Category: Showcase

Partners In Crime Tours Presents: Guest Author JON LAND

WELCOME BACK JON LAND

JON LAND

Jon Land is the author of more than 30 thrillers, including the bestselling Caitlin Strong Texas Ranger series that includes Strong Enough to Die, Strong Justice, Strong at the Break, Strong Vengeance and, coming this August, Strong Rain Falling. This past fall he resurrected his longtime series hero Blaine McCracken in the E-Book Original Pandora’s Temple, which became a bestseller on both Apple and Amazon and was nominated for a Thriller Award as Best E-Book Original. A follow-up, The Tenth Circle, is slated for release in time for the holiday season. Jon’s first nonfiction book, BETRAYAL, meanwhile, was a national bestseller and was named Best True Crime Book of 2012 by Suspense Magazine. He lives in Providence, Rhode Island and can be found on the Web at jonlandbooks.com.
Connect with Jon at these sites:

WEBSITE          TWITTER

Q&A with Jon Land

CM: Do  you draw from personal experiences and/or current events?
JL: Great question to start!  Never on personal experiences, all the time on current events.  I live a pretty uninteresting life which is just the way I like and I’ve always said writers are mostly much better off writing from their imagination.  My very good friend Steve Berry says, “Don’t write what you know, write what you love.”  I couldn’t agree more.  Current events, on the other hand, form the very fabric of modern thriller fiction.  STRONG RAIN FALLING, for example, involves a massive attack to be launched against the nation’s power grid—there’s nothing more current than that.  And current, in the thriller form anyway, normally means scary.  The challenge is writing about something that could be about to happen, to stay ahead of the curve instead of behind it.

CM: Do you start with the conclusion and plot in reverse or start from the beginning and see where the storyline brings you?
JL: I’m a fly-by-the-seat-of-my-pants writer in all respects.  I operate on the theory that if I don’t know what’s going to happen next, then the reader can’t possibly know.  I can get away with this because I trust my characters to take me where they want and need to go.  I’m normally about 100 pages ahead with where I’m headed in my mind, never much more than that.  And the result, unfortunately at times, is my first drafts tend to need lots of work.  In fact, I’d venture to say that one of my greatest strengths as a writer is actually rewriting, often based on my own objective read of what I’ve created. For me, first drafts area about getting it down and getting it done.  Each successive draft hones and polishes the material further.  I throw a bunch out, I add a bunch more—sometimes even entirely new characters, subplots and scenes if I sense a weakness or flaw.  I’m also blessed with a terrific editor, Natalia Aponte, who’s always pushing me to do better, to make my Caitlin Strong books, and all my books for that matter, both structurally and emotionally complete.  The thing I like to stress here is that no process works for all writers.  We all have to find what works for us.

CM: Your routine when writing?  Any idiosyncrasies?
JL: Hey, you love those two-part questions, don’t you? (laughs)  When I’m doing the hardest work of all, a first draft, I normally write in two shifts for two-three hours each that normally produces around 15-20 pages total.  I’ll average 75-80 pages in a week and closer to the end will get over 100, so figure I can finish a first draft in around 7-8 weeks, a really fast clip.  And part of the reason I’m able to do that is I’ve got two tricks I’ve come to rely on:  First, I always leave a scene or chapter off in the middle, not the end, so I have a running start when I go back to work.  There’s a tendency to want to stop writing at the end of a chapter just like there is when reading.  I never stop there.  Even if I get just the first couple paragraphs down, enough to provide direction, I’m good to go when I get back to the keyboard.  I also always have a few books put aside by my favorite authors.  Before putting my fingers to work, I’ll read 15-20 pages of their book (see below for more info on who!) just to get me in the right mindset, to remind me of what a great story reads like so I’m ready to write my own.

CM: Is writing your full time job?
JL: Yes, it is. That’s probably the shortest answer to a question I’ve ever given, so I better go on a little.  I’d always planned on becoming a lawyer.  But I got bit by the writing bug in college and fell in love with the process as well as seeing my name in print.  That’s the thing about me:  I actually love the process of writing.  I can’t explain why or how I do it exactly.  I just know I love where it takes me.  It’s like therapy.  When I’m not writing, I go into withdrawals.  It’s like a legal drug.

CM: Who are some of your favorite authors?
JL: Well, THE EXORCIST was the first book I read cover-to-cover in a single day, a single setting actually.  Reading Robert Ludlum’s THE HOLCROFT COVENANT (along with THE MATARESE CIRCLE) taught me more about what makes a great thriller than anything else. THE BOYS FROM BRAZIL taught me the importance of a great “What if?” question.  THE STAND showed me the wonder of taking the reader out of his or her world and into the world we fashion on the page.  MARATHON MAN made me realize just how much caring about the characters means.  I can quote portions of that book, just as I can from the others I mention here and far more.  As far as strictly favorites, Lee Child and James Lee Burke are the authors I most look forward to, with plenty of others not far behind.  David Morrell, who never writes the same book twice.  Stephen Hunter, who’s a maestro when it comes to action scenes.  Michael Connolly for writing books that are impossible to put down.  And I’ve recently discovered John Hart who seems incapable of writing a bad sentence or creating a character who doesn’t command our interest.

CM: What are you reading now?
JL:  Lee Child’s second book, DIE TRYING.  I’ve been saving it forever but the time finally came!

CM: Are you working on your next novel?  Can you tell us a little bit about it?
JL:  Again, with the two-part questions!  (laughs)  The next book’s already done.  It’s called THE TENTH CIRCLE and it’s the follow-up to PANDORA’S TEMPLE once again featuring Blaine McCracken, my original series hero I’ve fallen back in love with.  Beyond that I’m actually working on three books:  a sequel to my bestselling THE SEVEN SINS, a terrific project I’m doing in tandem with the great Heather Graham, and I’m just about to start STRONG DARKNESS, the next book featuring Caitlin that takes her and Cort Wesley Masters to a very dark place potentially.  I’m going to take her right up to the edge, but hopefully not so close that she slips over.

CM: Your novel will be a movie.  Who would you cast?
JL:  Bruce Willis for Blaine McCracken—that’s the easy one.  For Caitlin, let’s see, Eva Mendez maybe.  Hillary Swank.  Jennifer Garner.  Maybe I should Google “strong actresses in their mid-30s and see what I get!  In film, the budget to a large extent is determined by the box office value of your store.  So if I wanted the biggest budget I’d have to say Angelina Jolie, but she might be a bit old.  Hey, Sandra Bullock is too old too but she lives in Texas so who knows?

CM: Would you rather read or watch television or a film?
JL:  Okay, confession time:  this is the golden age of scripted television and I can’t get enough of shows like THE WALKING DEAD, BREAKING BAD, JUSTIFIED, MAD MEN, DEXTER, GAME OF THRONES—the list goes on and on.  But here’s the thing, the crucial disclaimer:  I love those kind of shows because their novelistic in structure.  Watching them week to week is like watching a novel.  That’s why I don’t “binge watch” the way a lot of people are these days.  I prefer to look forward to the next week’s episode in the arc, to be kept in suspense.  Call it practicing what I preach.

CM: Favorite food?
JL: Nothing beats a great steak, but lobster comes close.  And I have a bagel for breakfast almost every day.

CM: Favorite beverage?
JL:  Iced tea—no doubt about it.  Been that way for as long as I can remember.  Of course, since I’m a writer, I probably should have said scotch, or maybe bourbon. Hell, anything that makes me forget what a tough business this is truly is!

Thank you Jon for stopping by today and answering my 2 part questions!! (chuckling)

ABOUT THE BOOK

Mexico, 1919: The birth of the Mexican drug trade begins with opium being smuggled across the U.S. border, igniting an all-out battle with American law enforcement in general and the Texas Rangers in particular.

The Present: Fifth Generation Texas Ranger Caitlin Strong and her lover, former outlaw Cort Wesley Masters, both survive terrifying gun battles. But this time, it turns out, the actual targets were not them, but Masters’ teenage sons.

That sets Caitlin and Cort Wesley off on a trail winding through the past and present with nothing less than the future of the United States hanging in the balance. Along the way they will confront terrible truths dating all the way back to the Mexican Revolution and the dogged battle Caitlin’s own grandfather and great-grandfather fought against the first generation of Mexican drug dealers.

At the heart of the storm soon to sweep away America as we know it, lies a mastermind whose abundant power is equaled only by her thirst for vengeance. Ana Callas Guajardo, the last surviving member of the family that founded the Mexican drug trade, has dedicated all of her vast resources to a plot aimed at the U.S.’s technological heart.

