…….of Forever’s 2nd Day of Christmas
ADDENDUM: 12/31/13 Due to a non response, another winner has been chosen. The winner has 48 hours to respond or another winner will be chosen.
Reading, Reviewing, Guest Authors, Giveaways and more.
ADDENDUM: 12/31/13 Due to a non response, another winner has been chosen. The winner has 48 hours to respond or another winner will be chosen.
It’s that wonderful time of year!!! Sign ups for 2014 Reading Challenges.
Unfortunately I had a major slump this year, reading a total of 7 books. I can only remember 1 time in my life that I had a reading slump this bad. Needless to say, I didn’t even come close in completing the 2013 Challenges. I am hoping that in 2014, the slump ends. And in being positive, I will attempt to participate in a few Challenges. They are:
If any of these sound inviting, visit the hosting blog to see criteria.

01. Hosted By Bev at Reading Challenge Addict

02. Hosted By Lori @ Escape With Dollycas Into A Good Book

03. Hosted By Bev @ My Reader’s Block

04. Hosted By Charlie @The Wormhole

06. Hosted By Bookmark to Blog

07. Hosted By Sheila @ Book Journey
My progress will be posted here.
There are a couple more that I have participated in over the years, that haven’t been posted yet, so I’m sure this list will grow. Hope you will join me!




December is hosted by Rose City Reader
Mailbox Monday was created by Marcia of A girl and her books and is now on tour.
According to Marcia, “Mailbox Monday is the gathering place for readers to share the books that came into their house last week. Warning: Mailbox Monday can lead to envy, toppling TBR piles and humongous wish lists.
Click on title for synopsis via IndieBound (I am an IndieBound affiliate)

Monday: Retribution by Anderson Harp from Media Muscle/The Book Trib
Christmas In Lucky Harbor by Jill Shalvis and
A Christmas To Remember by Jill Shalvis, Kristen Ashley,
Hope Ramsay, Marilyn Pappano &Molly Cannon

Cate currently lives in Tennessee with her husband, their two boys, and St. Bernard, Bear. She is the author of the best selling romantic suspense series, The Bodyguards of L.A. County. Before her career as an author, Cate worked in special education for 12 years.
“I’m a pretty lucky girl; one day I woke up and my entire life changed. I saw the light, so to speak, and decided I was going to be a writer. Now, two years later, I’m working on my sixth novel, Justice for Abby, and I’m an Amazon best selling author. I’m very grateful for the support and success I have had. – Cate “
Connect with Cate at these sites:
As I have discussed with previous book launches, music plays a huge part in my writing process. I typically listen to Pandora or YouTube and compile a collection of songs that I feel represent my characters or the situations they face as the novel unfolds. Here are a few of the songs that I had on “repeat” while I created Tucker and Wren’s story!
The soundtrack, of sorts, for Waiting For Wren:

When the past and present collide…
Wren Cooke has everything she’s ever wanted—a thriving career as one of LA’s top interior designers and a home she loves. Business trips, mockups, and her demanding clientele keep her busy, almost too busy to notice Ethan Cooke Security’s gorgeous Close Protection Agent, Tucker Campbell.
Jaded by love and relationships in general, Wren wants nothing to do with the hazel-eyed stunner and his heart-stopping grins, but Tucker is always in her way. When Wren suddenly finds herself bombarded by a mysterious man’s unwanted affections, she’s forced to turn to Tucker for help.
As Wren’s case turns from disturbing to deadly, Tucker whisks her away to his mountain home in Utah. Haunted by memories and long-ago tragedies, Tucker soon realizes his past and Wren’s present are colliding. With a killer on the loose and time running out, Tucker must discover a madman’s motives before Wren becomes his next victim.
She pulled in her drive, dropped her phone, and gripped the wheel with trembling hands as heat from the vents rushed over her. She stared at her darkened front steps in the shadows cast about from the neighbors’ tall trees. What if he was here? His texts weren’t threatening, and technically neither were the flowers, but Rex wasn’t healthy. In the two years she’d owned her home, she’d never been terrified to get out of her car and go inside like she was now.
This is what he wants. He wants you to be afraid while he plays his games. Steeling herself, she grabbed her phone and got out with her key fob clutched in her unsteady hand. The cool rush of wind tossed her hair in her face, and she swiped wavy locks behind her ear as she strained to hear over the rustling leaves. She walked quickly, her eyes darting everywhere.
She just had to get to the door and step inside. The panic button was in the entryway if she needed it. The police would come help her, along with whoever was fielding calls at Ethan’s company tonight. “I’m almost there. I’m almost there,” she whispered, flinching, blinking, startled as the sensor lights flashed on to brighten the walkway. The security lights. It was just the security lights. She forgot she reactivated the feature the night of the gala. She took another step forward and saw the blood by the pretty pot of red mums. “Oh my god. Oh my god.” A black cat lay on her step, decapitated and bloated in a pool of dark, congealed crimson. “Oh my…”
Her breath rushed in and out as she stumbled back. The cellphone in her clammy hand rang, and she screamed. Blindly, she pressed “talk.” “Hell—hello?”
“Do you like it?” someone whispered.
She whirled, scanning, searching for Rex. He was here, somewhere. He had to be.
“Why won’t you call me?” The whisper turned into a pathetic whine. “Why won’t you call me, Wren?”
“Stop,” she shuddered out as she hurried to her car, looking over her shoulder from time to time, sure he was waiting to pounce. “Stop doing this. I’m calling the police.”
The whining stopped abruptly and turned into mad, riotous laughter. “They won’t believe you! They won’t believe you!”
“Leave me alone!” She hung up, gasping for air. Tears poured down her cheeks, and her hand shook as she opened her door, took her seat, and locked herself in. She had to get out of here. She had to get away. It took her two tries to shove the key in the ignition as she glanced at the bloodstained step once more and backed out with a squeal of tires. She sped off, heading toward Ethan’s until she remembered he was gone and a quarter of his house had been gutted for the new edition. All of them were gone—Ethan, Hunter, and Austin. She pressed ‘one’ on her speed dial, listening to the repetitive ringing. Ethan’s smooth voice told her to leave a message, but she hung up instead. She turned down another street, taking her farther from her home, and punched in Ethan Cooke Security’s twenty-four hour assistance line.
