my work translates well to the screen. If Hollywood were ever to be interested in my stories there are people who specialize in casting.

Manuscript/Notes: hand written or keyboard?
Notes/research are hand written. The manuscript itself is done on computer. I currently use a MacBook Pro with an old Apple keyboard that is worn and dirty. I have a 1938 manual Royal typewriter that I once tried writing on. After an hour my fingers hurt. It looks really pretty on the antique roll-top desk I have, which is not where I write. I’ve spent my entire writing career working on computers. So, you dance with the girl that done brought you to the ball.

Favorite leisure activity/hobby?
My favorite leisure activity/hobby depends completely upon how much money I have in my checking account. So, for the moment, I have a lot of fun writing, drinking coffee, and sleeping. I do have a bonsai tree that has spent the last three years traveling with me (except to Ireland). I even had to sneak it across the Arizona/California border when I was in Los Angeles for a few months. Recently, I adopted two orchid plants that were past blossoms. My three plants teach me patience.

Favorite meal?
I’m a foodie so it depends on what mood I’m in. Food has been an important element in my writing, and plays a significant role in Saigon Laundry. I’d love anything Benny Trung would create in the Saigon Laundry kitchen on Canary Street–with the exception of shellfish (I’m allergic to it). But if I had to pick just one last meal it would probably be barbecue–brisket and ribs, cole slaw and beans, and lots of really cold beer out of a bottle on a really hot day.

ABOUT THE BOOK

Born to wealth and nobility, Jack Muerce is obligated to bestow a favor that draws him into a string of grisly murders that stain the Lenten calendar as his own season for atonement and absolution unfolds. The grotesque condition of the victims’ bodies mimic a series of six famous Medieval tapestries on display at the city’s elegant fine arts museum, and earn the killer the name – The Death Weaver. As the dismembered and elaborately embroidered corpses turn up across the city, Muerce comes face-to-face with a genocidal war criminal known as the Dragon, a psychopathic plastic surgeon, a flamboyant mob boss named Titty Boy, and his own shameful demons from the past. Like the tapestries, Muerce struggles to balance the five senses of earthly desire with his chivalric duty – A mon seul desir! Saigon Laundry is the first book of the Atonement Trilogy.

READ AN EXCERPT

Saigon Laundry was owned and operated by the Trung family. They had come to America in two waves after the end of the Vietnam War. The first contingent of the family arrived shortly after the fall of Saigon

in April 1975 with Colonel Bao Van Trung, who served in the Army of the Republic of South Vietnam. He had been politically connected throughout the U.S. involvement in the war, and that qualified him to evacuate with the U.S. forces. With him came his wife, who adopted the name Minny to better fit into to their new home in America, their four children, and Colonel Trung’s mother, Madame Trung. The second wave of Trungs—made up of the Colonel’s brother, Banda, his wife and children, and several cousins—were granted admission to the U.S. in the early 1980s as part of the Orderly Departure Program. That’s how Muerce first came to know, and eventually become part of, the extended Trung family. They, in turn, saw him as their guardian angel in a new, strange, and sometimes hostile land. For the Trung family, Jack Muerce didn’t just walk on water—he turned it into wine.

Muerce was fresh out of law school, working for a prestigious law firm, when he was assigned a pro bono case to help a Vietnamese refugee family navigate the bureaucratic confusion of immigration and commercial commerce laws. He had no idea what he was doing, but jumped into the work with all he had, partly to impress his superiors, partly because of the way he was raised, but mostly because he could help people. He liked how it made him feel. Helping people who needed it the most became more than a compulsion for Muerce. It was his duty, and it was chivalrous.

While working with the Trung family, Muerce learned how to leverage the resources he had been given by birth to get things done. He was intel

ligent, handsome, charming, and pragmatic. It also helped that his family was socially and politically connected, and very rich. The Trungs also opened a world to Muerce to which he had never been exposed—the world where people struggled each day to survive, whether it was putting food in their stomachs or a roof over their heads. It was a world where warm clothes and dignity were, too often, scarce commodities. What Muerce admired the Trungs for the most, was that they managed daily life with grace.

He also came to know the Trung family at a time in his life when there was a developing relationship with a young woman who would shape Muerce for the rest of his life—whether that was a good thing or a bad thing was something he struggled with daily. Its ending, and the circumstances around it, left Muerce off-¬balance, and feeling incomplete for a long time.

The heav y rain abated. Now just a few intermittent sprays were blown by rising winds that typically followed a storm to dry everything off. Muerce liked to think of it as Nature’s Car Wash where he imagined God and the angels as a crew of minimum wage earners toweling off the Cadillac Escalades, and their chrome rims, like the guys at the Suds Barn just down Canary Street.

He pulled the Mercedes to the curb in front of Saigon Laundry, and turned the engine off. For a moment, Muerce was lost in the silence of the car. He recalled her face, what her voice sounded like. Even though it had been a long time, all of it was as fresh as the rain. He became frustrated when his thoughts kept wandering back to Ashley’s face smiling at him from the bed not more than an hour ago.

The Mercedes door closed with a whong. Saigon Laundry was his office, and it was time to go to work.

Saigon Laundry was many things besides a two-¬story business front. The facade of the building was made of light ocher brick, and ornately carved limestone corners and arches. It sat on half a city block. The second floor, which was comprised of a dozen apartments, housed the extended family, and visiting Trung relatives. Over the years, Colonel Trung had purchased the large Victorian home behind the building, which had once been an upscale residential neighborhood. That was before the suburbs exploded, and the term “White Flight” was coined.

The front of the 1920s era building was plain except for a large neon sign Colonel Trung had installed in the late 1980s. The sign proclaimed “Saigon Laundry”, which was formed with an elaborate script, and painted in bright yellow with red trim. Within the letters, pink fluorescent

tubing spelled out the name of the business when night came. It was, Muerce thought when Colonel Trung first had it installed, a gaudy waste of money. Time had proved Muerce wrong, and the Colonel right. The sign did its job. It brought in business, and the business, like the Trung family, thrived.

Saigon Laundry was actually three businesses. The door to the far right—as you faced the neon sign—led to a large self-¬service laundromat. It had twenty-¬two coin-¬operated washers and dryers lined against pale green walls, and large, faded Formica-¬covered folding tables in the middle. There were soft drink, snack and laundry supply vending machines as well. What wasn’t provided in the Laundromat was seating. The Trungs learned early on that seating became territorial for customers, who would literally fight for their space. The seating went, and the rules sign went up. Rule No. 1: No sitting on the folding tables. Rule No. 2: Bring your own chair, and take it with you when you leave. Rule No. 3: No outside business (which meant no pimps, drug dealers or solicitations of any kind—even Girl Scout cookies—allowed). The rest of the rules were general housekeeping, and common courtesy.

Over the years, and under the Trungs, the laundromat had become the unofficial community center for the neighborhood. On the front wall next to the entrance were large bulletin boards that served as a community information center, and informal mail post. A flyer from the nearby Catholic Church announced a Friday fish fry, tacked next to it was a photo-¬copy of a missing young girl with a handwritten note from her family pleading for her to return. There were items for sale, as well as the names of bail bondsmen, and posters for various social service agencies. Four times a year, the city health department set up a small table for childhood inoculations. In the fall, flu shots were provided for infants, and the elderly. On Friday afternoons, the local food pantry truck parked outside to distribute meals and food packages to families in need.

Anyone and everyone was welcome at the laundromat, as long as they followed the rules. And anyone and everyone could be found there. It drew saints and sinners alike: from the nuns that ministered at the parish during the day, to the prostitutes who worked the bars on lower Canary Street at night.

The middle door entrance to Saigon Laundry, which was framed by the simple limestone trim, and situated below the neon sign, was the main entrance. It was the second of the Trung businesses—a dry cleaning operation, and tailoring service. The tailoring was done by Minny, who had worked as a seamstress in Saigon before she met and married the Colonel.

It had not been an arranged marriage, or one that was at first accepted by the Colonel’s parents or extended family. The Trungs had been very much woven into the fabric of Colonial French culture. The Colonel was educated in Paris, as were his parents. They had a lucrative business in the bamboo and rubber industries, part of which was a specialty subsidiary that produced the finest split-¬bamboo fly fishing rods in the world. Some of those rods made in the 1950s, now fetched upwards of ten-¬thousand dollars at auction houses in the United States. Minny, however, came from a poor family that lived in the Cholon District of Saigon. She had met the Colonel while fitting him for a uniform. They fell in love. They still were very much in love, which Muerce admired, and which Madame Trung had begrudgingly learned to accept over the years.

As you entered the dry cleaners portion of the Trung business dynasty, there was a large, arched opening to the right that led into the Laundromat. Along the wall next to the entrance was a long counter with a cash register, and hanging racks of plastic-¬covered dry cleaning. The dry cleaning itself was done in another building that was connected by a back alley, and located behind the Trung’s house. For tailoring, Minny had customers come to a nicely appointed room in the back. That the dry cleaning, pressing, and such were done off site was a concession Muerce had to have the Trungs concede to so they could get the proper licensing for their third business.

Benny Trung was Banda Trung’s son. Banda died of lung cancer two years after arriving in the U.S. There was a shrine for him on the wall behind the cash register that was maintained by daily offerings of food and flowers, and the burning of incense. Benny ran the third Trung enterprise on Canary Street. While you were visually greeted by the Colonel’s garish sign on the front of the building, and deafened by the constant drumming of washing machines, dryers and loud talk in the laundromat, it was Benny’s operation that stopped you where you stood as you entered. The smells made you close your eyes, and anticipate mellifluous, tart, savory, and exotic flavors.

Benny was the chef at Saigon Laundry. The restaurant was accessed through the smaller arched entry to the left, just passed the cash register and his father’s shrine. A dark, beaded curtain separated the restaurant from the rest of the business, and most of the gastronomic world.

The bell tinkled when Muerce walked through the front door. One of the Trung grand-¬daughters was working the dry cleaning cash register. She was immersed in a college physics textbook, her notes spread out on the counter. A white plastic string fell from each of her ears and merged

into one that was plugged into the iPhone laying flat next to her notes. Muerce closed his eyes and inhaled. There was the fresh aroma of baked goods, and dark coffee. Surely, this is what heaven smells like.

When he opened his eyes the grand-¬daughter was holding one of the ear buds in her right hand, and looking at him with amusement.

“ÔNG ỎÐÂU mãy nôm nay? ” she said, a hint of inquisition in her voice. “BÂN VIÊC, Tôi lā ngǚð i danh tiêńg,” Muerce said. The grand-¬daughter smiled at Muerce after chastising him for being tardy, and had a wicked thought of what it would be like to be occupied with him.

“Well, you’re late and she’s on the warpath, giving Uncle Benny a hard time,” the grand-¬daughter said, with perfect American pitch and tone. The sound of a breaking dish came from the kitchen in the back, followed by the voices of a man and woman arguing in Vietnamese.

“C’est la vie,” Muerce said, shrugging his shoulders.