This time out, sabotage proves to be as deadly a weapon as bombs in a battle Caitlin must win in cyberspace as well. Her lone chance to prevail is to short-circuit a complex plan based as much on microchips as bullets. Because there’s a strong rain coming and only Caitlin and Cort Wesley can stop the fall before it’s too late.

READ AN EXCERPT

CHAPTER 1

Providence, Rhode Island

Caitlin Strong was waiting downstairs in a grassy park bisected by concrete walkways when Dylan Torres emerged from the building. The boy fit in surprisingly well with the Brown University college students he slid between in approaching her, his long black hair bouncing just past his shoulders and attracting the attention of more than one passing coed.

“How’d it go?” Caitlin asked, rising from the bench that felt like a sauna in the sun.

Dylan shrugged and blew some stray hair from his face with his breath. “Size could be an issue.”

“For playing football at this level, I expect so.”

“Coach Estes didn’t rule it out. He just said there were no more first year slots left in the program.”

“First year?”

“Freshman, Caitlin.”

“How’d you leave it?” she asked, feeling dwarfed by the athletic buildings that housed playing courts, training facilities, a swimming pool, full gym and the offices of the school’s coaches. The buildings enclosed the park-like setting on three sides, leaving the street side to be rimmed by an eight-foot wall of carefully layered stone. Playing fields took up the rear of the complex beyond the buildings and, while waiting for Dylan, Caitlin heard the clang of aluminum bats hitting baseballs and thunks of what sounded like soccer balls being kicked about. Funny how living in a place the size of Texas made her antsy within an area where so much was squeezed so close.

“Well, short of me growing another four inches and putting on maybe twenty pounds of muscle, it’s gonna be an uphill battle,” Dylan said, looking down. “That is, if I even get into this place. That’s an uphill battle too.”

She reached out and touched his shoulder. “This coming from a kid who’s bested serial killers, kidnappers and last year a human monster who bled venom instead of blood.”

Dylan started to shrug, but smiled instead. “Helps that you and my dad were there to gun them all down.”

“Well, I don’t believe we’ll be shooting Coach Estes and my point was if anybody can handle an uphill battle or two, it’s you.”

Dylan lapsed into silence, leaving Caitlin to think of the restaurant they’d eaten at the night before where the waitress had complimented her on having such a good looking son. She’d felt her insides turn to mush when the boy smiled and went right on studying the menu, not bothering to correct the woman. He was three quarters through a fifth year at San Antonio’s St. Anthony Catholic High School, in range of finishing the year with straight “A”s. Though the school didn’t formally offer such a program, Caitlin’s captain D. W. Tepper had convinced them to make an exception on behalf of the Texas Rangers by slightly altering their Senior Connection program to fit the needs of a boy whose grades hadn’t anywhere near matched his potential yet.

Not that it was an easy fit. The school’s pristine campus in historic Monte Vista just north of downtown San Antonio was populated by boys and girls in staid, prescribed uniforms that made Dylan cringe. Blazers instead of shapeless shirts worn out at the waist, khakis instead of jeans gone from sagging to, more recently, what they called skinny, and hard leather dress shoes instead of the boots Caitlin had bought him for his birthday a few years back. But the undermanned football team had recruited him early on, Dylan donning a uniform for the first time since a brief stint in the Pop Warner league as a young boy while his mother was still alive and the father he’d yet to meet was in prison. This past fall at St. Anthony’s he’d taken to the sport again like a natural, playing running back and sifting through the tiniest holes in the defensive line to amass vast chunks of yardage. Dylan ended up being named Second Team All TAPPS District 2-5A, attracting the attention of several small colleges, though none on the level of Brown University, a perennial contender for the Ivy League crown.

Caitlin found those Friday nights, sitting with Cort Wesley Masters and his younger son Luke in stands ripe with the first soft bite of fall, strangely comforting. Given that she’d never had much use for such things in her own teenage years, the experience left her feeling as if she’d been transported back in time with a chance to relive her own youth through a boy who was as close to a son as she’d ever have. Left her recalling her own high school days smelling of gun oil instead of perfume. She’d been awkward then, gawky after growing tall fast. Still a few years short of forty, Caitlin had never added to that five-foot-seven-inch frame, although the present found her filled out and firm from regular workouts and jogging. She wore her wavy black hair more fashionably styled, but kept it the very same length she always had, perhaps in a misguided at-tempt to slow time if not stop it altogether.

Gazing at Dylan now, she recalled the headmaster of his school, a cousin of Caitlin’s own high school principal, coming up to her after the victorious opening home game.

“The school owes you a great bit of gratitude, Ranger.”

“Well, sir, I’ll bet Dylan’ll do even better next week.”

The headmaster gestured toward the newly installed lights. “I meant gratitude for the Rangers arranging for the variance that allowed us to go forward with the installation. That’s the only reason we’re able to be here to-night.”

She’d nodded, smiling to herself at how Captain Tepper had managed to arrange Dylan’s admission. “Our pleasure, sir.”

Now, months later on the campus of an Ivy League school in Providence, Rhode Island, Dylan looked down at the grass and then up again, something furtive lurking in his suddenly narrowed eyes. The sun sneaking through a nearby tree dappled his face and further hid what he was about to share.

“I got invited to a frat party.”

“Say that again.”

“I got invited to a party at this frat called D-Phi.”

“D what?”

“Short for Delta Phi. Like the Greek letters.”

“I know they’re Greek letters, son, just like I know what goes on at these kind of parties given that I’ve been called to break them up on more than one occasion.”

“You’re the one who made me start thinking about college.”

“Doesn’t mean I got you thinking about doing shots and playing beer pong.”

“Beirut.”

Caitlin looked at him as if he were speaking a foreign language.

“They call it Beirut here, not beer pong,” Dylan continued. “And it’s important I get a notion of what the campus life is like. You told me that too.”

“I did?”

“Uh-huh.”

“I let you go to this party, you promise you won’t drink?”

Dylan rolled his head from side to side. “I promise I won’t drink much.”

“What’s that mean?”

“That I’ll be just fine when you come pick me up in the morning to get to the airport.”

“Pick you up,” Caitlin repeated, her gaze narrowing.

“I’m staying with this kid from Texas who plays on the team. Coach set it up.”

“Coach Estes?”

“Yup. Why?’

Caitlin slapped an arm around the boy’s shoulder and steered him toward the street. “Because I may rethink my decision about shooting him.”

“I told him you were a Texas Ranger,” Dylan said, as they approached a pair of workmen stringing a tape measure outside the athletic complex’s hockey rink.

“What’d he think about that?” Caitlin said, finding her gaze drawn to the two men she noticed had no tools and were wearing scuffed shoes instead of work boots.

“He said he liked gals with guns.”

They continued along the walkway that curved around the park-like grounds, banking left at a small lot where Caitlin had parked her rental. She worked the remote to unlock the doors and watched Dylan ease around to the passenger side, while she turned back toward the hockey rink and the two workmen she couldn’t shake from her mind.

But they were gone.

CHAPTER 2

Providence, Rhode Island

“What’s this WaterFire thing?” Dylan asked, spooning up the last of his ice cream while Caitlin sipped her nightly post-dinner coffee.

“Like a tradition here. Comes highly recommended.”

“You don’t want me going to that frat party.”

“The thought had crossed my mind, but I’m guessing the WaterFire’ll be done ‘fore your party even gets started.”

Dylan held the spoon in his hand and then licked at it.

“How’s the ice cream?”

“It’s Gelato.”

“What’s the difference?”

“None, I guess.

They had chosen to eat at a restaurant called Paragon, again on the recommendation of Coach Estes, a fashionably loud, lit, and reasonably priced bistro-like restaurant on the student-dominated Thayer Street across from the University bookstore. Dylan ordered a pizza while Caitlin ruminated over the menu choices before eventually opting for what she always did: a steak. You can take the gal out of Texas, she thought to herself, but you can’t take Texas out of the gal.

“I hear this Waterfire is something special,” Caitlin said, when she saw him checking his watch.

“Yeah? Who told you that?”

“Coach Estes. What do you say we head downtown and check it out?”

* * *

They walked through the comfortable cool of the early evening darkness, a welcome respite from the sweltering spring heat wave that had struck Texas just before they’d left. Caitlin wanted to talk, but Dylan wouldn’t look up from his iPhone, banging out text after text.

They strolled up a slight hill and then down a steeper one, joining the thick flow of people heading for the sounds of the nighttime festival known as WaterFire. The air was crisp and laced with the pungent aroma of wood smoke drifting up from Providence’s downtown area, where the masses of milling people were headed. The scents grew stronger while the harmonic strains of music sharpened the closer they drew to an area bridged by walkways crisscross-ing a river that ran the entire length of the modest office buildings and residential towers that dominated the city’s skyline. A performance area had been roped off at the foot of the hill, currently occupied by a group of white-faced mimes. An array of pushcarts offering various grilled meats as well as snacks and sweets were lined up nearby, most with hefty lines before them.

