Guest Author JUDI CULBERTSON

WELCOME JUDI CULBERTSON


Judi Culbertson

JUDI CULBERTSON draws on her experience as a used-and-rare book dealer, social worker, and world traveler to create her bibliophile mysteries. She has co-authored five illustrated guides with her husband, Tom Randall, of such cities as Paris, London, and New York. She is also the author of the acclaimed nonfiction titles SCALING DOWN and THE CLUTTER CURE. She lives in Port Jefferson, New York, with her family. 
Connect with Judi at these sites:

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ABOUT THE BOOK

Bookseller-turned-amateur detective Delhi Laine is back with another atmospheric mystery, but this time, it’s a family affair.

Nineteen years ago, Delhi Laine’s two-year old daughter disappeared. After a frantic but inconclusive search, authorities determined that she must have drowned, her body washed away from the picturesque English park in which she was playing.

Delhi’s heart has never healed, yet her family has since soldiered on. But when a mysterious letter arrives containing the ominous words, YOUR DAUGHTER DID NOT DROWN, their lives are once again thrown into turmoil. With her family torn between fighting for the past and protecting the future, Delhi is caught in the middle. For a mother, the choice to find her daughter seems easy. But for a family left fractured by the mistakes of the past, the consequence, and the truth, may be infinitely more costly.

Fans of Carolyn Hart will be swept away by this story of a family on the brink – and their hunt for the truth.

READ AN EXCERPT

In those days photography had been my passion, my way of escaping from the endless rounds of dirty diapers and runny noses and tears. At home, as soon as the children were bedded down, I’d fled to my darkroom, working into the early hours printing and tinting photos. The quiet darkness was an addiction. As sleepy as I often was during the day, I came alive in those night hours.

I had been taking photos in Stratford to work on, to enlarge and color when we got home.

After that day by the river, I never took another. Growing up I had never daydreamed about having a family, of being surrounded by children. I’d read endlessly, imagined myself in exotic places, even saw myself as an archeologist. So when I met Colin . . . I loved the children, they were mine, but they were part of the scenery of my life.

When I lost one of them due to my preoccupation, I vowed never to let anything distract me again. Not even photography. Especially not photography.

“You thought falling asleep sounded better?” Colin felt menacing beside me, as if he might grab my shoulders and shake me.

I knew then that I should have told him about the note first, that we should not be having this conversation in front of everyone. “I—yes . And after I kept saying it a part of me started believing it. When I finally admitted the truth and told someone else, she pointed out that if I was standing right by the water, I should have heard a splash or seen Caitlin fall in. And I was, right by the edge of the river. I–”

“But the police must have investigated all that?” Patience couldn’t keep out of it any longer.

“Of course they did.” Colin boomed. “They interviewed everyone who’d had been in the park that day. We even hired a private detective. Who found nothing.”

Through the miasma of wine and coffee I tried to remember what had been in the detective’s report. Surely, for all the money we borrowed from Colin’s parents to pay him, he had turned up something. “But the police never found her. They said that was unusual for that part of the river.”

“But not impossible.” Colin held up a professorial hand, a gesture he would use to silence a classroom. Everyone looked at him, waiting. He addressed the girls first. “I’m sorry you had to learn this from someone in a drunken stupor. It’s something that happened long ago. We didn’t want you to grow up thinking something terrible would happen to you too. We didn’t want it to overshadow your childhoods. It was the worst thing that ever happened to us. But your mother has conflated another day when she was taking pictures with the day it actually happened. All I can say is, memory is notoriously unreliable.”

I was so furious that I couldn’t think of which calumny to address first. I was not in a drunken stupor. I was not mixing up the days. But I needed to explain why I was bringing it up now. “What I was doing that day isn’t the point.” I reached in my Mexican jacket pocket and pulled out an envelope. “This is the point.”

A rustling, a squeaking of chairs, as everyone craned to look.

It was a square white envelope, the size of a small greeting card, addressed to “The Fitzhughs.” On the front were stamp images of Queen Elizabeth in red and green and a postmark I could not read. I pulled out the white paper inside, unfolded it, and laid it flat on the table so that the people closest to me could see. In large black letters it read: YOUR DAUGHTER DID NOT DROWN.

When Colin and the girls had seen it I passed it to Pat who scanned it and gave it back so I could show it to Ben. “This came in the mail Monday,” I said. “I can’t tell what part of England it’s from.”

Colin picked up the envelope and studied it. Again, everyone seemed to be waiting for his official pronouncement. “A mean trick,” he said finally. “Someone’s idea of a bad joke.”

A bad joke? “But why now?” I argued, shocked. “Almost twenty years later? Who would know anything about it now?”

“Maybe they ran a story in the local Stratford papers,” Ben said. “Maybe the detective who investigated it is retiring or something.”

“And that would make somebody track us all the way over here to taunt us, a mention in a retirement story? I don’t buy that. It wasn’t even a criminal investigation, they just thought she’d drowned. No policeman would be remembered for it.”

“Maybe that’s what the story was about then, people drowning in the river.” Ben brightened as if he had solved the problem. I told myself he wasn’t trying to be cruel, that he just liked to fix things.

“They’d hardly go to the trouble of finding Delhi and Colin’s address in another country. That’s ridiculous,” Patience said. “It sounds like whoever wrote it knows something definite.”

“Can’t we have the handwriting analyzed?” Jane interrupted. “Or have it dusted for fingerprints?”

Colin sighed, playing with a small glass salt shaker that had been left on the table. “That note is hardly a criminal matter. They wouldn’t go to the trouble. Besides, the real point is if Caitlin did somehow survive, it’s too late now. Too much time has passed. It’s like an adoption, it’s final.”

“No!” It came out of me as a wail.

Patience gasped. “It is not like an adoption. If your daughter didn’t drown, then she was kidnapped! She has every right to know her real family.”

“Patsy,”—Colin lapsed into her old nickname–“it’s not that simple. You can’t assume a kidnapping. If she didn’t drown, she probably wandered off and someone found her.”

“Daddy, what are you talking about?” Jane grasped his forearm. She was flushed, probably with cabernet, and furious. As close as they were, she often lost her temper with Colin. “People don’t keep lost children. They find a policeman and get them back to their parents! It’s not like a stray kitten that you decide to take in.”

“No, Daddy’s right,” Hannah looked up from where she had been tormenting a cuticle. “How would you feel if someone contacted us and claimed after nineteen years that I had been stolen and was part of their family? That everything I’d thought was true was a lie and they wanted me to come live with them. Anyway, I don’t want a twin. I’m fine just as I am.”

Colin pushed back from the table. “I think it’s time for us to go.”

“But we haven’t had our walk,” Ben protested. “We have to take our beach walk!”

Poor Ben. If he’d been on the Titanic, he would have been demanding his nightly whiskey as the ship went down.

“Yes, go on your walk. I have to show Delhi something of our mother’s that I found. We’ll catch up.”

I knew we wouldn’t.

“Can I see?” Jane asked eagerly.

Patience and I exchanged a look.

“Sure,” I told her.

BOOK DETAILS:

Genre: Mystery & Detective; Women Sleuth
Published by: Witness Impulse
Publication Date: 5/27/2014
Number of Pages: 288
ISBN: 9780062296351

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
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Guest Author BRIAN McGILLOWAY

WELCOME BRIAN McGILLOWAY

Brian McGilloway

Brian McGilloway is the bestselling author of the critically acclaimed Inspector Benedict Devlin series. He was born in Derry, Northern Ireland in 1974. After studying English at Queen’s University, Belfast, he took up a teaching position in St Columb’s College in Derry, where he is currently Head of English.

His first novel, Borderlands, published by Macmillan New Writing, was shortlisted for the CWA New Blood Dagger 2007 and was hailed by The Times as ‘one of (2007’s) most impressive debuts.’ The second novel in the series, Gallows Lane, was shortlisted for both the 2009 Irish Book Awards/Ireland AM Crime Novel of the Year and the Theakston’s Old Peculier Crime Novel of the Year 2010. Bleed A River Deep, the third Devlin novel, was selected by Publishers Weekly as one of their Best Books of 2010.

Brian’s fifth novel, Little Girl Lost, which introduced a new series featuring DS Lucy Black, won the University of Ulster’s McCrea Literary Award in 2011 and is a No.1 UK Kindle Bestseller. The follow-up novel, Hurt, will be published in late 2013 by Constable and Robinson.

Brian lives near the Irish borderlands with his wife, daughter and three sons.
Connect with Brian at these sites:

WEBSITE        TWITTER   

Q&A with Brian McGilloway

 
Do you draw from personal experiences and/or current events?
A mixture of the two, I think. I tend to read or hear about current events and take the kernel of an idea form that, which then allows me to examine issues which are important to me and to integrate elements of my own experiences.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
I start at the start. Generally, I have an idea where one plot strand might end up, but the ending changes for me as I write. I take much comfort in Doctorow’s comment that writing is like driving at night in the fog; you can only see as far as the end of your head light, but you still make it home safely that way.