“Si dedaigneux pendant qut nous soufrons de votre ralentissmento,” the grand-¬daughter said, plugging the ear bud back in, and returning her attention to the textbook. She lifted her swan-¬like right arm, holding her hand horizontal before waving him with three quick motions toward the beaded doorway that led to the dining area. Muerce liked her sassiness, though if Madame Trung had observed the interaction she would have interpreted her grand-daughter’s behavior as disrespectful to her elder, and lacking the appropriate filial piety for the family. Muerce winced when he thought of himself as the attractive young coed’s elder, and as a possible lover. Enough. She is family, and too young.

Saigon Laundry, the restaurant, wasn’t particularly big. It wasn’t located in any of the ritzy or fashionably hip parts of town, meaning it took real effort, and for some diners, a strong sense of adventure and courage, to journey there to eat. It was more than just the best French-¬Indochine cuisine you could find. Benny had taken Saigon Laundry to a new culinary level, earning rankings as one of the best restaurants in the world by a number of prestigious gastronomic associations, and publications. With a scant four, four-¬top tables at which only dinner was served, and a prix fixe menu at that (Benny prepared only what he wanted to serve over seven courses), made Saigon Laundry one of the toughest eateries in the world to get a seat. If dinner reservations were a commodity, getting a table at Saigon Laundry was like scoring a moon rock. Friday and Saturday nights were booked a year—sometimes two years for holidays—in advance. Weekday dinner reservations were full for up to eight months, depending on the day of the week.

Compounding the scarcity and exclusiveness of Saigon Laundry was that it was closed every Sunday and Monday—which Benny used to plan and shop for his menu for the week ahead. And there was only one seating per table per night; sixteen meals, eighty total for the week. All dinner reservations were for eight o’clock in the evening, starting with aperitifs and light hors d’oeuvres. Dinner service generally lasted until eleven o’clock with dessert or cheese and champagne. Diners had no choice in what spirits they were served. Benny matched cocktails and wines with the food. There were no substitutes, save for food allergies, which were addressed when the reservation was accepted, and again when a confirmation call was made the week before the assigned night. If a party cancelled, or did not show within twenty minutes of their reservation, there was a long waiting list of people willing to throw down whatever they were doing, and race to Saigon Laundry for dinner. Muerce couldn’t remember the last time he saw an empty chair at dinner, and he would know because he ate there almost every night.

For his relationship with the Trungs, and the legal and financial efforts he had put in on their behalf over the years—including loaning Benny the money to attend both Le Cordon Bleu in Paris and the Culinary Institute of America in Hyde Park, New York—the lone two-¬topper table wedged against the far wall was exclusively his. It included breakfast, lunch and dinner. He was the only person other than members of the Trung family, to be fed from Benny’s kitchen during the day. The two-¬topper also served as Muerce’s tacit place of business.

For what Muerce did, he only needed a phone, a roof over his head, and a good cup of coffee. He had long ago given up working inside the boundaries of a law firm.

The squabbling in the kitchen ceased. Muerce, now sitting at his crisp, white linen-¬covered table, prepared to be chastened by Madame Trung. She approached him from the kitchen with a silver tray that held a full French press, coffee cup and saucer, and a plate of beignets fresh from the oven.

Madame Trung was the third most remarkable woman Muerce had ever met in his life. There was his mother, certainly, and the woman he did not talk about.

Though the Colonel was the Trung patriarch, there was no doubt as to who had the final say in all family matters. Although eighty, Madame Trung looked like she was in her early sixties. Her features, attractive and intact, were ageless. She was medium height, still thin, and the few lines on her face did not hint at her age; the harsh black tint of her dyed hair, however, could not go unnoticed.

Madame Trung wore a dark purple ao dai. The right sleeve of the traditional garment was folded and pinned to her shoulder with an antique Tiffany brooch. Madame Trung lost the arm in an automobile accident in France when she was attending university in the early 1950s. She spoke little of it other than to refer to the incident as “The Tragedy.” The only details she had ever given to Muerce was that she had been riding in a delightfully sporting automobile, and the driver, a man, a poet, was killed in the crash. She only spoke of it to Muerce once, many years back, when she had consoled him through his own tragedy. He never forgot the sadness in her voice, or his own sadness.

Madame Trung set the tray on the table with an ease that was impressive for someone of her age and impairment. She had compensated for the lost limb with a grace of movement that made one forget what was missing. She smiled as she plunged the French press to the bottom of the glass container, then poured the hot, dark liquid into the cup. As she bent down, he noticed the large, crudely swathed black cross adorning her forehead. She was a true French Colonial. A devout Catholic. Madame Trung had gone to early Mass for ashes.

“Bonjour Madame Trung, merci beaucoup,” Muerce said, as she finished pouring the coffee.

“Bonsoir Monsieur Muerce,” she replied, dryly and emphasizing the greeting for the latter part of the day. And so it begins.

“Pardonnez, s’il vous plait, mes offenses,” Muerce said. “It was an active evening, and I did not get much sleep.”

Madame Trung arched an eyebrow, and gave a speculative look at Muerce before putting her one hand on his left shoulder, patting him softly.

“Et ne nous soumets pas a la tentation,” she said. Temptation was Muerce’s favorite distraction. He lifted the cup to his face and absorbed the aroma of the coffee and the beignets, which held the promise of a hint of maple syrup goodness. The coffee was Trung Nguyen. Dark and strong. The first two sips cleared away what remained of the champagne fog. He closed his eyes and savored another sip before biting into one of the warm pastries sprinkled with confectioner’s sugar. There was the distinctive maple sweetness that merged with the airiness of the pastry, and made a subtle crunch when he chewed. Perfection.

“Vietnam style, no chicory,” Madame Trung said of the coffee, her hand still on Muerce’s shoulder as she turned to address the kitchen, and began yelling. “~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~”

“You go to ashes?” she said, returning her attention to Muerce. “Noon Mass with my mother at the Cathedral,” Muerce said. At Madame Trung’s barked command, Benny appeared in an instant

with a crisp, white linen napkin he placed on the table. “~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~” Benny said. Madame Trung removed her hand from Muerce’s shoulder, waved it in

the air at Benny in a dismissive gesture, and began muttering in Vietnamese as she returned to the kitchen.

“~~~~~~~” Muerce said to Madame Trung as she departed.

Benny clasped his hands together, as if in prayer, and bent down slightly to greet Muerce.

“How is it, Jack?” he said.

Muerce looked up at Benny, rolled his eyes and contorted his face to mimic a moment depicting the peak of sexual passion, and emphasized the gesture with a moan. Seriously Benny, what do you expect?

“Excellent, will you be with us for dinner?” Benny said. “Yes, early though Benny,” Muerce said. “What’s on the menu?” “Seafood all this week. The presentation will be a surprise.” “Sounds wonderful,” Muerce said, biting into another pastry. “We missed you last night,” Benny said. “Did you find a better place to eat?” “Not possible, and you know that,” Muerce said. “Mardi Gras party. I was obligated to attend.” “Good gumbo?” “Awful gumbo. But lots of pretty girls who drink too much.” Benny winked at Muerce. “What time tonight?” “Early, say six if that’s okay,” Muerce said. “I didn’t get much sleep last night.” “Yes, that was the speculation when you weren’t here… at your regular time,” Benny said, looking toward the kitchen. “Six is good.” Some kind of ruckus had begun in the kitchen, and Madame Trung was yelling in Vietnamese. Benny put his hand on Muerce’s shoulder, and gave him a look of exasperation. “I’ve got to go. She’s been at it all morning,” he said. “More beignets?” “Yes. Sorry for being late.” Muerce said, chagrined that his intimate conquests were part of Trung family conversations. That’s how families are.

Muerce savored the coffee, the beignets, and the sudden quiet that settled in the dining space with Madame Trung and Benny back in the kitchen. There was only the gentle drumming of the machines coming from the Laundromat.

He surveyed his surroundings. It amused Muerce, that the restaurant side of the business was in such contrast to the rest of Saigon Laundry. While the décor of the laundromat, dry cleaners and tailoring was well suited for the rundown part of the city—although close in proximity to Downtown—the design of the dining room was high-¬end French Colonial Vietnam. Paris on the Mekong. It exuded a feeling of expensive and ornate furniture slowly decaying in the fetid heat and humidity of Southeast Asia. Two large ceiling fans circulated the air, which was warmed by the busy nature of the laundromat, and the ovens and stoves in the kitchen. It really was a small space. Two of the four-¬top tables were tucked toward the back of the room with the opening archway leading to the kitchen. Benny liked that the kitchen was somewhat open for viewing. It enhanced the dining experience, allowing customers to see, smell and hear their food being prepared. That way, Benny believed, all of their senses were heightened when the food arrived at their table.

The other pair of tables were nestled partly into each of the two bay windows at the front of the building. Benny had sealed off what used to be an entrance. Along the front window and where the door used to be, was an elaborate collection of plants and flowers that included some of Madame Trung’s finicky orchids. In the fall she would swap out some of the containers for mums. In the spring there would be tulips and daffodils. There were also pots of different herbs like basil, rosemary, thyme, lemon grass and mint.

Large colonial shutters framed the front windows. The floor had been renovated with an ornate parquet pattern that squeaked when you walked on it. On the walls were gilt-¬framed antique street maps of Paris, and what was now Ho Chi Minh City. On the wall above Muerce’s table was a framed linen napkin. On the napkin was a drawing of an abstract likeness of a young Madame Trung. It was signed by Picasso. Madame Trung delighted in never telling the full story of the napkin, only saying how upset her father was with the friends she had made attending university. Who, Muerce knew, included the dead poet. Madame Trung, Muerce liked to believe, was very wild in her youth.

She was now, however, immune to Muerce’s attempts to flirt with her. Nonetheless, he made efforts to on occasion. When he did, she would smile, and dismissively pat him on the head with her one hand.

Briefly lost in his thoughts, Muerce snapped back to reality when he remembered he had a voicemail waiting for him. He pulled the phone from the pocket of his suit coat that he had draped over the back of his chair. He fingered the bottom button that brought the black screen alive with various colored icons, and navigated his way to voicemail with his index finger.

The drawl was unfamiliar, but the name was not. The call was from Tyler B. Squire, the chief executive officer and chairman of the board of what was now referred to in business parlance as one the largest “healthcare systems” in the county. To Muerce they were still hospitals. Just a lot of them under one publicly traded umbrella. You went there if you were sick, or dying. Otherwise, you avoided them as best as possible. Tyler B. Squire was originally from somewhere in the South—Texas or Alabama, or something like that. Muerce wasn’t sure. As is the custom in the South, the health care executive’s name had been shortened to T.B. Squire. Muerce rolled the humor around in his head. Was there irony in a man in charge of a national chain of hospitals being saddled with the name T.B., or was it just a cruel coincidence?

Distracted with the inane amusement, Muerce missed the point of the message and replayed it, this time intent on listening. He had never given T.B. Squire one of his business cards. That the man had his mobile number meant that either someone of some influence had provided it to him, or someone to whom Muerce was indebted had.

T.B. Squire’s message was polite, brief and to the point. Would Mr. Muerce please return his call at his earliest convenience as it was a personal matter involving his son. T.B Squire ended the message saying he was giving Muerce his own private mobile number, and not his work mobile number, and that he would be monitoring for his call as to not miss him.

