Category: Excerpt

The Fatal Saving Grace by Jim Nesbitt #AuthorInterview

The Fatal Saving Grace by Jim Nesbitt Banner

THE FATAL SAVING GRACE

by Jim Nesbitt

February 9 – March 6, 2026 Virtual Book Tour

Synopsis:

The Fatal Saving Grace by Jim Nesbitt

ED EARL BURCH HARD-BOILED TEXAS CRIME THRILLER

 

MAYHEM WITH A BADGE

After wandering the peephole wilderness of a private detective for two decades, defrocked Dallas homicide detective Ed Earl Burch is finally an official manhunter again, wearing the badge of a district attorney’s investigator working in the harsh desert mountains of West Texas.

Big D, it ain’t. And life as a resurrected lawman isn’t everything he hoped it would be. Too many rules. Not enough satisfaction. And a boss who hates him for saving his life.

But Burch is back, playing the same deadly game he mastered as a murder cop, tracking a serial killer who tortured and murdered his ex-lover with a straight razor—an Aryan Brotherhood gang leader Burch thought he killed in a desert shootout.

He’s also trying to protect the fugitive granddaughter of an old friend and her four-year-old son—from this remorseless killer and cartel gunsels hired by her incestuous Dixie Mafia daddy.

Throats get slashed. Bullets smack flesh. Bodies drop. And Ed Earl Burch and his partner, Bobby Quintero, are in reckless pursuit, dodging death, closing in on their prey.

No place Burch would rather be. Unless he gets killed.

Praise for The Fatal Saving Grace:

The Fatal Saving Grace is the Independent Press Award Distinguished Favorite for Action/Adventure 2026

“Nesbitt delivers a scorched-earth tale where every shadow conceals an ambush and every road bleeds history. He paints West Texas in colors of rust, smoke and whiskey, and the result is a story that feels carved in stone. This is cowboy noir at its finest.”
~ Baron Birtcher, Will Rogers Medallion winning author of Knife River

“Ed Earl Burch, who’s partial to Lucky Strikes and Maker’s Mark, makes Mike Hammer look like Miss Marple. Jim’s novels offer wicked humor, an eye for detail, brass-knuck action and language that would strip the paint off a Hummer.”
~ Noel Holston, author of Life After Deaf and As I Die Laughing

“Jim Nesbitt knows his Texas crime and writes one fine line at a time. Hard-boiled with prickly pears, old leather boots, a bit of tobacco, freshly spit of course, he gets it right.”
~ Joe R. Lansdale, champion mojo storyteller and author of the Hap ‘N Leonard crime thrillers

“A gritty and deadly must-read, THE FATAL SAVING GRACE cements Nesbitt’s standing among the best writers in the pantheon of Southern noir.”
~ Bruce Robert Coffin, bestselling author of the Detective Justice Mysteries

“Ed Earl Burch is back, and that’s great news for readers who love classic hard-boiled noir, colorful characters, crackling dialogue and plenty of action. Highly recommended!”
~ R.G. Belsky, author of the Gil Malloy and Clare Carlson mysteries

“Some would call it justice. Some would call it revenge. No matter what you call it, the concept has been a long running theme of the Ed Earl Burch series. The same is very much true in the fifth book of the series, The Fatal Saving Grace: An Ed Earl Burch Novel by Jim Nesbitt.”
~ ‘Ace Texas book reviewer’ Kevin Tipple

Book Details:

Genre: Hard-Boiled Crime Fiction, Western
Published by: Spotted Mule Press
Publication Date: December 15, 2025
Number of Pages: 301
ISBN: 9780998329482 (ISBN10: 0998329487)
Series: Ed Earl Burch Hard-Boiled Texas Crime Thriller, Book 5 | Each is a Stand-Alone Thriller
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub

Ed Earl Burch Novels, 1-4

The Last Second Chance: An Ed Earl Burch Novel
The Last Second Chance
Amazon | Barnes & Noble | BookShop.org | Goodreads | BookBub
  The Right Wrong Number: An Ed Earl Burch Novel
The Right Wrong Number
Amazon | Barnes & Noble | BookShop.org | Goodreads | BookBub
  The Best Lousy Choice: An Ed Earl Burch Novel
The Best Lousy Choice
Amazon | Barnes & Noble | BookShop.org | Goodreads | BookBub
  The Dead Certain Doubt: An Ed Earl Burch Novel
The Dead Certain Doubt
Amazon | Barnes & Noble | BookShop.org | Goodreads | BookBub

Read an excerpt:

From Chapter 1

When a man gets hit by a .45 ACP Flying Ashtray or three, by all that’s ballistically holy, he ought to get dead and stay dead.

All manner of official paperwork swore he was dead. All of it based on a bogus death certificate filed by parties unknown in the Cuervo County Coroner’s Office, with copies popping up like blowflies on a cow carcass. Even the federales had him playing poker with the Devil, his prison mugshot tucked away in ATF and DEA files, DECEASED stamped across his face in bold, black letters.

The con was slick and easy. Money changed hands, files were swapped or ditched, reports were shredded or faked. Somebody else’s corpse became him. The relentless power of bureaucratic incompetence and inertia did the rest.

Yessir. According to all that yellowing, lawdog paper, he was nobody they had to worry about no more. Finito. A shade. A ghost who said adios. A good thug now that he was a dead thug. Muerto.

Not hardly.

That’s what John Wayne said to all those hombres who thought he was dead in Big Jake. With a growl and a scowl.

Not hardly.

He liked that. Matter of fact, he just trotted out the Duke’s line to a guy he used to be tight with. Caught up to him climbing the three cinder block steps to the front door of his desert double wide.

Tapped him on the shoulder, saw the wild-eyed fear when the dude turned and saw who the finger belonged to. Blurted out: “You’re supposed to be dead!”

Not hardly. Said it with a growl but no scowl. Then grabbed him by a greasy hank of raven black hair, yanking his head back and cutting a crimson smile across his throat from ear to ear. With a bone-handled straight razor. His favorite.

Threw the guy into the sand at the side of the steps. Listened to the choking gurgle and death rattle. Then licked the blood off the blade.

Not hardly. He tilted his head back and laughed. Savored the kill. Alone and alive. An endless dome of stars glittering in the midnight sky above the rocky desert outback near Radium Springs, New Mexico. No moon. A dead man at his feet. Used to be a member of his crew. Frankie Sheridan.

Met him at Pelican Bay. An Alice Baker brother doing a long stretch for bank robbery. Had a shamrock tattooed on his chest with the initials AB in capital letters—Alice Baker, Aryan Brotherhood. Blood in, blood out. Ex-Army. Knew his way around diesels, alarm systems, and weapons.

Sent him a ticket to Texas when he got out. Made him a member of his crew, smuggling guns and drugs out of a ranch north of Faver, the Cuervo County seat, a bent outfit that ran cattle for cover and fleeced bitter and gullible white trash while promising them the return of the Republic of Texas for Caucasian Christians only, a New Zion based on God, guns, guts, and the Good Book. Niggers, Jews, Arabs, and Spics need not apply.

Bad move. Frankie was a ratfuck snitch. Uno chivato. Not to the lawdogs. Just as bad, though. Frankie sold him out to a rival outfit of gunrunners and drug smugglers. Kept them one step ahead of him as they chased a third outfit that held a cache of stolen military hardware everybody wanted.

Rockets, bloopers, mortars, and full-auto carbines and rifles. Bang-bangs that could tip the scales on both sides of the river. All in the hands of a crew fronted by a flashy woman in jeans, tall boots, a bolero jacket, and a blonde wig. A wet dream for the pendejos she hustled.

La Güera. Just the thought of her caused his molars to grind. He wanted her dead. No, he needed her dead. She and her lover were the reason his life got flushed into the sewer, his crew dead, his stash of guns and drugs long gone. Had him climbing out of the shitter, clawing to the top of the dung heap. Again.

He caught the lover. Sliced off his manhood. Slit his throat. Then chopped off his head and butchered his body to stuff into a giant barbecue smoker. Tucked the man’s jewels into his mouth as the crowning touch to a cannibal’s mesquite-smoked delight.

Not the same. Didn’t have her. She still needed to feel his blade, feel his eyes boring holes into hers as he gave her that crimson smile. He needed to lick her blood off that sharp stainless steel. Taste it. And grin. Only then would the circle be complete. He’d be whole again.

Well, not completely whole.

His right eye was gone, blown out by a glancing hit from one of those .45 ACP slugs that also shattered the orbital bones. Nothing extensive plastic surgery, bone implants and a new glass eye couldn’t cure. Had to stack plenty of cash up front to repair damage that severe.

Gave that part of his face a waxy texture straight out of Madame Tussauds. But it sure beat wearing an eye patch and the lopsided face of a Dick Tracy cartoon villain.

His left knee was also shattered, replaced with a titanium joint that allowed him to walk with only a slight limp. Another five-figure hit to his stash of greenbacks.

The man who fired those rounds was also on his payback list. An ex-cop. Big-ass older fucker with a gray beard. Said to be a washed-up Dallas P. I..

Beg to differ, sir. Sumbitch sure kept him from getting to her during that clusterfuck in the West Texas desert. A real Wild West shootout between rival drug gangs wanting the blonde bitch’s bang-bangs.

He was oh-so-close to grabbing her up, dodging bullets and bodies, closing the gap between him and Ol’ Dude, who was carrying the bitch draped over his right shoulder. He screamed her name and leveled an M-16A1 at the both of them.

“La Güeraaaaaaa! I got you, bitch! Got you now! Gonna slice you wide open and watch you bleeeeeeed!

Ol’ Dude spun on his heel and emptied a 1911 mag at him offhand. Yelled this: “Not today, you cockbite motherfucker. Not in this lifetime or the next.” A lefty. On target without dropping the bitch. Only thing that kept him alive was a Kevlar vest that caught the Flying Ashtrays that would have shredded his chest.

Washed-up, my ass. The man wrecked me. His time was coming, though. Count on a reckoning. Soon. But not now. He was working his way up the ladder of a list he kept in his head. One body at a time.

Frankie was the bottom rung. La Güera was at the top with Ol’ Dude second. Five other rungs between Frankie and them.

Time to get gone. And get busy.

***

Excerpt from The Fatal Saving Grace by Jim Nesbitt. Copyright 2025 by Jim Nesbitt. Reproduced with permission from Jim Nesbitt. All rights reserved.

 

 

Author Bio:

Jim Nesbitt

Jim Nesbitt has the perfect radio face, bionic knees that can grind coffee beans and tell time and a cat who poaches his cigars and uses his cellphone to place bets on British soccer. He is also a recovering journalist who once chased politicians, neo-Nazis, hurricanes, rodeo cowboys, plane wrecks and the everyday people swept up in a news event who gave his stories depth, authenticity and a distinct voice.

A lapsed horseman, pilot, journalist and saloon sport with a keen appreciation of old guns, vintage cars, red meat, good cigars, aged whisky without an ‘e’ and a well-told story, Nesbitt is also the award-winning author of five hard-boiled Texas crime thrillers that feature battered but relentless Dallas PI Ed Earl Burch — THE LAST SECOND CHANCE, THE RIGHT WRONG NUMBER, THE BEST LOUSY CHOICE, THE DEAD CERTAIN DOUBT and THE FATAL SAVING GRACE.

A diehard Tennessee Vols fan, he now lives in enemy territory — Athens, Alabama — with his wife, Pam, and is working on his sixth Ed Earl Burch novel, THE PERFECT TRAIN WRECK. When he’s off his meds, he’s been known to call himself Reverend Jim and preach the Gospel of Hard-Boiled Crime Fiction.

Catch Up With Jim Nesbitt:

www.JimNesbittBooks.com
Jim’s Substack – @edearl56
Amazon Author Profile
Goodreads
BookBub – @edearl56
Instagram – @edearl74
Threads – @edearl74
Facebook – @edearlburchbooks

 

 

#AuthorInterview with Jim Nesbitt:

What was the inspiration for this book?
A perverted sense of charity for the main character of my hard-boiled Texas crime thrillers, cashiered Dallas homicide detective Ed Earl Burch. For two decades, he’s been wandering the peephole wilderness of a private detective, longing for the sense of calling and higher purpose he had when carried the badge he lost. I wanted to give him what he wished for and see how he copes with life as a resurrected lawman, forced to take orders and work with people after living life as a loner and semi-outlaw for a long time. It’s not everything he hoped it would be, as is often the case with magnificent obsessions. Too many rules, too many people, too many years as a lone wolf and semi-outlaw unfettered by rules. I also wanted to show the hard miles he’s racked up, giving him the aches and pains of middle-aged tough guy without turning him into a cripple or a poster child for Geritol. He’s still tough, profane, ornery and reckless. And he’d still just as soon shoot you as look at you — if you’re a bad guy in need of killin’. But it’s harder for him to get out of bed in the morning.

