Category: Guest Author

BELLA ANDRE-Summer of Love showcase & giveaways ENDED

From Liz at Media Muscle:  Summertime is right around the corner and we are so excited to soak up some sun, especially because Summer 2013 is the Bella Andre Summer of Love!  Help us celebrate this spectacular summer of hot reads and the release of the first three books in Bella Andre’s sizzling Sullivans series with the Bella Andre Summer of Love Beach Bag Contest!

BELLA ANDRE

Bella Andre is a New York Times and USA Today bestselling author, and has sold more than 1.5 million books.  Her books have appeared on Top 5 lists at Amazon, Apple, Barnes & Noble and Kobo. After signing a groundbreaking seven-figure print only deal with Harlequin MIRA, Bella’s Sullivan series will be released in paperback in a major global English language launch in the US, Canada, the UK, and Australia in continuous back-to-back releases from June 2013 through April 2014.

Known for “sensual, empowered stories enveloped in heady romance” (Publishers Weekly), her books have been Cosmopolitan Magazine “Red Hot Reads” twice and have been translated into nine languages, and her Sullivan books are already Top 20 sellers in Brazil. Winner of the Award of Excellence, The Washington Post has called her “One of the top digital writers in America” and she has been featured by NPR, USA Today, Forbes, The Wall Street Journal, and most recently in TIME Magazine. She has given keynote speeches at publishing conferences from Copenhagen to Berlin to San Francisco.

If not behind her computer, you can find her reading her favorite authors, hiking, swimming or laughing. Married with two children, Bella splits her time between the Northern California wine country and a 100-year-old log cabin in the Adirondacks.

Connect with Bella at these sites:

http://bellaandre.com/collections https://www.facebook.com/bellaandrefans https://twitter.com/bellaandre

ABOUT THE BOOK

Chloe Peterson is having a bad night. A really bad night. The large bruise on her cheek can attest to that. When her car skids off the side of a wet country road and into a ditch, she’s convinced even the gorgeous guy who rescues her in the middle of the rain storm must be too good to be true. Or is he?

A successful photographer who frequently travels around the world, Chase Sullivan has his pick of beautiful women. Chase thinks his life is great just as it is—until the night he finds Chloe and her totaled car on the side of the road in Napa Valley. Not only has Chase never met anyone so lovely, both inside and out, he realizes Chloe has much bigger problems than her damaged car. Soon, Chase is willing to move mountains to love—and protect—her, but will she let him?

Chloe vows never to make the mistake of trusting a man again. Only she can’t help but wonder if she’s met the only exception with every loving look Chase gives her, the attraction between them sparks and sizzles.

Chase didn’t realize his life was going to change forever in an instant, and he isn’t the least bit interested in fighting that change. Instead, he’s gearing up for a different fight altogether—for Chloe’s heart.

BOOK DETAILS:

THE LOOK OF LOVE
Bella Andre
Harlequin/MIRA
$5.99 U.S./$5.99 CAN.
ISBN-13: 978-0-7783-1556-8

PURCHASE LINKS:

            

Don’t miss THE LOOK OF LOVE (JUNE 2013), FROM THIS MOMENT ON (JULY 2013) and CAN’T HELP FALLING IN LOVE (AUGUST 2013).

THANKS TO LIZ AT MEDIA MUSCLE,
I
HAVE ONE (1) BEACH BAG TO GIVE AWAY.
You will receive one of our fabulous beach bags filled with summertime essentials from hot brands such as O.P.I., Evian, Not Your Mother’s Hair Care, and Unisun Eyewear.
OPEN TO U.S.  RESIDENTS
FILL OUT RAFFLECOPTER ENTRY FORM BELOW
GIVEAWAY ENDS MAY 31st AT 6PM EST

You can also win a trip to Las Vegas!!!!:

It’s the Bella Andre Summer of Love Mixtape Contest!

Visit Facebook.com/HarlequinBooks from May 22nd – May 31st and create your SUMMER OF LOVE Mixtape for a chance to win a trip for YOU and THREE friends to Las Vegas.

*No purchase necessary. Ends May 31, 2013.

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WINNER WILL BE CHOSEN BY RAFFLECOPTER AND NOTIFIED
VIA EMAIL AND WILL HAVE 48 HOURS TO RESPOND
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IF YOU AR EXPERIENCING DIFFICULTY
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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

 

Guest Author LINDA CRILL showcase & giveaway ENDED

Our good friend, Rebecca from The Cadence Group, is here to introduce us to another amazing author, Linda Crill.  Please help me in welcoming them to CMash Reads.  Friends……..Ms. Linda Crill

LINDA CRILL

Linda Crill is a sought-after executive, consultant, and speaker who has worked with Citigroup, Cadbury-Mott’s, Goldman Sachs, and Marriott International Inc., as well as many other Fortune 100 companies, universities, non-profits, and government departments and agencies. Crill lectures and writes on how to manage change and reinvent yourself, your life, and your business.

She is the mother of three grown women who whole-heartedly support her non-traditional path to rediscovering zest for life.

Crill lives in the Washington, DC, area, and travels regularly to Philadelphia, New York, Toronto, and San Diego.

Connect with Linda at these sites:

http://lindacrill.com/ https://www.facebook.com/LindaCrillEnterprises https://twitter.com/lindacrill

GUEST POST

We all have times in our life when the unknown, unwanted and undeserved happens. Blind Curves is a travel memoir about such a time in my life.

As a 57-year-old new widow, I followed one-size-fits-all advice from experts as I began to reframe my life. I exercised, read, made endless to-do lists, put others’ needs first and pampered myself. Eighteen months later, I was miserable and asking: “What now?”

Fed up with conventional wisdom that didn’t work, I threatened to do the most opposite thing I could imagine. In a moment of rebellion, I traded my corporate suits for motorcycle leathers and signed up for a 2,500-mile road trip on a Harley. The problem? I didn’t know how to ride and had only thirty days to learn.

Four short weeks later, I flew from Washington, DC, to Vancouver, Canada to join three others for a 10-day, white-knuckled and exhilarating road trip along America’s Pacific Northwest Coast from Victoria Island, Canada, to the wine country of Mendocino, California.

Blind Curves tells the story of how we encountered washed-out mountain roads, small-town hospitality, humming redwoods, and acceptance from gentle souls who happened to have tattoos and piercings.

This radical departure showed me how opening doors labeled “not me” is better than doing more of the same and hoping for different results. By erasing old boundaries formerly used to define myself and heading into the unknown—the blind curve—I discovered not only a broader horizon of possibilities to use in building the next phase of my life, but also the fuel to make it happen.

Blind Curves is the perfect book for readers looking for ways to reinvent themselves any one asking: “What now?”

ABOUT THE BOOK

Blind Curves tells the story of how we encountered washed-out mountain roads, small-town hospitality, humming redwoods, and acceptance from gentle souls who happened to have tattoos and piercings.

This radical departure showed me how opening doors labeled “not me” is better than doing more of the same and hoping for different results. By erasing old boundaries formerly used to define myself and heading into the unknown—the blind curve—I discovered not only a broader horizon of possibilities to use in building the next phase of my life, but also the fuel to make it happen.

Blind Curves is the perfect book for readers looking for ways to reinvent themselves any one asking: “What now?”

BOOK DETAILS:

Paperback: 266 pages
Publisher: Opus Intl. (March 1, 2013)
Language: English
ISBN-10: 098589850X
ISBN-13: 978-0985898502

PURCHASE LINKS:

           

READ AN EXCERPT

AFTER TWO DIFFICULT YEARS I was tired of sympathetic voices, puppy-dog looks and an environment filled with reminders to walk gently and pamper myself. Instead, I craved thundering noise, the thrill of speed. I wanted icy air whipping against my face, making me know I was alive. I wanted crescendo, vibrato, to drown my screams and tears behind the roar of a large powerful engine.Opening the heavy glass door and stepping into the Harley dealership, I entered an unexplored world. Confronted by hundreds of shiny motorcycles laden with chrome and leather, covered with colorful graphics and logos, I felt my courage falter. My light-hearted fantasy evaporated as the realities of my impulsive decision started to settle in.

Until a month ago I had never dreamed of riding a motorcycle. I didn’t have a husband, family or even friends who rode. At 57 I was at the age when many of my friends were scaling down their physical activities as they edged toward retirement. There are many acceptable activities for a widow, but learning to ride a motorcycle wasn’t on anyone’s list—even at the very bottom, if such a list exists.

Motorcycles are designed to appear fast, flashy and intimidating—and it was working. My normally rapid gait slowed and then faltered as I surveyed row after row of gleaming bodies clustered around the showroom floor. Viewed from inside my Dodge Caravan, motorcycles had always seemed more like overgrown bicycles or toys. Now, up close, they looked huge, expensive and complicated. The one elevated in the center of the floor—painted neon yellow with orange flames flaring from front to back—was loaded with a multitude of switches, indicators, dials, gears, buttons, lights, pedals, knobs and levers.

My stomach muscles tightened as a panicked voice inside cried: How am I supposed to learn to ride this in just three days? Wanting to divert my attention away from this emotional outburst, I glanced at my watch, reminding myself, Class starts in three minutes, and I don’t want to be late.

I had barely convinced myself to continue walking forward when I passed the clothing section stacked with helmets, boots, shirts, gloves, metal chains and racks of black leather. Nothing here looked like the Fonz’s simple leather jacket from the 1960s TV show. Nothing here remotely resembled anything I had hanging in my closets. I stared at a black T-shirt with a metallic skull laughing down at me. Another displayed the profile of a busty woman that would have made a Barbie doll blush.