Your routine when writing? Any idiosyncrasies?
My routine has changed since I’ve gone full time. I leave the kids to school at 9 am and write through until about 12.30. I stop then and am doing school runs all afternoon. Depending on deadlines, I might do some more in the evenings. I aim to do around 1000 words a day and find I can manage that in a few hours each morning. Idiosyncrasies? – I always need to have a cup of tea when I’m starting. Never coffee.

Is writing your full time job? If not, may I ask what you do by day?
It is now. I was a teacher of English until last year when I took a career break. I loved teaching very much and had a lot of fun working with the kids but it got to the point where I was so stretched that I was worried I’d not be doing justice to either my students nor those who are kind enough to read my books (never mind my own wife and children) if I continued trying to balance them all.

Who are some of your favorite authors?
Too many to mention. James Lee Burke will always stand head and shoulders above in the genre for me in terms of prose style and sheer humanity in his writing.

What are you reading now?
Bad Blood by Arne Dahl. I’m interviewing Arne next week in the Dublin Writers’ Festival and am very much looking forward to it.

Are you working on your next novel? Can you tell us a little about it?
I’m editing it at the moment. It’s working title is Sticks and Stones and it’s another Lucy novel about the discovery of a dead body in the River Foyle which has already been embalmed and prepared for burial.

Your novel will be a movie. Who would you cast?
I don’t know because I don’t tend to see the main character’s faces. My wife thinks Michael Fassbender would be a fine Devlin (but I think she may have her own reasons for that choice.) I met a Derry born actress last year called Laura Pyper who I thought would make a great Lucy Black.

Manuscript/Notes: hand written or keyboard?
My notes are always hand written on various note books and scraps of paper. I always type my manuscript though. Much easier to revise and much easier for everyone involved to have to read.

Favorite leisure activity/hobby?
Walking the dogs with my kids, watching a good movie with my wife, reading a good book on my own.

Favorite meal?
I’m a coealic so something gluten free. Gluten Free Lasagne, perhaps.

 

About the book

Lucy Black must protect the young and vulnerable…but can she protect herself? Late December. A sixteen-year-old girl is found dead on a train line. Detective Sergeant Lucy Black is called to identify the body. The only clues to the dead teenager’s last movements are stored in her mobile phone and on social media – and it soon becomes clear that her ‘friends’ were not as trustworthy as she thought. Lucy is no stranger to death: she is still haunted by the memory of the child she failed to save, and the killer she failed to put behind bars. And with a new boss scrutinizing her every move, she is determined that – this time – she will leave no margin for error. Hurt is a tense crime thriller about how, in the hands of a predator, trust can turn into terror.

BOOK DETAILS:

Genre: Women Sleuths, Police Procedurals, Suspense
Published by: Witness Impulse
Publication Date: May 20, 2014
Number of Pages:
ISBN: 9780062336705

PURCHASE LINKS:

       

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

Guest Author AMY SHOJAI

WELCOME AMY SHOJAI


Amy Shojai

Amy Shojai is a certified animal behavior consultant, and the award winning author of 26 bestselling pet books that cover furry babies to old fogies, first aid to natural healing, and behavior/training to Chicken Soupicity. She is the Puppies Expert atpuppies.About.com, the cat behavior expert atcats.About.com, and has been featured as an expert in hundreds of print venues including The New York Times, Reader’s Digest, and Family Circle, as well as national radio and television networks such as CNN, Animal Planet’s DOGS 101 and CATS 101. Amy brings her unique pet-centric viewpoint to public appearances. She is also the author of the critically acclaimed dog viewpoint thriller LOST AND FOUND.
Connect with Amy at these sites:

WEBSITE        TWITTER   

Q&A with Amy Shojai

  -Do you draw from personal experiences and/or current events?
I draw from both personal experience and current events when writing my dog viewpoint thrillers. Every day I read two newspapers and several blogs and news sites, as well as subscribe to science and animal magazines. From these I collect interesting tidbits and keep in a file.

As an animal behavior consultant and veterinary technician, I’m familiar with the medical aspects of cat and dog care and health. It’s great fun to bring this expertise into the fiction arena, and expand on the “what if” aspects to turn stories into Thrillers With Bite!

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
It varies, but most times I know the beginning and the conclusion. I may also know some of the major plot points and scenes but the order of these can change as I write.

My first thriller I started at the beginning and wrote to the end. But with the sequel HIDE AND SEEK, I was more flexible and decided to write the scenes that burned to be born onto the page first. That meant some of these came out of order, and the additional scenes and chapters I never thought of before were inspired by these first ones.

So it’s a little of both. I have a starting point, and a target to reach the end, but the story in between leads me around quite a bit and often surprises me. I also host NAME THAT CAT and NAME THAT DOG contests for some of the animal characters in each of the thrillers. These pets often have their own personalities that add depth and new directions to the plot. For instance, in HIDE AND SEEK, the therapy dog at the Alzheimer’s unit is based on a real service dog who really does pick up and collect and tidy up rooms.

-Your routine when writing?  Any idiosyncrasies?
Well, I’m not sure what other folks do. I have my dog and cats nearby for furry inspiration. And I have a desk treadmill, so I often write while I walk. Otherwise I’d never get any exercise, aside from keeping the new kitten from tormenting the 17-year-old cat.

I also have to have my mug-‘o-caffeine handy. Yes, I’m addicted to coffee. And the mug has a lid to keep the cats from paw-dipping and flinging liquid everywhere.

Is writing your full time job?  If not, may I ask what you do by day?
Yes, I’ve been a fulltime freelance writer since 1992 when my first nonfiction pet book came out. But I write both nonfiction and fiction now, so I have a full plate of writing projects at any given time. On the nonfiction side, I write all the content for puppies.about.com as well as a three times a week blog at BING, BITCHES & BLOOD, and also a weekly newspaper P’ETiQuette column, and a twice monthly PET TALK television segment. I also write music and am a playwright (the latest is STRAYS, THE MUSICAL), and on the fiction side, I’m working on the next dog viewpoint thriller in the series.

Who are some of your favorite authors?
Wow, there are really so many and I don’t want to leave any out. But some of my favorites (in no particular order) include James Rollins, JT Ellison, Tess Gerritsen, Alan Leverone, Dean Koontz, Stephen King, Rebecca Cantrell and on and on…

What are you reading now?
I just finished reading the ARC to I AM PILGRIM by Terry Hayes, a spy thriller.

Are you working on your next novel?  Can you tell us a little about it?

The next thriller in the September Day series is called SHOW AND TELL. In the first book, (HIDE AND SEEK), the bad guy created treatment that wreaked havoc in autistic children, but he escaped before the police could catch him. So in this third book, some of the parents and children affected seek September’s help to track him down. There will again be animal-centric subplots including a dog fighting ring that September and her service dog Shadow must overcome. And fans have urged me to allow September’s relationship with Detective Jeff Combs to develop.

Your novel will be a movie.  Who would you cast?
I’d cast NEW actors, not necessarily well known ones. As an actor myself, I know there are extraordinary, gifted performers who haven’t gotten their break and I’d love to give them a chance.

Manuscript/Notes: hand written or keyboard?
My handwriting sucketh, so any notes must be on a keyboard. J

-Favorite leisure activity/hobby?
Writing and playing music, playing with my pets, reading, and working in the rose garden. Now, to find time for “leisure” is the trick!

Favorite meal?
Prime rib, very rare, with horse radish, and asparagus. Yum! But then it’s also a well known fact that M&Ms and Cheetos are brain food. Just saying….

 

About the book

A mysterious contagion will shatter countless lives unless a service dog and his trainer find a missing cat . . . in 24 hours.

A STALKER hides in plain sight.

A VICTIM faces her worst fear.

AND A DOG seeks the missing—and finds hope.

Eight years ago, animal behaviorist September Day escaped a sadistic captor who left her ashamed, terrified, and struggling with PTSD. She trusts no one—except her cat Macy and service dog Shadow.

Shadow also struggles with trust. A German Shepherd autism service dog who rescued his child partner only to lose his-boy forever, Shadow’s crippling fear of abandonment shakes his faith in humans.

They are each others’ only chance to survive the stalker’s vicious payback, but have only 24 hours to uncover the truth about Macy’s mysterious illness or pay the deadly consequences. When September learns to trust again, and a good-dog takes a chance on love, together they find hope in the midst of despair–and discover what family really means.

“Recommended for anyone who likes a ‘bite-your-nails, hold-your-breath’ kind of thriller.” — Dr. Lorie Huston, Cat Writers Association President

READ AN EXCERPT

HIDE AND SEEK

Prologue

Tommy Dietz grabbed the car door handle with one bloody fist, and braced his other hand against the roof, worried the carcasses in the back would buck out of the truck’s bed. Despite the precaution, his head thumped the muddy window. He glared at the driver who drove the truck like he rode a bronco, but BeeBo Benson’s full moon face sported the same toothless grin he’d worn for the past two weeks. Even BeeBo’s double chins smiled, including the rolls at the nape of his freckled neck.