What was the biggest challenge in beginning your writing career?
Getting started. I come from a long line of hillbilly storytellers who taught me the importance of knowing where you’re from and who your people are. Seems like I’ve always had a book in my hand and started writing at a very early age. Had some talent and was able to parlay it into a fairly successful journalism career for nearly forty years. I was lucky to break into journalism when long-format stories that used the tradecraft of fiction writing was in vogue. I was also a hard-boiled crime fiction junkie, a faithful follower of Chandler and Hammett and others who broke free from the confines of the English cozy mystery and amateur sleuths, giving crime back to the criminals of the gritty urban underworld. Wasn’t a huge leap for me to tackle my first hard-boiled crime thriller. But I’m a lazy bastard so it took me way too long to start. Wish I’d cranked it up twenty years ago. Make that twenty-five.

What do you absolutely need while writing?
Used to be George Dickel Tennessee whisky (spelled without the e), preferably hundred proof bottled-in-bond, and a damn good cigar, waiting for me at the end of a writing session. These days, it’s more likely to be cornbread and iced tea, to poach a line from Hank Williams, Jr. And a cushion for my butt.

Do you adhere to a strict routine when writing or write when the ideas are flowing?
I’m not really strict about anything and I hate routine. That said, I know the key to writing a book is the discipline to keep your butt in the chair for hours at a time and writing even when the words don’t flow. If you wait on those mystical ideas to flow, you’ll never get anywhere. I don’t punch a clock or slavishly do periodic word counts but I do put in the time it takes to write a good story. I just don’t brag about it on Facebook or my blog.

Who is your favorite character from your book and why?
Rhonda Mae Mutscher. She’s just as tough and unsinkable as Ed Earl Burch. Maybe tougher. Quicker to shoot somebody, maybe. Very much like many of the women in my books, she’s smarter than most men, Burch included. But there’s a bond between her and Burch based on the earlier experience of him helping her escape from cartel sicarios and gunrunning rivals, including the serial killer of this book, a nasty piece of work named Cleve Chizik, who Burch thought he killed during a desert shootout four or five years ago described in The Dead Certain Doubt. Because of that bond, she thinks of Burch when Dixie Mafia gunsels sent by her incestuous father chase her out of the small Colorado town where the feds stashed her as a protected witness. She also has a five-year-old son she has to protect and doesn’t trust the feds to keep her or him safe. West Texas feels safer because Burch and the family of her son’s dead father are there.

Tell us why we should read your book.
Because it bristles with relentless action, has a pulse-racer of a plot, a solid storyline, and a colorful cast of characters. It’s hard-boiled detective fiction at its finest, centered on a protagonist like no other, the deeply flawed but wildly compelling Ed Earl Burch. It’s a taut, tense, uncompromising tale of revenge and redemption — a damned good story exceptionally well-told.

Give us an interesting fun fact or a few about your book?
To give myself a little more literary license, I created two West Texas jurisdictions that are both figments of my imagination: Cuervo County, because crows are smart and fascinating birds, and the town of Faver, the county seat, named for the pioneering cattle baron of the Big Bend Country, Milton Faver. Faver was an interesting character who is mostly forgotten today. Like a lot of newcomers to Texas, both before the split from Mexico and after, he was escaping something unsavory back east. He killed a man in a duel in Missouri and fled, first to Mexico, where he worked in a flour mill than as a freighter hauling goods over the Chihuahua and Santa Fe trails, surviving an Indian attack that left him severely wounded. Although hazardous, the freighting business was profitable enough for Faver to start a general store in Ojinaga. In 1857, he moved with his wife and only son to the frontier of the Chianti Mountains in the Big Bend Country, bought land around three springs and established the Cibolo Creek ranch, building herds of cattle and sheep as well as fortress houses to repel attacks from raiding Comanche and Apache. He ruled his ranches with an iron hand and meted out justice by his own lights. He didn’t believe in credit and stood at the gate during a cattle sale, taking silver coin for each cow, steer or sheep as it passed into the corral. He died in 1889.

Do you have anything specific that you want to say to your readers?
Like my earlier books, The Fatal Saving Grace is the polar opposite of a cozy mystery. There isn’t a lick of cuteness in it. It’s a hard-bitten tale told in the hard-boiled style of Chandler, Hammett and later-day writers like the late, great James Crumley. It’s raunchy and violent with no punches pulled or euphemisms used to protect delicate sensibilities. And most of the people rambling around the stark, harsh beauty of West Texas have been honed, beaten and shaped by this land. They’ve all got some hard bark on them. And even the good guys have a mean streak and do bad things to get the job done according to what they think is right. It’s country that demands rough justice and Ed Earl Burch has been given a badge again to deliver just that.

Tell us a little about yourself and your background?
The Irish say that writers are failed talkers — guilty as charged since I always tell people it’s a damn good thing I write better than I talk because the way I talk is a curious mixture of 40s and 50s tough-guy jargon and cowboy lingo. I was born up North, near Philadelphia, but my parents were both North Carolina hillbillies from around Asheville. My sister and I weren’t Yankee-raised and we spent a lot of time with the country cousins when we were young during extended summer road trips. I was a journalist for almost forty years, nearly twenty of that spent as a roving correspondent for newspapers and wire services, parachuting into big stories of the moment, from presidential campaigns to hurricanes, and chasing big trends like the ongoing battle over public land use in the West, a vicious and long-running fight about grazing rights, mining and logging, or the rise of neo-Nazis and Christian Patriots in the mountain West. That experience taught me to look for the telling detail and listen for the voices of the people swept up in an event. I was also fascinated by the features of the land where people lived and the impact of that place as they tried to extract a living from it. That fascination is very much a result of my parents instilling in me a keen sense of place — knowing where you’re from and who your people are — something I believe is vitally important in storytelling. The place where you set your story should be as alive and vivid as you can make it — a character unto itself, not a one-dimensional stage flat in a play.

What’s next that we can look forward to from you?
I’ve been accused of writing thinly disguised Westerns and, truth be told, that’s a strong undercurrent that threatens to break the surface in all my books. Ed Earl Burch doesn’t wear a white hat, but he has a code he tries to live by and a strong sense of right and wrong. I’ve decided to let him rest a bit and resume writing a Western set in the 1920s in one of the rowdy oil boomtowns of the Texas Panhandle. I’ve created a character I think fans of Ed Earl Burch will like, a morally ambiguous gypsy lawman named Charley Mack Kincaid, whose been a cowhand, a deputy, a Texas Ranger and a Pinkerton agent, tapped by a Ranger styled after the legendary Frank Hamer to go undercover and help bust open the ring running the town. I’ve also got two more Ed Earl Burch novels rattling around my brainpan that I’ll get around to writing after I finish this Western, tentatively titled Boomtown Blood, which is the most unambiguous and straightforward title I’ve ever created. Gotta do something about that.

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The First to Die by Suzanne Trauth | #AuthorInterview

The First to Die by Suzanne Trauth Banner

THE FIRST TO DIE

by Suzanne Trauth

February 9 – March 6, 2026 Virtual Book Tour

Synopsis:

The First to Die by Suzanne Trauth

Connie Tucker, a free-spirited beach bartender, has been estranged from her family in New Jersey ever since her actress mother, Simone, disappeared one night during a violent storm at the theatre where she was rehearsing. Uncontrollable and in a rage at the loss of her parent, fifteen-year-old Connie is exiled to California, due to her delinquent behavior, to live with an aunt she doesn’t know. Now, fifteen years later, Simone’s murdered remains are discovered at a construction site and Connie returns to the east coast for the funeral—she owes it to her mother. The cold case unit will take over now and solve the crime. But then she discovers a message her mother left behind. It feels like a dispatch from the grave. Connie must face her tortured past, the guilt of concealing a devastating secret, and the part she played in her mother’s disappearance. Unearthing buried family history and childhood demons, she confronts the agonizing reality that she doesn’t know where she belongs, where to call home. Who to trust. When a second suspicious death occurs, Connie races to unravel the events of the night Simone disappeared. Her mother was the first to die…but not the last.

Book Details:

Genre: Domestic Suspense
Published by: Between the Lines Publishing
Publication Date: November 18, 2025
Number of Pages: 334 (Pbk)
ISBN: 978-1-965059-65-4
Book Links: Amazon | KindleUnlimited | Barnes & Noble | BookShop.org | Goodreads | BookBub | Between the Lines Publishing

Read an excerpt:

Chapter 1

Now

“They found Mom. You need to come home.”

Her older sister Gaby wasn’t one to waste words.

Connie should have been relieved, comforted, something. Unfortunately, it was fifteen years too late for that. And anguish she had buried deep in her body, and mind, erupted with a vengeance.

She cooled her heels in San Diego until the last possible moment to return for the funeral. The less time spent there, the better. New Jersey triggered chilling images tethered to that night. To the last time she saw her mother.

The plane thumped to earth, delivering Connie Tucker to the past with a bounce. Everything about this state was a rude wake-up call. She couldn’t wait to board the return flight to California. At fifteen, she left New Jersey in a rage, thrown out of the only home she’d known, dumped thousands of miles away on a relative she’d never met. Nerves twitching, her insides were a stew of anxiety and bitterness, wondering how people here would react to seeing her. Connie shook her head to tamp down the unruly thoughts and scold herself. They were the ones who should be nervous.

Down the parkway in the rental car, exit onto Lenox, right onto Mercer, left onto Third Street. Past Antonio’s Pizza where she and Gaby bought slices on their way home from school because who knew what their mother would cook for dinner. Past the playground attached to St. Gabriel’s. At the corner of Mercer and Third, a few patrons ambled in and out of a bodega. The street was mostly empty. Her heart bounced in her chest.

42 Third Street. She lowered the car window, her breathing shallow at the sight of the ancient Lincoln in the driveway. The blue paint polished and gleaming. “Buy American” was her father’s motto when Connie was a kid. The same automobile she and her best friend Brigid had “borrowed” until Gaby blew the whistle on her. Grounding was followed by exile two months later. She swallowed raging emotions—love, hate, sadness. If Connie closed her eyes, her parents magically materialized on the porch swing, creaking steadily back and forth on warm summer nights. Sometimes Uncle Charlie sat on the steps and the three of them drank beer, Charlie telling stories and her father laughing. But that was before.

Connie stepped out of the car and surveyed the neighborhood. Much had changed and much had remained the same. Down the block, Porter’s Bar and Grill still boasted the neon signs out front advertising beer, wine, and food. After his stint on the police force, and her mother’s disappearance, her father found employment at the bar—back then a hangout for current and former cops, a nerve center for law enforcement chatter. Old Man Porter was fond of her father, of the whole Tucker family.

Despite the sun shining in a brilliant blue sky, the area was tinged with gray. Sunny in San Diego and sunny in Hallison, New Jersey were two different animals. But even worn out as it was, her Jersey home beckoned, a magnet luring Connie into a tangle of sensations and history. Part of her, she hated to admit, yearned to be here again, but before nostalgia could overwhelm her, she stiffened her resolve: do her duty to her mother and then back to the other coast.

The day was already sweltering, humid air like a wet sheet clinging to Connie, her bangs plastered to her forehead, her shirt dotted with damp patches. Urban smells permeated the neighborhood—exhaust, heat shimmering off the pavement, cooking odors. Third Street radiated a kind of shabby warmth despite reopening sharp wounds. As she climbed the steps to her family’s front door, a voice boomed behind her.

“Connie Tucker!”

She whirled to her left. “Rosa!” she sputtered. Rosa Delano. Standing on her front porch. Daughter of the next-door neighbor, Mrs. Delano, whose front yard featured neat flower beds and trimmed bushes. The woman who’d been a kind of second mother after Connie’s first one disappeared.

“Yeah, that’s me.” A cigarette dangled from between bloodless lips, graying hair a tangle of frizz, her expression sullen.

She’d aged. And not well.

Rosa smirked. “Came home ’cause they found your old lady, huh? Si-mone.” Hands stuffed in jeans pockets, she extended the second syllable to mock the dead woman. “Bunch a bones by now, I guess.”

Connie’s stomach lurched, her fingers forming a fist. Attack mode. Breathe, she told herself. Stay in control. She’d forgotten how mean Rosa could be. In and out of the Delano house when Connie was growing up. Sometimes gone for months, once even for a whole year. Neighborhood gossip churned out tales of Rosa’s arrests for petty, and not-so-petty, crimes, their father warning Gaby and Connie to stay clear of her. That was easy to do since she was away for much of their pre-teen years.

“Wonder who buried her? Si-mone.”

Connie refused to take the bait. The hell with her. “Tell your mother I’ll stop by later.”

“Fat chance. You keep away from her.” Rosa opened her screen door. “Guess you figured Si-mone was still alive all these years, huh?”

The question split the air like the crack of a whip, jerking Connie’s head backwards. “How dare you talk about my—”

Rosa laughed in triumph. “Ha! Listen to you. ‘How dare you?’ Always did act like you were better than everybody else. Always had to have your own way.” She slouched into the Delano house and let the screen door slap shut behind her.

Heart hammering, Connie was left to wonder probably for the thousandth time how sweet, generous Mrs. Delano could live with someone as nasty as Rosa. According to Connie’s mother, she was already a troublemaker when her parents were killed in a car crash and she was adopted by Mrs. Delano at thirteen. Connie was only two or three when Rosa rolled in next door like a storm front that never budged. Now, twenty-seven years later, her words hung around Connie in the ether, burning through a tangle of jumbled ideas and leaving the charred truth—Connie had figured her mother was alive somewhere.