Muerce contemplated the information, and tone of the message. T.B. Squire had a son in trouble. A son he apparently cared about because his voice was heav y with concern, if not a little fear. If T.B. Squire didn’t care about his son, Muerce would have picked up on anger beget from annoyance. If that had been the case, Muerce would politely return Mr. T.B. Squire’s call, and without asking what the problem was, say he was unable to be of any help. Muerce shied away from favors having to do with spoiled rich kids. He had done enough of those to know that, in most cases, the kid was better off learning from the consequences than being bailed out by Mommy and Daddy. That, and the return favor was rarely honored.

It was unlikely, though, that Mr. T.B. Squire’s troubled son was facing a drunk driving or drug possession charge. Either of those could be han

dled by an army of attorney’s the CEO had at his disposal. Muerce also factored in that the call had come very early in the morning—the memory of Ashley naked in his bed flashed in his head again—and the man had gone to the trouble to find an alternative solution to his problem. Muerce was the alternative people turned to before they had to come face-¬to-¬face with the last resort—reality. Anyone who knew Jack Muerce knew that you did not share his mobile number freely. Muerce’s business card was as rare a commodity as a dinner reservation at Saigon Laundry. You treated either as a divine gift. Nothing goes down on this, Muerce thought, until I know who gave out my number.

He poured the last cup of coffee from the press, and took several sips. It was time to go to work. He thumbed the button that returned T.B. Squire’s phone call. It rang only twice before it was answered.

“Mister Murse?”

“It’s pronounced mercy,” Muerce said, disappointed that T.B. Squire hadn’t done all of his homework.

“I apologize Mister Muerce.” There was a moment of pregnant silence between them. “I’m returning your call, Mister Squire,” Muerce said. “Ah, yes. I’m sorry Mister Muerce. I’m not sure how this works.” “How what works, Mister Squire?” “Well, frankly, as I said in my message, how I go about asking you to, perhaps, help my son,” Squire said. “It’s Jack isn’t it. May I call you Jack?”

Time to set some boundaries.

“My friends call me Jack, Mister Squire. Are we friends? Have I ever been invited to your home for dinner?”

A few fleeting seconds of awkward silence followed. “I understand Mister Muerce,” Squire said. Good. “Can you help me, Mister Muerce?” Squire said, subtly pleading. “I don’t know, Mister Squire, can I?” Muerce said. “How was it you came to get my name and number?” T.B. Squire hesitated. He was a man used to making important, and very expensive decisions at a moment’s notice. He knew when to heal a decision, and when to unleash one quickly. This one involved his only child, his son, so he went with honesty.

“Detective Trumbley,” Squire said, pausing. “He asked that I not use his name, Mister Muerce. I wanted to respect that request, but I also want to respect yours as well. Although we’ve never been formally introduced, I have heard of your family, and your… reputation.”

Right answer, though you should have asked about proper pronunciation if you say you know of my family.

“I appreciate that Mister Squire,” Muerce said. “There will be no repercussions for disclosing Detective Trumbley’s identity.”

Muerce knew Trumbley well. Nick Trumbley could call him Jack. He could call Jack anything he wanted, and get away with it. Few people could do that. Trumbley was a good man, and an honest vice cop who wouldn’t hand out Muerce’s name on a whim. He wouldn’t refer T.B. Squire to him unless it was a sensitive, or nearly impossible problem. It was Trumbley asking for a favor, and Muerce would do the best he could to fulfill the request, and find out why later.

“All right Mister Squire,” Muerce said. “How time sensitive is the problem with your son?”

T.B. Squire felt like he had been holding his breath beyond his capacity. His chest was heavy. He exhaled and took in fresh air that gave him a positive outlook.

“I’m not sure what you mean by time sensitive?” he said.

“I’d rather not talk about particulars over the phone Mister Squire,” Muerce said. “Especially cell phones. I’d like to meet, so we can be… properly introduced.”

“Ah, yes, I see,” Squire said. “There’s a little time, a few days.”

“Good,” Muerce said, reviewing his schedule for the next twentyfour hours, and realizing that he could only fit T.B. Squire in at dinner. “Six o’clock, Mister Squire. Six Twenty Five Canary. Park out front. Go through the middle door. Ask for me. I’ll see you tonight”

Muerce pressed his thumb on the red icon that ended the call.

T.B. Squire scribbled the information on a fluorescent orange Post-¬It note without giving the address any thought. He was a transplant to the city, and was still unfamiliar with street addresses. Particularly addresses in the part of town where Saigon Laundry was located. Given the discourse with Muerce, T.B. Squire was savvy enough to know that he was to come alone. He would have anyway. The trouble his son, Travis, had gotten into was something he wanted as few people as possible to know about. Not for his own sake, but for his son’s.

Muerce placed the phone on the table, and rubbed his hands over his face in a massaging motion. Despite the strong coffee, he was still groggy from too much champagne, and too little sleep. He hoped the vigorous motion might alleviate the faint throbbing in his head. Some of the night before started to return to him. He and Ashley had gone at it, rather loudly, for some time. He didn’t think they fell asleep until three

o’clock that morning. He also began to realize that his pelvic bone was sore. The duration of their carnal activities, and the soreness it left, made him smile. His headache abated some.

Swiveling in his chair, Muerce lifted the empty press up so Benny could see him. Benny acknowledged with the wave of one finger and spoke to Madame Trung, who reacted with a barrage of Vietnamese that Muerce could not make out. Several minutes later, Madame Trung was at Muerce’s table with a fresh press of coffee, and another plate of beignets.

“Merci, merci beaucoup,” he said. “Vous vous etes top rejouis hier soir,” Madame Trung said. “Yes, too much fun last night,” he said. “I’m sore, every where.” Madame Trung frowned and pressed too hard on the plunger. A spurt of coffee and grounds was ejected from the lip of the container, staining the white, linen table cloth. She shook her head in disapproval, not at the mess she had made but at what she guessed to be Muerce’s activities the previous night.

“Good thing Lent come,” she said, in broken English. “You no so young no more.”

Muerce screwed up his face in a dramatic wince.

“~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~,” she said. “Old Vietnamese proverb.”

“It’s an old Greek proverb,” he retorted. “The Romans translated it as, Modus omnibus in rebus.”

“Vietnam older than Greeks,” she said. “You older than Greeks, I think.”

“~~~~~~~~~~ ~~ ~~~~~~~~~~~,” Muerce said, clutching his right hand to his chest as if he’d been shot.

“You hurt self. You get ashes with your mother. You start atone.”

That last word landed like a lance, and the past spilled into his thoughts like the coffee staining the table cloth. The memories were granular, dark, hot, and messy. Her face was as clear as if she were sitting across the table from him. He felt like his flesh was being torn from his body.

A loud commotion erupted in the laundromat, and the face disappeared. Madame Trung and Muerce went to see what it was about.

“You can’t leave that baby here,” said the Trung grand-¬daughter, the white cords of her ear buds dangled from her shoulders.

She was addressing a short, pasty-¬skinned woman with dark hair cropped very close to her head. The woman wore heavy, black eye makeup, which complimented her black, leather mini-¬skirt. Her outfit was accented by a tight pink blouse hidden under a white, faux fur jacket. She teetered on pink stiletto heels. Her wardrobe left no doubt that she was dressed for work, and the look of desperation on her face indicated she was late. Her boss would not be happy, or understanding.

“It’s not my baby,” the woman said, with a defiant and heavy SerboCroation accent. “Is Redzil’s. I was just watching it for a few days while she… was away. For work.”

“So?” the grand-¬daughter said. “You’re responsible. You can’t just leave a baby here. This isn’t daycare drop off.”

The crying baby was wrapped in an assortment of dingy blankets, and had been placed inside a dilapidated wicker basket. Muerce guessed the infant was, maybe, three months old.

“Red. Redzil, will be here soon,” the woman said, her voice becoming more anxious and desperate than defiant. She kept looking toward the front window at a car idling outside. “She promised to meet me here. Just watch it for a little bit. I have to go. I have to go!”

A white Cadillac Escalade with a cascade of gaudy gold trim and gold rims was parked behind Muerce’s Mercedes. The drumming of the washing machines and dryers was interrupted by a series of aggressive honks from the waiting car.

The darkly tinted passenger window slid down, and a pale hand covered with gold jewelry that matched the trim of the Escalade aggressively motioned for the woman to hurry.

Madame Trung frowned, and looked at Muerce. Fine, he thought, I’ll take care of it.

“Nobody go any where,” he said, looking directly at the pink and black dressed woman. “I’ll be right back.”

The bell on the front door of the laundromat tinkled behind Muerce as he stepped outside and approached the open window of the waiting car. The wind had picked up, lifting his tie over his right shoulder, and the temperature had dropped a good ten degrees.

The ostentatious car belonged to Mikal Delic, who liked to call himself “Pimp Deluxe”. He was also known as “Micky D” for his fondness of the Golden Arches. Mikal was in his late thirties and had come to the U.S. in the mid-¬nineties after fleeing the hostilities and ethnic cleansing in Bosnia-¬Herzogovina. There was, at that time, and again in the early 2000s, a flow of immigrants, mostly Muslim, into the city, along with a few Christians. The ethnic cleansing from the “old country” spilled over onto American soil in the form of gang warfare. A lot of it played out along the Canary Street corridor. It had been no different for previous waves of immigrants—Nigerians, Vietnamese, Hmong, Jamaican, Cuban,

along with the original settlers of the city; the Irish, Italians, and Germans. Most of them, however, had long ago climbed up the economic ladder, and out of the now worn and squalid neighborhoods that made up Canary Street.

Muerce rested his arms on the open window of the Escalade, and leaned inside.

“Micky D, what shakes?” he said.

Mikal flashed a hip-¬hop smile. His top left, front tooth was encased in gold. A one-¬carat diamond was set in the middle of the tooth. He reached across from the driver’s seat with an open hand, palm up.

“Jock Mur-¬see, what it is, my man,” he said, smiling, his Serb-¬Croat accent thicker than the pink and black girl’s mascara. Mikal’s gold chains made a metallic rustling sound as he leaned over. He wore a purple, velour track suit, and a white “wife-¬beater” t-¬shirt.

“What it is, Deluxe,” Muerce said, slapping Mikal’s hand.

“Stock market good,” Mikal said. “Bidness been booming. Girls busy for Deluxe. Think economic finally looking up.”

“Yeah?”

“Yeah, move everything out of treasuries. Yields crap,” Mikal said. “More opportunity in equities. Deluxe not need to be so liquid. You should talk to my broker.”

“Smooth, my man.” “How you do Jock?” “Business is good,” Muerce said, pausing to look back into the laun

dromat, then back at Mikal. “What’s the four-¬one-¬one inside?” “Beech is late for work,” Mikal said, agitated. “The baby, Micky D,” Muerce said. “What time your girl shows up for work is none of my business.” Mikal pushed his lower lip up his face and made a slight nodding motion with his head, indicating he understood. Mikal respected Muerce. If you didn’t, he knew all too well, you could get burned in a way you had never thought of before. Muerce was fair. He knew what was, was, and what is, is. It was better to work with Muerce than against him. You don’t fuck with the man who’s armor shines brightest.