The ferret thin guy in the middle snarled each time his Katy Railroad belt buckle chinked against the stick shift he straddled. Gray hair straggled from under his hat and brushed his shoulders. He had to slouch or he risked punching his head through the rust-eaten roof. Randy Felch’s snaky eyes gave Dietz the shivers even more than the freezing temperatures spitting through windows that refused to seal.

Three across the cramped seat would be a lark for high school buddies out on the town, but the men were decades beyond graduation. Dietz was in charge so Felch could either ride the hump or share the open truck bed with two carcasses, and the new Production Assistant.

Dietz stifled a laugh. Not so high-and-mighty now, was he? The man must really want the job. Vince Grady had turned green when he was told to climb into the back of the truck. Just wait till he got a load of the dump. Dietz remembered his first visit three years ago when he’d been out scouting locations. He wondered how the spit-and-polish Grady would react.

He’d hired locals for the rest of the crew. They needed the work, and didn’t blink at the SAG ultra-low pay scale, the shitty weather, or the stink. In this business, you took anything available when pickings were slim. Then the show got picked up and union fees grabbed him by the short hairs. Amateur talent screwing around and missing call times cost even more money, so he needed a Production Assistant—PA in the lingo—with more polish and bigger balls to keep the wheels greased. A go-to guy able to think on his feet, get the job done. No matter what.

If Grady wanted the PA job, he’d have to be willing to get his hands dirty, and stand up to BeeBo and his ilk. Riding in the open truck bed was illegal as hell, though here in North Texas even the cops turned a blind eye unless it was kids. This was an audition, and Grady knew it.

He had to give Grady props—he’d not blinked, but clenched his jaw and climbed right in when they collected him at his hotel. He’d been less enthusiastic after following the hunters most of the morning, tramping to hell and gone through rough country until his eyes threatened to freeze shut. Something drove the man, something more than a PA credit for piss-poor pay and worse conditions. Hell, something drove them all to work in this unforgiving business. Dietz didn’t care about anyone else’s demons as long as they let him feed his own.

Dietz craned to peer out the back to be sure the man hadn’t been tossed out the tailgate. Grady gave Dietz a thumbs-up. Probably wants to point a different finger, Dietz thought.

Grady wore the official Hog Hell blue work gloves and ski mask—dark blue background and DayGlo red star on the face—or he’d be picking his frostbit nose off the floor.

Prime time in the back woods. Dietz’s quick smile faded. Nothing about this trip was prime, not even the butchered Bambi in the back. Deer season ran November through early January, and it was always open season on hogs, so they were legal for any follow up film footage. The two deer hadn’t looked good even before BeeBo dropped them, but that’s what viewers wanted. Crocodile wrestlers, duck dynasties, and gold rush grabbers with crusty appeal and redder necks.

Nobody wanted actors anymore. Casting directors looked for “real people.” So he’d caught a clue, jumped off the thespian hamster wheel, moved to New York and reinvented himself as Tommy Dietz, Producer. He’d found his calling with a development company relatively quickly.

A movie star face didn’t hurt. Everyone these days had a little nip-and-tuck; it was part of the biz. He’d been selling his version of reality for years anyway, and always came out on top. He hit it out of the park on his third project. Hog Hell kicked off the next step with a Texas-size leap. He’d show them all, those who’d laughed at his dreams, calling him a loser. And he’d make them sorry.

The shabby pickup lurched down and back up again, and its engine growled and complained. Dietz was surprised the seat hadn’t fallen through the floor. The overgrown road the hunters called a pig path consisted of frozen ruts formed from previous tire treads. They damn well better not get stuck out here.

“Don’t worry, she’ll make it.” BeeBo talked around the stub of his unlit cigar. “This ol’ warhorse made the trip so often, she could drive herself. Ain’t that right, Felch?” BeeBo reached to downshift and Felch winced as the other man’s ham-size fist grabbed and jerked the stick between his knees.

Dietz sighed. Out the window, skeletal trees clawed the pregnant sky. Weird flocks of blackbirds moved in undulating clouds, exploding from one naked tree after another to clothe the next with feathered leaves. Spooky.

Thank God the icy weather stayed dry. Heartland, Texas had dug out of a record-breaking snowfall, and the locals hadn’t quite recovered. It put a kink in Hog Hell filming and they’d barely met the deadlines. Delay turned his balance book bloody with red ink.

Back home in Chicago they’d been hit with the same blizzard and so had NYC. But big cities knew how to manage winter weather. Apparently North Texas rolled up the sidewalks with even the hint of flurries. He wondered if BeeBo and Felch knew what to do in the snow, and didn’t want to find out. The thought of hunkering down overnight in the truck with these men turned his stomach.

Dietz adjusted his own ski mask. He’d folded it up off his face so the blue cap hugged his head while the red star painted a bull’s-eye on his forehead. He wore the official coat, too; dark blue and a bright hunter-safe star on the front and back, with the Hog Hell logo. The Gore-Tex fabric crackled with newness, and his blistered feet whimpered inside wet, dirt-caked boots. No way would he wear his new $300 Cabela’s, purchased for photo ops at the upcoming watch party. He had a gun, too. In Texas nobody cared if you carried. They expected it.

BeeBo’s preferred weapon, an ancient short barreled shotgun loaded with deer slugs, contrasted sharply with Felch’s double gun he’d had custom made last season. Felch shot 44 Magnums, and the cut down double barrel rifle boasted enough firepower to take out an elephant, or a charging feral boar hog.

They sleeved the guns in canvas cases stowed in the back of the truck, but the hunters cared far less about their own attire.

BeeBo and Felch would wear official Hog Hell gear at the watch party in five weeks, but not before. Dietz didn’t want them stinking up the outfits. Today they wore wash-faded coveralls, heavy work coats, earflap hats, clunky boots with thorn-tangled laces, and frayed gloves with fingertips cut out. A bit of peeling DayGlo tape formed an “X” on the back and front of each coat after Dietz insisted on the nod to safety, even though he knew the two hunters paid little mind to official start and end dates during hunting season.

That was the point of the original reality program Cutting Corners that focused on people forced to skirt the rules to make ends meet. The unlikely stars of a single episode, though, turned Felch and BeeBo into overnight sensations and birthed the new show after Cutting Corners tanked. The two hunters were experts at skirting rules. Dietz was no slouch, either.

In the truck bed, Grady swayed back and forth. He’d pushed up the ski mask enough to expose his mouth. White breath puffed out in a jerky tempo, and Dietz wondered if the man would pass out. If Grady took a header off the truck bed, the liability would kill the show. “Find a spot to stop, BeeBo. I think our new team member has had enough.”

Felch grunted. “No place to stop till we get there. Unless you want us to get stuck.” He grinned, but the expression never reached his eyes. “You don’t want us lugging that shit back to your hotel. The stink ain’t something you want close by.”

BeeBo guffawed. “Got that right. With all the hunters unloading, it’s what y’all might call a ‘renewable resource.’” He twisted the wheel and the truck bucked, jittering the decades old pine-shaped deodorizer suspended from the rear view mirror. “The critters take care of the stink pretty quick, though.” His hairless wide-eyed face was a ringer for the Gerber baby. “It’s around that next bend. You might even catch a whiff of Jiff by now.”

Dietz wrinkled his nose. The pungent aroma wasn’t assuaged by the air freshener that had probably come with the vehicle. He shielded his head from another thump, and squinted ahead through the crusty windshield. Wiper blades had torn loose on the passenger’s side and smeared the detritus rather than clearing the view. It didn’t bother BeeBo.

The trio remained silent during the final bump-and-grind through the trees. They pulled halfway into the clearing, and Dietz waited impatiently until BeeBo cranked the steering wheel, turned, and backed beneath a massive tree with pendulous clusters decorating the branches. Grady ducked, or he would have been scraped off by low limbs.

Several similar trees bordered the clearing, and another smaller truck squatted at the far end of the area. An elderly man stood in the truck bed and flailed tree branches with a long pole, while the woman dodged and weaved beneath to gather the resulting shower in a bucket.

“What’s that?” Grady wasted no time jumping off the truck bed. He gagged when the wind shifted.

“Nuts.” Felch unfolded himself from the cramped middle seat. “Pecan trees. They’re gleaning the nuts.”

Dietz’s stomach clenched. He pulled the ski mask over his lips and breathed through his mouth, imagining he could taste the odor that closed his throat. Neither Felch nor BeeBo seemed to notice the stench.

Grady wiped his watery eyes. The breeze paused and he gulped a less contaminated breath. “Pecans? To eat?”

The truck squeaked, rocked and grew two inches when BeeBo stepped out. “Back in town they’ll pay $8 to $10 per pound, once shelled. I got my daddy’s old commercial sheller—held together with baling twine and spit, but works okay. I only charge fifty-cents a pound to shell.” He shrugged. “Every little bit helps. It’s too early for most of the big-name commercial farms, but for the gleaners, if ya wait too long the squirrels get ‘em off the trees, or the pigs root ‘em off the ground. Pigs eat lots of the same stuff the deer and turkeys eat, acorns and suchlike. But they get ground-nesting bird eggs, too. Pigs’ll root up and eat damn near anything.” He jerked his chins at Felch. “Gimme a hand.” He lumbered toward the back of the truck and waited by the taillights.