What was I thinking? I could never wear a shirt mocking death and certainly I wasn’t ready to be a sex object. And what about all of my 1960s feminist protesting? Am I supposed to violate all of my values for this?

My attempts to slow down my racing heart were futile as I processed the sounds of engines revving, tools clanking and men shouting that emanated from the service shop in the back. All mixed with frenetic hard-rock music blaring from the speakers overhead. My heart pounded even louder wanting to be heard.

In two minutes, my rebellious plan—a delicious fantasy that I could use to shock others—shattered. Now I was the person being shocked.

THANKS TO REBECCA AT THE CADENCE GROUP,
I
HAVE ONE (1) COPY TO GIVE AWAY.
OPEN TO U.S. RESIDENTS
FILL OUT RAFFLECOPTER ENTRY FORM BELOW
GIVEAWAY ENDS JUNE 5th AT 6PM EST

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VIA EMAIL AND WILL HAVE 48 HOURS TO RESPOND
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DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

 

Guest author PATRICIA BEARD showcase & giveaway ENDED

It’s that time of year when we need to plan what our summer reads will be. Kristin, from Simon & Schuster is stopping by to introduce us to today’s gust who has written the perfect beach read.  Please help me in welcoming Ms. Patricia Beard!

PATRICIA BEARD

Patricia Beard is the author of nine nonfiction books and hundreds of nationally published magazine articles. She is a former features and contributing editor at Town & CountryELLE, and Mirabella magazines. She lives upstate New York with her husband and three dogs.

Connect with Ms. Beard at Simon & Schuster:

http://authors.simonandschuster.com/Patricia-Beard/407613365

 

ABOUT THE BOOK

“Nothing ever changes at Wauregan.” That mystique is the tradition of the idyllic island colony off the shore of Long Island, the comforting tradition that its summer dwellers have lived by for over half a century. But in the summer of 1948, after a world war has claimed countless men—even those who came home—the time has come to deal with history’s indelible scars.

Helen Wadsworth’s husband, Arthur, was declared missing in action during an OSS operation in France, but the official explanation was mysteriously nebulous. Now raising a teenage son who longs to know the truth about his father, Helen turns to Frank Hartman—her husband’s best friend and his partner on the mission when he disappeared. Frank, however, seems more intent on filling the void in Helen’s life that Arthur’s absence has left. As Helen’s affection for Frank grows, so does her guilt, especially when Peter Gavin, a handsome Marine who was brutally tortured by the Japanese and has returned with a faithful war dog, unexpectedly stirs new desires. With her heart pulled in multiple directions, Helen doesn’t know whom to trust—especially when a shocking discovery forever alters her perception of both love and war.

Part mystery, part love story, and part insider’s view of a very private world, A Certain Summer resonates in the heart long after the last page is turned.

BOOK DETAILS:

Contempary Women’s Fiction /Gallery
Paperback: 336 pages
Publisher: Gallery Books; Original edition (May 21, 2013)
Language: English
ISBN-10: 1476710260
ISBN-13: 978-1476710266

PURCHASE LINKS:

THANKS TO KRISTIN AT SIMON & SCHUSTER,
I
HAVE TWO (2) PB COPIES TO GIVE AWAY.
OPEN TO U.S. and CANADA RESIDENTS
FILL OUT RAFFLECOPTER ENTRY FORM BELOW
GIVEAWAY ENDS JUNE 4th AT 6PM EST

S&S

WINNER WILL BE CHOSEN BY RAFFLECOPTER AND NOTIFIED
VIA EMAIL AND WILL HAVE 48 HOURS TO RESPOND
OR ANOTHER NAME WILL BE CHOSEN

a Rafflecopter giveaway

YOUR JAVA SCRIPT MAY NEED TO BE UPDATED
IF YOU AR EXPERIENCING DIFFICULTY
USING THE RAFFLECOPTER ENTRY FORM

DISCLAIMER
No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

 

Guest Author LUKE DELANEY

Tomorrow is a big day for today’s guest.  His book will be hitting the shelves and he begins his VBT with Partners In Crime Tours.  I have the honor of giving you a sneak peek.  I ask, with your help, in welcoming Mr. Luke Delaney!!

LUKE DELANEY

Luke Delaney joined the Metropolitan Police Service in the late 1980s and his first posting was to an inner city area of South East London notorious for high levels of crime and extreme violence. He later joined CID where he investigated murders ranging from those committed by fledgling serial killers to gangland assassinations.
Connect with Mr. Delany at the Harper Collins site:

http://www.harpercollins.com/books/Cold-Killing-Luke-Delaney?isbn=9780062219466&HCHP=TB_Cold+Killing

ABOUT THE BOOK

After a young man is found brutally murdered in his own flat, DI Sean Corrigan, responsible for one of South London’s Murder Investigation Units, takes on the case. At first it appears to be a straightforward domestic murder, but immediately Corrigan suspects it is much more and it soon becomes clear he is hunting a particularly clever and ruthless serial killer who changes his modus operandi each time he kills, leaving no useable forensic evidence behind…

 READ AN EXCERPT

Saturday. I agreed to go to the park with the wife and chil- dren. They’re over there on the grassy hill, just along from the pond. They’ve fed themselves, fed the ducks, and now they’re feeding their own belief that we’re one normal happy family. And to be fair, as far as they’re concerned, we are. I won’t let the sight of them spoil my day. The sun is shining and I’m getting a bit of a tan. The memory of the latest visit is still fresh and satisfying. It keeps the smile on my face.Look at all these people. Happy and relaxed. They’ve no idea I’m watching them. Watching as small children wander away from mothers too distracted by idle chat to notice. Then they realize their little darling has wandered too far and up goes that shrill shriek of an overprotective parent, followed by a leg slap for the child and more shrieking.

I am satisfied for the time being. The fun I had last week will keep me contented for a while, so everyone is safe today.

Chapter 1
Thursday
It was 3 a.m. and Detective Inspector Sean Corrigan drove through the dreary streets of New Cross, southeast London. He had been born and raised in nearby Dulwich, and for as long as he could remember, these streets had been a dangerous place. People could quickly become victims here, regardless of age, sex, or color. Life had little value.

But these worries were for other p eople, not Sean. They were for the people who had nine- to- five jobs in shops and of- fices. Those who arrived bleary eyed to work each morning, then scuttled home nervously every evening, only feeling safe once they’d bolted themselves behind closed doors.

Sean didn’t fear the streets, having dealt with the worst they could throw at him. He was a detective inspector in charge of one of South London’s Murder Investigation Teams, dedicated to dealing with violent death. The killers hunted their victims and Sean hunted the killers. He drove with the window down and doors unlocked.

He’d been asleep at home when Detective Sergeant Dave Donnelly called. There’d been a murder. A bad one. A young man beaten and stabbed to death in his own flat. One minute Sean was lying by his wife’s side, the next he was driving to the place where a young man’s life had been torn away.

The streets around the murder scene were eerily quiet. He was pleased to see that the uniformed officers had done their job properly and taped off a large cordon around the block the flat was in. He’d been to scenes before where the cordon started and stopped at the front door. How much evidence had been carried away from scenes on the soles of shoes? He didn’t want to think about it.

There were two marked patrol cars alongside Donnelly’s unmarked Ford. He always laughed at the murder scenes on television, with dozens of police cars parked outside, all with blue lights swirling away. Inside, dozens of detectives and fo- rensics guys would be falling over each other. Reality was dif- ferent. Entirely different.

Real crime scenes were all the more disturbing for their quietness— the violent death of the victim would leave the at- mosphere shattered and brutalized. Sean could feel the horror closing in around him as he examined a scene. It was his job to discover the details of death, and over time he had grown hardened to it, but not immune. He knew that this scene would be no different.

He parked outside the taped- off cordon and climbed from the isolation of his car into the warm loneliness of the night, the stars of the clear sky and the streetlights removing all illusion of darkness. If he had been anyone else, doing any other job, he might have noticed how beautiful it was, but such thoughts had no place here. He flashed his identification to the approaching uniformed officer and grunted his name. “DI Sean Corrigan, Serious Crime Group South. Where’s this flat?”

The uniformed officer was young. He seemed afraid of Sean. He must be new if a mere detective inspector scared him. “Number sixteen Tabard House, sir. It’s on the second floor, up the stairs and turn right. Or you could take the lift.”

“Thanks.”

Sean opened the boot of his car and cast a quick glance over the contents squeezed inside. Two large square plastic bins con- tained all he would need for an initial scene examination. Paper suits and slippers. Various sizes of plastic exhibit bags, paper bags for clothing, half a dozen boxes of plastic gloves, rolls of sticky labels, and of course a sledgehammer, a crowbar, and other tools. The boot of Sean’s car would be mirrored by detec- tives’ cars across the world.

He pulled on a forensic containment suit and headed to- ward the stairwell. The block was of a type common to this area of London. Low- rise tenements made from dark, oppres- sive, brown- gray brick that had been thrown up after the Sec- ond World War to house those bombed out of old slum areas. In their time they’d been a revelation— indoor toilets, running water, heating— but now only those trapped in poverty lived in them. They looked like prisons, and in a way that’s what they were.

The stairwell smelled of urine. The stench of humans living on top of one another was unmistakable. This was summer and the vents of the flats pumped out the smells from within. Sean almost gagged on it, the sight, sound, and smell of the tenement block reminding him all too vividly of his own childhood, liv- ing in a three- bedroom, public housing duplex with his mother, two brothers, two sisters, and his father— his father who would lead him away from the others, taking him to the upstairs bed- room where things would happen. His mother too frightened to intervene— thoughts of reaching for a knife in the kitchen drawer swirling in her head, but fading away as her courage de-serted her. But the curse of his childhood had left him with a rare and dark insightfulness— an ability to understand the mo- tivations of those he hunted.