The tightest clusters of festival patrons moved in both directions down a walkway at the river’s edge. Cait-lin realized the strange and haunting strains of music had their origins down here as well and moved to join the flow. The black water shimmered like glass, an eerie glow emanat-ing from its surface. Boaters and canoeists paddled lei-surely by. A water taxi packed with seated patrons sipping wine slid past followed by what looked like a gondola straight from Venice.

But it was the source of the orange glow reflecting off the water’s surface that claimed Caitlin’s attention. She could now identify the pungent scent of wood smoke as that of pine and cedar, hearing the familiar crackle of flames as she and Dylan reached a promenade that ran di-rectly alongside the river.

“Caitlin?” Dylan prodded, touching her shoulder.

She jerked to her right, stiffening, the boy’s hand like a hot iron against her shirt.

“Uh-oh,” the boy said. “You got that look.”

“Just don’t like crowds,” Caitlin managed, casting her gaze about. “That’s all.”

A lie, because she felt something wasn’t right, out of rhythm somehow. Her stomach had already tightened and now she could feel the bands of muscle in her neck and shoul-ders knotting up as well.

“Yeah?” Dylan followed before she forced a smile. “And, like, I’m supposed to believe that?”

Before them, a line of bonfires that seemed to rise out of the water curved along the expanse of the Providence river walk. The source of these bonfires, Caitlin saw now, were nearly a hundred steel braziers of flaming wood moored to the water’s surface and stoked by black-shirted workers in a square pontoon-like boat, including one who performed an elaborate fire dance in between tending the flames.

The twisting line of braziers seemed to stretch for-ever into the night. Caitlin and Dylan continued to follow their bright glow amid the crowd, keeping the knee-high re-taining wall on their right. More kiosks selling hotdogs, grilled meats to be stuffed in pockets, kabobs, beverages, and souvenirs had been set up above the river walk on streets and sidewalks. The sights and sounds left her homesick for Texas, the sweet smell of wood smoke reminding her of the scent of barbecue and grilled food wafting over the famed San Antonio River Walk.

Caitlin was imagining that smell when she felt some-thing, not much and not even identifiable at first, yet enough to make her neck hairs stand up. A ripple in the crowd, she realized an instant later, followed almost immediately by more of a buckling indicative of someone forcing their way through it. Instinct twisted Caitlin in the di-rection of the ripple’s origin and the flames’ glow caught a face that was familiar to her.

Because it belonged to one of the workman she’d glimpsed outside the hockey rink back at Brown University. And the second workman stood directly alongside him, hands pulling their jackets back enough to reveal the dark glint of the pistols wedged into their belts.

INSERT TEXT

BOOK DETAILS:

Genre: Thriller
Published by: Forge Books
Publication Date: August 13, 2013
Number of Pages: 368
ISBN: 978-0765331502
Series: Caitlin Strong, 5
(Can be read as a Stand Alone)

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Guest Author JULIA CAMERON showcase & giveaway ENDED

WELCOME JULIA CAMERON


JULIA CAMERON

Julia Cameron has been an active artist for more than thirty years, with over thirty books (including bestsellers The Artist’s Way, Walking In This World and The Right to Write) and countless television, film, and theater scripts to her credit. Writing since the age of 18, Cameron has a long list of screenplay and teleplay credits to her name, including an episode of Miami Vice, and Elvis and the Beauty Queen, which starred Don Johnson. She was a writer on such movies as Taxi Driver, New York, New York, and The Last Waltz. She wrote, produced, and directed the award-winning independent feature film, God’s Will, which premiered at the Chicago International Film Festival, and was selected by the London Film Festival, the Munich International Film Festival, and Women in Film Festival, among others. In addition to making film, Cameron has taught film at such diverse places as Chicago Filmmakers, Northwestern University, and Columbia College. Her profound teachings on unlocking creativity and living from the creative center have inspired countless artists to unleash their full potential. Her site JuliaCameronLive.com is an online course and artists’ community.
Connect with Julia at these sites:

WEBSITE        TWITTER    

Q&A with Julia

It has been 20 years since the publication of your bestseller, The Artist’s Way, and your many fans have long been asking for a book like The Artist’s Way for Parents – why did you decide to write this book now?
My daughter, Domenica, has just had her first child. I wanted to pass on to her the tips and insights I myself had used.

What creative tools did you employ in your daughter’s upbringing?
I wrote Morning Pages, I took Domenica with me on Creative Expeditions, I supplied her with toys for solo play. Above all, I modeled the joy of creative exploration myself.

Why do you think parents lose sight of their personal creativity, and why is it important that they reignite it?
Parents often feel they must commit themselves 24/7 to nurturing their child. With this as a mission, they often neglect their own creative nurturing. When they commit to self-care as well as child care, they experience and transmit joy.

Spirituality is an important theme in this book. What is the connection between spirituality and creativity?
I often say that spirituality and creativity are one and the same. As we commit to deepening our spirituality, we awaken our creativity. As we commit to awakening our creativity, we reignite our spirituality.

You describe this book as a “toolkit” for parents and their children. What are some of the key resources that will they discover in its pages?
The Artist’s Way for Parents aims at awakening inner wisdom. Its essays and tasks provoke thought. Parents will learn the attitudes and aptitudes that best serve their child’s creativity. For example, they will learn how to cultivate safety, inventiveness and independence.

This book is geared toward parents with children newborn through age twelve – does it get harder to inspire creativity in children as they grow older?
No. Children crave self-expression, and as they mature, their avenues for self-expression increase.

You encourage parents to write “Morning Pages” at the start of every day – can you explain a bit about the process and how parents, and their children, will benefit from this exercise?
Morning Pages are three pages of longhand, morning writing about absolutely anything. Virginia Wolfe advised wanna-be artists that they would need “a room of their own.” Morning Pages constitute such a room. As parents write their pages, they come in contact with their authentic feelings. This allows them to relate to their children without resentment. Instead, they find themselves tabulating the many tiny steps in their child’s development and their own reactions to them.

In what ways has our changing culture influenced people’s creativity over the years and generations?
Morning Pages are an old-fashioned tool. Writing by hand, we achieve a hand-made life. Writing by computer, we race along, ignoring our true feelings and perceptions. Emailing and texting, we tune out on our environment. As we focus on old-fashioned tools such as crafts, we awaken our child’s originality. Keeping our own technological indulgence to a minimum, we encourage our children to do the same.

How did your own parents encourage creativity in you and your siblings?
My parents encouraged creativity by supplying rich resources for our creative self-expression. They encouraged us to draw, paint, write and make music. They applauded our efforts. Their encouragement was pivotal in developing our love of self-expression.

Why is it so important for parents to awaken their children’s creative minds
Just as blood is part of our physical DNA, creativity is part of our spiritual DNA. Awakening our children’s creativity gives them the opportunity to become fully rounded individuals.

What is the most important takeaway for parents who are reading The Artist’s Way for Parents?

Readers of The Artist’s Way for Parents will find themselves cultivating their own creativity. They will see how their common sense and simple encouragement will benefit their children. They will learn the value of their alert participation in their children’s unfolding lives.

ABOUT THE BOOK
“For decades, people have been asking me to write this book. The Artist’s Way focuses on a creative recovery. We re-cover the ground we have traveled in our past. The Artist’s Way for Parents focuses on creative cultivation, where we consciously—and playfully—put our children on a healthy creative path toward the future.” —Julia Cameron
From the bestselling author of The Artist’s Way comes the most highly requested addition to Julia Cameron’s canon of work on the creative process. The Artist’s Way for Parents provides an ongoing spiritual toolkit that parents can enter—and re-enter—at any pace and at any point in their child’s early years.
According to Cameron: “Every child is creative—and every parent is creative. Your child requires joy, and exercising creativity, both independently and together, makes for a happy and fulfilling family life.” Focusing on parents and their children from birth to age twelve, The Artist’s Way for Parents builds on the foundation of The Artist’s Way and shares it with the next generation. Using spiritual concepts and practical tools, this book will assist parents as they guide their children to greater creativity.
BOOK DETAILS:

Genre: Non Fiction, Parenting & relationships
Published by: Tarcher
Publication Date: August 15, 2013
Number of Pages: 288
ISBN-10: 0399163727
ISBN-13: 978-0399163722

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THANKS TO JILL AT FINN PARTNERS,
I
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We think your readers would be interested in learning about the charitable promotion that Tarcher/Penguin is running now through August 15th: To celebrate the release of The Artist’s Way for Parents, Tarcher/Penguin has teamed with the LilySarahGraceFund and the International Child Art Foundation to help underprivileged children everywhere gain access to the arts. For every copy of The Artist’s Way for Parents sold now through August 15th, Tarcher/Penguin will donate $1 to these organizations. In addition, if the total number of copies sold within this timeframe (hardcopy or ebook) exceeds 1,000, Tarcher/Penguin will double its contribution. To make each order count, simply e-mail your receipt or an image of your receipt to: AWforParents@gmail.com.