Felch vaulted in the bed of the vehicle, and adjusted his gloves. He pointed. “Smorgasbord, y’all. Hey Slick, you might want to get video of this. Bet your big-city cronies never seen the like.” His yellow teeth gleamed. He bent low, and grunted as he pushed and tugged the black plastic bag to the tailgate, hopped down and joined BeeBo. Together they slung the truck’s cargo into the pit.

Yipping and growls erupted from below. Dietz stayed back, he’d seen it before. This stuff he wouldn’t put on the air. This’d be too much even for the hardcore viewers without the added value of aroma.

Grady covered his mouth and nose in the crook of his elbow. He edged closer to the deep trough, a natural ditch-like runoff that sat dry three-quarters of the year. Piles of gnawed and scattered bones mixed with carcasses in various stages of decomposition. A family of coyotes tried to claim BeeBo’s tossed deer remains, but was bluffed away by a feral boar.

Grady ripped off his ski mask, puked, wiped his mouth, and grabbed his camera with a shaking hand. He spit on the frozen ground and jutted his chin at Dietz. “So?”

Dietz smiled. “You got the gig.”

***

The damn ski mask dragged against his hair so much, the normally clear adhesive had turned chalky. Victor had removed the wig after dissolving the glue with a citrus-scented spray, a much more pleasant olfactory experience than the afternoon’s visit to the dump. A shower rinsed away any lingering miasma, but he gladly put up with the stink, the rednecks, and the sneers. The payoff would be worth it.

Until then, he couldn’t afford for anyone in Heartland to recognize him. His tool kit of fake teeth, makeup and assorted hairpieces kept him under the radar. For the price, nearly fifty bucks for a four-ounce bottle of adhesive, it damn well better hold the new wig in place for the promised six weeks. He rubbed his hands over his pale, bald head and grinned. Even without the wig, she’d be hard pressed to recognize him.

Muscles had replaced the beer gut, Lasik surgery fixed his eyes, a chin implant and caps brightened his smile. He’d done it all, one step at a time, over the eight years it took to track her down. He’d even changed his name and transformed himself into a man she couldn’t refuse.

He’d done it for her. Everything for her.

He dialed his phone. “I want to order flowers. Forget-Me-Nots, in a white box with a yellow ribbon. Got that? And deliver them December eighteenth. It’s our anniversary.” He listened. “Use red ink. The message is ‘payback.’ Got that? No signature, she’ll know it’s me.” He picked up a news clipping that listed the address, and admired the picture. She was lovely as ever. “Two-oh-five Rabbit Run Road, Heartland, Texas. Deliver to September Day. The name is just like the month.” He chuckled softly. “Yes, it will be a lovely holiday surprise.” He could hardly wait.

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Guest Author LISA DE NIKOLITS

WELCOME LISA de NIKOLITS


Lisa de Nikolits

Originally from South Africa, Lisa de Nikolits has been a Canadian citizen since 2003. She has a Bachelor of Arts in English Literature and Philosophy and has lived in the U.S.A., Australia and Britain.

Her first novel, The Hungry Mirror, won the 2011 IPPY Awards Gold Medal for Women’s Issues Fiction and was long-listed for a ReLit Award.

Her second novel, West of Wawa won the 2012 IPPY Silver Medal Winner for Popular Fiction and was one of Chatelaine’s four Editor’s Picks.

Her third novel, A Glittering Chaos, launched in Spring 2013 to much acclaim and is about murder, madness, illicit love and poetry.

Connect with Lisa at these sites:

WEBSITE        TWITTER    

Q&A with Lisa De Nikolits

Do you draw from personal experiences and/or current events?
Yes, I definitely draw from both, but the personal experience is really only the catalyst, the match to the flame. The story ends up being entirely different from my own personal experience.

For example, the idea for The Witchdoctor’s Bones came from a trip I took to Namibia, a safari.

I have always wanted to write a book about Africa but until I took that trip, I had no idea what that story would be. I finished the trip and I realized that the journey, fashioned in the style of an Agatha Christie novel, would lend itself to a book.

And then yes, I drew on current African practices as well as history. But the characters in my book bear no resemblance to the people who were on the trip with me and while I used the route we travelled, none of the experiences in the book happened in real life.

And, although I use personal experiences to ‘spark’ ideas, I believe that my stories exist ‘out there’ and I welcome them to come in and visit with me and use me to find their way into the world. It’s as if I’m the owner of a Bed & Breakfast for stories — come on in, we’ll sit around a campfire and tell tales! So, yes, I do draw from personal experiences; although sometimes only in the smallest of ways; a bus trip and a poisonous bush in real life ended up being a huge, long novel that was all fiction.

  Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
I start with the tiniest of ideas and then bounce things around and see where they go. For example, I wrote a short story a while back and it had an open ending. A few people really liked the story and wanted to know what happened and now I think this could be a novel. All I’ve got is a short story that for all intents and purposes has done nothing more than introduce me to a couple of characters who have potential to be interesting and I’m putting feelers out there to see what transpires. I have a feeling they might want to go to Tasmania but I’ve got no idea what they’ll do there. I went to Tasmania some years back and it resonated with me. Not every place I go does that; I went to Peru and there was nothing, not even the tiniest ‘ping’ of ‘write about me’… To this point in my writing, I’ve never known an ending in advance, and the endings have also been known to change even in final edits. I am never married to my endings.

Your routine when writing?  Any idiosyncrasies?
No routines, I just write whenever I can. I like to wear a hat, it helps me concentrate. I also need my study to be just so, even if I’m not writing in there. I need things to be in order on my desk and everything needs to be nice and shiny. Oh, and I do love a fragrance! Sometimes it’s Vanilla or White Musk from The Body Shop, sometimes it’s Downtown by Calvin Klein, sometimes, if I am feeling extravagant, it’s Issey Miyake. Fragrances, like hats, help me think better!

Is writing your full time job?  If not, may I ask what you do by day?
I’m a magazine art director. I’ve had the honor of working on magazines such as marie Claire, Vogue, Vogue Living. I currently art direct Cosmetics which is a lot of fun. I’m not sure I could be a full time writer, I think I’d find it too stressful! I really enjoy designing, it’s much more fun than writing which can be quite traumatic; you constantly wonder if the story is going anywhere or if you are doing the best you can with it.

  Who are some of your favorite authors?
Lionel Shriver, Annie Proulx, John Irving, Harry Crews, John Steinbeck, Betty Smith, D.J. McIntosh, Michael Ondaatje, Miriam Toews

  What are you reading now?
Flight Behaviour by Barbara Kingsolver, Manuscript Found In Accra by Paul Coelho, Big Brother by Lionel Shriver, The Goldfinch by Donna Tartt. The Book Thief by Marcus Zusak – I can’t seem to bear to finish it, I read a page a day.

 Are you working on your next novel?  Can you tell us a little about it?
I’ve got two novels ‘in the bag’; Between The Cracks She Fell (about a girl who loses her job, her boyfriend and her house and she moves into an abandoned old school), and The Nearly Girl (about a girl with an interesting psychosis in that she nearly gets things right but she gets everything just wrong; she gets dates/buses/tasks/recipes slightly right but wrong enough to make her life in the normal world untenable).

The fledling novel I am currently working on is the one based on the short story I  mentioned here and it’s in the very earliest of stages; I’ve got a few characters I like, a diamond ring and beyond that, nothing! I keep throwing suggestions out into the ether, to see what will ‘stick’!

Your novel will be a movie.  Who would you cast?
Rydell: Kevin Spacey

Kate: Jennifer Garner

Helen: Claire Danes

Richard: Damian Lewis

André: Chris Hemsworth

Manuscript/Notes: hand written or keyboard?
Both! I also have three computers, one at work, two at home. I write bits on post-it notes, in journals, on the backs of hydro bills. I also make sure have a notebook when the ideas are initially coming. I write mostly on my computer once I have my idea outlined but when I am letting the idea for the novel take shape, I write longhand.

Favorite leisure activity/hobby?
Playing my guitar. I am learning the classical guitar. I like being at home, puttering around. I like talking to my cat. Isabella Creamy Diva, I like taking photographs, going on roadtrips and watching a good movie. I love travelling to some place I’ve never been. I like doing yoga and going for walks down at the lake. I have lots of leisure activities!

Favorite meal?
Vanilla cake with lemon icing and canned whipped cream! I guess that’s not really a meal but if I died and went to heaven, that would be my daily breakfast!

About the book

In The Witchdoctor’s Bones a group of tourists gather. Some have come to holiday, others to murder. Canadian Kate ditches her two-timing boyfriend and heads to Africa on a whim, hoping for adventure, encountering the unexpected and proving an intrepid adversary to mayhem.

The tour is led by Jono, a Zimbabwean historian and philosopher, and the travelers follow him from Cape Town into the Namib desert, learning ancient secrets of the Bushmen, the power of witchcraft and superstition, and even the origins of Nazi evil.