All too often the abused become the abusers as the darkness overtakes them, evil begetting evil— a terrible cycle of violence, virtually impossible to break— and so the demons of Sean’s past were too deeply assimilated in his being to ever be rid of. But Sean was different in that he could control his demons and his rage, using his shattered upbringing to allow him insights into the crimes he investigated that other cops could only dream of. He understood the killers, rapists, and arsonists— understood why they had to do what they did, could interpret their motivation— see what they saw, smell what they had smelled, feel what they had felt— their excitement, power, lust, revulsion, guilt, regret, fear. He could make leaps in investiga- tions others struggled to understand, filling in the blanks with his unique imagination. Crime scenes came alive in his mind’s eye, playing in his head like movies. He was no psychic or clair- voyant; he was just a cop— but a cop with a broken past and a dangerous future, his skill at reading the ones he hunted born of his own dark, haunted past. Where better for a failed disciple of true evil to hide than among cops? Where better to turn his unique tools to good use than the police? He swallowed the bile rising in his throat and headed for the crime scene— the mur- der scene.

Sean stopped briefly to acknowledge another uniformed of- ficer posted at the front door of the flat. The constable lifted the tape across the door and watched him duck inside. Sean looked down the corridor of the flat. It was bigger than it had seemed from the outside. DS Donnelly waited for him, his large frame filling the doorway, his mustache all but concealing the move- ment of his lips as he talked. Dave Donnelly, twenty- year-p lus veteran of the Metropolitan Police and very much Sean’s old- school right- hand man. His anchor to the logical and practi- cal course of an investigation and part- time crutch to lean on. They’d had their run- ins and disagreements, but they under- stood each other— they trusted each other.

“Morning, guv’nor. Stick to the right of the hallway here. That’s the route I’ve been taking in and out,” Donnelly growled in his strange accent, a mix of Glaswegian and Cockney, his mustache twitching as he spoke.

“What’ve we got?” Sean asked matter- of- factly.

“No sign of forced entry. Security is good in the flat, so he probably let the killer in. All the damage to the victim seems to have been done in the living room. A real fucking mess in there. No signs of disturbance anywhere else. The living room is the last door on the right, down the corridor. Other than that we’ve got a kitchen, two bedrooms, a bathroom, and a separate room for the toilet. From what I’ve seen, the victim kept things reason- ably clean and tidy. Decent taste in furniture. There’s a few pho- ties of the victim around the place— as best I can tell, anyway. His injuries make it a wee bit difficult to be absolutely sure. There’s plenty of them with him, shall we say, embracing other men.”

“Gay?” Sean asked.

“Looks that way. It’s early days, but there’s definitely some decent hi- fi and TV stuff around the place, and I notice several of the photies have our boy in far- flung corners of the world. Must have cost a few pennies. We’re not dealing with a com- plete loser here. He had a decent enough job, or he was a decent enough villain, although I don’t get the feel this is a villain’s home.” Both men craned their heads around the hallway area, as if to confirm Donnelly’s assessment so far. He continued: “And I’ve found a few letters all addressed to a Daniel Graydon. Nothing for anyone else.”

“Well, Daniel Graydon,” Sean asked, “what the hell hap- pened to you? And why?”

“Shall we?” With an outstretched hand pointing along the corridor, Donnelly invited Sean to continue.

They moved from room to room, leaving the living room to the end. They trod carefully, moving around the edges so as not to disturb any invisible footprint indentations left in the car- pets or minute but vital evidence: a strand of hair, a tiny drop of blood. Occasionally Sean would take a photograph with his small digital camera. He would keep the photographs for his personal use only, to remind him of details he had seen, but also to put himself back at the scene anytime he needed to sense it again, to smell the odor of blood, to taste the sickly sweet fla- vor of death. To feel the killer’s presence. He wished he could be alone in the flat, without the distraction of having to talk to anyone— to explain what he was seeing and feeling. It had been the same ever since he was a young cop, his ability to step into the shoes of the offender, be it a residential burglary or murder. Seeing the scene through the eyes of the offender. But only the more alarming scenes seemed to trigger this reaction. Walking around scenes of domestic murders or gangland stabbings he saw more than most other detectives, but felt no more than they did. This scene already seemed different. He wished he were alone.

Sean felt uncomfortable in the flat. Like an intruder. As if he should be constantly apologizing for being there. He shook off the feeling and mentally absorbed everything. The cleanli- ness of the furniture and the floors. Were the dishes washed and put away? Had any food been left out? Did anything, no matter how small, seem somehow out of place? If the victim kept his clothing neatly folded away, then a shirt on the floor would alert Sean’s curiosity. If the victim had lived in squalor, a freshly cleaned glass next to a sink full of dirty dishes would at- tract his eye. Indeed, Sean had already noted something amiss.

Sean and Donnelly came to the living room. The door was ajar, exactly how it had been found by the young constable. Donnelly moved inside. Sean followed.

There was a strong smell of blood— a lot of blood. It was a metallic smell. Like hot copper. Sean recalled the times he’d tasted his own blood. It always made him think that it tasted ex- actly like it smelled. At least this man had been killed recently. It was summer now— if the victim had been there for a few days the flat would have reeked. Flies would have filled the room, maggots infesting the body. He felt a jolt of guilt for being glad the man had just been killed.

Sean crouched next to the body, careful to avoid stepping in the pool of thick burgundy blood that had formed around the victim’s head. He’d seen many murder victims. Some had almost no wounds to speak of, others had terrible injuries. This was a bad one. As bad as he’d seen.

“Jesus Christ. What the hell happened in this room?” Sean asked.

Donnelly looked around. The dining room table was over- turned. Two of the chairs with it had been destroyed. The TV had been knocked from its stand. Pictures lay smashed on the floor. CDs were strewn around the room. The lights from the CD player blinked in green.

“Must have been a hell of a fight,” Donnelly said.

Sean stood up, unable to look away from the victim: a white male, about twenty years old, wearing a T- shirt that was 50 percent soaked in blood, and hipster jeans, also heavily soaked in blood. One sock remained on his right foot; the other was nowhere to be seen. He was lying on his back, the left leg bent under the right, with both arms stretched out in a crucifix posi- tion. There were no restraints of any kind in evidence. The left side of his face and head had been caved in. The victim’s short hair allowed Sean to see two serious head wounds indicating horrific fractures to the skull. Both eyes were swollen almost completely shut and his nose was smashed, with congealed blood crusted around it. The mouth hadn’t escaped punish- ment, the lips showing several deep cuts, with the jaw hanging, dislocated. Sean wondered how many teeth would be missing. The right ear was nowhere to be seen. He hoped to God the man had died from the first blow to his head, but he doubted it.

The pool of blood by the victim’s head was the only heavy saturation area other than his clothing. Elsewhere there were dozens of splash marks: on the walls, furniture, and carpet. Sean imagined the victim’s head being whipped around by the ferocity of the blows, the blood from his wounds traveling in a fine spray through the air until it landed where it now remained. Once examined properly, these splash marks should provide a useful map of how the attack had developed.

The victim’s body had not been spared. Sean wasn’t about to start counting, but there must have been fifty to a hundred stab wounds. The legs, abdomen, chest, and arms had all been brutally attacked. Sean looked around for weapons, but could see none. He returned his gaze to the shattered body, trying to free his mind, to see what had happened to the young man now lying dead on his own floor. For the most fleeting of moments he saw a figure hunched over the dying man, something that re- sembled a screwdriver rather than a knife gripped in his hand, but the image was gone as quickly as it had arrived. Finally he managed to look away and speak.

“Who found the body?”

“That would be us,” Donnelly replied.

“How so?

“Well, us via a concerned neighbor.”

“Is the neighbor a suspect?”

“No, no,” Donnelly dismissed the idea. “Some young bird from a few doors down, on her way home with her kebab and chips after a night of shagging and drinking.”

“Did she enter the flat?”

“No. She’s not the hero type, by all accounts. She saw the door slightly open and decided we ought to know about it. If she’d been sober, she probably wouldn’t have bothered.”

Sean nodded his agreement. Alcohol made some people conscientious citizens in the same way it made others violent temporary psychopaths.

“Uniform sent a unit around to check it out and found our victim here,” Donnelly added.

“Did he trample the scene?”

“No, he’s a probationer straight out of Hendon and still scared enough to remember what he’s supposed to do. He kept to the edges, touched nothing.”

“Good,” Sean said automatically, his mind having already moved on, already growing heavy with possibilities. “Well, whoever did this is either very angry or very ill.”

“No doubt about that,” Donnelly agreed.

There was a pause, both men taking the chance to breathe deeply and steady themselves, clearing their minds, a necessary prelude before trying to think coldly and logically. Seeing this brutality would never be easy, would never be matter- of- fact.

“Okay. First guess is we’re looking at a domestic murder.”

“A lover’s tiff?” Donnelly asked.

Sean nodded. “Whoever did this probably took a fair old beating themselves,” he added. “A man fighting for his life can do a lot of damage.”

“I’ll check the local hospitals,” Donnelly volunteered. “See if anyone who looks like they’ve been in a real ding- dong has been admitted.”

“Check with the local police stations for the same and wake the rest of the team up. Let’s get everyone together at the station for an eight a.m. briefing. And we might as well see if we can get a pathologist to examine the body while it’s still in place.”

“That won’t be easy, guv.”

“I know, but try. See if Dr. Canning is available. He some- times comes out if it’s a good one, and he’s the best.”

“I’ll do what I can, but no promises.”