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ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

 

Partners In Crime Tours Presents: Guest Author J.M. LeDUC

WELCOME J.M. LeDUC

J.M. LeDUC

Mark Adduci, writing as J. M. LeDuc is native Bostonian, who transplanted to South Florida in 1985. He shares his love and life with his wife, Sherri and his daughter, Chelsea.

Blessed to have had a mother who loved the written word, her passion was passed on to him. It is in her maiden name he writes. When he is not crafting the plot of his next thriller, his alter ego is busy working as a professor at The Academy of Nursing and Health Occupations, a nursing college in West Palm Beach, Florida.

J.M. LeDuc’s first novel, “Cursed Blessing” won a Royal Palm Literary Award in 2008 as an unpublished manuscript in the thriller category. It was published in 2010. He has subsequently written Cursed Presence and Cursed Days, books two and three of the Trilogy of The Chosen, as well as a novella, Phantom Squad. He is a proud member of the Florida Writers Association (FWA) and the prestigious International Thriller Writers (ITW).
Connect with J.M. LeDuc at these sites:

WEBSITE      

ABOUT THE BOOK

In the blink of an eye, a life begins and another ends.

In a blink of an eye, Brent Venturi falls into the chasm of despair.

What do you do when everything is lost? When the person you loved is gone and all you have left is guilt? These are the questions that face Brent, the leader of the Phantom Squad and the latest in Noah’s line of descendants. His answer—go back to the beginning, back to where it all began—Mount Ararat.

The last known resting place of Noah’s Ark.

In his travels, Brent will meet Rowtag Achak, a Cree brave and Special Forces sniper who is on a similar path of self-destruction. Together, they will trace their steps from Palm Cove to Washington D.C., all the way to Armenia and the Khor Virap Monastery which sits at the base of Mount Ararat. Their travels will eventually take them to Alpha Camp and the Hindu Kush Mountains on the Pakistan-Afghanistan border.

When President Dupree and the Phantom Squad get captured by the Brotherhood of Gaza, time for introspection is over and time for action begins. Brent must find a way to get back to the man he was in order to save the people still left in his life.

What begins as a sabbatical of self-awareness turns into a mission of survival. His own, that of the squad and more importantly, that of the president of the United States. What man and nature takes away, only God can restore. The restoration of the Cornerstone.

To find the beginning, one must walk through the past and be willing to step into the future.

READ AN EXCERPT
Prologue
One month agoIn one combustible moment, Brent’s life became a tumultuous cascade of happiness and horror. He had witnessed the birth of his daughter and the death of his wife.
Two weeks agoEight years ago, after his first encounter with the Omega Butcher, a sadistic serial killer, Brent Venturi lost his identity. Emotional and physical scars forced a sabbatical from the team he led: The Phantom Squad. It was only through the peace he had found in God and in his hometown of Palm Cove that he was able to recover from his physical and psychological injuries.He was once again sliding back down that slippery slope of despair into a deep, depressive abyss. The place he once ran to for tranquility no longer provided comfort. He spent his days alone and his nights wandering the streets.The nightmares that once plagued his life, the nightmares he thought were in his past, once again tore a path through his subconscious mind. It was terrifying enough when his dreams brought visions of his own torture, but now, the visions and images were different. More vivid, more personal, more terrifying. The tortured was now Chloe. His nightmares were made worse by the images of blood: so much blood, pools of blood, on her, on him . . . everywhere.When he did manage to fall asleep, Brent woke up in a pool of sweat and vomit, fearful that the wetness he felt was blood. Chloe’s blood.Agony was making him less of a man and more of a weapon of mass destruction.

 

Chapter 1

 

Present

Seven walked with a purposeful stride down the halls of SIA headquarters which made all other three letter intelligence agencies seem like child’s play. The sound of his footfalls as his heavy boots struck the tile floors reverberated in his ears like the base of a stereo. He heard it echo off the solid steel walls. As he walked deeper into the labyrinth, he looked up at the writing over the door that led to the inner sanctum.

We are called upon when others fail.

He placed his hand on the black glass panel next to the steel door. Like all others in HQ, it worked by palmer recognition. A faint red line slid under his hand. The door’s air lock disengaged. He repeated this maneuver multiple times as he descended further into the maze, finally arriving at his destination, the security office. Joan’s lair.

Joan, an eclectic blend of bohemian and punk was Maddie Smith’s personal assistant and a self taught computer genius. Her office was nestled in the midst of SIA’s security hub. A sea of computers and flat screen monitors filled every bit of desk and wall space. As he entered, she sat transfixed and stared at a video feed. The monitor she was glued to took up one entire wall and was embedded in three feet of concrete and steel.

“How long has he been there?” Seven asked.

Joan turned just long enough to acknowledge his arrival. “I arrived at o-eight hundred hours. The security clock shows he’s been there since…”

“O-five hundred.” Seven finished her sentence.

It had been the same pattern for the past ten days.

He stood behind her and watched Brent in the armory. Seven, like all of those close to Brent, was showing the signs of stress. In the past weeks, wrinkles from age crept into his face, like dried fissures on barren land.

He blinked the sleeplessness from his eyes. “Can you roll the tape back to when he arrived?”

“I can, but nothing has changed. Brent is still anal—a man of pattern.”

Seven reached into the back pocket of his jeans and took out his tobacco tin. Watching the screen, he tapped the lid, shook loose the tobacco, and placed it between his lower lip and gums.

Joan looked at him, rolled her eyes and shook her head. “Much like yourself.”

Seven smirked and spit in his empty coffee cup. “Oblige an old man,” he drawled, “and run the tape.”

“Yes, sir.” Joan reached over with her left hand, nimbly fingered the keyboard, and brought up the tape.

“Finally, a woman who will listen to me.”

“I hope that wasn’t meant for me.”

They both turned and saw Maddie standing in the doorway. Maddie Smith was the director of the SIA and Seven’s wife. As always, everyone’s eyes were glued to her—she was stunning. A voluptuous redhead who knew how to draw attention from both sexes. She embodied a 1950’s movie starlet.

“Good morning, Darlin,” Seven smiled.

“Good morning, Madam Director,” Joan said.

Her piecing emerald green eyes focused on Joan. “Why so formal this morning?”

Joan shrugged. “Everything seems so formal since, . . .” her eyes moistened, “you know.”

Maddie’s voice took on a saddened tone. She stood behind Joan, lightly rubbed her shoulders, and kissed the top of her head. “Yeah, I know, but I would feel better if you went back to calling me Maddie, or Mom, or the ‘B’ word that you mumble under your breath from time to time.”

Joan wiped her tears and sniffed. “And what word would that be?”

“Beautiful,” Maddie joked.

A partial smile surfaced on Joan’s lips. “Oh, that ‘B’ word. Right.”

“That’s the first time I’ve seen you smile in weeks. It feels good.” She looked at Seven expecting a sarcastic comeback, but he was glued to the screen. The look in her husband’s eyes made her shiver. “What is it?”

“It’s Brent’s eyes. They’re blank. Emotionless. It’s as if he were on a squad mission.”

“Is that so bad?” Joan said. “Isn’t that the way you all look when you’re engaged in training?”

Pointing to the monitor, Seven said, “This is different. Look at his jugular veins. His eyes may be expressionless, but the rest of him is about to snap.”

Maddie drew in a deep breath as she watched the monitor. Blowing it out, she knew what she had to do. “We can’t put the inevitable off any longer. Call the directorate and the Phantom Squad to a meeting at thirteen hundred hours and Seven,” she waited for him to acknowledge her.

“Get him there.”

