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One Will Too Many by PJ Peterson | #Showcase #Interview #Giveaway

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One Will Too Many

by PJ Peterson

March 1-31, 2022 Virtual Book Tour

Synopsis:

One Will Too Many by PJ Peterson

A wealthy banker with a long list of secrets dies.

The bizarre crime scene stumps the local police…

… but a young doctor could be the key to solving the case.

Internist Julia Fairchild encounters banker Jay moments too late – the poor man is near death in his own dining room. At first no one can figure out what killed him, but the coroner soon confirms that it was homicide: Jay died of methanol poisoning, and now a murderer is on the loose. Julia knows how to catch a killer and she can cut through the noise like a scalpel through skin. She agrees to help the understaffed police force solve the case, but each clue only complicates her investigation further.

Can Julia dissect the deadly riddle and nail the perp, or will this be the first time a monster succeeds in giving her the slip?

If you love Louise Penny, Kelly Oliver, and PC James, you need this medical mystery! Find out why fans say, “I love the character Julia Fairchild!”

Don’t wait – Click the BUY button now!

Book Details:

Genre: Cozy Mystery
Published by: Finngirl, LLC
Publication Date: December 2021
Number of Pages: 206
ISBN: 978-1-7335675-7-2
Series: A Julia Fairchild Mystery, #4 || Each is a stand Alone Novel
Purchase Links: Amazon | Barnes & Noble | Goodreads

Read an excerpt:

Julia arrived at the Hotel Montpelier just as Drake drove up. She took advantage of his simultaneous presence to make a proper entrance to the celebration in the Hotel’s Grand Ballroom. It had recently been refurbished to its original grandeur from the early 1920’s. She admired the beauty of the ceilings with their Art Deco design, recently uncovered by the removal of a false ceiling from a previous “upgrade.” The beautiful wood floor with exquisite inlaid mosaics shone from a recent floor polishing. The cherry and mahogany woodwork glistened in the light from the elegant crystal chandeliers which had also been hidden until now.

Julia and Drake were greeted by some of the other members of the restoration committee. Drake was the designated master of ceremonies while Julia’s primary duty was to personally welcome as many of the potential donors as possible and say a few words in support of the project. He certainly looked the part tonight in a well-cut black velvet tuxedo. His dark hair was touched with silver—just enough to give him a classy look. He stood tall and proud as he walked through the crowd, nodding to some and saying a word or two to other attendees.

Julia searched the assembled festival attendees for familiar faces as Drake gently guided her to an older man and woman. He placed his hand at the small of her back as he addressed the wealthy couple. “Julia, I’d like to introduce Mr. And Mrs. George Oglethorpe. They have been long-time supporters of the theatre.”

Julia stepped forward a half-step and extended her hand. “I’m Julia Fairchild. I’m honored to meet you. I love our theatre, too.”

The woman’s face brightened as she recognized the name. “Of course! Dr. Fairchild. Call me Anna. I’ve heard a lot of good things about you.” She took Julia’s hand in both of hers. “You’re so young and pretty for a doctor.”

Julia reddened. She actually felt a little mousey most days, but conceded to herself that she did ‘clean up’ nicely for such events. “Thank you. I was blessed with good genes. How long have you and your husband lived in Parkview?”

“My goodness. Forever. Right out of college anyway. George heard about the paper mill here looking for mechanical engineers and applied right away.” She smiled proudly at him. “We love the town and were never inclined to leave once we settled in. Isn’t that right, dear?” Her husband nodded between sips of his drink. “Are you from here?”

“Not from Parkview. I grew up down the highway on a small farm. My grandma persuaded me to come home and here I am.” Julia felt her eyes well up as she recalled warm memories of time spent with her grandparents. “Thank you for your support of our lovely theatre. The restoration committee will be sharing the plans for the renovation during the program.”

Julia felt Drake’s arm around her waist as he interceded. “Thank you for coming this evening. Please excuse us. I see someone who is clamoring to talk with Dr. Fairchild before the dinner starts.”

Drake took Julia’s arm and as they turned around, they found Gregory Lantz and his wife Sandy who had been standing right behind them. “Greg! So good to see you here tonight. Thanks for coming.” They exchanged nods and handshakes. “Julia is standing in for Karen tonight. She’s also supporting the project.” Julia smiled and nodded. Aside from the perfunctory smiles, Julia sensed a tension between the men, and she moved a step away from Drake to better observe them both.

Greg stirred his gin and tonic vigorously. “I’ve talked with some of the members of the board at the bank, but I don’t have a definite commitment yet for a donation. I think we can come through for $50,000. But nothing close to the million dollars that everyone seems to think the bank can donate.”

“Greg, any amount would be great. I understand it’s been a little tough with the new bank still getting started.” Drake Ashford was the president of the older, long-established Parkview National Bank. He was aware that despite heavy advertising and promotions, the new River City Community Bank was not yet meeting expectations. He was also acutely sensitive to the loss of some of his own banking clients to the new bank, where Greg was Vice President.

Greg bristled. “Actually, we’re meeting our numbers and seeing new business every day. I would think you would have noticed already.” He smirked.

“We’ve noticed a little change, but we’re prepared to handle it.” Drake took a large swallow of his scotch. “Please excuse us. I have some other people to greet. Talk to you later, Greg.” Drake and Julia moved away.

“That man really annoys me,” Drake said under his breath. “He’s so naive. He doesn’t see how Jay is using him. He’s just a ‘yes’ man. But I guess it makes him feel important.”

“What do you mean?” Julia asked, nodding and smiling at some of the faces she recognized. She knew he referred to Jay Morrison, recently divorced and head of the new bank. She felt Drake’s hand shaking as he maneuvered her through the crowd.

“I’ll tell you later. Too many ears here.” He surveyed the guests nearby. “Let’s see…there’s Warren Pontell and his lovely wife Sarah. He’s talked about making a major contribution. His wife was a theatre actress in her younger days. And they have money to burn.” He turned to Julia and wiggled his eyebrows, à la Groucho Marx.

Drake and Julia chatted with the Pontells for a few minutes, using the time to emphasize the benefits of the smaller venue of the “little theatre.” It was designed to be an intimate stage setting with seating for about one hundred fifty people. Until recently, the area had been used for storage and was marginally functional for stage events in its current state.

Julia had found herself daydreaming but tuned back in when she heard Mr. Pontell say, “We’d like to donate $50,000 for the little theatre. Perhaps you can find a way to let us have something to say about naming it.” He grinned broadly as his wife beamed.

“Warren, that’s wonderful!” said Drake. “I’ll talk with the board of directors about naming opportunities. Let me get back to you on details for your donation. Thank you.”

Now grinning, Drake gently guided Julia toward Adam Johns, an influential man in the local union hierarchy, and his wife. He had started working at ESCO Paper Company right out of high school and had worked his way up from the labor pool to an electrician apprenticeship and then to a journeyman electrician. His constituents considered him to be fair and honest. He had an unofficial status in the union as a leader, although he didn’t have an elected or paid position as such.

Adam tugged at the neck of his dress shirt and pulled at the bottom of his dark blue waistcoat. The jacket gaped over his generous girth. He looked uncomfortable in his tuxedo. Julia was sure her mother would have said something like “putting perfume on a goat,” but most likely his wife had insisted he dress up for this occasion. He certainly looked impressive at his height of six foot three inches.

“Mr. and Mrs. Johns, good evening,” said Drake as he offered his hand. “Do you know Dr. Julia Fairchild? She’s helping to support the Theatre Restoration project as we all are.”

“We sure do,” said Adam, returning the handshake. “Dr. Fairchild, you took care of my mom several years back. She was real sick but you got her well and she’s fine now. Thanks to you. In fact, she’s going on a cruise through the Panama Canal with her church group this coming week. She’s always wanted to go on that trip.”

“You’re welcome, Mr. Johns. I do remember your mom—Violette, I believe? She’s a lovely lady with a lot of spunk.” Julia shook his hand before turning to his wife. “Pleased to meet you, Mrs. Johns.”

Mr. Johns turned back to Drake. “Mr. Ashford, some of the guys at the mill want to know if you had talked with our union officials yet about the stock trading going on with our pension funds. And if you know anything, they hope you can tell them. And call me Adam. My wife is Linda.”

“Yes, Adam. I talked with a Scott Sowders in Portland. He’s looking into whether those trading fees can be traced back to any individuals. May I call you when I know something more?”

“Sure. You can call me at ESCO. The operator knows how to reach me. Thanks a lot, Mr. Ashford.”

“You can call me Drake, please. I’ll call you soon and we’ll go from there. Thanks again for being here tonight.”

“Hey. It’s an alright party. My wife is always trying to get me to gussy up. It’s more fun than I thought it would be.” He grinned and saluted with his cocktail.

Julia saw the auctioneer heading their way and alerted Drake. “I’ll check my lipstick while you talk with him. Where are we sitting?”

“Main table,” he said, pointing to the center of the long side of the room. He scowled. “Unfortunately, it appears we’re seated next to Jay Morrison, of all people.”

***

Excerpt from One Will Too Many by PJ Peterson. Copyright 2022 by PJ Peterson. Reproduced with permission from PJ Peterson. All rights reserved.