Sean surveyed the scene. Most murders didn’t take long to solve. The most obvious suspect was usually the right suspect. The panicked nature of the crime provided an Aladdin’s cave of forensic evidence. Enough to get a conviction. In cases like this, detectives often had to do little more than wait for the labora- tory to examine the exhibits from the scene and provide all the answers. But as Sean looked around something was already niggling away at his instincts.

Donnelly spoke again. “Seems straightforward?”

“Yeah, I’m pretty happy.” He let the statement linger.

“But . . . ?”

“The victim almost certainly knew his killer. No forced en- try, so he’s let him in. A boyfriend is a fair bet. This smells like a domestic murder. A few too many drinks. A heated argument. A fight kicks off and gets nastier and nastier, both end up beat- en to a pulp and one dies. A crime of passion that the killer had no time to prepare for. He’s lost it for a while, killed a friend. A lover. Now all he wants to do is run. Get away from this flat and be somewhere safe to think out his next move. But there’re a couple of things missing for me.”

“Such as?”

“They’ve probably been having a drink, but there are no glasses anywhere. Can you remember dealing with a domestic murder where alcohol wasn’t involved?”

“Maybe he cleaned the place up a bit?” Donnelly offered. “Washed the glasses and put them away.”

“Why would he bother cleaning a glass when his blood and fingerprints must be all over the place after a struggle like this?”

“Panic?” Donnelly suggested. “Wasn’t thinking straight. He cleaned up his glass, maybe started to clean up other stuff too before he realized he was wasting his time.”

“Maybe.”

Sean was thinking hard. The lack of signs of alcohol was a small point, but any experienced detective would have expected to find evidence of its use at a scene like this. An empty bottle of cider. A half- empty bottle of Scotch, or a champagne bottle to fuel the rage of the rich. But it was the image he was begin- ning to visualize that was plaguing him with doubt— the image his mind was piecing together using evidence that was miss- ing as much as evidence that was present. The image of a figure crouching very deliberately over the victim. No frenzy, no rage, but evil in a human form.

“There’s something else,” he told Donnelly. “The killing ob- viously took place in the living room. We know he must have gone out the front door because everything else is locked up nice and tight. But the hallway is clean. Nothing. The carpet is light beige, yet there’s no sign of a bloody footprint. And the door handle? Nothing. No blood. Nothing.

“So our killer beats and stabs the victim to death in a fren- zied moment of rage and yet stops to clean his hands before opening any doors. After killing a man who may have been his lover, he’s suddenly calm enough to take his shoes off and tiptoe out of the place. That doesn’t make a lot of sense.”

Donnelly joined in. “And if our boy did stop to clean him- self up before leaving, then where did he get clean? He had two choices. The sink in the bathroom or the sink in the kitchen.”

Sean continued for him. “We’ve seen both of them. Clean as a whistle. No signs of recent use. Not even a splash of water.”

“Aye,” Donnelly said. “But it’s probably nothing. We’re as- suming too much. Maybe forensics will prove us wrong and find some blood in the hallway we can’t see.”

Sean wasn’t convinced, but before he could reply the uniformed constable at the front door called into the flat. “Excuse me, sir, your lab team is here.”

Sean shouted a reply. “Coming out.”

He and Donnelly walked from the flat carefully, keeping to the route they’d used on entering. They walked to the edge of the taped- off cordon where they knew Detective Sergeant Andy Roddis would be waiting with his team of specially trained detectives and scene examiners.

DS Roddis saw Sean and Donnelly approach. He observed their forensics suits but was not impressed. “I take it you two have already been trampling all over my scene.” He was right to be annoyed. The book said no one into the house except the scene examination team. “Next time I’m going to seize your clothing as exhibits.”

Sean needed Roddis on his side.

“Sorry, Andy,” he said. “We haven’t touched a thing. Prom- ise.”

“I hear you have a dead male for me in flat number sixteen. Yes?” Roddis still sounded irritated.

“I’m afraid so,” said Donnelly.

Roddis turned to Sean. “Anything special you want from us?”

“No. Our money’s on a domestic, so stick to the basics. You can keep the expensive toys locked away.”

“Very well,” Roddis replied. “Blood, fibers, prints, hair, and semen it is.”

Donnelly and Sean were already walking away. Sean called over his shoulder, “I’m briefing my team at eight a.m. Try to get me a preliminary report before then.”

“I might be able to phone something through to you. Will that do?”

“Fine,” said Sean. Right now he would take anything offered.
* * *
It was shortly before 8 a.m. and Sean sat alone in his bleak, functional office in the Peckham police station, surrounded by the same cheap wooden furniture that adorned each and ev- ery police building across London. The office was just about big enough to house two four- foot battered oblong desks and an extra two uncomfortable chairs for the frequent visitors. Two ancient- looking computers sat, one on each desk, enabling him to view different inquiries at the same time, and the harsh fluorescent lights above painted everything a dull yellow. How he envied those TV detectives with their leather swivel chairs, banks of all- seeing, all- dancing computers, and most of all the Jasper Conran reading lamps slung low over shining glass desks. Reality was mundane and functional.

Sean thought about the victim. What sort of person had he been? Was he loved? Would he be missed? He would find out soon enough. The phone rang and made him jump.

“DI Corrigan.” He rarely wasted words on the phone. Years of speaking into radios had trimmed his speech.

“Mr. Corrigan, it’s DS Roddis. You wanted an update for your briefing?” Roddis didn’t recognize any ranks above his own, but his powerful position meant he was never challenged by his seniors. He decided the forensic resources assigned to each case, and it was he who knew the right people at the right laboratories across the southeast who could get the job done. Everybody, regardless of rank, respected his monopoly.

“Thanks for calling. What’ve you got for me?”

“Well, it’s early days.”

Sean knew the lab team would have done little more than get organized. “I appreciate that, but I’d like whatever you’ve got.”

“Very well. We’ve had a cursory look around. The entry and exit point is surprisingly clean, given the nature of the attack. And the hallway was clean too. Perhaps we’ll find something when we get better lighting and some UV lamps. Other than that, nothing definite yet. The blood spray marks on the walls and furniture have me a little confused.”

“Confused?” Sean asked.

“Having seen the victim’s wounds, I’m pretty sure the blow to the head all but killed him, and it certainly knocked him down. I have a blood spray pattern on a wall that would be con- sistent with a blow to his head with a heavy object.”

“So what’s the problem?”

“If the victim was prostrate when the other injuries were in- flicted, then I would only expect to find small, localized sprays, but I’ve got numerous others, over the carpet, broken furniture, up the walls. They’re not consistent with his wounds.”

“Then he must have other wounds we haven’t seen yet,” Sean suggested. “Or maybe the blood is from the attacker?”

“Possibly.” Roddis sounded unconvinced. “No obvious murder weapon yet,” he continued, “but it will probably turn up when we get into the search properly.”

“Anything else?” Sean asked, in hope more than expecta- tion.

“There’s plenty of documentation: address books, diaries, bank books, and so on. It shouldn’t be too hard to confirm the victim’s identity. That’s it so far.”

Sean may not have particularly liked Roddis, but he valued his professionalism. “Thanks. It’ll be a help in the briefing. Might keep the team awake.” He hung up.

Reclining in his chair, Sean stared at the lukewarm cup of coffee on his desk. What would it mean if the splash patterns didn’t match the wounds on the victim? Had the killer been badly injured himself and the blood sprays came from his wounds? He doubted it, especially if Roddis was right about the victim being all but taken out with the first blow to the head. And if he was knocked down with the first blow, then what the hell were the other injuries about? The answers would come, he reassured himself. Wait for the full forensic examination of the scene, the postmortem of the victim. The answers would come. They always did.

He stood and looked out of his window down at the station parking lot. He saw DS Sally Jones outside furiously smoking a cigarette, laughing and joking with a c ouple of girls from the typing pool. He watched her, admiring her. A five- foot- three bundle of energy. He thought she had a good pair of legs, but she carried too much weight up top for his taste. He tried to remember if he had ever seen her fair hair not tied back in a ponytail.

He loved her ability to connect with people. She could talk to anyone and make them feel that she was their best friend in the world, and so Sean sometimes used her to do the things he would find impossible to do well. Speaking with grieving parents. Telling a husband his wife had been raped and mur- dered in their own home. Sean had watched in awe as Sally told people unthinkable things and then half an hour later she would be laughing and joking, puffing on a cigarette, chatting with whoever was close enough. She was tough. Tougher than he would ever be. He smiled as he watched her.

Sean wondered why she was still alone. He couldn’t imagine doing this job and then going home to an empty house. Sally told him she was clearly too much for any man to handle. He had often tried to sense some sorrow in her. Some loneliness. He never could.

He checked the time. She was going to be late for the brief- ing. He could call out the window and warn her, but he decided it would be more fun to leave it.

He walked the short distance along the busy, brightly lit corridor: doors on both sides; old and new posters pinned and stuck to the walls, uniformly ignored by passersby all too single- mindedly trying to get to wherever they were going to stop and take notice of someone else’s appeals for assistance. He reached the briefing room and entered. His team continued to chatter away among themselves. A couple of them, including Donnelly, mouthed a greeting. He nodded back.

The team was relatively small. Two detective sergeants— Sally and Donnelly— and ten detective constables. Sean sat in his usual chair at the head of a rectangular wooden table, the cheapest money could buy. He dropped his mobile phone and notebook in front of him and looked around, making sure everyone was there. He nodded to Donnelly, who understood the cue. They’d been working with each other long enough to be able to communicate without the need for words.

“All right, p eople, listen up. The guv’nor wants to speak and we’ve got a lot to get through, so let’s park our arses and crack on.” The murmuring faded as the team began to sit and concen- trate on Sean.

Detective Constable Zukov spoke. “D’you want me to grab DS Jones, boss? I think she’s having a smoke in the yard.”