Needing a minute, she stepped back from the front door and confronted the Tucker residence, which exhibited contrasts identical to most of the other homes on the street: window frames in need of scraping and painting, and her mother’s favorite old-fashioned glider—and slightly rusty matching metal chairs—crowding the porch, hinting at benign neglect. Yet, two flower baskets hung from hooks on the porch pillars with cascading red, yellow, and blue blooms. Someone tended to those plants. Gaby, no doubt.

Connie steeled herself, donning emotional armor. Knocking brought no response, neither did pressing the bell, broken years ago and apparently never repaired. She’d kept a key to the house—from spite—and jiggled the lock a fraction, the way she’d done as a teenager breaking the curfew her father had tried to establish.

The door swung open.

With the windows shut tight, primal odors hung in the air like church incense. Lingering smells of baking, fresh laundry, furniture polish. Connie pulled a carry-on suitcase into the house. “I’m here.” Where were her sister and father? The car was in the driveway. She’d texted her arrival time and expected someone to be in the house to meet her. Instead, she was greeted by silence. Perfect.

A chair in the hallway held a stack of mail. Circumventing the living room to her right, Connie moved straight ahead to the kitchen. A used coffee mug and bowl sat in the sink. Otherwise, the room was orderly, a table in the breakfast nook had placemats, The Star-Ledger, and a vase of flowers. The sweet scents of lilacs and roses filled the air.

Back to the hallway she stopped in the arched entrance to the living room. Taking it all in. A new couch and the worn leather of the old recliner, her father’s favorite piece of furniture, and a flat screen television. The coffee table was the same. Also, the rug she and Gaby had danced on with their mother to ABBA all those afternoons. Their beautiful French mother.

A rush of memories confronting her on all sides, blocking progress, keeping her captive, nowhere to go but back into that night.

***

Excerpt from The First to Die by Suzanne Trauth. Copyright 2025 by Suzanne Trauth. Reproduced with permission from Suzanne Trauth. All rights reserved.

 

 

Author Bio:

Suzanne Trauth

Suzanne Trauth is a novelist and playwright. Her novels include The First to Die, What Remains of Love (a first-place winner in Women’s Fiction, Firebird Book Awards; a finalist in General Fiction, American Book Festival; and a finalist for the Hemingway Prize) and the Dodie O’Dell mystery series–Show Time, Time Out, Running Out of Time, Just in Time, No More Time and Killing Time. Ms. Trauth has co-authored Sonia Moore and American Acting Training and co-edited Katrina on Stage: Five Plays. She is a former member of the theatre faculty at a university and is a member of the Mystery Writers of America, Sisters in Crime, the Dramatists Guild, and the League of Professional Theatre Women.

Q&A With Suzanne Trauth:

What was the inspiration for this book?

I first got the idea for the book several years ago when I heard a story about an elderly woman. The details about the woman were interesting and I thought she’d make a great character. But as I wrote and rewrote—and received editorial feedback—the murder mystery morphed and the woman, who initially was a witness to a killing, became a background character. Though the plot changed over a number of drafts, the elderly woman hung around! With a name and nationality change by the final version of The First to Die, she remained in the story and helped provide clues and move the plot forward. But she triggered my initial thinking about the story.

What was the biggest challenge in beginning your writing career?

I find the first drafts fun…just letting my imagination go and playing with characters and story, knowing that most things will change in the revision process. For me, the revision process is more challenging, less freewheeling, more structured, and requires more attention to detail. Staying patient with the project and letting it develop more deeply can also be challenging for me. Early on, it was challenging to find time to write while I was still working full time. I had to carve out certain hours of certain days; once I had projects completed, the challenge was finding publishers. It took years and hundreds of query letters to finally get a publisher with my first mystery series. I was fortunate to find publishers who believed in my projects.

What do you absolutely need while writing?

I’d like to say I need a clear workspace, but unfortunately, that’s not true! My desk is overflowing with papers, notes, books, to-do lists, and post-it notes. Though it’s rather messy, somehow I am able to keep order in my creative imagination as I work. And I need my mug of tea…usually some herbal blend.

Do you adhere to a strict routine when writing or write when the ideas are flowing?

I am not a 5:30 a.m. writer like some authors I know. I tend to spend the mornings doing life chores and busywork unrelated to writing; then I settle in in the afternoon and write—often rereading yesterday’s work before tackling new material or new revisions. I write most days to keep on a self-imposed schedule, especially when I have a publisher deadline. It’s great to work when the ideas are flowing, but sometimes discipline requires showing up at the computer even when ideas are only coming in fits and starts.

Who is your favorite character from your book and why?

I have a couple of favorite characters. Of course I love my protagonist, Connie Tucker. She is obsessive about finding her mother’s killer and who can’t identify with someone so committed to a goal? So willing to pull out all the stops in achieving her objective. I also love the elderly woman I mentioned earlier—the one who hung around and wouldn’t go away. Her name is Deirdre O’Shaughnessy and she provides a bit of humor in the story.

Tell us why we should read your book.

I feel that The First to Die is entertaining, providing the reader an experience that combines both a suspense story and a family narrative. There is certainly a “whodunnit” element to the novel, but also a “whydunnit,” and, at the same time, there is a story about a family and how it handles the crime at the core of the book. I want my readers to go on a journey with the characters, especially my protagonist, and feel into the story. That may mean laughing or crying, empathizing with the characters’ wants and needs and challenges.

Give us an interesting fun fact or a few about your book.

I used a town near where I live as a model for the setting in The First to Die. It was a perfect location for the action of the mystery. I loved a particular house on a lovely street as one of the homes my characters inhabit. I would pass this house whenever I was in the town and it was my favorite. Fast forward to last month and I am discussing the book with a local library group. We had barely begun the discussion when one participant announced, “I recognized the town you used as a model in the book.” I was impressed! Then she went on to add, “In fact, I know the exact house you also used.” I was flabbergasted…she was correct.

Do you have anything specific that you want to say to your readers?

Thanks for the opportunity to talk about The First to Die—in my experience, authors love to discuss current projects. We spend so much time by ourselves with characters and plot points in our heads that it’s great to be able to share the process of creating the novel and the writing life. While all of my murder mysteries take place in New Jersey, the state really is a lovely place to live. And stay alive…

Tell us a little about yourself and your background.

I started writing novels full time when I retired from teaching at a university in the theatre program here in New Jersey, so theatres figure prominently in my mysteries. I started out with a cozy mystery series: the Dodie O’Dell Mysteries, and wrote six of them before I switched genres and published a women’s fiction/historical romance based on a true story and set in part in WWII. But for my recent novel, The First to Die, I returned to the mystery genre and wrote psychological suspense. Before the novels, I wrote screenplays and plays, both of which helped me with structure, creating characters, and writing dialogue.

What’s next that we can look forward to from you?

I am a couple of drafts into a new mystery that again takes place in a small town in New Jersey. The story involves four sisters and includes a historical element; I’m not completely sure whether this is a cozy mystery or a thriller. We’ll see…

Catch Up With Suzanne Trauth:

www.SuzanneTrauth.com
Amazon Author Profile
Goodreads, @suzannetrauth
BookBub, @trauths1
Instagram, @suzannetrauth
Facebook, @suzanne.trauth.2025
Facebook, @SuzanneTrauth (Author)

 

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Reaper by Sam Stone Excerpt!

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REAPER

by Sam Stone

September 8 – October 3, 2025 Virtual Book Tour

Synopsis:

Reaper by Sam Stone

A TASK FORCE RAVEN THRILLER

 

In the aftermath of a devastating terrorist attack on a U.S. Border Patrol station in McAllen, Texas, Major Jake Baylor faces his most personal mission yet. When a VBIED explosion and mortar attack kills dozens, including his best friend Clint McNamara, Baylor and his elite Task Force Raven spring into action.

What appears to be a brutal cartel assault is actually something far more sinister—a coordinated diversion allowing ISIS operative Abu Waleed Hassan, known as “The Reaper,” and his team of jihadists to slip across the border undetected. As Baylor and his team of Texas Rangers with special operations backgrounds race to track down the terrorists, they find themselves operating in the shadows of bureaucracy, caught between political agendas and the urgent need to prevent another attack.

From interrogating a high-level cartel operative in a remote Texas ranch to conducting off-the-books operations in Mexico, Task Force Raven follows the trail of breadcrumbs leading to Hassan’s deadly plot. When suicide bombers strike San Antonio’s Riverwalk, killing hundreds, the clock starts ticking on an even more catastrophic attack aimed at Houston’s petrochemical infrastructure.

In this high-stakes thriller that blends military action with law enforcement tactics, Baylor must confront not only the external threat but also his own grief and rage. As federal agencies squabble over jurisdictional authority and media narratives, Task Force Raven operates with a simple directive from Texas Governor Robert Williamson: “Find them, and make sure they can never hit us again.”

With time running out and lives on the line, Baylor will need every skill he’s honed from years with both the Texas Rangers and Special Forces to bring the terrorists to justice—or stop them permanently.

GUEST POST:

Today, Sam shared what he learned from writing his book.

Honestly, the biggest thing I learned is that I can actually do this. For years, I let fear keep me from even starting—a fear of failing, of not having what it takes to create something this big from scratch. I didn’t know where to begin, what the first step was, or how to navigate all the “what ifs” swirling in my head.

A big part of that hesitation came from my profession. Law enforcement is a tough crowd, and we don’t hand out compliments lightly. I worried that putting myself out there creatively would invite ridicule or the kind of ribbing that never dies. But once I finally pushed past that, I found the exact opposite. My friends, co-workers, and peers have been nothing but encouraging.

Writing my first book taught me that the limits I thought were there were ones I’d put up myself. The process wasn’t easy, but step by step, page by page, it came together. I discovered that discipline and grit—the same traits that served me in my career—work just as well at a desk as they do in the field. And now I know: I can see something this big through.

Book Details:

Genre: Political Thriller
Published by: Indie
Publication Date: June 1, 2025
Number of Pages: 644 PBK
ISBN: 979-8316987726 PBK
Series: A Task Force Raven Thriller, Book1
Book Links: Amazon | Kindle Unlimited | Goodreads | BookBub

Read an excerpt:

 

 

Author Bio:

Sam Stone

When the action starts, you know it’s real. A fifth-generation Texan with a cowboy spirit, Sam Stone spent over 30 years as a Texas Police Officer, retiring as the Commander of Special Operations, leading in high-stakes situations where failure wasn’t an option. Coming from a proud, patriotic military family, he writes with an authenticity that can only come from lived experience. Now, he calls the Texas Hill Country home, where he lives with his wife—his love in this life and all others—and their two loyal dogs. Get ready for a pulse-pounding ride—check out his latest book today!

Catch Up With Sam Stone:

SamStoneAuthor.com
Amazon Author Profile
Goodreads
Instagram – @sam_stone_author
Threads – @sam_stone_author
X – @crash4895
Facebook – @SamStoneAuthor
YouTube – @RavenActual-SamStone

 

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The Wayward Assassin by Susan Ouellette | #Showcase #Interview #Giveaway

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The Wayward Assassin

by Susan Ouellette

March 1-31, 2022 Virtual Book Tour

Synopsis:

The Wayward Assassin by Susan Ouellette

Revenge knows no deadline.

Although told to stand down now that the Chechen rebel who killed her fiancé is dead, CIA analyst Maggie Jenkins believes otherwise and goes rogue to track down the assassin. Soon it becomes clear that failure to find Zara will have repercussions far beyond the personal, as Maggie uncovers plans for a horrific attack on innocent Americans. Zara is the new face of terrorism–someone who doesn’t fit the profile, who can slip undetected from attack to attack, and who’s intent on pursuing a personal vendetta at any cost.

Chasing Zara from Russia to the war-torn streets of Chechnya, to London, and finally, to the suburbs of Washington, D. C., Maggie risks her life to stop a deadly plot.

Praise for The Wayward Assassin:

“Ouellette, herself a former intelligence analyst for the CIA, imbues the exciting action with authenticity. Readers will want to see more of the wily Maggie . . .”
Publishers Weekly

“Every once in a decade you read a book like The Wayward Spy, which is thrilling, addictive, and sends you reading more thrillers, but you’ll go back to this stunning book by Susan Ouellette and reread this tour de force.”
The Strand Magazine, a Top 12 Book of the Year

Book Details:

Genre: Thriller
Published by: CamCat Books
Publication Date: March 15, 2022
Number of Pages: 416
ISBN: 0744304784 (ISBN13: 9780744304787)
Series: The Wayward Series, Book 2 || Each is a Stand Alone Book
Purchase Links: Amazon | Barnes & Noble | Goodreads | IndieBound.Org | CamCat Books

Read an excerpt:

CHAPTER ONE

CIA Headquarters, August 16, 2004

Maggie Jenkins strode across the parking lot to the sidewalk that led her past the “Bubble,” the CIA’s white, dome-shaped auditorium. Just ahead, she paused at the bronze statue of Nathan Hale, the first American to be executed for spying for his country. A half dozen quarters lay scattered at his feet, left there by superstitious CIA employees hoping to garner good luck before deploying overseas. She fished around in her purse for a quarter, which she placed carefully atop Hale’s left shoe.