 

 

Author Bio:

PJ Peterson

PJ is a retired internist who enjoyed the diagnostic part of practicing medicine as well as creating long-lasting relationships with her patients. As a child she wanted to be a doctor so she could “help people.” She now volunteers at the local Free Medical Clinic to satisfy that need to help. She loved to read from a young age and read all the Trixie Belden and Nancy Drew books she could find. It wasn’t until she was an adult that she wrote anything longer than short stories for English classes and term papers in others. Writing mysteries only makes sense given her early exposure to that genre. Sprinkling in a little medical mystique makes it all the more fun.

Q&A with PJ Peterson

What was the inspiration for this book?

About fifteen years ago two brand new banks opened in my hometown at the same time. I remember wondering if we needed them at the time. I started writing this book then, and put it aside after 7 or 8 chapters. Last year when I was looking for ideas for the next book (after Pickled PInk in Paris) I ran across a notebook with those first few chapters written in long-hand and decided to flesh it out. I hadn’t done an outline (I’m more of a pantser than a plotter) so picked up the thread from what I had written earlier and finished the book.

What has been the biggest challenge in your writing career?

Believing that my books are as good as thousands of others out there and are worth spending the dollars on marketing and getting them in front of potential readers’ eyes.

What do you absolutely need while writing?

A dedicated writing space with a notebook handy to write down ideas that I want to check out, my CD player with good music to listen to in the background, and a synonym finder or thesaurus for looking up other words to avoid using the same adjective fifty times!

Do you adhere to a strict routine when writing or write when the ideas are flowing?

Almost every day I do SOMETHING related to writing, whether it’s joining a promo, or watching/reading something I need to learn. Most days I sit down and write at least a scene in a book if I can’t write a chapter. When I’m on a roll, I can write 2000-5000 words in a sitting, but most of the time I’m happy with 1000 +/-.

Who is your favorite character from your book and why?

Probably Carly, my younger sister and sidekick. She is pretty much the character as I’ve portrayed her. She makes me smile.

Tell us why we should read your book.

The story encompasses a little medical mystery, touches on some legal aspects when death is involved, and has several relationship situations going on. But it doesn’t have a talking animal or recipes or other common cozy mystery features.

Give us an interesting fun fact or a few about your book?

This story is set in my current town, although the name has been changed to protect the innocent! None of the people are “real” but are based on people that I know and some of the incidents really happened.

Do you have anything specific that you want to say to your readers?

I hope you’ll give my book, or one of its predecessors, a try. I think you’ll find it’s not like many of the cozy mysteries out there.

Tell us a little about yourself and your background?

I’m a retired internist and grew up loving to read mysteries of all kinds, as well as historical fiction and autobiographies. I grew up with 5 siblings on a small farm, did well in school and all that. I play the piano, am a cantor at church, and am on several boards in my community. My first book, Blind Fish Don’t Talk, grew out of a journal entry after a fantastic vacation to St. Maarten. I didn’t know about professional editing and all that until years later, and self-published with lots of encouragement. I’ve learned much about being an author, and now a self-marketer in the last three years since I pushed that “publish” button. It reminds me of the three years of residency after medical school–That’s where doctors learn to apply the basic tools in real life.

What’s next that we can look forward to?

Julia Fairchild’s next adventure is set on Virgin Gorda. She and her sister are on vacation but of course there’s a dead body on a beach, a pirate movie being filmed, and a mystery surrounding old pirate booty. Stay tuned!

Catch Up With PJ Peterson:
www.PJPetersonAuthor.com
Goodreads
BookBub – @mizdrpj1
Facebook – PJ Peterson

 

 

Tour Participants:

Visit these other great hosts on this tour for more great reviews, interviews, guest posts, and giveaways!

 

 

 

Join In & Win:

This is a giveaway hosted by Partners in Crime Tours for PJ Peterson. See the widget for entry terms and conditions. Void where prohibited.

 

 

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FEATHER STONE ~ Author Of The Month (Interview & Giveaway)

Feather Stone

See 1st installment and my review HERE

I was thrilled when Feather Stone accepted my invitation to be June’s Author Of The Month. Her book was phenomenal and will be one of my 2017 Best Reads. So without further adieu, let’s get to know this amazing author.

Welcome!

Writing:

Do you draw from personal experiences and/or current events?

Current events certainly played a role in the creation of Forbidden. Ever since witnessing the destruction of the World Trade Towers on September 11th, 2001, I realized how little I knew of the Middle East and Islam. Immediately, it was obvious how hatred and fear overwhelmed every nation.

In my meditation practice, I prayed that the Light, the Love of God, Allah, would be the guiding source for world governments and people of all faiths. A few months later, a magical event connected me to an elderly woman from Afghanistan. I believe that’s where Forbidden’s roots came to life.

And, yes, because of my years as a paramedic, I was able to describe in detail Forbidden’s graphic scenes of murder and violence. The horrors of gun battles and the resulting wounds are all too familiar. I’ve been transfixed by the death stare of a child killed in a traffic accident. I’ve held the trembling hand of a man who knew he was dying.

Research is critical. Forbidden’s suspense had to feel authentic to every reader. I’ve spent a year reading about Islam, interviewing professionals, and getting hands-on experience.

I’m not alone while writing my novels. Another voice assumes control.

Writers call this source the muse. If my ego tries to take control over the plot and dialogue, the story soon grinds to a halt. The visions become nothing more than disappearing vapor. The characters’ voices are garbled. Experience has taught me to shut up and let the muse tell the story. I obediently go back to the page when I stopped taking dictation and delete pages, sometimes an entire chapter.

Over the years my muse and I have had numerous battles. I always lose. This year I have given ‘it’ a body and a name. Dear readers, meet Bart, short for Bartholomew. Or ‘Croak’ when I’m on the verge of murderous intent. He can be a royal pain when refusing to let me know where the plot is heading.

Ah, you were expecting a handsome dude. Now, how much work would I get done if the muse was a Sam Elliott copy? Oh, that sexy voice.

What was the inspiration for this book?

Perhaps I should tell you about the magical event. While following the media reports about the hunt for those responsible for the attack on the World Trade Towers, I felt sad for both Muslims and non-Muslims. I knew the Middle East people had been fed hateful propaganda about the west, and vice versa. In my heart I knew the farmer in Afghanistan was no different than my dad, a simple man tending to his livestock on our farm, wanting nothing more than to feed and protect his family.

My prayers for peace continued.

While driving home from work several months later on a minus 20C winter evening, I spotted a heavy set woman limping across an intersection. Her bulky clothing appeared to be more like that of our northern communities. Perhaps she is Inuit, I thought. As I drove on, I watched her in my rear view mirror.

A spell had fallen on me. I couldn’t get my mind off of her. As insanity seemed to take over, I pulled out of the flow of traffic and stopped. In the darkness, I couldn’t clearly see her face. She could be violent, maybe escaped from the mental hospital. Every reason for leaving her behind urged me to put my beat up SUV into gear and move on.

I rolled down the passenger window as she came closer. “Get in,” I beckoned in my most pleasant voice. “I’ll give you a ride.” Shock set my mind in turmoil. Are you crazy?

She stopped and turned toward me. Still I couldn’t make out her features buried in heavy clothes and scarves. She peered into my vehicle, hesitant to come too close. Spotting the torn leather below the window, she was about to turn away.

“Oh, my dog did that,” I smiled embarrassed. “Protecting me. You know how they are. I’ll give you a ride. You going far?” I motioned with my hands for her to get into my car. She leaned in closer, I supposed to see if anyone else was with me.

Now, who’s crazier? Her or me! Never in my life have I given a ride to a stranger.

I think it was the cold that convinced her to climb into my vehicle. We did the quick exchange of smiles and polite nods. After a moment of nervousness, ‘what the hell am I doing’ nausea, I pulled back into the traffic.

Within the next ten seconds, I realized the woman didn’t speak a word of English.
Our communication was through our eyes and hand gestures. After five more long blocks, I asked her where was she from. With my hand on my chest, I said,
“Canada. You are …?”

She said smiling, “Afghanistan.”

“Afghanistan?” I frowned as if I hadn’t understood.

With great pride, she repeated, “Afghanistan.”

Silence. I could barely think coherently. How did this woman I was praying for end up in my vehicle? She continued to point to where I was to drive. After another five minutes, we apparently arrived at her destination. When I parked, I offered her my hand and good wishes. I studied into her face.

She could have been my dear grandmother, the one who made me cookies and wiped away my tears. Instead of taking my hand in a goodbye shake, she enveloped in me in her arms and kissed my cheek. A loving spell had been cast, and Forbidden began.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?

The short answer is I’ve never started with the conclusion. In fact, the ending is hidden from me until the last quarter of the book. My one goal for the ending is that it must be a happy ending and that all threads of the plot must be resolved. Before I begin to write the story, I start with the deep understanding of all the characters. I know them far beyond what is needed for the plot. Then they tell their story.

Your routine when writing? Any idiosyncrasies?

I do most of the ‘writing’ when I’m away from the keyboard. Forbidden’s plots were written while Bart and I were stuck in traffic, planting petunias in a pot, walking my shelties along forest trails, or stirring my mushroom soup. When I finally sat down at the computer, the movie in my head would flow for hours without hesitation. Sometimes it was exhausting trying to keep up with the images, sounds, dialogue, each nuance of hand gestures and facial expressions.

If you could co-author a book, who would that writer be?