BOOK DETAILS:

Genre: Christian Suspense
Published by: Suspense Publishing
Publication Date: 06/25/13
Number of Pages: 330
ISBN: 978-1484188682 // 1484188683

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Guest Author DEBRA WEBB showcase & giveaway ENDED

WELCOME BACK DEBRA WEBB

DEBRA WEBB

Debra Webb, born in Alabama, wrote her first story at age nine and her first romance at thirteen. It wasn’t until she spent three years working for the military behind the Iron Curtain—and a five-year stint with NASA—that she realized her true calling. A collision course between suspense and romance was set. Since then she has penned nearly 100 novels, including her internationally bestselling Colby Agency series.  Debra’s debut romantic thriller series, Faces of Evil, propelled her to the top of the bestselling charts for an unparalleled twenty-four weeks.
Connect with Debra at these sites:

WEBSITE TWITTER

Q&A with Debra Webb

On Writing and Reading:
-Do you draw from personal experiences and/or current events?
A little of both. Since my husband was in the military we spent a lot of years living in different locations and meeting different folks. I spend a lot of time reading newspapers, magazines and online news feeds.

-Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
With the Faces of Evil the motive is key since the series explores the levels of evil. Once I have the motive in place I decide who the killer will be and then the victims. Once those elements are fleshed out the story begins!

-Your routine when writing? Any idiosyncrasies?
I have my coffee and wander to my office. First thing I do is turn on the music and get comfortable.

-Is writing your full time job? If not, may I ask what you do by day?
Writing has been my full time job for 15 years. Before that I worked on the Shuttle Project with NASA.

-Who are some of your favorite authors?
Too many to name! But I never miss anything by Regan Black,Allison Brennan, Robert Gregory Browne, Brett Battles, Kathy Carmichael, Cindy Gerard, Rita Herron, Vicki Hinze, CJ Lyons, VR Marks, Karen Rose, and Peggy Webb!

-What are you reading now?
I am really lucky! I’m reading an advance copy of a Lucy Guardino novella by CJ Lyons.

-Are you working on your next novel? Can you tell us a little about it?
I am! I’m working on Book 7, VICIOUS, of the Faces of Evil series and a Christmas novella that’s a prequel for the series.

Fun questions:
-Your novel will be a movie. Who would you cast?
I think I’d have to leave that up to the experts!

-Would you rather read or watch TV/movie?
Most of the time the answer would be read but I do love a great movie!

-Favorite food? Good bread.

-Favorite beverage? Coca Cola
Thank you for stopping by CMash Reads and spending time with us.

THE BOOKS

When her beloved high school teacher appears on her doorstep, Deputy Chief Jess Harris is flooded with fond memories—until the woman says she’s about to be charged with murder.

The victim was a member of Birmingham’s famed “Five.” Twelve years ago, the Five were rich, popular seniors who threw one last wild party. Two social outcasts were invited, and the next morning one of them was dead. Now Jess fears the invitation to an upcoming class reunion may have forced the Five to play a deadly new game. A vicious cycle of vengeance has begun, and the killer is far from finished…

Publisher: Forever Mass Market
Publication Date: July 30, 2013
ISBN-13: 978-1-4555-2758-8

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Three photos of three unknown women. Sent to Deputy Chief Jess Harris by the Player, one of the world’s most sadistic killers. The Player is taunting her, and Jess is more than ready to take on his challenge.

Only one thing could distract her from the Player’s deadly game: the appearance of a clue to long-unsolved cases. For years Birmingham’s children were vanishing—one per year, always on a full moon—until the disappearances stopped and the Man in the Moon case went cold. No leads on the children were ever found—until now.

Jess has no choice but to pursue the case. Someone is reaching out to her, sending her mementos of the missing children, and the citizens of Birmingham deserve justice. But after years of silence, has the Man in the Moon really resurfaced? Or is he just another pawn in the Player’s game?

Publisher: Forever Mass Market
Publication Date: August 27, 2013
ISBN-13: 978-1-4555-2760-1

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ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

 

Guest Author DARCY SCOTT

WELCOME DARCY SCOTT


DARCY SCOTT

DARCY SCOTT is a live-aboard sailor and experienced ocean cruiser who’s sailed to Grenada and back on a whim, island-hopped through the Caribbean, and been struck by lightning in the middle of the Gulf Stream. Her favorite cruising ground remains the coast of Maine, however, and her appreciation of the history and rugged beauty of its sparsely populated out-islands serves as inspiration for her Maine Island Mystery Series, which includes 2012’s award-winning “Matinicus” and the newly released “Reese’s Leap.” Book three, “Ragged Island,” is currently in the works. Her debut novel, “Hunter Huntress,” was published in June, 2010 by Snowbooks, Ltd., UK.
Connect with Darcy at these sites:

WEBSITE            TWITTER

ABOUT THE BOOK

In this much-anticipated sequel to the award-winning “Matinicus,” five longtime friends—briefly freed from their complex lives for an annual, all-female retreat on Adria Jackman’s remote, 200-acre enclave of Mistake Island, Maine—are forced to put the partying on hold to host the hard-drinking, bachelor botanist, Gil Hodges, stranded there for what could be days.

A hopeless womanizer, Gil is secretly pleased at the layover, but soon finds Mistake’s deeply forested interior deceptively bucolic and the women a bit too intriguing for comfort, stirring both glorious memory and profound regret. When a diabolical stranger appears out of nowhere, insinuating himself into the fold to exact a twisted kind of revenge, it falls to Gil to keep the women safe, despite a dawning awareness that not everyone will make it off the island alive.

READ AN EXCERPT
I’m slow coming to in the early-morning stillness—arm slung over my eyes, something lumpy under my butt I only now realize has been digging in for some time. It seems I slept fully clothed, too—something I never do—but the damp chill beneath me makes even less sense, the fusty smell wafting from my bedclothes not quite the permeating fug of the hammock I’ve grown used to. I could crack my eyes and get a visual, I suppose, but that would involve prying the pasty things apart first—something that’s beyond me just now.
The shamelessly chipper bird sounding off just above me and the dry whisper of field grass are what tip me off. The meadow. I spent the night in the fucking meadow.
My groan is of the just-how-big-an-asshole-did-I-make-of-myself variety, chased by the kind of creeping, morning-after dread I’ve come to know so well. I vaguely recall a bottle of tawny Port, unearthed by Adria from some secret stash of her father’s after everyone else had gone to bed—which was earlier than usual, thanks to the pall Brit and Pete cast over the evening. Just the two of us, then—well, three, if you count the bottle. Pure liquid ambrosia, if memory serves. No doubt I went a bit overboard. But it wasn’t the booze or the thought of another night crammed onto that miserable hammock that got me out here, I recall now, but the fear of what I might do about Nora’s tempting proximity while I lay in such a weakened and vulnerable state. Still, I’ve no clue how I managed it. Could have walked, could have flown, could have been wheeled in a barrow. But however I did it, I slept like the proverbial rock.
No reason to get up now either, I figure—at least not ’til the mosquitoes find me. Another hour, I plead, rolling over, which is when I see Pete down on his haunches studying me, face not a foot from mine.
“Jesus!” I bark, adrenaline powering my scramble to clear the sleeping bag I apparently dragged out here with me. “Don’t do that!”
He cocks his head, rising to meet me as I stand. Not a good idea as it turns out, this standing business, considering the explosion of pain at the top of my head. At six-two, I’m five or six inches taller than this guy—something that would normally make me feel pretty good, only nothing feels good just now. My legs are so wobbly, it’s all I can do to remain vertical. I glance down at the cool breeze running over my left foot.
My sore, bare left foot.
Where the fuck is my shoe?
“Piece of advice,” Pete says, glancing toward the mountain, gaze flat and unreadable as he swings it back my way. Think Clint Eastwood’s slow burn, but with none of his style. “Right now we got no real beef, you and me. Keep out of this and it’ll stay that way.”
What this? There’s a this?
“Let me guess,” I say, pinching the bridge of my nose against the vise slowly tightening at the top of my head, the forks carving out the backs of my eyeballs. The things I do to myself. “This is about your brother, right? What—you were too busy lobbing the n-word at Adria to hear her say she wasn’t around? That none of these chicks know anything about this?”
“They know,” he assures me. “Just not sayin’.”
“They—as in…”
“All of ’em, probably.”
Of course. Conspiracy among the conifers. I’ll have to remember to suggest this to Duggan for the title of whatever mystery or thriller he’s hoping to eke out of all this.
“Come on, man. You saw the looks on their faces—total fucking surprise.”
“Brit said they come out here every year—same women, same week in July.”
Good old Brit. “I wouldn’t know.” Nor do I care. Once around with this shit’s more than enough for me; besides, I desperately need to keep the sun from hitting my retinas just now. Shades, I think. I pat my pockets.
“Earl was killed the week they were here. July 21st.”
“July 21st what?”
“Day he died.”
“You can’t possibly know that,” I say, carefully lowering myself to rummage in my
rucksack for those miserable Maui Jims. Sliding them on makes things marginally better, but mincing my way back to my feet brings stabbing pains from the sole of the shoeless one. Man, it hurts. What the hell did I step on, anyway? Glass, rock—what?
“So, okay,” I say, cranking the foot up stork-like to peer at the dried brown goo stuck to the bottom. Mud? I wonder, hopping awkwardly to stay upright. Blood? “Say you’re right, and he was here. Doesn’t mean they knew he was here.” Gently probing the most tender places for lacerations, protruding foreign objects. “If Adria even suspected he was camping on the island, she’d have booted his ass off. You’ve seen the way she is about this place.”
“Earl don’t listen to nobody when his mind’s set. Kind of his trademark.”
More of that unremitting Eastwood gaze, which is frankly starting to piss me off. Out of nowhere, another piece of yesterday slips along the edge of my mind—something weird about the timing of all this. And then it hits me. If Earl died two years ago, why’s this guy just turning up now?
“You were in prison when it happened.” Pure hunch, of course, but it fits. Explains why he seemed so hinky from the start, that vague whiff of what I now recognize as recent and intimate acquaintance with Maine State Corrections. I do the mental math, take a stab. “You and Earl were sent up together; only he got out early. Drugs would be my bet. That or a juicy little B&E.”
“Fuck them bastards. Bullshit’s what it was. Lousy pot bust. My second time, so the judge bumped me a couple extra years.”
“So Earl gets out, comes here to revisit the old stomping grounds, and ends up dead.”
“I knew there’d be trouble, what with me not around to keep him in line. It was me always looked out for him.”
“Plus, you landed him in jail. What a bro. But hey, at least you knew where he was; there’s that.” Screwing with him like this probably isn’t smart, but I’m still kinda punchy, and I need to piss. Besides; I really, really, really don’t like this guy.
Pete cocks his head.
“This funny to you?”
Fucking hilarious, actually, only it’s fast becoming clear that leaving Adria et al alone while a deluded nut like this is wandering the island wouldn’t be smart. There’s my conscience to consider, what’s left of it anyway. “So you got sprung—what—a month ago? Two?”
“Sat in that shitty jail two years knowin’ he’d been murdered, countin’ the days ’til I got out.”
“Accidents happen, pal. You’ve seen the cliffs out here—dangerous as hell in the wrong conditions.”
“Earl never went near them cliffs. Hated heights. No, somethin’ happened out here. I’m gonna know what and I’m gonna know why. I owe him that. You bein’ here just complicates things.”
“Yeah, well, only person leaving the island is you,” I say, trying to sound all bad-ass as I fight the urge to toss my cookies. “I’m not going anywhere.”
He considers. “Your decision. Things been put in motion. Don’t say I didn’t warn you.” A smirk as he nods toward the sleeping bag. “Nice.”
I glance down, following his gaze. A faded field of blue dotted with yellow and pink flowers, the darker hue of a minimally sullied ball gown and white-gloved hands—all this capped with the lemon yellow orb of Cinderella’s hair, her face lit with a saccharine smile. A little girl’s sleeping bag, I realize. Swell.
“So here’s what you do,” he says. “You and the other girls have a meetin’. You explain how things are gonna get really ugly, really fast, if I don’t find out what went down.”
With that he trots back into the brush like something out of The Last of the Mohicans—all that bouncy action enough to set my eyeballs aching. What the fuck was in that bottle, anyway?
Nothing for it but to head to the house and fill Adria in, come up with some kind of plan.
After I find that fucking shoe.