“No. Don’t bother,” Sean told him. “She’ll be here soon enough.”

The room fell silent, Sean looking at Donnelly with a slight grin on his face. They both turned to the briefing room door just as DS Sally Jones came bursting in. There was a low hum of stifled laughter.

“Shit. Sorry I’m late, guv.” The hum of low laughter grew. Sally swatted Zukov across the head as she walked past. He threw his hands up in protest. “I told you to come and get me, Paulo.” The constable didn’t answer, but the smile on his face said everything.

Sean joined in. “Afternoon, Sally. Thanks for joining us.”

“It’s a pleasure, sir.”

“As I’m sure you’ve all worked out, we’ve picked up another murder.” Some of the team groaned.

Sally spoke up. “We’re only in summer and already we’ve had sixteen murders on this team alone. Eight still need pre- paring for court. Who’s going to put those court presentations together if we’re constantly being dumped on?” There was a rumble of approval around the room.

“No point in moaning,” Sean told them. “All the other teams are just as busy as we are, so we get this one. As you’re all no doubt aware, we don’t have a live investigation running, so we’re the obvious choice.”

Sean was prepared for the grumbling. Police officers always grumbled. They were either moaning about being too busy or they were moaning about not earning enough overtime. It was a fact of life with police.

He continued. “Okay, this is the job. What we know so far is that our victim was beaten and stabbed to death. At this time we believe the victim is Daniel Graydon, the occupier of the flat where we’re pretty certain the crime took place. But his facial injuries are severe, so visual identification has yet to be confirmed. We are treating the flat as our primary crime scene. Dave and I have already had a look around and it’s not pretty. The victim would appear to have been hit on the head with a heavy object, and that may well have been the critical injury, although we’ll have to wait for the autopsy to confirm that. The stab wounds are numerous and spread across a wide area. This was a vicious, brutal attack.

“It is suspected the victim may be gay, and the early theory is that it was probably a domestic. If that’s the case, then the killer himself could be hurt. We’re already checking the hospi- tals and custody suites on the off chance he was picked up for something else after fleeing the scene. I don’t want this to get complicated, so let’s keep it simple. A nice, neat, join- the- dots investigation will do me fine.”

Sean looked toward Sally.

“Sally, I want you to pick four guys and start on door- to- door immediately. That time of night, beaten to death, someone must have heard or seen something. The rest of you, hang fire. The lab team is looking at the victim’s personal stuff, so we’ll have a long list of p eople to trace and chat with soon enough. I don’t expect it to be long before we have a decent idea who our prime suspect is.

“Dave. You go office manager on this one.” Donnelly nod- ded acknowledgment. “The rest of you check with Dave at least three times a day for your assignments. And remember,” Sean added, “the first few hours are the most important, so let’s eat on the hoof and worry about sleep when the killer’s banged up downstairs.”

There were nods of approval as the group began to break up. Sean could sense their optimism, their trust in his leadership, his judgment. He hadn’t failed them yet.

He prayed this case would be no different.

It was almost 1 p.m. and Sean had spent the morning on the phone. He’d told the same story a dozen times. To his super- intendent, the Intelligence Unit, the gay and lesbian liaison of- ficer, the local uniformed duty officer, the community safety inspector. He was sick of telling. Sally and Donnelly had re- turned for their meeting and sat in his office. Sally had brought coffee and sandwiches, which Sean ate without tasting. It was the first thing he had eaten since the phone call from Donnelly early that morning, so he was happy just to get something into his stomach.

Between bites they talked, all of them aware they hadn’t a moment to waste on a proper lunch. The first days of a murder inquiry were always the same— so much to get through and so little time. Forensic evidence degraded, witnesses’ memories faded, CCTV tapes would be recorded over. Time was Sean’s enemy now.

“Anything from the door- to- door, Sally?” he asked. “Give me good news only.”

“Nothing,” she replied. “I’ve still got guys down there knocking on doors, but so far all we’re being told is that Gray- don kept himself to himself. No noisy parties. No fights. No problems. No nothing. Everybody says he was a nice kid. As for last night, nobody saw or heard a thing. Another quiet night in South London.”

“That can’t be right,” Sean argued. “A man gets beaten to death within a few feet of what, four other flats, and no one heard it?”

“That’s what we’re being told.”

Sean sighed and turned toward Donnelly. “Dave?”

“Aye. We’ve managed to make copies of his diary, address book, and what have you. I’ve got a couple of the lads going through that now. Expect to be informed about next of kin pretty soon. No boyfriend yet, though. No one name coming up over and over. I’ll be sending the troops out to trace friends and associates as and when we have their details. Oh, and the coro- ner’s officer has been on the blower. The body’s been moved from the scene and taken to Guy’s Hospital. Postmortem’s at four p.m. today.”

Sean’s mind flashed with the images of previous postmor- tems he’d attended as he pushed what was left of his sandwich to one side.

“Who’s doing it?”

“You’ve got your wish there, boss. It’s Dr. Canning. Any- thing more from the forensics team at the scene?”

“Not yet. Roddis doesn’t reckon they’ll be finished until about this time tomorrow, then as usual everything gets sent to the lab and we wait.”

A young detective from Sean’s team appeared at the door holding a small piece of paper pinched between his fingers. “I think I’ve found an address for the parents.” The three detec- tives continued to look at him.

“I’ll take that, thanks,” Sally told him. The young detective handed her the note and backed away from the door.

Sean knew his responsibilities. “I’ll come too. Shit, this is gonna be fun. Dave, I’ll see you back here at about three thirty. You can take me to the postmortem.”

“I’ll be here,” Donnelly assured him.

Sean tugged his jacket on and headed for the door, Sally in pursuit. “And remember,” he told Donnelly, “if anyone asks, this is a straightforward domestic murder. No need to get any- one excited.”

“Having doubts?” Donnelly managed to ask before Sean was gone.

“No,” Sean answered, not entirely truthfully. For a second he was back in the flat, back at the scene of the slaughter, watch- ing the killer moving around Graydon’s prostrate form, but he saw no panic or fury in his actions, no jealousy or rage, only a coldness— a sense of satisfaction.

Donnelly’s voice snapped him back. “You all right, guv’ nor?”

“Sorry, yes I’m fine. Just find me the boyfriend— whoever he is. Find him and you’ve found our prime suspect.”

“I’ll do my best.”

“I know you will,” Sean told him as he watched him stride back into the main office.

BOOK DETAILS:

Paperback: 448 pages
Publisher: William Morrow Paperbacks; Original edition (May 21, 2013)
Language: English
ISBN-10: 0062219464
ISBN-13: 978-0062219466

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Guest author DIANNE VENETTA showcase & giveaway ENDED

We have a very special guest stopping by today as she tours with Providence Book Promotions with her newest book.  Please help me in giving Ms. Dianne Venetta a warm welcome to CMash Reads.

DIANNE VENETTA
Dianne Venetta lives in Central Florida with her husband and two children–and her part-time Yellow Lab (Cody!). An avid gardener, she spends her spare time growing organic vegetables. Surprised by the amazing discoveries she finds there every day, she wondered, “Who knew there were so many similarities between men and plants?”
In addition to writing women’s fiction and romance, she pens the blog for BloominThyme.com. What began as a brief hiatus from writing has blossomed into a garden blog, children’s fiction series and more volunteer hours at school than she imagined!
At the end of the day, if she can inspire someone to stop and smell the roses (or rosemary!), kiss their child and spouse good-night, be kind to a neighbor and Mother Earth, then she’s done all right.

Connect with Dianne at these sites:

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ABOUT THE BOOK
A deathbed promise and a mysterious find in the Tennessee forest bring Delaney Wilkins and Nick Harris together in a dramatic fight for the rights to Ladd Springs.
Delaney Wilkins finds herself at odds with hotel developer Nick Harris over a deathbed promise and a mysterious find in the forest.  Both are after title to Ladd Springs, a mecca of natural springs, streams and trails in the eastern Tennessee mountains, a tract of land worth millions.  But Ernie Ladd, current owner of the property and uncle to Delaney, is adamantly opposed to them both.
Felicity Wilkins, Delaney’s daughter, deserves to inherit her family’s legacy, but neighbor Clem Sweeney is working against her, ingratiating himself with Ernie Ladd.  Clem is also harboring a secret that will make him a very wealthy man—unless the others stop him before he can bring it to fruition.
Complicating matters is Annie Owens.  Ex-girlfriend to Jeremiah Ladd, Ernie’s estranged son living in Atlanta, she declares her daughter Casey is Jeremiah’s, making Casey every bit as entitled to the property as Felicity—only Annie hasn’t proven this claim.  Yet.
All are fighting to get the property, but only one will walk away with the gold.  Which will it be?  Find out in the first installment of Ladd Springs…
Read my review here.
READ AN EXCERPT

Chapter One

Crouched in the Tennessee mountain brush, Delaney Wilkins pushed up from her knees and moved farther into the thicket for a better view. Beneath the canopy of laurel and oaks, the scent of wet earth and decomposing leaves rose thick in the air around her. She craned her head to look between the trees. Some blackened, others gray, trunks stood in varying stages of decay, victims to the slew of storms that ripped through the area several years back. And among them, two strangers. By the outline of their build, the rough jerk to their movements, they appeared to be men. But gender didn’t matter. Trespassers were trespassers and they were on her land.

Delaney held her breath, suppressing all thought but one. No one was supposed to be in her part of the woods. Did they venture too far off the USFS trail and get lost?

Her instincts hummed. These two were up to no good, she was sure of it.

They seemed too intent on whatever it was they were doing to be lost hikers. She could hear their voices but was unable to make out the details of their conversation, or what—exactly—they were doing. Damn it, she had to get closer.