I doubt there is an author with the required patience to co-author with me. I rewrite and rewrite and rewrite until I’m satisfied with the choice of words or phrases. It’s not done until Bart says it’s done. It’s not done until I feel the magic. And, my dear readers, that may take years. Forbidden went through three complete rewrites over a period of four years.

Characters:

Are any of your characters based on you or people that you know?

Some of my beta readers believe the heroine, Eliza MacKay Ramsay, is based on my character. That was not intended. However, given she is a paramedic and is a risk taker. I can see how readers find her and me similar. The hero, Captain Sharif, is largely based on my late husband’s character. Forbidden is dedicated to him. He was my real life hero.

Your novel will be a movie. Who would you cast?

You may find this shocking, but I wouldn’t want to see Forbidden made into a movie. It would be changed and perhaps given a negative twist on Islam and Muslims. I attended a lecture given by Diana Gabaldon who talked about the challenges of watching her books turned into movies. She was prepared for the director to modify characters and scenes but didn’t always agree with the outcome.

What’s next:

Are you working on your next novel?

It’s in my head; or, rather, Bart is sending signals of a potential follow-up to Forbidden. Right now, my time is completely occupied with promoting Forbidden. Once I can give one hundred percent to the next novel, you might not hear from me again for a couple of years.

Can you tell us a bit about it? Title?

The working title is Forsaken. In essence, Forsaken will be an intensely dark struggle, alternating with moods of devotion, love and hope. Both hero and heroine (Sharif and MacKay) are thrust into separate paths with no hope to reclaim their passion for each other. Oops, have I said too much. Damn!

When can we look for it? Approximate publication date?

Given my reluctance to plan and plot an outline, I can see doing a draft, then rewrites. Then my beta readers and editor will have time to slash and advise. My first novel, The Guardian’s Wildchild, took ten years (due to taking writing classes at night). Forbidden took four years. Forsaken may be out in two, but please don’t send out the mob if it’s overdue.

Reading:

Tell us why we should read this book.

That’s the million dollar question for which every reader deserves to receive an answer. Forbidden is like none other.

1. Readers hunt for something different. Forbidden is written in the point of view of a devout Muslim, a Middle Eastern cop, Captain Hashim Sharif. Absolutely unique.

2. The setting is the Republic of Islamic Provinces & Territories (RIPT) – my vision of the future of the Middle East. After the end of the current civil war, thirty years from now, I envision most of the Islamic countries joining to form one powerful nation. Sunni and Shia no longer are adversaries. The government is inclusive, democratic and Sharia law has been relaxed. However, deadly conflicts create chaos and a growing body count. The suspense does not end until the last paragraph.

3. Forbidden will enlighten readers on the basics of moderate Islam. I was guided by a generous imam, Mustafa Khattab; and a most wonderful friend who is a pediatrician and a Canadian Muslim. During the writing of the story, Dr. Sahar Albakkal provided valuable advice on the culture of moderate Muslims, Muslim names, Arabic terms, and interpretation of the Koran.

Who are some of your favorite authors?

I have an eclectic group of favorites: This incomplete list includes Diana Gabaldon, Nicki Elson, Pauline Holyoak,Yolanda Renee, Daniel Silva, Richard Goodship, Phoenix Rainez, and Christine Campbell.

What are you reading now?

66 Metres by Halema Begum – very exciting suspense/thriller.

Fun Questions:

Favorite leisure activity/hobby?

Honestly, I don’t have a favorite. My husband often complained that our house was full of various projects in various stages of completion. I’ve won awards for my needlework and received a congratulatory card from my mayor on the beauty of our front yard. I’m most happy while hiking with my two shelties, Sam and Jade. Lately, I’ve been working on becoming a water color artist.

Favorite meal?

Rib dinner at Tony Roma’s. The ribs – so tender. This is the stuff that legends are made of. The finest pork, beef and lamb ribs, richly seasoned with select spices, slow-smoked to mouthwatering perfection. Basted with your choice of one of their signature sauces. Accompanied by a glass of cold beer – HEAVEN! I’d love to meet you for dinner there.

Thank you for stopping by and visiting with us!

Synopsis:

Forbidden: Better Wear Your Flak Jacket by F. Stone

Gunfire echoes within the walls of a Middle East police compound. Screams of terror are brutally silenced. Police captain Hashim Sharif captures one survivor. Soon Eliza MacKay will wish she had died with her companions.

The vile act of terrorism is covered-up. Sharif becomes the reluctant keeper of his city’s bloody secret – and the witness, MacKay. His corrupt superiors have a gun rammed against his skull. Disloyalty to the mayor will be rewarded with being buried alive.

Whatever the cost, his government’s honor must be restored. Secretly, Sharif hunts forensic evidence. Who is responsible for the murder of fifteen American volunteers? And, why did MacKay lie about her identity? He can’t trust her. Her mental illness is going to get both of them killed.

When he receives orders to dispose of MacKay, his Muslim faith is tested. Murder an innocent in cold blood? He will suffer Allah’s eternal wrath.

CIA Agent Hutchinson has the lying Sharif in his cross hairs. Sharif dodges the agent’s traps almost as easily as the hit man on his tail. When Sharif discovers the shocking truth, he loses all hope of survival.

What is worth dying for? Perhaps it’s not bringing a madman to justice. Could it be saving the life of a woman who kick-started his numb heart? On the knife edge of risk, Sharif plots an act most forbidden and fatal.

Feather Stone will be back on June 15th….Don’t miss the 3rd installment for Author Of The Month. And don’t forget to enter the giveaway located on the sidebar!

Guest Author: D. MICHAEL POPPE showcase, interview & giveaway

Match Play

by D Michael Poppe

on Tour Nov 10th – Dec 12th, 2014

Book Details:

Genre: Mystery/Thriller

Published by: Wido Publishing

Publication Date: November 11, 2014

Number of Pages: 310

ISBN: 9781937178611

Purchase Links:

 

Synopsis:

Golf, Madness, and Murder Collide

FBI Agent Lou Schein is assigned to investigate a grisly murder in Los Angeles, one echoing a similar case in Phoenix, Arizona. Agent Schein, a golf enthusiast, notices a strange coincidence: both crimes occur while the LPGA tournament is being held in the respective cities.

After the fourth murder, it’s clear they are after a serial killer obsessed with the golf game of match play. He is scoring the individual murders as one hole of the match on the current tournament course.

The killer leaves a series of taunts and clues which the FBI must decipher to learn where he will strike next. It is a game that becomes an obsession for both the killer and Agent Lou Schein, one determined to win the match and the other to stop him before he strikes again.

 

Read an excerpt:

He hears the dog barking. She is trying to quiet the dog as she approaches the door. David feels his hand tighten around the grip of the three iron. Her face expresses surprise and dismay when his Fourth Hole opens the door while pushing the little dog back with her right foot.

“Yes?” She says as she opens the door. He assumes the screen door that separates them is locked.

“David?” She gasps. “You’re soaking wet!”

“Hello, Dorothy. I didn’t expect it to be raining like this. I want to return your three iron, had you noticed it was missing? I must have dropped it into my bag by mistake the day we were practicing.” He holds it up so she can see it.

He watches her reach for the latch on the screen door.

“Actually, I haven’t noticed!” she says as she pushes the door open. “I haven’t been back to the course since the day we met.” She is motioning him into the foyer. “Aren’t you freezing? Get back Daisy!” Dorothy again pushes the dog with her foot.

David brushes water from his jacket and steps inside.

“How did you ever find me?” She asks, smiling. “Let me get you a towel. Just a second.” She scurries down the hall with Daisy at her heels.

“That isn’t necessary, Dorothy, I just wanted to return your club.”

Dorothy Duncan, hands him a towel and a moment later, the Fourth Hole is lying on the

 

Author Bio:

I was born in the Midwest on a dairy farm outside a small town. I had a love of art from a young age; drew and wrote stories about the farm. My upbringing was conservative and religious and it took a long time to overcome it. I served in the Marine Corps during the Vietnam war and was honorably discharged in 1971. I then attended the University of Calfornia and received a degree in Studio Art in 1976. I painted for many years and have paintings in many private collections primarily on the West Coast of the US. I retired and finally had some time for writing; Match Play is my first novel and it will be released later this year or in early 2014. I live in the South Western United States with my wife Ann of twelve years.

Catch Up:

Q&A with D. Michael Poppe

Do you draw from personal experiences and /or current events?

Both.  Match Play takes place during one season of the Lady’s Professional Golf Tour and the murders occur simultaneously with their scheduled tournaments. The locations are current and the crimes are a derivative of each event but the motivation is personal to the killer. I believe I have heard; ‘every great book is biographical in some way’ if that is not true then I am saying it. Certain parts of Match Play, particularly the dreams are variations of my own. Some of the occurrences are also very similar to my own experience. I believe I get very close to the serial killer/murderer’s psyche and experience and frankly some people, after reading the novel, have expressed to me that they are surprised I wasn’t a serial murderer.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?

When I think of an idea for a short story or novel the general outline is in my head. However, when I start writing, developing the characters and the ideas, rewriting and editing, I reach a point in the process where I can only say; ‘the story takes over and actually writes itself’. At that point I essentially just write down the narrative, the words, but the story may go in a direction that I never expected. In general I believe it is better because of it.  I think if you overwork an idea you will smother it, and then there is no way to resuscitate it.