BOOK DETAILS:

Genre: Mystery
Published by: Maine Authors Publishing
Publication Date: March 23, 2013
Number of Pages: 216
ISBN: 978-1938883347
Series: Island Mystery Series #2

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Awards

Recently, Matinicus (prequel to Reese’s Leap) has won both the “Best Mystery,” 2013 Indie Book Awards and the Bronze Prize for Regional Fiction from the 2013 IPPY Awards

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Guest Author ERIC TRANT showcase & giveaway ENDED

WELCOME ERIC TRANT

ERIC TRANT

Eric Trant is a fantasy-thriller author who lives in North Dallas with his wife and family. His work blends believable stories into a mixture of realism and supernatural elements, while always keeping the reader engaged with deeply-drawn characters, stunning visuals and constant motion. His goal is to create stories which linger with the reader long after the book is read. Wink is Eric’s second novel.
Connect with Eric at these sites:

WEBSITE

GUEST POST

Why You Should Be Yourself in Writing and Marketing

I used to have this story in my head, and I guess it’s still there, called A Day in the Life of Someone More Interesting. I have no idea what the story is about, other than it is not about me. I don’t find that I’m all that interesting or impressive or conversational or mysterious or brilliant or any of those things you want your characters to be. I want to be someone different, and that can get you into trouble.

First of all, everyone is interesting if you dig deep enough. We all have backstories and a neat history and worthwhile beliefs and opinions. Just because someone is popular does not mean they are more important or smarter, it just means they are more obvious to a greater number of people.

I now bring the topic to the art of writing and to the business of marketing your writing. There is a (or an? help!) ubiquitous belief among non-megalomaniacs and non-Narcissists that we are uninteresting to ourselves. There is also a pervasive fact of human nature that we are interesting to everyone else. There is the nosy neighbor peeking through the blinds, here the gossip whispering, down in the basement the Facebook addict posting up juicy tidbits, and all around you the flitter-flatter of chitter-chatter about other peoples’ (or people’s? peoples? oh man where is my editor!) business.

Be true to yourself when you write and your readers will be true to you. This means creating stories that you find interesting, and that draw on your experiences. If you want a different experience, get one! Go on a cruise before you write the boat-book, on a hike before you write the mountain-book, on a date before you write the date-book, and so on. You do not have to fake interesting to find great pieces of yourself to inject into your stories.

Even more of this is true for the marketing. As a society of consumers, raised in the Golden Age of Advertising, subject to tweets and posts and sidebar ads and billboards and commercials and little signs above the urinal, we are adept at picking out the BS from these ads. While some ads are tricky, we can usually spot the stinky-stuff and avoid it with a fair degree of success.

So avoid the stinky-stuff in your marketing. Do what you are comfortable doing, and become good at those things. Find a marketing path that marries your personality with your skillset, and that caters to the crowd who is going to read the stories you wrote. Public signings and speeches come first to mind, since that is a big deal to authors, especially new ones. If you are uncomfortable and insecure and untrained in public speaking, it is best to be silent and thought a fool than to open your mouth and remove all doubt. Isn’t that how the saying goes?

Me, I prefer to keep my blog and FB and one-on-one marketing very personal and personable with a smidge of commerciality. In other words, I want to be known first as Eric, and then as Eric Trant the Author. Still, going full-on commercial works for many authors and entertainers, but not for me. I prefer to wait on the book signings and speaking until I have a few books to sign and speak about. Wink is my second novel, and I have several short stories under my belt. I am just now comfortable doing things like blog tours and open promotions, and speaking in personal circles about my writing, and hope on future pieces to be comfortable doing public signings and speaking. Many authors tour their first book, or even their first short story, but that’s not for me.

Do you see where I’m going with this? While I do step out of my comfort zone — you must do that — I stay close enough to home that I don’t become someone unrecognizable as Eric. I am true to myself, and I believe that will make all the difference.

How about you? Have you done or been asked to do anything you did not believe in? What are your comfort zones for marketing and writing?

 

ABOUT THE BOOK
In this thriller set in a rural Gulf Coast town, twelve-year-old Marty Jameson finds refuge in the attic from his mother’s abusive rages. But only during the day. At night the attic holds terrors even beyond what he witnesses in his home. With a family made up of a psychotic mother, a drug-dealing father and a comatose older brother withering away in the spare bedroom, Marty feels trapped.Next door, wheel-chair bound Sadie Marsh obsessively watches Marty’s comings and goings from her bedroom window, despite her mother’s warning about the evil in that house. Evil which appears to Sadie as huge black-winged creatures.Marty, emotionally torn by the violence and dysfunction in his family, is drawn to Sadie and her kindly mother. But if he is to save his new friend from the supernatural horror threatening them all, Marty must transform himself from victim to hero. And to do so, he must first confront what lurks hidden in the shadows of his attic.

BOOK DETAILS:

Genre: Thriller
Publisher: WiDo Publishing
Publication date: 3/27/2013
Pages: 282
ISBN-13: 9781937178345

PURCHASE LINKS:

           

THANKS TO CRYSTAL AT WOW!,
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HAVE ONE (1) COPY TO GIVE AWAY.
PRINT-OPEN TO U.S. & CANADA RESIDENTS or EBOOK-OPEN TO ALL
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ADDENDUM
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Partners In Crime Tours Presents: FAYE KELLERMAN

 

WELCOME FAYE KELLERMAN


 

FAYE KELLERMAN

Faye Kellerman lives with her husband, New York Times bestselling author Jonathan Kellerman, in Los Angeles, California, and Santa Fe, New Mexico.
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ABOUT THE BOOK

Over his years with the LAPD, Peter Decker has handled a number of tough cases and strange killers. Few of his previous assignments compare to his latest case—the most bizarre of his storied career.