A quick survey of her surroundings told her the answer wasn’t here. Not unless she wanted to take up cliff diving down the slope before her, causing a ruckus that would obviously reveal her presence. Delaney scanned the upper ridge beyond the men. The trail behind her would take her to the top, but it was a twenty minute hike at a good clip. But they could be gone by then. She dropped her focus back to the strangers. There was one other way. She spied the narrow trail leading off to her left. It was a footpath she had forged years ago, one created as her secret weapon in games of “hide and seek” played with her cousin, Jeremiah Ladd. At one time, she had used the trail to kick his butt. At the moment, it would serve to get her thirty feet closer. Unfortunately, the pace she’d have to travel to remain undetected would have to be excruciatingly slow.

Delaney considered her options. Her Palomino, Sadie, was tied to a post at the base, the landmark her family had built to mark the opening for this trail. If she had to get anywhere fast, she knew Sadie would take her. Physical confrontation didn’t concern her—not with a pistol holstered snug in her boot.

Gravel and sticks crunched behind her. A thunderbolt of fear slammed into her. Shooting hand to boot, she whirled, ready to pounce.

“Hi,” came the hushed greeting.

With a sharp intake of breath, Delaney recovered from the initial shock and took in the unexpected sight of Nick Harris, the real estate developer determined to buy her family’s property—but what the hell was he doing here?

There, in the middle of the path, the six-foot-four man stood like a fool.

“Get down,” she hissed, her pulse continuing to hammer as she waved him toward the ground. Surprise swirled around a sudden suspicion teeming in his swarthy black eyes as he spied the hand sliding free from her boot. With a quick check on her quarry, she growled under her breath, “And be quiet!”

Squatting, he glanced in the direction she’d been looking and asked, “What’s going on?”

“Nothing,” she said, her focus darting between him and the men. “Why are you following me?”

“I saw your horse tied to the post and became concerned.”

“Don’t be.”

Across the woods, the men rose to their full height and it was then Delaney got her first decent look at them. One was tall and bulky, the other was short and wiry. Wearing tattered cowboy hats and dirty T-shirts, they weren’t tourists. Were they squatters?

Laughter punctuated the quiet, drawing Nick’s quick attention. “Who are they?” he demanded.

“Don’t know,” she replied, wondering what the men would do next.

“Let’s get out of here.” He pulled at her arm. “Those men could be trouble.”

Delaney shot him a hard glance and jerked away from his grasp. “Those men are trespassing on my land. If anyone needs to get out of here, it’s them.”

“Don’t be ridiculous,” he said. “If they’re trespassers, you need to call the police.”

She scoffed at the notion. Calling the police would not help her discover why they were here. It would only alert the men to the fact that she was onto them. The larger man suddenly slapped the shorter on the back and said something, but not loud enough for her to discern the first word. Within minutes, the strangers collected their belongings and took off in the opposite direction.

Delaney shot to her feet. Where were they going? That trail didn’t lead back to the government forest land. It led straight back to her cabin.

“I’m getting you out of here,” Nick said, his voice closing in on her back.

Delaney wasn’t going anywhere, especially with Nick Harris. “I’m going after them,” she said, right after she searched the area below where she’d first seen the men.

“Oh, no you’re not.” Nick encircled a large, firm palm around her bare bicep.

Hot and unwelcome against her skin, his hand tightened. The hair on the nape of her neck prickled in rebellion. She looked up into his face, noting his thick brow gathered in a storm of its own. “Excuse me?”

“I’m not about to let you run off and chase after strangers. Those men could be up to no good.”

“You’re damn right they are—and on my property!” Delaney yanked her arm, only to find it immovable. “Let me go,” she spat.

“No.”

At the force of his objection, she stopped. Glaring at him, Delaney performed a rapid assessment of the situation. While trained in physical defense, taking on the over two-hundred-some pound muscular Mr. Harris was not what she wanted to be doing at the moment. She wanted to get over there and find out what those two men had been doing. She wanted to follow them to see where they were going. She stared up at Nick, her displeasure intensifying as she noted the hint of amusement in his eyes. “Why are you here again?”

“I told you. I saw your horse back there without you on it.” He relaxed into a smile. “I became concerned.”

Dimples carved into his cheeks on either side of his mouth, compliments to the slight cleft in his chin centered within his angular jaw. Black-brown eyes appeared seamless beneath his heavy brow and deeply tanned skin. His appearance was one of rugged masculinity that seemed right at home in these woods, his short, dark hair rich and full, combed away from his face. But this was Ladd land. Her land. He had no business interfering.

“My whereabouts and well-being are none of your concern,” she said, making no effort to conceal her annoyance at his gallant show of male dominance, “and I hereby officially relieve you of duty. I can take care of myself, thank you.”

“I’m not leaving without you.”

She grumbled under her breath. She could stay and protest, wasting precious time, or she could feign conciliation and take Sadie after the men. No doubt they were taking the back way out. Nick didn’t mention anything about a horse of his own. Delaney savored a private smile, a plan forming in her mind. There was no way he could stop her once on horseback. “Fine,” she retorted and headed back toward the trail, taking the incline in three long strides.

Once on the path, she walked as fast as she could, eager to lose him.

Nick caught up with her easily, matching her stride. “Do you have much trouble around here with trespassing?”

“Some.” Boots jarred her legs as she navigated the hard-packed, uneven clay, littered with rocks and roots. As they walked side-by-side, Delaney couldn’t help but notice her five-foot-five inches and a buck twenty in weight were dwarfed by comparison to Nick.

“How do you handle it?”

Anger rose hot and fast in her breast and she turned on him. “Why? So you can map out a response to silence the trouble, once you swindle the property from my uncle?”

“I’m not trying to swindle the property,” he said, his tone measured and even, as though it required effort for him to remain calm.

“Aren’t you? Ernie already said no. Why are you still here?” she asked, taking him in from the side as she marched down the trail, passing an opening that revealed a river. Water crashed over rocks and gullies and fallen logs as it made its way down. It was Zack’s Falls, one of Ladd Springs’ many assets.

Nick raised his voice over the roar of waterfall. “I’m a patient man, Ms. Wilkins. I understand he needs time to think it over. I’m willing to give it to him.”

“You don’t know my uncle.”

“Why don’t you tell me about him?” he asked, his voice drenched in friendship and camaraderie. “I’m not a bad guy. I’ll make it a win-win proposition for everyone.”

Delaney didn’t like the abrupt switch from rawhide to velvet. Nick was trying to con her and she was not a woman easily conned. Well, not anymore anyway. “No sale,” she told him.

Nick raised a brow. “Excuse me?”

“You heard me.” She flipped her face up to meet him directly. “No sale—in every sense of the words.”

Delaney didn’t speak for the remaining ten minute trek to her horse. She had nothing more to say to the man. He was here to get her uncle to sell the property, land that bordered the Tennessee/Carolina state line on one side, the public forest managed by the United States Forest Service on the other, and was chockfull of rivers and creeks, waterfalls and springs. She’d grown up on this land, buried her mother on this land. In her family for over six generations, this property was not only priceless, but of sentimental value. None of which Mr. Harris cared about. He wanted to develop it, build some fancy hotel and spa and exploit the natural resources of the property. He didn’t care what it meant to her family. But that was neither here nor there. Uncle Ernie would not sell to an outsider. At least they had that much in common, Delaney mused sourly, as she pushed a branch out of her way.

The trail opened to a small patch of grassy field, tall strands of willowy green littered with tiny purple and yellow blossoms, butterflies hanging low and plentiful. Between here and the property, a river flowed, the same one that wound down along the trails from Zack’s Falls. Sadie neighed at the sight of her owner and shook her blonde mane in excitement. Warmed by the sight of her mare, Delaney begged off. “Thanks again for your concern, but I’ll be okay from here on out.”

He eyed her warily. “Where you headed?”

“Back to the cabin.” As if it was any of his business. She grabbed the worn leather bridle and unwrapped it from the post. Holding it in her left hand, she seized Sadie’s mane, reached over her back, and hoisted herself up and on, slinging her right leg over the rear end of her horse. Sliding into a seated position front and center behind the horse’s neck, Delaney gently pulled the reins secure and looked down at Nick. It occurred to her that this was a much better view of the man. A handsome man, but a meddling one nonetheless. “See you around.”

“Doesn’t it hurt to ride without a saddle?”

“Not a bit,” she replied. In her book, there was no other way to ride a horse. After a quick rap to her rump, Sadie took off at a gallop, tail waving high and proud.

Nick crossed arms over chest and watched her go. Delaney Wilkins was like poetry in motion. A natural on bareback, she rode with the fluidity gained by a lifetime of experience. Not only did she move as one with her horse, but her skin glowed with the same silky suede coloring of her Palomino, her white blonde hair—a similar glossy mane in both length and style—crashing in waves down her back as she rode. Her light brown tank revealed fit upper arms, small round breasts and a narrow waist. Then there were her jeans. Nick felt a surge in his loins. He’d never met a woman who wore a pair of Levi’s like Delaney did—rough, ragged, the ripped edges of white thread shredding around heavy brown boots, boots that looked to be the one and only pair she owned. Yet somehow he found the shabby attire sexy as hell.

She was sexy as hell. Which would be a bonus if he could convince her to stay on and manage the stables of the hotel he planned to build. And he would build it. Ernie Ladd was a tough old goat, he’d give him that. But when it came to negotiating land deals there was no one better to get the job done than he. Patience was a virtue. Setting fire to greed was part of the process. Nick understood that once the kin folk got wind of the money he was offering, they’d press the old man to sell. Legacy was a powerful driver. But dollars were more powerful.