In just a few minutes, Maggie would learn whether her six-month deployment to the US embassy in Moscow had been approved. Even though Warner Thompson, the CIA’s deputy director for operations, had advocated on her behalf, there were several others, including an Agency psychiatrist and a team of polygraphers who were not convinced that she should be stationed overseas. She’s not ready yet, the shrink had opined, as if she were a piece of fruit not quite ripe enough for picking.

“Wish me luck,” she said to the statue as she turned for the entrance ahead. The CIA’s headquarters comprised two main buildings, both seven stories high, which were linked together by bright hallways with large windows overlooking a grassy courtyard. Maggie worked in the original headquarters building (OHB), which had been built some forty years earlier during the height of the Cold War. From the outside, OHB was a concrete monstrosity with no aesthetically redeeming value, at least in Maggie’s opinion. It reminded her of Soviet architecture—heavy on the concrete, light on the beauty.

And other than the expansive marbled foyer and the posh seventh-floor executive offices, OHB’s interior also was nothing to write home about. Every floor between the first and the seventh looked exactly the same—drab, hushed, windowless hallways lined with vault doors. Behind those heavily fortified doors sat rows of cubicles, a few conference rooms, and cramped offices here and there for mid-level managers.

Maggie pulled open the heavy glass entry door and ducked into a pristine lobby gleaming with white marble-clad walls. Ahead, the Agency’s bright blue logo covered a massive swath of the gray-and-white checked granite floor. To the right stood the Memorial Wall, which was emblazoned with black stars honoring dozens of Agency officers who’d perished in the line of duty. Maggie stopped and bit down on her lip.

The wall was an awesome, solemn reminder of lives given in the defense of freedom. Every time she walked past it, the sharp points of the eighty-fourth star—Steve’s star—ripped another gash in her heart. He’d been working under cover, so no outside friends or relatives had been invited to the ceremony. Warner had sat with her, stoic, as she clutched his hand and stared at the parade of speakers, not hearing a word they said.

She turned her gaze from the wall, slid her badge through the security turnstile, and offered a polite hello to the officer manning the front desk. She bypassed the elevator that she took every day to the fourth floor and made a beeline for the spacious employee cafeteria. In the far corner sat Warner Thompson, nose buried in the Washington Post.

“Morning,” she offered.

Warner rattled the paper and folded it lengthwise. “Coffee?” He pushed a Styrofoam cup across the quartz tabletop and smiled at her. His full head of hair had grayed considerably since last year, but it worked on him, enhancing his gray-flecked eyes and tanned complexion.

“Thanks.” Maggie sat.

“You ready?”

“I guess.” She sipped the coffee, still piping hot and perfectly sweetened. Warner knew her well. “What do you think they’ll say?”

“There’s no reason they should deny you the posting.”

“The psychiatrist thinks I’m obsessed with Zara.”

“He has a point.” Warner leaned forward, elbows on the table. “I told you not to bring her up in your evaluation sessions. If she’s still alive, we’ll find her, Maggie. I promise.”

“There’s no ‘if’ about it.” She waited until a man with a breakfast tray settled at a nearby table, then lowered her voice. “I saw her fleeing the farmhouse in Georgia. Who do they think set fire to the place after I escaped with Peter?”

Warner winced, obviously uncomfortable with the reminder of Peter, his former case officer, the one who’d been intimately involved in the murder of Steve, another case officer, and his protégé, nine short months ago. That Steve also had been Maggie’s fiancé made saying what he had to say all the more difficult. “The point is, the Agency needs to think that you’ve moved on from what happened in Georgia before they send you to such a sensitive overseas posting.”

“Moved on? Warner—”

He raised a hand to stop her. They’d had this discussion dozens of times since the previous November. Maggie had made it perfectly clear that there was no moving on, no closure, as people said these days, until she found Zara. “You know what I mean. You have to toe the party line and say you believe that everyone involved in Steve’s murder is dead. Period.”

“I still don’t understand why they won’t at least consider the possibility that Zara got away.”

Warner rubbed his forehead. “Because the Agency wants this to go away. A star operations officer was murdered by a terrorist and the terrorist is dead. It’s a simple, straightforward narrative. They don’t want the press finding out that another Agency employee and a senior US congressman were involved in Steve’s death. Everything is about the war on terror, Maggie. If the media found out that CIA and elected officials were mixed up with terrorists, there would be hell to pay.”

Maggie quoted the Biblical phrase inscribed on a wall in the CIA’s lobby. “The truth shall make you free.” She snorted. “The truth, unless it’s too embarrassing?”

Warner exhaled and shifted in his seat. “Both of us are lucky that the FBI investigation didn’t uncover . . . everything.”

He was right, of course. Last year, Maggie had destroyed classified documents and withheld other evidence from the FBI to protect them both. And Warner had been entangled, albeit unwittingly, with a Russian who had ties to both Zara and the congressman. Had the FBI known any of this, neither of them would be CIA employees today.

Maggie waved to a coworker who stared from the nearby coffee station. Warner didn’t frequent the employee cafeteria, so his appearance was sure to raise eyebrows. She’d grown accustomed to sidelong glances inside the Agency’s walls. Everyone recognized her. The media had splashed her face all over television and the internet after Congressman Carvelli’s death. There were some who whispered about her using her fiancé’s death to advance her career. Fortunately, they were in the minority. Most who knew about her role in uncovering the terrorist plot considered her a hero, a designation she refused to embrace. Her actions may have saved thousands of lives, but her motivation had been personal—to clear Steve’s name.

He was no traitor, and she’d proven it.

Maggie glanced at her watch. “We’d better go.”

Warner nodded. They grabbed their coffees and headed for the elevator bank. “Remember, you believe Zara died in the fire at the farmhouse,” Warner reminded her on the way up to the fourth floor.

“That’s what I told the shrink last session, but then he talked to the polygraph people.” Since leaving the House Intelligence Committee to return to the CIA earlier this year, she’d endured three marathon polygraph sessions. Every time, the stupid machine registered deception in her response to questions about whether she intended to violate government policies for her own benefit. “Now he thinks I’m up to something.”

Warner shrugged. “Aren’t you?”

Maggie laughed despite herself. “Always.”

***

Excerpt from The Wayward Assassin by Susan Ouellette. Copyright 2022 by Susan Ouellette. Reproduced with permission from CamCat Books. All rights reserved.

 

 

Author Bio:

Susan Ouellette

Susan Ouellette is the author of The Wayward Spy, a thriller that Publishers Weekly calls a “gripping debut and series launch.” She was born and raised in the suburbs of Boston, where she studied international relations and Russian as both an undergraduate and graduate student. As the Soviet Union teetered on the edge of collapse, she worked as a CIA intelligence analyst. Subsequently, Susan worked on Capitol Hill as a professional staff member for the House Permanent Select Committee on Intelligence (HPSCI). Since her stint on Capitol Hill, she has worked for several federal consulting firms. Susan lives on a farm outside of Washington, D.C. with her family.

Q&A with Susan Ouellette

What was the inspiration for this book?

There were two inspirations for THE WAYWARD ASSASSIN. First, is my career in the intelligence world. After working as a CIA analyst in college and graduate school, I took a job on Capitol Hill working for the House Intelligence Committee. It was there, tucked away in a secure room in the attic of the U.S. Capitol Building, where I came up with my series’ protagonist, Maggie Jenkins, an intelligence analyst who uncovered threats to the United States and corruption at the highest levels of power. The second inspiration came from real world events. I hesitate to use the word “inspiration” for the real world event that anchored this story, so let’s just call it a “marker” in my life. In 2004, Chechen separatists in Russia killed hundreds of people in an attack on a school in Beslan, Russia. As a mother of school-aged children, this event captured my attention like no event since the September 11th attacks. I started writing fictionalized scenes about this school siege in an attempt to try to make sense of such a senseless loss of life.These scenes ended up in critical scenes in THE WAYWARD ASSASSIN.

What has been the biggest challenge in your writing career?

The biggest challenge in my writing career has been persevering through rejection. I wrote the first book in this series (THE WAYWARD SPY) in 2001 and wrote THE WAYWARD ASSASSIN in 2007. I secured agents for both books but didn’t land a book deal for either. For years, I put the manuscripts in a drawer. But even though I “gave up” on becoming an author, I never truly gave up. I’d revise the manuscripts, query new agents, and submit the manuscripts to contests. Eventually, I found an outstanding freelance editor who helped to untangle my overly complicated plots. Soon after, I signed with an agent and a publisher.

What do you absolutely need while writing?

I need my laptop (of course) and uninterrupted silence. Oh, and water or coffee and access to a bathroom.

Do you adhere to a strict routine when writing or write when the ideas are flowing?

I jot down ideas when they come to me, but I get the real work done when adhering to a strict routine. Otherwise, I find every reason in the world not to write–laundry, talking to the cat, organizing the pantry….

Who is your favorite character from your book and why?

Maggie, my protagonist, is my favorite character. She’s an every-woman, the girl next door who has to use her wits to get out of situations she never wanted in the first place.

Tell us why we should read your book.

If you like page-turning, realistic thrillers, you should read THE WAYWARD ASSASSIN. I’d like to apologize in advance for keeping you awake past your bedtime!

Give us an interesting fun fact or a few about your book?

I changed the ending of THE WAYWARD ASSASSIN more times than I can count. Most of the changes involved who lives and who dies.

Do you have anything specific that you want to say to your readers?

At the risk of sounding like a motivational speaker, I’ll say this: If you have a dream, don’t give up. Keep plugging away. It took me twenty years from Chapter One to publication. You’ll never know what’s possible if you give up.

Tell us a little about yourself and your background?

As a teenager, I was fascinated by the CIA but had no idea how to go about getting a job there. When I was in college, I went to a job fair where I met a CIA recruiter. It took almost a year from applying to walking into CIA headquarters. I loved my time at the Agency. But I also love writing. I’m so grateful that I was able to combine those two passions and entertain people in the process.

What’s next that we can look forward to?

The third book in the Maggie Jenkins series, THE WAYWARD TARGET, will be out in the spring of 2023.

Catch Up With Susan Ouellette:
www.SusanOuellette.com
Goodreads
BookBub – @susanobooks1
Instagram – @susanobooks
Twitter – @smobooks
Facebook – @SusanOuelletteAuthor

 

 

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Trust Me by Kelly Irvin | #Showcase #GuestPost

Trust Me

by Kelly Irvin

February 7 – March 4, 2022 Virtual Book Tour

Synopsis:

Trust Me by Kelly Irvin

When her best friend is murdered the same way her brother was, who can she possibly trust?

A decade ago, Delaney Broward discovered her brother’s murdered body at the San Antonio art co-op he founded with friends. Her artist boyfriend, Hunter Nash, went to prison for the murder, despite his not-guilty plea.

This morning, Hunter walks out of prison a free man, having served his sentence.

This afternoon, Delaney finds her best friend dead, murdered in the same fashion as her brother.

Stay out of it or you’re next, the killer warns.

Hunter never stopped loving Delaney, though he can’t blame her for not forgiving her. He knows he’ll get his life back one day at a time, one step at a time. But he’s blindsided to realize he’s a murder suspect. Again.

When Hunter shows up on her doorstep asking her to help him find the real killer, Delaney’s head says to run away, yet her heart tells her there’s more to his story than what came out in the trial. An uneasy truce leads to their probe into a dark past that shatters Delaney’s image of her brother. She can’t stop and neither can Hunter—which lands them both in the crosshairs of a murderer growing more desperate by the hour.

In this gripping romantic suspense, Kelly Irvin plumbs the complexity of broken trust in the people we love—and in God—and whether either can be mended.

Book Details:

Genre: Mystery, Suspense
Published by: Thomas Nelson
Publication Date: February 8th 2022
Number of Pages: 384
ISBN: 0785231935 (ISBN13: 9780785231936)
Purchase Links: Amazon | Barnes & Noble | Christianbook.com | Goodreads

Read an excerpt:

CHAPTER 1

APRIL 22, 2010
SAN ANTONIO ART CO-OP
SOUTHTOWN, SAN ANTONIO

The cloying stench of pot told the same old story.

With an irritated sigh Delaney Broward quickened her pace through the warehouse-turned-art-co-op toward her brother’s studio at the far end of the cavernous hall. On his best days Corey had little sense of time. Add a joint to the mix and he lost his sense not only of time but of responsibility. It also explained why he didn’t answer his phone. When he got high and started painting, he wanted no interruptions. His lime-green VW van was parked cattywampus across two spaces in the lot that faced Alamo Street just south of downtown San Antonio. He might be physically present, but his THC-soaked mind had escaped its cell.

Marijuana served as his muse and taskmaster. Or so he’d said.

The soles of her huarache sandals clacking on the concrete floor sounded loud in Delaney’s ears. “Corey? Corey! You were supposed to pick us up at Ellie’s. Come on, dude. She’s waiting.”

No answer.