When Hobart Penny is found dead in his apartment, the cops think that his pet cat—an adult female tiger—attacked the reclusive elderly billionaire. But it soon becomes clear that the beast that killed the eccentric inventor is all too human. Digging into the victim’s life, Decker and his colleagues, Detectives Marge Dunn and Scott Oliver, discover that Penny was an exceptionally peculiar man with exotic tastes, including kinky sex with call girls.

Following a trail of clues that leads from a wildlife sanctuary in the San Bernardino Mountains to the wild nightlife of Las Vegas, the LAPD detectives are left juggling too many suspects and too few answers. To break open a case involving the two most primal instincts—sex and murder—Decker wrestles with a difficult choice: turning to a man with expert knowledge of both—Chris Donatti, the dangerous man who also happens to be the father of Decker’s foster son Gabriel Whitman, a boy not without his own problems.

As their work and intimate worlds collide, Decker and his wife, Rina, find themselves facing tough questions. It just might be that family crises and work-related responsibilities prove too much for Decker’s career. A confluence of ordeals can stress even the most intact of families. And when all these shocking truths comes out, exactly how well will Decker and Rina cope as well as survive?

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THE BEAST By Faye Kellerman
It was the stuff of nightmares, starting with the slow walk down the courtroom aisle: as if his stall tactics had the power to stop the inevitable. Seven hours of testimony, but it wasn’t the length of time that was horrific. When practicing the piano, Gabe had done marathon sessions twice as long as that. But he had always used his music to zone out, and that was impossible to do when being grilled on the witness stand. It had required concentrating on things he was trying so hard to forget: how that day had started out so normal and within minutes had turned into something almost deadly. By four in the afternoon, the trial had finally recessed and the prosecution was essentially done, although Gabe knew the lawyers would have more questions on redirect. He walked out of the courtroom with his foster mother, Rina Decker, on one side and his foster dad, the lieutenant, on the other. They guided him into a waiting car. Sergeant Marge Dunn was behind the wheel. She maneuvered the silent group through the streets of the San Fernando Valley—a suburb of L.A.—until they reached the driveway of the Decker house. Once inside, Gabe collapsed on the living room couch, took off his glasses, and closed his eyes. Rina took off her tam, liberating a sheet of black, shoulder-length hair, and regarded the boy. He was nearly bald—courtesy of an indie film he had starred in—and his complexion was pale and pasty. Little red bumps covered his forehead. She said, “I’m going to change and get dinner ready.” At the sound of her voice, Gabe opened his eyes. “You must be starving.”
“Actually I feel queasy.” He rubbed his green orbs and put his specs back on. “Once I start eating, I’m sure I’ll be okay.” Decker and Marge came in a moment later, chatting about business. The lieutenant loosened his tie, and then took a seat next to the boy. The poor kid was constantly jockeying back and forth between the teen and adult worlds. For the last year, his foster son had been at Juilliard, finishing almost two years in one. Decker threw his arm around the kid’s shoulder and kissed the top of his peach fuzz head. Gabe wasn’t totally bald, but what was growing in was blondish. Gabe asked, “How’d I do?” “Phenomenal,” Decker said. “I wish every witness I had was half as good as you.” Marge sat opposite the boys. “You were a dream for the prosecution: completely credible, plainspoken, and damn cute.” When Gabe smiled, she said, “Plus being a movie star doesn’t hurt.” “Oh Jeez. It was barely above a student film on a shoestring budget. It’ll never go anywhere.” Decker smiled. “You never know.” “Believe me, I know. Did I ever tell you about my breakdown scene? I’m running down this long hallway of the sanitarium buck naked with my hair flying in back as attendants in white coats try to catch me. When they catch me, they start to shave my head and I’m screaming, ‘not my hair, not my hair.’ I haven’t seen the movie, so I’ll have to take the director’s word that it was a great scene.” “You haven’t watched your own movie?” Marge asked. “No. Too embarrassed. Not at me being naked, but I’m pretty sure I’m a dreadful actor.”
Marge smiled, stood up, and picked a piece of pilled wool off of her beige sweater. “Well, gentlemen, I’ve got to go back to the station house. I left a pile of paperwork on my desk.” “Not to mention everything dropped in your lap,” Decker said. “Thanks for picking up the slack.” Rina walked in. She had donned a long-sleeved black T-shirt, a jean skirt, and slippers. “You’re not staying for dinner, Marge?” “Can’t. Too much work to do.” Decker looked at his watch. “I’ll come join you in about an hour if you’re still around. I’ll bring you a care package from tonight’s dinner.” “In that case, I’ll make sure I’m around.” Marge waved and left. Decker said to his wife, “You need any help?” “I’m fine. It’s been a long day and a little quiet is okay with me.” She disappeared into the kitchen. Gabe said, “I should shower. I smell pretty bad. I was sweating a lot.” “Normal.” “I suppose this is only a warm-up for tomorrow. Defense is going to have a field day with me.” “You’ll be fine. Just stick to who you are and tell the truth.” “That I’m the son of a hit man?” “Gabe—” “I mean who are we kidding? You know they’re gonna bring him up.” “Probably. And if they do, your lawyer will object, because Christopher Donatti is irrelevant.”
“He’s a criminal.” “He is, but you aren’t.” “He runs whorehouses.” “Whorehouses are legal in Nevada.” “He cut up Dylan Lashay and turned him into a mass of jelly.” “Now you’re speculating.” Decker looked at the boy. “Okay. I’m the defense and cross direct, okay.” He cleared his throat and tried to act like a lawyer. “Have you ever participated in anything criminal? And be careful what you answer.” Gabe thought a moment. “I smoked pot.” “Ever take pills?” “Prescription medication.” “Such as.” “Paxil, Xanax, Zoloft, Prozac … a cornucopia of pharmaceuticals. My doctors rotate around to see what’s affective. And the answer to that is—nothing.” “It is sufficient to just list the medications, Gabriel.” “I know.” “Are you anxious now?” “I’m very anxious.” “Good answer,” Decker said. “Who wouldn’t be anxious during this process? The prosecution has presented you today as a gifted teen that has gone through a very traumatic experience. On cross, defense will try to trip you up. They’ll ask you about your dad, they’ll ask you about me. Always pause before you answer to give the prosecution time to object. And whatever you do, don’t speculate. On redirect, the lawyers will make sure that the jury knows that you are not your father’s son.” Gabe said, “I don’t really care about myself. I’m worried about Yasmine. It kills me to picture her being hammered at by some jerk lawyer.” “She’s sixteen, sheltered, an A student, and physically, she’s small and delicate. She’ll probably cry. Everyone will go lightly on her. What they’ll do is ask her to repeat verbatim what Dylan and the others said to her and argue about the meaning of their statements. I’m sure the defense will say something like they were just kidding around. Bad taste, but no serious intent.” “Dylan was going to rape her.” “He might have even killed her if you didn’t step in.” Decker paused. “It could be she won’t make it to the witness box. After your testimony, they may try again for a plea bargain.” “Dylan’s completely physically messed up. Why didn’t they plea bargain in the first place?” “The Lashays wouldn’t agree to jail time. We offered them a prison hospital, but the parents wouldn’t take it, claiming the prison hospital doesn’t have the wherewithal to care for Dylan in his current state.” “Surely someone can wipe his drool,” Gabe muttered. “I hope he dies a terrible death.” “He probably will,” Decker said. “In the meantime, he’s living a terrible life.”
Riding with the windows down, Decker enjoyed the air after being locked away in a stuffy and tense courtroom. He wasn’t anticipating anything more than a mountain of paperwork to deal with, but then his cell went off just as he was parking in the station house’s lot. Bluetooth told him Marge Dunn was on the line. “Yo, Sergeant, I’m right outside.” “Stay there. I’m coming down.” The phone disconnected. A few minutes later, she came out of the building and jogged over to the car. Sliding onto the passenger seat, she closed the door. The night was cool, and she wrapped her hands in the sleeves of her knitted hoodie. She gave him the address, which was fifteen minutes away. There was a tense look on her face. “We have an issue.” “Yeah, I ascertained that.” “Do you remember an eccentric millionaire named Hobart Penny?” “Some kind of engineer-inventor. Made his money in aerospace I want to say?” “That was Howard Hughes. But you’re not too far off. He holds about fifty different patents for high-heat polymers including glues and plastics used in aerospace. The consensus on the Internet says he’s worth around a half-billion dollars.” “Sizeable chunk of change.” “Exactly. And like Hughes, he became a recluse. He’s now either eighty-eight or eightynine, depending on what site you’re at. Did you know he lived in our district?” “Lived?” “Or maybe it’s still the present tense, but I don’t think so. He rents an apartment in the Glencove district and has resided there for the past twenty-five years.” “I had no idea.” “Neither did anyone in the complex. We got a call about a half-hour ago from a unit adjacent to his. Something stinks inside Penny’s apartment.” “That’s not good.”
“Not good but not unusual, considering his age. Okay. So he’s been dead for a couple of days. We can deal with that. But here’s the problem. The complainant has been hearing strange sounds coming from his apartment.” “Like?” “Clicking, scratching, and an unmistakable roaring.” “Roaring? As in a lion roaring?” “Or it could be some other big cat. The complainant had gathered up some of his fellow apartment dwellers along with the building’s manager whose name is George Paxton. I talked to the manager, told him I was sending some people down to get everyone out of the apartment building—as in immediately.” “God yes! We need a total evacuation of the structure.” “If you want the apartment buildings adjacent to be evacuated for good measure, I’ll radio for more units.” “Yeah, go ahead. Better to be safe, right. You’ve called animal control?” “Of course. I’ve requested people with experience working with big cats. That might take awhile.” Decker shook his head. “This is crazy.” “It’s a first for me.” Silence. Decker said, “How did you end up with the call?” “Someone in-house transferred the call to Homicide. Not a bad decision, considering we’ve got an old recluse, a rotten smell, and a roaring animal. I’d say the chance for finding a dead body is very high.”
The area was largely residential: a mix of apartments, condos, and single-family homes, but there was a small strip mall of businesses located across the street from the address. The black night mixed with floodlights and with blinking lights from the bars on the cruisers. Several ambulances had been called and were standing by, just in case. After double parking, Decker and Marge got out, flashed their badges, and were allowed entry into the activity. About fifty yards up was a huddle of animal control agents in tan uniforms. He and Marge fast walked over to the circle and displayed their badges. At that specific moment, something bestial let out a ferocious bellow. Decker jumped back. The roar was especially eerie because it was a foggy and moonless night. He held up his hands in a helpless gesture. “What the hey?” A sandy-haired, muscular man in his thirties stuck out his hand, first to Marge, then to Decker. Introductions were made all around—three men and a woman roughly ranging in age from midtwenties to midforties. “Ryan Wilner.” Decker said, “I thought it was going to take a while for you guys to get here.” “Me and Hathaway were in GLAZA, teaching a seminar on big cats. Zoo is a straight shot to here if there’s no traffic.” Hathaway was tall and bald. His first name was Paul. He said, “We’re usually the big cat guys, but we do everything.” Marge said, “How often do you deal with wild animals?” “Wild animals all the time—raccoons, skunks, possum … even bears coming in from Angeles Crest. Exotics are another bag of tricks. We deal with a big cat maybe once a year,
mostly lions or tigers, but I’ve done jaguars and leopards. Couple times I’ve been asked to help out with wolf hybrid packs that had turned on their owner.” Wilner said, “I just did a chimp about a month ago.” “Lots of reptiles.” The woman who spoke had close-cropped blond hair and gray eyes and stood about six feet. Her name tag said ANDREA JULLIUS. “Local poisonous snakes like California rattlers or sidewinders. But like Ryan said, we get the exotics. Just recently, me and Jake pulled out a Gaboon viper and a monitor lizard from a trailer in Saugus.” Jake was Jake Richey. He was in his twenties with yellow hair. He looked like a surfer dude. “I’ve done lots of snake captures, but that was my first Gaboon viper.” Andrea said, “You wouldn’t believe the things people keep as pets—snakes, monitor lizards, crocs and alligators.” “What about that grizzly about a year ago?” Hathaway said. “That was a trick.” Wilner said, “And how about that female Asian elephant two years ago? In the same month, we captured a runaway male bison that was the family pet until it went into puberty and nearly took down the entire house.” But Decker was concentrating on the problem at hand. “How on earth do you get a big cat into Los Angeles?” “Mail order. You acquire some land and a license and say you’re going to set up a breeding program or a for-profit zoo or circus.” “That is crazy!” Marge said. “Not as crazy as the people who keep them as pets,” Andrea Jullius said. Wilner said, “People are delusional; always think that they have magical powers over the beast. Inevitably a wild animal lives up to its name. That’s where we come in. If everything
works out well, the animal winds up in a sanctuary. It’s no fun putting down an animal that isn’t doing anything wrong except being what it is.” Another fierce roar pierced the miasma. Decker and Marge exchanged glances. She said, “That animal sounds pissed.” “It’s very pissed,” Wilner said. “We’re going over our next step.” “Which is?” Decker said. “Drill some peepholes and see what we’re dealing with.” “My bet’s on a Bengal female tiger ,” Hathaway said. “I agree,” Wilner said. “A male lion would be five times as loud. When the area is cleared out, we’ll put on some protective gear and drill some holes. Once we see what we’re working with, we figure out how to tranquilize it and get it out of here before we have a major problem.” Another howl echoed through the dripping fog. It was engulfing, as if being swallowed alive. Decker spoke to Marge. “We should assign some agents to the apartment doorway, just in case our friend feels like busting loose.” “One step ahead of you. It’s already done,” Wilner said. “I got one with a tranquilizing gun, one with a hunting gun. We aren’t taking any chances.” He turned to Agent Andrea Jullius. “What’s going on with the equipment from the zoo?” “Twenty more minutes.” Wilner tossed keys to Hathaway. “You wanna go get the protective gear?” “Sure,” Hathaway said. “Do you have a vest for me?” Decker said. “I want to take a look through the peepholes. Homicide was called because the apartment was rented to an old man.”
“Our policy is no civilians,” Wilner told him. “And what are the chances that the old man inside is still alive?” Decker said, “This is my community, and I feel responsible for everything that goes on here. I want to see the layout of the apartment so I know what I’m dealing with.” “It’s gonna be grisly.” “I’ve done grisly before. Once I saw a dead guy being gnawed on by a wild mountain lion. It bothered me, but that’s okay. When things stop bothering me, I’ll know it’s time to quit.”
BOOK DETAILS:

Genre: Mystery/Thriller
Published by: Harper Collins/ William Morrow
Publication Date: August 6, 2013
Number of Pages: 384
ISBN: 9780062121752

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BELLA ANDRE

Bella Andre is a New York Times and USA Today bestselling author, and has sold more than 1.5 million books. Her books have appeared on Top 5 lists at Amazon, Apple, Barnes & Noble and Kobo. After signing a groundbreaking seven-figure print only deal with Harlequin MIRA, Bella’s Sullivan series will be released in paperback in a major global English language launch in the US, Canada, the UK, and Australia in continuous back-to-back releases from June 2013 through April 2014.

Known for “sensual empowered stories enveloped in heady romance” (Publishers Weekly), her books have been Cosmopolitan Magazine “Red Hot Reads” twice and have been translated into nine languages, and her Sullivan books are already Top 20 sellers in Brazil. Winner of the Award of Excellence, The Washington Post called her “One of the top digital writers in America” and she has been featured by NPR, USA Today, Forbes, The Wall Street Journal, and most recently in TIME magazine. She has given keynote speeches at publishing conferences from Copenhagen to Berlin to San Francisco.

If not behind her computer, you can find her reading her favorite authors, hiking, swimming or laughing. Married with two children, Bella splits her time between the Northern California wine country and a 100-year-old log cabin in the Adirondacks.
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ABOUT THE BOOK

Gabe Sullivan risks his life every day as a firefighter in San Francisco, but he knows better than to risk giving his heart again. Especially not to the woman he saved from a deadly apartment fire…and can’t stop thinking about.

Megan Harris owes everything to the heroic firefighter who saved her and her daughter. Everything except her heart. Because after losing her pilot husband, she has vowed to never suffer through loving –and losing—another man with a dangerous job.

But when Gabe and Megan meet again, how can he possibly ignore her courage, determination and beauty? And how can she deny not only his strong bond with her daughter…but also his sensual kisses, challenging her to jeopardize everything she’s been guarding for so long?

If one –or both – of them aren’t careful, they just might end up falling in love.

BOOK DETAILS:

Genre: Romance Contemporoary
Publisher: Harlequin
Publication date: 7/30/2013
Number of Pages: 336
ISBN-13: 9780778315582

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