Nick began the haul back to the main house for another go-round with the old man. He hadn’t added a single new property in over five years, but after the gem he’d opened in the rain forests of Brazil, it was understandable. Visions of a particular brunette slipped into the forefront of his mind, stirring the pot of need. Feisty and fantastic, she had been a great distraction, but so had his attorney. Nick beat the big guys to the punch in securing a property in South Americas’ largest growth market. Fueled by the rising domestic traveler in search of eco-luxury, property value had exploded, but so had his headaches as he fought lawsuit after lawsuit. Most were bogus claims stating he didn’t receive proper authorization from the Brazilian government, while others were straight-up accusations of corruption. None of which were true. Nick played by the rules, even agreed to the extortion tactics for financial contributions to the Amazon rain forest preservation fund. As the leader in boutique eco-hotels, he was more than happy to make these financial contributions. It was his business to conserve resources, work his hotels into the environment with minimal impact. He simply didn’t like to be forced to contribute or be accused of skirting the law. Mandatory anything rubbed him the wrong way. But then again, he had learned a long time ago, greed usurps all. A concept to which his investors were not immune. The pressure to produce was on. Between expensive litigation and a weak economy, Nick needed to inject new excitement into his hotel chain, and Ladd Springs would do the trick.

BOOK DETAILS:

Genre: Romantic Fiction
Published by: BloominThyme Press
ISBN: 978-0-9884871-2-3
Number of Pages: 285
Publish Date: April 9, 2013
This is the first book in the Ladd Springs Series
Romantic Heat Index: Mild

PURCHASE LINKS:

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THANKS TO AUTHOR AT DIANNE VENETTA, I HAVE ONE (1) EBOOK  TO GIVE AWAY. OPEN TO ALL-EBOOK

 

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I received a copy of this book, at no charge to me,
in exchange for my honest review.
No items that I receive
are ever sold…they are kept by me,
or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or
Barnes & Noble. I am an IndieBound affiliate.
I am providing link(s) solely for visitors
that may be interested in purchasing this Book/EBook.

Guest author PAUL FREIBERGER showcase & giveaway ENDED

Today’s economy has affected us all in one way or another.  And for those that are looking for employment,  in a job market that has few openings but many applicants, this time can be very stressful.  I remember when my sons were in that position, not that long ago, and can  remember the anxiety of and waiting for the phone call after their interviews.  Thankfully, they both found employment with good companies and in their field, but many haven’t been so lucky.  So when Rebecca, from The Cadence Group,  contacted me about today’s guest, I jumped at the opportunity, in hopes this may help someone you know.  Please help me welcome Mr. Paul Freiberger!

PAUL FREIBERGER

Paul Freiberger is the author of When Can You Start? How to Ace the Interview and Win the Job (Career Upshift Productions, 2013). He is also the President of Shimmering Resumes, a career counseling and professional resume writing company in Northern California.

Connect with Paul at these sites:

http://www.paulfreiberger.com/    https://www.facebook.com/ShimmeringResumes    https://twitter.com/PaulFreiberger

GUEST POST

Never Underestimate the Power of Body Language

Your words, whether they are the words that make up your professional resume or the words that make up your side of the job-interview conversation, certainly speak volumes. They are not, however, the only way that you communicate, especially in that interview, and they may not even be the most important part of your interview presentation. Some experts maintain that nonverbal cues account for 93 percent of human communication. Others dispute this, arguing that body language is worth “as little” as 60 percent.

Even if the lower estimate is more accurate, it’s no exaggeration at all to say that an applicant’s body language can sabotage a presentation that would otherwise have been a resounding success.

The problem for applicants is that body language is, above all, an unconscious means of communication in ordinary interactions. We do not tend to be aware of the signals we are giving out. When we receive those signals, we may not be able to articulate what gave us a negative impression of another person, but, even though we can’t put the problem into words, we know there was definitely something that turned us off. The interviewee’s job is to become conscious of the unconscious gestures and mannerisms that have a profound effect on the other person in the room.

Given the unconscious nature of all this nonverbal communication, what can an applicant do?

One option is to record your performance in a practice interview. The camera’s eye is, if nothing else, objective, and video evidence can give you all the clues you need to observe that your body language is not hurting your cause. If that’s not an option, there are a number of general rules that should be part of your very conscious approach to effective interviewing.

Do:

• Be aware that your interview performance begins before you even open your mouth. If your tie needs adjustment or a shoelace is untied, pull everything together before you reach the interview location.
• Avoid excessive makeup or fragrance. They may not count as body language per se, but they do make an impression.
• Stand up when greeting people and offer a smile, along with a handshake that strikes a middle ground between the extremes of dead fish and crusher of bones.
• Sit up straight or lean forward slightly.
• Look alert and interested. Nod when appropriate, but try to avoid constant head-bobbing.
• If given the option, avoid sitting or standing too close to the interviewer. As a general rule, anything closer than 20 inches starts to feel like an invasion of personal space.
• Keep the position of your body in line with that of the interviewer. If your position is facing away from the interviewer, it gives the sense that you are not engaged with the process.
• Say your good-byes with the same confidence and positivity that you displayed when you arrived, even if you are convinced that this was the worst of all possible interviews.

Don’t:

• Slouch in your chair or lean toward the door. Neither posture makes you look like you’re interested in the proceedings.
• Touch your face and hair. Some mannerisms can make you look distracted or unforthcoming.
• Fold your arms across your chest, another posture that gives the impression that you’re disengaged or that you’re not open to what’s happening in front of you. It’s a very defensive position.
• Respond with complete neutrality. A blank stare is not just a failure to show interest. It can actually come across as a means of distancing yourself, actually adding a touch of hostility to the conversation.

Of course it’s easier to come across as a positive, interested and engaged candidate when those feelings are genuine. Sometimes, though, our unconscious habits betray us in ways we would not have imagined. Be aware, then, that body language can speak louder than words, and make sure that your nonverbal communication is doing all it can to get you on the payroll.

 

ABOUT THE BOOK

From Amazon:
In a tough job market, only a select few succeed at the interview process. How can you do it? The interview is a key step in the job search process. It is a make-or-break moment that can change your life. In this book, Los Angeles Times award-winning author, Paul Freiberger offers a clear, entertaining guide through interview preparation and proven tools to ace the interview and win the job.

You will learn about:
• The Only Question You Must Be Able to Answer
• Not Telling the Interviewer About Your Weaknesses
• Answering Trick and Oddball Questions
• Devising the Best Questions
• Gaining Confidence in Job Interviews
• Avoiding Interview Mistakes
• Negotiate the Salary You Deserve

BOOK DETAILS:

Paperback: 248 pages
Publisher: Career Upshift Productions (January 25, 2013)
Language: English
ISBN-10: 0988702800
ISBN-13: 978-0988702806

PURCHASE LINKS:

       

THANKS TO REBECCA AT THE CADENCE GROUP,
I
HAVE ONE (1) COPY TO GIVE AWAY.
OPEN TO U.S. RESIDENTS
FILL OUT RAFFLECOPTER ENTRY FORM BELOW
GIVEAWAY ENDS MAY 30th AT 6PM EST

TCG 300

WINNER WILL BE CHOSEN BY RAFFLECOPTER AND NOTIFIED
VIA EMAIL AND WILL HAVE 48 HOURS TO RESPOND
OR ANOTHER NAME WILL BE CHOSEN

a Rafflecopter giveaway

YOUR JAVA SCRIPT MAY NEED TO BE UPDATED
IF YOU AR EXPERIENCING DIFFICULTY
USING THE RAFFLECOPTER ENTRY FORM

DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.

 

Guest Author ATHOL DICKSON

Today I have the distinct honor and pleasure to introduce you all to today’s guest as he tours with Partners In Crime Tours.  Everyone…Mr. Athol Dickson!  Welcome!

ATHOL DICKSON

A master of profound suspense.

Athol Dickson’s mystery, suspense, and literary novels have won three Christy Awards and an Audie Award. Suspense fans who enjoyed Athol’s They Shall See God will love his latest novel, January Justice, the first installment in a new mystery series called The Malcolm Cutter Memoirs. The second and third novels in the series, Free Fall in February, and A March Murder, are coming in 2013.

Critics have favorably compared Athol’s work to such diverse authors as Octavia Butler (Publisher’s Weekly), Hermann Hesse (The New York Journal of Books) and Flannery O’Connor (The New York Times). Athol lives with his wife in southern California.
Connect with Mr. Dickson at these sites:

http://www.atholdickson.com/ https://www.facebook.com/pages/Athol-Dickson/416622918355206 https://twitter.com/atholdickson

ABOUT THE BOOK

Reeling from his wife’s unsolved murder, Malcolm Cutter is just going through the motions as a chauffeur and bodyguard for Hollywood’s rich and famous.

Then a pair of Guatemalan tough guys offer him a job. It’s an open question whether they’re patriotic revolutionaries or vicious terrorists. Either way, Cutter doesn’t much care until he gets a bomb through his window, a gangland beating on the streets of L.A., and three bullets in the chest.

Now there’s another murder on Cutter’s Mind.
His own.