A ragged bunch ranging from teenagers to retired couples, each member of the group faces their own challenges as third world Africa pits against first world greed, murderous intent and thwarted desire. The battle between goaded vanity and frustrated appetite culminates in a surprising conclusion with shocking twists.

With the bones of consequence easily buried in the shifting sands, a holiday becomes a test of moral character.

Unpredictable, flawed, fun-loving, courageous, bizarre, weak, kind-hearted and loathsome; the individuals in this novel exist beyond the page and into real life.

Seamlessly weaving history and folklore into a plot of loss, passion and intrigue, the reader is kept informed and entertained as this psychological thriller unfolds.

READ AN EXCERPT

Kate and Marika made coffee and rejoined the others who were huddled around the fire pit while Stepfan and Charisse moved off to one side and were deep in a private conversation.

“So what’s the big discussion about?” Kate asked, sitting down.

“I’m trying to explain the difference between sangomas versus witchdoctors,” Helen said, sitting back on her heels. “I thought I knew but then once I started explaining it, I realised I’m confused. Jono, maybe you can help us out?”

“I can,” Jono said, accepting a beer from Richard. “Thank you. First, some facts. Eighty-four percent of all South Africans consult a sangoma more than three times a year and there are more than 200,000 sangomas in South Africa alone. A witch and a sangoma are not the same thing whereas a witchdoctor,” he emphasized the last word, “is the same thing as a sangoma but the term witchdoctor is considered to be a perjorative one that came from the European settlers. Sangomas are practitioners of complimentary medicine and they serve a long apprenticeship learning to become intermediaries between the world of spirits and the world of the living. Witches are a whole other thing, they are evil and dangerous and if they cannot be cured, they are stoned to death or buried alive.”

“Yes, they certainly gave Kleine Skok the heebie jeebies,” Richard stretched his feet towards the fire. “Poor fellow, he had this godawful lump of dried up rabbit’s blood and I asked him if that was something a witchdoctor would use and he nearly shot right off the mountain. I felt quite dreadful for asking.”

Jono laughed and took a drink of his beer. “Yes, I can imagine that frightened him in a big way. More than six hundred people have been killed in the last ten years in Gauteng alone, because they were accused of being witches, so even the mention of such a thing is frightening for many people.”

“Can you cure someone of being a witch?” Eva asked.

“Yes, but it’s not easy,” Jono said. “You have to call an isanusi, a professional who can smell out witches and get rid of them.

“There are many kinds of witches,” he continued, “one of which is the night-witch who is invisible during the daytime but then at night, changes into an animal; a crocodile, a hyena, a lion, a wolf maybe. Night-witches devour human bodies, dead or alive during the night and they can been seen flying at night, with fire coming out of their bottoms.”

“They fart fire?” Mia found this hysterically funny and the rest of the group joined in, laughing. “Oh lord, fire-farting witches, knock my bleedin’ socks off.”

“Isn’t it true,” Helen queried when the laughter died down, “that Western doctors found a high correlation between schizophrenia and epilepsy in individuals who have been accused of being witches?”

Jono nodded. “Which would explain the hallucinations they have,” he said. “And some of them have also been found to be manic-depressives and schizophrenics. But if you ask me, this does not mean that Western medicine has any kind of increased knowledge in this area, it’s just that you call your witches by a lot of medical-sounding names and find different ways to treat them.”

“Touché.” Richard exclaimed while Helen nodded enthusiastically.

“So,” Jono said, “we have the isanusi or shaman, or the witch-finder, who sniffs them out, and then you have the witch-doctor, an igqira, who can smell by moral, not physical means, the corrupt presence of the witch or sorcerer. The isanusi is the diviner, and he is called upon to explain the source of your misfortune and to see if you have a witch. The sangoma, which is a Zulu word by the way, is the one who will be invited to cleanse an entire village of witchcraft by giving them emetics, or sneezing powder or making incisions into which medicine is rubbed, or by many other methods.”

“How does the isanusi know what to do?” Kate asked.

“The diviners, or isanusi, receives his knowledge from the spirits and there are more than sixty documented methods to ask the spirits; reading the stars, throwing sticks, studying lines in the sand, observing the blood trickling from a victim, even by looking at how birds are flying or how they are sitting on a tree. A lot of people think that diviners are not good because they are trying to know God’s secrets before God wants us to know them, and we should not be attempting to steal divine secrets.”

“I’m divining that it’s high time for schnapps.” Mia got to her feet, and brushed embedded grass from her legs. “I’m getting the Archers. Go on, you lot.” She waved and walked across the grass. “Don’t wait for me.”

“Yes, carry on Jono,” Richard said, “Mia won’t mind, she’s not into this sort of thing.”

“I find it incredibly amazing,” Helen spoke up quickly, “I wish I’d had time to learn more. Well, better late than never.” She smiled at Richard who cracked open another beer and missed her meaningful glance.

“So the sangoma tries to cure the witch…” Kate reminded Jono where he had left off.

“Yes,” Jono said, “but curing witches is a very small part of what the sangoma does as his life’s work. The main function of the sangoma is to heal and protect people in the community.

“Are sangomas only men?” Eva asked.

“No, both men and women can be sangomas, and they are generally very respected members of the community. Even Nelson Mandela was circumcised by a sangoma when he was sixteen by a famous ingcibi, a circumcision expert. Sangomas conjure up potions, known as muti to make you better and muti is made from all sorts of herbs and things. Then the sangoma dances herself, or himself, into a trance, usually with his drum which also has a spirit, and this is how they contact the spirit. Then they will alter their voice and begin to talk, using two voices, relying on their powers of ventriloquism.”

“I was told you can recognize a sangoma by their dress which is covered in beads, and is very ornamental, in red which is bomvu, black which is mnyama and white, mhlophe,” Helen said, hoping to impress Richard with her knowledge. Jono nodded. “The medicine the sangoma mixes can be based on colours also. The sangoma mixes opposite colours together, uniting them symbolically and then real life harmony follows. Light colours represent life and masculinity, dark colours are death and femininity.”

“I knew it.” Richard poked Mia who had returned with the bottle of schnapps and a sleeping bag, “you women are the death of men.”

Mia tittered, slapped him on the shoulder and wrapped herself in the sleeping bag. She opened the bottle, took a long swig and passed it to Jasmine.

“Is it true,” Marika asked, “that sangomas study for as long as doctors?”

“Yes. It takes seven years for the sangoma to study, and he, or she, studies a lot of things; techniques of divination, treatment of psychological, mental, physical conditions, animal and plant medicine use, the anatomy of the soul, ritual mastery, prayer and invocation, throwing the bones, trans-body, chant and song, channeling souls, soul ascension, case study, tradition and culture, and finally, techniques of investigation. Sangomas are also very good detectives and great historians and guardians of local culture and learning.”

“Impressive,” Kate said. “But the witches sound horrible.”

“They are. Witches operate on fear, superstition and rumour,” Jono said. “The evils of gossip. Nowadays even some of the churches use witchcraft to bring new worshippers, convincing them their problems are due to supernatural witch curses that only the church can cure. Some churches even preach that diseases like AIDS and leprosy, blindness, deafness, impotence and infertility are muti curses by witches.”

“Before we left,” Richard said, “I read an article about how Tanzanian witchdoctors have been killing albinos and harvesting their body parts because they think it will bring them good luck. What’s with that? Why albinos, why body parts for good luck?”

“What have you been reading, my friend, to hear that?” Jono asked and Richard’s expression became guarded.

“Oh, general research and whatnot. One’s interested in studying up before a trip, and what with the Internet, it’s astounding what one comes across. Some scary stuff actually. But why albinos, Jono?”

“Because they are considered to be very sacred. They are treated with deep respect because they are believed to be spirits born as human beings. And the whole muti body parts thing, well, that’s a whole other area, my friend, that is a dark thing for sure.”

“I’d be super keen to hear the whole bangshoot,” Richard said.

“Maybe you are, my friend but it’s not a discussion for the faint-hearted,” Jono warned. “And yes, Richard, I know the events of which you speak. At this time, nineteen albinos have been murdered in less than a year. But one last word on witches; they are also accused of inciting adultery, alcohol abuse and theft. Witches also have immense power to turn innocent people into witches and therefore it’s possible to become a witch without even being aware of it, simply by eating contaminated food or picking up an ‘impure’ object.”

“Oh, do not, for the love of God, tell Harrison any of this,” Richard said, “we’re all sworn to secrecy. Can you image what he’d be like if he heard these sorts of things? He’ll be rubbing everything, including us, in antiseptic.”

“All for one and one for all, we say nothing,” Helen assured him. “Jono, what about tokoloshes? I’ve tried to find out about them but no one would really tell me anything.”

“Ah,” Jono said, “the infamous tokoloshe. Helen, here is the secret to creating one – you remove the eyes and tongue from a full size corpse, then you blow a secret powder into its mouth and it is comes to life and will obey your every wish. But there is a high price for creating a tokoloshe, including the death of a relative within a year, because the spirits do not give life freely. If you are prepared to create an unnatural life, then you must be prepared to destroy a natural one.”