“Belong to Redzil, Redzil Hadzic,” Mikal said. “She belong to you?” Mikal nodded his head that she did. “You know her Jock?” Mikal said. “Maybe she please you sometime?

The tall red-¬head. Pretty face, big lips, long legs. You like the long legs, Jock, yes?”

The description registered with Muerce. He had seen her in the laundromat before. She was pretty, and she did have the kind of long legs he liked, though she, like all the working girls that frequented Saigon Laundry, were, of his own accord, strictly off limits. Don’t blur boundaries.

“Your girl, your responsibility,” Muerce said. Mikal rolled his eyes. “I Pimp Deluxe not Montessori,” he said. “Besides, it deal Redzil make

with beech inside. I not baby daddy.” “The one inside, she got a name?” Muerce said, his voice rising. “Mirsad. I lose respect fucking around babysit beech’s kids.” “You lose street cred too if you don’t take good care of your girls, Mi

kal,” Muerce said. “No more Pimp Deluxe. They’ll go to someone else, or start freelancing.”

Mikal gripped the leather wrapped steering wheel. His knuckles turned white.

“Look, Jock, you do me favor I do you favor?”

“You still owe me favor, Mikal, lots of favor. I want to know what is going on. Now.”

“Da, da, da,” Mikal said. “Beech inside—Mirsad—say other beech— Redzil—have side deal she not tell me about. Freelancing, like you say. Piss me off. She give baby to Mirsad take care of while she go for weekend. Weekend come and go, no Redzil. I tell beech inside got to get back to work. Fuck Redzil. Fuck beech’s baby.”

“Mirsad just volunteered that information, did she?” Muerce said.

“I convince her a little,” Mikal said. “Not hurt her bad. Just help get to truth faster.”

“Maybe I help Pimp Deluxe get to the truth a little faster,” Muerce said. “Does this look like an orphanage Mikal? You just drop the kid off in a basket, and that’s it?”

“Like I said, Jock. You do Deluxe favor, he do you favor.”

Muerce was losing his patience when he felt a tug on the back of his shirt. It was Mirsad. She wanted past him, and into the Escalade. There was no baby in her arms. Muerce glanced back into the laundromat to see Madame Trung holding the baby in her one arm. It had been decided, not by him, that Muerce would grant a favor. But it wouldn’t be for Pimp Deluxe, it would be for the baby. Not so much for the baby’s mother, Redzil Hadzic, wherever she was. Muerce opened the car door for Mirsad. As she passed he could see bruising on the back of her neck.

“Look at me Mikal,” Muerce said, leaning back into the open window as Mirsad fumbled with the seat belt. “When I call, and I will call, you get one ring. If I hear two, I’ll hang up. And then I’m going to start twisting you. Very hard. No more treasuries, no more equities, no more liquidity, no more beeches for you.”

Mikal smiled his pimp smile, and nodded.

“I have a special dentist who owes me a favor,” Muerce said. “Maybe you pay what you owe me in gold.”

Mikal’s smile disappeared.

“When your girl turns up, tell her the kid is in the system,” Muerce said.

Mikal put the car in gear, pressed down hard on the accelerator and sped off, kicking up a dirty spray from the wet streets that soiled the back panel of the pearl white SUV. Muerce stepped back from the car as it bolted away, his hands in the air, feeling like he’d just been robbed at gunpoint despite his threat.

The hot, humid air of the laundromat enveloped Muerce like a blanket. He fixed his tie, frowned at Madame Trung, and reached in his pocket for his phone. The baby was quieter in her arm.

“Miriam, it’s Jack Muerce,” he said into the phone. He reached voicemail, and left a short message. “I need a favor…”

Half an hour later a black-¬and-¬white was parked outside. Muerce gave the two patrolmen what little information he had about the child when Miriam Estrada walked in. She was carrying an infant car seat, and a large diaper bag that she tossed onto the laundry table. She waved her Family Welfare credentials at the patrolmen without looking at either them. Her eyes were fixed on Muerce.

Miriam was a welcome sight, and not just because it meant the cops, Muerce and the Trungs could beg out of dealing with an abandoned child. The Welfare Lady, as Miriam was commonly referred to, was a handsome woman in her late thirties. She was tall with dominant Aztec features: dark skin, high cheekbones, and emerald green eyes. She and Muerce had a brief history, once, years earlier. At the time, she was separated. Her husband had been a good cop with a bad problem. He and Trumbley were partners. Miriam’s husband was a drinker. A big drinker. When his liver gave out, Miriam took him back, and nursed him until the end. She called it off with Muerce, who understood her decision. Muerce did everything he could, from a distance, to help her care for her dying husband. After he passed, they decided to remain friends, and only friends.

Still, her eyes twinkled whenever she saw Jack Muerce. 28

“Been awhile Mister Muerce,” she said, addressing him in front of the patrolmen. She turned to the senior cop. “You guys got all you need? I can take it from here.”

All business.

“Yes ma’am,” the cop said, glad they could get on with their day, but disappointed they couldn’t linger to gawk at Miriam a moment or two longer.

“I’m sure you two have more important things to do than change diapers,” she said, in a tone used to usher them on their way.

When she heard the tinkling of the bell above the laundromat door as they left, Miriam retrieved the child from Madame Trung’s arm, turned to Muerce and smiled.

“You look good Jack,” she said, holding the baby in her arms. Her eyes smiled in a way that Muerce thought might indicate a change in their agreement to be friends, and just friends.

“Not as good as you look Miriam,” he said. The memory of her soft dark skin, and the dimples at the small of her back came to him easily.

“I drop everything to run down here and that’s the best line you have, Jack, really?” she said.

Madame Trung barked an order in Vietnamese for her grand-¬daughter to get back to the dry cleaning counter, and then excused herself. The handful of customers in the laundromat returned to their wash, gossip, and magazines. Miriam turned her attention from Muerce. Cradling the baby in one arm, she spread out a disposable paper blanket on the laundry table, and went about giving the child a cursory examination for any indications of abuse, or poor health.

“Seems healthy, fairly clean and well-¬cared for,” she said, removing the soaked disposable diaper. “Male. Hmm…”

Miriam looked at the child’s irregular facial features. “Not the prettiest baby I’ve ever seen,” Muerce said. “As if you’ve ever seen many babies,” Miriam said, still examining the

infant, who was, she guessed, about three months old. “I’ve seen enough of them,” Muerce said. “You mean you’ve dated enough of them,” she said. “And I thought you were happy to see me,” Muerce said. “So, is some

thing wrong with it?” “Don’t know. Could be fetal alcohol syndrome, crack baby, or any other number of congenital or genetic tags,” Miriam said. “Or just plain and simple FLK syndrome.”

“FLK syndrome?” Muerce said. 29

“Funny Looking Kid,” Miriam said. “It’s not a real term, Jack. He got a name?”

“Mother is a prostitute, Bosnian, I think, goes by the name Redzil,” Muerce said. “I forget the name but I can try. Her street name is Red. She dumped the kid off with a… co-¬worker slash friend… for a weekend special, and hasn’t shown up. The friend got behind on her work hours taking care of the kid, and decided to drop him off at Madame Trung’s Orphanage.”

Miriam looked around the room. “This is as good a place as any, if not better. Hell, it’s cleaner than any of the fire stations, or police precincts.

“So, he’s a John Doe? Or should we call him Jack Doe?” “Not funny, Miriam,” Muerce said. She put a fresh diaper on Baby John Doe Redzil, and gleefully handed

Muerce the old one before dressing the infant in a floral one-¬piece cotton jumper that was too big. Muerce held the soiled diaper as if it were nuclear waste.

“What do you want me to do with this?” he said.

“Are you really that clueless, Jack?” she said, pulling a wet wipe from a container, and handing it to Muerce. She placed the child in the infant car seat, and secured the straps.

“Throw it in the trash,” she said. “You can flush the wipe if you want when you’re done.”

Muerce dropped the diaper in the trash can next to him, wiped his hands with the wet wipe, and disposed of it with the diaper. Miriam jumped up to sit on the folding table next to the baby, who was sucking on a small formula bottle she had produced from the diaper bag. Some of the customers in the laundromat frowned at her. Rule No. 1: No sitting on the folding tables. But nobody was going to mess with the Welfare Lady, and she knew it.

“Baby Jack is hungry,” she said.

“Yes he is,” Muerce said. Miriam either ignored or missed his inflection, so he changed the subject. “Do you want some coffee?”

“Nah, too much already,” she said. Muerce could make out the faint smear of ashes on her forehead. A good Catholic girl.

Miriam had a girlish smile. She averted her eyes from Muerce’s, and looked through the archway that led toward the restaurant.

“Last time I was here was for dinner,” she said. Muerce didn’t say anything.

“I miss that,” she said, wistfully. “Miss what?”

“Going out to dinner.”

“It’s been, what, two years?” he said, opting to drop the “death” part from the rhetorical nature of the question. “You’re an attractive woman.”

“With two teenage boys, Jack,” she interjected. “You want to go down that road? Get real.”

“Doesn’t mean you can’t go out to dinner every once in awhile,” he said.

There was a loud sucking sound that indicated Baby Jack Doe Redzil had finished his bottle. Miriam turned her attention to the child, which let out a loud burp. She slung the diaper bag over her shoulder, and picked up the infant seat holding the baby. As she turned to head toward the door, Muerce stepped in front of her.

“Do you want to have dinner sometime?” he said. “With you?” she said. “Dinner with Jack Muerce is never just a meal.” “Is that a yes or a no?” The tension in her face eased, and Muerce thought he saw a hint of

coquet as she batted her eyelashes a few times without looking directly at him.

“Maybe,” she said, slightly embarrassed. Then she walked straight out the door, secured the infant seat in her car, and drove away. Definitely call Miriam.

Madame Trung stood in the archway, Muerce’s suit jacket and raincoat draped across her arm.

“You going to be late for ashes,” she said. “You hurry.”

He looked at his watch. Now it was his mother who was going to be pissed.

BOOK DETAILS:

Genre: Crime/Suspense/Thriller
Published by: L’etranger Books
Publication Date: 2/1/2014
Number of Pages: 512
ISBN: 9780615907963

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Guest Author CYM LOWELL

WELCOME CYM LOWELL

CYM LOWELL

Cym Lowell was born in Montana to academics with a youth of traveling the world. To be polite, he was an undistinguished student, rewarded with assignment to the U.S. Navy at 18. After two years in Vietnam, college and law school were a challenge. Being a veteran in the political turbulence of the late 1960s and early 1970s taught humility. Raising three children in the Midwest and Texas brought love and responsibility. An international tax practice in the financial crises of the past 40 years provided insight into motivations of actors on the global stage. Friends, clients, adversaries, and colleagues, like victory and defeat, added color and context. The result is a thriller writer with a treasure trove of experience to frame compelling characters enmeshed in heart-thumping challenge about endearing people caught-up in events that one would never dream possible.
Connect with Cym at these sites:

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ABOUT THE BOOK

In his newest novel, JASPAR’S WAR (Rosemary Beach Press; April 2014; $12.99), author Cym Lowell takes readers on a thrill ride to the most unexpected and dangerous of locales to uncover secrets that could bring down the U.S. government.