At this rate Delaney would never get to Night in Old San Antonio, affectionately known to most local folks as NIOSA. Everyone who was anyone knew it was pronounced NI-O-SA, long I and long O, the best party-slash-fundraiser during the mother of all parties where her boyfriend would be waiting for her. “Hey, bro, I’m starving. Let’s go.”

Delaney’s phone rang. She slowed and dug it from the pocket of her stonewashed jeans. Speaking of Ellie. “I’m at the co-op now. He’s here.”

Share as little info as possible.

“He’s stoned again, isn’t he? I’m sick of this.” Ellie’s shrill voice rose even higher. “I swear if he stands me up again— ”

Us. Stands us up.”

“Stood us up again. That will be it. I’m done. I’m done waiting around for him. I’m done playing second fiddle to his self-destructive habits. I’m done with his starving-artist, free-spirit, pothead schtick. The man is a walking stereotype. I’m done with him, period.”

Delaney mouthed the words along with her friend. She knew the lyrics of this lovesick song by heart. The childish rejoinder “It takes one to know one” stuck in her throat. “We’ll be there in twenty. You can tell him yourself.”

Ellie would and then Corey would kiss her until she took it all back. With a final huff Ellie hung up.

The door to his studio— the largest and with the best light because the co-op was Corey’s dream child— stood open. “Seriously, Corey. Think of someone besides yourself once in a while, please.” Delaney strode through the door, ready to ream her brother up one side and down the other. “You are so selfish.”

Delaney halted. At first blush it didn’t make sense. Twisted and smashed canvases littered the floor. Along with paints, brushes, beer bottles, and Thai food take-out cartons.

Wooden easels were broken like toothpicks and scattered on top of the canvases. Someone had splattered red paint over another finished piece— a woman eating a raspa in front of a vendor’s mobile cart, the Alamo in the background.

Delaney’s hands went to her throat. The metallic scent of blood mingled with the odor of human waste gagged her. A fiery shiver started at her toes and raced like a lit fuse to her brain. Her mind took in detail after detail. That way she didn’t have to face the bigger picture staring her in the face. “Please, God, no.”

Even He couldn’t fix this.

She shot forward, stumbled, and fell to her knees. Her legs refused to work. She crawled the remainder of the distance to Corey across a floor marred by still-wet oil paint, beer, and other liquids she couldn’t bear to identify.

He sat with his back against the wall. His long legs clad in paint-splattered jeans sprawled in front of him. His feet were bare. His hands with those thin, expressive fingers lay in his lap. Deep lacerations scored his palms and fingers.

Her throat aching with the effort not to vomit, Delaney forced her gaze to move upward. His T-shirt, once white, now shone scarlet with blood. His blood. Rips in the shirt left his chest exposed, revealing stab wounds— too many to count.

Delaney opened her mouth. Scream. Just scream. Let it out.

No sound emerged.

She crawled alongside her big brother until she could lean her shoulder and head against the wall. “Corey?” she whispered.

His green eyes, fringed by thick, dark lashes that were the envy of every woman he’d ever dated, were open and startled. His skin, always pale and ethereal, had a blue tinge to it.

Delaney drowned in a tsunami of nausea. “Come on, Corey, this isn’t funny. I need you.”

Her teeth chattered. Hands shaking, she touched his throat. His skin was cold. So cold.

Too late, too late, too late. The words screamed in her head. Stop it. Just stop it. “You can’t be dead. You’re not allowed to die.”

Mom and Dad had died in a car wreck a week past her eighth birthday. Nana and Pops had taken their turns the year Delaney turned eighteen. Everybody she cared about died.

Not Corey. Delaney punched in 9–1–1.

The operator’s assurance that help was on the way did nothing to soothe Delaney. She sat cross-legged and dragged Corey’s shoulders and head into her lap. She had to warm him up. “Tell them to hurry. Tell them my brother needs help.”

“Yes, ma’am. They’re en route.”

“Tell them he’s all I’ve got.”

CHAPTER 2

TEN YEARS LATER
NASH RESIDENCE, SAN ANTONIO

Real men didn’t cry. Not even during a reunion with a beloved truck.

Swallowing hard, Hunter Nash wrapped his fingers around the keys, concentrating on the feel of the metal pressing into his skin. He cleared his throat. “Thanks, Mom. For keeping it all these years.”

His mom didn’t bother to try to hide her tears. She wiped her plump cheeks on a faded dish towel, offered him a tremulous smile, and bustled down the sidewalk that led from the house on San Antonio’s near west side where Hunter had grown up to the detached two-car garage in the back. It had housed his truck for the past eight years. Almost ten if he counted the two years it took for his case to go to trial. He had no place to go in those years when he’d allegedly been innocent until proven guilty. His friends no longer friends and his job gone, he had no need for transportation.

The door to the garage was padlocked. Mom handed him the key. “My hands are shaking. You’d better do the honors.” She stepped back. “I still can’t believe you’re here.”

“I did my time, Ma.” As a model prisoner he’d earned time off for good behavior. It was easy for a guy to behave when he spent his days and nights scared spitless.

“I know. All those nights I’ve lain in bed worrying about you in that place, whether you were safe, if you were hurt, if you were sick.” Her voice broke. “I can’t believe it’s over.”

“Me neither.”

It wasn’t over. In fact, it was just beginning, but she didn’t need to know that. His determination to prove his innocence would only worry her more. A divorced mother of four, she’d raised her kids on a teacher’s salary and an occasional child support check from the crud-for-brains ex-husband who showed up once every couple of years in an attempt to make nice with his kids. She deserved a break.

The aging manual garage door squeaked and protested when Hunter yanked on the handle. He needed to do some work around here, starting with applying some WD-40. The smell of mold and old motor oil wafted from the dark interior. Hunter slipped inside and waited for his eyes to adjust. A layer of dust covered the 2002 midnight-blue Dodge RAM 1500, but otherwise it remained in the pristine condition in which he’d left it the night he said goodbye and promised he’d be back. “My baby.”

More tears trickling down her face, Mom chuckled softly. “After you finish reintroducing yourself, come back inside. I’m making your favorite chicken-fried steak, mashed potatoes, gravy, pineapple coleslaw, and creamed corn. Your brother and sisters are coming over after work. Shawna’s bringing a carrot cake with cream cheese frosting. Melissa’s contribution is three kinds of ice cream, including rocky road. She said it seemed appropriate. I hope you haven’t lost your sense of humor. And you know Curtis. He’s all about the beer.”

The last thing Hunter wanted to do was celebrate with his sibs. Mel and Shawna had visited faithfully at first, but less as the years rolled by. Curtis never showed, even though Fabian Dominguez State Jail was only a few miles down the road from San Antonio.

Nor did Hunter want to explain why he’d sworn off alcohol. The conditions of his parole included monthly pee tests— no alcohol or drugs, but that part of his life was over anyway. It had been easy to comply in prison, obviously. Whether he could maintain his sobriety in the beer drinking capital of the country remained to be seen. He’d do AA if necessary. “Mom— ”

“No buts. They’re family. They love you. You need to live life, enjoy life, make up for all you’ve missed. You haven’t even met most of your nieces and nephews. Did you know Mel is expecting another baby in August?”

“Yes, I— ”

“Today we celebrate your new job and your new life.”

His bachelor of fine arts with an emphasis in drawing and painting from Southwest School of Art might once have allowed him to teach art in one of the school districts, but not anymore.

It didn’t matter. The prison chaplain had hooked him up with Pastor James. The preacher ran a faith-based community center that served at-risk youth. He’d hired Hunter to teach art to those who’d already had their first brush with the law. He figured Hunter could teach life lessons at the same time he introduced them to art as a way to channel their anger at the hand life had dealt them. Learning what happened when a guy got off track would be the lesson.

Even though Hunter hadn’t gotten off the track. He’d been shoved off it. By an eager-beaver, newbie detective; a green-as-a-Granny-Smith-apple public defender; and an assembly-line justice system.

He would get by in this world that had hung him out to dry. Especially knowing Mom had his back. She had that don’t-mess-with-me teacher look in her burnt-amber eyes. Like her sixth graders, Hunter knew better than to argue. It felt good to know she remained in his corner. When everyone else had hit the ground, scattering in opposite directions, she never budged in her belief that son number two could not be a murderer. She’d brought him up better than that.

“You’re right. Give me a few minutes.”

She patted his chest and stretched on her tiptoes to plant a kiss on his cheek. Her lips were chapped, and the wrinkles had deepened around her mouth and eyes. Her long hair had gone pure white during his years away. “Take your time, sweetheart.”

Hunter gritted his teeth. After years of looking over his shoulder, bobbing and weaving around hard-core convicts who’d as soon shank a guy in the shower as look at him, he didn’t know how to cope with nice. With sweet. With love tempered with wisdom and a hard life.

“One day at a time.” That’s what the prison chaplain had told him. “Get through the next minute, the next hour, the next day.” That’s how he did eight years at Dominguez. This couldn’t be any harder. He opened the truck’s door and slid into the driver’s seat. The faint odor of pine air freshener greeted him. And citrus.

More likely that was his imagination. Delaney’s perfume simply could not linger that long. Move on. She has. She did. To her credit Delaney held on as long as she could— until the guilty verdict. Then she was forced to move on. She couldn’t be blamed for that.

Hunter picked up the sketch pad on the passenger seat. In those days he kept one everywhere. Just in case. The first page. The second. The third. All drawings of Delaney. Sweet Laney eating a slice of watermelon at a Fourth of July celebration. Laney rocking Hunter’s newborn nephew in a hickory rocker on the front porch. Laney in a bathing suit sitting on the dock at Medina Lake. Laney with her soulful eyes, long sandy-brown hair, and air of sad vulnerability worn like a pair of old jeans that fit perfectly. That too-big nose, wide mouth, and pointed chin. Corey might have been the angelic beauty— totally unfair— but Delaney’s face had character. She had a face Hunter never ceased to want to draw and paint.

And kiss.

He turned the pages slowly, allowing the memories to have their way with him. Meeting at a party Corey had thrown when Delaney was a senior in high school. Their first date, ribs and smoked chicken with heart-stopping creamed corn, potato salad, coleslaw, and jalapeños at Rudy’s Country Store and Bar-B-Q followed by dancing at Leon Springs Dance Hall.

She had danced with the abandon of a small child. As if she didn’t care who watched. Her face glowed with perspiration. Her green eyes sparkled with happiness. His two left feet couldn’t keep up, but she didn’t mind. She twirled her peasant skirt as she flew around him, her hands in the air, her curves beckoning.

Hunter closed his eyes. Her softness enveloped him. Her sweetness surrounded him.

He needed to see her again. He needed to talk to her. Somehow he had to prove to her that she was wrong about him. Whatever it took. He laid the sketchbook aside. “Come on, dude, let’s take a ride.”

He stuck the key in the ignition and turned it.

Nothing. Not even a tick-tick-tick. He tried a second time. Nada. “I’m an idiot.” He patted the steering wheel. “Not your fault, man.”

The truck hadn’t been driven in years. The battery was dead. He might be able to jump it, but more likely he’d need a new one. Batteries cost money.

One thing at a time. He’d waited this long.

Hunter slid from the truck and eased the door closed. “I’ll be back when I get my act together.”

In the kitchen Hunter found his mom peeling potatoes. She pointed the peeler at him. “You can’t imagine how good it feels to have you home.”

“You can’t imagine how good it feels to be here.” He landed a kiss on her soft hair. She smelled of Pond’s cold cream. The same old comforting scent. Life had changed but not her. “I’m gonna take a walk. I need to blow the prison stink off.”

“Enjoy. They redid the walking trail at the lake and installed new outdoor fitness equipment.” She waved the paring knife in the air. “But don’t stay too long. You have company coming.”

“Yes, ma’am.” He pantomimed a mock salute and headed for the front door.

One thing at a time. One step at a time. That’s how he’d get his life back.

***

Excerpt from Trust Me by Kelly Irvin. Copyright 2022 by Kelly Irvin. Reproduced with permission from Thomas Nelson. All rights reserved.

 

 

Author Bio:

Kelly Irvin

Kelly Irvin is a bestselling, award-winning author of over twenty novels and stories. A retired public relations professional, Kelly lives with her husband, Tim, in San Antonio. They have two children, three grandchildren, and two ornery cats.

Guest Post

To Trust Or Not To Trust by Kelly Irvin

Think about a time when you’ve trusted someone close to you. A boyfriend, girlfriend, sister, brother, parent. Then that person let you down—big time. How hard is it to trust him or her again? Remember that old saying: fool me once, shame on you, fool me twice, shame on me? That’s the situation Delaney Broward finds herself facing in Trust Me. Ten years earlier she found her brother murdered in his art studio. Her boyfriend Hunter Nash—the love of her life—was convicted of his best friend’s murder. Delaney lost her only remaining family member and the man she loves.

Delaney spends the next ten years fundamentally changing who she is so she never has to feel that pain of betrayal again. She leaves her chosen profession and opens a frame shop in San Antonio’s historic art district La Villita. She lives alone. She doesn’t even have a pet—after all they die and leave you, just like the people you love. She’s learned to box and the art of self-defense. Her only real relationships are with a few good friends from that era when her life orbited around the sun that was her brother, an extraordinarily talented artist who lived life like every day was his last—until it was. She doesn’t even trust God anymore. How could He allow this to happen to her? She’d already lost both parents in a car accident as a child. And then her grandparents, who raised her, died of old age when she was in high school. She has no one.