Your routine when writing? Any idiosyncrasies?

I generally write in the morning and start by proofreading what I have written the previous day. It refreshes my memory and establishes the continuity I need to continue. I think my process is pretty standard.

Is writing your full time job?

I am 66 years old and retired from a career as an artist/painter. I have always had an interest in writing and now do a lot of it. My health is not the best so I am limited to some degree as to what I can do and when. I am currently working on several literary projects and that uses most of my free time.

Who are some of your favorite authors?

I tend to read rather eclectic subjects and authors. I like fiction by Burke, Connelly, Lehane, Grisham, Slaughter, and Patterson. I also like to read philosophy, psychology, cosmology, and theoretical physics when it is in layman’s terms; like Stephen Hawking.

What are you reading now?

TOUCHING A NERVE by Churchland and RELIGION WITHOUT GOD by Dworkin. I highly recommend them both.

 Are you working on your next novel? Can you tell us a little about it?

Yes.  The working title is THE REPRISAL and it is another novel where an individual is committing serial murders. He is conflicted because he is a moral and ethical man, both rational and reasonable, but he must find a way to remedy his guilt and the knowledge that he is a killer.

Fun Questions:

Your novel will be a movie. Whom would you cast?

Michael Cera or an older Zac Efron; as the killer.

Manuscript/Notes: Hand written or keyboard?

I type my manuscript on a laptop, and print my notes by hand.

Favorite Leisure activity/hobby?

Drawing; and studying the piano when I am able.

Favorite Meal?

Shrimp Scampi and Linguine with White Clam Sauce, both prepared only by my wife Ann.

Tour Participants:


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Guest Author DAVID WAGNER showcase, interview & giveaway

Death in the Dolomites: A Rick Montoya Italian Mystery

by David Wagner

on Tour November 1-30, 2014

Book Details:

Genre: Mystery

Published by: Poisoned Pen Press

Publication Date: September 9 2014

Number of Pages: 236

ISBN: 9781464202704

Series: 2nd Rick Montoya Italian Mysteries; Stand Alone Novel

Purchase Links:

Synopsis:

Rick Montoya is looking forward to a break from his translation business in Rome—a week of skiing in the Italian Alps with old college buddy Flavio. But Rick’s success helping the Italian police with a murder in Tuscany sends the Campiglio cops his way. An American banker working in Milano is missing. The man’s sister, an attractive and spoiled divorcée, has no idea where he could be, nor do the locals who saw him on his way to the slopes. With the discovery of a body, Rick and Inspector Albani widen their list of suspects. Picturesque resort Campiglio harbors old rivalries, citizens on the make, and a cutthroat political campaign. Why would these local issues, any of them, connect to the missing banker? The investigation doesn’t keep Rick and Flavio from enjoying perfect ski conditions in the Dolomites and glorious after-ski wines and bowls of fresh pasta. As for women—Rick has to wonder if the banker’s sister is just hitting him up for information. The action heats up, testing laid-back Rick whose uncle, a Roman cop, keeps urging him to make the police his career. As in Cold Tuscan Stone, Death in the Dolomites immerses us in the sights, smells and tastes of Italy, this time in a picture-perfect Alpine town with a surprising negative side.

Read an excerpt:

Chapter One

It had snowed most of the day, but a new and stronger system had begun blowing over the mountain from the north, diving into the valley. Snow was always welcome in a ski town, especially the clumped flakes that now cast ever-larger shadows on the ground under the streetlamps. The cement of the sidewalk and the parking lot, barely visible an hour before, was now covered. Bad news for Campiglio’s street crews but not for the skiers who had left Milan the previous afternoon to climb into the Dolomites, skis snapped to racks on the roofs of their cars.

They had been rewarded with an excellent day of skiing, and with this snow, tomorrow would be even better. If it kept up through the night, the base could last for weeks. The local merchants were likely standing outside their shops right now, letting the flakes fall on their grinning faces.

At this moment the man’s interest was not in tourists, but in the stained canvas duffel at his feet. He pulled his wool cap down over his ears and adjusted a small backpack before looking once more around the large lot. It was deserted save for a few cars of the remaining employees at the far side. His eyes moved to the bulky building and the thick cables that ran out of one side toward the mountain. On its top, the last weak rays of late afternoon sun, long gone from the valley below, outlined the station at the high end of the cable line.

It was time.

With a grunt he wrapped the strap of the duffel around his gloved hand and began to drag it toward the building. His burden slid easily through the accumulating snow and occasional patches of ice, like an injured skier on a ski-patrol sled. The last few meters would be inside on the loading platform, but the snow sticking to the bag would help it slide. This would be even easier than he’d planned. Halfway he stopped to catch his breath, pulling up his jacket sleeve to check his watch. Perfect,he thought. There would be one more run of the gondola before its cables stopped for the night, and he would be on it.

On the mountain the cleaning crew was finishing its duties. Given the number of skiers who had passed through the snack bar on their way to the piste during the day, the workload was heavy. The floor was now clean of slush and mud, and four black garbage bags, almost as tall as the women who handled them,had been loaded into the waiting gondola. It would be the same story the next night, especially with the snow now falling. One of the workers—a woman who had been doing the late afternoon shift for more years than she would admit—put down her mop, walked to the window, and peered out at the falling snow. She shook her head and returned to her job. A few moments later the crew stood in a silent clump near the door while the supervisor made a final check of the room. The woman closest to the door slid it open, letting in a light gust of wind and snow. The others, now in parkas and wool coats, instinctively pulled them around their necks in anticipation of the cold. The supervisor
finally nodded and the group began to file onto the platform to the waiting gondola, snow already covering its roof and the windows on one side. When they were all inside, the supervisor closed the latch on the door and took a silent head count before picking up the black phone hanging near the door.

“Guido, siamo pronti,” she said.

Below, the man in the control room hung up his phone while keeping his eyes on the last sentences of a story in Gazzetta dello Sport. Guido knew it was not going to be a good year for his team, and again wondered why last season’s star player had been sold. To make it worse, the bastard would now play for their biggest rival. He folded the paper in disgust and pulled the long wooden lever, never glancing at the platform below. The huge dynamo came slowly to life and the cable above the long window shuddered and began to move.

The man was crouched on the floor of the gondola, well below its ski-scratched windows, when it swung slowly and lurched upward. Neither he nor the sack were visible from above, even if Guido had taken his eyes off the newspaper and looked down from his seat in the control room. As the huge metal box was dragged from the dim light of the lower station into the darkness, the man inside it heard the snow slapping softly against the glass windows above his head. He slowly got to his feet and looked down at the base station, now fading quickly as the cable picked up speed. In a few minutes its lights would be hard to distinguish from those of the other buildings at the northern edge of Campiglio.

The route was a steep shot straight to the top of the mountain, suspended over a forest of tall pines. The only breaks in the thick covering of trees were the clearings around the pylons or a few spots where the stone core of the mountain had pushed itself through the dirt. The ski trails, in contrast, returned to Campiglio over a tamer terrain. They took their time to work through the softer hills of the mountain’s other side, carrying skiers to a choice of bases along the east side of town.

He walked to the other end of the gondola cabin and looked upward. In the swirling wind and snow he could not make out his gondola’s twin, but he knew it was rushing toward him and would be passing soon. He dragged the duffel toward the door and checked to see that the latch had not slipped closed. It had not. According to his calculations the best time would be after passing the second pylon, and just at that moment the cable carrying his gondola slipped over the first one. He flexed his knees as the floor bounced slowly while continuing its climb.Suddenly the other gondola appeared out of the storm and the man dropped to his knees to get out of sight. Through the howling wind he heard a laugh from one of the workers as the two gondolas passed each other. Seconds later the only sound was once more the hum of the cable and the increasing patter of the snow. He reached over and slowly slid the door open with his right hand. As the snow swirled inside he sat back on the floor, the sack between him and the opening.

When the next pylon passed he waited until the swinging stopped and firmly pushed the sack out the door with both feet.

As he got up to slide the door closed he heard the crack of a tree branch and then the soft thump as the sack hit the snow below. The sound meant that it had sunk in, and with the new snow it would be well covered. Once the door was closed he slipped the latch into place. Safety first.

A few minutes later the other gondola bumped slowly into its berth at the edge of the town, where it would stay until it took the morning crew up on the first run of the day. The workers pushed out, waving at Guido in the control room while they pulled the plastic garbage bags behind them. Guido nodded to the group leader but kept his eyes on the young body of one of the newer members of the crew. When they had all shuffled through the door below him, he switched off the motors and gathered his belongings—the newspaper and a thermos. He was always sure to straighten up so the morning shift would have no complaints. He turned out the lights and locked the door behind him. As he walked down the stairs to the streets he wondered what his wife would be serving for dinner. She had not made lasagna in a while, perhaps this was the night. After pulling on a wide-brimmed hat, Guido buttoned his leather coat and walked into the storm.

High above, the man stepped out of the gondola and slid the door shut. On the platform the footprints of the cleaning crew were already covered, as his own would be in a matter of minutes. He turned and looked down at the valley, its lights blending together through the prisms of the falling flakes.