The recent economic collapse of the Western world is not as vague or nebulous as most of us think. It has been initiated by those with close ties to the sitting American president who have been rewarded by various governments for their stealth efforts. Now, with the capitalists’ own money they are preparing to take the economic attack to another level.

However, there’s one woman who can unravel their plans.

Set in Greenwich, Connecticut, JASPAR’S WAR is the compelling story of an American woman who lives a life of happiness, privilege, and wealth. Wall Street success preceded the president’s request that her husband, Trevor, become Secretary of the U.S. Treasury to rescue a failing global economy.

Now, Trevor has been murdered when the government jet he is travelling in crashes and her children kidnapped. She is told to be silent or else they will disappear like their father. Jaspar doesn’t know it, but she has evidence that can bring these people to justice. Yet, her own government is suspicious of her reasons, suspecting she may know more than she’s willing to tell. To save her children, she is on the run in Italy with an unlikely ally, and will go to the brink of hell and back, joining hands with assassins, traitors, and the devil himself, in a most terrifying and psychological cat and mouse game of intrigue and deception.

Hunted from all sides and unsure of who to trust, Jaspar races around the world in an attempt to stop a madman’s disastrous plans, reclaim her life, and find her children. With a host of characters caught up in thrilling circumstances, the storyline comes alive at breakneck speed as readers are taken on a wild and unexpected journey from the quiet backcountry of Greenwich, the picturesque countryside of Tuscany, the magnificence of the Eternal City of Rome and to the Monte Carlo Grand Prix. With alarms sounding off around the world, hero and villain alike twist and turn in and around each other, encountering threats suspiciously similar to current world events.

READ AN EXCERPT

Chapter 1

Greenwich, Connecticut

 

POCK!” The distinctive sound of a plastic bat driving a Wiffle ball into the outfield triggered shrieks from children as they ran and played. My ten-year-old daughter Chrissy dropped the bat and raced toward first base, actually a luminous orange Frisbee.

“Run, Chrissy,” I shouted as she rounded first, heading toward second. Auburn ponytails, woven with my fingers, flew in her wake. Theo, my twelve-year-old son, played shortstop. Chrissy watched his face.

“Go!” he telegraphed. I clasped my hands, hoping that she would not slide face first into base. Scratches and cuts were no deterrent when she was so focused.

It was Easter weekend, a time for relaxation and family in Greenwich, Connecticut. Neighbors, friends, and local dignitaries filled our park-like estate. We had room for a ball field where neighborhood kids could congregate. Private security personnel were out of sight.

It was an annual celebration of faith. Parents and grandparents sat all around, absorbing the beautiful sunshine and mild weather. They brought coolers of drinks, soda pop for the kids, beer and wine for the adults. It was my version of a neighborhood tailgate party. My dream of family and community had come true.

“Throw the ball,” the other team yelled as the outfielder cocked his arm.

“Down, Chrissy!” Theo yelled.

Their father had taught her to ignore the ball and watch the coach.

 “Your agility will always give you an edge,” he said.

Small thin legs churned as the ball was launched. I cringed watching her dive. Dust flew from the infield side of the base. The second baseman caught it just as the little fingers touched safety, and the catcher’s hand smacked her hip.

“Safe!” the father serving as umpire shouted, crossing outstretched arms in exclamation.

I jumped for joy. Theo stood back, pride on his face. Chrissy brushed grass and dirt from her bottom, beaming at her brother. She gave me a thumbs up. No blood. I was relieved. Taunts from the other boys about coddling his sister only amused her proud big brother.

Neighborhood kids enjoyed the afternoon Wiffle ball game on the lawn between our pool and tennis courts. I organized the games just as I had played them as a child. My dad called it “scrub.” As a player made an out, she would go to right field and the catcher moved up to bat in the prescribed rotation.

“Jaspar, when will Trevor get home?” my best friend Crystal Jamison asked about my husband. I took my seat, still reveling in the joy of observing my children care for each other. She sipped a glass of Sancerre, basking in the sun and relaxing in a rocking chair brought from the pool.

“Trevor is so good at teaching passing techniques,” she said watching her own son. “Joshua will be a senior this year, so he needs to make a strong showing for college scouts. Trevor is his hero.”

I remembered Trevor dropping back to pass on the sacred turf of Notre Dame Stadium in South Bend, then stepping forward to deliver his trademark bullet to a receiver streaking across the goal line to seal a national championship. The memory was so strong. I longed for him to be back at my side. Before departing, he told me of his fear that his fabled career on Wall Street had been a fraud. Our conversation had to be completed.

POCK!” brought my attention back to the kids on the grass. They all raced to field the ball. Chrissy was on her way around third as the batter ran to first, the wobbly ball flying just over the head of Theo. He ran after it, looking over his shoulder at Chrissy racing toward the plate. Reaching the ball, he turned and launched a strike to the catcher, doing his best to nail her.

“Run Chrissy,” I yelled rising again. She jumped on home base in triumph as the floating ball was caught too late.

“Batter up,” Theo yelled as I returned to my seat.

“Trevor’s on his way home from London,” I answered my friend’s question.

Crystal and I first met when we came to New York after college. Her husband Raymond played football with Trevor at Notre Dame. They were quite a team. A fleet, sure-handed receiver, Raymond caught the passes that Trevor threw. Trevor’s career ended in a national championship game. Raymond came to New

York drafted by the Jets. Trevor took an entry position on Wall Street. I dated Raymond early in college before I met Trevor or he began dating Crystal. She and I were kids just off campus coming to the big city. Neither of us had any real preparation for the strange new world. We found jobs in finance, me at the Federal Reserve on Wall Street and Crystal in a research office of a secretive private equity firm owned by an Indian tribe. Similarity of situation and background facilitated fast friendship. Her drawl from rural Georgia complimented my odd mixture of Australian Outback and Northern Indiana twang. As our husbands succeeded, we searched for a place where we could live in relative obscurity. Greenwich was perfect. Our children grew up together, like the extended family of my dreams.

“He’s gone so much now,” Crystal responded. “You seemed excited when he went down there. Almost as if he were answering a call to duty.”

“He’s been seeking European agreement for the president’s stimulus plan.”

Trevor took to Wall Street. He began as a runner for energy traders and became fascinated with learning to anticipate market movements. His skill expanded in a master’s program at Columbia, propelling him to a position where he implemented a strategy to take advantage of an inconsistency in risk pricing. Successful exploitation brought us success.

Trevor’s firm, Westbury Madison & Co., became the pre-eminent Wall Street investment bank, profiting whether the economy flourished or crashed due to what Trevor believed was his own strategy. When the financial world crashed, President Hamilton Henrichs asked him to lead the effort to resurrect the economy of America and the world as secretary of the Treasury, a position once held by Alexander Hamilton. The financial press criticized the appointment. “Wolf Hired to Rebuild Hen House?” asked

headlines in the financial and popular press.

“I am proud of him,” I answered, anxiously twisting the everpresent bangles at my left wrist. They were gifts I’ve treasured from my Indian friends. “He works hard and travels constantly trying to plug holes in the economic dam of the world.”

Inside, far different feelings had germinated. Something was wrong. What happened to you, Trevor? He was distant, ignoring me in ways that I had never experienced. He seemed to avoid me. Is he having an affair? I wondered, fearing that a slowly ebbing sex life could be a marker of something more than job stress. Have I become less desirable or is there something troubling in his new life in Washington that he cannot find words to tell me?

 

“You seem distant, honey” I finally said as he was leaving days earlier. “Have I done something?”

“I know,” he answered, with an unusual tone of resignation in his voice. “It’s not you, sweetheart. Please don’t think that. I’m sorry. I’ve discovered treachery that you may be able to understand better than me. I need your help,” he blurted out, taking me in his arms with a grip that felt desperate.

“Is it something at Treasury?” I asked, relieved that his distance was due to business. But his distance troubled me. It was so unlike anything I had experienced in our life together.

“Yes, it’s there and also in the White House. It’s unbelievable,” he answered in a voice that trembled as his hands shook. “I’ve been used by people I trusted. It began at the firm.”

“At Westbury?”

“Yes. I’ve tried to piece the story together. We can discuss what to do when I return.”

My relief soon gave way to fear. Trevor was afraid; I had never seen that in him. Was my intrepid hero cracking?

* * *

“Hey Mom, come pitch,” Theo yelled as one player jumped into the pool. The scrub game was more fun with full teams in the field and at bat. The kids liked me to pitch because I threw softly. “Like a girl,” Theo would say, happy that he could always whack my pitch. His friends tried to throw curves or fastballs with the plastic sphere with holes on one side. I learned from my dad how to pitch so the ball hung right in Theo’s sweet spot. Of course, I did the same for all the kids; unfortunately I usually struck out as batter. My father was a missionary. After my mother died when I was just three he raised me. For many years we lived in the Australian Outback. When it was time for college, we moved to South Bend,

Indiana. I was the first member of my family to go to Notre Dame on a scholarship. Dad was proud. He lived long enough to express his pride. His greatest joy, he often said with breaking voice, was that I had grown as a woman of faith: “Your mother’s heart would burst with thankfulness.”

“Gotta go,” I responded to Crystal, touching her shoulder and grabbing my mitt. Theo was the next batter. I picked up the ball as I marked my territory around the luminous strip of plastic that served as the pitcher’s mound. Theo looked like pictures of my dad at the same age.

My son stepped to the plate, pointing the bat at me. “Gotcha, Mom!” he declared for the entire neighborhood to hear. I had to play the role. Glove on my knee, I leaned forward with the ball behind my back as if I were looking for a signal. I glanced at runners on base, then the batter.

“Strike the turkey out!” Crystal yelled.

“Yeah, yeah!” our friends echoed.

“Strike one!” the umpire shouted as Theo’s bat slapped the back of his shoulder, so intense was the swing.

“Mom?” his lips mimed, looking at me.

“Strike two!”

The words roused cheers from parents ringing the field. Beer and wine had flowed long enough to produce a boisterous mood. Adults always lost in these games, so the prospect of me striking out the best of the kids triggered excitement.

I gripped the Wiffle ball, knowing where to place my fingers for an underhand throw. It could be a screwball, twisting into the right-handed batter, as I had done on the first strike then reversed for the second. Or, I could push the ball with my knuckles, and it would drop as he was getting ready to swing. Theo’s focus was like his father’s. He looked straight into my eyes, curious. I was jolted back to the moment. In throwing strikes, I had allowed my anxiety to overcome Theo’s needs.

“POCK!” The sound rewarded me as the ball sailed over the head of the left fielder. Theo winked as he ran to first. It would be a home run. I had thrown his pitch. Maternal pride filled my soul.