Praise for Athol Dickson’s novels:

“Atmospheric, well-paced and powerfully imagined . . . a highly entertaining nail-biter.” (Publishers Weekly)

“. . . richly imagined . . . lyrically written . . . artfully constructed.” (Bookwire)

“. . . well-written . . . intelligent . . . suspenseful . . . engrossing.” (Library Journal)

“. . . elegant prose . . . very well written.” (The New York Review of Books )

READ AN EXCERPT

ONE OF THE STRANGEST THINGS ABOUT THE CITY was the sudden way it disappeared around the edges. One minute you were down on Sunset Boulevard surrounded by glass and concrete, and the next thing you knew you were up on Mulholland Drive, alone in the rough country. From a high window or a rooftop almost anywhere in Los Angeles you could see the mountains, and there was always something ravenous up there looking down.
I was up among the hungry creatures, standing at the edge of a cliff, with Hollywood and Santa Monica far below me in the distance. One step forward and I would be in midair. I was looking down and wondering if Haley had considered how suddenly you could go from city to wilderness. Then I wondered if it was a distinction without a difference, if the city might be the wilderness and the wilderness the city, and maybe Los Angeles’s edges seemed to disappear so suddenly because there really was no separation between sidewalks and mountain paths, buildings and boulders. Up in the mountains or down in the city, either way the carnivores were in control.
I imagined Haley, out of her mind, running full speed off the cliff. I wondered what it had been like, that final second or two before she hit. Had she realized what was happening? Did she recognize the city lights below for what they were, or did she really think she was flying toward the stars? And did she think of me?
Stepping closer to the edge, I slid the toes of my shoes into the air. I looked down two hundred feet, toward the spot where she had broken on the rocks. I stood one inch from eternity and tried to imagine life without her. I could not summon up a single reason why I shouldn’t take that final step, except for one. I thought about the kind of animal who would drive someone to do what my wife had done. Predators like that were everywhere. I should know. I had trained for half my life to be one of them. I was hungry, looking down on the city. If I was going to live, the hunger would have to be enough,
for now. But I would sink my teeth into him, sooner or later. I would do that for Haley, and for myself, and then maybe it would be my turn to see if I could fly.
I stepped back from the edge.

BOOK DETAILS:

Genre: Murder Mystery
Published by: Athol Dickson
Publication Date: 11/30/2012
Number of Pages: 307
ISBN: 978-0-9854302-9-0 // 978-0-9854302-8-3

PURCHASE LINKS:

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Guest Author KATHLEEN LONG showcase & giveaway ENDED

When I rad the synopsis of today’s featured book, I knew I wanted to share it with all of you.  So Brianne, from Media Connect/Finn Partners is stopping by to introduce us to the author, Ms. Kathleen Long.  Welcome to CMash Reads!

Kathleen Jones
Kathleen Long is a RITA®-nominated, RIO Award and two-time Gayle Wilson Award of Excellence winning author of fourteen novels of contemporary romance, romantic suspense and women’s
fiction. Her additional honors include National Readers Choice, Holt Medallion, Booksellers Best, and Book Buyers Best award nominations, as well as appearances on the USA TODAY and Wall Street Journal bestseller lists. After a career in PR spent spinning words for clients, she finds great
joy spinning words for fictional characters, places and plots. A native of Wilmington, Delaware, Kathleen now divides her time between suburban Philadelphia and the Jersey shore. When Kathleen is not busy writing her next book, she spends her time bribing her little one to pick up her
toys, begging the dog to heel, and experimenting with jewelry design.

Connect with Kathleen at these sites:

http://www.kathleenlong.com/ https://www.facebook.com/kathleenlong https://twitter.com/KLWords

GUEST POST

Writing and Reading:  
Do you draw from personal experiences and/or current events?
Yes and yes. Much of the emotion in my writing and (in the case of Changing Lanes) a few scenes are borrowed directly from my life. I’d imagine that many authors operate in the same way. For character emotions to work, they have to be real and relatable. What better way to achieve that than to mine my own experiences and memories. As far as current events go, I am forever jotting down story ideas based on a new article or an overheard conversation. If only I could unlock the secret to getting every story idea written! I suppose that boils down to more butt in the chair time, quite simply.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
Every book is different. Back when I wrote suspense exclusively, I rarely envisioned the ending of my books. I would start with the premise, then build the characters and go from there. I used a very linear process and frequently broke down the entire book on a color-coded plotting board. For my two women’s fiction titles, Changing Lanes and Chasing Rainbows, I wrote the last scene—or at least a very detailed idea of the last scene—before I wrote the book. That being said, I wrote the rest of the story basically in order—start to finish. If I got stuck, sure, I’d skip to another plot thread and write a scene or two to kick my brain back into gear, but I find the emotions and turning points of a story resonate more strongly if I write them in order. That way, I feel the conflict and growth just as my characters do.

Your routine when writing?  Any idiosyncrasies?
My only routine is the lack of routine. I have good intentions of writing faithfully each morning, but I confess to being easily distracted. Between the Internet, the house, and my family, my brain is constantly hopping from what it should be writing to what it should be doing. As a matter of fact, my best writing is done when I leave the house—preferably for the comfort of our local library. That brings me to my biggest idiosyncrasy. I cannot sit at the computer and write. My creative brain is happiest anywhere BUT in front of the computer, preferably the library, a sunny spot outside, or on the beach. That’s my idea of the perfect writing location.

Is writing your full time job?  If not, may I ask what you do by day?
Yes, writing is absolutely my full time job. How lucky am I?!

Who are some of your favorite authors?
My favorite authors are Claire Cook, Kristan Higgins, and Elizabeth Berg on the women’s fiction side. They are Lisa Gardner, Lisa Unger, and Harlan Coben on the suspense side. Actually, there are countless other writers I’d like to include on both lists. Narrowing down favorites is a tough job!

What are you reading now?
Right now, I’m reading Tapestry of Fortunes by Elizabeth Berg. The beauty and emotion of her writing never ceases to leave me humbled and in awe.

Are you working on your next novel?  Can you tell us a little about it?
Yes! I am actually working on two projects. The first is a new women’s fiction novel which follows a group of four women on a road trip to the Grand Canyon. Are We There Yet? deals with relatable crises that face women of a variety of ages—late teens, thirties, forties, and fifties. My second new project, Vanished, is a romantic thriller that will revitalize The Body Hunters, a team of cold case investigators who were at the center of a reader-favorite trilogy I wrote a few years back.

Fun Questions
Your novel will be a movie.  Who would you cast?
That is a fun question! It’s also an easy question for me to answer. One thing about my writing process that I neglected to mention in my earlier answer is that I make a collage for every work in progress. For Changing Lanes, the background of the collage was a map of the fictional town. The foreground included photos of buildings, small town streets, bridges, and my imaginary cast. I always pictured someone like Rachel McAdams playing the lead character, Abby. The second-chance romantic interest, Mick, definitely deserves to be played by someone like Gerard Butler. I can picture his personality in this part. Abby’s two best friends, Jessica and Destiny, would be perfectly played by Jessica Capshaw and Sara Ramirez (both of Grey’s Anatomy fame). A movie…wouldn’t that be a dream come true?!

Would you rather read or watch TV/movie?
I am not a huge TV watcher at all. I do love to curl up with a good movie now and then, but honestly, I’m a book lover through and through. I don’t read as much as I used to, and I miss it. The time I used to carve out for reading, I now carve out for writing. I hereby resolve to do a better job of managing both! Great question.

Favorite food?
That’s a tough question! The answer varies by time of year, actually. Right now, I’m shamelessly hooked on shrimp and pasta. Don’t ask me why. Maybe it’s because it’s an easy meal, and my husband and I are both on the same kick. In the summer time, my favorite meal is a slice of Mack and Manco’s pizza from the boardwalk. There’s just something about the boardwalk, the salt air, the sound of the ocean, and that pizza. Yum!

Favorite beverage?
My favorite beverage is coffee. Boring, I know! I recently gave it up completely and was successful for about five weeks. Then, I started sneaking one cup each day…then two…now three. Perhaps that’s part of my writing process. Actually, that’s not a bad excuse for drinking even more!

Thanks for the great questions, Cheryl, and for including me in your Author Spotlight!

 

ABOUT THE BOOK

Abby Halladay has the perfect life. Or, rather, she will…as long as everything goes exactly according to plan. Abby never leaves anything to chance—not her job as a syndicated columnist, not her engagement to her fiancé, Fred, and certainly not her impending wedding in Paris (New Jersey, that is).

Unfortunately for Abby, even the best-laid plans often go awry—like when Fred runs away to Paris (France, that is), her column is canned, and her dream home is diagnosed with termites. Forced to move back in with her parents and drive her dad’s cab, Abby’s perfect life has now officially become the perfect disaster.

Then a funny thing happens. Slowly but surely, Abby begins letting go of her dreams of perfection. As she does, the messy, imperfect life she thought she never wanted starts to feel exactly like the one she needs.

Poignant and heartfelt, Changing Lanes celebrates the unexpected joys of everyday life—and the enduring promise of second chances.

BOOK DETAILS:

Paperback: 264 pages
Publisher: Amazon Publishing; (May 14, 2013)
Language: English
ISBN-10: 1611099455
ISBN-13: 978-1611099454

PURCHASE LINKS:

THANKS TO BRIANNE AT FINN PARTNERS
I
HAVE TWO (2) COPIES TO GIVE AWAY.
OPEN TO U.S. RESIDENTS
FILL OUT RAFFLECOPTER ENTRY FORM BELOW
GIVEAWAY ENDS MAY 28th AT 6PM EST

WINNER WILL BE CHOSEN BY RAFFLECOPTER AND NOTIFIED
VIA EMAIL AND WILL HAVE 48 HOURS TO RESPOND
OR ANOTHER NAME WILL BE CHOSEN

a Rafflecopter giveaway

YOUR JAVA SCRIPT MAY NEED TO BE UPDATED
IF YOU AR EXPERIENCING DIFFICULTY
USING THE RAFFLECOPTER ENTRY FORM

DISCLAIMER
I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
I do not have any affiliation with Amazon.com or Barnes & Noble. I am an IndieBound affiliate. I am providing link(s) solely for visitors that may be interested in purchasing this Book/EBook.