After a moment of reflection he adjusted his backpack and walked on the deck that ran along the outside of the building. Its tables and chairs had been stacked and pushed against the windows under the overhanging eaves, but the protection was not enough. The morning work crew would need their shovels. Two steps led from the deck down to where the wide trail began, a relatively benign incline for the skiers to start their runs, but still often littered with fallen beginners. He could barely make out the trail, but it didn’t really matter, he could get down the mountain blindfolded.

He cleared away a patch of snow at the edge of the deck with his foot and put down his backpack before stepping off and walking around to the far side of building to a small storage shed. After bending over, he used his gloved hands to scrape away the snow under the shed’s door, revealing a small opening from which he pulled a pair of dark skis and poles. Even though the falling snow would do the job for him, he carefully brushed the snow back with his foot before hoisting the equipment over his shoulder and returning to where he had left the backpack. From it he took out a pair of ski boots whose dark plastic matched the skis. After the usual grunts he had the ski boots on his feet and the snow boots secured in the pack. He also had a pair of ski goggles over his cap. It took him only a few seconds to snap into the skis and strap the poles around his wrists. It was snowing even more heavily now. The clear yellow plastic brightened the view slightly as he pulled the goggles down over his eyes and squeezed the rubber grips of the poles. He straightened up, pulling back the sleeve of his parka to check his watch again in the little light that was left in the day. Yes, the ski patrol would already be at the bottom after their final run to catch any stragglers. He pushed off slowly and began to work his way left and right through the fresh powder, his boots always touching as he flexed his knees for each turn. The flakes swirled around his bare cheeks, but he did not feel the cold. He knew that by the time he reached the valley, his racks, as well as everything else on the mountain, would be shrouded in snow.

 

Author Bio:

David P. Wagner is the author of Cold Tuscan Stone, the first Rick Montoya Italian Mystery. While serving in the diplomatic service he spent nine years in Italy where he learned to love things Italian, many of which appear in his writing. He and his wife live in New Mexico.

Writing and Reading:
-Do you draw from personal experiences and/or current events?
I draw from personal experience in that I set the story in a place I’ve been in Italy and write mysteries around it. Current events? Strangely, after my first book was sent to press, I read a story in the NY Times about Italian authorities arresting traffickers of Etruscan burial urns, which was exactly the plot of the book. So you could say that current events draw on my fiction.

-Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
I have to know the outcome before I start writing, so I outline the whole thing and work from there. That way I know what clues or red herrings to salt in along the way. Mystery writers who just start writing without knowing where it’s going must be geniuses, I can’t do it that way.

-Your routine when writing? Any idiosyncrasies?
To say that I’m not a morning person would be a gross understatement. I write late afternoon and evening, taking a break to watch Jeopardy!. After an hour or so of writing I have to take a break. So I have a snack or do the NY Times crossword that comes on line here at 8:00 PM.

-Is writing your full time job? If not, may I ask what you do by day?
My full time job is retirement. So I play golf or enjoy myself (since those two are not always the same) when not writing.

-Who are some of your favorite authors?
I never miss the latest Andrea Camilleri book, I hope he stays healthy and doesn’t leave us like Michael Dibdin, the best writer of mysteries set in Italy. When in doubt I always go back to a P.D. James or Ruth Rendell. I also like caper books, like the Elvis Cole and Junior Bender series. Funny is good.

-What are you reading now?
The Cinderella Killer by Simon Brett. His books are funny murder mysteries with great dialogue. He always throws in some new British word or expression that I have to look up, and that’s good.

-Are you working on your next novel? Can you tell us a little about it?
The third book in the series is taking Rick Montoya to the town of Bassano del Grappa, in the hills above Venice, a lovely little town. Lots of twists and turns, danger, and surprises. I’ve also brought back a character from the first book who did not appear in the second.

Fun questions:
-Your novel will be a movie. Who would you cast?
Rick Montoya, my multilingual protagonist with dual citizenship, would not be easy to cast. But there’s an Italian actor named Raoul Bova, who was the love interest in Under the Tuscan Sun, who could work. But a younger Raoul.

-Manuscript/Notes: hand written or keyboard?
Outline, list of characters, and manuscript on the laptop, but I am constantly scribbling notes throughout the day when I think of something, and keep a pen and pad at bedside since I often get ideas when reading. And some of my best flashes on how to deal with the scene I’m working on come in the middle of a golf round. So I write it down on the score card.
-Favorite leisure activity/hobby?
Like so many other unfortunates, I’ve got a love/hate relationship with golf. When it’s going well, it’s fantastic, but when it isn’t it stinks. Kind of like life.

-Favorite meal?
My wife is a wonderful cook, having taken various courses when we lived in Italy to add to an already innate skill in the kitchen, so it’s hard to pick one dish. But her flour gnocchi with creamy gorgonzola sauce is right up there.

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Guest Author & Giveaway – Charles Salzberg

WELCOME Charles Salzberg

Charles Salzberg

Charles Salzberg is a freelance writer whose work has appeared in Esquire, New York magazine, Elle, Good Housekeeping, The New York Times Book Review, The New York Times, GQ and other periodicals. He is the author of over 20 non-fiction books and several novels, including Swann’s Last Song, which was nominated for a Shamus Award for Best First PI Novel, and the sequel, Swann Dives In. He also has taught been a Visiting Professor of Magazine at the S.I. Newhouse School of Public Communications, and taught writing at Sarah Lawrence College, the Writer’s Voice, and the New York Writers Workshop, where he is a Founding Member.

Connect with Author:

http://www.charlessalzberg.com/ https://twitter.com/CharlesSalzberg

How Did You Get Started

Guest Post from Charles Salzberg

The other day I was at lunch with fellow writer and good friend—that’s how we freelance writers fill our days: lunches with each other. We got to talking about writing and, while we awaited our iced teas—not all writers drink their lunch, you see—she asked me, “how is it you got into crime writing?”
A good question because the answer is that it was purely accidental.
I love crime as much as the next guy. There’s not a crime show on TV or a crime movie I don’t see, whether it be The Wire, Boardwalk Empire, Goodfellas or my latest, A Walk Among the Tombstones. My favorite show as a kid was Naked City, which was based on the movie of the same name. I’ve now rediscovered them as reruns and believe me, they still hold up. Each story focuses on the human aspects of crime, while the crime itself is often incidental to the story. As the end narration, which still sends chills up my spine, announces, “There are 8 million stories in the Naked City. This has been one of them.”
Which brings me back to why I write crime novels and to the kind of crime novels I write.
With several unpublished novels languishing in my file cabinet, I decided perhaps I was doing something wrong. Here I was a well-read English major whose heroes were Nabokov, Bellow, Roth, Mailer and Malamud, and although I was receiving plenty of praise for my writing, I couldn’t sell a damn thing. Maybe, I thought, it was because I was too focused on character not plot. Maybe if I wrote something very tightly plotted I’d have better luck.
Nothing is more tightly and intricately plotted than a detective novel, so that’s what I decided to write.
As a teenager I loved mystery and detective novels and used to haunt a downtown second-hand bookstore picking them up for a buck or two. But I hadn’t read any since then and I decided if I were serious about writing one, I ought to re-introduce myself to the genre. So, I devoured as many crime novels as I could. Dashiell Hammett, Raymond Chandler, Ross MacDonald, Nero Wolfe, Agatha Christie, even the so-called pulp writers like James M. Cain and Jim Thompson.
What I found was that most of them were pretty much cut from the same cloth. There was the crime then the detective was called in to solve the crime, usually a murder. He or she followed the clues and inevitably those clues led to the perpetrator. It seemed pretty simple, a formula I could follow fairly easily. I started to write one, but after a few chapters it just didn’t sit right with me. Frankly, I was getting a little bored writing to a pre-designed script and entering myself into a neat almost religious world, where following the clues inevitably led to the solution of the crime. It’s pretty simple: There is chaos and then there is order. The world is put back into its proper place by the detective. But what, I thought, if the world wasn’t so neat? What if all the clues didn’t actually lead to the perpetrator? What if the crime was totally random?
It wasn’t long before the non-conformist in me won out and I wound up writing what a friend called an “existential mystery” where the detective follows all the clues then finds that none of them had anything to do with the actual crime, that in fact the crime was totally random.
The result was Swann’s Last Song, with Henry Swann being a down and out skiptracer and it was meant to be a stand alone because at the end Swann, who is a rational man who believes in a rational world, is so disillusioned he leaves the profession.
I was happy with what I’d written but it seemed no one else was because no one would publish it with that ending. And so it languished in my desk for two decades until I finally unearthed it, sent it to an editor who said he’d publish it if I changed the ending. I was twenty years smarter, so I did, but I still kept the title, still having no intention of writing another one.
Much to my surprise the novel was nominated for a Shamus Award. I lost, but that spiked my competitive side and I vowed to keep writing them until I either won something or ran out of catchy titles.
Now the third in the series, Swann’s Lake of Despair, is just about to be released and I’m almost finished with a fourth. But in each of them I try to bend the genre a little bit. In Swann Dives In, you’re not sure what the crime is until the halfway point of the novel and by the end of it you’re not even sure a crime has been committed. And in Swann’s Lake of Despair, Swann tackles three separate cases, none of which concerns a murder. Why? Because I’m much more interested in how and why people act the way they do. I’m more attracted to the petty crimes we commit each day, betrayal, theft, fraud, lies we tell others and ourselves to get us through the day.
Those are the real crimes, the crimes all of us can relate to.