“Yeah, Theo!” Chrissy yelled in a squeaky voice. He also leapt on home plate in triumphant exclamation, ending the game. My boy led them all to the pool with Chrissy at his side.

* * *

After the game, Crystal and I organized the food brought by our friends and neighbors. Fathers and older boys unloaded tables from a rental company trailer in our driveway, arranging them in a horseshoe around the pool so we could eat and talk.

 “Have you seen the kids?” I asked her when Theo and Chrissy seemed to have been absent for a long time.

“Oh, come on, calm down,” Crystal responded. “What could happen here?”

We joined our neighbors at a tent erected on the ball field. One of our traditions was to have entertainment as the late afternoon set, so the children would not be so impatient for darkness and the fireworks. I had arranged with the local Mohegan tribe to have a troupe perform traditional dance routines of celebration. Crystal and I worked for many years with the tribe. Our project was developing job opportunities, which had evolved into a business of creating replicas of art, apparel, and pottery from their rich cultural heritage. Our work was gratifying and successful. Members of the troupe mingled in the crowd entertaining the kids. On stage, each child was outfitted with handmade costumes complete with colorful feathers and leather trim. Tribal artists applied face and body paints to duplicate markings from the proud history of the Mohegan people. We were all lost in the magic. It became difficult to separate child from tribal dancer.

“This is amazing?” Raymond declared, enjoying the collage of color and laughter. His career with the Jets ended suddenly when a vicious cross block broke his ribs and punctured his heart muscle. He became a youth counselor in the Greenwich school system, close to home and family.

I searched the faces of dancers and children trying to find Theo and Chrissy, ignoring the conversation surrounding me. I had not seen either since the game ended. Always in the midst of the children, they should be playing and laughing. I tried not to panic, but was failing. When the exhibition was at an end, darkness began to envelop the scene. “Crystal, they’re not here!”

“Raymond, get the officers,” she directed, taking my arm.

“No child has left the grounds,” the head of security detail assured me, deploying his team to search. As the fireworks display began, the Greenwich police, as well as the Connecticut State Police began checking cars, trucks, and the equipment of the Mohegan troupe. No one was allowed to leave. Backup security teams arrived as the dark sky was illuminated by a kaleidoscope of color.

I barely heard the increasingly anxious discussions of friends and security people. Chrissy did not like chaos and always curled up in my lap at such times. “Where are you, sweetheart?” I asked pacing back and forth.

Neighbors were herded onto the driveway as officers checked each person. Police cars with emergency lights blocked the entrance to our property. Flashlights illuminated fence lines as the search broadened.

“Who delivered the tables?” the senior security officer asked, trying to confirm all who had come and gone.

“I, I, I don’t know,” I stammered, my mind not able to focus on even a simple question.

“Where are they officer? They can’t be hiding this long. They wouldn’t run off. Who would take them?” I asked.

“Ma’am, we’re trying to . . .”

“Mrs. Moran?” a man in a suit asked politely, interrupting the security officer’s response. In the midst of the chaos, a dark sedan had been allowed to enter the driveway.

I was drifting into shock.

“Mrs. Moran, I need to speak to you,” the man repeated gently taking my arm.

“Who are you?” the security officer asked.

“I am Peter McGuire with the FBI,” he said, holding out identification.

“What’s going on here?” he asked, looking at dozens of flashlights sweeping grounds and trees. Neighbors stood by the garages. The Indian troupe clustered by their vehicles.

“My children have disappeared,” I blurted out.

Crystal had called my priest, Father Michael O’Rourke. He was the priest in the rural Australia diocese of my childhood and my dad’s best friend. When I got to Notre Dame, Father Michael was there as a youth pastor. “I am your guardian angel,” he often declared. The image was an essential element of my faith. He had been present throughout my life. He came at the first hint of trouble or joy. Father Michael explained the situation as the security leader departed to check how the search was going.

Something passed over the FBI agent’s face. “Mrs. Moran, is there someplace we could speak in private?”

“Let’s go in the house,” Crystal suggested as she and Raymond led us inside.

We stepped in the front door. The FBI officer motioned for Crystal and Raymond to sit on either side of me on a sofa.

“May I get you anything, Mrs. Moran,” he asked.

“No, what is it?”

He knelt and took my hand. “Mrs. Moran, we regret to inform you that Secretary Moran’s plane en route from London has apparently crashed into the ocean near Iceland. Search planes are on their way. It will take several hours. The conditions are horrendous in the remote area where the plane disappeared.”

I barely heard the words. The rest of the evening was a blur. Friends took turns staying with me throughout the night. Father Michael was at my side when I awoke to the distinctive cathedral chime of my phone.

“Theo or Chrissy at last!” I said grabbing for a ray of hope.

“They must have gone to a friend’s house.”

The chime continued. My mind cleared enough to sit up, hold

Father’s hand, and look at the phone.

“It’s Trevor!” I blurted. His name was on the caller ID. My mind jumped to the conclusion that he was safe after all. “Thank God!”

“Honey, where are you?” I asked. He’ll take care of this.

Long moments elapsed in silence as I pressed the phone to one ear then the other. “Trevor? Honey?”

“A text message will arrive momentarily,” a mechanical voice enunciated slowly. It sounded as if the words were spoken from underwater. The connection terminated, leaving only a cold dial tone.

I looked at the phone.

“Jaspar, what is it?” Father asked, standing next to Crystal and Raymond. I looked up at each of them. Their eyes narrowed with questions. Anxiety blew through me like a chill Arctic wind.

“I . . . I don’t know. The caller ID said ‘Trevor Moran.’ Then there was this scary voice.” I startled when the chime for a text message sounded. My eyes riveted on the words:

Your children are gone because you asked about something not your business.

Your husband started to answer and is being digested by sharks.

If what he believed becomes public, your children will also become ocean shit.

Your silence is their only path to life.

BOOK DETAILS:

Published by: Rosemary Beach Press
Publication Date: April 2014
Number of Pages: 352 pages
ISBN: 978-0-9914913-0-8

PURCHASE LINKS:

           

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Guest Author SUE WILLIAM SILVERMAN showcase & giveaway ENDED

 

WELCOME SUE WILLIAM SILVERMAN


SUE WILLIAM SILVERMAN

Sue William Silverman’s new memoir is The Pat Boone Fan Club: My Life as a White Anglo-Saxon Jew. Her two other memoirs are Love Sick: One Woman’s Journey through Sexual Addiction, which is also a Lifetime TV movie, and Because I Remember Terror, Father, I Remember You,which won the Association of Writers and Writing Programs award in creative nonfiction. Her craft book is Fearless Confessions: A Writer’s Guide to Memoir.  As a professional speaker, Sue has appeared on The View, Anderson Cooper 360, and more.  She teaches in the MFA in Writing Program at Vermont College of Fine Arts.

Just Thought You Should Know:

Sue William Silverman is also the author the memoirs Because I Remember Terror, Father, I Remember You and Love Sick: One Woman’s Journey through Sexual Addiction, which was made into a Lifetime Television original movie. She also wrote Fearless Confessions: A Writer’s Guide to Memoir and the poetry collection Hieroglyphics in Neon.
Connect with Sue at these sites:

WEBSITE        TWITTER   

 

Guest Post

Who Is That Masked Memoirist?

After my first memoir was published, Because I Remember Terror, Father, I Remember You, I received e-mails from readers who wrote things like, “Sue, I feel like I know you.” I received similar e-mails after publishing Love Sick: One Woman’s Journey through Sexual Addiction. Both memoirs frequently elicit this response – I feel like I know you – even as both books are very different.

With one, readers know who I am as a girl growing up in an incestuous family. With the other, readers know me as an edgy sex addict seeking yet struggling with recovery.
Of course, I’m enormously grateful for these e-mails: I had portrayed my self – or one aspect of myself – the way they perceived me.

Now, with my new memoir, The Pat Boone Fan Club: My Life as a White Anglo-Saxon Jew, readers might see me as a Pat Boone groupie. Or, as a girl who wanted to be Christian growing up – wanting to be adopted by Pat Boone – because the very Christian pop star seemed safer than my Jewish father who abused me.
Isn’t that my goal, after all: to take the flesh and blood me and craft myself into a real, breathing person on the page?

Yes!

But Who Is the Real Me?

While readers of each book might think they know me, how can they know the whole me? As I move from book to book, I wear different masks searching for identity – no, identities. Plural.

Who or which persona is the real me?

As a real person I “contain multitudes” (as Walt Whitman said); we all do. Until written, however, these various facets remain murky. It is only by writing, by carefully selecting relevant details, that I myself become fully able to understand these different aspects that suggest, but do not encompass, the whole person I am.

And, dear writer of memoir, this is the point: don’t limit yourself. Any given memoir is a slice of a life, not a whole life, because every life is multi-faceted. We are daughters, sons, teachers, hobbyists, extroverts, introverts, Democrats, Republicans, feminists, spouses, guitar players, shopaholics, marathon runners, gardeners, foodies, and much more. And each facet is worthy of your writerly attention!

A Core Self

But isn’t there still an essence of me? Of you? Some core? Something—some characteristic or trait that we simply are, that we can’t escape, that will show up in everything we write?
The answer is “yes.” And “no.” Let me explain.

After publishing the first two memoirs, I wanted to write from a more ironic, even humorous perspective. This dovetailed with a desire to explore my feelings toward Pat Boone, a Christian and politically conservative man so squeaky clean he hasn’t even been inducted into the Rock and Roll Hall of Fame despite the millions of records he’s sold. (In his hay-day, he often out-sold Elvis Presley.) Initially, I figured I could write about Pat Boone without mentioning my father: a sort of light-hearted, baby-boomer coming-of-age story.

That only worked in part.

After all, my feelings toward the wholesome Pat Boone arose in large part because of what happened with my father. I had to introduce that into the new book for context and motivation.

At its heart, the book revolves around three separate times I met Pat Boone and how, ultimately, he did see me in positive ways that my real father never did. In our last meeting, for example, and referring to my childhood, he said he saw me “as a flower growing up through concrete.” In other words, his image of me is that of how a father should see a daughter.

So did Pat Boone see me with my mask, or without it?

I think he saw me with a mask that revealed if not “the” whole, true me, then at least “a” true me – a “daughter,” a flower – who experiences the world through the filter of Pat Boone as an image of safety.

In the new book, additionally, there are other ways I depict myself, which are revealing masks as well: I’m a Jersey girl, a hippy, a temporary Israeli, a dissatisfied wife, and more.

What these masks have in common, in addition to their transparency, is how they form a mosaic of a self, of many different personas that comprise me. Don’t we all – over the course of a lifetime – become different “selves” looking for a common characteristic to tie them all together?

As writers of memoir we get to have our masks and wear them, too.

In short, there are masks that reveal, masks that conceal. What part of your life is a revealing mask? What underlying part of you, the whole person, does that illuminate?