Then another murder occurs, exactly like the one that turned her life upside down ten years earlier. She turns to her closest friends for comfort and help in discovering why this has happened again. How can she know who to trust? So, when Hunter shows up and insists he’s innocent of both murders, he’s asking her to trust him again. Would you? Do we give those we love second chances? Or do we protect ourselves from greater hurt.

Exploring these themes while delivering a suspenseful whodunit is a challenge, but that’s one of the reasons I enjoy writing romantic suspense. Readers get the murder mystery, the romance, and a thought-provoking dilemma that I hope will remain with them after they finish the last page. After all, who can you really trust?

Visit her online at:
www.KellyIrvin.com
Goodreads
BookBub – @KellyIrvin
Instagram – @kelly_irvin
Twitter – @Kelly_TrustMe
Facebook – @Kelly.Irvin.Author

 

 

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The Pine Barrens Stratagem by Ken Harris || #Showcase #Interview

The Pine Barrens Stratagem

by Ken Harris

February 1-28, 2022 Virtual Book Tour

Private Investigator Steve Rockfish needs cash, like yesterday. The bad news is that yesterday, a global pandemic raged, and Maryland was headed toward a lockdown that would ultimately lead to cheating spouses no longer “working late,” and hence a lack of new clients.

The Pine Barrens Stratagem by Ken Harris

Rockfish’s luck changes when a Hollywood producer reaches out, but the job is two states away and involves digging up information on a child trafficking ring from the 1940s. What he uncovers will be used to support the launch of a true crime docuseries. He grabs a mask, hand sanitizer and heads for South Jersey.

On-site, Rockfish meets Jawnie McGee, the great granddaughter of a local policeman gone missing while investigating the original crimes. As the duo uncover more clues, they learn the same criminal alliance has reformed to use the pandemic as a conduit to defraud the Federal Government of that sweet, sweet, stimulus money.

It’s not long before the investigation turns up some key intel on a myriad of illicit activity over the last eighty years and Rockfish rockets toward a showdown with the mafia, local archdiocese and dirty cops. COVID-19 isn’t the only threat to his health.

Book Details:

Genre: Crime Thriller
Published by: Black Rose Writing
Publication Date: January 27th 2022
Number of Pages: 250
ISBN: 1684338719 (ISBN13: 9781684338719)
Purchase Links: Amazon | Barnes & Noble | Goodreads

Read an excerpt:

Rockfish sat in the Scion’s passenger seat while Jawnie drove. He wasn’t thrilled with the decision, but she was adamant that some of the dirt roads, deep within the Pine Barrens, were no place for a Dodge Challenger. Plus, she didn’t feel like playing navigator. In the end, Rockfish decided not to put up much of a fight, considering Jawnie was more than a little familiar with where they were headed, although he had second thoughts with the four cases of whiplash he had suffered before even reaching the highway.

“Do you drive with two feet,” he asked. “Because my head can’t keep jerking forward and slamming back much more. Unless you’re running an insurance scam, and if so, what would be my take?”

“Enough with the backseat driving, and can you put your visor back up? That late afternoon glare off the mirror is killing me.”

“Make a deal with you. You drive how you want. I’ll keep an eye on our surroundings the way I want. Speaking of which, can you move this right-side passenger mirror a little more to the right, all I’m seeing is the rear fender.”

“You got it,” Jawnie said, and she played with the mirror control until Rockfish let her know it was right where he needed it. He could monitor anyone approaching from behind without having to turn around.

“I do want to fill you in on something I learned before we left,” Rockfish said. “When you went into the house to fix those sandwiches, I reached out to a guy I know in the Baltimore PD, Dan Decker. He’s an old friend and helps me out when he can. He’s going to have one of their academy cadets do some research for us and see if there is anything more than a current history between the Marini and Provolone families. The Marini’s have run Baltimore as long as the Provolone’s have this area. If Edward’s notation of the two factions working together has anything to it, Decker will let us know. He said currently both families have worked together when it was profitable to do so. Sound familiar?”

“Yeah, same M.O. as our knuckle draggers and kid touchers,” Jawnie replied.

Rockfish was happy to learn Jawnie’s disdain for organized religion matched his own. “Well put. But if there is a history there, what are the odds that some wealthy, non-fertile Baltimore Catholics would be willing to pony up some cash to right the situation. And Edward was witness to it all?”

They drove in silence over the next twenty minutes, Rockfish trying to figure out exactly what he expected to find in a fifty-four-year-old decrepit building in the middle of the woods. He hadn’t arrived at a conclusion yet when something very familiar came into focus.

“Remember when you asked me about knowing when you’re being followed?” Rockfish said.

“Yeah, I just chalked it up to anxiety and paranoia. It comes standard on the Millennial base model.”

“Guess what? We are,” Rockfish deadpanned. “Don’t do a damn thing different and let me think for a second. There’s a Jeep Grand Cherokee, right now, two cars back that’s been with us since we pulled off the highway when I was telling you what Decker said.”

Rockfish pulled out a scrap of paper and jotted down the license plate.

“I’ll ask Decker to run this, if they end up sticking on our ass the whole way. I could be a tad paranoid, but I’d rather err on the side of caution. Just keep doing what you’re doing, and I’ll tell you if evasive actions become necessary. We’ll start you slow and work our way up to the infamous private eye J-turn.”

Ten minutes later, the Scion crossed the Hammonton City line and Rockfish lost sight of the Jeep. He had Jawnie drive a couple of concentric circles around the downtown area, before heading out on County Route 542 which, according to her, would point them towards the southern part of Wharton State Forest and the abandoned orphanage.

Rockfish spotted the Jeep, only a second or two after it turned on Route 542 from a side street.

“Company’s back,” Rockfish said. “I guess when we hit these dirt roads you mentioned, we’ll see how serious they are.”

When the Scion’s tires soon left the asphalt, and began rolling down the slightly larger than single lane dirt road, the Jeep’s true intentions came to light. No longer concerned about being spotted, the Jeep’s speed increased until it was only a few feet from Jawnie’s bumper. Rockfish’s head swiveled from the Jeep and back to his pilot. He needed to stay calm, but Jawnie looked petrified, and while her hands had a death grip on the wheel, they were also visibly shaking.

“Jawnie, listen to me and we’ll be alright.”

She didn’t say a word, but Rockfish could feel the car slowing down. Screw her feelings, he thought and began giving orders.

“Put your foot back on the gas. You need to keep a constant speed.” And then a minute later. “Stay in the center, don’t give them space to get alongside of us.” Lastly, he shouted. “The center I said!” His voice gave out with that last outburst and he knew she heard the fear in it.

Rockfish swore as the Jeep slammed into their back bumper. “That a girl, keep her straight! Gas, give it some—”

The rear windshield exploded, shards of safety glass like small pellets peppered the interior of the car. Jawnie screamed and instinctively yanked the wheel to the left. Likewise, Rockfish now yelled in order to be heard.

“Foot off the gas! Steer into it!”

Rockfish wasn’t sure how he got through to Jawnie, but she listened, and the Scion straightened back up and they were rocketing straight down the dirt road once again. But before he could congratulate his pupil, the Jeep was now angling to get alongside; the Scion drifting dangerously close to the right shoulder, or lack thereof. Rockfish turned and looked out the driver’s side rear window. He could clearly see the Jeep’s front end.

In the next instant, they were sliding again, Jawnie’s foot slammed on the brake and the Jeep’s right fender nudged the Scion’s left rear. Brakes squealed, and tires howled as dirt, dust and burnt rubber filled their lungs.

“Hold on, hold on, hold on!” It was all he managed to say, but her eyes told him she was a million miles away. Rockfish closed his and braced for impact.

The car spun violently to the left, a hundred and eighty degrees, and his head whipped left and then right, slamming against the window. The seatbelt dug into his chest and he had trouble breathing. A second later, the earth beneath the car’s right side began to give way and the Scion slid into a ditch before coming to a stop.

By the time Rockfish opened his eyes and turned around, the taillights from the Jeep had disappeared into the distance.

* * * * * * * * * *

“That settles it, I’m going to the police now! They, someone, fuck I don’t know who just tried to kill us!” Jawnie said. “Look at my car! Who’s going to pay for this? Not like we’re exchanging fucking information with them!” Her mask was around her neck and Rockfish could see the tears.

Rockfish took a second before he replied. His partner was still in shock, borderline hysterical, and he didn’t want to push her over the edge, unlike the car they pulled themselves from. The Jeep had performed a textbook pit maneuver and Rockfish bet Jawnie wasn’t a big fan of Cops or Live PD. Hence, her jumping straight to attempted murder.

“Now hold on Jawnie,” Rockfish said. “You’re not hurt, right? That seatbelt and airbag did their jobs?”

“Of course, but—”

“No buts about it. Your chest might be a little sore tomorrow from that belt, your eyes swollen from the air bag, and more importantly, you’ll never forget your first chase. But seriously, no one tried to kill us. If they had wanted us dead, we’d be bleeding out from gunshot wounds. Your rear window was the victim of a warning shot. When we were in that ditch, no one walked up from behind and pumped a few slugs into the back of our heads.”

Rockfish stopped and looked at Jawnie, he needed to make sure he was getting through. Her breathing had slowed down quite a bit and that was a start.

“This was a warning, pure and simple. All this tells us is that someone thinks you might be sticking your nose somewhere it doesn’t belong. Obviously, it pertains to those boxes. I haven’t been in town long enough to piss someone off yet, at least, I hope. But if they were staking out your place, they’d have my license plate number and know who I am.”

“But I’ve only dealt with Hasty on this,” Jawnie said.

“Look. You might have worked out a deal with Hasty, but odds are he wasn’t the one that went into the very back of the evidence room and pulled those boxes for you. He’s probably recounted your conversation to a few of his ‘trusted’ senior men, and God knows who else might have been in the room when those conversations took place. Was there anything else you mentioned either to him or anyone else at the station that might cause a reaction like what just happened?”

“I d-d-did tell him I had hoped to t-t-take what I found in these boxes, scan what I could, and create a website. One that would ask the public for tips. Anonymously, of course. It would be a way to get the word out and maybe get someone’s attention who might remember something. Hasty asked his secretary to check and see if he had the authority to put the PD’s logo and tip line on this site. He was only trying to help.”

“So, he’s got a secretary. Old bird, I bet?”

“Yeah, Betty Lou Sommers. I’m guessing she’s logged more than a few years there.”

“There’s your problem. Old Betty Lou sees all Hasty’s business that comes and goes out of his office. I’d lay odds her loyalties lie with others she’s worked with or for through the years and not the guy who knocked the latest Ringle out of office.”

“I’d never thought of it that way.”

“If you’re trying to be a junior special agent, I’d advise you to think that way. Someone in that department is crooked and an off-duty cop or on-duty mafioso ran us off the road. Doesn’t matter who, I’m betting they can be one and the same. Now if you feel alright, we need to call for a tow.”

“And an Uber.”

“Do you have any bars?” Rockfish said.

“Nope.”

“We were lucky this was only a warning. We’ve got some walking ahead of us. They shouldn’t be coming back.”

I gotta reach out to Davenport, he thought. The stakes have significantly increased.

***

Excerpt from The Pine Barrens Stratagem by Ken Harris. Copyright 2022 by Ken Harris. Reproduced with permission from Ken Harris. All rights reserved.

 

 

Author Bio:

Ken Harris

Ken Harris retired from the FBI, after thirty-two years, as a cybersecurity executive. With over three decades writing intelligence products for senior Government officials, Ken provides unique perspectives on the conventional fast-paced crime thriller. While this is his first traditionally published novel, he previously self-published two novellas and two novels. He spends days with his wife Nicolita, and two Labradors, Shady and Chalupa Batman. Evenings are spent cheering on Philadelphia sports. Ken firmly believes Pink Floyd, Irish whiskey and a Montecristo cigar are the only muses necessary. He is a native of New Jersey and currently resides in Northern Virginia.

Catch Up With Ken Harris:
www.KenHarrisFiction.com
Goodreads
BookBub – @08025writes
Twitter – @08025writes
Instagram – @KenHarrisFiction
Facebook – @kah623

 

Q&A with Ken Harris

1. Reviewers say that “The Pine Barrens Stratagem” is fun, but also sarcastic, quirky, or irreverent… what is the tone of your story and why did you choose it?

The main theme is action, but with a heaping side of sarcasm and dry wit. I write what I know best. Loyalty is another element that means a lot to me, so it’s woven pretty well into the story. When someone says the book is ‘fun’ I hope they meant that there was a number of out loud laughs. That’s a major compliment to me. A fun read to me is one you don’t have to fight your way through. I don’t want someone to put the book down a dozen times and come back to it. I want them strapped in like at an amusement park. You’ll laugh and be taken back a few times but when you’re on the way home, you can’t wait for the next visit (or book in the series, in this case).