ABOUT Swann’s Lake of Despair

When rare photos, a scandalous diary, and a beautiful woman all go missing at once, the stage is set for three challenging cases for Henry Swann. It begins with an offer to partner up with his slovenly, unreliable frenemy, Goldblatt. The disbarred lawyer-turned-“facilitator” would provide the leads and muscle, while Swann would do all the fancy footwork. A lost diary by a free-loving Jazz Age flapper is worth enough to someone that Swann takes a beat down on an abandoned boardwalk. Pilfered photos of Marilyn Monroe propel him deep into the past of an alcoholic shutterbug, his wife; and he’s hired to search for a lonely writer’s runaway girlfriend. The cases converge and collide in a finale that lifts the curtain on crucial, deadly facts of life for everyone including Swann himself.

BOOK DETAILS:

Number of Pages: 284
Genre: Detective
Publisher: Five Star
Publication Date: October 22, 2014
ISBN-10: 143282936X
ISBN-13: 9781432829360

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I received a copy of this book, at no charge to me, in exchange for my honest review. No items that I receive are ever sold…they are kept by me, or given to family and/or friends.
ADDENDUM
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Guest Author DENNIS PALUMBO showcase & giveaway

Phantom Limb

by Dennis Palumbo

on Tour at Partners In Crime Virtual Book Tours October 2014

Book Details:

Genre: Mystery
Published by: Poisoned Pen Press
Publication Date: 09/09/2014
Number of Pages: 336
ISBN: 9781464202568
Purchase Links:

Synopsis:

Psychologist and Pittsburgh Police Department consultant Daniel Rinaldi has a new patient. Lisa Harland, a local girl, once made a splash in Playboy and the dubious side of Hollywood before bottoming out. Back home, down and out again, she married one of the city’s richest and most ruthless tycoons. Lisa’s challenge to Danny is that she intends to commit suicide by 7:00 PM. His therapist skills may buy some time—but, exiting, she’s kidnapped right outside his office.

Summoned to the Harland estate, Danny is forced, through a bizarre sequence of events, to be the bag man on the ransom delivery. This draws him into a deadly cat-and-mouse game with a brilliant, lethal adversary. Complicating things is the unhappy Harland family, whose members have dark secrets of their own along with suspect loyalties, as well as one of Danny’s other patients, a volatile vet whose life may, like Lisa’s, be at risk. What is really at stake here?

Phantom Limb, fourth in the acclaimed series of Daniel Rinaldi thrillers, will keep readers guessing until the very last page.

Read an excerpt:

The last time I saw Lisa Campbell, she was naked.

That was almost thirty years ago, when I was in junior high and she was the latest Hot Young Thing, smiling invitingly out at me—and thousands of other lonely guys—from the pages of Playboy Magazine. Barely nineteen,sprawled seductively across rumpled satin sheets. Every horny adolescent’s fantasy. Perfect breasts, perfect ass, perfect teeth.

Now, as she stood in my office waiting room, cashmere sweater folded neatly over her arm, I had to admit that the years since had taken their toll. Her face—though still comely, fineboned—was lined, leather-tanned. Framed by thick chestnut brown hair, lightly streaked with silver. Strained, weary eyes burned behind fashionable wire-rimmed glasses.

She’d been standing at the waiting room’s single window when I came out to greet her. Her still-shapely body turned away from me, she stared out at the cool light of early spring. Five floors up from Forbes Avenue, the view included the University of Pittsburgh’s urban campus—its gabled buildings, chain stores and local hangouts—as well as the new green shoots on the venerable maples and oaks lining the sidewalks. Plus the familiar cacophony of car horns, downshifting semis, and shouting students crossing against the streetlight, hurrying to make their last classes of the afternoon.

At first, Lisa didn’t seem to register me. Then, as if reluctant to pull herself from the sights and sounds beyond the window, she turned to face me.

I felt her shrewd, guarded gaze as we shook hands. Her undisguised appraisal of my looks, my clothes, my apparent social status. I returned the favor, taking in her designer-label blouse, slacks, and heels, her five-hundred-dollar haircut, the expensive diamond bracelet and matching wedding ring.

“Pleased to meet you, Mrs. Harland,” I said. “I’m Daniel Rinaldi.”

“Obviously.” Her lips tightened. “And don’t use my goddamn married name. Nobody else does. I’ll always be Lisa Campbell.”

I nodded stiffly, then led her into my office.

I knew her story, of course. At least the public version. Most people here in Pittsburgh and environs did, too. Especially in her hometown of Waterson, about a hundred miles east of the city. Her career journey, from small-town beauty contestant to Playboy Playmate to sexy film actress, had been a long, well publicized one. Accompanied by the shrill carping of Waterson’s outraged local press, excommunication from her church, and the painful yet predictable estrangement from her pious, deeply conservative family.

It didn’t help that, once she’d moved to Hollywood, her acting career consisted mostly of roles in low-budget horror films, in which she was frequently naked, and invariably tortured and killed. She also developed a reputation as a reliably freaky party animal, clubbing every night with the rich and trendy, showing up late and disoriented for work, sleeping with the usual mix of celebrities and Eurotrash.

Until her very public second divorce, a protracted and ugly drug scandal, and a series of embarrassing box office flops pushed her out of the glare of the tabloid spotlight and—seemingly overnight—into the purgatory of semi-obscurity.

At least, that was how her story was told in a two-part feature the Post-Gazette ran on Lisa when, almost a decade ago, she abruptly returned to her hometown. “With her tail between her legs,” as one self-satisfied neighbor had put it…

Author Bio:

Dennis Palumbo, M.A., MFT is a writer and licensed psychotherapist in private practice, specializing in creative issues.

The first Rinaldi mystery, Mirror Image, was published in 2010. Palumbo is also the author of Writing From the Inside Out (John Wiley), as well as a collection of mystery short stories,From Crime to Crime (Tallfellow Press).

Formerly a Hollywood screenwriter, Palumbo’s credits include the feature film My Favorite Year, for which he was nominated for a WGA Award for Best Screenplay. He was also a staff writer for the ABC-TV series Welcome Back, Kotter, and has written numerous series episodes and pilots.

His first novel, City Wars (Bantam Books) is currently in development as a feature film, and his short fiction has appeared in Ellery Queen’s Mystery Magazine, The Strand and elsewhere. He provides articles and reviews for The New York Times, The Los Angeles Times, The Lancet, and many others.

His column, “The Writer’s Life,” appeared monthly for six years in Written By, the magazine of the Writers Guild of America. He’s also done commentary for NPR’s “All Things Considered” and blogs regularly for The Huffington Post.

Dennis conducts workshops throughout the country. Recent appearances include the Family Therapy Network Annual Symposium, the Association for Humanistic Psychology, Cal State Northridge, the American Society of Journalists and Authors, PEN West, the Writers Guild Foundation, the Los Angeles Psychoanalytic Society and Institute, the California Association of Marriage and Family Therapists, Screenwriting Expo, USC, the Romance Writers of America, the Nieman Foundation, the Directors Guild, and UCLA.

His work helping writers has been profiled in The New York Times, Premiere Magazine, Fade In, Angeleno, GQ, The Los Angeles Times and other publications, as well as on NPR and CNN.

A graduate of the University of Pittsburgh and Pepperdine University, he serves on the faculty of UCLA Extension, where he was named Outstanding Teacher of the Year.

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Guest Author BERNADETTE PAJER showcase, interview, giveaway

The Edison Effect

by Bernadette Pajer

on Tour at Partners in Crime Virtual Book Tours October 1-31, 2014

Book Details:

Genre: Mystery

Published by: Poisoned Pen Press

Publication Date: 09/09/2014

Number of Pages: 254

ISBN: 9781464202506

Series: 4th Professor Bradshaw Mystery | each is a Stand Alone novel

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Synopsis:

Inventor Thomas Alva Edison is a ruthless businessman,intent on advancing General Electric and beating all rivals like Nikola Tesla and Westinghouse. Edison has agents in place in Seattle but he’s come himself in pursuit of a mysterious invention lost in 1901 in Elliott Bay. When Edison asks for information, few refuse. But not University of Washington Professor Benjamin Bradshaw who’s earned a reputation as a private investigator where science—electricity—is concerned. Bradshaw hopes that the lost device, one conceived in anger by an anarchist and harnessed for murder, will elude Edison’s hired divers.

Then one December morning in 1903, the Bon Marché’s Department Store electrician is found dead in the Men’s Wear Window clutching a festoon of Edison’s new holiday lights. Bradshaw believes Edison has set a dangerous game in motion. Motives multiply as the dead man’s secrets surface alongside rivalries at the Bon Marché. Bradshaw, his sleuthing partner Henry Pratt, and the Seattle PD’s Detective O’Brien pursue leads, but none spark Bradshaw’s intuition. His heart is not in the investigation but in a courtship that will force him to defy his Catholic faith or lose his beloved, Missouri. Then a crossroads in the case forces him to face his personal fears and his first professional failure. Whatever the outcomes, his life is about to change….

 

Read an excerpt:

September, 1903

“Bradshaw, it’s Thomas Edison! He’s here!”

Of all the interruptions, this one was so unexpected that Professor Benjamin Bradshaw wondered if he’d not yet fully recovered from his concussion.