 

ABOUT THE BOOK

Gentile reader, and you, Jews, come too. Follow Sue William Silverman, a one-woman cultural mash-up, on her exploration of identity among the mishmash of American idols and ideals that confuse most of us—or should. Pat Boone is our first stop. Now a Tea Party darling, Boone once shone as a squeaky-clean pop music icon of normality, an antidote for Silverman’s own confusing and dangerous home, where being a Jew in a Christian school wasn’t easy, and being the daughter of the Anti-Boone was unspeakable. And yet somehow Silverman found her way, a “gefilte fish swimming upstream,” and found her voice, which in this searching, bracing, hilarious, and moving book tries to make sense of that most troubling American condition: belonging, but to what?

Picking apricots on a kibbutz, tramping cross-country in a loathed Volkswagen camper, appearing in a made-for-television version of her own life: Silverman is a bobby-soxer, a baby boomer, a hippy, a lefty, and a rebel with something to say to those of us—most of us—still wondering what to make of ourselves.

BOOK DETAILS:

Genre: Memoir
Publisher: University of Nebraska Press
Publication Date: March 1, 2014
Number of Pages: 248 pages
ISBN-10: 0803264852
ISBN-13: 978-0803264854

PURCHASE LINKS:

            

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ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

 

Guest Author PRESTON LANG

WELCOME PRESTON LANG

PRESTON LANG

Preston Lang is a freelance writer, living and working in New York City. The Carrier is his debut novel.
Connect with Preston at these sites:

WEBSITE        TWITTER

Q&A with Preston Lang

Writing and Reading:
Do you draw from personal experiences and/or current events?
Definitely. Anything curious that’s happened to me is going to find its way into the work eventually. And for crime fiction writers, the news is like a faucet for ideas—just turn it on and see what kind of foul, sediment-flecked liquid pours out.

Once I read something in the news that was nearly identical to what I was writing at the time—scams involving parrots. I had to change some details around so it wouldn’t seem so obviously pilfered. It ended up not making sense and I junked the whole thing.


Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?

Sometimes the conclusion is clear from the start, but it doesn’t always work out that way. It’s much easier when it does.

Your routine when writing? Any idiosyncrasies?
My room is very cold in winter and very hot in summer. So either I’m wearing a fleece or my bathing costume.

Is writing your full time job? If not, may I ask what you do by day?
At this point I consider all of the various writings my fulltime job, but I do supplement my income with other work. I’ve taught math and symbolic logic, moved furniture, and played lounge piano. Feel free to contact me if any of those services are needed.

Who are some of your favorite authors?
I answer this question differently every time someone asks. There are so many right answers: James Cain, Herman Melville, George Eliot, Mindy Hung, Richard Stark.

What are you reading now?
Clean Break by Lionel White.

Are you working on your next novel? Can you tell us a little about it?
I’m working on a few things right now. I’ve got an idea for a book about a man who fakes his own drowning. He’s pursued to Brazil by a suave but sketchy detective working for an insurance company, and by an even shadier Quebecoise working for a drug cartel.

Fun questions:
Your novel will be a movie. Who would you cast?
Maybe I’d go old-timey with it: Barbara Stanwyck for Willow and Robert Donat for Cyril. I’m sure he could have pulled off the American accent.

Manuscript/Notes: hand written or keyboard?
Mostly keyboard, but if I’m out of the house I bring pen and paper.

Favorite leisure activity/hobby?
Music. Pretty soon I’ll have a book about musicians who are up to no good.

Favorite meal?
Melon

ABOUT THE BOOK

A Debut Novel in the vein of Tim Dorsey, Carl Hiaasen and Laurence Shames

It’s a bad idea for a drug courier to pick up strange women in roadside bars. Cyril learns this lesson when the girl he brings back to his motel room points a gun at him.

But Willow isn’t the only one after the goods that Cyril’s been hired to pick up. A fast talking sex-offender and his oversized neighbor are also on the trail, as is Cyril’s sinister brother, Duane.

Willow and Cyril soon form an uneasy alliance based on necessity, lust, and the desire for a quick payday. But with so many dangerous players giving chase, will they nab their package?

READ AN EXCERPT

Cyril hadn’t given another thought to the boy in the baseball hat. He assumed the kid had gone back to play pool with his friends or drink beer directly from the pitcher. Cyril turned to the bar and tried to read the scrambled captioning for Monday Night Football. The players hit each other too hard, so he decided to go back to his motel room. He was halfway to the door when the girl stopped him.

“Do you have a second?” she asked.

She was dark-haired with quick, vital eyes, and she had a voice—low and tangy.

“What’s on your mind?” asked Cyril.

“That frat boy and two of his brothers are waiting for you outside.”

“The frat boy?”

“I just thought you should know.”

“Thank you.”

They stood for a moment together, neither one ready to end the conversation.

“Why did you call him a fuck monkey?” the girl asked.

“He was acting… like a fuck monkey.”

“I’m sure you’re right, but what do you gain from pointing it out?”

“It may have been a mistake,” he said.

The frat boy had banged on the bar with a spoon and made two loud yips at a shampoo commercial on the TV screen. Cyril hadn’t raised his voice; he’d politely told the boy to stop acting like a fuck monkey. He thought the boy had taken his suggestion and that all was well.

“So what do you think I should do?” Cyril asked the girl.

“Well, if you really want to impress me, you’ll go out the front and kick all three of their asses with a really cool expression on your face. But if I were you I would probably go out the back way.”

“Where’s the back way?”

“You have to go through the kitchen. Just walk straight through. The dishwashers will probably yell at you; by that time you’ll be out the back door.”

“I’ve got a third option.”

“What’s that?”

“We could sit down and you could tell me your life’s story. By the time you’re done, the boys will probably have called it an evening.”

“Don’t you have somewhere to go?” she asked.

“Not really.”

“You were leaving.”

“I was just going to go back to my motel room, maybe watch TV, maybe steal some soap.”

“You shouldn’t do that.”

“Why not?”

“They find you and they make you pay.”

“Tell me more about this,” Cyril said, motioning to a table.

The girl sat facing the bar, and Cyril sat across from her. He had a view of the door in case angry frat boys charged in, tired of waiting out in the chilly Iowa night. She told him her name was Willow and that she wasn’t with anybody.

“Is there a college nearby?” asked Cyril.

“Graham College. It’s not exactly Princeton. If you can pay tuition, they’ll probably let you in… I go there.”

“What do you study?”

“I’m undeclared,” she said, “You know, I could have told you that Graham College is the best school in the country. Then you would have thought that I was a genius.”

“Well, I have met some of your classmates,” he said, gesturing out towards the open room.

“That’s true. Did you go to college?”

“I’ve taken a few pottery courses.”

Students drank with young energy and bounced around the room; townies sat at the bar and corner tables. Willow and Cyril drank slowly and talked about themselves for an hour.

“It’s getting late,” she said.

“You have an early class tomorrow?”

“You have a motel room?”

“Yes.”

“I think that I would like to see it.”

“It’s about a 15 minute walk.”

“You didn’t bring a car?”

“I don’t drink and drive.”

“You’re a really good example.”

They had been walking almost a minute when they saw the Fuck Monkey approach with two of his frat brothers.

“Hey, you. Asshole, you,” he slurred his words, but he seemed reasonably steady on his feet. His brothers were bigger than he was. Cyril was average-sized and a few years older than an undergraduate.

“Go home,” said Willow to the boys.

“Okay, darlem. You just step back. I’m going to tear up your boyfriend here.”

“What’s darlem?” asked Cyril.

“I think he meant darling,” said Willow.

“I don’t need you to get hurt,” the boy said, still to Willow.

He stepped closer to Cyril. His brothers moved in a bit, but it looked like they were going to let the Monkey do what he could on his own before they stepped in. Cyril did a quick check of the two big guys, and the Monkey shoved him backwards.

“Come on, Les,” said one of the brothers, “Don’t play. Bring the warrior to him.”

“Warrior,” said the other brother in his deepest bass. It wasn’t clear that he respected Les.

Les came at Cyril with a big wild punch. Cyril stepped aside, and Les cursed and spun. Cyril grabbed a hold of Willow and tried to hurry her away, but the brothers blocked their path.

“Fight me,” cried Les.

“Look guys,” said Cyril, “This doesn’t make any sense. You’re all going to get thrown out of school. Think of—“ Suddenly the brothers began to edge away, holding up their hands and stepping backwards. Cyril watched, puzzled, and then he turned to see that Willow had drawn a gun.

“Go home,” she said.

“Bitch is crazy,” said a brother, but they had now turned and were leaving at a jog.

That left Les.

“Go home, Les,” said Willow.

Cyril was not without sympathy for Les’s evening: the unavenged insult, the traitorous brothers. Les’s eyes were drunk and scheming. He hadn’t given up yet.

“If he rushes you, don’t shoot him,” said Cyril.

“I might shoot him,” said Willow.

“Please, go home,” said Cyril.

“You don’t know who you’re messing with,” said Les.

“Do you understand that right now, she can shoot you and not go to jail for it?”

Les said nothing. The insane idea that had careened through his head seemed to have moved on.

“We’re going to walk away now. Please, don’t follow,” said Cyril.

And that’s what they did. Les slumped against the side of a building.

“Is it normal at your school for a coed to walk around with a handgun?” Cyril asked about five minutes later.

“A coed? What is that?

“A female college student?”

“Why is that a coed?”

“I guess when female college students were not all that common, the girls at coeducational schools were called coeds.”

“Well, that’s stupid. These days there’s a lot more girls than boys in school. They should call the boys coeds. Seriously, this place is like 70/30 girls. It’s horrible. And dicks like those guys can get women left and right, because what choice do we have?”

“And that’s why you carry a gun?”

“I’ve got a gun. I mean, aren’t you glad?”

“I suppose.”

“What were you going to do, make a little speech to the fraternity—You’re going to get in soooo much trouble.”

“There might have been more to my plan than that.”

“Well, I didn’t want to risk your pretty face.”

They kept walking, past the main business district and into the darker residential streets. Cyril’s motel was off a side road somewhere close by. He hoped he could find it in the dark, but everything looked very much alike. First he led Willow down the wrong street that ended at an empty lot.

“This is where you’re staying?” she asked.

“I think I’m on the next street.”

“If I didn’t know better, I’d think you were leading me down a dark alley on purpose.”

“Why, so you could shoot me?”

Willow smiled. They found his motel, a cheap little two-story chain: the Firstway Inn. He led her to his door, and she watched calmly while he opened it and turned on the light. The room smelled flat and dusty, and only one of the three overhead light bulbs worked.

Willow jumped on Cyril, wrapping her legs around him, toppling him onto the bed. She kissed his face and his neck then worked inside his mouth, biting his inner lip. They tore off their clothes quickly and tumbled off the bed, fucking like they were the only humans left in a world full of zombies. It was a fantasy Willow had sometimes—there’s nothing else out there except mindless death, and we are probably infecting each other. Cyril seemed to get it.

She felt a little lost afterwards—a base note of pleasure under a single shot of panic. Jesus, she thought, I could fall for a guy like this. And then she put on her clothes. When she got to her shoes, Cyril sat up.

“Where are you going?”

“Nowhere.”

Cyril started to get dressed.

“You don’t have to get dressed,” she said, “I just like to have clothes on.”

“That’s too bad.”

“Thank you.”

Willow put on her jacket, and then she pointed her gun at Cyril.