“An unnatural life,” Kate echoed and even the fire seemed to flicker and dim. Mia offered her the bottle of schnapps but she shook her head. Mia shrugged and passed the bottle to Jasmine.

“The tokoloshe,” Jono continued, “is a spirit in the households of witches and warlocks and they speak with a lisp…” “Sofie’s a tokoloshi.” Mia sat up, giggling “I suspected it all along.”

“She’s not small and brown,” Richard objected.

“Nor does she have a penis so long it has to be slung over her shoulder,” Jono said. “Sorry Mia, but she falls short of many of the physical characteristics needed.”

Mia found this so hilarious she nearly fell into the fire.

“Easy there, cupcake,” Richard said, kicking a burning log further away from her.

“I’m fine.” Mia protested, “perfectly composed. It’s the thought of Sofie with a giant penis slung over her shoulder, lisping…” She and Jasmine hung onto each other, hooting with laughter.

“The tokoloshe,” Jono said, “is very unusual in that he has a single buttock. Apparently Satan was unable to replicate this uniquely human feature, of our lovely, well rounded bottoms. So if you wish to scare away the devil, you must bare your buttocks at him and he will be frightened by that which he cannot have.”

“Ah that’s why mooning is such a handy tool,” Mia yelled. “Never mind crosses for vampires, just pull down your pants to the devil. Go on Richard luv, show us your moon.”

“Yes,” Helen chimed in, “show us.”

“I respectfully decline the invitation,” Richard said, “go on Jono.”

“I am too worried to continue,” Jono said. “I am afraid this discussion is being a health hazard to Mia.”

“No, I’m fine,” Mia gasped, “but my stomach hurts from laughing. Oh bleedin’ hell, this is hilarious. Go on Jono.”

“Part of the tokoloshi’s duties,” Jono said, “is to make love to its witch mistress, which is why he was created so well-endowed. As a reward for fulfilling these sexual duties, the tokoloshi is rewarded with milk and food.”

“Milk?” Kate was perplexed. “Why milk?”

“Milk is considered a sacred drink in many parts of Africa,” Jono explained, “it has many healing powers.”

“Likes to suck on a bit of tit, does he?” Richard was thoughtful. “Sign of a good man if you ask me.”

Jono ignored this comment and continued. “If you do see a tokoloshe, do not annoy it by talking to it and most certainly do not point at it because it will vanish immediately.”

“How on earth can I not look,” Mia shook with laughter, “when its hung like a bleedin’ donkey?”

Despite having downed half the bottle of schnapps, Mia was surprisingly coherent, unlike Jasmine, who had abruptly fallen fast asleep and was snoring slightly.

Jono finished the last of his beer and looked regretful. “Well, everyone, I must go to sleep or I will be a bad driver in the morning. Thank you very much for listening.”

He looked at Kate who grinned at him.

“No, thank you,” Richard said. “You’re incredibly knowledgeable, Jono, and I look forward to more stories about muti and witchdoctor’s and the like. Anyone else like one for the ditch? Last call, people, last call.”

“I’m going to bed,” Eva said. “Thanks Jono, thanks everyone.”

“Yeah, we’re calling it a night too,” Kate and Marika said, getting up.

“Me too,” Helen said. “That was fascinating, thanks Jono.”

“I’ll have one more,” Mia said, “lay it on baby.”

Jasmine was still fast asleep and Mia patted her head.

BOOK DETAILS:

Genre: Murder Mystery/Thriller
Published by: Inanna Poetry and Fiction Series
Publication Date: May 21st 2014
Number of Pages: 460
ISBN: 1771331267 (ISBN13: 9781771331265)

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PICT Presents: TELEGRAPH HILL by John Nardizzi

JOHN NARDIZZI

John Nardizzi is an investigator, lawyer, and writer. His writings have appeared in numerous professional and literary journals, including San Diego Writers Monthly, Oxygen, Liberty Hill Poetry Review, Lawyers Weekly USA, and PI Magazine. His fictional detective, Ray Infantino, first appeared in print in the spring 2007 edition of Austin Layman’s Crimestalker Casebook. Telegraph Hill is the first crime novel featuring Infantino.
In May 2003, John founded Nardizzi & Associates, Inc., an investigations firm that has garnered a national reputation for excellence in investigating business fraud and trial work. His investigations on behalf of people wrongfully convicted of crimes led to several million dollar settlements for clients like Dennis Maher, Scott Hornoff and Kenneth Waters, whose story was featured in the 2010 film Conviction
Connect with John at these sites:

WEBSITE    TWITTER   

Q&A with John Nardizzi

Do you draw from personal experiences and/or current events?
Telegraph Hill all comes from my experiences as a private investigator and walking the city of San Francisco.  Some early ideas—poems and short sketches of people—came from my experiences the tough Tenderloin district, where I worked and went to law school.  Met some rather interesting people.  In that era, walking from Nob Hill—which was just a few blocks away to the Tenderloin showed you one of greatest mixes of wealth and poverty in a short space.  Dramatic contrast. Mentally ill clients huddled on Turk Street in a box while 2 blocks away millionaires walked into the theater.  When I began working as a PI, friends began to ask me about crime novels I enjoy.  So I went back to the original California PI novels by Dashiell Hammett and Raymond Chandler.  Then I took my word-pictures and stories of these people had met—gang members, cops, prostitutes, addicts, some talented, damaged writers I knew from readings—and tossed them in a stew until the book Telegraph Hill was ready to be served up.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
The good stories just flow along certain lines.  I definitely like to sketch out some road maps on paper, outlines and such.  The book was called House of Cards in the first drafts.  The PI, Ray Infantino, kept meandering around Telegraph Hill and the Tenderloin sections so I thought of those as possible titles.  But Tenderloin sounded too much like a cook book.  And the final ending of the book just gravitated to Telegraph Hill and so that name seemed right.

Your routine when writing?  Any idiosyncrasies?
Just carve out some time each week to write. Later in the day.  Nights are good.  Nothing too weird. A lot of writers talk about how painful the writing process is, but I don’t see that.  I heard the actor Christopher Waken talk about his dance training and how it helped his acting.  He had a credo: “Shut up and Dance.”  Just get on with it, stop talking about the muse.  Obviously not everyday is your best but you don’t know which one of the seven is gonna kick some butt.  So just write. It’s best like that, very enjoyable.  The later edits of course are hard, but still, being able to write is a gift.

Is writing your full time job?  If not, may I ask what you do by day?
I run my own investigations firm in Boston, and this requires a lot of report writing.  So writing has always been a big part of my career.  Fiction writing is a part-time paying gig now.  I am not earning enough to shut down the real detective agency yet.

Who are some of your favorite authors?
J.R.R Tolkien opened it up for me, the epic creativity of Middle Earth.  Love Don DeLillo, especially his book Libra which has some riveting descriptions.  For crime fiction, Jim Thompson, especially The Grifters, and also Derek Raymond and Robert B. Parker.

What are you reading now?

Tales of the City by Armistead Maupin. I was recently in San Francisco and someone mentioned it has some great riffs on the city.  I had never read so I got it the day I got back to Boston.

Are you working on your next novel?  Can you tell us a little about it?
Yes, my next book is based on some of the wrongful conviction cases I worked on near Boston.  A rogue cop conspires with a crime boss to corrupt a witness and an innocent man spends 20 years in prison.   Ray Infantino comes in to lower the boom and get some justice.  Yeah, this has been fun to write so far, some good scenes along Boston Harbor.

Fun questions:
Your novel will be a movie.  Who would you cast?
Benicio del Toro as Infantino. My wife plays Dominique.  Bai Ling as Tania.

I play a homeless guy who keeps appearing in the background like a wandering seer.

Manuscript/Notes: hand written or keyboard?
I always do a handwritten first draft.  Easy to get that done, just get out pen and paper and write it out wherever I am.  Love to write on the beach.  Then I move it to the keyboard.

Favorite leisure activity/hobby?
Football- I play soccer all the time, watch the games from Europe, especially Arsenal and Barcelona.  And the NFL of course.

Favorite meal?
Tortellini al carciofi with prociutto and a bottle of red wine.  Not going too far off the ethnicity on this one.  My Irish / Italian mother will kill me if I don’t add in cabbage.

 

ABOUT THE BOOK

In Telegraph Hill, private detective Ray Infantino searches for a missing girl named Tania. The case takes him to San Francisco, the city he abandoned years ago after his fiance was murdered. Thrust into his old city haunts, Ray finds that Tania may not be lost at all. Tania saw a murder; and a criminal gang, the Black Fist Triad, wants to make sure she never sees anything again. Ray enlists help from an old flame, Dominique, but now he has three women on his mind.

Meeting with various witnesses-ex-cops, prostitutes, skinheads-he relentlessly tracks the evidence. But the hunt for Tania fires his obsession with avenging the murder of his fiance. When the triad retaliates, and blood begins to flow, Ray must walk the knife edge between revenge and redemption on the streets of San Francisco.