It was a warm summer afternoon on the campus of the University of Washington. A box kite danced below billowy white clouds drifting in the blue sky, and a touch of color in the elm saplings hinted at the approach of fall.

Bradshaw stood on the lawn between Lewis and Clark Halls, arms outstretched to Missouri Fremont as she abandoned Colin Ingersoll and his kite. She approached Bradshaw with a smile that took his breath away. This was a moment he’d resisted for two years. A moment he wasn’t sure was wise. The differences between him and Missouri might be insurmountable, and yet,there he was. His heart thundered. He doubted he’d ever been happier—or more frightened—in his entire life.

Little more than a week had passed since he’d been left for dead in a rotting cellar during an investigation of gruesome murders. He’d thought himself fully recovered, other than a dull ache in his shoulder where the weight of a cast iron frying pan had struck, until the shout about Thomas Edison pierced his overwhelmed emotions. For a terrifying second, he thought he might still be back in that cellar, hallucinating.

Certainly, such romantic moments were rare for him. As Missouri approached, he knew he would never forget this moment,the way her dark amber eyes gleamed with joy and affection, the way the golden highlights shimmered in her short mahogany hair. She moved in her summery gown with the grace of a queen and the bounce of a child.

Their fingertips had not yet touched when the shout carried to him again, its urgency penetrating his cocoon of fearful happiness.

“Bradshaw! It’s Edison!”

As he continued to gaze into Missouri’s eyes, he was aware that Colin Ingersoll had turned toward the shout. Colin, a lanky and likable engineering student, was Missouri’s would-be suitor,and he was no doubt confused by Missouri’s abandoning his side to welcome Bradshaw so warmly.

“Hurry!” Assistant Professor Hill came running toward them from the direction of the Administration Building, shouting,“It’s Thomas Edison! Here to see you!”

Missouri’s eyes flickered with delight. She asked, “Is it the Thomas Edison, do you suppose? The Wizard of Menlo Park?”

Bradshaw smiled. “He has been known to attempt to steal the great moments of other men’s lives.”

“Are you and I in the midst of a great moment?”

“Only if you consider me confiding my feelings for you a great moment.”

She gave a little gasp.

And then Hill was upon them, panting and grinning and tipping his hat to Missouri. He grabbed Bradshaw’s arm and pulled. “Come on!”

 

Author Bio:

Here’s what on her Amazon page: “Bernadette Pajer is the author of the Professor Bradshaw Mysteries, fast-paced whodunits in the Golden-Age tradition. The books in the series have earned the Seal of Approval for Science from the Washington Academy of Sciences (established 1898.) She’s a graduate of the University of Washington and a proud member of Mystery Writers of America, Sisters in Crime, Northwest Science Writers, and the Seattle7Writers.org. Research is Pajer’s favorite activity, and she happily delves into Seattle’s past and the early days of electrical invention as she plots Professor Bradshaw’s investigations. Pajer lives in the Seattle area with her husband and son.”

Titles include A SPARK OF DEATH, FATAL INDUCTION, CAPACITY FOR MURDER, and THE EDISON EFFECT.

Q&A with Bernadette Pajer

Writing and Reading: 

  -Do you draw from personal experiences and/or current events?

While nothing in my Professor Bradshaw series was taken directly from my personal experiences or current events, the emotional threads of the stories are extrapolated from all I’ve lived and felt,  and there are themes that reflect today’s issues. In A SPARK OF DEATH, for instance, the anarchists of that time are much like terrorists today, vulnerable young men going to extreme and lethal measures in pursuit of their goals.

 -Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?

I always know where I’m going when I begin, but I leave room for discovery in the writing process and will change course if the story will benefit.  Mysteries have complex structures, with details layered in such a way that, not only are the sleuth’s deductions learned, the reader is invited to make guesses and participate in the unfolding of the crime. This requires me to know in advance the details of what, how, and why the crime was committed so that the reader and sleuth can be provided with clues.

 -Your routine when writing?  Any idiosyncrasies?

Most of the words land on the page during the hours my son is at school or otherwise happily occupied. But I think about writing all the time. I plot and scheme and imagine scenes while cleaning house, driving, pretty much whenever my brain isn’t required to focus on something else.

 -Who are some of your favorite authors?

I love Ruth Rendell, Dick Francis, Elizabeth George. I enjoy rereading old favorites from authors like Maeve Binchy and Rosamund Pilcher and the classics. My choice often depends on my mood or what I’m currently writing myself. To find a new title to dive into, I know I can’t go wrong by choosing one of the more than sixty authors who are fellow members of the Seattle7Writers.org, and of course my own publisher, Poisoned Pen Press, releases several excellent mysteries month. Oh, so many books, so little time!

-What are you reading now?

I’m listening to a Ruth Rendell (with Chief Inspector Wexford) audio book, and rereading John Grisham’s THE FIRM to study the pacing.

–Are you working on your next novel?  Can you tell us a little about it?

I’m beginning to do research for the fifth Professor Bradshaw novel which will jump to 1907 when the grounds of the University of Washington were being prepared for the 1909 AYP (Alaska-Yukon-Pacific Exposition.) This was a massive world’s fair in Seattle and the preparations disrupted university life for two years. I’m also working on a contemporary thriller (thus the study of Grisham’s pacing), which is new for me. Thrillers are constructed differently than mysteries, and it will be a fun challenge for me to structure the plot so as to escalate the tension. This is done in mysteries, too, but in thrillers it’s accomplished with more action and with the evil villain’s identity usually known from the beginning.

Fun questions:

-Your novel will be a movie.  Who would you cast?

I get asked this a lot, and you know, I really have no actors in mind for any of the characters. Yet, although he looks nothing like my Professor, I would be happy if Benedict Cumberbatch played Bradshaw. He’s such a brilliant, versatile actor, I’m sure he could bring my Professor to life.

-Manuscript/Notes: hand written or keyboard?

Keyboard. I occasionally jot notes, but those become messy and I end up typing them into my files. I currently use Scrivener, a program that helps organize research materials, plot, characters, and keeps them at your fingertips while writing.

-Favorite leisure activity/hobby?

Besides reading, you mean? I love cozy evenings at home with my husband and son, watching a good movie (these days the movie has Marvel characters or Transformers).

  -Favorite meal?

Any meal I don’t have to plan, prepare, or clean up after.

Catch Up:

* Bernadette Pajer photo credit Alex Rae Photography

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Guest Author AUSTIN WILLIAMS showcase & giveaway

Misdirection
The Rusty Diamond Trilogy

by Austin Williams

on Tour at Partners In Crime Virtual Book Tours October 17 – November 21, 2014

Book Details:

Genre: Mystery, Suspense, Thriller

Published by: Diversion Books

Publication Date: June 24, 2014

Number of Pages: 266

Series: 1st in The Rusty Diamond Trilogy

ISBN: 9781626813557

Purchase Links:

Synopsis:

A street magician needs more than sleight-of- hand to survive getting embroiled in a murder case in this blistering novel of suspense, perfect for fans of Harlan Coben and George Pelecanos.

After years of chasing fame and hedonistic excess in the bright lights of Las Vegas, Rusty “The Raven” Diamond has returned home to Ocean City to piece his life back together. When he finds himself an innocent suspect in his landlord’s brutal murder, Rusty abandons all hope of maintaining a tranquil existence. Acting on impulse, he digs into the investigation just enough to anger both the police and a local drug cartel.

As the unsolved case grows more complex, claiming new victims and inciting widespread panic, Rusty feels galvanized by the adrenaline he’s been missing for too long. But his newfound excitement threatens to become an addiction, leading him headfirst into an underworld he’s been desperately trying to escape.

Austin Williams creates an unforgettable protagonist in Rusty, a flawed but relatable master of illusion in very real danger. As the suspense builds to an explosively orchestrated climax, Williams paints a riveting portrait of both a city—and a man—on the edge.

Read an excerpt:

The bloodstain was shaped like Florida. Rusty didn’t know much about geography, probably couldn’t point out more than a handful of states on a map. But he knew what Florida looked like, even though he’d never been there. And the mass of drying blood stretching across the hardwood floor, coming to a rounded tip a few inches from his leather boots (this tip just slightly darker than the wide stream comprising most of the stain) was a dead ringer for the Sunshine State.

He knew it was a strange thing to consider, given the circumstances. Hardly an appropriate mental response to such an intensely disturbing situation. He wasn’t in shock, exactly, but he had no idea what to do with himself. There was nothing he could do until the police arrived. Which should be any minute now. In fact, he was starting to wonder what the hell was taking so long.

Rusty wasn’t sure of how much confidence to place in the Ocean City Police Department. When it came to traffic stops and busts for disorderly conduct, open containers, public nudity and the like, the OCPD was surely qualified.

But murder? That had to fall well outside the parameters of what the local law was accustomed to handling on a regular basis. Or so Rusty mused, mainly to occupy his mind and not keep checking his wristwatch every ten seconds.

Rusty stared at the bloodstain’s surface congealing in the reflection of an overhead lamp. About two feet in width at the center, it grew wider near its source. That source was the throat of a frail silver-haired woman who lay crumpled on the floor. The upper half of her body reached into the living room while her legs protruded onto the dull yellow linoleum of the kitchen. One orthopedic shoe lay on its side next to the stove, the other still on her left foot.

Two more minutes and I’m calling 911 again, he told himself.