“I’m going to need all the money,” she said.

BOOK DETAILS:

Genre: Crime Fiction
Published by: 280 Steps
Publication Date: March 2014
Number of Pages: 250
ISBN: 978-82-93326-18-2
Purchase Links: Coming Soon

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Guest Author KELLIE LANE showcase & giveaway ENDED

WELCOME KELLIE LANE

KELLIE LANE

Kellie Lane is a passionate communicator and orator of God’s Word with a great desire to motivate His people to reach their maximum potential in Jesus Christ. It is her heartfelt desire for all to connect with and experience God’s love and plan for their lives. She is a free lance writer, author, motivational speaker, prayer warrior, and minister of dance. Kellie graduated from the University of Mississippi School of Nursing with a Bachelor’s degree (2002) and Master’s degree (2006) in Nursing. She is currently completing her Doctor of Nursing Practice Degree at the University of Mississippi. She is happily married with six children. She is a spiritual mother to many more.
Connect with Kellie at these sites:

WEBSITE        TWITTER   

Q&A with Kellie Lane

Writing and Reading:
Do you draw from personal experiences and/or current events?
Typically I draw from personal experiences as well as testimonies from others. Many chose to send their personal stories to me.  Yet this is not always the case. At times something may grab my attention in the news and in turn I incorporate it into my writings.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
I start with the introduction. I sometimes spend weeks fine tuning it. Once I am satisfied with its flow I can then progress with the book. I never know exactly how the story will end. I leave that part up to God.

Your routine when writing?
When writing I only need three things: My Jesus, My laptop, and my noise maker to tune out sound.

Any idiosyncrasies?
I wait to hear a particular sound. It’s a bit difficult to explain but someone may be speaking or a song may be on the radio and then all of a sudden whatever has been spoken inspires me. I then know that this is what I am to write about next. Perhaps something said is my next book title or simply a chapter title for that matter. Yet, I cannot write until I hear a sound. I know what it is when it happens.

Is writing your full time job? If not, may I ask what you do by day?
Writing is not my full-time job yet.  I am a family nurse practitioner serving veterans on the daily basis.  I’ve been in nursing for over a decade. What I have learned spills over into my writing because caring for others is a part of me. It’s who I am. In addition, I am a life coach ( niche is weight loss and relationships ) and a motivational speaker. I thrive off of empowering others.

Who are some of your favorite authors?
The apostle Paul. His writings in the new testament are simply awesome. Next I would say Cindy Trimm, Joyce Meyer, and Bishop T.D. Jakes.

What are you reading now?
The ESV study Bible. I feel that in order to be most effective I must continuously feed off of the Word of God. With it we are a force to be reckoned with. Without it, we lack power and control.

Are you working on your next novel?  Can you tell us a little about it?
Yes, my next release “Chosen: Know your Kingdom Assignment” will be released in Summer of 2014. This book guides the reader into discovering their unique task in the Earth realm assigned by God . Everyone has a purpose. God had a hope of what each of us would become. Chosen will help you get there.

In addition,  my third book will be released in the Fall of 2014. It is titled “Internal Chaos: Battles of the Heart”. This book will serve as an eye opener and liberation tool for women who are or have been trapped in unfruitful relationships with men who make false claims to love them. This was my personal struggle for many years. I fell subject to spiritual manipulation and domestic misuse. Now the time has come to expose the tactics of the enemy. The reader will walk away empowered and equipped to be the virtuous woman spoken about in the book of Proverbs (31).

Fun questions:
Your novel will be a movie.  Who would you cast?
Internal Chaos will be a movie. It will depict the lives of four different women each experiencing Hell in their current relationship or marriage. Somehow they will find their way to Salvation and restoration. I would love to have one of the lead roles played by Sanaa Lathan and another by Gabrielle Union.  It wouldn’t hurt to have Janet Jackson and Mariah Carey as well.

Manuscript/Notes: hand written or keyboard?
Keyboard

Favorite leisure activity/hobby?
I love exercising, listening to music, writing! Spending time with my family, traveling, and shopping!

Favorite meal?
Tilapia or salmon with mixed veggies. I love asparagus and mushrooms.  Quiche is my favorite breakfast meal with spinach. Yes I am a health fanatic. Fitness is essential for prosperity!

ABOUT THE BOOK

What do you do when you’ve prayed and prayed and there seems to be no answer?

Kellie Lane knows what it is like to feel as though you are holding a ticket for a ride that’s never going to arrive.

Through personal experience and Bible study she has learned how to hold on to heaven’s promises–for yourself or others–when it seems like all hell is breaking loose.
You will discover why you may be waiting, where God is in this difficult season, and what you can do to cooperate with His plans and purposes for you.

If it feels like the heavens have turned to brass, let prayer warrior Kellie Lane show you how to position yourself to receive the gold that is coming your way through the fire of refinement.

BOOK DETAILS:

Number of Pages: 112 pages
Publisher: Creation House
Publication Date: March 4, 2014
ISBN-10: 1621366774
ISBN-13: 978-1621366775

PURCHASE LINKS:

            

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

 

Guest Author SUSAN ISRAEL

WELCOME SUSAN ISRAEL

SUSAN ISRAEL

Susan Israel lives in Connecticut with her beloved dog, but New York City lives in her heart and mind. A graduate of Yale College, her fiction has been published in Other Voices, Hawaii Review and Vignette and she has written for magazines, websites and newspapers, including Glamour, Girls Life, Ladies Home Journal and The Washington Post. She’s currently at work on the second book in the Delilah Price series, Student Bodies.
Connect with Susan at these sites:

WEBSITE        TWITTER   

ABOUT THE BOOK

Delilah is accustomed to people seeing her naked. As a nude model – a gig that keeps food on the table while her career as a sculptor takes off – it comes with the territory.

But Delilah has never before felt this vulnerable.

Because Delilah has an admirer. Someone who is paying a great deal of attention to her. And he just might love her to death.

The debut of a shockingly fresh voice in suspense fiction, OVER MY LIVE BODY will work its way inside of you.

READ AN EXCERPT

I’ve gone from posing in one studio to posing in another in less than an hour. Ordinarily I don’t complain about the cold. I don’t move before I’m told to. I try to be the model I’ve never had the good luck to hire. But today I feel like I’m lugging around a portfolio of hypersensitivity along with my usual artist supplies and it’s not even justified. Here, I’m among friends.

The instructor of this class has drawn a chalk outline of where I’m supposed to lie and indicates the pose she wants me to strike, that of a classic come-to-my-casbah odalisque. I feel my calf muscles tighten as I scrunch up into the framework of the drawing on the floor. There are no new faces in this class, no surprises, I’ll be forgiven if I twitch or scratch an itch. Morgan, one of the best artists and my best friend, has brought poppy seed pound cake and stops what he’s doing to tiptoe over and feed me morsels of it. “Should be grapes,” the instructor says. Someone down the hall is playing Carmen on a boom box. “Should be Scheherezade,” Morgan says, winking at me.

The wink isn’t misunderstood, wouldn’t be even if Morgan wasn’t gay.
We artists are like a cast ensemble in repertory. Many of us have seen each other nude in classes. I’m dressed in the part I’m playing. It’s when I change locations, freelance in other schools, that I’ve felt uncomfortable and I’ve tried not to do that too often. I try not to, but sometimes I need the money to buy extra supplies or pay off mounting bills and I have to do it, like I did last night. I sometimes say never again, never again! What do I need this aggravation for? I feel smarmy; it makes me fight with Ivan more. Except, like a new enrollee in some 12-step program, I’m learning to recognize what I have and haven’t the power to change and ironically now that I’ve decided to kick Ivan and his half of the rent money out, I’m going to have to pay more bills than ever, starting with the new lock I’m having installed.

“Delilah, you moved!”

I look down and see my arm and leg protruding from the smeared outline marking where they’re supposed to be. “I’m sorry.”

“Delilah rarely strays,” Morgan says with a smile, holding a pencil up to me to gauge the span of my body stretched out in front of faded brocade. Another artist, Keith, moves in for a closer look, so close that I can smell the eucalyptus cough drop lodged in his cheek that I first thought was an abscess.
The others take turns approaching me, walking around me, appraising me with the dispassionate curiosity they would exhibit while looking at a piece on display in a retrospective at the Museum of Modern Art. The instructor, their tour guide, calls attention to my posterior as the center of gravity upon which all else rests. She points to my right shoulder with a well-sharpened Conté crayon and lightly touches it, then moves on to the sole of my right foot. My toes curl. “Notice how the light is distributed here and here, how opalescent these areas seem compared to this.” I feel the pencil glide along the base of my spine. “I want you to pay attention to these tonal differences in your drawings as if you were painting them because you will be.”

The door bangs open suddenly, unexpectedly; no one casually walks in and out of this studio. “Phone call downstairs for Delilah,” someone hollers, retreating down the hall.

“She can`t come to the phone right now,” the instructor bellows back. “Take a message.”

“Tell whoever it is I`ll call back,” I add, “unless it`s Ivan.” I know it’s Ivan.

One of the graphic arts students backs into the studio and looks around furtively, like one more step and she`ll be accused of breaking and entering. “He said he`d call back.”

“Who was it?”

She shrugs. “Beats me. He didn’t say.”

“Another member of your burgeoning fan club, Delilah. Maybe someone who’s seen your exhibits and wants to buy all your sculptures,” Morgan suggests, smudging the charcoal on the page with the heel of his hand.

“I wish.”

“Hey, you never know.”

I know it was Ivan on the phone. He’s the only person who has ever called me here. I can feel his heavy breathing impatience wafting all the way up from Wall Street. He knows a call from him will unsettle me, make me put my clothes on to rush to the phone at the very least and not be able to get back into the right pose and the right mood afterwards. He gets off on this. I`m not taking any calls until I`m through for the day.

“Delilah!” someone else calls. “Telephone!”

“Jesus, again? Doesn`t he take a hint?”

“It’s okay, take a five minute break, you’re marked,” the instructor says as I scramble to my feet clumsily. I grab a blue-and-white pinstriped man’s shirt from the back of Morgan’s easel and throw it on and pad down the cold corridor and down the stairs, pulling the shirt closed around me, grumbling, steeling myself for what I have to say to him and that is, “Leave me alone!”

“Is that any way to answer the phone?”

I look down at the way I’m dressed. Is that any way to answer the phone? “Who is this?” It’s not Ivan’s voice. He’s the only person who has ever called me here, but it’s not him. Someone he put up to calling me, though, I’m sure of it, one of his co-workers wearing an oxford shirt not unlike the one that I’ve got wrapped around me like a toga, only fully buttoned down and fit to be tied. “Get him to come to the phone.”

“You don’t want to talk to anyone else,” the voice declares. “It’s me you want.”

“No, I don’t.”

“Don’t say that!” the voice snaps. “You do. At least you will.”

BOOK DETAILS:

Number of Pages: 280 pages
Publisher: The Story Plant
Publication Date: March 18, 2014
ISBN-10: 1611881188
ISBN-13: 978-1611881189

PURCHASE LINKS:

           

DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.