Read an excerpt:

Jones was halfway down on the left side, a boxy, blue thirty-unit apartment building with Victorian adornments long since left to rot. The building was in a neighborhood on the lower section of Jones. It was the perfect spot for vice, where the steaming muck of the Tenderloin lapped the shores of Nob Hill decency.

The steel security door was ajar. Ray slipped inside and looked at the mailboxes. Apartment 12 was labeled “resident,” with no name listed. A sure sign of criminal activity. The inner door was locked. Ray paused and picked up a newspaper, loitering in the hall. He thought he loitered well. He was considering the next spoke in the investigative wheel when the inner door opened and an Asian woman in jeans and a red leather jacket stepped out. She held the door. Thanking her, Ray entered.

The hallway was painted institutional white. Wall sconces with flame-shaped amber bulbs cast a lurid hue. Debris littered the hallway: bottles with cigarette butts sloshing in the swill, condom wrappers, coffee cups. A sign on the wall read: Management will not help settle gambling debts. Gamble at your own risk. Manager.

He geared up for the upcoming interview. Numerous scientific studies had been conducted in the field of psychology regarding the detection of deceptive behavior. For a time, experts taught that if a person’s eyes shifted right, he was creating a visual response (and therefore presumably lying); if the person looked left, he was recalling an actual event (and thus most likely telling the truth). Newer studies had concluded that these eye movement theories were utter crap. If a man blinked, he was nervous, or stressed, or he had a gnat caught under his left eyelid; if he sweated profusely, he was lying, or possibly had lived for several years in Finland.

The heavy wooden door of apartment 12 was straight ahead.

BOOK DETAILS:

Genre: Crime Fiction, Suspense, Mystery 
Published by:Libboo eBook, Merrimack Media Paperback 
Publication Date: May 2013 
Number of Pages: 232 
ISBN: 193916611X / 978-1939166111 

PURCHASE LINKS:

           

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THE GUIDE by Milt Mays showcase & giveaway

The Guide

Synopsis

Is your fly fishing guide willing to die for you?

Stony lives for fly fishing in the wilderness. It literally saved his life. After Stony massacred an entire village in Vietnam, addiction and PTSD almost killed him. Alaska, fly fishing, and a woman and her wolves brought him back from the brink. He made a vow to her on her deathbed to always help people, and to never kill another man.

Now he has a new lover, and is finally clean. So when he takes a seemingly ideal client deep into the wilderness of Rocky Mountain National Park, he never dreams that his most sacred vow will be tested to the breaking point. He will have to save his client from a serial killer, a murderer so devious he has managed to become a respected doctor—and his client’s partner.

It’s taken Stony thirty years to disentangle himself from psychological hell. Now, hampered by all the dangers high altitude wilderness can throw at him, Stony must risk sinking into mental hell forever by killing an evil doctor—or risk losing not only his client, but his new soul mate.

BOOK DETAILS:

Publisher: Milt Mays
Publication date: 12/15/2013
Number of Pages: 382
ISBN-13: 9780991329717

PURCHASE LINKS:

       

Milt Mays

Milt writes suspense novels, short stories and the odd poem–and I mean odd. Take the F…ing Fly is an illustrated poem, in colors straight from the river, and language straight from a fisherman. Look for it soon on Amazon.

Milt grew up in Colorado, spent most of his life in the Navy, and now lives in Northern Colorado. He reads widely and in most genres. Favorite author, James Lee Burke. He enjoys fly fishing, road bicycling, hiking and camping, and is usually with his lovely wife, wonderful children, and a certain grandson with wide blue eyes and a devilish grin.
Connect with NAME at these sites:

WEBSITE        TWITTER   

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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

 

THE LINCOLN MYTH by Steve Berry

 

ABOUT THE BOOK

THE PRESENT: In Utah, the fabled remains of Mormon pioneers whose nineteenth-century expedition across the desert met with a murderous end have been uncovered. In Washington, D.C., the official investigation of an international entrepreneur, who is also an elder in the Mormon Church, has sparked a political battle between the White House and a powerful United States senator. In Denmark, a Justice Department agent, missing in action, has fallen into the hands of a dangerous zealot—a man driven by divine visions to make a prophet’s words reality. In a matter of a few short hours, Cotton Malone has gone from quietly selling books at his shop in Denmark to dodging bullets in a high-speed boat chase.

All it takes is a phone call from his former boss in Washington, and suddenly the ex-agent is racing to rescue an informant carrying critical intelligence. It’s just the kind of perilous business that Malone has been trying to leave behind, ever since he retired from the Justice Department. But once he draws enemy blood, Malone is plunged into a deadly conflict—a constitutional war secretly set in motion more than two hundred years ago by America’s Founding Fathers.

From the streets of Copenhagen, to the catacombs of Salzburg, to the rugged mountains of Utah, the grim specter of the Civil War looms as a dangerous conspiracy gathers power. Malone risks life, liberty, and his greatest love in a race for the truth about Abraham Lincoln—while the fate of the United States of America hangs in the balance.

Read an excerpt:

“I have not left anyone in doubt. My task is to save the Union. I would save it the shortest way under the Constitution. The sooner the national authority can be restored, the nearer the Union will be the Union as it was. If I could save the Union without freeing any slave, I would do it. If I could save it by freeing all slaves, I would do it. If I could save it by freeing some and leaving others alone, I would also do that. What I do about slavery, and the colored race, I do because I believe it helps to save the Union. What I forbear, I forbear because I don’t believe it would help to save the Union. I shall do less whenever I shall believe what I am doing hurts the cause, and I shall do more whenever I shall believe doing more will help the cause.”

“Then you are not my president, sir. Nor would you be the president of those who voted for you.”

“But I am president. So take this message back to the general. He was sent west to move the army to Memphis and keep advancing eastward. Those are still his orders. He shall either obey them or be removed from his post.”

“I must warn you, sir, that it could be hard if you continue to oppose the general. He could set up for himself.”

The federal treasury was empty. The War Department a mess. No Union army anywhere was prepared to advance. And now this woman, and her insolent husband, were threatening revolt? He should have them both arrested. Unfortunately, however, Fremont’s unilateral emancipation had become popular with abolitionists and liberal Republicans who wanted slavery ended now. A bold strike at their champion could be political suicide.

He said, “This meeting is over.”

She threw him a glare, one that said she was unaccustomed to being dismissed. But he ignored her sneer and stepped across the room, opening the door for her to leave. Hay, his personal secretary, was on duty outside, as was one of the stewards. Mrs. Fremont passed Hay without saying a word, and the steward led her away. He waited until he heard the front door open, then close, before signal-ing for Hay to join him in the parlor.

“That is an impertinent soul,” he said. “We never even sat. She gave me no chance to offer her a seat. She taxed me so violently with so many things that I had to exercise all the awkward tact I have to avoid quarreling with her.”

“Her husband is no better. His command is a failure.”

He nodded. “Fremont’s mistake is that he isolates himself. He does not know what is going on in the matter he is dealing with.”

“And he refuses to listen.”

“She actually threatened that he might set up his own government.”

 

Excerpted from THE LINCOLN MYTH by Steve Berry. Copyright © 2014 Steve Berry. Excerpted by permission of Ballantine Books, a division of Random House, LLC. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

BOOK DETAILS:

Series: Cotton Malone
Number of Pages: 448 pages
Publisher: Ballantine Books
Publication Date: May 20, 2014
ISBN-10: 0345526570
ISBN-13: 978-0345526571

PURCHASE LINKS:

           

Steve Berry

STEVE BERRY is the New York Times and #1 internationally bestselling author of nine Cotton Malone adventures, four stand-alone thrillers, and four short-story originals.   His books have been translated into 40 languages with more than 17 million printed copies in 51 countries. A 2010 NPR survey named The Templar Legacy one of the top 100 thrillers ever written.

History lies at the heart of every Steve Berry novel.  It’s his passion, one he shares with his wife, Elizabeth, which led them to create History Matters, a foundation dedicated to historic preservation. Since 2009 Steve and Elizabeth have crossed the country to save endangered historic treasures raising more than $750,000 via lectures, receptions, galas, luncheons, dinners and their popular writers’ workshops.

In 2012 Steve’s devotion to historic preservation was recognized by the American Library Association, which named Steve the first spokesman for National Preservation Week (a role he reprised in 2013).  Among other honors that came his way in 2013 were the Poets & Writers’ Barnes & Noble Writers for Writers Award; the International Thriller Writers Silver Bullet Award; and the Spirit of Anne Frank Human Writes Award. The first two awards honored Steve’s philanthropic work with fellow writers and historic preservation. The latter is given to the writer who best exemplifies the spirit of Anne Frank in their work. In addition, Steve was asked to write the forewords for the 2014-2015 re-release of the novels of James Michener, his boyhood idol and one of America’s foremost storytellers.