2. What are the most important (or relevant) do’s and don’ts in your crime/thriller stories?

I don’t expect the reader to have to suspend a ton of belief. My characters are down to earth, both good and bad. Average Joes, so to speak, not part of the Marvel Universe. I don’t want a reader to put the book down because they have to contemplate if something is plausible or even possible. There’s a good chance they might not pick it back up.
My background tends to make my writing grounded. If I’m writing about it, it happened or can, in the real world. I don’t have a character that sits down at a computer, bashes on a keyboard, tying 37 databases together into a virtual 3-D model hovering over a conference table in the course of 15 seconds. There is so much wrong with police procedurals in print and on the small and big screens. I mean, I get it, people want to be lost in a fantasy world sometimes, but it’s not something that entertains me. So I don’t write that way. I mention this further down in the questions, but if I wanted to lose people in a fantasy world, I would have managed to incorporate half a dozen zombies into the story.

3. “Don’t judge a book after its cover” – is this saying expressed somehow in your story? How?

I think it’s best expressed by the journey the protagonist, Steve Rockfish takes from start to finish. He starts off flawed. He’s a textbook 1970s private eye attempting to navigate 2020 waters. The political climate and pandemic aren’t helping matters. Compassion or lack thereof is his major flaw in the first few chapters. You see him change once he meets his co-protagonist (is there such a thing?) Jawnie McGee. She teaches that old dog some new tricks.

4. Going beyond the metaphorical sense of the saying and talking about the actual books and their covers, what is your opinion about the covers of the crime thrillers stories (old and new) and what was important for you in deciding the cover for “The Pine Barrens Stratagem”?

I love the old retro, vintage noir type of covers. They draw me in and then as a largely horror fan, I move onto the horror section. But I knew I wanted something vintage and retro for the cover of this book. Something that could portray the 1970’s detective I grew up with, but swimming like a fish out of water in the 2020s. Also Lana, Steve’s car, plays a major part in the story and I wanted her front and center on the cover.

5. What are “intelligence products” you have written in your career and what are the advantages/disadvantages for you as a writer?

Yeah. That’s classified.
Seriously though – As an analyst and then senior manager, I dealt with crafting warning pieces that would provide the President, his Cabinet, and Intelligence Community leaders across Government with the insight needed to make actional decisions based on the subject matter of the written piece. My particular team dealt with emerging technologies.
The advantages were that I know what my protagonist will do. I don’t have to research much, or try and craft him into some super secret rogue 007 FBI Agent that does crap that is totally unbelievable, like you see in the movies or on television. If I’m writing it, it’s plausible and credible.
The disadvantage is that the writing I did while working for the FBI and the writing I do now are two totally different styles. Not even close. If I wrote a Steve Rockfish adventure like a piece for the President’s Daily Brief, you’d be bored out of your skull. And worse, not laugh once.

6. The crime/thriller genre is somehow understandable. Did you ever think to write another genre – which one? What could convince you to write a totally different genre?

I am a huge fan of horror. I love horror movies and horror novels are pretty much all I read. But when it comes to writing, I find it very hard to suspend the proper amount of belief needed. I have a previously self-published novella, one could call light horror (Huckleberry’s Hail Mary) that I would like to go back and give the full novel treatment. Currently it is on my to-do list after getting a contract for the third “From the Case Files of Steve Rockfish” series.
With my 32 years in law enforcement and the majority of that spent in the fields of critical and analytical thinking, I believe I’d be hard pressed to develop the intestinal fortitude needed to suspend belief to write proper horror. It’s much easier to sit in a recline and be scared.

7. Considering the plot of “The Pine Barrens Stratagem” and that you are a former FBI cybersecurity executive, please, tell us why did you choose this subject related to the C-19 epidemic?

The pandemic plays a major role in the story. I make use of it to shape not just the premise but my characters every encounter.
I knew there was a large chance of turning off readers by placing my novel smack dab in the middle of the pandemic. People are tired of reading/hearing about it. A matter of fact, that point was brought to my attention in a query rejection email from a small publishing house. Fear of the unknown. I get it, but I wanted to write the story I wanted and you can’t please everyone. If I wanted to write what I thought the general public would willingly accept and were I solely in this for the money, I’d have tossed half a dozen zombies in the story.
I also wanted to challenge myself as a writer. First, I was interested in how a modern-day detective would operate in such a challenging landscape. How would the pandemic affect the number of clients walking through the door and how it would change normal avenues of investigation. And the second was how I as a writer could find different ways to show character emotions and non-verbal cues while they were behind a mask. It is the time we live in and I wanted to capture it the best I could. With some humor, sarcasm and thrills thrown in.

 

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One Will Too Many by PJ Peterson | #Showcase #Interview #Giveaway

One Will Too Many by PJ Peterson Banner

One Will Too Many

by PJ Peterson

March 1-31, 2022 Virtual Book Tour

Synopsis:

One Will Too Many by PJ Peterson

A wealthy banker with a long list of secrets dies.

The bizarre crime scene stumps the local police…

… but a young doctor could be the key to solving the case.

Internist Julia Fairchild encounters banker Jay moments too late – the poor man is near death in his own dining room. At first no one can figure out what killed him, but the coroner soon confirms that it was homicide: Jay died of methanol poisoning, and now a murderer is on the loose. Julia knows how to catch a killer and she can cut through the noise like a scalpel through skin. She agrees to help the understaffed police force solve the case, but each clue only complicates her investigation further.

Can Julia dissect the deadly riddle and nail the perp, or will this be the first time a monster succeeds in giving her the slip?

If you love Louise Penny, Kelly Oliver, and PC James, you need this medical mystery! Find out why fans say, “I love the character Julia Fairchild!”

Don’t wait – Click the BUY button now!

Book Details:

Genre: Cozy Mystery
Published by: Finngirl, LLC
Publication Date: December 2021
Number of Pages: 206
ISBN: 978-1-7335675-7-2
Series: A Julia Fairchild Mystery, #4 || Each is a stand Alone Novel
Purchase Links: Amazon | Barnes & Noble | Goodreads

Read an excerpt:

Julia arrived at the Hotel Montpelier just as Drake drove up. She took advantage of his simultaneous presence to make a proper entrance to the celebration in the Hotel’s Grand Ballroom. It had recently been refurbished to its original grandeur from the early 1920’s. She admired the beauty of the ceilings with their Art Deco design, recently uncovered by the removal of a false ceiling from a previous “upgrade.” The beautiful wood floor with exquisite inlaid mosaics shone from a recent floor polishing. The cherry and mahogany woodwork glistened in the light from the elegant crystal chandeliers which had also been hidden until now.

Julia and Drake were greeted by some of the other members of the restoration committee. Drake was the designated master of ceremonies while Julia’s primary duty was to personally welcome as many of the potential donors as possible and say a few words in support of the project. He certainly looked the part tonight in a well-cut black velvet tuxedo. His dark hair was touched with silver—just enough to give him a classy look. He stood tall and proud as he walked through the crowd, nodding to some and saying a word or two to other attendees.

Julia searched the assembled festival attendees for familiar faces as Drake gently guided her to an older man and woman. He placed his hand at the small of her back as he addressed the wealthy couple. “Julia, I’d like to introduce Mr. And Mrs. George Oglethorpe. They have been long-time supporters of the theatre.”

Julia stepped forward a half-step and extended her hand. “I’m Julia Fairchild. I’m honored to meet you. I love our theatre, too.”

The woman’s face brightened as she recognized the name. “Of course! Dr. Fairchild. Call me Anna. I’ve heard a lot of good things about you.” She took Julia’s hand in both of hers. “You’re so young and pretty for a doctor.”

Julia reddened. She actually felt a little mousey most days, but conceded to herself that she did ‘clean up’ nicely for such events. “Thank you. I was blessed with good genes. How long have you and your husband lived in Parkview?”

“My goodness. Forever. Right out of college anyway. George heard about the paper mill here looking for mechanical engineers and applied right away.” She smiled proudly at him. “We love the town and were never inclined to leave once we settled in. Isn’t that right, dear?” Her husband nodded between sips of his drink. “Are you from here?”

“Not from Parkview. I grew up down the highway on a small farm. My grandma persuaded me to come home and here I am.” Julia felt her eyes well up as she recalled warm memories of time spent with her grandparents. “Thank you for your support of our lovely theatre. The restoration committee will be sharing the plans for the renovation during the program.”

Julia felt Drake’s arm around her waist as he interceded. “Thank you for coming this evening. Please excuse us. I see someone who is clamoring to talk with Dr. Fairchild before the dinner starts.”

Drake took Julia’s arm and as they turned around, they found Gregory Lantz and his wife Sandy who had been standing right behind them. “Greg! So good to see you here tonight. Thanks for coming.” They exchanged nods and handshakes. “Julia is standing in for Karen tonight. She’s also supporting the project.” Julia smiled and nodded. Aside from the perfunctory smiles, Julia sensed a tension between the men, and she moved a step away from Drake to better observe them both.

Greg stirred his gin and tonic vigorously. “I’ve talked with some of the members of the board at the bank, but I don’t have a definite commitment yet for a donation. I think we can come through for $50,000. But nothing close to the million dollars that everyone seems to think the bank can donate.”

“Greg, any amount would be great. I understand it’s been a little tough with the new bank still getting started.” Drake Ashford was the president of the older, long-established Parkview National Bank. He was aware that despite heavy advertising and promotions, the new River City Community Bank was not yet meeting expectations. He was also acutely sensitive to the loss of some of his own banking clients to the new bank, where Greg was Vice President.

Greg bristled. “Actually, we’re meeting our numbers and seeing new business every day. I would think you would have noticed already.” He smirked.

“We’ve noticed a little change, but we’re prepared to handle it.” Drake took a large swallow of his scotch. “Please excuse us. I have some other people to greet. Talk to you later, Greg.” Drake and Julia moved away.

“That man really annoys me,” Drake said under his breath. “He’s so naive. He doesn’t see how Jay is using him. He’s just a ‘yes’ man. But I guess it makes him feel important.”

“What do you mean?” Julia asked, nodding and smiling at some of the faces she recognized. She knew he referred to Jay Morrison, recently divorced and head of the new bank. She felt Drake’s hand shaking as he maneuvered her through the crowd.

“I’ll tell you later. Too many ears here.” He surveyed the guests nearby. “Let’s see…there’s Warren Pontell and his lovely wife Sarah. He’s talked about making a major contribution. His wife was a theatre actress in her younger days. And they have money to burn.” He turned to Julia and wiggled his eyebrows, à la Groucho Marx.

Drake and Julia chatted with the Pontells for a few minutes, using the time to emphasize the benefits of the smaller venue of the “little theatre.” It was designed to be an intimate stage setting with seating for about one hundred fifty people. Until recently, the area had been used for storage and was marginally functional for stage events in its current state.

Julia had found herself daydreaming but tuned back in when she heard Mr. Pontell say, “We’d like to donate $50,000 for the little theatre. Perhaps you can find a way to let us have something to say about naming it.” He grinned broadly as his wife beamed.

“Warren, that’s wonderful!” said Drake. “I’ll talk with the board of directors about naming opportunities. Let me get back to you on details for your donation. Thank you.”

Now grinning, Drake gently guided Julia toward Adam Johns, an influential man in the local union hierarchy, and his wife. He had started working at ESCO Paper Company right out of high school and had worked his way up from the labor pool to an electrician apprenticeship and then to a journeyman electrician. His constituents considered him to be fair and honest. He had an unofficial status in the union as a leader, although he didn’t have an elected or paid position as such.

Adam tugged at the neck of his dress shirt and pulled at the bottom of his dark blue waistcoat. The jacket gaped over his generous girth. He looked uncomfortable in his tuxedo. Julia was sure her mother would have said something like “putting perfume on a goat,” but most likely his wife had insisted he dress up for this occasion. He certainly looked impressive at his height of six foot three inches.

“Mr. and Mrs. Johns, good evening,” said Drake as he offered his hand. “Do you know Dr. Julia Fairchild? She’s helping to support the Theatre Restoration project as we all are.”

“We sure do,” said Adam, returning the handshake. “Dr. Fairchild, you took care of my mom several years back. She was real sick but you got her well and she’s fine now. Thanks to you. In fact, she’s going on a cruise through the Panama Canal with her church group this coming week. She’s always wanted to go on that trip.”

“You’re welcome, Mr. Johns. I do remember your mom—Violette, I believe? She’s a lovely lady with a lot of spunk.” Julia shook his hand before turning to his wife. “Pleased to meet you, Mrs. Johns.”

Mr. Johns turned back to Drake. “Mr. Ashford, some of the guys at the mill want to know if you had talked with our union officials yet about the stock trading going on with our pension funds. And if you know anything, they hope you can tell them. And call me Adam. My wife is Linda.”

“Yes, Adam. I talked with a Scott Sowders in Portland. He’s looking into whether those trading fees can be traced back to any individuals. May I call you when I know something more?”

“Sure. You can call me at ESCO. The operator knows how to reach me. Thanks a lot, Mr. Ashford.”

“You can call me Drake, please. I’ll call you soon and we’ll go from there. Thanks again for being here tonight.”

“Hey. It’s an alright party. My wife is always trying to get me to gussy up. It’s more fun than I thought it would be.” He grinned and saluted with his cocktail.