“Ethan Cooke Security. This is Mia.”
“Mia, it’s Wren.”
“Wren, are you okay?”
“Yes.” Her voice broke, and she shook her head as she clutched the wheel with one hand. “No. No, I’m not. There’s a dead cat on my porch.”
“Oh.”
That didn’t exactly describe the horror she’d just backed away from. “Someone killed a cat and left it on my front step.”
“Oh my god. Where are you?”
“In my car.” She sniffed. “Driving around. I don’t want to go back to my house alone.”
“Of course not. Let me patch you through to Tucker Campbell. He’s on call.”
Tucker? “No, wait—” But it was too late. Soothing music played in her ear.
“Wren?” Tucker’s deep voice hummed with concern.
Her lip wobbled, and tears began to fall again. “Yeah, I’m here.”
“What’s going on? Mia said something about a dead cat?”
“Someone chopped some sweet cat’s head off and put the body on my front step.”
He muttered a swear. “Are you there now?”
“No, I’m in my car, driving around. It freaked me out. I don’t want to be at the house by myself.”
“I don’t want you there either. Come to my place until we get this figured out.”
If choking fingers of terror didn’t have her by the throat, she would’ve refused, but Tucker was offering his help. She needed help. “I don’t—I don’t know where you live.”
“Ocean View Apartments, off Highway One.”
“What if he follows me? He might be following me right now.” She glanced in the rearview mirror and cringed as headlights trailed behind her.
“Who?”
“Rex.”
“Who the hell is Rex?”
“The crazy bastard who left the dead cat on my porch.”
“Son of a bitch, Cooke. Don’t stop. Don’t’ pull over. Drive on a flat tire if you have to. Just get here. I’ll be waiting outside.”
“Okay,” she sniffed, too afraid to be prideful. “I’m about ten minutes away.”
BOOK DETAILS:
Genre: Romantic Suspense
Paperback: 414 pages
Publisher: CreateSpace Independent Publishing Platform
Publication Date: October 9, 2013
ISBN-10: 1492159271
ISBN-13: 978-1492159278PURCHASE LINKS:
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Grammy Award-winning singer GLORIA GAYNOR took the music world by storm in the 1970s, striking platinum with her disco hit “I Will Survive.” “I Will Survive” was the only song to earn a Grammy for Best Disco Recording and was one of only 25 songs inducted into the Grammy Hall of Fame in 2012. Gaynor has appeared on countless television and radio shows, received numerous national and international music and humanitarian awards, and continues to perform around the world for legions of fans. Her most requested song is, of course, “I Will Survive.”
Coauthor SUE CARSWELL, author of Faded Pictures from My Backyard (Ballantine), is a reporter-researcher at Vanity Fair and has ghostwritten numerous books. She is a former executive and senior editor at Random House Inc. and Simon and Schuster, a former story producer for Good Morning America, and correspondent for People magazine.
Connect with Ms. Gaynor at these sites:
*A portion of the author’s proceeds will donated to the NY Chapter of the American Diabetes Association (http://www.diabetes.org/in-my-community/local-offices/new-york-new-york/) and Danny and Ron’s Rescue (http://dannyandronsrescue.com/).