Steve was born and raised in Georgia and graduated from the Walter F. George School of Law at Mercer University. He was a trial lawyer for 30 years and held elective office for 14 of those years.  He is a member of the Smithsonian Institution Libraries Advisory Board and a founding member of International Thriller Writers—a group of more than 2,500 thriller writers from around the world—and where he served three years as its co-president.
Connect with Steve at these sites:

WEBSITE       

DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

 

BAREFOOT IN WHITE by Roxanne St. Claire

ABOUT THE BOOK

About the series:

The original quartet of Barefoot Bay books introduced readers to four female friends who, while recovering from a hurricane and building a small, upscale resort and spa, all found love.  Then there were three Barefoot Bay Billionaires who swept the most unlikely heroines off their feet on the sands of Barefoot Bay.  Up next, three destination wedding planners who run The Barefoot Bay Brides, and each will have a love story of her own.

About the book:

In BAREFOOT IN WHITE, we meet Willow Ambrose who has fought a battle with the scale for much of her life, but she has finally won the war.  She hasn’t just cut calories — she’s cut all ties to her past, too, and successfully carved out a new body and a new life.  But when she comes face to face with someone who left an indelible mark on her heart years before, all that threatens to crumble.

Navy SEAL Nick Hershey is on medical leave, doing a friend a favor as a stand in “man of honor” at a beach wedding.  He might not be that interested in the nuptials, but the wedding planner catches his eye the minute they meet.  When he realizes Willow is a girl he knew in college — and a girl he unintentionally hurt to the core — he knows he has some making up to do.

Willow has learned how to beat every temptation…but Nick’s  sweet as candy kisses just might be the one thing she can’t resist.   However, the closer they get, the more the past threatens to tear them apart.  Nick and Willow learn the hard way that they can’t change history, but does that mean they won’t have a future?

Read an excerpt:

EXCERPT – the first meet! Willow walks into what she thinks is a vacant villa on the resort property, there to deliver a welcome basket to a bride and her maid of honor who are scheduled to arrive later that day.  There, she finds a naked man, air-drumming, and wailing a song written by her father…a man she soon realizes she knows:

 

Willow inhaled the briny bay air, stopping at the wrought iron gate that opened to Artemisia. Positioned on a rise, and angled so that the patio and pool faced the Gulf of Mexico, this butter-yellow villa was one of Willow’s favorites on the property. Setting the basket on the terra cotta steps that led up to the front door, she pulled her resort ID that doubled as a master key out of her pocket, unlocked the door, and scooped up the goodies to go inside.

The living area was darkened from sunshades on the windows, cool and quiet, with the welcoming aroma of sweet gardenias left by the Casa Blanca cleaning staff. Heading to the kitchen, Willow froze mid-step at the sound of…was that running water? No. A footstep? She listened for a minute, heard nothing, then—

“Will ya…will ya…be my girl?”

Singing. Someone was singing. Well, more like howling. Woefully off-key.

“Gotta know if it’s real, gotta know it’s forevah!”

Willow’s heart dropped so hard and fast the basket almost went with it. Was this some kind of joke? That song? That crappy, tacky, mess of metal that…that pretended to be a love song and paid for college and cars and everything else she’d had?

No one at this whole resort, on this island, or, hell, in the whole state of Florida, except for Ari and Gussie, could possibly know—

“No foolin’ around, for worse or for bettah!”

Son of a bitch, who’d found her out? Did Ari or Gussie tell someone that Willow’s father was a rock ’n’ roll household name? They’d promised not to.

Gripping the basket so tight she could crack the wicker, she marched into the hallway that separated the two bedrooms, calling out, “Excuse me!”

“Will ya…will ya…be my…”

“Hey!” She lowered the basket to peer over the top and…oh. Oh.

Ass again. It deserved a second look.

Girrrrl!” Tanned, muscular arms whacked the air, and a dark head of wet hair shook, sending droplets all the way down to…oh, really, that rear end was the most beautiful thing she’d ever seen.

“Come and take it, don’t ya fake it, we can make—”

She opened her mouth, but nothing came out. The words caught in her throat, lost as her gaze locked on the bare-naked man air-drumming like a raving lunatic in the middle of the bedroom, totally unaware she stood behind him.

“Luh-uuuuve…” He destroyed the note, and not in the good way her father intended when he wrote the song. No, Donny Zatarain would probably weep if he heard his signature rock anthem being butchered by this idiot wearing nothing but noise-canceling headphones.

“Excuse me!”

His arms never missed a beat of the drum solo she had memorized before she was five years old, each stroke tensing and bulging muscles she hadn’t even known existed. She opened her mouth to call out again, but that was a waste of time. Anyway, this particular feast for the eyes was way too good to pass up.

“Will ya, will ya be my girrrrrl?”

But that song had to stop. She reached into the basket and grabbed the first thing her fingers touched: a nice ripe Florida orange. Yanking it out, she lobbed it as he hit the high C on “girl,” except he didn’t come anywhere near C, and the orange didn’t go anywhere near him.

Still, he spun around, jumping into a wide, threatening stance, both arms out like a warrior ready to attack. She blocked her face with the basket, peeking through the top spray of cellophane, silently thanking Ari for choosing clear.

Whoa, that was a big…man.

“What the…” he muttered after a second, whipping off the headset. “I didn’t hear you come in. You can put that down out there. Thanks.”

She didn’t move. Not even her eyes, which were riveted to…his…his…him.

“Thanks,” he repeated, the word tinged with impatience. “You can leave now.”

What if her client had come face-to-face with this? With that exposed…giant…breathtaking… She’d think this took “welcome package” to a whole new level.

“No, you can leave, because you are not in the right villa,” she said.

He scowled. Well, she assumed he scowled. It was difficult to see his face because she couldn’t stop looking at the rest of him.

“I’m in the right villa. Isn’t this Art..Arte…some flower that starts with an A?”

Was she in the wrong place? No, of course not.

Get a grip, Willow. He was just a naked man—okay, an exceptionally stunning naked man—and she had a job to do here.  Which was to get him out of the villa.

“Artemisia,” she supplied, her arms starting to burn from holding the basket high enough to cover her face but still see. “And, yes, you are in the wrong villa, because we have guests booked to arrive soon, and you’re not one of them.”

He turned his hands skyward in a less threatening gesture, not that his hotter-than-a-thousand-suns body wasn’t threatening enough. “Yes, I am,” he said. “And if you will please turn around, miss, and leave that in the living room, we’re cool.”

“No, we are not cool.” There was an understatement. “Because I’m pretty sure you have more, um, body hair than the bride or maid of honor we’re expecting.”

He took a step closer, and she hoisted the basket high enough to completely cover her face.

“Man,” he said

“Excuse me?”

“I’m a man.” With two hands, he lowered the basket. “As you’ve obviously noticed. Man of honor. Not maid.”

The words registered, but not the meaning, because she was face-to-face with his broad chest and wide shoulders and a deep-purple tattoo of…oh, really? Was this God’s idea of a joke? That was the earth and star on the cover of Zenith, the number-one best-selling Z-Train record of all time. “Really?”

“Really. I’m the man of honor in Misty Trew’s wedding.” His tone was a mix of waning tolerance and growing amusement.

She finally lifted her eyes, finally coherent enough to process what he’d said, and realize the mistake was hers. “I get it,” she whispered, meeting cocoa-colored eyes as rich and inviting as the truffles in her arms, and a mouth that could be forgiven for whatever sour notes he’d hit with it, and…

Once more, the world slipped out from under her, this time because recognition nearly buckled her knees. “You’re…” Her throat closed.

“The man of honor.”

“No, you’re…” The one who…the boy who…no, now the man who…crushed her spirit.

“A male version of the maid.”

“You’re…” Nick Hershey.

“Naked,” he supplied, adding a slow, sexy, sinful smile. “But you’re not.”

She clung to the basket as if it were the last logical thing on earth because right now, it was. “I’m not…” How long had it been? Ten or eleven years since she’d lived in a dorm at UCLA? And he’d been right down the hall. “Thinking straight.”

“Clearly.” He laughed and reached for the basket. “Here, let me take your junk so you can stop staring at mine.” Placing the basket on the dresser, he held up a hand. “Just a sec. I’ll get your tip.”

 

Barefoot in White copyright © 2014 by Roxanne St. Claire

BOOK DETAILS:

Series: Barefoot Bay Brides
Number of Pages: 336 pages
Publisher: South Street Publishing
Publication Date: May 3, 2014
ISBN-10: 098837367X
ISBN-13: 978-0988373679

PURCHASE LINKS:

        

Roxanne St. Claire

Roxanne St. Claire is a New York Times and USA Today bestselling author of more than thirty novels of suspense and romance, including three popular series (Barefoot Bay, The Bullet Catchers, and The Guardian Angelinos) and multiple stand alone books.

In addition to being a six-time nominee and one-time winner of the RITA Award, Roxanne’s novels have won the National Reader’s Choice Award for best romantic suspense three times, as well as the Daphne du Maurier Award, the HOLT Medallion, the Maggie, Booksellers Best, Book Buyers Best, the Award of Excellence, and many others.  Her books have been translated into dozens of languages and are routinely included as a Doubleday/Rhapsody Book Club Selection of the Month.
Connect with Roxanne at these sites:

WEBSITE        TWITTER    

DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.