Julia saw the auctioneer heading their way and alerted Drake. “I’ll check my lipstick while you talk with him. Where are we sitting?”

“Main table,” he said, pointing to the center of the long side of the room. He scowled. “Unfortunately, it appears we’re seated next to Jay Morrison, of all people.”

***

Excerpt from One Will Too Many by PJ Peterson. Copyright 2022 by PJ Peterson. Reproduced with permission from PJ Peterson. All rights reserved.

 

 

Author Bio:

PJ Peterson

PJ is a retired internist who enjoyed the diagnostic part of practicing medicine as well as creating long-lasting relationships with her patients. As a child she wanted to be a doctor so she could “help people.” She now volunteers at the local Free Medical Clinic to satisfy that need to help. She loved to read from a young age and read all the Trixie Belden and Nancy Drew books she could find. It wasn’t until she was an adult that she wrote anything longer than short stories for English classes and term papers in others. Writing mysteries only makes sense given her early exposure to that genre. Sprinkling in a little medical mystique makes it all the more fun.

Q&A with PJ Peterson

What was the inspiration for this book?

About fifteen years ago two brand new banks opened in my hometown at the same time. I remember wondering if we needed them at the time. I started writing this book then, and put it aside after 7 or 8 chapters. Last year when I was looking for ideas for the next book (after Pickled PInk in Paris) I ran across a notebook with those first few chapters written in long-hand and decided to flesh it out. I hadn’t done an outline (I’m more of a pantser than a plotter) so picked up the thread from what I had written earlier and finished the book.

What has been the biggest challenge in your writing career?

Believing that my books are as good as thousands of others out there and are worth spending the dollars on marketing and getting them in front of potential readers’ eyes.

What do you absolutely need while writing?

A dedicated writing space with a notebook handy to write down ideas that I want to check out, my CD player with good music to listen to in the background, and a synonym finder or thesaurus for looking up other words to avoid using the same adjective fifty times!

Do you adhere to a strict routine when writing or write when the ideas are flowing?

Almost every day I do SOMETHING related to writing, whether it’s joining a promo, or watching/reading something I need to learn. Most days I sit down and write at least a scene in a book if I can’t write a chapter. When I’m on a roll, I can write 2000-5000 words in a sitting, but most of the time I’m happy with 1000 +/-.

Who is your favorite character from your book and why?

Probably Carly, my younger sister and sidekick. She is pretty much the character as I’ve portrayed her. She makes me smile.

Tell us why we should read your book.

The story encompasses a little medical mystery, touches on some legal aspects when death is involved, and has several relationship situations going on. But it doesn’t have a talking animal or recipes or other common cozy mystery features.

Give us an interesting fun fact or a few about your book?

This story is set in my current town, although the name has been changed to protect the innocent! None of the people are “real” but are based on people that I know and some of the incidents really happened.

Do you have anything specific that you want to say to your readers?

I hope you’ll give my book, or one of its predecessors, a try. I think you’ll find it’s not like many of the cozy mysteries out there.

Tell us a little about yourself and your background?

I’m a retired internist and grew up loving to read mysteries of all kinds, as well as historical fiction and autobiographies. I grew up with 5 siblings on a small farm, did well in school and all that. I play the piano, am a cantor at church, and am on several boards in my community. My first book, Blind Fish Don’t Talk, grew out of a journal entry after a fantastic vacation to St. Maarten. I didn’t know about professional editing and all that until years later, and self-published with lots of encouragement. I’ve learned much about being an author, and now a self-marketer in the last three years since I pushed that “publish” button. It reminds me of the three years of residency after medical school–That’s where doctors learn to apply the basic tools in real life.

What’s next that we can look forward to?

Julia Fairchild’s next adventure is set on Virgin Gorda. She and her sister are on vacation but of course there’s a dead body on a beach, a pirate movie being filmed, and a mystery surrounding old pirate booty. Stay tuned!

Catch Up With PJ Peterson:
www.PJPetersonAuthor.com
Goodreads
BookBub – @mizdrpj1
Facebook – PJ Peterson

 

 

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The Prisoner of Paradise by Rob Samborn | #Showcase #Giveaway #Excerpt #Thriller

The Prisoner of Paradise by Rob Samborn Banner

The Prisoner of Paradise

by Rob Samborn

January 24 – February 18, 2022 Virtual Book Tour

Synopsis:

The Prisoner of Paradise by Rob Samborn

The world’s largest oil painting. A 400-year-old murder. A disembodied whisper: “Amore mio.” My love.

Nick and Julia O’Connor’s dream trip to Venice collapses when a haunting voice reaches out to Nick from Tintoretto’s Paradise, a monumental depiction of Heaven. Convinced his delusions are the result of a concussion, Julia insists her husband see a doctor, though Nick is adamant the voice was real.

Blacking out in the museum, Nick flashes back to a life as a 16th century Venetian peasant swordsman. He recalls precisely who the voice belongs to: Isabella Scalfini, a married aristocrat he was tasked to seduce but with whom he instead found true love. A love stolen from them hundreds of years prior.

She implores Nick to liberate her from a powerful order of religious vigilantes who judge and sentence souls to the canvas for eternity. Releasing Isabella also means unleashing thousands of other imprisoned souls, all of which the order claims are evil.

As infatuation with a possible hallucination clouds his commitment to a present-day wife, Nick’s past self takes over. Wracked with guilt, he can no longer allow Isabella to remain tormented, despite the consequences. He must right an age-old wrong – destroy the painting and free his soul mate. But the order will eradicate anyone who threatens their ethereal prison and their control over Venice.

Book Details:

Genre: Thriller
Published by: TouchPoint Press
Publication Date: November 30th 2021
Number of Pages: 333
ISBN: 1952816890 (ISBN-13: 9781952816895)
Series: The Paradise Series, #1
Purchase Links: Amazon | Barnes & Noble | Goodreads

Read an excerpt:

The flood of questions never left Nick’s lips. Large hands wrenched him up by his armpits.

A hushed voice spoke in his ear. “Come with us. Quietly.”

The grip tightened.

Nick twisted his head to his sides. Bernardo led him away, staring straight ahead. Another security guard in a navy-blue suit flanked him. The man was about Nick’s age, with a close-cropped beard and light brown hair pulled into a tight ponytail—and considerably heftier than Bernardo.

“Dante,” said Bernardo to the guard, “please notify—”

Nick whipped his arms from Bernardo’s hold. Twisting, he whacked Dante’s earpiece, jamming the device into the large man’s head. Then he shouldered him into the nearest wall. Appalled gasps rose from the remaining tourists.

Bernardo grabbed Nick from behind. Nick’s elbow blasted backward, landing with a shattering blow in the man’s ribs. Dante dug his finger into his ear and pulled the piece out. He flicked it at Nick, poised to attack.

Confident he was quicker, Nick ducked, popped up, and discharged a quick snap of his fist.

Blood from the brawny guard’s nose sprayed across the polished marble wall.

Museum patrons, many holding cell phones, cameras, and tablets, backed up, giving the fight a wide berth. Nick clocked Bernardo. His wide tungsten wedding ring connected with the man’s jaw.

Bernardo stumbled, falling to the floor.

Nick sprinted for the exit and down the hall, tossing the hat and scarf as he ran.

Bursting through the Palazzo doors, he descended the Giants’ Staircase three steps at a time but slipped on the courtyard’s stone surface and crashed on his back. A jolt to his tailbone rang up his spine. He rolled onto his side and checked the staircase.

Bernardo and Dante loomed at the top. The two men hustled down, their dark jackets flowing behind them.

Tiny gravel pebbles burrowed into Nick’s palms as he scrambled up. He darted for the main entrance, disregarding what felt like a sledgehammer pounding his lower back with every step.

“Arrestatelo!” Bernardo called out.

Two uniformed guards rushed to block the front gate.

Nick stormed ahead.

The guards braced themselves. Nick plowed into the larger one, his speed and weight bowling the man over.

The smaller guard dove for Nick, wrapping a firm hold around his ankle. He pitched forward and fell to the ground.

“Fuck.” Nick kicked his free foot out. It hit the man’s cheek with a sickening crunch. A bloody tooth flew out and skipped across the ground. The guard’s grip loosened.

Nick clambered to his feet and bolted for the entrance. He dodged a college-aged tourist, jumped the turnstile, and sprinted for St. Mark’s Square.

A large woman in a neon pink shirt with a matching visor shouted at him. She pulled her young daughter to her as Nick ran by, almost knocking them down. He regretted the bedlam he was causing, but what choice did he have?

Pigeons flew upward in alarm as he made his way through the golden, late afternoon light of the square. He glanced over his shoulder.

Bernardo and Dante closed in, thirty feet away.

Nick’s throbbing back screamed for attention, but he upped his speed and crossed into an alley in the corner of the piazza. He reached the other side, raced through the passageway between buildings, and entered a narrow street. He shuffled into a group of revelers who had overflowed from a crowded wine bar. Shimmying through the people, he spotted a small bridge over the next canal. Nick dashed across it and made another right, which led him to yet another alley.

Stagnant, rank air engulfed him.

“Son of a bitch.”

A dead-end. Illegible graffiti covered the walls. Even in the moment, the vandalism pissed Nick off.

A steel door was the only possible exit. The rusty knob didn’t budge. Nick pivoted back toward the alley entrance.

His pursuers cast long shadows that extended to Nick’s sneakers. Despite their broken posture as they fought to catch their breath, their expressions championed triumph. Dante wiped the blood from his nose with a grin.

“You were warned more than once.” Bernardo’s voice echoed off the walls.

Unsure how he’d escape, Nick retreated until he bumped against the door.

The men advanced. Each pulled a silver short sword from a concealed holster beneath their suit jackets.

Fear and desperation caused Nick’s heart to pound so violently, he thought he heard it. But the blood churning through him generated a stronger urge: revenge. And he could only do right by Isabella if he survived this mess.

Bernardo lunged. Though burly and one-armed, his movements were lithe.

Nick dropped low as the sword whizzed over his head.

Dante positioned his weapon high and brought it down, slicing through Nick’s shirt and into his forearm.

Nick hollered as the pain seared through him.

He charged Dante, who raised his sword again. Nick caught his hand and body-checked him into the brick wall. Nick sensed Bernardo behind him and rotated, barely avoiding the blade slicing for his back.

Planting his foot, Nick went for the sword. His hands clenched around Bernardo’s, and they struggled for control of the hilt. Nick spat in his eyes and wrested the weapon away. With the last of his wavering strength, he slipped behind Bernardo and brought the sword to the man’s armpit under his one arm.

“Drop it,” he said to Dante, who had his back to the alley’s end.

Dante scowled but let his weapon fall with an echoing clang.

“Now kick it over here and lay down. On your stomach. Arms out.”

Dante did as instructed.

“Get next to him,” Nick ordered Bernardo with a shove. “Flat.”

Bernardo followed suit.

Retrieving Dante’s weapon, Nick kept watch on their forms. His opponents counterbalanced the stare, studying his every move. Nick wrapped his fingers around the hilts. Holding swords felt good. Natural. He flourished them simultaneously and grinned, unaware he had that skill.

Nick had a peculiar sensation, not that of anger but distinct determination. His mind played through potential outcomes, and one came into focus: he imagined rushing the men, and with raised blades, he hacked their bodies—first their faces, then their necks and torsos. Their warm blood drenched his skin.

The scene gave him a surge of foul power. He teetered from the unfamiliarity of it and shook his head to clear the image.

No. Nick wasn’t a murderer.

Instead, he turned and raced for the alley entrance, tossing the swords away in disgust. His heart sank as he heard the two men getting to their feet. Rounding the corner, Nick ran under an archway connecting two buildings. He angled for the building wall, stepped on a brick edge, and jumped up, catching an exposed pipe ten feet up.

As footsteps approached, he swung and kicked, striking a direct hit into Bernardo’s face. Bernardo toppled into Dante, the two landing hard on the ground. Nick dropped from the pipe and sprinted in the other direction, his torn shirtsleeve flapping off his bloodied arm. 

***

Excerpt from The Prisoner of Paradise by Rob Samborn. Copyright 2021 by Rob Samborn. Reproduced with permission from Rob Samborn. All rights reserved.

 

 

Author Bio:

Rob Samborn

In addition to being a novelist, Rob Samborn is a screenwriter, entrepreneur and avid traveler. He’s been to forty countries, lived in five of them (including Italy) and studied nine languages. As a restless spirit who can’t remember the last time he was bored, Rob is on a quest to explore the intricacies of our world and try his hand at a multitude of crafts; he’s also an accomplished artist and musician, as well as a budding furniture maker. A native New Yorker who lived in Los Angeles for twenty years, he now makes his home in Denver with his wife, daughter and dog.

Catch Up With Rob Samborn:
RobSamborn.com
Goodreads
BookBub – @rsamborn
LinkedIn
Instagram – @robsamborn
Twitter – @RobSamborn
Facebook – @RobSambornAuthor
TikTok – @robsamborn

 

 

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This is a giveaway hosted by Partners in Crime Virtual Book Tours for Rob Samborn. See the widget for entry terms and conditions. Void where prohibited.

 

 

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