— For millions of music lovers around the world Gloria Gaynor’s name is synonymous with pop music. An undisputed disco sensation, she was enjoying tremendous success in the 1970’s, performing to sold-out audiences across the country and riding the top of the Billboard chart with her hit single, “I Never Can Say Goodbye”. Little did she know that fate would soon strike in both tragic and triumphant ways. While performing a concert in New York City, Gaynor fell from the stage. She got back up and continued the performance, but the next morning she woke up unable to move. The singer required back surgery and a lengthy, painful recovery, and she nearly lost her recording contract. At the request of the label she went back into the studio (in a back brace) to record a cover version of a Righteous Brothers song called “Substitute”. The hastily selected B-side chosen for the single…a little tune you may have heard of called “I Will Survive”.
Over the last 35-years, “I Will Survive” has transcended from a surprise hit to a pop culture anthem. From its instantly recognizable opening riff to its final chorus, the song has become an international inspiration for people everywhere struggling to find the courage and strength to survive and thrive against life’s challenges and setbacks. Gloria Gaynor and the song have both become legends, and the legend lives on!
Gaynor will celebrate the 35th anniversary of the Grammy Award winning tune with a new book and a new CD. WE WILL SURVIVE: True Stories of Encouragement, Inspiration and the Power of Song (December 2013, Grand Harbor Press), written with Vanity Fair reporter Sue Carswell, shares personal stories from fans across the country who have triumphed over incredible adversity, and for whom the song “I Will Survive” has become a mantra for perseverance and success. The book recounts real-life experiences from people from all walks of life – from an Oklahoma Bombing rescuer to a 9/11mother to a Holocaust survivor. Gloria also opens up for the first time about her own personal life struggles including the murder of her sister and the break-up of her marriage.
WE WILL SURVIVE is both heart-wrenching and uplifting – a book that illustrates the unifying and healing powers of music. It also eloquently expresses Gloria Gaynor’s unique style – her fierce love of life, her devotion to faith and her enduring love for the song that has become the soundtrack of a million lives. “I still love singing it in concert, and on tour I save it for last,” says Gaynor. “I sing the song to myself every time I face a problem. It always works.”
INTRODUCTION
Behind the Song
I grew up in a single-parent home with a single mother and six siblings—therein lay the crux of my problems. Too few people know the devastating long-term effects that can ravage the life of a child raised without a father—or at least a good father figure. I had no uncles—my mother was an only child—and my father had two sisters but no brothers.
When I was five years old, we moved from an apartment building to a two-family house. There was a young, childless couple, John and Mary, who lived on the second floor. I often visited them, and they played with me every day.
One day Mary went to the hospital to deliver their first child. I had come to think of them as an aunt and uncle, so it was not strange to me when John invited me up to their apartment to have cookies and milk. I innocently allowed him to lead me into the bedroom, where he proceeded to lift me onto the bed and remove my panties. As he began to molest me, I looked up at him and said, “My mommy’s not gonna like this!”
He responded angrily: “Your mother’s not gonna know!”
“Yes, she will, cuz I’ll tell her,” I timidly said.
At that he hurriedly replaced my panties, snatched me from the bed, and dragged me to the front door of the apartment, where he shoved me out with a growl: “Git on back downstairs. You make me sick.” Looking back on it now, I think he probably meant, “You make me scared.”
My mother was a no-nonsense, take-no-crap-from-anyone kind of person, and John knew it. Because of that, I never told her what happened that day. I believed she would probably have hurt him seriously, which would have meant jail time and that I would be left without a mother as well as a father. I had no way of realizing then that John had stolen my innocence that afternoon and had reinforced the low self-esteem and abandonment issues I already suffered, born of fatherlessness.
Fatherlessness, coupled with this incident, set the stage for my behavior in male relationships from then on. I grew up feeling that every rejection or maltreatment from any man for any reason was because I wasn’t worthy of better treatment. When I was twelve, my mother had a relationship with a man she grew to love. For two years she kept him away from my siblings and me, so as not to have someone around who might, in some way, harm her daughters. Eventually he came to live with us, and we grew to like him a lot. He was a father figure—until one day he sexually molested me while I was asleep in my bedroom and my mother was asleep in hers.
“Why are you doing this?” I asked as I awoke.
“I was just trying to see if you were messing with those little boys,” he answered.
“You could have asked me that,” I snapped back.
I stopped him before he had gone too far, but the damage to my psyche had already been done. Again I didn’t tell my mom, even though her greatest fear had come to pass. I had seen her alone and lonely for years, and I didn’t want to get in the way of her happiness with the man she loved. I also didn’t want her to get into trouble for trying to seek retribution against him.
The incidents with my stepfather and John, as well as my reactions to them, set the tone for my future relationships with men and became par for the course. I ended up being rejected, disrespected, and neglected in every relationship, from puberty up to and including my marriage. When I was eighteen, I was naïve enough to trust the cousin of an ex-boyfriend. I allowed him to take me to visit his girlfriend—only to find that not only was she not home, there was no one there at all. He raped me. “Don’t even think of screaming,” he threatened. “No one else is here, no one will hear you, and you will only piss me off. So, act like you like it!”