This house in which he was currently the sole occupant—not counting its recently deceased owner—wasn’t technically located in OC proper but in a remote enclave called Ocean Pines, separated from the main town by eight miles of salty bay water. A quiet upscale community, Rusty had a fairly complete knowledge of its character, having spent the first eighteen years of his life here and moving back ten months ago.

Next Thursday would be his thirty-sixth birthday. He had little awareness of that fact, and less interest in it.

For all Rusty knew, this was the first murder to darken the Pines’ suburban pastoral facade since the town was incorporated in 1958. And it definitely was murder, of that he had no doubt. No one could conceivably take their own life in such a manner, and certainly not a frail seventy-eight-year-old spinster.

The opening in Ms. Garrett’s throat was not long, maybe three inches at most. It looked like more of a gouge than a slash. There was no knife or sharp implement anywhere in the room, and Rusty didn’t dare step over the body to take a look in the kitchen.

The skin around the gash didn’t appear to have been torn with a blade, but hacked away by a cruder implement.

Fingernails? Teeth?

Rusty shuddered as he pondered the options, and forced himself to stop thinking about it.

The hum of a car’s engine and pebbles crunching underneath a set of tires claimed his attention. He walked to the front door, pulling aside a sash by the adjacent window to look outside into the hazy afternoon light.

Finally.

An Ocean City Police Department patrol unit sat in the driveway, engine idling. Rusty saw the door swing open, and a powerfully built officer stepped out. He grimaced. The cop didn’t appear to be much older than a high schooler. Probably fresh out of the Academy with plenty to prove behind the badge.

Why didn’t they send a detective, Rusty wondered, unlatching the door and opening it slowly so as not to make a surprise appearance on the front porch. Well, it was possible the OCPD’s homicide unit didn’t keep more than one ranking detective on any given shift. They probably didn’t need more than that.

The young patrol cop was taking purposeful strides toward the house, fleshy face set tight as he spoke into a shoulder mic, confirming with a dispatcher his arrival at the location. His eyes widened just slightly before narrowing as he made a quick appraisal of Rusty Diamond.

“You’re the one who made the call?”

Rusty nodded.

“She’s in there,” he said, stepping aside to let the patrol officer enter the house.

The cop had not taken two full steps into the living room when he stopped abruptly, one hand falling onto the service revolver holstered on his right hip.

“Jesus Christ.”

“Yeah,” Rusty said. “That was pretty much my reaction.”

For a moment they stood there, two tall male shapes looming over a plump female form in a spattered floral dress.

“Found her just like this?”

“That’s right. I didn’t touch anything.”

“How long?”

“Can’t be much more than fifteen minutes. I called right away.”

“You know her?”

“Her name’s Thelma Garrett. She’s my landlord.”

The sound of that didn’t sit right with Rusty; it was too removed and devoid of any kind of feeling. He almost added something like, ‘She was kind to me’, but figured that was bound to come out wrong.

The cop finally looked up from the old woman’s body, seeming to peel his eyes away by an act of will.

“You live here?”

“No. She owns … owned a second house not far from here, on Echo Run. I’ve been renting it.”

Those words brought on a sudden rush of memory. Rusty could see with total clarity in his mind’s eye the day he first met Ms. Garrett. Just over ten months ago, on a frigid January morning. The meeting didn’t happen here but at the rental house he’d occupied ever since.

At the time Rusty was so disoriented at finding himself back in Ocean Pines after such a prolonged absence that he had some difficulty maintaining a conversation with the chatty spinster. He agreed to her proposed rental fee, which seemed low for a three-bedroom furnished property overlooking Isle of Wight Bay. Location alone must have made the house a highly desirable piece of real estate, and he couldn’t figure why she was willing to rent it out for such a reasonable sum.

Speaking in the kindly, crinkly voice he’d come to associate with her in all moods, Ms. Garrett replied she had no use for the property or a large boost in income. Once shared with her husband and the scene of many festive gatherings, it was too big for her current needs. And too lonely. Living as a childless widow in a modest two-bedroom tract house on nearby Heron Lane was much more comfortable.

Thelma (she’d insisted Rusty use her first name) didn’t want to go through the hassle of trying to sell the larger house in a lackluster market, and was glad to simply know it would be occupied after many dormant years. It depressed her to think of the house where she and her family had shared so many good occasions sitting dark and forlorn all this time. Rusty signed the lease, feeling halfway guilty for paying so little.

“How’d you happen to find her?” the patrol officer said, yanking Rusty back from his reverie.

A slight whiff of something Rusty didn’t like crept into the cop’s voice. A taunt, almost, most likely the by-product of youth and rattled nerves. He scanned the badge pinned to the kid’s chest.

“Tell you what, Officer Neely. Why don’t we go through the whole thing when a detective gets here. Someone’s on the way, right?”

“I’m the one you need to talk to now.”

“Officer, trust me. I’m going to give my full cooperation. Whoever did this needs to …”

He stopped. The cop was looking at him with a new kind of scrutiny. Now that the initial shock of seeing the dead woman was fading, he seemed to take a full view of Rusty for the first time. The expression on his face didn’t make much of an effort to hide a sense of disgust.

Rusty suddenly wished he’d kept his leather jacket on, but the living room had become stifling as he stood here waiting for the cavalry to arrive. The jacket lay draped on a sofa and he was wearing a black tank top, leaving his shoulders and arms open to easy view. Perusal would be more accurate, given the snaking tracks of words and symbols tattooed across much of his upper torso, coiling around the back of his neck and splitting into two vines that reached down both arms almost to the wrists.

“Latin, for the most part,” he said with a self-deprecating shrug. “Just for looks, really. I don’t know what half of it means myself.”

Officer Neely’s posture tensed visibly. His fingers once again found a place to rest on his gun.

“Turn around slowly, and show me your hands.”

Rusty tried to pretend he’d misheard.

“Sorry, what?”

“Come on, do it.”

“You’re going to cuff me? I’m the one who called this in, remember?”

“Just turn around. We’ll keep you nice and snug till backup gets here.”

“Look, I’m as freaked out as you are. But I didn’t do anything to this poor woman.”

“You’re resisting? I said let’s see those hands.”

He unsnapped the button on top of his holster. It seemed like a good moment to do something.

“For the last time, turn around!”

Rusty knew he could disarm this uniformed frat boy in just about 2.7 seconds. The task wouldn’t present much of a challenge. He could easily divert Neely’s eyeline with a lateral, non-aggressive movement of his left arm.
Momentarily distracted, the cop would never see the fingers of Rusty’s right hand extracting a one-inch smoke pellet from a customized hidden pocket in his jeans. Pinched at the proper angle, the pellet would explode in a blinding flash followed by a plume of gray smoke. Utterly harmless but highly effective for misdirection.

The span of time Officer Neely would need to recover from his surprise would offer Rusty ample opportunity to relieve him of the gun. Using his fingertips, he’d grab the wrist and isolate pressure points causing Neely’s hand to open involuntarily. From there, Rusty would simply reposition his body at a 45-degree angle and use his left hand to retrieve a sterling set of monogrammed handcuffs tucked in a different hidden pocket. One more second would be sufficient to cuff the young patrolman to a column of the bannister directly behind him.

They were only trick cuffs, but Officer Neely didn’t know that. And unless he could perform with great precision, the sequence of twisting wrist movements needed to unlatch them, the knowledge wouldn’t do him any good.
So, yes, the maneuver would surely come off. Just as successfully as it had in a thousand performances, even if those all occurred some time ago and Rusty’s reflexes were no longer quite what they used to be.

But what would any of that accomplish other than to greatly amplify a sense of suspicion for his role in a brutal murder he had absolutely nothing to do with? Plus bring on a raft of other charges for failing to comply with orders, impeding police business, assault, et cetera. Obviously it was a bad play all around, however tempting.

So Rusty slowly turned 180 degrees and lowered his hands. Audibly relieved, Officer Neely stepped forward and bound them with a pair of un-monogrammed OCPD handcuffs. They closed around his wrists more tightly then necessary, pinching hard on the skin.

Hearing the cuffs snap shut, Rusty glanced up and was startled by his reflection in a mirror above the sofa. He’d deliberately removed all mirrors from his own residence the day he moved in, and hadn’t gotten a good look at his face in many months.

Given his appearance today, he could hardly fault this overeager junior lawman for wanting to lock him in restraints. For a guy who’d once placed such a premium on maintaining a well-cultivated exterior, it was shocking to see just how unkempt he was. Had he really let himself go that much in the past year? Evidently, if the mirror was to be believed.

His long black hair, once treated daily by a personal stylist, was now a ratty mane. The two-pointed devil’s goatee, formerly a key visual hallmark of his stagecraft, looked no more than an uneven graying scrub. And all that ink: pentagrams, death’s head skulls and weird incantations etched up and down his sinewy arms.

Hell, anyone with a working pair of eyes would find Rusty Diamond a more than credible murder suspect.

Author Bio:

The new thriller by Austin Williams, Misdirection, is now available from Diversion Books. It is the first novel of The Rusty Diamond Trilogy.

Williams is the author of the acclaimed suspense novels Crimson Orgy and The Platinum Loop. He is the co-author (with Erik Quisling) of Straight Whisky: A Living History of Sex, Drugs and Rock ‘n’ Roll on the Sunset Strip.

He lives in Los Angeles.

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