When I got home that night, I went straight to the bathroom and tried to scrub away the guilt and shame I felt. It did not work. I never told anyone about it because, again, I didn’t want anyone to get in trouble for trying to defend me. Legal recourse never crossed my mind. Again, I just considered it all par for the course.
When I met my husband, Linwood, I thought he was my knight in shining armor. He was handsome, intelligent, gallant, chivalrous, generous, and so much fun. After two years I made him my manager. As artist/girlfriend and manager/boyfriend, our relationship was great for two years that was followed by a not-so-terrific one.
In the midst of my trouble in paradise, I received a notice from my record company. For no apparent reason, they were not renewing my recording contract, which would expire at the end of the year.
One night, at one of my shows, I had an accident onstage and woke up the next morning paralyzed from the waist down. I ended up in the hospital for spinal surgery. People were going around the record company saying, “The Queen is dead.” Was I simply a one-hit wonder with “Never Can Say Goodbye”? During the three-month hospital stay that followed, God got my attention. Gripped with fear of abandonment, physical handicap, and showbiz obscurity, I reached out to Him for help.
True to form, the Lord didn’t fail me. Within a year I had a massive hit with “I Will Survive,” and Linwood and I were married. Like so many innocent women, I thought, now that we’re married, things will be different; our focus will be on building a happy family together. I wasn’t the perfect wife, but I was attentive, trusting, reassuring, supportive, affectionate, loving, caring, and faithful. Linwood wasn’t all that bad as a husband. He was supportive as far as my career was concerned—physically protective and affectionate. But he took disrespect and disregard to a whole new level. I think he became so self-absorbed that he didn’t care if he was being hurtful to me. He had no concept of commitment and thought a grown man should be free to do whatever he wanted, stay out all night as many nights as he liked—so he did. It’s enough to say, as I often do, that I stayed at that party way too long.
What Linwood didn’t count on was the impact of “I Will Survive” and how much it would do for me. When I recorded the song, I thought of it concerning the courage it produced in me regarding my career, my mom’s passing, and the surgery I’d just had, and how it would encourage and inspire other people as well.
Now it became my mantra. It guided me in holding on to my faith and trusting God to bring me victoriously through all my trials and tribulations. I learned that internal scars—like those caused by fatherlessness, my stepfather, my ex-boyfriend’s cousin, and Linwood—put holes in your soul. Those scars can be just as deep as physical ones. They are just as painful and damaging, and generally hurt longer and are more debilitating. It took a while, but I grew strong, and I truly learned how to get along. My courage grew, and I began to recognize my own strength and the power God had placed in me. I spent several more years trying to make my marriage successful. But, as I told my husband on several occasions, “The problem with pushing a person to her limit is that no one knows what her limit is until she reaches it, and then it’s too late.”
Indeed, it became too late. I had reached my limit and came to the conclusion I couldn’t make the marriage work on my own and it was time to end it. My husband had taken up permanent residence in the state of denial and it was time for me to make a move as well. When I told my pastor I was getting a divorce, he asked me how I felt about it. After a long pause, I said, “Free at last, free at last, thank God Almighty, I’m free at last!”
I never missed Linwood because, to tell the truth, he had left me years before the divorce. But it was great getting to know the new me, the me so many abusive men had caused to hide deep down inside. Well, she’s out now. I love her, and God loves her, and she’ll never go into hiding again.
Indeed, I will survive.
…
In the following pages, you will find compelling stories that will likely mirror the experiences of yourself, family members, friends, and acquaintances. They are real-life stories of real people who valiantly climbed mountains of seemingly insurmountable obstacles to reach the pinnacle of triumph.
This book came about in a special way. My team—Sue Carswell, Stephanie Gold (my manager), and I—put out the word across the world that we were looking for survival stories for this book. We eventually received stories from as far away as Africa—including one story of a woman who was encamped in Auschwitz, another from a 9/11 mother, and the story of an autistic boy ordering flowers for his mother for Mother’s Day. We contacted blogs and writing magazines and reached out to various organizations that had members’ stories depicting the true essence of the song. Several of these groups included healing resources for abused women and men. It seems we used every connection we could find. Some in this book are even our friends’ stories. In the end we narrowed it down to forty stories we felt best illuminated the lyrics of my song. They vary in dimension, but I am very proud of each and every contributor for making this book come true.
My sincere hope is that these stories will provide inspiration, encouragement, and empowerment to you—no matter what challenges you might be facing. If the remarkable people in these stories can survive as I did, I know you can too!
BOOK DETAILS:
Grand Harbor Press, December 1, 2013
Self-Help; 205 pages
Hardcover $19.95 US
ISBN-10: 1477848037 – ISBN-13: 978-1477848036
Paperback $14.95 US
ISBN-10: 1477849130 – ISBN-13: 978-1477849132
Kindle Edition $9.95 US
ASIN: B00DCX0X40
Audio Book $19.99 US
ISBN-10: 1480542849 – ISBN-13: 978-1480542846PURCHASE LINKS:

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Connect with Linda Joy Myers, Kate Farrell and Amber Lea Starfire at these sites:
“Legacy of the ‘60s and ‘70s and What It Means for Women Today”
by Elise Frances Miller, Winner Second Place, Prose
In the early ‘70s, I was doing just what I wanted to do: teaching three art history and humanities classes and conducting research as a college instructor. I was not happy being “part-time,” underpaid, and with no benefits. I did not consider myself an artist, though I still tried my hand at a variety of media in those days. I admired artists, especially women, who put their work out there in public, sometimes defying a parent or spouse, usually for very little remuneration.
Then I joined an organization called “Women Artists It’s Time” (W.A.I.T). The mission was clear: find ways for female artists’ work to be appreciated and understood on a level commensurate with that of male artists. We had role models from Berthe Morisot to Georgia O’Keefe, Louise Nevelson to Joan Brown, but these pioneers did not have many peers. In the realm of art history, Women Artists: 1550-1950 published in 1976 by Linda Nochlin and Anne Sutherland Harris took academic art history departments and the stuffy College Art Association by storm.
At universities in the late ‘60s and early ‘70s, almost no female artists made it into the curriculum. Nochlin and Harris broke the Western, white, male version of art history, and encouraged others, both men and women, to broaden their research for international, ethnic and gender equity in publications.
Our small efforts in W.A.I.T. soon blossomed, not because more women chose to go into art, but because more of them became known. We also celebrated the recognition of women’s “crafts” by art museums. Quilting, weaving, needlework and other handicrafts were accepted as subjects for both historical and current exhibitions.
By the 1970s and ‘80s, I was writing art reviews for major newspapers and magazines. Judy Chicago, Betye Saar, Eleanor Antin and Jennifer Bartlett were just a few of my favorite artists to review. As galleries began to exhibit women’s artwork, I encountered no resistance to featuring them in my articles.
Today there is no lack of women artists. Some of these have made a splash, but as in other fields, the struggle is not behind us. Women still lag behind men both in exposure and remuneration.
As a member of W.A.I.T., I learned that when we band together, boosting our sense of purpose, we push forward, and best of all, we create in diverse fields, guilt-free, with families and all. This personal growth was important to the expansion of social, political and professional roles for women in the 1970s, and in turn, women’s movement activity also enhanced the individual’s journey.
The Times They Were A-Changing: Women Remember the ‘60s and ‘70s preserves the record of that two-way nourishment in varied circumstances. As this anthology shows so well, in tandem with the political struggles, social experiments, and hard-fought gains that are the legacy for today’s women, there was always the girl becoming a woman, unsure, seeking strength through collaboration, building the story one scene at a time. Since our era, as never before, that has been the way it is done.
Elise Frances Miller’s novel, A Time to Cast Away Stones (Sand Hill Review Press, June, 2012), is set in 1968 Berkeley and Paris. With degrees from UC Berkeley and UCLA, Elise began writing about arts for the Los Angeles Times, Art News and San Diego Magazine. She taught high school and college humanities, and served as communications director at San Diego State University and Stanford. Her short stories have appeared in The Sand Hill Review (fiction editor, 2008), Fault Zone: Stepping Up to the Edge, and online. Her novel and its historical background are described at http://www.elisefmiller.com.

Just in time for the holidays, Linda Joy Myers, Kate Farrell and Amber Lea Starfire launch their anthology Times They Were A-Changing: Women Remember the ’60s and ’70s. The book is the perfect gift for opening discussions with friends and family members and illustrating what a powerful time the ’60s and ’70s truly were.
Forty-eight powerful stories and poems etch in vivid detail breakthrough moments experienced by women during the life-changing era that was the ’60s and ’70s. These women rode the sexual revolution with newfound freedom, struggled for identity in divorce courts and boardrooms, and took political action in street marches. They pushed through the boundaries, trampled the taboos, and felt the pain and joy of new experiences. And finally, here, they tell it like it was.
Through this collection of women’s stories, we celebrate the women of the ’60s and ’70s and the importance of their legacy.
BOOK DETAILS:
Paperback: 354 pages
Publisher: She Writes Press
Publication Date: Sept. 8, 2013
ISBN-10: 1938314042
ISBN-13: 978-1938314049PURCHASE LINKS:
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